reunionatdawn

[reunionatdawn]

My Analysis of the Best Paired Endings in 3H (Part 20: Non-AM Ingrid/Ashe)

Felix: If I were to die here, would you say something like you did when it was my brother? "That's the true end for a knight."

First things first, I personally think Rodrigue's comment came off substantially worse in Japanese than it did in the localization. In English, his reaction came off more as passive acceptance. Like, "well at least he died so honorably". In Japanese, I don't think it was quite as passive. The part "だ" at the end of the sentence implied the expectation or ideal of what a knight's end should be.

Dimitri: …And you would hold up such a painful end as an ideal? Ingrid: Painful end…? Even if it's Your Highness speaking, I cannot let that pass. Glenn gave his life for you. Yet, to put it that way…! Dimitri: You didn't witness his final moments. …That's why you can say that. Ingrid: …No matter what Your Highness says, he will forever be the ideal knight to me, the person to aspire to.

That was also what Ingrid thought of as the ideal death. It's how she hoped to die, when the time came. And at the very least, that probably seemed better to her than dying as a bored and lonely housewife to some nobleman she had to marry for financial reasons.

Ingrid: Now that I have parted ways with my father, there is nothing to hinder my dream. However, even if I become a knight in the future, deep inside my heart… I feel like something will always remain blocked. As someone born not as a knight but as a noble, I wonder if there was a role for me to fulfill…

In VW, Ingrid runs away from home to pursue her dream of becoming a knight. The Japanese word she used in her A-Support with Byleth was "つかえる" (tsukaeru). It means "to be blocked" or "to be obstructed." In this context, it conveys the idea of being unable to move forward emotionally or mentally. She says this no matter what route you choose. Even in AM, she had doubts about knighthood.

I believe AM!Ingrid is probably pretty happy. The Kingdom doesn't collapse, Dimitri survives to become a righteous king, she stays on good terms with her father, she can pursue her own goals instead of just getting married, and her childhood friends Felix and Sylvain are alive and well (unless you let them die in Classic Mode, I guess).

However, I also know that her non-AM endings—where she doesn't become a knight—are very popular and many consider them better than her AM endings. I completely understand why, and I actually agree with that notion very strongly. I don't think Ingrid becoming a knight after the war is necessarily terrible, especially if she has a life partner. I just think she probably experiences more positive character development and personal growth in Verdant Wind than Azure Moon.

Ingrid: ...Your Highness. I will not throw away my life for someone else's sake. ...However, would you permit me to live for someone's sake, Your Highness? Not in the sense of throwing away my life — I want to dedicate my life to you. Dimitri: ...Wait. How should I interpret that? Ingrid: ...? However you like, Your Highness.

In Ingrid's A-Support with Dimitri, you learn that her dream of becoming a knight was probably influenced heavily by her feelings for him. She probably had a crush on him ever since they were kids and she fantasized about being the Kyphon to his Loog. She probably thought that if she pledged her life a knight, she could be by his side, almost like a wife. And she sincerely thought that she wouldn't mind dying for him, either. It'd just be dying for the person she loved.

Dimitri: Ingrid. Once this battle is over, I want you to… ………………。...As a knight, I want you to support me. … I've been thinking of saying that for a while. We get along well, don't we? Ingrid: … As a knight? Um, well, no! It's nothing! Of course, even without being told, I intend to fight for Your Highness… I mean, for our country.

In her A-Support, she told Dimitri that she was finally able to move on from Glenn's death now because of him. And she basically proposed to him. But he turned her down, only asking her to be his knight, not his wife. She was disappointed, but still accepted. And she serves as a knight to House Blaiddyd in most of her AM paired endings.

Ingrid: Whatever the path, I will fight for my lord and believe in him. ……!

In VW, Dimitri was going down a dark path, and he was willing to sacrifice all of his childhood friends just to satisfy his personal grudge against Edelgard. An unrecruited Ingrid still clung to her dream and chose to go along with whatever path her lord chose. And it's definitely portrayed as negative development for her.

Ingrid: I apologize, Your Highness… I am not… like that person… Dimitri: Ingrid…….

I don't know why the localization changed Ingrid's VW death quote so much. But in Japanese, it gives off a completely different meaning than in English. She was, of course, referring to Glenn. It implies that she didn't feel like she could live up to being the ideal knight. When it truly came down to it, she realized that ideal wasn't what she aspired to, and she really wasn't content to lay down her life for Dimitri.

Felix: Those who want to die, step forward. …I'll cut you all down at once.

VW was absolutely NOT Felix's ideal death. His ideal death was to spend his life with Sylvain and grow old and die peacefully alongside him. Sylvain is actually the only partner Felix can't end up with in VW because he feels too guilty about living for himself. But left unrecruited, Felix will fight very hard to survive.

Felix: Gasping for air…… This place ……My place to die…… Dimitri: ……Felix.

Felix's VW death quote is very interesting in Japanese. The first time he used the word "place" he used "ところ" (tokoro) and the second time he used the word "場所" (basho). "Basho" primarily refers to a physical location. "Tokoro" is more flexible and versatile. It is often used in expressions related to time or states of being.

Sylvain: Finally… I can go to the place where they are…

Sylvain also used "tokoro" when he died in CF. This is the way I interpreted Felix's Japanese VW death quote. He was having a vision of being someplace else. Like an afterlife place. And he realized that the physical place he was in was where he was going to die.

Sylvain: Well… this is fate for you. Sorry, but… quietly accept it.

Sylvain's VW battle dialogue is a bit colder in Japanese. He tells the enemy to just accept their fate, the way he thought he had to when it came to his arranged marriage. He realized it's kill or be killed. And he didn't want to die. He apologized with the word "悪い" (warui). Specifically, the word translates to "bad" or "evil." But it can also describe moral judgments or expressions of regret. Like "my bad".

Sylvain: Hey, Your Highness… enough…let's put an end to the bad dream, yeah……?

Sylvain's unrecruited death quote in VW is completely different in Japanese. In English, they just reused his Classic Mode death quote for some reason I can't understand. But in Japanese, it's interesting because the standard word for "nightmare" is "悪夢" (akumu). It is the common way to refer to a frightening or distressing dream during sleep. But Sylvain used "悪い夢" (warui yume).

While grammatically correct, it's not frequently used to describe nightmares that way in everyday language. Sylvain's dream was to die alongside Felix. But not THIS way. And in Japanese, he could only cope by telling himself that it was all just a bad dream.

Dimitri: ………………。

There are many ways to interpret Dimitri's response to Sylvain's death. Unlike with Felix and Ingrid, he didn't say his name out loud. But I don't think it was because he felt less emotion when Sylvain died. Because he also just says "……." for Mercedes. But with Sylvain, it's a much longer ellipsis. Personally, I think that Sylvain's dying words were so disturbing that he was just rendered speechless.

Felix: …I've known that boar prince since before birth. Before I knew it, he was always by my side… Maybe he was even my close friend. Byleth: Maybe? Felix: …I didn't understand his hatred or his agony toward the Empire at all. If it were me… Could I have saved him? Could I have stopped him?

After Dimitri's death, Felix used the term "親友" (shinyuu). It means "close friend" or "best friend." The localization chose "best friend". But in this context, I personally believe he was using it to mean "close friend". "Shinyuu" implies a close friendship, but it doesn't necessarily mean that they are your single closest friend like "best friend" does. Felix was saying that he used to consider himself to be close to Dimitri. But in hindsight, maybe they were never really as close as he thought they were, because he never truly understood his feelings.

Sylvain: There's nothing left after he wields his lance. It's like being hit by a great storm. …What drives him to that extent is probably his hatred toward the Empire, after all. Byleth: Wasn't he different before? Sylvain: Yeah... Maybe it's just that we didn't know him back then.

Sylvain has a similar line in CF where he admits that maybe they didn't really know Dimitri that well, after all. He used "we", so he was definitely including Felix and Ingrid along with himself.

Ingrid: I have known His Highness since childhood, but… I have never seen him like that before. The person we have known until now seems completely different…

And after the Holy Tomb, Ingrid admitted that she'd never seen that side of Dimitri before. She may have thought she was in love him, but she was in love with an idealized image of him based on who she knew as a kid. Not the person he really was as an adult.

Ingrid: Among the soldiers we captured in the previous battle, there were quite a few who served His Highness. One of them told me that the Empire was involved in the "Tragedy of Duscur." If that's true, then perhaps I should have fought alongside His Highness in the army as well… (Option 1) Byleth: Why? Ingrid: I also… lost the person who was most important to me in that incident.

After the battle at Gronder in VW, Ingrid made it clear that Glenn was the most important person in the world to her. He was the reason she felt guilty about not fighting alongside Dimitri with the Kingdom.

(Option 2) Byleth: Do you regret it? Ingrid: No, not now. I actually think it's better that I'm part of this army. We will carry on the wishes of those who perished. We won't let the Empire's atrocities happen again.

You gain Support points if you ask her if she regrets her decision. And she doesn't. She's glad that she survived. She spent so long idealizing a knight's death. But when it came down to it, she was glad that she didn't die mindlessly following the orders of her king. This is especially poignant if you didn't recruit her childhood friends Felix and Sylvain, who did die painfully, never fulfilling their own dreams.

Ingrid: What will happen to Faerghus… to Fódlan, once this battle is over? Byleth: There will be peace. Ingrid: Peace… you say. I don't wish for such grand things. But… I just want a world where people are no longer dragged into conflict and schemes, where there is no suffering, no loss of life. No… I believe it's our duty as survivors to create such a world.

Ingrid experiences very positive character growth when she lets go of her childhood dream to become a knight and finds a new purpose.

王道 (Ōdō): -王 (Ō) means "king" or "monarch," while 道 (dō) means "way" or "path." -王道 generally refers to the "right" or "proper" way of doing things, often associated with traditional or conventional norms, values, and principles. -It can also refer to the "path of the king" or the ideal path of leadership that embodies virtues such as wisdom, benevolence, and justice. -王道 emphasizes legitimacy, morality, and adherence to established rules and traditions in governance or leadership.

The developers said the CF represented 覇道 (Hadō) and AM represented 王道 (Ōdō). In that case, VW would be somewhere in-between. 王道 emphasizes moral, legitimate, and traditional leadership principles, whereas 覇道 suggests a more aggressive pursuit of dominance, often without regard for moral or ethical considerations. The positive side of AM is that Dimitri eventually does become a benevolent monarch.

Dimitri: Ashe, what do you think a knight is? Ashe: Huh? Someone who risks their life to protect the people, the king, and ultimately, the country…? Dimitri: Indeed… Many say that's what a knight should be… But the reality isn't so beautiful. Ultimately, a knight is someone who kills. The chivalric code preaches loyalty only to control knights and prevent them from betraying their liege.

But the downside is perhaps that it ends too conventionally. AM overall sticks to the "proper" and traditional way of doing things, which Claude was opposed to. And I would say that Claude was opposed to those traditions for good reason.

Ingrid & Ashe (Non-AM) Ingrid pleaded for the survival of the confiscated Galatea territory and was appointed its new lord. To support her, Ashe headed to Galatea territory. There, he faced the cold gaze of the people directed towards Ingrid, who had once fled from the Galatea family. Ashe supported Ingrid devotedly and worked hand in hand to reform the territory and improve agricultural techniques. Gradually, as people witnessed their efforts, the attitude of the residents softened. Eventually, the two, who had come to love each other, received a grand blessing from the residents and held a simple yet lively wedding ceremony.

I still think that Ashe is a fantastic partner for Ingrid in VW. And from an objective standpoint, I do think that this is a better ending than their AM counterpart. I think that helping Galatea become more fertile would be more fulfilling for both Ingrid and Ashe than becoming knights. But in VW, Ingrid's childhood friend group is pretty much decimated, which is a high price for her to pay.

#fire emblem #fe3h #ingrid brandl galatea #fe3h meta #ashe duran #ashegrid #fire emblem three houses

[reunionatdawn]

I love all your 3 houses meta, they’re so well written and interesting. Can’t stop thinking about them. (and they’re easy to follow haha) I especially love your sylvix one :]

Oh wow, thank you so much! That really does make me incredibly happy, seriously! I’m glad you enjoyed them, especially the Sylvix one. :]

Cannot lie, that was my favorite one to write. Those two are my favorite characters and by far my favorite ship. Such a beautiful relationship with a great concept behind it. I started playing 3H for the first time almost a year ago and I still think about them all the time. I’ll have to do more Sylvix posts eventually.

#sylvix

[reunionatdawn]

A Midsummer Night's Dream: Analyzing the Romantic Subtext of (Japanese) KH 358/2 Days

Day 94 ~Hearts~

Roxas: What are we fighting for? Axel: We're fighting for the greater Kingdom Hearts, didn't you see it today? Roxas: [...] Is Kingdom Hearts really that important? Axel: Hey, what are you talking about now? Roxas: But, since I don't have a heart, I don't really understand. Axel: Roxas... If you had a heart, you'd surely understand. That's why we're seeking hearts, right? Roxas: I see... That's right...

I will be using my own translations for most of this meta, because nuance is very often lost in the localization process. The mission for this day took place at the Beast's Castle. Roxas was intrigued that the Beast was personally fighting the Heartless even though he had servants. He had an important reason to fight, something to protect.

This only made Roxas question whether he had any good reason to fight Heartless himself. When he used the word "important" he used "大切な" (taisetsuna). It tends to emphasize emotional or sentimental value rather than practical importance. And in Japanese, it was a tiny bit more suggestive that Axel already knew why having a heart was so important. He already had his own reason to fight.

Day 94: The plan is proceeding smoothly, but... (Saïx) Thanks to Roxas and Xion, the wielders of the Keyblade, hearts have converged, and the great Kingdom Hearts has appeared before us. Our objective is being achieved. Every plan is proceeding smoothly. The fact that everything is going so smoothly is cause for concern, but perhaps I am overthinking it.

In both the Japanese and English versions, Saïx expressed paranoia about how smoothly the process of completing Kingdom Hearts was going. The phrase, "The course of true love never did run smooth" is one of the most famous quotes from A Midsummer Night's Dream. Essentially, the quote suggests that real love is not always easy or straightforward; it requires effort, perseverance, and the ability to overcome obstacles. This quote is relevant because there is evidence that the entire game's narrative was inspired by that play. It's similar to how Versus XIII was originally going to be inspired by Hamlet.

Day 96 ~Xion's Keyblade~

Sora: Kairi, you can't come. Kairi: Why not? Sora: I can't risk putting you in any more danger. Kairi: But we've faced danger together before, haven't we? I get more anxious when I'm alone. Sora: Even if you're not with us, Kairi, we're not alone anymore. Right? Kairi: Am I a hindrance? Sora: Well, yeah, kind of. Kairi: I see. Okay then. Take this. It's an important charm, so make sure to give it back!

In both the novel and manga, Xion mentioned that she could still feel the warmth of Roxas's hand on his Keyblade. It was meant to bring to mind several scenes from KH1, such as when Sora regained his ability to use the Keyblade, as well as when Kairi gave Sora her lucky charm. Wherever he went, she'd always be with him in his heart.

Axel: Oh, Roxas, are you going to Beast's Castle? I went to investigate yesterday, but those Heartless seemed pretty tough. He might have a hard time alone~. Saïx: Are you suggesting they both go together? Axel: I'm heading to Agrabah. Is that a problem? Saïx: Can you handle defeating the Heartless in Agrabah? Axel: It's fine. I'm strong enough.

The "~" is often used to indicate a trailing off or unfinished thought, similar to an ellipsis (...) in English. It suggests that the speaker is leaving the sentence open-ended or implying that there is more to say but chooses not to express it explicitly.

Axel: Heartless, why do they move so annoyingly? Thanks to them, I got hit. Roxas: Weren't you supposed to be strong? Axel: That's a separate issue.

I think it's more obvious in Japanese that Axel was trying to convince Saïx to let them go together by reminding him of some past situation when Isa relied on Lea in a similar way, leaving him to face a tough situation all by himself. The idea for Roxas to work twice as hard to make up for Xion's uselessness was Axel's idea, after all.

Xion: It's all thanks to Roxas and Axel. Axel: I didn't do anything. Xion: In the morning, you arranged for us to go on the mission together. Roxas: If it weren't for you, Xion might not have been able to reclaim her Keyblade. Xion: Thanks, Axel.

On Day 72 called "Change," Axel was bothered that Saïx didn't even seem worried about him while he was away at Castle Oblivion. And he did not thank him for doing his dirty work (even at the risk of his own life) when he returned. It was the first thing he mentioned. But Roxas and Xion thanked Axel profusely for his help. And it just seemed to make Axel very depressed.

Axel: How about a sea-salt ice cream? With that, this incident will be water under the bridge.

In English, Day 8 is the day Axel treats Roxas to ice cream and it is called "Icing on the Cake". In Japanese, it's called "ごほうび" (gohoubi). It means "reward" or "prize". It refers to something given in recognition of one's efforts or achievements, often as an incentive or encouragement. It's interesting because Axel didn't like the taste of sea-salt ice cream anymore. In the opening song, he grimaced when he first bit into it. He was only eating it due to its sentimental value.

Roxas: It would be nice if we could always be together like this. Axel: Where did that come from all of a sudden? Roxas: I was thinking it would be nice if every day, after our missions, the three of us could eat ice cream together and watch the sunset. Axel: Well, that's an impossible wish. After all, we're Nobodies.

Axel was pretty blunt here with his cynical outlook.

Pence: I wonder if we can always be together. Olette: I hope so. Hayner: Huh? What's with the sudden talk? Pence: Oh, just thinking. Hayner: Well, realistically, I doubt it. But that's just how it goes when you become an adult, right? What's important isn't how many times we meet, but how many times we think of each other.

Because he was already an adult.

Axel: What's important isn't seeing each other every day. It's more important to always think about each other, even when we can't meet. ...Got it memorized? Roxas: That doesn't suit you. Axel: Shut up.

In the DS version, after his blunt comment, Roxas and Xion lowered their heads. And it was only then that Axel changed his tone. When he used the word "important" he also used "taisetsuna". It would sound quite sentimental, so it's a bit out-of-character for him at this moment in the story. Axel didn't laugh along with Roxas and Xion when they started teasing him. Because his comment wasn't really directed at them. He had only known them a few months and didn't feel particularly sentimental towards them, at least not yet.

Day 96: Friends (Axel) Recently, I feel like I spend more time talking with Roxas and Xion than with my original comrade Saïx. So this is what having friends feels like.

That comment was said with Saïx in mind. On Day 75, Axel told Roxas and Xion that he didn't have a best friend. He used to. But they didn't have the same type of relationship they had as kids anymore. it had been so long since they had spent time hanging out and eating ice cream together that Axel forgot what friendship even felt like.

Day 117 ~Secrets~

(KH2 Novel) Naminé: Do you think Nobodies really don't have hearts? Who told Axel he doesn't have one? The heart—there are secrets that—

There were many "Secrets" being referenced on this day. The first was the secret of the heart, which Naminé alluded to in the KH2 novelization. This day showed how Axel had begun to grow a heart. He was annoyed that Saïx didn't knock, and he wanted him to get out of his room as soon as possible because it hurt to be around him.

Saïx: "The Chamber of Waking," contrasting with the "Chamber of Repose," holds a true purpose that Xemnas has not disclosed to anyone. Clues to this lie within the "Chamber of Waking." If we seize them, we can gain the upper hand, even concerning our objectives.

Saïx's main priority was completing Kingdom Hearts. But he didn't trust Xemnas and suspected that he had a secret agenda, which turned out to be true, as we saw in Dream, Drop, Distance.

Xion: When I sit here and talk with you guys… I get the strangest feeling… that a long time ago, I used to watch the sunset with somebody else. It's the same when I watch the sea. Someplace by the sea…where I hear the sound of the waves… I get the feeling that I was talking with someone. [...] You have memories, don't you, Axel? Axel: Well, sort of. Even if I do have them, they're not of any use at all.

Another secret was related to Xion's birth. Axel wanted to go to Castle Oblivion because he was curious about her origins. Xion remembered Kairi watching the sunset and telling Sora not to change. It was one of Sora's most precious memories and it was why Xion could awaken a heart. And it was also meant to depict Kairi's anxiety and loneliness over how, as we get older, we find a distance growing between us and our close friends. And that's something she had in common with Axel.

Day 118: What's Changed... (Axel) When I talk with Roxas and Xion, I often reminisce about my days as a human. Reflecting on various childhood memories, I find myself feeling inexplicably strange. I should be able to have such conversations with Saïx, but strangely, I don't feel inclined to do so. It's just a strange sense of nostalgia. It's not me who's changed... it's you.

Based on subtext, we can probably assume that Axel began to awaken a heart by spending time with Roxas and Xion because they reminded him of his childhood. Therefore, Axel's memories of the time he spent with Isa were implied to be his most precious.

Day 119 ~Accomplishment~

Day 119: Hearts and Emotion (Xaldin) Observing that foolish beast, one can see clearly how humans are often governed by trivial matters. It was precisely because we did not desire to be ruled by emotions that we chose to become Nobodies. It was much later that we realized the magnitude of that loss. While we understand that there are things that cannot be accomplished without a heart, emotions are still unpleasant.

The above quote from A Midsummer Night's Dream was spoken by the character Helena. It reflects the theme of love's unpredictability and irrationality that runs throughout the play. It suggests that the pursuit of love can often defy logical reasoning and that the dictates of the heart may not always conform to the dictates of reason.

Xaldin: If it's something he treasures, it means his heart is captive to it… When the heart is stolen, that becomes a weakness. Roxas: The heart is stolen…? I don't quite understand.

Once again, the word "大切" (taisetsu) was used, to indicate that the Beast fought so hard to protect the rose because he placed value on it for some emotional reason rather than for its practical utility. Xaldin's goal was to use the Beast's weakness to literally steal his heart and turn him into a Heartless. Idiomatically, to have one's heart stolen refers to intense feelings of romantic attraction or love.

Roxas: I understand what [the Beast] treasures now. Xion: What he treasures...? Roxas: But Xaldin said that could become his weakness. Xion: Can something valuable become a weakness? Roxas: I'm not sure... Xion: I wish Axel would come back soon...

Roxas and Xion figured that Axel would surely understand this concept and explain it to them. And in KH2, Axel was desperate to turn Sora into a Heartless, and he knew the way to do that was by targeting the person who stole his heart, which was Kairi.

Ansem's Report 4 Heartless are born from those who have their hearts stolen, and they proliferate by stealing them from other beings. What's stolen by the Heartless becomes the nourishment for creating new Heartless. While there's no certainty, I am confident in my theory. Let's verify it further by providing a large number of organisms. Furthermore, we must continue researching the behavioral principles of Heartless.

We can probably assume, based on the Ansem's Reports from KH1, that Xaldin and Axel both knew all about this principle because of their involvement in Xehanort's research as apprentices.

Ansem's Report 8 Heartless are naturally born from those who have lost their hearts. If we apply the principle of the heart, could we not synthesize them? Thinking so, I utilized the results of previous research to complete the device. When I tentatively activated it, the Heartless emerged without any problems. If we further improve this device, it may even be possible to generate them from nothing.

The experiment to generate Heartless using the device in the Heartless Manufactory was the topic of Ansem's Report 8 in KH1. During that experiment, the "principle of heart" was used.

Xemnas: The experiment to generate Heartless was an attempt to control the mind and abandon the ego. Even if we made one lose their heart that way, one could still harbor a heart in their body, which serves as a vessel.

And it's clearer in the Japanese version of KH3D that this Heartless-generating experiment was conducted for the purpose of creating a vessel. It's important to note that the word for "mind" is "精神" (seishin). It refers to the mind, spirit, or consciousness of a person.

(KH2 Novel) Saïx: How do you expect to protect anything when you've cloaked yourself in darkness? You sold your soul for power. Was it worth it?

"Seishin" can also mean "soul". While "soul" is a more metaphysical and spiritual concept in English, "seishin" encompasses both the psychological and spiritual dimensions of human consciousness in Japanese. During the experiment, the intended target was most likely Lea. Isa was probably just meant to be his weakness. But Isa probably sold his mind/soul for power in order to protect Lea. And that would most likely be the origin of his beastly berserker state, as well as why Isa became the vessel instead of Lea.

Day 150 ~Fear~

Xion: One more time... please! Saïx: We don't have that much time on our hands. It's clear you were just a failure, after all.

It's important to note that Saïx used the word "失敗作" (shippaisaku) here. It means "failure" or "failed work." Also, there was a slight change in the localization during this conversation. Saïx didn't say they couldn't afford to waste any more chances. He said they couldn't afford to waste any more time. It's subtle, but it's significant.

Xaldin: Ah… If something isn't done before that rose withers, it seems the curse he was placed under won't be lifted. Roxas: Come to think of it, the servant guy said our time left is short. Xaldin: …He did say that… The curse… the Beast's form… the rose… Hehehe… This could be useful.

In English, you miss out on the uncanny similarity between Saïx and the Beast. They're both cursed, they both wish to become human once more, and both are running out of time. The subtext implies that Saïx wanted to complete Kingdom Hearts because he wanted to love and be loved in return. For who could ever love a beast? Saïx even has a weapon called "Werewolf," a beast tied to the full moon.

Day 150: Handling Xion (Saïx) Is it about time the limit of the replica has been reached? I thought the plan was going smoothly, but ultimately, it's just a puppet… So, of course there's been a problem, after all. I completely fail to understand how this puppet can weigh so heavily on Axel and Roxas's minds. Perhaps we should also consider how to deal with Xion going forward.

"The course of true love never did run smooth". Saïx thought the plan was going smoothly, but of course, it's never so easy. Technically, they would be able to complete Kingdom Hearts with just Roxas. As long as they had one Keybalde wielder, Xion wasn't truly needed. Saïx was quite displeased that Axel was treating Xion as protectively as he used to treat him. And due to that, he wanted to dispose of her.

Roxas: Axel, is there something you don't want to lose? Axel: Something I don't want to lose? Why the sudden question? Roxas: I met someone today who has something they don't want to lose. It's something really precious to them. Xaldin said it could become their weakness. I don't have anything like that... Axel: Well, that's obvious since we don't have hearts. Roxas: Do you think so? For example, if we took away Demyx's sitar, he'd probably object. Axel: Well... I suppose that's true. Even without hearts, there are things we don't want to lose. In that case, for us Nobodies, the things we don't want to lose might be our past memories. Past memories create the things we don't want to lose.

The memories Roxas made since joining the Organization were all he had. That's what he couldn't bear to lose. But what Axel couldn't bear to lose were the memories of his past. His human days. On Day 117, he told Xion that his memories were of no use. He used the phrase "役にも" (yaku ni mo). It means "useful" or "helpful." It indicates that something serves a purpose in some practical way.

But again, the word "taisetsuna" was used, which tends to emphasize emotional or sentimental value rather than practical importance. We can probably conclude that what Axel couldn't bear to lose were his memories of Isa. Because Isa was what he was afraid to lose when he was a human. But since Isa changed, memories were all Axel had left.

Day 152 ~The Wrong Button~

"The lunatic, the lover, and the poet are of imagination all compact. One sees more devils than vast hell can hold: That is the madman. The lover, all as frantic." (William Shakespeare, A Midsummer Night's Dream)

There exists a cultural belief that the full moon is tied to mood swings, also known as the "lunar effect" or "lunar influence". "Xion" sounds like "潮" (shio) which is the Japanese word for "tide". And it is the moon's gravitational effect that has an influence on the tides. Symbolically, it was fitting that Saïx was the one who triggered Xion's mood swing and caused her to doubt her purpose for fighting.

The quote from A Midsummer Night's Dream was spoken by Theseus. He suggests that lunatics, lovers, and poets are all deeply influenced by their imaginations. Their thoughts and perceptions are shaped by the creative and often irrational workings of the mind.

The lunatic perceives imaginary demons and threats that aren't present in reality. His mind is consumed by delusions and irrational fears. Similarly, the lover is described as "frantic," indicating that love can also be a state of heightened emotion and irrationality. The lover's imagination may lead them to idealize their beloved or perceive obstacles that aren't actually there.

Axel: ...Girls are complicated, you know. Roxas: How did you know I was thinking about Xion? Axel: Because you're simple, Roxas. Well, all Nobodies are simple, but... Roxas: Are humans complicated? Axel: More complicated than Nobodies, but girls are even more complicated.

Axel obviously thought that Roxas and Xion had a little lovers' spat. And since Roxas had slowly been developing some kind of feelings for Xion due to the influence of Sora's memories of Kairi, that's probably an accurate assumption. Axel just laughed it off because he thought Roxas's infatuation was making him act paranoid.

Axel called Roxas "単純" (tanjun). It means "simple" or "plain." It can refer to something that is easy to understand, uncomplicated, or straightforward. It can also imply a lack of complexity or sophistication. Additionally, it can be used to describe a person who is straightforward or uncomplicated in their thinking or behavior.

(KH Days Novel) "Is this about the defective thing in our midst?" asked Saïx. "Am I that easy to read?" Axel shrugged. "Yes, because you're completely guileless. You always were." "Excuse me? Were you always such a jerk?" Axel retorted, taking a seat on a shelf across from Saïx.

Axel was always giving Roxas advice on matters of the heart based on his own personal experience. Because this day was about the differences between men and women, it's easy to assume that it wasn't about Saïx. But in the novel, Saïx also calls Axel "単純" (tanjun) after Xion collapsed and he was in a bad mood.

In many cultures, the moon is seen as a symbol of feminine energy and is associated with emotions, intuition, and the subconscious mind. Saïx has a few weapons named "Selene" and "Artemis". The writers chose two lunar goddesses from Greek mythology, even though they could easily have chosen male lunar deities such as Chandra or Thoth. This was to associate him with femininity.

Saïx's default weapon called "Lunatic". He also has a weapon called "Crescent" which is part of the Wild Gear set. It is shaped like the symbol for Black Moon Lilith (⚸). She is associated with primal feminine energy and the shadow self. She embodies the darker aspects of the feminine psyche and represents the shadow side of femininity, including themes of rage, jealousy, and vengefulness.

Day 171 ~Love~

Xaldin: However… the notion of love for a beast…is truly foolish. Roxas: Love? …What is love? Xaldin: It refers to the emotions that are budding between those two. Roxas: Emotions… Xaldin: Hmph… The power of love is nonsense. Roxas: The power of love? Is it some kind of special power?

One of the most famous quotes from A Midsummer Night's Dream is spoken by the character Puck. It reflects his observation of the foolishness and irrational behavior of humans, particularly in matters of love and romance. It has become an iconic quote and is often cited in discussions of human folly and the whims of love.

Roxas: What is love? Axel: Huh? Roxas: How can the power of love be born? Axel: Love is a special power that only humans possess. Roxas: Nobodies don't have it? Axel: Those kinds of things require a heart. Roxas: ... ... ...

Roxas wasn't particularly motivated to complete Kingdom Hearts on Day 94. But on this day, he seemed fascinated with the idea that he could love someone when it was complete. Roxas is simple. It's probably safe to assume that his interest in love had to do with Xion.

Axel: It's born only between beings that are special and more than just friends. That's love. Roxas: More than friends... so like best friends? Axel: It's a bit different from best friends... Roxas: Is there a relationship above best friends? Axel: It's not about above or below. Roxas: I don't really understand... Axel: Well, we don't have hearts, so it's irrelevant to us. Roxas: If we had hearts...would we understand? Axel: Once Kingdom Hearts is completed, you'll understand too.

Axel suggested that once Kingdom Hearts was completed, Roxas would also be able to understand love like humans could. The Japanese wording doesn't explicitly state whether Axel himself already understood or not. But based on the subtext, we can probably assume that he already knew what it was like to feel love. He loved his best friend and wanted to experience that feeling again.

Day 171: Project "No.i" (Saïx) Xion failed her mission. If this state continues in the future, it would be better to eliminate this replica and proceed with copying using the next one, which should result in a replica with higher capabilities. After all, "No.i" is part of the initial batch, so there are concerns about its abilities. The current situation could also be perceived as a malfunction. What on earth is Xemnas thinking?

On this day, Saïx was more determined than ever to dispose of Xion. Of course, as the Shakespeare quotes suggest, he was being entirely irrational and perceiving a threat that wasn't really there.

Day 172 ~Sound of the Surf~

Saïx: Xion is sleeping right now. Even if you go, you won't be able to do anything. Roxas: It's not about whether I can do anything or not! Saïx: Why are you so concerned about such a failure? Roxas: Failure? Are you talking about Xion?

In Carl Jung's psychology, the concept of the mirror is often used metaphorically to represent the relationship between the conscious ego and the unconscious shadow. The shadow encompasses traits, desires, impulses, and emotions that individuals find unacceptable or shameful, and that they may be repressing. That's why Aqua's shadow-self emerged from the magic mirror.

Jung proposed that individuals often project their unconscious shadow qualities onto others, perceiving them as externalized aspects of themselves. Like a mirror, other people and external events reflect back to us aspects of our own psyche that we may not be aware of or are reluctant to acknowledge.

Saïx: Regardless of what happens to it, it's none of your concern. Roxas: Whether it's my concern or not doesn't matter. Saïx: What's the point of worrying about "something that doesn't exist"? Roxas: We're all in the same boat when it comes to things that don't exist.

Xemnas wasn't bothered by Xion's failure to defeat Riku. Saïx simply wanted to dispose of her because he was jealous. So, he projected aspects of himself that he hated onto her. It all gave me the impression that Isa was probably bad at fighting, failed his missions as an apprentice, and relied on Lea to do most of the work for him.

Saïx: Even if Xion were to break, it wouldn't change your position.

Saïx seemed unable to comprehend that Roxas was motivated by emotions and not because of any practical reasons.

Roxas: Saïx called Xion a failure... Axel: ...Xion is less of a failure than I am.

On this day, when Saïx called Xion a "failure", he used the word "出来損ない" (dekisokonai). The literal translation is "poorly made" or "botched," but it is usually used in a figurative sense. It refers to something or someone that is a failure, disappointment, or underachiever. It can be used to describe something that didn't turn out as expected or desired, or someone who hasn't lived up to their potential. Axel would get the sense that Saïx was referring Xion's failure to complete the missions and not necessarily anything more.

"You are to discover the identity of the outsider," he told her. "Those are direct orders from Lord Xemnas. Failure is the same as insubordination. You understand that, don't you?" "Wha…?" Xion had no idea that Xemnas had chosen her for this mission. To the best of her knowledge, Saïx was the one in charge of assigning tasks.

However, in both the novel and manga, Saïx told Xion that Xemnas had personally assigned her the mission and that if she failed, it would be the same as insubordination, which is defined as intentional defiance of authority or refusal to obey orders.

Day 172: The Meaning of Words (Axel) There must be a hidden meaning behind Saïx's words. Why doesn't Xion have the qualifications of an Organization member? Saïx said it is what it looks like. Is he implying that she resembles Naminé in some way? It's hard to believe that there's no connection between Naminé and Xion. But then, whose Nobody is Xion? What is Saïx hiding?

So, there may have been a deeper meaning behind Saïx's usage of the word "failure". It potentially means being a traitor. A recusant. And if Xion were labeled a recusant, she would be eliminated.

Day 193 ~Memories~

Day 193: Dreams, or Memories? (Xion) I finally wake up, just to pass out again? Why? Because I'm a failure? I dreamt the whole while I was out. It was something nostalgic, but what? Why can't I remember? It could be a key memory from my human life. All I can remember is the sound of waves, gentle, in the distance.

In A Midsummer Night's Dream, Helena reflected on how sleep can sometimes provide temporary relief from feelings of sorrow or sadness. Sleep has the ability to close the metaphorical "eye" of sorrow, offering a brief respite from emotional pain. Xion was constantly dreaming about Sora. She wanted to go back "home".

Saïx: It's better for you not to move yet. [...] Roxas is scheduled to go on today's mission with Axel. Your presence is not planned. Xion: I want to go too. I want to limber up a bit. Axel: How about I go as a guardian? Saïx: ... ... ... ...Understood. Do as you please.

Saïx knew what was going on with Xion absorbing Roxas's memories. He knew she was gonna collapse. He only agreed to let them go when Axel offered to go, too. Because he was trying to hurt Axel.

Saïx: In the end, it collapsed again. The failure. Roxas: Don't say it like that...! Axel: Shut your mouth.

Here, Saïx used the word "shippaisaku" again instead of "dekisokonai". Both words refer to something that is considered a failure or disappointment, but there are subtle differences in nuance. "Dekisokonai" can be used broadly to describe various types of failures or shortcomings, such as Xion failing her missions.

"Shippaisaku" is more commonly used to describe unsuccessful creations or projects. It gives off a dehumanizing feel, like you're talking about a thing rather than a person. Axel was very angry, and not just because Saïx called Xion a bad name. That word was triggering to him. After all, the day was called "Memories".

Subject X and Notes on Mental Experimentation 2 During the initial experiment, several candidates were tested, but they all broke down mentally. I did not want anything to happen to her, my special subject. In the midst of all this, it was revealed to my mentor that I had used numerous subjects for testing and repeated experiments. The results of the tests were severely criticized, the research was terminated, and the results destroyed. Not only that, but she disappeared along with the release of many subjects. Where are the subjects now?

Xehanort used "特別な" (tokubetsu na) to refer to Subject X. It means "special" or "unique." It refers to something or someone that is distinctive, extraordinary, or holds significance beyond the ordinary. It implies a sense of rarity, importance, or exceptional value. Roxas and Xion were both special, too. They were all objectively special.

Axel also used "tokubetsu na" to describe how love is only born between people who are special to each other. Isa was probably not considered special like Subject X was. In an objective sense, he was probably considered to be pretty worthless, actually. He was only "special" in a subjective sense because of Lea's feelings for him.

Saïx: ...You've changed. What happened in Castle Oblivion? Are you ready to discard the past?

That was Saïx's only source of value, and he thought Xion threatened to take that away from him. He thought Axel changed because the past was no longer important to him. But that wasn't the case.

Axel: You passed, Sora. You have the power. The power to walk through Castle Oblivion. Guided by memories burned into your heart and precious memories on the brink of being forgotten, you will encounter precious people. Goofy: Can we meet the king? Axel: Think again about who is the most precious to you. The more precious the feelings, the deeper they are hidden in the heart— unable to be recalled. Sora, you must have such memories too. Sora: Me too? Axel: You've lost sight of the light in the darkness, to the point where you've forgotten that you've lost it. [...] But I'll give you a warning. When sleeping memories awaken, you may not be yourself anymore.

The romantic subtext between Roxas and Xion was quite obvious due to their connections to Sora and Kairi. Xion was precious to Roxas because he possessed Sora's most precious memories, which were those of Kairi, the girl who was special to him.

The romantic subtext between Axel and Saïx was a lot more subtle, but it was still there. Axel's memories of Isa were equivalent to Sora's memories of Kairi. After Castle Oblivion, he remembered his most precious person and he was always projecting those precious memories onto Xion. And that was what caused him to change.

Roxas: ...Are you worried about Xion too? Axel: Of course.

During her dream, Xion was reliving the moment when Sora turned the Keyblade on himself and turned into a Heartless. It was probably the same type of situation with Axel. He seemed to be reminded of something with the sleeping Xion, similar to how the sleeping Roxas reminded Xemnas of when Ventus collapsed. Isa was probably imprisoned in the Chamber of Repose after the failed experiment, similar to Subject X when they first met her.

Roxas: It feels kind of strange. Axel: What do you mean? Roxas: Axel, you hate annoying things, right?

In the localization, Roxas said Axel hates "complications". But I don't think that got the intended message across. Roxas used the word "面倒くさい" (mendokusai). It means "troublesome" or "bothersome". It is often used to describe tasks, situations, or people that are annoying or inconvenient. And that idea fits more with Axel's catchphrase where he always gets stuck with the unpleasant jobs.

Axel: Hey, Roxas... Why do you think we're eating ice cream together every day in that place? Roxas: ...Huh? Axel: I don't have any use for it. If you think about it normally, it's just a hassle, isn't it? [...] Want me to tell you? It's because we're best friends.

Axel used the word "用" (yō). It has several meanings, including "use," "purpose," or "need." He wanted to emphasize that best friends don't value each other for how useful they are in a practical sense. Eating ice cream together has no objective purpose, but that doesn't matter.

Day 255 ~The Longest Day~

"Things base and vile, holding no quantity, love can transpose to form and dignity. Love looks not with the eyes, but with the mind; And therefore is wing'd Cupid painted blind." (William Shakespeare, A Midsummer Night's Dream)

The above A Midsummer Night's Dream quote is also one of the play's most famous and iconic. And it encapsulates one of the biggest themes of the 358/2 Days narrative. Love is a transformative force that transcends physical appearance and superficial qualities. Love depends not on an objective assessment of appearance or value but rather on an individual perception of the beloved.

The third eye (also called the mind's eye) is an invisible eye, located on the forehead, which provides perception beyond ordinary sight. And I thought it was very interesting that Saïx's scar was located over his third eye, and he was the only one unable to "see" Xion. It does suggest that some sort of mental experimentation was performed.

Axel stared at him as if trying to figure something out and then grinned. "Right, that first week you could barely form a sentence."

The game began with a preview of Day 255, which was called "The Longest Day." The summer solstice, also known as midsummer, marks the longest day of the year and the shortest night, with the sun reaching its highest point in the sky. A Midsummer Night's Dream is set around the time of the summer solstice. The themes of love, transformation, and the blurring of reality and fantasy were heightened by the setting of the summer solstice. And those themes were also present in the narrative of 358/2 Days as well.

(KH Days Novel) The sun sank lower and lower as Axel watched, his mind wandering. If he stared for too long, the image would burn itself into his eyes, visible even after his eyes were closed. A phantom sun. Someone had once told him why sunsets were red… Who was that?

On Day 96 of the novelization, Axel closed his eyes until he could only see the illusion of the sunset in his mind. And he remembered that someone else told him about the red sunset. There's really no one else it could have been but Isa. It was one of the most precious memories sleeping deep in the shadows of Axel's heart.

Roxas: I don't remember anything before joining the Organization, so for the first few days, I was just in a daze. After that, I wanted to remember everything properly. Axel: Yeah, for about the first week, you couldn't even talk properly, and you're still kind of out of it. Roxas: That's harsh! Axel: Hey Roxas, do you know why the sunset is red? Light comes in different colors, and among them, red reaches the farthest distance. That's why. Roxas: Why are you so proud of that, Axel?

Axel looked off the side before telling Roxas about the red sunset, indicating it was something he'd just remembered in that moment. And his Japanese voice acting during that scene was so nostalgic and wistful. Again, based on subtext, I suspect it was probably the first thing Isa said to him after he became lucid again after his mental breakdown. Which was why Roxas's comment made him remember.

Roxas: Seriously, where is she?

And in Japanese, the day has another meaning. "長い日" (nagai hi) refers to a day that feels exceptionally long or seems to drag on due to various factors such as boredom, exhaustion, or a heavy workload. In Axel's case, it was because he was dreading telling Roxas the news.

276 ~Disorder~

Xion: Is it that I'm not supposed to exist? Axel: Well, what do you want to do, Xion? Xion: I want…I want to be with you two. Roxas: Then come back with us. Xion: I can't… Not the way I am now. But…what would it take for me to be like you?

In the above quote, Demetrius is addressing Helena, who is convinced that she is awake and experiencing reality. However, Demetrius questions the nature of their current state, suggesting that they might still be asleep and dreaming. This uncertainty reflects the topsy-turvy world created by the interference of the fairies, particularly Puck, who has enchanted the characters with a love potion, causing them to fall in and out of love with each other.

Roxas: I got to go to the beach today for my mission. There was this girl there who looked kind of like Xion…but I couldn't get close enough to tell for sure. I probably imagined it. To be honest, I'm not even sure today's mission really happened. I feel like I just woke up from a dream or something. This is gonna sound crazy, but you know how we promised each other we'd all go to the beach? Well, I think I only saw her there because I wanted her to be there.

Metaphorically, the quote highlights the theme of perception versus reality and the blurred lines between the waking world and the realm of dreams. It suggests that what appears to be real may actually be illusory, and that true understanding can be elusive in a world filled with magical enchantment and shifting emotions.

Day 299 ~Sora~

Saïx: I see. And what about the man in the black coat? Xemnas: Do not allow any further contact with Roxas. He is nothing more than an impurity hindering Xion becoming a more perfect being. Saïx: Then everything will proceed according to the original plan…

"Things base and vile, holding no quantity, love can transpose to form and dignity." Xion was nothing but a blank puppet and an imaginary number with no quantity. She only took on a form to the perceiver because of Sora's most precious memories within Roxas.

(KH Days Novel) I just did what I thought was the best thing at the time. For Roxas, for Xion, for the Organization—and for Isa. But most of all for me.

The idea behind "love is blind" is that love can create a kind of emotional blindness, where individuals are unable to see reality objectively. When someone is deeply in love, they may be unable or unwilling to see any faults or imperfections in their partner, even if those flaws would be apparent to an outside observer. This can sometimes lead to situations where people remain in unhealthy or toxic relationships because they are unable to see the negative consequences or red flags due to their intense feelings of love.

Axel: Was this really the right decision? Saïx: For you to say something like that... between that puppet and Roxas, which one is more important to you? Let me change the question. Between your petty friendship game and Roxas's disappearance, which one is more important to you? Everything has returned to normal. It must be the right decision, right? Even Xemnas is annoyed by the recent change in plans. We need to restore everything to normal. It's for our goal, too, Lea.

This time, when Saïx used the word "important" he used "大事な" (daijina) instead of "大切な" (taisetsuna). Both words mean "important" and are often used interchangeably. However, there are subtle differences. As I've said "taisetsuna" is used to emphasize emotional or sentimental value. And typically, "daijina" conveys the sense of something being important in a practical or utilitarian sense.

Saïx didn't seem particularly threatened by Axel's relationship with Roxas. Probably because Axel wasn't put in the position where he had to worry or be as protective of Roxas, the way he was with Xion. And Saïx also knew that Roxas was important to their shared goal of completing Kingdom Hearts. So, Saïx valued him in a utilitarian sense. In essence, he was telling Axel to choose between Xion or him.

Saïx was telling Axel, the assassin, to do the dirty work of eliminating Xion for him. So that their original plan could get back on its smooth course. "Love looks not with the eyes, but with the mind, and therefore is winged Cupid painted blind." This cutscene was directed to look like the scene from KH2, when Sora closed his eyes and could see Riku in his mind, looking the way he truly was meant to look.

Day 352 ~Sunset~

(KH Days Novel) "How are you feeling, Roxas?" "…Same as always." Saïx smirked at the reply—and a chill ran through Axel at how vicious it was. "I have an urgent mission especially for you and your Keyblade," said Saïx. "There's a fearsome Heartless that's surfaced in Halloween Town."

In Japanese, Saïx's moniker is "月に舞う" or "Demon Dancing in the Moon". The word used for "demon" was "魔人" (majin). "魔" (ma) means "demon" or "evil spirit," and "人" (jin) means "person". Together, "majin" refers to a person with demonic or supernatural qualities.

Saïx has a pair of same-shaped weapons called "King of the Night" and "Queen of the Night". Dracula is sometimes referred to as "King of the Night," such as in the Castlevania series. Many legends and works of fiction depict vampires as being more powerful and bloodthirsty during the full moon. And while Saïx was always unpleasant, Day 352 is when he showed a truly evil side to his personality. He set Roxas and Xion up to kill each other in Halloween Town underneath the full moon until Axel intervened.

Saïx: Can't you just let things run their course?

"So quick bright things come to confusion." Lysander was reflecting on the transience of happiness and how quickly joyful moments can turn into chaos or confusion. Lysander's observation underscores the theme of instability and unpredictability in matters of love and human relationships, which is a recurring motif throughout the play.

Day 352: What I Must Do (Xion) I love Roxas and Axel. I think that's what I feel, but I bet Saïx would laugh, saying it's just false emotions fabricated from memory. But I loved spending time with Roxas and Axel on top of the clock tower. I wish we could stay like this, the three of us, forever. But it has to end now. I'll never forget today's sunset. Even if Roxas and Axel forget, I won't forget.

Xion used the word "好き" (suki) instead of "愛" (ai), which was the word used on Day 171. She certainly loved Axel and Roxas, which was why she made the decision to disappear at the Beast's Castle. But I think the writers were trying to emphasize that it was different than what she felt for Sora. Xion was the personification of the memories in the shadows of Sora's heart. She was his shadow self. She didn't want to say goodbye to her best friends, but she also yearned to watch the sunset with the person she loved in the "ai" sense.

Xion: A beautiful sunset. Even though it's the same sunset I've always seen, it looks especially beautiful today. I wish we could always be together like this, the three of us. […] Axel: What's important isn't meeting up every day— Xion: —It's thinking about each other even when we're not together, right?

Axel was definitely lying when he said he'd never seen a Winner ice cream stick before. The fact that their time together as a trio was coming to an end is what made him remember it in the first place. And he used the same words from Day 96. Only that time, he did feel sentimental towards Roxas and Xion. But Axel was trying to be the mature realistic adult in the situation.

Axel: If somebody doesn't break it, someday, you will no longer be you. Roxas will no longer be Roxas. Roxas: I am me. Still the best friend of Axel. Xion is also my important best friend! Axel: No, that's not it. It's not about that, Roxas. Roxas: Enough. Axel: That's not it, Roxas.

The theme "love is blind" also pertained to Roxas's relationship with Xion. To some extent, Axel was able to view the situation with Xion more objectively than Roxas. He could tell that she was a puppet that was absorbing his power and was dangerous. So, the next day, he let her run away from the Organization. He tried to explain the situation logically to Roxas, but Roxas couldn't accept it, and ran away too.

Day 355 ~Unsaid, Unheard~

"Because they copied my powers, the Keyblade's power, and then they didn't need me anymore—is that it?" Roxas spat. He couldn't bring himself to confirm it. "I guess you felt the same way, huh, Axel?" At those words, something wrenched in his chest, and he could hardly breathe. No, not me. I wasn't thinking like that. I would never. "That's not true. You—you're my best friend." The words spilled out of him.

More than anything, Axel wanted to emphasize that best friends don't value each other for how useful they are. And that no doubt had some connection to his human memories with Isa.

(KH Days Novel) "We don't need them both. Just one. And pretending won't change it." We, who? Axel wanted to ask, but he held it in, along with a bitter laugh. He wasn't sure if that "we" meant Organization XIII or just Saïx and himself. Axel realized how great the rift was between how he remembered past and what he saw now.

Saïx may very well have been possessed by some soul/mind that had other motivations subconsciously driving him to complete Kingdom Hearts at all costs. But all the subtext indicated that his conscious motivations were very simple. He wanted to complete Kingdom Hearts to get his heart back. He wanted the power of Kingdom Hearts because he wanted the power to love and be loved in return.

Day 356: Unforeseen Circumstances (Saïx) Lea, what did you ultimately want? The plan we decided on, entering the Organization together... No, that's already just wishful thinking. Everything has changed. You, and me too…

It would have been quite a twist if Axel and Saïx's big plan was simply being together forever eating ice cream every single day and watching the sunset. And there is a lot of evidence in the original text to suggest that that was indeed their plan. I also found it interesting that in Axel's Report from Day 118, he denied that he changed. But Saïx acknowledged in his final report that he had changed.

Comparing the Organisation members when they were human to when they were in the Organisation, apart from Xehanort, only Isa and Braig have differently-shaped ears and differently-coloured eyes - why is this? Nomura: It's a question of whether or not they're deeply connected to Xehanort. In Braig's case, comparing the scene where he's injured in his battle with Terra and flares up at Xehanort, his appearance afterwards changes, which hints that something happened with Xehanort in between. (BBS Ultimania, March 2010)

Xion was a puppet made to duplicate Sora's powers. And over time, she began to appear as him instead of Kairi. And the thirteen vessels were puppets made to be duplicates of Xehanort. After being experimented on and turned into a vessel, Isa would have noticed certain physical changes such as the golden eyes and pointy ears.

By the way, Braig's dealings with Master Xehanort in Birth by Sleep make sense, he was to become a vessel. Nomura: There is a certain reason for Braig to proudly exclaim, "As for me, I'm already half Xehanort." Isa (Saix) is included too. I think you'll understand the details about their circumstances eventually. What happens to the hearts of those who have had Master Xehanort's heart planted within them? Nomura: They'll gradually be swallowed by it. As for Master Xehanort, he plans to control them completely. The planted parts of the heart are captured rather than disappear. (Famitsu, May 2012)

And maybe Isa didn't want to lose his identity and become someone else. So, he thought it would be better for him to not exist anymore.

Day 356 ~Role~

(KH Days Novel) "How do you know that?" Axel demanded. "Everyone thinks they're right…" "This is right," Xion said firmly. "It's better this way." Axel hated that argument. Nothing was better any which way. All it came down to was what you wanted to do and what you didn't. He'd learned that lesson back when he had a heart. "So it's better for you to disappear?" he protested.

Because I definitely got the impression that Axel was reliving a situation from his past that was extremely similar to the situation with Xion. And that's what the novelization hinted at, too.

In Japanese, the title for this day is "役目" (yakume). It means "duty" or "role". It refers to a task, responsibility, or function that someone is expected to fulfill or perform. And it's a reference to when Axel says, "The dirty work always seems to fall on me."

Xion: …No holding back now, Axel. Axel: Stop fucking around! Don't underestimate me! I've made up my mind! No matter how many times you guys try to run away, I'll always be there to bring you back!

I don't think the English localization truly captured Axel's anger here. In Japanese, he says, "ふざけんな" (fuzakenna). It's a very direct way of saying "Don't mess with me". Next was "てめーナメてんじゃねーぞ" (teme na meten jane zo). It's a very informal and rather aggressive way of saying "Don't underestimate me" or "Don't look down on me." It's a confrontational expression used to assert oneself and demand respect. The phrase contains strong language (teme), and it comes across as rude. So, swear words are very fitting here.

Xion was a mirror that reflected the memories of those who were bound to Sora in some way. Even Xigbar was able to see her as Ventus at times. When Axel said that he'd bring Xion back, he said "you both". In Japanese, he said "おまえら" (omaera) which means "you guys". It's specifically plural in both languages.

Axel yells at Xion, "I'll bring you back no matter how many times it takes", but why does the word "you" refer to multiple people? Nomura: That's still a secret as well. But Axel's determination here of "bring you back no matter how many times it takes" is connected to when he said he would bring Roxas back in Kingdom Hearts II. (Famitsu, August 2008)

Nomura said that the reason why Axel was referring to multiple people in that scene was a secret. It wasn't referring to Roxas, but the determination Axel felt toward bringing him back in KH2 was related. And Axel said he'd bring Roxas back even if he had to knock him unconscious. During Axel's showdown with Xion, did she actually take on the appearance of Isa to him? Is that why he could only stare down at the ground in that moment?

Lea said the same lines, "Why do I always get the icky jobs," and "I'll always be there to bring you back," to Xion in KH Days when he brought her back. Does he remember that? Nomura: The nature of the being known as Xion and all memories to do with her were erased, but he would remember other things. (KH3D Ultimania, May 2012)

In KH3D, Lea didn't remember Xion. But it was strongly implied that he did remember making that promise to Isa. Isa was probably one of the test subjects taken away by Ansem the Wise. He didn't want to be a puppet of Xehanort, in either a literal or figurative sense. Lea probably had to bring him back to join the Organization by force. That's why Axel always agreed to do any of the dirty work necessary, even though Saïx was certainly capable of doing it himself.

Day 357 ~Tears~

Roxas: Did I...hurt you? Xion: No, I'm the one who's trying to disappear on my own. I didn't want to become what Xemnas wanted, so I will go to Sora's side. I just want to return to where I belong. But I have one request. Please release the captured hearts and Kingdom Hearts. Roxas: Release...Kingdom Hearts? Xion: It seems I can't do it anymore. But you can't fulfill Xemnas's wishes. Goodbye, Roxas. Let's meet again. I'm glad I got to see you and Axel. You two are best friends. Don't forget that. Roxas: No… Let's go eat ice cream together as a trio again, Xion.

The flower tatarian aster is known in Japan as the "紫苑" (shion). In Hanakotoba, the Japanese language of flowers, it means "I'll never forget you." Roxas and Xion's Mystery Gear was called "Aubade". An aubade is a form of poetry or music that focuses on the theme of lovers parting at dawn. It typically depicts a scene where lovers must separate as day breaks, often evoking feelings of longing, melancholy, or anticipation. Day 357 was called "Tears". It referred to Roxas's tears when Xion disappeared leaving only a seashell behind.

Day 357: To My Best Friend (Axel) Roxas is gone... Leaving just the stick labeled "Winner." Typical of him. I bet tomorrow or something we'll get orders to bring him back, but leaving this behind... it really feels like the end, doesn't it? Roxas, are we still the three of us...? Well, no, just two now. Let's get some ice cream again. That's what being best friends is all about.

But it was also referring to Axel when he opened the envelope with the ice cream stick in it. "Queen of the Night" is named after a flower known as "月下美人". It literally means "beauty under the moonlight". The flower's symbolism is derived from its short flowering time. It only blooms one night a year, usually during a full moon. The flower's meaning is to enjoy the small moments because they do not last. In flower language, it represents fleeting beauty and fleeting love.

The word for "beauty" is "美人" (bijin). It means "beautiful person" and usually refers to women. Generally, "bijin" is more commonly associated with feminine beauty in Japanese language and culture. While it can technically be used to describe individuals of any gender who are considered beautiful, the term often carries connotations of traditional or stereotypical feminine beauty standards. "Majin" and "bijin" highlight the vast dichotomy between Saïx and Isa.

Axel: If you want, I'll bring you back too. Saïx: The marks under your eyes are gone, aren't they? Axel: Yeah, I don't need 'em anymore. Saïx: I taught you, who used to be such a crybaby, the charm of inverted tears. Axel: Shut up. Get out of here quickly or I'll kick your ass tomorrow!

In KH3, Saïx noticed that he had a Winner ice cream stick before he brought up the subject of Axel's tear marks. He said that he taught Lea that spell and used the word "おまじない" (omajinai). It means "spell" or "charm." It refers to a ritual or action performed with the belief that it will bring good luck or protect against misfortune.

This subject seemed to embarrass Axel. Lea was his other self, the weak crybaby that he was ashamed of and didn't like to acknowledge. In other words, his shadow. Perhaps back then Isa was trying to be the realistic mature adult, while Lea was the childish one who insisted they would be together forever? And perhaps a Winner ice cream stick was the memento Isa wanted to leave behind so Lea would always keep him in his thoughts?

I don't have a high opinion about the way KH3 handled Axel and Saïx. I understand that there wasn't enough time to show their backstory, so their relationship was sidelined to focus more on other characters. There was still a lot of romantic subtext, but the KH3 team did seem a bit uncomfortable with how utterly gay Saïx was for Axel. So, they tried to retcon his motivations to be entirely about Subject X. Which I think was very disrespectful to the story being told in 358/2 Days.

Day 359 ~The First Day~

"If we shadows have offended, think but this and all is mended: That you have but slumbered here while these visions did appear. And this weak and idle theme, no more yielding but a dream." (William Shakespeare, A Midsummer Night's Dream)

The quote "If we shadows have offended" was spoken by Puck in the final scene of the play. He addresses the audience directly, acknowledging that the events of the play, including the magical transformations, misunderstandings, and romantic entanglements, may have caused offense or confusion.

Xion: Roxas, don't be sad. I came from you and Sora. I am you…the same way that I am Sora. You'll forget me, but the memories themselves will never go away. Memories of you and me will always be together…forever, inside him.

By referring to themselves as "shadows," Puck implies that the characters and events of the play are like fleeting illusions or figments of imagination. The quote also serves as a kind of epilogue or closing statement, in which Puck reassures the audience that all will be "mended," or set right, if they view the play's events as nothing more than a fantastical dream experienced during a slumber.

#long post #kingdom hearts #kingdom hearts 358/2 days #roxas #xion #kh axel #saix #rokushi #akusai #kh isa #leaisa #kh meta

[reunionatdawn]

Gotta say, your Raphadetta analysis was well written, communicated and planned out! I loved how you centred it around Raphael’s dreams and desires—something that gets so lost in fan works (I’m guilty of it) and interpreting his character. I gotta know though, that endcard… I’ve never seen it before (and it made my Raphadetta-loving heart sing); is it a direct translation or something else? Your meta analyses of these 3H characters are very enlightening and entertaining—thank you for sharing them!

Wow, thank you so much! It was such a fun project writing up those analyses, so I'm glad people enjoyed them. As for the end-card, yes that was my direct translation, which I sometimes include if the localization is too different for my tastes.

She even took on a very muscular husband.

I just couldn't resist because the localization, while technically being accurate, simply said this.

Their grand wedding reportedly featured a bride uncharacteristically outgoing and a groom flexing his muscles as he circulated among guests.

While the Japanese said this. It's a far more detailed picture of their wedding. It put a big smile on my face and I thought it was far too adorable not to include.

#raphadetta #raphael kirsten #bernadetta von varley #fe3h

[reunionatdawn]

Some commentary on Aang's final chakra

The writer for The Guru set this dichotomy up as a plot point, but it never actually received any resolution in the cartoon. Before heading off to see the guru, Sokka was excited because Suki was waiting for him. And Aang chimed in about how girls were waiting for both of them. Suki was already dating Sokka. Aang was not dating Katara. But he had the expectation that he would.

After Aang lost all the Air Nomads, Katara was the first person he laid eyes on. She filled that hole in his heart when she told him that even though the monks were gone, he still had a family. So, it's only natural that he would feel an attachment to her and be confused. His love for her was a good thing. But the memories used for the final chakra are only the romantic ones from the two "shippy" episodes. Those episodes were a red herring. They were meant to set up an expectation in Aang—as well as the viewer—that he would end up with Katara. It was supposed to seem like a forgone conclusion.

The reason why Aang's relationship with Katara was his spiritual stumbling block was that he was placing all his hopes on a romance with her as a source of fulfillment. That was his motivation for saving the world. He was doing it for her. But in a selfish sense. She was supposed to be his prize for saving the world.

Yes, Aang acts possessive and jealous when it comes to Katara. This is perfectly normal adolescent behavior. Crushes are messy and we all go through these types of learning experiences. It's not a particularly egregious character flaw, LOL. Especially not for a tween who has suffered a great deal of loss. It was meant to be relatable to the audience who were primarily tweenagers. But make no mistake. This was absolutely set up as something to overcome.

Aang didn't understand what the guru was talking about. He thought he had to give up love. That's what he tried to do in The Crossroads of Destiny. He wasn't thinking about what he needed, but what Katara needed. Remember how the kundalini energy was stuck in the middle of his back? That's where the heart chakra is. Aang was willing to do whatever it took to save Katara's life, even if it meant giving up any hope of a future together as a romantic couple. But that IS love.

#avatar #atla #avatar the last airbender #atla meta #zutara

[reunionatdawn]

Weighing in on ATLA shipping discourse

Iroh: You're not the man you used to be, Zuko. You are stronger and wiser and freer than you have ever been. And now you have come to the crossroads of your destiny. It's time for you to choose. It's time for you to choose good.

Why did Zuko have a fever after decided to let go of his Blue Spirit mask? Well, the imagery suggested that he experienced a Kundalini awakening. A Kundalini awakening is a profound spiritual experience that involves the activation and rising of Kundalini energy, located at the base of the spine. In Hindu and yogic traditions, Kundalini is often depicted as a coiled serpent, symbolizing dormant spiritual potential.

Ida and Pingala are the two energy channels that run alongside the spinal column and correspond to the left and right sides of the body, respectively. Ida is associated with the feminine or yin aspect. It is linked to qualities such as calmness, receptivity, intuition, and nurturing. It is also associated with the moon, coolness, and the element of water.

Pingala represents the masculine or yang aspect. It is associated with qualities such as activity, dynamism, alertness, and willpower. It is associated with the sun, warmth, and the element of fire. In the yogic tradition, the balance and harmonization of Ida and Pingala are considered essential for achieving physical, mental, and spiritual well-being.

Once the two energies combine at the crown chakra, a person's consciousness is supposed to transcend duality. What does that mean, exactly? It means to move beyond the perception of reality as consisting of opposing or dualistic concepts, such as good and bad, light and dark, right and wrong, or self and other. You understand that these apparent opposites are part of the same unified whole and are interconnected in a deeper, more profound way.

"I was head writer of ATLA, and this is exactly how I see it! There was some controversy that Zuko made the "wrong choice" at the end of season 2. A lot of fans were ANGRY! But it had to be this way… we wanted him to get everything he thought he wanted. The triumphant return. His father's respect, and a seat at his right hand. Only then could Zuko truly outgrow these things, and choose to do the right thing in a meaningful way." (Aaron Ehasz)

So, the symbolism definitely favors Zutara in that respect. Katara learned through Zuko that the Fire Nation is not innately evil. Even though he hurt her with his "wrong" decision, part of her character arc was understanding why he did it and being able to forgive him. And because he made that choice, she could trauma-dump onto him and that led to her gaining closure about her mother's death.

"I was head writer of ATLA. Azula and Zuko's relationship was not always well understood, even by the team internally. Azula loved Zuko, more than anyone save her father. She also felt competitive with him for their parents' attention of course, but since she had alienated herself from her mother, she focused her energy on pleasing dad… which of course meant acting in more and more intense and possibly evil ways." "By the end of the series, of course, her loss of her friends shatters the part of her identity that she could somehow control affection and love through intimidation. As a result she spirals… I did however intend to leave a kernel of humanity, and had we made a season 4 Azula would have completely bottomed and we would have explored the possibility of a path to redemption. True story!" (Aaron Ehasz)

But it's not even just Zutara. What I found interesting was that Azula was the blue dragon and Iroh the red dragon. Azula was crazy and needed to go down, right? By siding with his sister, you're meant to think that Zuko chose "evil" instead of "good". But it looks like some of the writers meant for it to be more complicated than that. There was no "good" or "evil" choice. Azula had a softer "yin" side, too.

Zuko wanted to get along with his sister. He did not want to kill her, even though Iroh thought that was the only option. The fact that Azula never got her redemption arc did a massive disservice to Zuko's arc as well. The fact that Azula had good in her is exactly why Zuko's choice in BSS couldn't truly be called "wrong" or "evil".

Azula loved Zuko and that idea wasn't conveyed very well in the cartoon. She was the one person on that beach who actually did understand him. She was jealous that Zuko chose the Avatar over her. And she knew that targeting Katara with her lightning was the best way to hurt Zuko. Katara found a non-lethal way to defeat Azula for Zuko's sake. Because after seeing how hard it was for him to fight her, she finally understood why he made his choice in Ba Sing Se.

"[Azula] had not bottomed in the end of season 3, she had further to go. At the deepest moment in her own abyss she would have found: Zuko. Despite it all, her brother Zuko would be there for her. Believing in her, sticking by her, doing his best to understand and help her hold her pain that she can no longer hold alone. Zuko — patient, forgiving, and unconditionally loving – all strengths he gained from Uncle Iroh." "And I always imagined that after coming out the other side, she would be one of those people who hilariously over-shares her own feelings all the time, and that she would be a bit over-apologetic. Like a Canadian version of Azula." (Aaron Ehasz)

The first episode of Book 3 was called The Awakening. Aang literally awakened to the energy twisted up in the middle of his back. He did not complete his spiritual transformation. The Kundalini energy did not reach his crown chakra. It was still blocked because he had an attachment to Katara that he hadn't worked through yet.

Zuko's awakening was figurative. Mai didn't understand how he felt. Symbolically, when she turned his head to kiss him, it showed the audience the scarred side of his face. When Zuko lied his sister, the unscarred side of his face was shown. I suspect that the writer for the episode, Aaron Ehasz, wanted to hint that Zuko did still feel a connection to Katara and didn't want Azula going after her and Aang.

Zuko in The Crossroads of Destiny was not supposed to be the same Zuko from The Avatar State. Both versions of Zuko still wanted to go home. But 201 Zuko was motivated more by selfish attachment. 220 Zuko was more motivated by love. He loved Azula unconditionally. Even with all of her twisted, ugly, and cruel behavior. His consciousness had transcended the duality of Iroh and Azula being opposites where one is "bad" and the other is "good". During The Beach he was fantasizing about a time when Iroh played with both of them as little kids. Back when they were all a family.

Mai: You know what will make you feel better? Ordering some servants around. I might be hungry for a whole tray of fruit tarts. And maybe a little palanquin ride around town. Double time.

I don't dislike Mai. I think she is an interesting character who was not a bad person or anything. I just thought she served a very specific narrative purpose. She was there to show how Zuko wasn't compatible with his old lifestyle anymore.

Mai wanted a typical socialite boyfriend. They really didn't get along too well or have much to say to each other during The Beach. She didn't like him when he started talking about his trauma and showed his uglier side. Zuko was insecure and jealous because he was not even sure if she really liked him. And she didn't even know the person he was after his banishment, only the person he was as a child. When he turned his head away from her, his unscarred side was shown.

Zuko: When I got to the meeting, everyone welcomed me. My father had saved me a seat. He wanted me next to him. I was literally at his right hand. Mai: Zuko, that's wonderful! You must be happy. Zuko: During the meeting, I was the perfect prince. The son my father wanted. But I wasn't me.

He walked out of that war meeting with the scarred side showing. Mai didn't love Zuko. She loved the perfect prince. The fantasy she built up in her head and the role Zuko was acting out at the start of the episode when he was ordering her the fancy fruit tarts.

Mai: I guess you just don't know people as well as you think you do. You miscalculated. I love Zuko more than I fear you.

Mai stood up to Azula to save Zuko, and she genuinely believed she loved him. But he left her behind to be with his new companions. If not for Ty Lee, she would have died. That should have been the end of that relationship. I thought it was very weird that they got back together. The NATLA writers should definitely find a different way to conclude Mai and Ty Lee's character arcs. Especially Mai. She deserved a more dignified ending than being left in prison and then threatening her ex-boyfriend to take her back.

"I love that even though Aang is sort of not in this story very much, to me, he's-his presence is in all of these scenes 'cause you know he's like the little angel on her shoulder [...]" (Bryan Konietzko)

The main reason I think the shipping discourse in the ATLA fandom is so toxic is because the creators Mike and Bryan saw the narrative differently than the other writers. They seemed to have a completely different vision for the story and characters compared to the head writer. So, there were two conflicting visions and fans who liked one over the other could argue their side indefinitely. Bryke saw things as more black-and-white and good vs. evil. You can see it in some of the interviews and commentary, particularly with Bryan.

IMO, there really was no "good" and "evil" side in The Southern Raiders. There was no "angel" or "devil" sitting on Katara's shoulders. To Katatra, what Aang said must have sounded like nothing more than a trite platitude. It's true that in the end, she didn't choose violence. But I don't think Aang's words were very pertinent to her decision-making when she finally faced Yon Rha, LOL.

It's understandable why Aang would come off as preachy, though. He was just a child coping with his own grief. The Air Nomads' philosophy was one of the only things he had left of them, after all. Such a teaching was no doubt his own personal coping mechanism.

Aang was right in the sense that Katara didn't need to resort to violence in the end. But ya know, maybe she would have if she didn't have someone by her side who understood her inner darkness and accepted her even if she had chosen violence. Just like how Aang might have killed the sanbenders if Katara hadn't been there. And Katara would not have condemned him if he had done so.

"Zuko and Katara might have shared some sparks, but sometimes there are people along your 'journey of love' who are there to teach you about yourself and what you really need, but don't necessarily end up being your partner. Come on, kids! 'Zutara' never would have lasted! It was just dark and intriguing." (Bryan Konietzko)

Zuko was a character of duality. Yin and Yang. Light and shadow. His two sides were represented by the scarred side and non-scarred sides of his face. I think Bryan viewed Zutara as a "dark" ship because a big part of Zutara was about Katara's shadow side.

Just like Mai did with Zuko, Aang built up a fantasy version of Katara in his head. The perfect, well, "waifu," I guess. The endlessly patient feminine maternal figure. The sweet beautiful girl with such manageable hair. But that's only half of who she was. There was another side to her that he never saw. One that used bloodbending. Angry, hateful. Yes, even ugly. And that's not a bad thing. It's human.

#atla #avatar the last airbender #zuko #katara #zutara #avatar #princess azula

[reunionatdawn]

My Analysis of the Best Paired Endings in 3H (Part 19: AM Sylvain/Felix)

Sylvain: I hate Crests, you know. They mess everything up in life, the future, everything… Just because I have a Crest, I'm treated as the heir, and my older brother nearly killed me because of jealousy. Bitches... they swarm to me, no, to my blood, like ants... Mercedes: …I'm sorry. Did I remind you of something you didn't want to remember? Sylvain: …Sorry, I slipped. Ah, damn, I didn't mean to show such a pathetic side… Mercedes: …No, I'm glad. It feels like I saw your true face for the first time.

The localization watered down, omitted, or completely rewrote a lot of the more interesting gender-related dialogue. In his Japanese B-Support with Mercedes, the word Sylvain used for women was "女ども" (onnadomo). This term is derogatory. It is used to refer to females in a demeaning manner and carries a tone of contempt or disdain. It is considered offensive and is avoided in polite conversation. A comparable word in English might be "bitches" or "wenches."

Sylvain: …Oh, what's up, Professor? Haha, sorry, didn't notice you at all. We've been meeting quite often lately. Oh, could it be that you're interested in me? (Female Byleth): ...Just kidding, it's a joke. Please don't make such an obvious disgusted face. (Male Byleth): Sorry, my arms are reserved for girls only! I'd prefer not to lend them to bastards.

The localization also changed some lines in Sylvain's B-Support with Byleth pretty significantly. If you are playing as Male Byleth, he refers to males as "野郎" (yarou). It's an informal term that is somewhat similar to "guy" or "dude" in English, but it's more derogatory. It's a gendered insult and it suggests that the person being referred to is undesirable or contemptible in some way. It implies qualities like rudeness, roughness, or unpleasantness. It is also considered offensive and impolite, and it's generally not used in polite contexts.

Sylvain: My brother was always a truly irredeemable bastard. Selfish, conceited, and arrogant. I've always had to clean up after him…even after he died. But, thinking about it, if my brother, not me, had been born with the Crest… Would I have become like my brother, or would there have been a different fate for me…?

"Yarou" is often translated as "bastard". In Hopes, if you take Sylvain on an expedition and ask about his likes, he says it's talking to girls. If you ask what he dislikes, he says it's being surrounded by guys, and he uses the same term. And he often used it when referring to guys in general, such as during teatime. I think he was even more of a misandrist than a misogynist, and it's a shame that wasn't as apparent in English because it's pretty integral to his character.

Sylvain: If someone is in trouble, you help them. That's what a knight, no, what a human being does. Whether it's a cute girl or a rugged big guy, it's the same thing. Ashe: …！ Sylvain: Hey, don't give me that look. Are you falling for me? Unfortunately… Ashe: What are you talking about? …I'm just a little surprised.

Even though Sylvain disliked most women, he still vastly preferred their company over men. In their B-Support, he saved Ashe's life, and Ashe came to thank him (quite similar to Sylvain's A-Support with Felix, actually). And he basically told Ashe "no homo". In the localization of their C-Support, he asked Dimitri to come to town together with him to pick up girls. But in the Japanese, he simply encouraged him to invite girls out to dinner on his own.

Sylvain: Hey, Professor. If you're free, wanna go out to the town together? (Female Byleth): I found a place with delicious food. I thought I had no choice but to invite you, Professor! (Male Byleth): In search of unseen beauties… No. Just kidding. Please don't give me that look.

While there are plenty of hints that Sylvain is bisexual, I think it makes perfect sense that he can't end up with Male Byleth or any other male character except for one. He had a VERY specific type. I don't even think Female Byleth was truly his type. But ya know, self-insert.

Sylvain: Dorothea, Hilda, Mercedes… Lady Rhea is also quite the beauty. Ah, the Officer's Academy is great, Professor. Beauties everywhere you turn! Haha!

So, what was his type? Well, he tells you on the first day of school who he was interested in. Three girly girls and Lady Rhea, who represents the Mother Goddess archetype, the embodiment of the divine feminine principle.

Sylvain: Professor, have you seen Felix? He's always disappearing when you take your eyes off him. Byleth: I saw him at the training ground. Sylvain: Well, I thought it might be something like that. Sorry, Professor. Thanks for your help! Taking care of horses, you know, it's quite soothing. They repay trust with trust. Sigh… In that regard, dealing with girls is quite tricky.

Sylvain liked damsels in distress he could swoop in and help. He thought Hilda was cute until he learned that her "delicate flower" act was insincere. And he was attracted to Dorothea, whom he compared to a beautiful flower in bloom, until he suspected she had an ulterior motive. On the day he was looking for Felix, he said he liked looking after horses because, unlike girls, they can be trusted.

Yuri: Oh, is this what they call mutual affection? I'm up for a rendezvous anytime… But next time, could you use better lines than when we first met? That was terrible! "Hello, young lady, delicate as a little bird! Would you care to chat a bit over there…" Sylvain: Oh, come on, I already apologized plenty for mistaking you for a girl! How many times do I have to say it! Yuri: I didn't really need an apology, you know. Look at this face; there are plenty who make that mistake. In fact, I even think I should have conversed with you, even if I had to pretend to be a woman. There's nothing wrong with maintaining a relationship with the future Margrave, right? Sylvain: What an enthusiastic pick-up line… I can't help but feel strange myself.

What mattered to Sylvain was whether his brain registered someone as a girl. He tried to woo a crossdresser at a harvest festival. And the pick-up line he used on Yuri was changed in the localization. He called him "delicate as a little bird" in Japanese. And he was not turned off by the idea of Yuri pretending to be a woman with him.

Sylvain: ...Sorry. Well, I understand, but it seems my mind was refusing to comprehend... Certainly, you... I mean, you're a woman. Yes, a lovely young lady, indeed. Oh no, I've been rude. I'm terribly sorry, miss. Leonie: What's with that tone... Sylvain: I really am sorry. This is a first for me, too. Even if Leonie is ro… I mean, even if she's an active girl, something like this… Leonie: You were about to say "rough", right!?

He knew Leonie was a girl, but his mind just didn't see her as a one. He used the word"粗雑" (sozatsu). It means "rough" or "crude" in English. Later, he compared her to a sunflower, rather than a delicate flower. The word he used for "delicate" was "可憐な" (karenna). And that's the word he used when hitting on Yuri.

Sylvain: It might also be one of the knights… Oh, wait, me!? Ingrid: I'll hit you. Sylvain: W-wait, I was just kidding! I'm against violence! Being too rough ruins a beauty, you know! ………… Uh, well. I-I mean, when I say "beauty," I'm not talking about flirting or anything, yeah!

In his A+ Support with Ingrid, the Japanese word he used was "乱暴" (ranbou). It means "rough" or "violent" in English. It can refer to behavior that is aggressive, forceful, or lacking in restraint.

Sylvain: I'm weary from the nonstop battles. A gentle and beautiful young lady who can heal my troubled heart, I wonder if it's lying around out there somewhere… (Best Answer): It might appear someday.

Even his notes to the advice box suggested that his ideal partner was a "Yamato Nadeshiko". The term describes the "flower of Japanese womanhood" or "traditional daughter of Japan". It's a nostalgic term for the perfect woman under the ideology of Japanese patriarchal society. Sylvain adored traditional femininity and wanted a partner who was the epitome of feminine beauty.

Sylvain: To be honest, I left home without telling my father, even though the country was in a difficult situation. Haha, I can imagine my father's angry face. "That idiot son of mine…" Haha, scary, scary…

But it was not because he was interested in upholding patriarchy. In fact, it he hated patriarchy and did not have a good relationship with the men in his life. His father was known as the "Wall of Ice". Matthias only cared about whether he had a Crest and could wield the Lance of Ruin. He didn't have much regard for his son's life and wanted him to take out a group of bandits by himself to earn his inheritance.

Ingrid: As you know, Sylvain and I have known each other since we were children. In the past, he often had bruises and other injuries on his face and body. Every time I asked, he would say he got them during training, but still…

And growing up, Sylvain was regularly beaten by his older brother.

Dimitri: Who's naïve and serious…? Besides, compared to you, most men are probably the same. Sylvain: Oh, really? A man who gives a dagger as a gift to a girl he likes is quite… Dimitri: How many years ago was that story? …If I seriously slap your head, will you forget about it? Sylvain: If I were hit with that monstrous strength, I'd die… It doesn't sound like a joke.

His Japanese voice acting during his C-Support with Dimitri conveyed a lot more distress than the English version did. Because of how overly serious Dimitri was, and his history of being abused, he genuinely could not tell that he was just joking about hitting him.

Sylvain: Ah, damn it… Joining the Empire… I wonder what Father would say… And then there's His Highness… He's definitely furious, right? That guy, when he's angry, he's downright terrifying… I wonder how I'll be killed… Just imagining it makes my legs tremble. However… it's your decision. I'll follow you…until the end. Haha, I wonder what's gotten into me. I should be scared out of my mind… and yet…

If you recruit Sylvain into CF, you'll learn that he was terrified of Dimitri's anger. He was a childhood friend, but he was never as close to him as he was to Ingrid and Felix. Dimitri was, after all, the future patriarch of the Kingdom with superhuman strength. Which would be kind of intimidating to an abuse victim. In CF, he calls Dimitri a stubborn "yarou". While he is on good terms with him in AM after his boar phase, he doesn't even have an A-Support with him.

Sylvain: Thinking that he's in the next room makes me hesitate to invite a girl over at night. I'm already scared and scared of the scolding the next morning... (Best Answer): Maybe I should reconsider the room assignments…

Sylvain's note to the advice box was about how he was afraid to invite girls to his room because Dimitri was next door. He didn't take his scoldings from Ingrid or Felix very seriously. But Dimitri's seriousness seemed to remind him of his father. And Sylvain was deathly afraid of his father. I'm sure that's why he felt like he had no way out of his arranged marriage.

Sylvain: As someone with a Crest, I was raised with great care by my parents. But my older brother, who didn't have a Crest, was suddenly treated very coldly when I was born. …My older brother even pushed me into a well and abandoned me in the snowy mountains. I understood it even as a child. I had taken everything from him. How could I complain in front of someone who wanted a Crest but couldn't get one? So, the persistent stares of women, the appraising looks of noble daughters… I had to smile and accept them. …Because I had the Crest.

Sylvain bears the Crest of Gautier which is associated with the Death Arcana in Tarot. And the theme of "death" certainly played a large role in his character arc. Growing up, he was constantly told that he should go die and his brother tried to kill him. But Death doesn't mean literal death. It signifies a time of significant transformation, transition, and change. The old version of you needs to "die" to allow the new you to be created. 

Sylvain: Ever since King Lambert passed away, I hardly get to see my childhood friends anymore…

Death also represents a resistance to change. In Hopes, if you take Sylvain on an expedition and ask him about his memories of the past, he sadly recounts how he and his old friends stopped hanging out much after King Lambert died. Sylvain would have been fifteen at the time. The same age he was when he hit on Lord Gwendal's daughter, prompting Ingrid to finally leave her room out of concern for him.

Sylvain: Actually, I have a history with Lord Gwendal. Yes, that was a story from many years ago. I met a lovely young lady, fell in love, and was nearly killed by her father… And that father happened to be Lord Gwendal. Oh boy, I was truly prepared to die at that time!

In Japanese, Sylvain's Classic Mode death quote uses the word "覚悟" (kakugo). It means "prepared for" or "mental readiness." And in Japanese, he uses that exact same word when talking about the Lord Gwendal incident. Sylvain's childhood antics (such as hitting on Ingrid's grandmother) could be seen as a harmless ploy for attention to compensate for his terrible home life. However, his involvement with Gwendal's daughter appeared to be way more serious.

Sylvain: …Well, whatever you think, Professor, I don't intend to change my attitude. You see, I may be a good-for-nothing, but I'm still a noble with a Crest… I try not to get involved in serious relationships. They only bring trouble. Eventually, I'll be quietly married off to some suitable partner and settle down.

Sylvain was extremely disingenuous with girls. He would use them for sex, then dump them in public. He was dreading the fact that his life would change after he got married and he blamed them for it.

Ingrid: Just… childhood friends, right? Then why do I have to clean up after your messes? Sylvain: Haha, nobody asked you to do that! Well, just think of it as your role and accept it. For some reason, it's been like this since we were kids, and it'll probably continue. Ingrid: …Continue like this? So, you don't have any intention of changing your ways!?

The only way Sylvain knew how to cope with his fate was by pretending that he just couldn't resist falling in love with every cute girl that he laid eyes on. But the truth was that he disliked girls and was even afraid of them. He was being literal when he said he would stake his life on flirting.

Ingrid: You keep earning resentment from women, and eventually, you'll really get stabbed. Sylvain: Haha, well, if I get stabbed, I get stabbed. I suppose that's just how it goes. Ingrid: …Dying for such a silly reason is definitely not okay, are you stupid!? …Glenn was the type to make those kinds of jokes too. And he really never came back.

Ingrid's line in her B-Support with Sylvain was changed slightly. She specifically warned him that he would get stabbed if he didn't change his behavior. And he just laughed, as if he were prepared to die.

Sylvain: I just, uh… Well, you're going to think I'm being a jerk or hitting on you or whatever… When we're side by side like this, training, I feel— I don't know—oddly at ease. Ingrid: I know what you mean. It's probably because we've been friends for so long. Sylvain: That must be it. Let's never change. Friends forever?

All Sylvain wanted was for things to go back to how they were when he was a kid. In their Houses A-Support, he emphasized that he was not trying to hit on Ingrid. The idea that things wouldn't change between them just put him at ease.

Ingrid: What do you mean you feel relieved seeing me eat? Sylvain: Haha, sorry, sorry. I didn't mean anything by it. Just seeing you enjoying your meal like that makes me, you know, feel relaxed. [...] Nobody can stay the same as they were in the past. You said something like that recently too, didn't you? That's why having something that doesn't change is really comforting for us.

In their Hopes A-Support, he offered to treat Ingrid to dinner not as an attempt to woo her, but just so that he could watch her eat. It was a relief to him that some people never change.

Sylvain: Hey Felix, you free? You must be free, right? Let's go flirt with some girls together today. Felix: Tch… You're disturbing my training. Go by yourself. Sylvain: Don't say that. Come on, we've known each other for a long time, haven't we?

The one change that bothered Sylvain more than any other was the change in Felix's personality. While he didn't like girls becoming attached to him, he was sad that Felix seemed to have outgrown that tendency and no longer wanted to spend time with him.

Felix: We've certainly known each other for a while, but that's about it. Besides, it's not what I wanted. It was just our parents' wishes. Sylvain: So, you're saying it's a rotten relationship, huh?

The phrase "rotten relationship" is kinda hard to translate. It is "腐れ縁" (kusareen) in Japanese. It means "a relationship that cannot be severed even if one wants to." It's usually a relationship that has persisted for a long time, often against one's will or preference, because it is bound up in some work, social, or family obligation. It tends to have a negative connotation, implying that the relationship is undesirable or plagued by difficulties.

It was derived from "鎖縁" (kusari-en) or "chain relationship", a term that refers to a close and inseparable relationship between two people, often described as being bound together by chains. "Chain relationship" was a positive term referring to two people bound by fate, as if they were destined to be together. But over time, the "rotten" part was added, and it took on a negative connotation.

Felix: That boar prince, it's been a rotten relationship since birth… No, even before birth. That's why I'm warning you… He harbors a beast within. You can trust in his skill in combat and brute strength, but as a person, he's utterly untrustworthy. You better be careful not to be devoured yourself.

Felix used the exact same term when he warned Byleth about Dimitri in Chapter 2. And the way he described his relationship with Sylvain is actually a far more accurate description of his relationship with Dimitri. Felix did have fond memories of their childhood together, but Dimitri's sadistic smile while torturing the rebels was ingrained in his mind. After that, he no longer wanted to associate with him, but he couldn't break off their relationship due to his family.

Sylvain: So, you're saying it's a rotten relationship, huh? Come on now, Felix. You used to cling to me like glue back in the day. You couldn't beat your brother, got into fights with His Highness, and every time something happened, you came crying to me. Back then, you were so meek and innocent. I doted on you like a little brother… Felix: ...Enough.

Sylvain disagreed that his relationship with Felix was just a rotten relationship. The implication was that it was more of a chain relationship and Felix was trying to downplay how close they were because he was hurt by the way Sylvain was acting.

Felix: Listen. I've held back until now, but there are plenty of things I want to say to you. In your personal life and even on the battlefield, you're frivolous. Whenever something happens, it's always about women… Sylvain: Hmm, what's wrong with that? It's rude to ignore cute girls… Felix: There's a limit to that, you sex fiend. If your sword skills were solid, I could acknowledge that. But you slack off even in training… Do you not feel any guilt about hurting others' feelings and holding them back?

Sylvain's womanizing certainly hurt Felix's feelings, but he was even more hurt by his frivolousness in battle. The implication was that he had no choice but to double down on his training because he was always babysitting Sylvain on the battlefield.

Felix: Being in this military academy, one becomes speechless at the sheer number of fools who, indulged by the power of their Crests and the status of nobility, neglect their training. It's truly astounding. (Best response): It would be good to give them training.

Felix's note to the advice box was undoubtedly written with a particular person in mind.

Sylvain: You know, since way back, I've been doing stupid things, and you've always been there to yell at me… Felix: Both of us getting lectured by Ingrid because of you… Try to put yourself in my shoes, I got dragged into it every time. Sylvain: Yeah yeah, that's right. Our relationship hasn't changed no matter how many years have passed. But you've changed, Felix. You were so adorable when we were kids… Now, you've become completely warped. I wonder why you grew up like this… Felix: Tch… You, on the other hand, are still a good-for-nothing, just like in the past. Sylvain: Ahahaha, what's that? Is that something the person who has always been by my side would say? Even now, look, you came all the way to me with the intention to apologize for what happened the other day, right?

Sylvain wasn't intimidated by Felix. But being yelled at by him still hurt his feelings and he kept his distance afterwards. And Felix came crawling back to him to apologize. He couldn't sever their relationship even if he was so hurt that he may have wanted to. He was afraid of losing their friendship, so it proves he was lying when he called it a rotten relationship.

Felix: …The boar prince and I have been acquainted since before birth. Before I knew it, he was always by my side… You might even say that, at one time, we were best friends.

Dimitri and Felix were always together as little kids and Felix used to whine unless they could do everything together. I've seen some people say that they were best friends up until the incident suppressing the rebellion when they were 14 or 15. But that didn't appear to be the case. At the time the Tragedy of Duscur occurred, when he was 13, Dimitri considered Glenn his best friend.

Sylvain: However, both His Majesty and Felix have really grown up, haven't they? Ten years ago, they were the kind of guys who would squabble over breaking each other's swords and whatnot…

Felix always went crying to Sylvain whenever he and Dimitri fought. Dimitri broke Felix's sword when they were nine years old. So, even by that age, Felix was clingier with Sylvain than Dimitri.

Sylvain: A little laziness is just right. If you push yourself too hard, you'll just get tired. Oh yeah, I'll treat you to a meal, so let's go out to town together, Felix. Felix: No. Sylvain: Which is more important, going to town with me or training? Felix: Training. See ya.

Sylvain lamented how cute Felix used to be in Houses, Hopes, and even Heroes. He was the only male character that Sylvain was ever interested in spending time with one-on-one. He even invited him out to dinner like he did with girls. It is very likely that he was so sad about how much Felix changed because he used to be his ideal "girl".

Sylvain: More importantly, it's time for the ballroom dance now, isn't it? There's also the White Heron Cup competition, right? So, Professor, who are we sending from our class? (Byleth chooses Sylvain as the representative for the White Heron Cup) Sylvain: Huh, me? Well, um, that's fine I guess. It's a good opportunity to show the girls what I can do. (Byleth does NOT choose Sylvain as the representative for the White Heron Cup) (Japanese) Sylvain: If anything, I'd rather see a beauty dancing than watch a bastard dancing, you know. (English) Sylvain: I get it. No worries, really. I'd rather see a beautiful person dancing instead of some goof like me.

Sylvain lumped himself into the "yarou" category, too. He was eager to impress girls during the Battle of the Eagle and Lion. But he will sound a bit disappointed if you choose him as the White Heron Cup representative. He's happier if you choose a beauty. The term he used for a "beauty" was "美人" (bijin). It means "beautiful person," but it is primarily used to refer to beautiful women.

It can sometimes be used to describe an exceptionally attractive man, although less commonly. Generally, "bijin" is more commonly associated with feminine beauty in Japanese language and culture. While it can technically be used to describe individuals of any gender who are considered beautiful, the term often carries connotations of traditional or stereotypical feminine beauty standards.

And since "yarou" is gendered, you'd think that "beautiful woman" would be the obvious way to translate that line, right? But I have to give the localizers credit where credit is due. They used "beautiful person" rather than "beautiful woman". Because they knew Sylvain would not have minded one bit if Felix had been the White Heron Cup representative.

Felix: You seem like you have something to say. …You're not seriously considering choosing me as the representative for the White Heron Cup, are you? (Byleth does NOT choose Felix as the representative for the White Heron Cup) Felix: I see. That's fine then.

Felix is unsociable. He gets annoyed if Byleth stares at him too long during teatime and he struggles to maintain eye contact when talking to people. Yet he was not as opposed to participating in a dance contest as you'd expect. He even brought it up himself. If you don't pick him, he doesn't sound relieved like most of the others. In fact, in Japanese, I'd say he sounds a tiny bit disappointed. His objection seemed to be dancing with a girl, not dancing in general.

Felix: I'd much rather swing a sword at the training grounds than dance with a girl at the ball. Sylvain: Huh? Your Highness and Felix, are you joking…? You can dance with all the girls in the school. Do you mean to say that on such a wonderful day, you'll be practicing swordplay with each other…? That doesn't seem like a sane idea!

One the "Night of Promises", Dimitri was not looking forward to the ball because he was sad that he was never going to rekindle his spark with Edelgard. He still attends the ball, and the cutscene shows him dancing next to Edelgard, as if to imply that he wished he was dancing with her instead of the girl he was actually dancing with. Felix felt the same way as Dimitri. He said he was going to skip out and train instead, something that made Sylvain sad. He used the word "yarou" once again here, emphasizing the masculine nature of the activity he's criticizing.

Felix: But… to the casual observer, it might not look entirely unlike a tryst between a man and a woman. If you're truly dissatisfied, then that's your compromise. Byleth: Unfriendly. Felix: Call it whatever you want. I'm about to head back to the training grounds.

If Byleth meets Felix at the Goddess Tower, his dialogue indicated that he did indeed skip the ball to practice at the training grounds.

Sylvain: When I heard you were heading to the Goddess Tower, I wondered who you were having a tryst with… I never expected you'd just be standing there alone, lost in thought. Byleth: Tryst...? Sylvain: Wait a minute. Seriously, what's going on? When someone goes to the Goddess Tower, isn't it to meet a lover? Here, vows exchanged are sure to be fulfilled… It's the lovers' sanctuary, you know. (Option 1) Byleth: Why did you come alone? Sylvain: Huh? Oh, well... Truth be told, I was curious about who you were waiting for. I hurried to catch up, only to find you alone in the end... Well, I must say, it put my mind at ease.

Sylvain goes to the Goddess Tower simply because he was curious about who Byleth was waiting for and was relieved to find out that she was alone. Then afterwards, he offers to make a vow with her.

(Option 2) Byleth: Don't you need to invite a female student? Sylvain: That's true. I could have invited someone, but my true love is right in front of me. Being alone at the Goddess Tower means I can try to woo you, right?

The phrase Sylvain used for "true love" was "本命の相手" (honmei no aite). "本命の" (honmei no) translates to "main," or "primary". "相手" (aite) translates to "partner" or "opponent," depending on the context. The phrase typically refers to the person that the individual truly loves or considers as their most significant romantic interest.

HOWEVER. It also translates as "favorite opponent" in specific contexts, particularly in sports or competitive activities where "aite" means "opponent" or "rival." In that context, it refers to the most formidable opponent in a competition or match, the one whom the athlete or team considers their top rival or challenger.

Byleth: …Me? Sylvain: Yes. Who else would I be talking about?

Who else would he be talking about? Well maybe someone who spends a lot of time with Byleth as a sparring partner? Someone who was absent from the ball? Perhaps someone he made a promise together with in the past?

Sylvain: Hey, Professor, I won't make you unhappy. So, how about getting married… Byleth: You're not trustworthy. Sylvain: Haha, well, that's true.

Sooo. Why did Sylvain go to the Goddess Tower? Was Byleth his true love? Or was she actually his primary rival for his true love? Well, I think we can rule out the "true love" option.

Felix: This is troublesome… The enemy is just a bunch of thieves. I doubt there are any skilled fighters among them. Sylvain: Don't be so cold. I'm looking forward to it. Come on, there might be a beautiful female thief among them.

Felix was always trying to prove his worth in battle. And Sylvain was always goofing off because he didn't value his own life. Before the group's first battle against bandits in Houses, he wasn't acting serious because there would most likely not be skilled fighters among them. He even made a joke about flirting with one of them.

Felix: If they're in a state of confusion right now, we can easily round them all up. I'm on my way. Sylvain: …No, no, no, hold on a second. Don't you think there's something strange about that fortress?

In Hopes, the bandits were a much greater threat than they anticipated, and Sylvain completely changed his tune. You gain Support points with Felix if you suggest charging the fort. But you gain points with Sylvain if you suggest a more cautious approach.

Sylvain: Ah, I thought since it's a festival day, there wouldn't be any lectures, and we could play all day… Hey, Professor. Even if you were planning an assassination, would you really choose the day of the Rite of Rebirth for it? I feel like there might be times when security is less tight. Or is there a reason it has to be this day?

Before the Rite of Rebirth, there was an assassination attempt on Lady Rhea. Sylvain didn't take it seriously because he knew the monastery's security would be tighter than ever on that day, and he was just goofing off and chatting up Hilda.

Sylvain: …But it's strangely quiet these days. Is it because the knights are out and about? Felix: I heard the knights are putting all their effort into tracking down the enemy. Sylvain: Putting all their effort… Isn't that a bit too much? Is it okay to neglect the monastery's defense? Felix: …How do you see this situation? Byleth: Maybe you're worrying too much. Sylvain: Is that so… Well, I hope the knights come back soon.

But after Jeralt was killed by intruders, he was standing with Felix, worrying about the thin security with all the knights out looking for the enemy. It's a very nice bit of subtle storytelling, showing that, even if he seemed like he was always goofing off, he was serious about Felix's safety and always kept an eye on him.

Sylvain: Come to think of it, you don't like sweets, huh? Well, thanks. I'll eat it later. …So, what do you want me to do? Ah, you want me to play matchmaker with a girl? Felix: Is your head filled with sugar or something? I'm just here to thank you for the battle the other day. If you hadn't noticed the ambush, I would probably be dead by now. Sylvain: Oh, right... But isn't that just how it goes? On the battlefield, it's all about mutual support. That's what comrades do, right? Felix: …You haven't changed a bit. Sylvain: Yeah, I'm still the same as ever. Felix: You always…

Felix is the only partner who will confess their feelings for Sylvain at the end of the Support chain. You could tell that he was mulling it over in the A-Support. He even brought a gift of sweets for Sylvain before he planned to tell him how he felt. But he chickened out. Still, he was going to say that he was grateful to Sylvain for always protecting him ever since they were kids.

Sylvain: His Majesty or Felix would probably make better hunting partners than me. I prefer to just sit back and watch.

While there are no specific childhood anecdotes related to this, a comment Sylvain made during his Hopes expedition did imply that he occasionally accompanied Dimitri and Felix on their hunting trips.

Felix: Boars are naturally wary animals, but this one seems injured… If it senses us, it'll charge. We can't afford to get injured by its massive rush. Raphael: Huh? Felix, you sound like you've fought something like this before? Felix: It's a story from many years ago, but I once let a similar quarry slip away. [...] House Blaiddyd and House Fraldarius used to go on hunting trips together. On one trip, a certain prince killed so many deer it proved impossible to fit them all on the sled. Meanwhile, I went off hunting on my own, encountered the boar, and barely escaped with my life.

Felix had a near-death encounter with a wild boar as a child. And I strongly suspect that Sylvain was the one who saved his life and got pretty hurt in the process.

Felix: You've always been like this since we were kids. Normally so unreliable, but you've always thrown yourself in harm's way and helped us when it really counted. …Every time you managed to put on that carefree smile for us, I cannot deny that I wanted to hug you a little. Sylvain: O-Oh… You're the one spouting those kinds of lines? Have you eaten something strange? Felix: Tch… I won't say it again, you fool! Now that I know you're safe, I'm going back to my room.

In the A+ Support, Felix will finally say what he was thinking back in the A-Support. He will mention how Sylvain would literally put his body on the line and then smile afterwards. And Sylvain told Marianne that a smile was the true measure of a person's worth. He always smiled because it made him feel strong.

Felix uses the word "抱いていた" (dakishiteita). It means "embrace" or "hold." It can mean to literally hold, hug, or embrace someone in a physical sense. Or it can be used metaphorically to express the idea of cherishing or harboring a feeling of admiration or longing. But the writers probably chose that word for its dual meaning.

Felix was certainly trying to communicate his admiration for Sylvain's ability to smile even when he's hurt and in a lot of pain. And in doing so, he made his intense longing for Sylvain clear. And I do not think the localizers were wrong to have Felix express his desire to hug Sylvain in a literal sense. It was all part of the same package.

Sylvain: Alright, alright. Then I'll wait while having a meal until you feel like it. Come on, Felix, let's grab a meal in town. I'll treat you. How about some meat? Felix: …Alright. I owe you one. Just for today, I'll go along. Sylvain: After we fill our stomachs, then we can go chat up some girls… Felix: ………. Sylvain: Just kidding, jeez, you're really short-tempered. Come on, let's go together, Felix!

Sylvain offered to treat Felix to dinner in their B-Support, and he got rejected. In the A-Support, he offered again, and Felix agreed because he owed him. Now, Sylvain offered to treat Byleth—even the male—to dinner in his Paralogue because he saved his life, and he owed him. So, that probably wasn't what he wanted to hear.

In Sylvain's mind, relationships were always transactional, and he was very suspicious over whether anyone really wanted to spend time with him. He even suspected that Felix came to give him the sweets just so he could set him up with a girl. So, he apparently tested Felix's intentions by suggesting they chat up girls afterward. Ya know, just to make sure they're on the same page and it's really a date. In light of what Felix intended to say, it's clear why he was upset.

Sylvain: ...Hey, uh, Ingrid. Training again today? Ingrid: No, today I'm going to the city to buy supplies. Training comes afterward. Is there something wrong? Sylvain: N-no, you're still as serious as ever, huh? Some things never change. Ingrid: …What are you talking about? I haven't changed at all. Sylvain: Y-yeah, you're right, haha. Ingrid: …Hey, what's up, Sylvain? Did you eat something strange? Sylvain: N-no, it's not that. Um… Have you found someone you like?

Sylvain was always smooth whenever he was flirting with girls. But in his A+ Support with Ingrid, he was incredibly flustered and stumbling over his words. He's a completely different person when he's really fallen for someone. Taken at face-value, the player would assume that he has fallen for Ingrid. And while that is certainly a valid interpretation, it actually isn't the only interpretation. He was particularly worried that she had been training a lot lately.

Sylvain: No, it's not like I'm flustered or anything. …I was just a little curious about the reason, that's all. Ingrid: …The reason for the makeup, huh. What do you think it is? Sylvain: Well… Is it because of a guy? If we're talking about someone you might like, going by your past tendencies… Felix…No, His Highness is also a possibility.

And the first person he asked about was Felix, due to Ingrid's history with Glenn and how Felix had changed to be more like him. But was it because he was afraid Felix would steal Ingrid from him? Or was he afraid Ingrid would steal Felix from him? While many people consider Ingrid the "canon" love interest for Sylvain, they deliberately left their A+ Support open to interpretation. I have no doubt that the writers preferred Felix as Sylvain's love interest, but they didn't want to make a gay pairing too obvious, so they left it open for Ingrid, too.

Sylvain: I've been given the opportunity for revenge. I won't waste it… even if it means stabbing each other to death…!

Regardless of which one you interpret as his love interest, Ingrid and Felix were the two most important people to Sylvain. If you do not recruit them in CF, they will die at Arianrhod, and Sylvain's dialogue changes in response during "Field of Revenge". The Japanese verb he uses "刺し違える" (sashichigaeru) literally refers to stabbing one another and killing each other.

Sylvain: Professor! Has it really been five years? We ought to raise a glass to the occasion. Celebrate your return. Nah, I'd rather commemorate it with your death.

Sylvain's CF arc is very interesting. He becomes like Miklan. The foreshadowing in his B-Support with Byleth was intended for this exact moment. He was so jealous of Byleth's ability to live freely that he wanted to kill them. And now he gets the chance. He doesn't care if he dies as long as he gets his revenge for his two friends. Sylvain felt like his parents only valued him for his Crest and his brother wanted him dead. But those two really loved him. He was so driven to kill Byleth in CF because s/he took everything from him.

Mercedes: You can't choose where you're born. It's like flowers not being able to choose where they bloom. Since we don't suffer from hunger or thirst, we can't complain even if the place is cramped. It's the same for both of us… We all have to bloom where we're planted. Sylvain: It's true that flowers can't choose where to bloom. They can't go where they want to go until they die, and if the environment is bad, they will just wither away.

Because of the arranged marriage looming over his head, Sylvain felt like a flower with his roots firmly planted. He didn't feel like he could go where he wanted to go until he died.

Sylvain: Finally… I can go to the place where they are… I'm sorry, Your Majesty… I… will go ahead and wait… Dimitri: Thank you, Sylvain. I will also… definitely go to where you all are.

And where did he want to go? To the place where Ingrid and Felix were. CF!Sylvain was relieved that he could finally join them upon his death, something that was sadly not included in the localized version. That line was especially relevant to his relationship with Felix because they promised to die together.

Sylvain: Me… disliking girls? Hahaha, no way, no way, not at all! I'm always serious when it comes to girls. I put my life on the line to woo them. Dorothea: You should focus on one person and then say that. You only have one life, and usually, there's only one person you can love enough to stake your whole life on.

Sylvain has the fewest number of paired endings out of any student. Understandably, very few women would consider marrying him. Mercedes would in order to escape her arranged marriage, but she'd have to give up her dream. And Ingrid would because she loved him and thought she needed to take care of him or else he'd end up like Glenn. But she'd also have to give up her dream.

In his S-Support proposal, Byleth was not quite sure if Sylvain was being sincere because he was still using shallow words. And Dorothea did not trust him, either, because he had to propose to her at least ten times. And of course, Dorothea will marry pretty much any nobleman in the game to secure her future. Felix had no one pressuring him and nothing to gain from being with Sylvain.

Sylvain: Do you remember? We made a promise when we were kids. That we'd die together. Felix: ...I remember. Sylvain: So, you see, there's no way I'd die before you and leave you behind.

In English, "dying together" could be taken as platonic. Just brothers-in-arms or best friends. However, there's a cultural nuance to it in Japanese because that phrase is often used in a romantic context. It implies that they will not just die but spend their whole lives together. It was, in essence, a marriage proposal.

Felix: …Well, I suppose that's true. But I'm fed up with getting terrified like this. You shouldn't just fool around all the time. Take your training seriously for once. …If you end up carelessly throwing your life away, I won't be able to die with you. Sylvain: Yeah, you're right. Once I'm healed, I'll try to be a bit more serious.

Felix uses the phrase "肝を冷やす" (kimo-o-hiyasu). It's an expression that literally translates to "cooling the liver" but figuratively means "to be frightened" or "to be scared stiff." It refers to the feeling of fear or nervousness that causes a person's body temperature to drop, often likened to a sensation of chilling one's liver.

Their entire Support chain was about how Felix never really changed. He always prioritized his training over hanging out because he was absolutely terrified that Sylvain would get himself killed and they wouldn't have a future together. After finally realizing this, Sylvain reaffirmed his childhood promise. He no longer wanted to die.

Sylvain: Anyway, I suppose you just said the things I usually say, right? Even if it's the same pick-up line, serious guys' words are taken seriously.

When Felix said Sylvain was frivolous in their C-Support, he used the word "不真面目" (fumajime). When Sylvain said he'd be more serious from now on, he used the word "真面目" (majime), which is the opposite. He also used this word in his Support with Dimitri. It means "serious" or "earnest" in English. It describes someone who is diligent, takes things seriously, and is sincere.

The "Sincerest of Knights" was not just saying that he would take his training seriously. He was also saying that he would take his personal life seriously. He wouldn't be frivolously going around picking up girls and telling them he loves them enough to stake his life on them anymore. Because he already found the one.

Sylvain: These five years, fighting and fighting… Finally, the tough times have come to an end. A new era is about to begin. …So, I thought it's about time I put an end to my own fate. Byleth: Put an end to? Sylvain: Yes. My fate is not determined by something like a Crest; it's determined by me… This is the first step towards that. Not someone trying to use my Crest, not someone decided by someone else, and not just a playmate…

Death is the arcana of transformation and typically refers to a need to start over by letting go of the past. It is about moving forward from outworn and outgrown ways of life. And that's what Sylvain's character arc was all about, regardless of whether he marries Byleth.

The term for "put an end to" is "けじめ" (kejime). It can be translated as "closure," "settling accounts," "bringing something to an end," or "establishing a clear boundary." It suggests that Sylvain is finally ready to confront his fear, establish firm boundaries with his father, and decide for himself who he forms intimate relationships with.

Sylvain: But our feet aren't roots. We can move ourselves and go where we want. If we navigate cleverly, we might not have to give up what we want to do. [...] I'm not trying to court you or anything like that. But if I, as the legitimate son of Gautier, were to propose to you… The other party would have no choice but to withdraw. It might sour our relations a bit, though. Afterward, you can do as you please. You can work at the church or become whatever you want. Mercedes: But if you did that, Sylvain, you wouldn't be able to marry the person you love, right? Sylvain: Hahaha, I'm not being serious about that.

Sylvain is a Gemini. Being the Twins, they'll flit from person to person to see what everyone has to offer, but once they commit, their lives are complete and whole. Because he and Felix made such a promise before the game even started, it suggests that they were both in love with each other, regardless of whether you go for their paired ending.

And if Sylvain already had someone that he wanted to spend his life with, but that he wasn't free to do so because they were the wrong gender to produce heirs, then it paints his behavior in a different light. His storyline was about forbidden love. He changes his behavior in Hopes because he realizes that he can go where he wants and doesn't have to give up on being with the person he loves.

Felix: I was raised to value strength above all else. Whereas you had a reason, an ambition, pushing you toward that hunger. So, tell me. What was the reason? Why were you driven to become so strong?

Not only is Sylvix the best relationship for Sylvain's growth, but it is also the best relationship for Felix's too. Felix was also a victim of Faerghus's patriarchal culture. He was taught to swing a sword before he could write and was raised with the motto: "Grow strong so you may live, and live to grow stronger".

Felix: It's like training with my brother. He always won—always—and died before I could win a single bout. From the first time I held a sword, all I wanted was to surpass him. And that's what drove me to become so strong.

Since Felix was a child, his main ambition in life was to surpass his brother, who he always lost to while sparring. And that sense of purpose continued to subconsciously drive him, even nine whole years after he died.

Rodrigue: …My eldest son was quite outstanding, you know. He was knighted at the age of fifteen.

Glenn possessed exceptional swordsmanship ability. Felix was probably so obsessed with surpassing his brother at swordplay because he was trying to earn the admiration of his father.

Felix: Sorry, but I'm not "Emile." And of course, I'm not your brother. Tch… It's so annoying being compared to someone else. Mercedes: I'm really sorry… I'll be on my way then. …Oh, the tea refill is here. Please help yourself if you'd like. …Well, see you. Felix: …I am me. Regardless of what anyone says, I'm not anyone else. …Isn't that right…Brother.

The English localization changed several lines in Felix's C-Support with Mercedes, giving it a slightly different meaning than the original Japanese version. The verb used by Felix is "重ねる" (kasaneru). It means "to pile up" or "to layer". Metaphorically, in this context, it conveys the concept of overlapping an image of one person with someone else, because they remind you of them. The Japanese version made it sound like "You're you, not anyone else" was something Glenn had to remind Felix often.

Shez: Is Dimitri really that much like his dad? Rodrigue: Oh, yes, absolutely. Well, the late King was a bit more hot-headed, it seems… Compared to me and my son, they are spitting images of each other. See, we don't resemble each other much. Shez: Yeah, you're really not very similar at all. Your looks aside, of course.

The concept of "kasaneru" played into Rodrigue's relationship with both of his sons. He had trouble viewing them as their own people, rather than just reflections of himself. He was very proud that Glenn took after him and disappointed that Felix did not. He also projected his own feelings onto Glenn. While it did seem like he chose to defend Dimitri to the death, he was not satisfied to die.

Felix: …Hmph. It's a waste to keep someone like you as a woman. Leonie: Oh, come on. That's what's wrong with you. Strength has nothing to do with gender. It's because you underestimate your opponent that you fall into traps. Felix: …Yeah, you're right.

I've seen some people accuse Felix of being a misogynist because of several comments he made to female characters. One comment was to Ingrid about finding a husband, which I'll get to later. Another was his comment to Leonie about being impressive "for a girl". His comment in Japanese is actually entirely different. He was saying that Leonie is so strong that it's a waste because strength isn't a trait that is appreciated or expected of females in Fódlan.

Felix was implying that her talents might be better suited for manhood. And she actually made him question that way of thinking. This Support showed how Felix was aware that some people don't naturally conform traditional gender roles and it would make their lives much easier if they were the opposite sex. Which is something he had undoubtedly thought about himself.

Felix: It's all well and good to remember the dead, but sentimentality will get you killed. All the tears in the world couldn't bring them back, after all. Ingrid: You have always viewed the world in such stark terms. It might even be one of your strengths. But one day, you will learn that emotions and sentimentality are also a strength, not a curse.

Felix is a Pisces, which is considered one of the most feminine signs of the zodiac due to its association with sensitivity, intuition, empathy, and creativity. Pisceans are often described as dreamy, compassionate, and deeply empathetic individuals who are attuned to the emotions and needs of others. As a child, Felix was meek, innocent, clingy, and would cry easily. These are stereotypically feminine traits which would certainly not be valued in a strength-obsessed culture like Faerghus. And especially not in a boy.

Felix: I am tired of it. For years, I've been forced to be a "replacement" for the dead. I had an excellent brother. He was a splendid knight worthy of admiration… He's dead now. After my brother's death, his presence haunted me like a shadow.

The Mother Goddess archetype is a powerful and ancient symbol found in various cultures and mythologies around the world. It represents the qualities of nurturing, fertility, protection, wisdom, and interconnectedness. Some examples are Isis from ancient Egyptian mythology and Mother Mary in Christianity. Sothis was the embodiment of the divine feminine principle.

The one who embodied the divine masculine principle was Nemesis. He represented the Warrior Hero archetype, which embodies qualities such as courage, strength, and valor. Figures like Achilles in Greek mythology, King Arthur in Arthurian legends, and Beowulf in Anglo-Saxon literature exemplify the ideals of the Warrior Hero.

Despite being the most religious country, the actual values of Faerghus were much more aligned with the Warrior Hero than the Mother Goddess. The Crest of Fraldarius is associated with the Emperor arcana. It represents the divine masculine principle. As the replacement heir, Felix's patriarchal duty was to serve as the king's sword and shield. But he hated the ideals of chivalry.

Dimitri: Heh. You know, Felix, you really are growing more and more like your brother. Always so sarcastic, and constantly looking for a fight. But deep inside, more than anyone, you—

The concept of "kasaneru" factored into Dimitri and Felix's relationship as well. Felix's gruff personality was not the natural effect of puberty. It was the result of being forced into a role he wasn't suited for. He hated bloodshed. His first battle left him horrified and he needed to desensitize himself to cope. After losing his brother and becoming a squire, his naturally sentimental and meek personality changed to become more like his brother, "sarcastic and constantly looking for a fight". Stereotypically masculine traits.

Bernadetta: Felix, did you just smile? And it was a really big smile, right? Hehehe, it's like cracking open a tough nut and finding a sweet smile inside… Felix: Tch… Don't get cocky, silly girl. Bernadetta: Oh no, the shell closed! Felix: …You've got guts to tease me like that. Seems like you really want to get in trouble.

The word Bernadetta used was "甘い" (amai). It is used for "sweet" and, just like in English, is often used to describe something that is sweet in taste or metaphorically sweet in demeanor or expression. In Japan, sweets are culturally coded as childish and feminine and liking meat is considered masculine. Did Felix truly not like sweets? Or did he just avoid them because of how they are perceived?

Bernadetta: Felix, please try this. This candy has a reputation for not being sweet. (Normal) Felix: I refuse. Whether it's sweet or not, I don't like candy. (Felix & Lysithea support level B reached) Felix: Candy, huh... If you say it's not sweet, should I take some?

It's worth noting that Felix will refuse to eat unsweet candy that Bernadetta offers him in their A+ Support. But he will actually give the candy a try if he has reached B-Support with Lysithea, after he tries her cake. And in their paired ending, he gives up the sword to spend to his life baking sweets with her. So, it suggests that he was just concerned with keeping up appearances.

Felix: If I were to die here, would you say something like you did when it was my brother? "That's the true end for a knight."

During World War II, ultra-nationalists popularized Yamato Nadeshiko as the female manifestation of Yamato Damashii. It is the term for an idealized Japanese man and refers to the traditional virtues and characteristics associated with him. These include loyalty, courage, honor, selflessness, and a strong sense of duty. This concept is deeply rooted in Japanese culture and history, reflecting the values upheld by the samurai class and other historical figures.

Dimitri: My closest friend was a knight who served the royal family. He was near to my own age, and I admired him greatly. But one day, I watched him die. He stood his ground and fought bravely, but his life was snuffed out in the blink of an eye all the same. Ingrid: I always looked up to Glenn. He was the very picture of a perfect knight—noble and virtuous. In the end, he laid down his life—the ultimate sacrifice. I feel proud of him in ways that words can't quantify. Rodrigue: To this day, I'm proud of Glenn. He gave his life to protect Prince Dimitri. If he had abandoned His Highness and fled, I don't know that I could have forgiven him… I would have been deeply ashamed.

Glenn was less a character and more an archetype. He represented the ideal man of Faerghus that Felix was supposed to aspire to be. Since he was a child, his purpose in life was getting strong enough to beat Glenn at sparring. He felt like he would only be valued if he became more like his brother. And after the Tragedy of Duscur, he felt like his father would only value him if he died.

Sylvain: The old Felix was really adorable, but what happened to make him like that? (Best Answer): Say it's part of growing up.

Whenever Felix lost to Glenn at sparring, he would go crying to Sylvain. It is likely that Sylvain was the one person, other than Glenn, who made Felix feel appreciated for who he really was. Rodrigue, Dimitri, and Ingrid always talked about how admirable Glenn was. Sylvain always talked about how adorable Felix was and was sad about how he had changed. After losing his brother, Felix probably felt like his purpose in life was keeping his promise with Sylvain.

(If Byleth is male) Felix: Having heard of your skills, I'm eager to meet you in battle. Come to the training ground later. There, you will show me what you're capable of.

Regardless of gender, Felix viewed Byleth as his personal rival, just like he did with Glenn when he was a kid.

(If Byleth is female) Sylvain: Such benevolence is a sight to behold! I don't suppose you would care to join me for tea? We could discuss education…and marriage. Felix: Control yourself, Sylvain. I have more important matters to discuss with our new professor. Come to the training ground later. There, you will show me what you're capable of.

Although, interestingly, it was Sylvain's marriage proposal that prompted him to challenge Female Byleth to a sparring match when she first became Professor.

Felix: …What. I thought it might be someone else, but it's you. Byleth: Meeting someone? Felix: I didn't have such plans. …I just wanted to come to a quiet place.

Felix skipped the ball. But he was already at the Goddess Tower when Byleth arrived. He said he just needed some quiet, but wouldn't the training grounds already be quiet on the night of the ball? In Japanese, it's clearer that he was actually expecting someone else instead of her. There's only one person he could possibly have had in mind. The person he made a promise with long ago.

Felix: You know the legend of the Goddess Tower, don't you? The one where vows always come true. It's so absurd it makes me feel like vomiting…but trying to believe in it might be amusing. Let's make a vow to the Goddess of Fódlan. I will… I will, someday, surpass you. I'll surpass your sword, your skills, and as a warrior, I'll defeat you.

Most of the students used the word "約束" (yakusoku) when referring to the legend. It means "promise". There were only a few who used the word "誓い" (chikai). "Chikai" conveys a stronger sense of commitment and means "oath" or "vow". It often involves a pledge made with deep sincerity and seriousness.

"Chikai" tends to carry a more profound emotional and moral weight than "yakusoku". Byleth rejected Sylvain's request to exchange vows. And her vow with Felix was quite unromantic. Before swearing his vow, Felix closed his eyes, which he also does in his A+ Support when he remembers his promise with Sylvain.

Byleth: What kind of vow is that? Felix: What, unsatisfied? If you're looking for a romantic relationship, I'm sorry, but hit up some other man. Unfortunately, I've lived a life devoid of such things. Blades, blood, and battles. That's all I am.

Felix wasn't disinterested in love. He was disillusioned with love. After feeling unloved by his father and cheated on by Sylvain, he was trying to fill the void of love with strength. The only way he knew how to prove his worth to himself was on the battlefield. And that was the only sense of purpose he had left in life, anyway.

Felix: Once I decided to fight alongside you and the emperor, I was prepared. …Prepared to abandon my country, to strike down my father, and to kill a man I once called a friend. But… my sword feels a bit heavy.

I found Felix's character arc in CF very interesting due to the whole "rotten relationships" idea. Remember how it means "a bad relationship that cannot be cut even if you try"?

Dimitri: Felix… You killed Rodrigue… your own father. Felix: I decided to cut down anyone who stood in my way. Even if it's my own father… Even if it's a friend I spent my childhood with. Dimitri: I see. After this exchange… I have finally resolved to kill you.

When it came down to literally cutting Dimitri out of his life, CF!Felix was very hesitant. He had a sad expression during this dialogue. And it was the same when he fought Ingrid.

Sylvain: Hey, Felix… Remember back when we were kids? We promised we'd die together, didn't we? Felix: ...Yeah, I remember. Sylvain: So… Now, it's gonna be you and me, killing each other. Felix: …Sorry, Sylvain. I'm gonna have to let you die first.

However, he showed absolutely NO hesitation killing Sylvain. In fact, he was even colder to him than he was to Rodrigue. Sylvain was clearly the real target of Felix's revenge in this chapter, not the boar. When Ingrid warned Sylvain that he was going to get stabbed if he kept cheating, it was probably foreshadowing for this moment.

Sylvain did not take CF!Ingrid's disloyalty personally and was not angry at her. He was just happy that her stubbornness hadn't changed. But he was very angry at CF!Felix. It was the betrayal he wanted revenge for. He specifically brought up their promise before expressing his desire to fight to the death. He was fully prepared to be stabbed to death, but he wanted to take Felix with him.

Rodrigue: Hmm. The dreams I held dear as a child have either already come true…or never will.

The Hero's Relic of House Fraldarius is the Aegis Shield, a reference to Greek mythology. It's likely no coincidence that Rodrigue's middle name is "Achille". He was probably inspired by Achilles, the warrior hero from the Iliad. Achilles' strong reaction to his childhood companion Patroclus' death is often taken as a sign that their relationship was possibly deeper than friendship. He lamented, "My dear comrade Patroclus has fallen—he whom I valued more than all others, and loved as dearly as my own life? I have lost him."

Rodrigue: No matter how much we grieve, the dead won't return. There's no way for them to hear our words. That's why their presence binds those living in the present like a curse. The more we cherished them, the more we become entangled and suffer… I'm not strong enough to scold His Highness for his foolishness. Byleth: Even so… Rodrigue: Yes. It seems scolding and getting them back on their feet is our duty as adults, isn't it? …Despite speaking so arrogantly, in the end, I am unfit to be an adult, aren't I?

When I first played AM and got to the scene called "Entrusting the Future", I assumed Rodrigue was still talking about Glenn when he lamented how the dead can't return.

Rodrigue: We both have a disposition where we can't just live without purpose. Both Felix and me. I lived to serve him, the late King Lambert… to support him as his right hand. Having lost the king I should serve, having lost the purpose of my life… I thought about what I should live for… And in the end, I made fulfilling our promise my new purpose. Shez: A promise… What was the promise about? Rodrigue: He asked me to admonish and correct his child if he ever strayed from the right path.

But after playing AG, there was another scene called "Entrusting the Future". And I realized he was actually talking about Lambert all along, not Glenn. AM!Rodrigue understood why Felix hated him for his comment about Glenn's death and he didn't blame him.

Dimitri: Every time I see the expression of longing on your face when you remember my father, there's always a thought that crosses my mind. I wonder if you wished to live and die alongside him. Rodrigue: …Haha, you're overthinking it, Your Majesty. Despite appearances, I consider myself quite resilient. No, I didn't wish for my own death when Lambert passed. However… if it were to fulfill a promise with him, I believe I'd be satisfied to die.

The concept of "kasaneru" played a large role in Rodrigue's relationship with Dimitri. It was very telling that he decided that his new reason to live was not to help his surviving son get back on his feet, but instead keeping his promise to Lambert. Dimitri had strayed from the right path, but Rodrigue could not scold him. In VW, this enabling caused Dimitri to throw everyone's lives away at Gronder Field. In AM, when the consequences of Dimitri's actions came back to bite him, Rodrigue took the punishment on himself, stating how there are no sins or punishments on the battlefield.

Rodrigue: He left home on his own, and now… this foolish son of mine. Felix: I have no intention of returning to you. Nor do I have any intention of returning to that boar. Rodrigue: …When a child misbehaves, it's the parent's responsibility. Felix… right here and now, you'll die!

Yet Rodrigue said he would not have forgiven Glenn if he had run away at Duscur. He could not even forgive his own teenage son for an act of cowardice on the battlefield. And if Felix joins CF, he has absolutely NO problems punishing him with death. I could understand and empathize with Rodrigue more after playing AG. I don't think he was a bad person. But he was certainly a bad father. He valued Lambert's (and Dimitri's) life above all others, even his own. And even his own sons. And Felix could pick up on that.

Felix: So, the old man's dead… Dimitri: Yes. Felix: I'll cut you down. Prepare yourself, you damn boar! Dimitri: Very well. Come at me, Felix!

There is unused dialogue that was apparently meant to be an alternate scenario based on whether Felix was defeated in Part 1 and was unrecruited in Part 2. I suspect much of his vitriol towards Dimitri in AM stemmed from jealousy over his father's affection. And because of him, he lost the chance to ever make up with his father. Their AM battle dialogue is the opposite of CF. This Felix had no hesitation cutting Dimitri out of his life violently and was prepared to die with him.

Felix: Sylvain, stand aside. My blade thirsts for his blood, not yours. Sylvain: Then surrender already. I don't want to fight you, either! Felix: …Sorry. That isn't up for discussion.

But he had no desire to fight Sylvain. Because they could not finish their Support chain, Felix could not reaffirm his promise and find a new reason to live. I'm sure Sylvain knew that he was throwing his life away by trying to kill Dimitri and he was desperate to stop him. It's hard to overstate just how much more emotional Sylvain sounded in the Japanese version. He really did NOT want to fight Felix.

Rodrigue: Remember when I told you about the time I acted foolishly and got myself into trouble? Lambert broke through enemy lines and told me, "Don't waste your life." Although he was covered in wounds, so it wasn't very persuasive, was it? Dimitri: Haha, indeed. You two were truly good friends. I'm so envious of my father. Rodrigue: Haha, saying that would only make my son jealous. He'd ask, "What am I to you?"

As a descendant of the hero Fraldarius, Felix was expected to have the same kind of bond with Dimitri that Kyphon had with Loog and Rodrigue had with Lambert. But I never got the impression that he did. In Hopes, he inherits his father's title and position as the king's right-hand, similar to his solo ending in Houses.

His duty was to act as the Shield of Faerghus, and that involved protecting Dimitri, primarily from his own suicidal recklessness. That was a role he played in Houses as well, but he was mainly protecting Sylvain from himself instead of Dimitri. That's not to say that Felix did not care for Dimitri's safety in Houses. He just delegated those duties to Byleth, like when he asked her to "cage the boar".

Sylvain: Be careful, will you? …Jeez, you've even got bruises on your neck. If something were to happen to you, we don't know what will become of Faerghus, do we? Felix: I won't say it'll go smoothly without me, but I always assume I might die on the battlefield. Sylvain: Seriously, Felix… if you were to disappear now, what would happen to Faerghus and His Majesty?

It did not seem like being the Shield of Faerghus gave Felix a true sense of purpose or a reason to live. Sylvain's appeals for him to survive because Faerghus and Dimitri needed him did not seem to be very effective. In Hopes, he was pretty nonchalant about dying on the battlefield, causing Sylvain to scold him for being reckless. It was the exact opposite of their Houses Supports.

Sylvain: You and me, we'll support His Majesty and Faerghus, by complementing each other's weaknesses. Felix: …Yeah. Um… in the future too, I'll count on you. I hate to admit it, but I probably need you. Maybe. Besides… without you, everyone else would be insufferably gloomy. Sylvain: I get it. You don't have to say it. I'll always be with you, no matter what.

In Hopes, Felix was there to help Dimitri get back on his feet, both literally and figuratively. But Sylvain was the only one he could ever lean on. Felix was raised to believe it was his duty to be a literal human shield. And that's why it meant so much to him that Sylvain would always protect him.

Shez: Well, you know, Sylvain, who always fights with you, ends up being swarmed by enemies... Felix: …That's because every time, he boasts about taking charge with nonsense like "Leave it to me." Well, I believe he'd manage to get through any predicament, no matter how dire.

There was a change in Felix's C-Support with Shez. The localization stated that Felix would always get surrounded by enemies when fighting with Sylvain. But in the Japanese, it was the opposite.

Matthias: Rodrigue, fall back with the duke. The escape route is secured… Leave it to me. Rodrigue: Matthias… What a fool. Make sure you come back alive. You must! Matthias: It's been a while since I've fought to protect a friend's back. My blood is boiling with youthful fervor! Claude: Risking your life to let allies escape, huh? That's the knightly spirit of Faerghus we admire.

When Matthias died in GW, he said he would be waiting for Rodrigue and Lambert on the other side. It's extremely similar to what Sylvain says when he dies in CF. And there were many parallels between Sylvain and his father in Hopes.

Felix: I can still stand… I can still wield my sword. I can still fight…! Tch… With injuries like these, I won't withdraw…! Sylvain: Felix! Stand down! Aww, look at you all beaten up… Leave this to us and fall back, okay? Felix: Ugh… You better come back. If you're planning to die, I won't forgive you, Sylvain!

When Dedue is low on health during the SB battle at Ailell, Dimitri begs him to fall back because he cannot afford to lose him. But when Felix is low on health and can no longer stand, Sylvain is the one who comes to his aid. Rodrigue made it clear that he expected his son to fight to the death. But because of Sylvain he retreats. His future with Sylvain was the reason he chose to keep on living.

Sylvain: Ah… Felix. I'm glad you're safe. Felix: You, always trying to protect me... Don't be reckless. Even though you're weak, you always, always...! Sylvain: It's fine as long as you're safe. As long as you're alive, I… Felix: You idiot! Don't joke like that. If you ever dare to die, I won't forgive you…!

It's more obvious in Japanese, but what Felix said to Sylvain at the Valley of Torment was almost the exact same as their A+ Support. Sylvain probably knew he was going to die, just like Matthias did in GW. He was fighting to the death as he avenged Ingrid. Even though he wanted to die together with him, if it came down to it, Sylvain was always content to sacrifice his life to let Felix live. He died as a true knight so that Felix wouldn't have to. Felix had the type of bond with Sylvain that he was supposed to have with Dimitri.

Felix: …Well, I was prepared for it to come to this. With Father… and also with that boar, we'll eventually have to part ways.

Felix did not want to become a knight for many reasons. In Japanese, he used the phrase "袂を分かつ" (tasuki wo wakatsu). It literally means "to separate the sleeves" and is often used metaphorically. The imagery evokes the idea of two individuals going their separate ways, often signifying a farewell or divergence of paths. That is his entire motivation if he joins CF.

Felix: For the past five years, I've been fighting under the emperor. …I've slain quite a number of enemies. Now, I must look just like that boar from back then. …It's the face of a cruel beast that revels in blood and violence.

But if he takes that path, he becomes the very boar he hated.

Felix: …He's dead. I heard he was beheaded… But… I didn't see his head. If, by some chance, he's leading that army… Byleth: Are you truly ready to fight? Felix: …Don't underestimate me. Even if it's him, I'm prepared to kill.

In VW, Felix suspected that Dimitri was still alive all along. But he still chose to stay with the Alliance.

Felix: …I never truly understood his hatred and anguish towards the Empire. If it were me…could I have saved him? Could I have… stopped him?

Afterwards, he wondered if he could have saved him from dying like a wild boar. Even if he had stayed with the Kingdom, it wouldn't have made a difference. Only Byleth would have been able to stop him. Felix would have just died pointlessly at Gronder like everyone else. But there was no way for him to know that. In both routes, he suffers from regret and wishes he'd died alongside Dimitri. He is a lost soul, who lives only for the sword and fights with a will to die.

Felix & Sylvain (Non-AM) After the war, minor skirmishes continued throughout various regions in Fódlan. Felix, upon learning that there were battles still to be fought, chose to forsake his noble status and make a living as a swordsman. Over a decade later, he took on the role of a mercenary, and his employer turned out to be Sylvain, who had inherited the title of Margrave Gautier. The two of them were overjoyed to reunite, but their diverging paths meant that their fates would never intertwine further. After finishing his work, Felix left Sylvain's territory, embarking on another journey as a wanderer. It was a few years later when Sylvain received a sword that was unmistakably Felix's.

While Felix can eventually give up the sword and find some peace if he has a female partner, his paired ending with Sylvain is the single most tragic ending in the game. Despite having a chance reunion, Sylvain is unable to save him. While the reason for this is never stated, the Japanese ending offers a clue.

The phrase used in the Japanese ending is "道を違えた" (michi o tagaeta). It translates to "took the wrong path" or "strayed from the path." It implies making a mistake or deviating from the correct course of action, moral path, or intended direction. It emphasizes the idea of going astray or making an error in judgment.

Sylvain's arc was about realizing that his Crest did not decide his fate, he did. After Felix left him, he probably settled down with a random noblewoman, had children, and it was simply too late for him to start a new life with Felix. Because Felix went astray and chose an immoral path, it caused Sylvain to make a big mistake. Felix follows in Glenn's footsteps and dies alone, full of pain and regret. And I can't imagine that Sylvain's fate was any better when Felix's sword arrived on his doorstep. They can only be together in AM and their non-AM ending strongly emphasizes how that was the intended path for them.

Felix: Why did they die while I lived? …Even now, there's not a day I don't question. But I'm not as soft as you. I'll take my regrets to the grave. There are more important things to me now.

The localization did a faithful job with the Dimitri/Felix A-Support. It's just that, in Japanese, there was a line about how Felix would take any regrets to his grave. It was very similar to his A-Support with Rodrigue in Hopes. In AM, Rodrigue dies, and Felix never got to apologize for punching him. He even left a note in the confession box about that. But in Hopes, he could get closure with his father.

Felix and Dimitri's relationship was FAR from healthy. It probably would be much better for both of them to sever their rotten relationship once and for all and walk separate paths in life. And their A-Support was written with the idea that, if this was the final time Felix spoke to Dimitri one-on-one, that would be okay. He said what he needed to say and wouldn't have any regrets. Dimitri could sense his underlying compassion and was content to leave it at that.

Flayn: But isn't there a future beyond that where Felix can avoid taking lives? Felix: …It's fine to dream of such a future, but I don't belong there. After all, I've been swinging a sword ever since I was born. ...Swordsmen are troublesome creatures. Fighting for peace, yet losing our purpose when peace finally arrives. Flayn: …Haha, if that's the case, you need not worry. […] If you felt like you lost your purpose in life, surely you would find a new purpose. It's not like you to fear loss. Felix: …...… You really are something, aren't you? Huh… I've never even thought about it. Maybe there is such a way of living after all. ...I'm starting to get interested. Perhaps swinging a sword for the future you dream of wouldn't be such a bad idea.

One way Felix resembled his father was that he couldn't live without a great purpose in life, and if he lost that purpose, he'd need something to fill the void. He needed a future to look forward to during peacetime. He was intrigued by the idea that one day he could chop wood, fruits, and vegetables instead of people.

Felix: A millennial festival? Talking about festivities at a time like this, you're as carefree as ever, huh… Sylvain: No, no. While it's a celebration, it's also a political gathering where rulers from various countries gather. It wouldn't hurt to think about the future, right? You can't stay uninvolved either. Felix: Well, that may be true. For now, focus on the battle at hand, Sylvain. If you die here, there won't be any millennial festival or anything. Sylvain: Oops, a valid point! Well then, for now, I'll quietly prepare for the deployment. Felix: Do that. Don't neglect your preparations and end up losing your life in some trivial place.

He wielded a sword because he was afraid of loss. Getting stronger would not fulfill him the same way a relationship could. His non-AM endings really emphasize the fact that the sword was just filling the void of a partner.

Felix: I find it easier to wield a sword than to hold a woman's hand.

But personally, I think he was the only gay character in 3H (well, other than perhaps his father). He got along well with women, but I was struck by how unromantic his paired endings with them were. He is the only man to propose to Byleth at the training grounds instead of the Goddess Tower. He spends a lot of time apart from her in their paired ending and is happiest exchanging swords instead of words when they actually do see each other. It felt more like he was replacing the loss of his brother through her than really being in love.

In his ending with Flayn, he continues to wield a sword as Dimitri's right-hand and only gives it up in favor of a quiet life on his estate when Dimitri dies. When he marries Mercedes, Bernadetta, or Dorothea, he becomes the king's right-hand and travels across Fódlan with Dimitri. He spends a lot of time away from Bernie. Dorothea has to accompany him on the battlefield to get quality time.

His ending with Leonie is not romantic and they just become drinking buddies. In his ending with Ingrid, he gives up the sword when he's injured and does not regret it. The only two female paired endings that don't mention warfare, swords, or knighthood are Annette and Lysithea. But it felt like he fell in love with singing, not Annette. And with Lysithea, she dies young and leaves behind her cake recipe.

Felix: You're not cut out to be a knight. How about you start seriously looking for a marriage partner? Ingrid: …What's that supposed to mean? Felix: Just as I said. Ingrid: I understand that you dislike things like chivalry and knightly pride. Just because of that, you keep running away from your duty as the heir of the house… You have no right to speak so high and mighty.

In Japanese Felix did tell Ingrid to go find a husband, but he used the word "結婚相手" (kekkon aite) instead of "夫" (otto) which means husband. "Kekkon aite" refers to someone whom you are seriously considering as a potential marriage partner but may not be formally engaged to or married yet. He wasn't telling her to go find the next man to offer a huge dowry and immediately get engaged.

He was saying that she would be better off dating, finding a serious partner that she loves, and eventually getting married. He did not say this in a disparaging way. He didn't want her to end up like Glenn nor did he want her to blindly follow the orders of a king who he considered bloodthirsty. He genuinely thought that being a wife would be a safer and more fulfilling lifestyle than being a knight.

Dimitri & Felix Dimitri formally succeeded to the throne of the Holy Kingdom of Faerghus after his coronation, dedicating his lifetime to the governance and reform of Fódlan. Behind many of his achievements stood Felix, the Duke of Fraldarius, who sometimes acted as the king's right-hand man and at other times served as his advisor. Bound by a lifelong steadfast friendship, it is said that Felix mourned more intensely at Dimitri's passing than even the queen herself. The tale of their lives, akin to the legendary Lion King Loog and his sworn friend Kyphon, will be passed down through the ages as one of the stories that adorn the history of Fódlan.

In any case, Felix was projecting his own feelings onto Ingrid. If you pair her with Dimitri, it says she supported him as a wife and queen, but still insisted on fighting on the front lines in battle like a knight. If you pair Felix with Dimitri, it says he mourned the king's death more than the queen. Ya know, the wife. Chivalry promotes homoromantic social bonding among men.

Rodrigue had a wife and kids, but he devoted his life to a married (presumably heterosexual) man. He used his position as "sworn friend" of the king to fill the void of an actual gay relationship. He lost his reason for living when Lambert died. In this ending, Felix ends up following in his father's footsteps. I don't think that's a satisfying ending for him.

Dimitri/Felix: "彼らは生涯固い友情で結ばれ" means "They were bound by a lifelong strong friendship." This phrase emphasizes the steadfast and enduring nature of their friendship. The word "固い" means "firm" or "strong," implying a friendship that is resilient and unwavering. Sylvain/Felix: "生涯無二の友であり続けた" means "They remained lifelong inseparable friends." This phrase emphasizes the unique and unparalleled nature of their friendship. The term "無二" means "unparalleled" or "incomparable," suggesting that their bond was extraordinary and unmatched.

I would also like to compare the descriptions of friendship in the Dimitri/Felix ending to the Sylvain/Felix ending. Both phrases convey a deep sense of friendship, but they emphasize slightly different aspects. Dimitri/Felix emphasizes the enduring strength and solidity of their bond. In terms of depth, Sylvain/Felix carries a stronger sense of exclusivity and uniqueness in their friendship.

The term "無二" was also used in Ingrid's AM paired endings with Ashe and Dedue. Her arc was about belonging to herself, not a man. She wanted to go down in history as a knight, not as a wife. For that reason, her paired endings with Ashe and Dedue in AM don't specify her marital status. But the writers still wanted to suggest that she and her male partner were possibly lovers. So "無二" was chosen to emphasize their inseparable bond.

Felix & Sylvain (AM) Felix, who succeeded his deceased father Rodrigue as Duke Fraldarius, and Sylvain, who inherited the title of Margrave Gautier after his father's passing, both devoted their efforts to the restoration and prosperity of the Kingdom. Even amidst their busy days, their friendship never wavered. Felix would occasionally show up at the Gautier family's residence and insult Sylvain, and Sylvain, in turn, would visit the Fraldarius house frequently, solely to tease Felix. Throughout their lives, they remained inseparable friends, and there is even an anecdote that they coincidentally passed away on the same day.

In this ending, both men inherit their fathers' titles, but neither of them is forced to fulfill their unwanted patriarchal duty. Their bond is characterized by mutual devotion, not chivalry or bloodline. Their relationship effectively goes back to how it was when they were kids. Sylvain is free to go where he wants and spends his life with someone he loves, not just someone he can have Crest babies with. While he becomes a famous cheater in his solo ending, and a renowned lord in his others, here historians remember him most for his closeness with Felix.

Like Rodrigue, Felix wished to live and die alongside another man. When paired with most of his wives, he becomes the king's right-hand, a role that would require him to wield a sword and travel. But not in this ending. He stays in Fraldarius territory so he can be available for frequent surprise visits. Sylvain was his true purpose in life, and neither can live without the other. And to me, that is the ideal ending to both of their character arcs. The Shield of Faerghus died like a true knight. "The Shield's Successor" died like a true wife.

#fire emblem #fire emblem three houses #fe3h #sylvain jose gautier #felix hugo fraldarius #sylvix #fe3h meta #this is my otp from 3h #this meta is a doozy and looong #sorry i just had a lot of thoughts about them #and i really wanted to delve into their psychology #because they are such fascinating characters

[reunionatdawn]

My Analysis of the Best Paired Endings in 3H (Part 18: AM Ingrid/Ashe)

Ingrid: …My father, too, brought up marriage proposals to ensure the family's survival numerous times. I had a fiancé when I was a child… But he passed away at a young age… Mercedes: If that fiancé were still alive… Would you have married him? Ingrid: Well… who knows? I can't even imagine it myself. But I do know that I admired him. A proud way of life as a knight serving the king. Even now, I've always wanted to be a knight like him. I want to live as a knight, not as a tool for the family's survival. Regardless of what my father says.

Ingrid was also a victim of Faerghus's patriarchal culture. She was sold by her father and engaged to Glenn the same year she was born in order to pass on her Crest. There's no question that she loved her fiancé dearly, but I suspect that her love was more like that of a sister toward a brother rather than actual romantic love. She wasn't sure if she would have married him if he had survived.

The Crest of Daphnel is associated with The Chariot arcana. The message is one of maintaining focus and confidence in the pursuit of your goals. It suggests that your strength and commitment is being tested by the universe, so don't give up or look for shortcuts. It also signifies the need to take action and move forward. Finally, it can represent a need to control your own destiny.

Dorothea: I could never hand over my lovely Ingrid to some jerk who only wants her for her Crest. Ingrid: Oh? Do I belong to you now, rather than to myself?

Ingrid's paralogue was about her and Dorothea's contrasting views of marriage. Ingrid was not looking for a provider. Even though she needed the funds, she wanted to belong to herself. Not her father, not her brothers, not a husband. She didn't want to marry a man she wasn't in love with for a dowry. Knighthood was the only way she could pledge her life to a man she chose for herself.

Ingrid: [W]e hardly ever played together. The age gap was just too great. My eldest brother in particular was incredibly strict with me. Whenever I would try to go horseback riding through the hills, he would say… "How dare you do something so dangerous! What if something happened to you?!" What's worse, my father agreed with him. It kept me from getting out on too many adventures as a child. Thinking back on it, I understand their concern. I was the only one in the family to bear a Crest, after all.

Ingrid was also not looking for a protector. She wanted to live an active adventurous lifestyle protecting those she cared for. Knighthood was also a way for her to hold onto her childhood happiness. A time where she was truly free.

Felix: House Fraldarius has been the king's lance and shield for generations. Ever since the time of Kyphon, sworn friend of the great King Loog. At times we've been sent to defeat the crown's enemies. At others, we've held back to defend the throne. I admit the style has its uses, idiotic history of blind faith aside.

Ingrid dreamt of obtaining knighthood and defending the king ever since she was a little girl. Growing up, she was obsessed with the book Sword of Kyphon which was about Loog's "sworn friend". The Aegis Shield is based on Greek Mythology. Rodrigue's middle name is "Achille". The writers were probably inspired by Achilles from the Iliad.

Ingrid: [Kyphon] was the very picture of the perfect knight. In my opinion, the best chapter is right around the middle of the book… Ashe: Ah, the part about the War of the Eagle and Lion? That's my favorite part! "In a flash, Kyphon's sword flew from its scabbard. The knight parried the assassin's blade mere inches from the spine of his king."

If so, Kyphon probably had feelings for Loog beyond just friendship. That may be why Ingrid identified with him. And it's also why she and Rodrigue (though he is the topic for a different post) idealized a knight's death so much. Ingrid didn't just want to serve her country. She wanted to serve as the lance and shield to a man she was in love with. And she was willing to make the ultimate sacrifice for him.

Ingrid: I want to serve as a knight and protect my homeland. I know this, through and through. It has been my truth for as long as I can remember. However, I feel that I should choose a path that would benefit my father. I was raised by him in a happy home, never wanting for anything, despite my family's meager finances. I owe it to him to choose a path he'd approve of.

AM!Ingrid was willing to completely give up on her dream and choose a path that would make her father happy. But she has an A+ Support conversation with Seteth that is exclusive to AM. He encourages her to talk with her father and he will respect her wishes.

Ingrid: But even if I do become a knight, I feel an unease deep within me. I fear I will never escape this guilt I carry. That I have shunned my duty as a noble. Byleth: Could you not find a way to do both? Ingrid: To follow both my dream and my duty? I…I had never considered that as an option. Perhaps there is a way.

The idea that she could be a wife and a knight never seemed to occur to her until Byleth suggested it. But that did seem to be the solution to her problems. She becomes a knight in every one of her AM endings, except when paired with Felix or Sylvain.

Ingrid: Oh, you mean the makeup? That's exaggerated. I just learned a bit from Annette. It's still trial and error… Hey Sylvain, do you think I've changed somehow?

In Ingrid's A+ Support with Sylvain, she was wearing makeup before heading to the training grounds. She didn't necessarily dislike looking her best, but she resented the social pressure to pretty herself up for men to "pounce" on. So, the fact that she was dolled up was uncharacteristic for her.

Sylvain: No, I'm not really flustered… I just got a little curious about the reason, is all. Ingrid: …The reason for the makeup, huh. What do you think it is? Sylvain: Well… Is it because of a guy? If we're talking about someone you might like, going by your past tendencies… Felix… No, His Highness also has a chance.

Sylvain was very flustered, suspecting it must be for a guy. His first assumption is Felix, due to her past history with Glenn. But Dimitri was another possibility.

Sylvain: It might also be because of the knights… Oh, wait, me!? Ingrid: I'll hit you. Sylvain: W-wait, I was just kidding! I'm against violence! Being too rough ruins a beauty, you know! ………… Uh, well. I-I mean, when I say "beauty," I'm not talking about flirting or anything, yeah! Ingrid: …Beauty, huh. Hehe.

He also suspected it might be for him, but Ingrid shut that down pretty fast. She was flattered by his compliment, but it was left very ambiguous whether she was wearing the makeup for him or not.

Ingrid: Usually, I wore men's clothing, ran around in the mountains with male friends, and played around. And then… After my fiancé's death, I definitely wanted to avoid anything feminine. Thinking, "There's no need to show it to him," and… I've been bound by something like guilt for a long time.

In the Japanese version of the Ingrid/Sylvain A+ Support, Ingrid mentioned that Annette had been helping her practice her makeup. Her Support with Annette was about how she felt guilty for looking feminine. The fact that she had finally changed her appearance implied that she was ready to move on from Glenn. So, I do believe that Sylvain was right, and she was wearing the makeup for a guy.

Dimitri: You displayed unwavering, excellent spear skills. Was there indeed some change in your state of mind? Ingrid: ...As I mentioned before, thanks to Your Highness, I can move forward.

In her A-Support with Dimitri, she said that she could finally move on from Glenn's death because of him. It even took place at the training grounds, the place she was headed to in her A+ Support with Sylvain.

Dimitri: Ah, yes, that's right. …What did that mean exactly? Ingrid: …I finally managed to accept the truth I've been avoiding for so long. Glenn must have felt deep regret. Yet, I myself didn't want to acknowledge it. I've been twisting his true nature, imposing my ideals, and averting my gaze… Dimitri: …I see.

The tagline for the game was, "Sweet memories twisted by time's cruel hand". Ingrid coped with grief by romanticizing the truth. She had to believe that Glenn died a picture-perfect death like the ones in her childhood storybooks, because the truth was just too horrible. Her Support chain with Dimitri was about realizing that she was projecting her own feelings onto Glenn.

Ingrid: …Your Highness. I won't sacrifice my life for anyone else. But, would you allow me to live for someone else, Your Highness? Not in the sense of throwing away my life—I want to dedicate my life to you. Dimitri: ...Hold on. How should I interpret that? Ingrid: …? However you please, Your Highness. Dimitri: Haha… "However I please," huh. …You win. Ingrid. Once this battle is over, I want you to… As a knight, I want you to support me. …I've been meaning to say that for a while now. We seem to get along well. Ingrid: …As a knight? Uh, um, no! It's nothing! Of course, even without being told, I was planning to fight for you… and, um, for my country.

Ingrid's offer to pledge her life to Dimitri as a knight was essentially a marriage proposal as well. She won't even make a wish with Byleth at the Goddess Tower. And this is actually the ONLY A-Support where her feelings are unambiguously romantic. She dreamt of being a knight to be close to him. If she married Dimitri, she knew she could fulfill both her dream and her duty to her father. Therefore, if you're playing AM, I believe that Ingrid was wearing the makeup for Dimitri.

While Ingrid's feelings were very clear, Dimitri's response to her "proposal" is a lot more ambiguous. He did not ask her to be his wife like she was hoping, only to become his knight. It could be interpreted as him just being shy. Or it could be interpreted as an awkward rejection. Based on Ingrid's sad expression, it did seem like she interpreted his response as him letting her down gently.

Felix: So… He's finally shown his true face. The same Dimitri I've seen once before—a beast who loves spilling blood. Ingrid: You're wrong! I'm sure of it. There has to be an explanation…

Ingrid probably did the same to Dimitri as she did to Glenn. She was holding onto an idealistic childhood fantasy and could only see him as he was when they were kids, even though he had changed. She was in complete denial of his boar side. Dimitri was willing to throw away his childhood friends' lives at Gronder Field, including hers. He did turn his life around thanks to Byleth, but it wasn't surprising to me that he didn't feel comfortable accepting her marriage proposal.

Dimitri: If you're willing, would you like to go together? Of course, if you still feel hesitant, I won't force you… Ingrid: …No! Please, let me accompany you. It's embarrassing, but I probably would have hesitated to go alone. But with you… I feel like I can take a step forward without fear. Dimitri: I see. Alright, let's not waste any time. Allow me to treat you today, Ingrid.

In Hopes, Dimitri was able to help Ingrid face the reality of Glenn's death sooner and move forward. We even learn that she wanted to go to the castle to support him after the Tragedy of Duscur, but her father wouldn't let her. Dimitri always did want a girlfriend and he actually seemed very interested in Ingrid in Hopes. She gladly accepted when he offered to treat her to a meal.

Sylvain: Alright, then. Let me help you out… let's have a meal. My treat, miss. Ingrid: Wait a minute. Are you trying to flirt with me? I thought you'd matured. Sylvain: Oh, come on… I'm just trying to be thoughtful. Don't turn down a kind gesture, or you'll regret it. Ingrid: …I suppose you're right. Thank you for your consideration, Sylvain.

It's worth noting that in their Hopes A-Support, Sylvain also offered to treat her to a meal. She was more than happy to eat on his coin, but only if it's not a date. While Sylvain is often viewed as the "canon" love interest for Ingrid, I didn't really see any evidence that her love for him was anything other than sisterly. She was so fed up with his sexism that she took her annoyance with him out on Claude.

They made the Ingrid/Sylvain A+ ambiguous enough for you to view Sylvain as her love interest if you want. But they also left it open for Dimitri and there's more evidence that he was the one Ingrid had romantic feelings for, even if she never thought marrying the king was possible. I think that in the Hopes timeline, they probably would have ended up together. But in Houses, Dimitri was just too different.

Ingrid: As you said, situations change whether we like it or not… Nobody can stay the same. Of course, neither you nor I are exceptions… It's just that, I feel a little lonely because of it.

In VW, Dimitri is assumed to be dead. However, a recruited Ingrid still runs away from home in order to become a knight. So, her childhood dream was not solely related to her feelings for Dimitri. She wanted to go back to the past.

Ingrid: My friends and I used to explore the countryside together when we were young. I dearly miss those days.

Ingrid was a tomboy who loved playing outside, getting dirty, and going on adventures. In Hopes, her central conflict was not just about marriage but also about the fact that she was inevitably going to lead House Galatea. She hated desk work and was dreading the changes that would inevitably come along with adulthood and becoming a count, doing mountains of paperwork.

Ingrid: Knights, I suppose. I do what I can to live like one. And I hope to die like one too…when the time comes.

If Shez takes Ingrid out on an expedition and asks her what she likes, her response is quite disturbing. Even though she had given up on her dream, she said that she was still planning to die like a knight, implying that she was hoping to die during the war. And in SB, she dies like a true knight, just as she hoped.

Dimitri: At the Tragedy of Duscur, I saw countless corpses. Of course, I saw his too…Glenn's. Ingrid, I doubt you would have been able to see him. They were unable to bring his body back, after all. He must have died an agonizing death, full of pain and regret. That is what I saw in his face. Ingrid: … Dimitri: In that wasteland, there were no beautiful, proud deaths that could have been written about in heroic tales. Not one. I do not want you to die a death like that. Not even for the sake of loyalty or duty.

Glenn was Dimitri's best friend and even he died with a heavy heart. But Ingrid actually was content to die protecting Dimitri. And I'm sure her romantic feelings for her king played a role. Symbolically, she dies at the Silver Maiden (named after a pure maiden that is hard to penetrate). But I cannot help but suspect that her romanticization of a knight's death was also influenced by the fact that she was not looking forward to her future as a tradwife and Count Galatea.

Gilbert: Once you don the armor, raise your shield, and level your lance… Why? What is it you wish to protect? Ashe: Protect? I, um… Well, whatever needs protecting, right? Gilbert: You must know exactly what you protect before you become a knight.

Like Ingrid, it was Ashe's dream to become a knight. He wanted to be like his adoptive father Lonato, who he thought was the very model of chivalry. And his character arc was about how to come to terms with Lonato's death.

Ashe: I don't think that friend who protected you threw his life away because he was a knight. He just wanted to save his best friend. Dimitri: Even if it meant destroying futures that might have come to pass had he but lived? Ashe: Look, I don't know if what he did was right. So if you're asking me not to throw my life away, I promise that I won't. But I don't think it's wrong to fight to the end for someone that you love.

Ashe gets some pretty interesting development in Hopes. He becomes a knight to House Blaiddyd, just like in his AM paired ending with Ingrid (it's actually the only ending where he becomes a royal knight). He has a rather naive and rosy view of chivalry, while Dimitri has a more cynical view. Ashe agrees with him, but he does respect the idea of fighting to the end for someone he loves.

Ashe: I'm glad Lonato made it out safely, but… But we killed Ingrid. I can't ever go back, can I? There's no place left for me in Faerghus. Whatever part of me that was a knight is dead.

And he clearly needs that kind of personal motivation. Outside of AG, Ashe is one of the only Lions who has the option to defect from Faerghus. In SB, he wanted to protect Lonato. But his primary motivation in GW was to save his own life. Becoming a knight was one thing, but it turns out living up the ideal was a lot harder. Ingrid is the one who takes his betrayal the most personally. And when she is killed, the part of Ashe that was a knight dies along with her.

Gilbert: Lord Lonato took up his sword for his son. Even if that meant turning his back on the goddess… As a father, I cannot condemn Lord Lonato for raising an army. Yet, perhaps he too lost sight of what should be protected. Just as I did. Ashe: I don't understand what you mean. What should Lonato have protected? Gilbert: You, Ashe. Because you are also his son. Ashe: You're right… I think I know what I need to protect now.

Ingrid didn't just want to follow orders. She wanted to protect those she loved. And Gilbert told Ashe that to he needed to know exactly what he was protecting when he became a knight. He needed something personal; the way Gilbert had his family. Ashe wanted Lonato to live on through him.

Ashe: Um, anyway, I just… wanted you to smile. Ingrid: …Thank you, Ashe. You're encouraging me. Certainly, living as a knight may not be an easy path. .…We may be forced to live while bearing great pain and regret. But… I want to continue pursuing that dream. Talking with you makes me feel that way. Besides, giving up easily isn't like me at all.

And that's what A-Support with Ingrid was about. Lonato changed Ashe's life with a book. And Ingrid was encouraged to carry on her dream and Glenn's legacy thanks to the book Ashe gifted her. I also think he'd be able to help her move on from Dimitri, too. That's why I think these two characters complement each other's character arcs the best and are indispensable to each other as knights.

Ingrid & Ashe After the war, with a new king ascending the throne of Faerghus, Ingrid left House Galatea and joined the royal capital, Fhirdiad, to serve the royal family as a knight. Likewise, Ashe departed from his homeland of Gaspard and chose the path to become a knight of the royal family. Devoted to the future of the Kingdom, they took on any duty to protect the king. Eventually, they were praised as the "Twin Pillars of Knights" and left their mark in many tales of chivalry. In some stories, they are depicted as a loving couple. While the truth remains unknown, it is certain that they fought together until the end of their lives and were each other's inseparable companions.

In Ingrid's ending with Ashe, she lives out her childhood dream. She and Ashe even get a cool nickname similar to the Ferdibert ending. Ashe is known for his boundless courage and devotion. He is the picture-perfect knight from the story books, completely different from the cowardice he displayed in Hopes.

While the Japanese version does not mention marriage, it is implied that Ingrid and Ashe spent their loves together as lovers. Still, it is left up to interpretation. Outside AM, they explicitly fall in love and get married, so I have no reason to believe they weren't lovers in AM as well. But the point is that Ingrid went down in history for her own accomplishments, not just as someone's wife.

#fe3h #fe3h meta #ingrid brandl galatea #ashe duran #ashegrid

[reunionatdawn]

My Analysis of the Best Paired Endings in 3H (Part 17: Annette/Gilbert)

Gilbert: I remembered how happy you would be, as a child, when I handed one of these dolls to you. Annette: I was back then, but I'm not a child anymore. It's too late for this now, Father. It doesn't make me happy anymore. Gilbert: Annette… Annette: I… I was so lonely after you left. I was always, always alone. I didn't know where you were, or who to turn to for comfort. All I could do was look at the dolls you carved for me, and remember you…and weep! Gilbert: If you don't need it, you can throw it away. It is all the same in the end.

Annette was also a victim of Faerghus's patriarchal culture. The tagline for the game was, "Sweet memories twisted by time's cruel hand". Her fondest memories were related to her father. But Gilbert was so devoted to the king that when he failed his duty as a knight, he felt too ashamed to live a happy life and abandoned his wife and daughter. He didn't even think he had the right to smile.

Ashe: Your father gave it to you. I know you said you'd throw it away, but you can't just toss out something so important. Annette: Ashe… Thank you! I'm so happy!

Annette shared her paralogue with her father and many of her Supports ended up being about him in some way or another.

Annette: Then the least you can do is apologize. I'm fine, but Mother deserves as much. I've finished my studies at the school of sorcery and entered the Officers Academy. I have a busy and satisfying life now. But Mother… She's waited for you to return all this time, living under my uncle's roof.

The Crest of Dominic is associated with the Empress arcana. It represents the divine feminine principle, which includes qualities such as abundance, nurturance, motherhood, and love for home and family. And Annette's story arc revolved around her broken family.

Dimitri: Annette… Something's been weighing on me. Something I've done terribly wrong. Your father… He worked tirelessly. I don't know if I ever saw him take a rest. I feel as though, in a way, we stole him from you.

I probably can't talk about pairings without addressing Netteflix, the #1 most popular ship for Annette. The two of them actually had a lot in common. Both of their fathers were so devoted to the dead king that they failed their living children. There was a lot of potential for them to connect on a deeper level because of that. But the whole Support chain revolved around singing. Which actually ended up working out pretty well.

Felix: I want you to sing for me. Your song never leaves me, whether I'm asleep or on the battlefield… I might be a captive of your song. Annette: Captive… Wh-what are you saying?! That's… um, embarrassing! Felix: …I-it can't be helped. I don't even know what I'm saying! Annette: W-wait a minute… Why are you blushing, Felix? Felix: …Mind your own business. Annette: …………….. Felix: …………….. Annette: …I don't really get it, but if you're saying that much, then you can listen to my song again.

I found their A+ Support absolutely hilarious. It seemed like Felix, who was raised in a strict military family, had so few opportunities to experience people expressing themselves, that he became utterly fascinated by singing. It was something foreign and exotic to him. He only showed interest in Dorothea when he learned she could fight, but even MORE when he learned she could sing.

Felix: Alright, then. Sing something for me. Any song you remember. Annette: Leave it to me! Then, I'll sing you my favorite song! Um, um. Burning with fiery life, carrying the blood of flames... Let's get into the bath with our bodies still hot...♪ If we start to feel dizzy, let's take a break...♪ Once we've revived, let's try getting in again...♪ ……………… Felix: ……………… To get in a bath when your body is hot… That's some determination. I should learn from that. Annette: ……………… Felix: However… to rest after getting dizzy and then enter again… You really like baths that much? Annette: ………

In their Hopes Support, the lyrics for Annette's song were slightly more suggestive than they were in the localization, since it alludes to people getting in the bath together. Annette was blushing when she finished singing. I think she assumed Felix asking her to sing was a way of him showing romantic interest and she was attempting to flirt with him by choosing lyrics that were a bit risqué. But Felix just did NOT pick up on it at all. It went straight over his head.

Felix & Annette After the war, Felix inherited the title of Duke Fraldarius from his late father, Rodrigue. Some time later, he married Annette, and the pair earned renown together by working hard at restoring their territory to and beyond its former glory. The people adored the pair: Felix for his fierce determination, and Annette for her boundless cheer. Years later, Annette threw herself into songwriting, and with the support and encouragement of her husband, she produced melodies that remained popular for generations. The lyrics became distorted over time, however, and the original meaning of the music was lost.

They're an inoffensive ship with a pleasant paired ending in AM, although I don't exactly ship them. I thought it was great that she was able to help him find a passion for something unrelated to military or warfare. I always thought that his "passion" for swordsmanship was drilled into him from birth rather than genuine. Still, I think the joke was that he fell in love with singing, not Annette herself. I thought they had deeper relationships with other characters.

Annette: Mercie, we'll stay friends like this forever… Won't we? Mercedes: Is something wrong? You sound worried. Annette: Since our time in the capital, so much has happened. We've had to make new lives for ourselves, and we've seen at least as many hard times as good. If things keep changing like this, I wonder if we'll be able to stay the same people we are now…

Other than her father, Mercedes was the most important person to Annette. In their A-Support they both confessed their love for each other. And while it did seem like the bisexual Mercedes may have loved her beyond friendship (especially in the Japanese), Annette seemed insistent on emphasizing her platonic love.

Annette & Mercedes After the war, Annette and Mercedes lived separate lives: the former as a teacher at the school of sorcery in Fhirdiad, the latter as a cleric at Garreg Mach. Though they lived apart, they exchanged letters so frequently and shared their lives with one another in such detail that it was as though they were side by side. After many decades, they resigned their respective positions and reunited at Garreg Mach. In their final years, they relocated to a modest house in the Fortress City. It is said that they were happy together to the very end.

They will not be life partners even if you go for their paired ending. It's slightly a bittersweet ending, showing how, as friends get older and pursue their own dreams, things don't always stay the same between them. While they do eventually reunite during retirement, I don't consider it to be the most satisfying ending for either of them.

Annette: You know, you might already know, but my uncle is really strict. He always said, "Do everything perfectly on your own, whether it's cooking, studying, cleaning, or laundry." …Otherwise, being a knight's daughter would just mean being bought by a noble for their Crest.

By the end of the game, I did not ship Annette with anyone, nor do I think any of her romantic paired endings offered a truly satisfying conclusion to her storyline. Even at the Goddess Tower, she just wished to stay friends forever with Byleth. Romance and marriage had little to do with her character arc and she expressed more interest in her friends and family compared to her love life.

Annette: My father was so happy to see me using magic… Seeing him happy made me happy too, and that made me want to work even harder. If only things could have stayed like that… Byleth: What do you mean? Annette: When I was about 13, my father left home. He was a devout man, so I figured he'd gone to the monastery. That's why I went to the school of sorcery, so that I could eventually get accepted at the Officers Academy. I studied harder than ever, and sure enough, I finally earned a referral.

Annette joined the Officer's Academy to reunite with her father.

Annette: After the battle at Gronder, some people claim they saw my father. They said he walked off the battlefield clutching… His Highness's dead body… So long as Father's alive, I don't need anything else. I just… I hope to see him again one day…

And her motivation for joining VW is simply to find him. Repairing her relationship with him was absolutely vital to her happiness.

Dimitri: Say, Annette… When this war is over, where will you go? I heard that you were close to Baron Dominic back in the academy days. Annette: That's right… But five years ago, my uncle betrayed the Kingdom and went over to the Empire's side. I reconnected with Father. So I'd like to live with my family again, in the capital. Also, if I'm in the capital, I'll be able to see you from time to time… Right?

In many of Annette's paired endings, she moves away to live with her husband (Claude, Linhardt, Felix, and Ashe). But she wanted to stay in Fhirdiad to live with her family, and so she could stay in touch with her friends such as Dimitri. I was rooting for her to reconcile with her father more than getting a husband. Gustave was clearly the "life partner" she wanted most.

Gilbert: Still, I wonder what path my life should follow once we achieve our goals. Byleth: Aren't you going back to your family? Gilbert: That has been my intent. But surely my daughter, Annette, must have her own path to follow. Perhaps she would be happier if our paths diverged. Of course, if she desires it, I will gladly return.

And that's obviously what he wanted, too. Gilbert prioritized his duty to his dead king over his relationship with his living wife and daughter. Similar to Dimitri, his character arc was about forgiving himself and realizing that he should live for himself and not the dead.

Dimitri & Gilbert Dimitri assumed the throne of the Holy Kingdom of Faerghus and spent his life ruling justly over Fódlan. At his side was the knight, Gustave, who had discarded the name of Gilbert and reaffirmed his oath of fealty to the royal family. After many more years of service, in which the trust between them grew and never wavered, Gustave finally wished to retire. Though he bristled slightly at Dimitri's request to look after and tutor the young prince, it is said that Gustave took on that duty with due patience and solemnity for the remainder of his life.

Gilbert only has a few paired endings. His ending with Dimitri depicts him becoming a father figure to Dimitri's son, which is the same as his solo ending. And it sounds like he was still bound by duty and guilt, unable to have his own life or even retire.

Annette: I'm not going to cower in safety while they struggle, especially when I'm in the best position to help. Gustave: If you sense any danger at all, child, promise me that you'll run. I couldn't bear to lose you.

For better or worse, Annette was the most important person to Gustave in both Houses and Hopes. His guilt and shame led him to make bad choices. But in Hopes, when it came down to life or death, he was a father first and a knight second. He will let his daughter flee, so that he could die in her place.

Gilbert: Your Highness, may I ask what your next plan of attack is? Should we dispatch our troops to the Kingdom capital or to the Imperial capital? Dimitri: We will take the Imperial capital. There, I will kill her. We end the war and chase away the lingering regrets of the dead. Nothing could be more to the point. Annette: Uh, that may be true, but don't forget that your people need our help right now…

Annette's relationship with her father was interesting due to how inextricably linked it was to Faeghus's toxic culture of chivalry and the overarching themes of AM's story.

Edelgard: But one cannot measure a leader's worth based solely on whether or not they bear a Crest. There are plenty of talented people in this world without one. People believe Crests are blessings from the goddess, that they're necessary to maintain order in Fódlan. But the people are wrong. Crests are to blame for this brutal, irrational world we live in. Their power is granted only to a select few, whom we elevate and allow to rule the world.

One such theme was "blind obedience". Because Dimitri bore a certain Crest and had the "divine right to rule", his attendants were not willing to step in and call out his poor leadership. Without Byleth acting as an authority figure to override Dimitri, everyone in the Kingdom army will be sent to their deaths.

Gilbert: Annette, throw down your arms! Would you really fight your father? Annette: I can't do it, Father. I can't betray Mother and my uncle! If I have to defeat you, then so be it!

There is unused dialogue that was apparently meant to be an alternate scenario based on whether Annette was defeated in Part 1 and was unrecruited in Part 2. Annette sides with the Empire because she has given up on her father and wants to stay loyal to her mother and uncle. And Gilbert is so loyal to the king that he's even willing to kill his own daughter. It was clearly the "bad" ending.

Annette: We thought maybe you hated us, were trying to forget all about us… Gilbert: Never. I swear it on his late majesty, and on my homeland. Annette: I see. All right…then swear. Swear that some day, when this war is over, you'll come back to us. Gilbert: I hear you, Annette. I will return without fail. Annette: No matter what. That's a promise you just made. If you break it, I'll never speak to you again. Gilbert: Yes. I promise.

And it was meant to juxtapose the "good" ending.

Gilbert & Annette Having discarded his false name, Gilbert, now the royal knight Gustave, renewed his loyalty to King Dimitri. Returning to the capital city of Fhirdiad, Gustave reunited with his wife, who had been staying with Baron Dominic, and his beloved daughter Annette, who began working as a teacher at the capital's school of sorcery. Initially, conversations within the family were somewhat awkward, but over time, smiles and warmth returned. In the Kingdom free from the shadows of war, the three of them enjoyed peaceful and happy days, reclaiming the life they once had.

A fulfilling occupation was vital to Annette's happiness. Her strict uncle wanted her to be perfect at everything, so she wouldn't be sold off for her Crest. She worked so hard because she wanted to support herself. Her dream was to become a teacher. When she was younger, she wanted to be a teacher at the school of sorcery, and she achieves that in the ending with her father.

This is the only ending where Gustave completes his character arc and learns to live for himself. Deep down he was not a bad person, and it was rewarding to see him get his priorities straight. He could still serve the royal family, but his focus should be on his own family. He is a father first and a knight second.

#fe3h #fe3h meta #fe3h gilbert #gustave eddie dominic #annette fantine dominic

[reunionatdawn]

My Analysis of the Best Paired Endings in 3H (Part 16: Mercedes/Dedue)

Mercedes: If I were someone else, perhaps a commoner without a Crest or stature, maybe things would be different. It's a bit sad, but…this is the way things have to be. After all, only the goddess can decide our fates.

Each character in the Blue Lions was a victim of Faerghus's patriarchal culture. Mercedes was adopted for the purpose of being married off for her Crest. The Crest of Lamine is associated with the arcana of Judgement. It represents an important decision that needs to be made regarding love and romance. It also symbolizes a solution to a protracted problem, and a feeling of freedom.

Mercedes was separated from her brother at a young age and had to make a new life for herself in the Kingdom. What got her through those hard times was the support of the church. That's why her dream was to work there to help people, just as they did for her. But doing so would be difficult if she married a nobleman.

Mercedes: Though, just because two people share a promise, that doesn't guarantee they'll be together forever. You've noticed many nobles at the academy, right? They very rarely have the freedom to choose their own partners.

Mercedes had a lot in common with Ingrid. She did not want to give up on her dream to be used as a broodmare for her Crest, like her mother was. However, she felt like she had no choice.

Byleth: You can't just give up on your dreams. Mercedes: That's a very good point! We're only given one life, so we must do all we can to pursue our happiness! OK! I think that may have been just the push I was looking for! I'll tell him the truth. That I've found a life worth pursuing and I must decline the proposal! Maybe I should tell him I've fallen for someone else?

Mercedes had difficulty standing up to her adoptive father. She was willing to lie to him by telling him that she had fallen for someone else. That might explain many of her pairing options.

Ferdinand: You baffle me. Do you not wish to be free? Mercedes: Of course I do. Let me try that again in a way you might understand. Ahem. A true noble cuts their own path, seizing freedom from the clutches of tyranny!

I suspect that the reason she rejected Ferdinand's help to sever ties with her adoptive father was because she wasn't sure if his gesture was an attempt to woo her. She wasn't sure if she would have the will to decline if he proposed. In their paired ending, she severs ties with her adoptive father and marries him immediately after the war. She lives the traditional life of a noble wife while her husband is recognized for his achievements.

Mercedes: I don't care to flaunt my noble past or my Crest. I have no desire to return to that status. Lorenz: Then, if I may speak hypothetically a moment… Does that mean that if a nobleman were to offer you his hand in marriage, you would decline? Mercedes: Not at all. That's a separate matter entirely. Even if I were to fall in love, regardless of their social status… I'm not looking to marry right now.

Even by the end of their A-Support, she still didn't seem to like Lorenz very much. She was unusually sarcastic with him. And she specifically said she wasn't ready to marry even if she was in love. But it is still possible that she will marry Lorenz immediately after the war. It shows how difficult it was for her to deviate from her path.

Mercedes: …No, I'm glad. I feel like I saw your true face for the first time. …Hey, Sylvain. Would you be able to save me from the curse of my Crest? Sylvain: I…I'll save you! With my heart and soul! I love you! Great! Let's get married!

Mercedes also had a lot in common with Sylvain, and the two actually became close friends. They are both Gemini, the zodiac sign which is thought to be two-faced because of their natural duality.

Mercedes: Don't be ashamed of crying. I'm here to protect you. Will you protect me in return? Sylvain: I will. I promise. You know, Mercedes, you really are a special lady.

Because Mercedes was able to empathize with his pain, he let the mask slip with her, and she saw his other face. Because of that, she was also the only character to see him cry. She wanted him to save her from her arranged marriage, and she had a genuine desire to save him from that fate, too. So, she is one of the very few women Sylvain is able to marry and have a paired ending with.

Mercedes: You're much the same, yes? People like us have to try to bloom as best we can. Sylvain: Never really thought of myself as a flower, but I get what you're saying. Flowers are stuck in the same spot for life, whether they like it or not. And if they happen to sprout in a bad area, they're out of luck. But we have legs, not roots. We can go wherever we want.

But Hopes does a good job of showing why that's not the ideal solution to their problems. Even if she did marry him, she would prefer to be doing charity work rather than living the life of a nobleman's wife. Sylvain was fine with that, but Mercedes did not want to stand in the way of him marrying the person he truly loved.

Sylvain: To be perfectly clear, I'm not making advances on your or anything. But I'm the heir of House Gautier. If I ask you, this other guy will have no choice but to bow out. Though I doubt he'd be happy about it. After that, you can do whatever you want. Go work at a church or ladle out soup or whatever makes you happy. I won't stop you. Mercedes: But that would prevent you from marrying the person you love.

She didn't realize that Sylvain didn't want to get married in the first place. He would be marrying her because she offered him a loophole to his own predicament. With her as his wife, he could fulfill his noble obligation, but still be able to live freely. They cared for each other and shared mutual respect, but neither of them seemed like they would have considered marrying the other without their fathers pushing them into an arranged marriage.

Mercedes: And before that, when I lived with my mother and my little brother. It also reminds me of the time I spent studying with friends at the school of sorcery in the capital. Things may not have been easy then, but I would give anything to return to those days.

The tagline for the game was, "Sweet memories twisted by time's cruel hand". The best option for Mercedes might seem like recruiting her into Crimson Flower and reuniting her with her brother.

Mercedes & Jeritza Once those who slither in the dark were finally defeated, Mercedes left home and opened a small orphanage in the Faerghus region with her mother. After many years of kind service raising children who had lost their families, she received a letter bearing familiar handwriting. Its author, a prisoner in Enbarr, expressed his sincerest well-wishes to Mercedes and her family. Still more time passed until, one day, the man who wrote the letter paid her a visit. With joyful tears in her eyes, Mercedes smiled, took Emile by the hand, and at last welcomed him home.

And their ending is certainly touching. I was never really a big fan of it, though, because Jeritza's condition is resolved without any explanation. In Mercedes' paralogue, the Death Knight said his soul had long departed. He was not fully in control of himself, which is why he continued to fight on the opposite side from his sister. Before this DLC update, it had been implied that Emile had probably been experimented on like the Remire villagers. He was barely human anymore and it was impossible for him to return to normal.

Mercedes: It's sad, but the truth is that people forget. You may be afraid to forget your past, but you'll never be able to revisit it. Living in the present is the best we can do. We owe it to those who can't come back. Dimitri: If someone had said those words to me five years ago, I would be a different man today.

As sad as it is, Mercedes had a stronger character arc in AM where she had to accept that she's unable to return to the past.

Annette: You know, I've always loved you more than anything in the world! Mercedes: My, is that…a confession of love? Hehe, I'm so happy~. Annette: Uh, um, I wanted to say I love the sweets you bake more than anything in the world! Mercedes: Oh, is that so... Well, I love you, Annie.

Other than Emile, Annette was the most important person to Mercedes. In their A-Support they both confessed their love for each other. While it did seem like the bisexual Mercedes may have loved her beyond friendship (particularly in the Japanese), Annette seemed insistent on emphasizing her platonic love.

Annette & Mercedes After the war, Annette and Mercedes lived separate lives: the former as a teacher at the school of sorcery in Fhirdiad, the latter as a cleric at Garreg Mach. Though they lived apart, they exchanged letters so frequently and shared their lives with one another in such detail that it was as though they were side by side. After many decades, they resigned their respective positions and reunited at Garreg Mach. In their final years, they relocated to a modest house in the Fortress City. It is said that they were happy together to the very end.

They will not be life partners even if you go for their paired ending. While they do keep in touch, they'll live completely separate lives until retirement age. It's a slightly bittersweet ending, showing how, as we get older and pursue different life paths, things don't always stay the same. I don't consider it to be the most satisfying ending for either of them. Still, the fact that Mercedes will move away from her best friend shows how important it was to her to pursue her dream.

Mercedes: I just don't want to let go of the life that I've made for myself. I know it's not what my heart wants, but I don't have the strength to say no.

After Garreg Mach fell, Mercedes returned home to the Kingdom capital and joined the merchant business. She told Byleth that she didn't want to give up the life she made for herself in Fhirdiad.

Annette: Since our time in the capital, so much has happened. We've had to make new lives for ourselves, and we've seen at least as many hard times as good. If things keep changing like this, I wonder if we'll be able to stay the same people we are now…

And Annette also didn't want things between them to change by starting completely new lives again, which is what happens in their paired ending.

Dimitri: My own dreams… I have never given it any thought. What about you? What do you want, Mercedes? Mercedes: I want to keep sewing and training with you, even after you've become king. I want to be your friend.

Mercedes even wanted to stay friends with Dimitri after the war, which would only be possible if she kept her old life in the capital.

Mercedes: I'm going to Fhirdiad to meet with my adoptive father, and I'd like you to accompany me. Byleth: What for? Mercedes: I feel the need to set things straight with him in my own way. I've already decided exactly what I'm going to say. I'm choosing to live my life how I want, in pursuit of my own happiness. I need you to accept that. I'm in charge of my own destiny. Not you, not anyone else. Just me. Ah… I've waited so long to say all that.

The best thing for her would be to sever ties with her adoptive father, without the excuse of already having a fiancé. She always left her fate in the hands of the goddess or people above her. But her character arc was about acting of her own free will.

Dimitri: Do you remember the child who cursed me after my father's funeral? Dedue: Ah, yes. I believe he was the son of a knight who fell in Duscur. Dimitri: He was furious that I would not take revenge on your people, and even more enraged to see you serving as my vassal. He berated me without mercy, demanding I kill you then and there. All I could do was walk away. Everyone desires revenge for that day. Survivors and the dead alike cry out for retribution.

Dimitri was also a victim of Faerghus's violent patriarchal culture. He was expected to carry out vengeance for the Tragedy of Duscur. His violent urges were encouraged and rewarded by the society he grew up in. At times, he was chilled to the bone by the depravity of his own actions, such as suppressing a rebellion.

Dedue: When I stood before those soldiers and their swords that day, I was prepared to die. But then you suddenly appeared, and you shielded me. I knew then that a savior's hand could reach into even the deepest darkness.

Dedue was the biggest victim of Farghus's retaliatory violence. His moniker is "Taciturn Devotee". A devotee is a person who strongly admires a particular person. But it can also mean a strong believer in a particular religion or god. It probably would not be an exaggeration to state that Dedue saw Dimitri as the Fódlan goddess.

Dedue: And I would cast it aside in an instant if my death were to your benefit. For that reason, I cannot consider myself your friend. There are still many in the Kingdom who despise the people of Duscur. It would be selfish of me to stand by your side as an equal.

Many people interpreted his feelings for Dimitri as having a romantic aspect to them. I certainly wouldn't reject that interpretation. After all, by reaching out his hand, Dimitri served the same role that Byleth did for him.

Dedue: You promised me you would build a Kingdom that is proud to boast of Duscur blood. In this Kingdom, where there is no distinction between the people of Duscur and the people of Fódlan… Will I finally, without reservation, be able to call you my friend? Will I…Dimitri? Dimitri: Dedue… Yes, you will call me your friend, again and again. No matter how many hardships I must endure… Dedue: I will do all I can to bring about that world as well. To be your friend…is what I have always wanted.

During their A-Support, we learned that Dimitri made a promise to Dedue before they attended the Officer's Academy.

Dimitri & Dedue After his coronation, Dimitri assumed the throne of the Holy Kingdom of Faerghus, and his loyal vassal, Dedue, remained ever at his side. Among Dimitri's achievements was the reconciliation with Duscur: an extraordinary effort that required extensive negotiations to get past a history of betrayal and oppression. It was a trying task, but Dimitri never once considered giving up. While they behaved as lord and vassal in public, it is said that Dimitri and Dedue were more like family in private. When Dimitri finally fell to illness, Dedue tended to his liege's deathbed, and then took up a post at his grave for the rest of his days. When the time came, they were buried beside each other.

Their paired ending emphasizes Dimitri's efforts reconciling with Duscur and how he never gave up. But it does not specify whether the Duscur people were able to proudly live alongside people from Fódlan without distinction. In fact, because Dedue had to behave as a vassal in public, it implies that there was still hostility between Duscur and the Kingdom for the majority of Dimitri's reign. Dedue only gets to stand by Dimitri's side as an equal in death.

Also, there was no mention of Dedue's efforts bringing about the world he wanted to see. It only mentions him serving Dimitri for his entire life as a subordinate, then guarding his grave for the rest of his days. It is not that different from his solo ending, and I don't think it's a particularly satisfying ending for Dedue.

Dedue: I would regretfully decline. I cannot know happiness without you by my side. I would still seek vengeance. Just… for my own sake, not yours. Dimitri: Interesting. And nothing I say to the contrary will change your mind? Dedue: Your Majesty, can you not live for your own sake? Dimitri: My life is not my own. It belongs to my kingdom, my people, and the dead.

Neither Dimitri or Dedue knew how to live for themselves, and neither could live without the other.

Dedue: I…can still fight, Your Highness. Dimitri: Shut up and retreat. You must live, Dedue.

During his boar phase, Dimitri was willing to mow down any of his old classmates, even if they were not his enemies. And he was willing to send all of his friends and allies to their deaths, too. The single exception was Dedue. He is the only person Dimitri tells to retreat at Gronder Field. And Dedue will live only to seek vengeance.

Dedue: Ngh… I'm not finished yet! Dimitri: Fall back, Dedue! Please! I cannot afford to lose you!

In Scarlet Blaze, Dimitri also begs him to retreat in the Valley of Torment. Dedue would have gladly fought to the death, but Dimitri personally made sure he didn't. It was because he cherished Dedue so much that he wanted him to live for his own happiness.

Dedue: Someday, I hope to show you a whole landscape of these flowers in full bloom. Byleth: You mean Duscur? Dedue: Yes. Once this conflict is over, and His Highness ascends the throne, I believe it can be done. You must live at least until then. Understood? Byleth: Same to you. Dedue: That's true enough. I had not thought much of my own life, until now. Except that I would gladly cast it aside for His Highness. That is still true, but now I desire to see the end of this war. Until I can show you the fields of Duscur in bloom… I will go on living.

Other than Dimitri, the only other thing that gave Dedue a reason to live was showing Byleth the flowers of Duscur in bloom.

Dedue: When I left the capital, I told His Majesty that I would be leaving his service. Byleth: What?! Dedue: He accepted my decision with a smile.

If you go for Dedue's paired ending with Byleth, you learn that if Dedue were to leave Dimitri's service, he would accept with a smile. And I think Dedue has a better character arc if he is able to grow past his codependence on Dimitri and find his own reason to live.

Dedue: To Duscur? There is nothing of interest left there. Mercedes: Isn't it where you were born? And isn't it where your wonderful food and stories come from? I think those are reason enough to visit at least once! Dedue: Mercedes… If you will allow it, I would like to accompany you. His Highness would surely grant me leave to go.

When Mercedes asked Dedue what his plans were after the war, he said it was to serve Dimitri for the rest of his days. And in most of his endings, that's exactly what he does, even if he's married. Going with her to Duscur and praying to the gods (and goddesses) of his own culture changed his entire fate. That's probably why his ending with Mercedes is so different compared to all of his others.

Mercedes: I think a place is only truly destroyed when there's no one left to remember it. You should tell more people about Duscur to keep it alive.

The whole relationship between Mercedes and Dedue revolved around the idea that they could keep their loved ones alive through their memories. He taught her many things about his culture, and she taught him a family recipe that would have otherwise been forgotten.

Dedue: I understand how you feel. I had a younger sister. Sylvain: Had? Oh. Tell me about her. What was she like? Dedue: Hm. She loved flowers, and often made crowns out of them. And once she set her mind to something, nothing in the world could change it.

I really loved their Support in Hopes. It felt exactly like a post-Houses version of their relationship after they had travelled to Duscur and fallen in love. There are rarely any times where Dedue seems happier than when teaching her and the kids to make flower crowns, in memory of his sister. They seem like a married teacher couple, too.

Dedue & Mercedes Two years after the war, Dedue and his wife, Mercedes, opened a school in the Duscur residential district in Fhirdiad. The school educated Duscur children, who had never been given structured learning before, in reading, writing, arithmetic, and even Duscur history. Many years later, when the Duscur people reclaimed their homeland, the people who attended this school were able to resettle there and revive their old culture. Because of this, Dedue and Mercedes were forever renowned by the Duscur.

This is the only ending where Dimitri's promise to Dedue is actually fulfilled, as it mentions the Duscur people having their own district in Fhirdiad. And it just so happens that this is the only paired ending (besides the one with Byleth) where Dedue isn't described as a vassal. He is still living in the capital, so we can assume that he and Dimitri are close friends. But they live as equals. Dedue has his own life now and his own achievements are renowned.

In Hopes, Mercedes said she wanted to go back to Fhirdiad, but not live with her adoptive father. This is the only ending (other than with Dimitri) where she can live her dream, help those in need, and stay in Fhirdiad with her other friends. With Dedue, they get married two years after the war. So, she clearly didn't marry him just to escape her arranged marriage. Dedue and Mercedes bonded over their sense of loss, but they used that pain to keep Duscur alive, so I think it's the absolute best conclusion to their character arcs.

#fe3h #fe3h meta #dedue molinaro #mercedes von martritz #mercedue

[reunionatdawn]

My Analysis of the Best Paired Endings in 3H (Part 15: Cyril/Nobody)

Cyril: You must think I'm pretty weird, huh, Professor? I'm always on about Lady Rhea, and I'm not even from Fódlan. I bet most people around here think I'm kinda weird. But I'm real grateful for everything Lady Rhea's done for me. Byleth: I don't think it's wrong to live for another. Cyril: That's nice of you to say. Real nice. Thanks, Professor.

No, I don't dislike Cyril. In fact, sometimes it feels like I might have been the only person who actually liked all the characters in 3H. Cyril was just the odd one out, since he was left unpaired after I paired everyone else up. They all just had better paired endings with other people. And Cyril was actually the only character whose solo ending was more satisfying than his paired endings.

Seteth: While it is good to make peace with the past, it is also essential to look ahead to the future. What kind of future do you see for yourself? What can you do to work toward it? I would like you to think about what might make your future brighter. Cyril: I don't know if I understand you right. See, when Lady Rhea took me in, it was the first time I ever thought maybe I had a purpose. And I don't know what else I could wish for than that, ya know?

Most players apparently found it annoying that all he ever talked about was Rhea. But that was the point. Seteth always thought he was squandering his potential and told him that he had his whole life ahead of him. He didn't want him to feel indebted to Rhea, doing chores for the rest of his life.

Cyril: Lady Rhea, thank you…for everything.

Cyril's death quote in CF showed what a waste it was for him to die. Even Claude didn't want to make an enemy of Rhea if he had to make an enemy of Cyril. He was one of the few named characters you had to kill in GW, which made it feel like a betrayal of VW's values.

Cyril: I wanted to do so much more for Lady Rhea, but she wouldn't let me. She said I paid my dues already. More than I owed, she said. Told me to live for myself now… Byleth: What do you want to do? Cyril: I don't know. Up till now, she's all I've been living for. That's the way it's always been, so I don't have any good ideas about what I oughta do next. I've got nowhere else to go. Not even back to Almyra. Byleth: Why don't you stay here? Cyril: What am I supposed to do here? Can't stay when there's nothing for me to do. Byleth: So there's nothing you desire? Cyril: Desire? Huh… I don't know. Only thing I ever really wanted was to serve Lady Rhea. I guess that's what I want. Someone I can help. I don't think I can live my life just for me.

Much like with Rhea, the S-Support with Cyril really gave closure to his character arc. This was a conversation that needed to happen regardless of whether Byleth proposed afterward. if Rhea lives, she will tell him to live for himself. And that's exactly what Cyril needed to do. But he doesn't need to marry Byleth for that.

Cyril (Solo) Having lost his pretext of protecting Rhea, Cyril considered leaving the Church, but after being persuaded by those around him, he decided to participate in the reconstruction project of the monastery. Thanks to his dedicated efforts, several years later, the Officer's Academy resumed its operations. Among the new students gathered in the grand hall, Cyril could be seen, ready for a new beginning.

Cyril's solo ending perfectly completes his character arc, so it doesn't really matter if he isn't paired with anyone. It's okay that he can't live only for himself, because he can still help others. His moniker is "Limitless Potential". I think he absolutely has a bright future ahead of him, but I prefer it to remain a mystery. He still needs to experience his own school year at the Officer's Academy first.

#fe3h #fe3h meta #fe3h cyril

[reunionatdawn]

My Analysis of the Best Paired Endings in 3H (Part 14: Marianne/Lorenz)

Marianne: Back then, I felt that my life served no purpose and that I was nothing more than a burden. In truth, I was begging the goddess to take me to her. That was my daily prayer.

The Crest of the Beast is associated with The Devil arcana. It can signify depression and also be a sign of feeling trapped or restricted, as though outside forces beyond your control are restricting you, leaving you feeling powerless and victimized.

Unless recruited, Marianne was the only student to not appear outside of her home route post-timeskip. Some have speculated that she took her own life, which I suspect is true. It was likely the promise of a class reunion that kept her going those five years. And if Byleth is not part of the class, the house leader will not make the promise. There were only a few people during the academy phase that Marianne connected with strongly enough that they would motivate her to live long enough to see them again at the Millennium Festival.

Marianne: What do you believe determines a person's value? Sylvain: I like to think it's a person's smile. Marianne: Huh? Their smile? Sylvain: A smile, it tells you who someone is. Are they fake or sincere? It also makes you feel stronger when you smile.

While Hilda and Marianne became close friends, that didn't happen until the war arc. During the academy arc, there were only three characters who made a strong connection to Marianne, enough to make her sincerely smile. The first was Byleth. At the Goddess Tower, we can assume she was making a wish to die. But you gain Support points with her if you tell her that your wish is only to see her smile.

Dimitri: Ah, a smile and a laugh. Coming from you, that's a rarity. This must be my lucky day. Marianne: I just find the idea amusing. It's strange to think that someone like you could have anything in common with me. Dimitri: Is it so terrible a thought? Marianne: No, no. It's not that. It actually makes me happy. As though there's finally someone who understands how I truly feel…

Second was Dimitri. Byleth's arc was about awakening her humanity after living as the Ashen Demon, and helping Dimitri become human again, too. While Byleth could understand his capacity for depravity more than anyone, I think Marianne was probably able to understand his survivor's guilt best. If you're playing as Male Byleth, then I think Marianne is by far the best wife for him. Other than Female Byleth, he seemed to have the strongest connection with her because they both felt like cursed beasts.

Marianne: Please, Dimitri. Promise you'll live through this war and long after. I don't know what I'd do with myself if we lost you… Dimitri: As long as you are carrying on, I have yet another reason to carry on myself. I promise to the goddess of Fódlan that I will never give you cause to despair.

Dimitri longed for female companionship. He can marry his childhood friend Ingrid, his BL classmates, and even his old mentor Catherine. But Marianne was the only other non-Byleth wife to give him a reason to live and vice versa.

Lorenz: But perhaps it is for the best that your beauty not be revealed to all the world. Yes, it is certainly better that only I, Lorenz Hellman Gloucester, can appreciate your true magnificence! And on that note, I bid you farewell! Marianne: What a strange person… But being called beautiful just the way I am? That was nice to hear.

The final one was Lorenz. I believe the writers probably based this ship on Beauty and the Beast directly. Marianne could even talk to animals like a Disney princess.

If he could learn to love another, and earn her love in return by the time the last petal fell, then the spell would be broken. If not, he would be doomed to remain a beast for all time. As the years passed, he fell into despair, and lost all hope, for who could ever learn to love a beast?

The "Survivor of the Curse" felt totally worthless because of her bloodline. She spent her whole life avoiding other others due to her shame of her Crest. She needed hope that she could love and be loved in return in order to survive.

Catherine: That's not to say lineage counts for nothing. It just doesn't count as much as how you live your life, and what you live for. Or, let's say I was descended from some noble house. Would that change how you treat me? Lorenz: Yes, it would. To treat you differently from the commonfolk would only be appropriate.

The "Noble of the Red Rose" was pretty much like the Disney prince. Arrogant and judging people on their status and outer appearance. He would invite girls to dinner just to evaluate them. His character arc was about learning that lineage is not the defining factor in someone's worth and that true beauty is found within.

Lorenz: I have always sought to embody the ideal of nobility. That, at least, is a goal I continue to stand by. But now I know that bloodline alone is not sufficient to gauge a person's worth.

The Crest of Gloucester is associated with The Hermit arcana. The Hermit card in Tarot is a card of introspection, soul searching, analysis, and self-reflection. It denotes that this is not a time of socializing or action but of peace and solitude. And a hermit like Marianne was his preferred dining companion.

Marianne: I've been keeping this from you for a while. It's… It's about my Crest. It's just terrible. I— Lorenz: Please, that's quite enough! You're trembling. If uttering this secret hurts you, then I have no desire to hear it. Your smile is a greater gift to me than any truth. Whatever you have hitherto concealed, I am certain it is essential to you. And I do wish to know it. But not until the day arrives when you can tell me with a smile on your face. I am not the sort of man to prize my own knowledge over others' happiness, you know. Besides. The mystery is part of your charm. Marianne: Hehehe! You're funny, Lorenz… Lorenz: There! That's what I mean! Your beauty has always captivated, but that smile truly warms my heart!

It was cute how Lorenz grew to value Marianne's inner beauty the most and accepted her the way she was. He didn't even want to know about her Crest until she could tell him with a smile. It showed how much he'd grown as a person.

Marianne: But now I fear the idea of dying and being left alone. I have friends who accept me for who I am now, in spite of my Crest. And I have you watching over me. I've finally learned to accept the kindness and warmth of others. It's because of you, Professor. Because of you, I've decided to live.

In Houses, Marianne tells Byleth that they are the reason she decided to live because they taught her how to accept the kindness of others.

Marianne: For so much of my life, I didn't care if I lived or died, and yet… And yet when I saw you there beside me, I realized I did care. I wanted to live. Lorenz: And that is good enough. Such instincts are only natural. You needn't try to justify it to yourself, or anyone else.

In Hopes, Lorenz actually fulfills Byleth's role of being the one who helps Marianne feel like she wants to live. So, this ship definitely felt tailor-made for both of their character arcs and the writers liked it.

Marianne: This is the first time I've smiled in so long…and I have your kindness to thank for that. Lorenz: As I've said, you are perfect just as you are. But I suppose I can take a little credit! Yes, your radiant smile shall illuminate all the world! With me by your side, you will not be able to help it! Marianne: Hehehe! I'm looking forward to that.

Marianne was sent to the academy to marry a powerful nobleman, but unlike many of the other girls, that is something that can bring her happiness. She didn't have any big dreams that she'd have to sacrifice to marry a noble and she genuinely liked Lorenz.

Lorenz & Marianne After becoming the new head of House Gloucester, Lorenz initially focused on the recovery of his own territory before energetically engaging in the governance of all of Fódlan. Having earned recognition as a skilled politician, he suddenly announced his own marriage. His partner was Marianne, the adopted daughter of Count Edmund. Having learned about estate management from her shrewd foster father, she also became involved in the domestic affairs of Fódlan with Lorenz after their marriage. Particularly, she achieved significant success in promoting dairy farming, leading them to be praised as the "parents of cattle and horses." It is said that Lorenz was not pleased with being referred to by that nickname.

Lorenz's dream was for his name to go down in history, and he does achieve a great deal acting in the governance of all Fódlan. In this ending, he has a much different nickname than he probably imagined for himself, but I'm sure it made Marianne smile because her life work benefited the animals that she loved so much.

#fe3h #fe3h meta #marianne von edmund #lorenz hellman gloucester

[reunionatdawn]

My Analysis of the Best Paired Endings in 3H (Part 13: Ignatz/Leonie)

Ignatz: It's said that if a man and a woman make a vow tonight at the Goddess Tower… She will appear before them and bless them, ensuring that vow's fulfillment. I envision the goddess as the most beautiful creature in the world… More beautiful than any landscape, any artwork. Utterly beyond compare. That's what I think anyway. Or perhaps, what I hope.

Ignatz's dream was to meet the goddess. That was who he was hoping to run into at the Goddess Tower. And his paired endings fulfill that wish. Whatever woman he has a chance encounter with is the "goddess" who appears before him.

Leonie: Someday, I'm sure your art will save someone's life. Ignatz: Oh, no, I wouldn't go nearly that far. Leonie: Remember that girl you told me about? You made her so happy. And you were only just starting out. Think about what you could do now that you've had so much practice! This is your calling.

The tagline for the game was, "Sweet memories twisted by time's cruel hand". Ignatz always wanted his art to be useful and make people happy, like it did with Maya. He didn't want to be a knight, and his other dream was to become a painter.

Ignatz: I'll try to discuss it with my parents after the war. There's little demand for knights in peacetime. In fact, painting might be a more reliable way for me to support my family. I'll try to persuade them with arguments along those lines.

Like most of the other characters, his arc was about living for himself and pursuing what makes him happy in life. Leonie was one of biggest supporters, convincing him his talent was indeed useful.

Jeralt: Aren't you a little old for childhood heroes? Leonie: Maybe, but I'm still happy. I worked my whole life to be a mercenary like you, after all. And now I get to fight at your side? Dreams really do come true! Jeralt: I'm glad. It's not often childhood dreams actually come to pass. I recall you always scampering a few paces behind me as a kid. You'd stare at me and ask all kinds of questions, even when I was clearly too busy to answer.

Leonie idolized Jeralt ever since he saved her village as a kid and gave her a good luck charm. Her fondest memory was meeting the Blade Breaker, and her dream was to become a top-tier mercenary just like him. That was what she prayed for at the Goddess Tower.

Leonie (Solo) Leonie joined up with the mercenaries formerly led by Jeralt. As his greatest apprentice, she quickly took on a leadership role and eventually even inherited the title of Blade Breaker. She came to be known as Jeralt the Second, as she began to resemble him in all things—including his drinking habits. She left behind many unpaid tavern tabs.

But in the endings where she achieves her dream, it doesn't make her happy. Her solo ending and several of her other paired endings (Alois, Raphael, AM Felix) mention her being a heavy drinker and unable to pay off her tavern debts. Considering how thrifty she was, that says a lot about the severity of her alcoholism.

Shamir: The longer you do this, the more grudges you earn— whether you remember them or not. You've been a merc for a long time, though. I assume that kind of stuff doesn't bother you anymore. Shez: Yeah, mostly. I try to stay detached, but every now and again something slips through. Leonie: Ugh, I'm not so sure I could keep my emotions in check like that. I guess that shows how much further I still have to go.

In her Hopes paralogue, she knew she had a long way to go to make it as a mercenary and doubted whether she had the emotional fortitude for the job.

Leonie: I'm from Alliance lands, but I'm only a commoner. The idea of fighting Alliance nobles isn't exactly losing me any sleep. Fighting old friends though? That's something else. Ugh. I'd better clear my head. Captain Jeralt used to say a mercenary has to be thoughtless. Guess I finally get what he meant.

And in CF, she also struggles with being detached.

Leonie: The worst part about going into battle is knowing you might have a friend fighting for the other side. You were a mercenary, Professor. Were you always prepared for that? Byleth: Absolutely. Leonie: Guess I need to learn. Won't make a very good mercenary otherwise, will I? Fighting old friends—there's nothing worse. My hands shake just thinking about it. I'm glad Claude didn't die. Does that make me soft?

She is afraid she's "gone soft".

Alois: It was Captain Jeralt who first taught me how to fish. We had spare time between missions, and he said it was the perfect hobby. Gilbert: Is that so? Alois: He was always looking out on the water as though lost in thought. Perhaps he wasn't fishing to catch fish either. Perhaps he was facing something within himself. Silently struggling with his thoughts and hiding the struggle from me and everyone else.

Ideally, Leonie's arc is about realizing that she saw Jeralt through the rose-colored glasses of a child. He was not someone to idolize, and it is better for her not to follow in his footsteps. Jeralt was a broken man who only knew how to make a living with the sword. The only way for him to cope was by drinking.

Jeralt: When I was first getting to know her, I never saw her laugh or cry. Just like someone else I could mention. Byleth: You know, you never used to talk about her, but you've been doing it a lot lately. Why is that? Jeralt: Oh, I don't know. Maybe I'm feeling a little regret for dragging you into the mercenary life. You've never had a place to call home, and you don't have any friends your age. And it's been one bloody battle after another since this war broke out.

Jeralt loved Byleth, but he really didn't have the means to offer them the best life. Leonie was jealous of Byleth's upbringing, but she really shouldn't have been. The Crest Stone played its role in making Byleth so unemotional, but so did the wandering mercenary life. That's why Byleth was only able to smile after living at the monastery.

Leonie & Ignatz Leonie, who once inherited the mercenary group led by Jeralt, became renowned as a top-notch mercenary. On the other hand, Ignatz, persuading his father and brother, embarked on a journey of artistic training to establish himself as a painter. Continuously depicting beautiful landscapes and the lives of people in various places, he had a fateful reunion with Leonie during his travels. Leonie, feeling the peace settling in and the decrease in work, recalled their past promise to travel together and decided to disband the mercenary group, opting to journey with Ignatz. Eventually, the two set out to explore the yet unseen world beyond Fódlan, but their subsequent whereabouts remain unknown.

In this ending, Leonie has a chance meeting with Ignatz around the time the post-war chaos is subsiding. So, by fulfilling his own dream, Ignatz saved her from living her whole life as a broke alcoholic. Leonie was from a small village, which was why she looked up to mercenaries so much in the first place. She was interested in expanding her worldview. Traveling the world and searching for beautiful sights with Ignatz is a much better road to happiness than killing people for a living.

#fe3h #fe3h meta #leonie pinelli #ignatz victor

[reunionatdawn]

My Analysis of the Best Paired Endings in 3H (Part 12: Raphael/Bernadetta)

Raphael: Mercenaries have no responsibilities, and no one else to worry about. But someone's gotta take care of my little sis, so that's out of the question. Serving as a knight in a noble house is more secure, and you don't have to worry about dying…unless there's a war. My sis has been through so much. I don't want her to have to worry about me.

Raphael chose a more difficult path in life for the sake of his little sister. After their parents died, he enrolled in the academy to become a knight to a noble house to earn money for her.

Raphael: Fighting alongside you and everyone else is a dream come true, Professor! And don't worry about my little sis. Right now she's back home helping out with the family business. I kinda figured I was gonna be stuck going back and taking over for her. But thanks to you and Claude, I get to work on my dream of becoming a proper knight!

Claude told him that a knight's main function was to fight and defend, but to Raphael, a proper knight was someone who was virtuous and always helped those in need. And his wish at the Goddess Tower was to become a proper knight. Taking over the inn was something he was always reluctant to do unless he had no choice.

Raphael: Sure, it's not my favorite thing in the world, but that was to keep my little sis fed. I had good reason for it. Byleth: It's the same for me. Raphael: The same, huh? I think I get what you mean. You do things you don't wanna do for the sake of everyone else. That's real noble of you, Professor. I guess I can't get in your way if you're doing it for the right reasons.

Nobody is nicer guy than Raphael. A big part of his character was that he did things he didn't want to do for the sake of others.

Raphael: And y'know? I'm totally OK not being a knight. Once this war is finally over and we're at peace again, I'm gonna take over the inn. So don't worry about me, OK? Follow your own dreams, Ignatz.

In Hopes, his Houses solo ending, and most of his paired endings, he doesn't achieve his dream of becoming a proper knight, because he gives up knighthood to manage his family's inn. In the paired endings where he does manage the inn, it helps his partner, but it wasn't what he wanted to do.

Raphael & Ignatz After returning to his hometown, Raphael served as a knight to the local lord while assisting his grandfather and sister in managing the inn they had opened as a side job. However, Maya, his sister, suddenly disappeared, leaving behind a note saying she wanted to become a painter. Raphael, resigning from his knighthood, managed the inn while waiting for his sister's return. Several years later, Maya returned, not as a painter, but as the wife of a painter. Introduced as her husband was Ignatz. At that time, he was nothing more than an unknown artist, but supported by Raphael, Maya, and his father and brother who recognized his talent, Ignatz continued to pursue his dream and eventually became a renowned painter representing Fódlan.

In his paired ending with Ignatz, he gives up his own dream so that Ignatz can live his dream with Maya. It's sweet of him to do so, but the ideal ending would be for both of them to achieve their dreams.

Ferdinand: Do you not realize that life is passing you by? Have you no desire to venture beyond this reclusive lifestyle? There is a whole world waiting for you out there.

It is important to note that Bernadetta is a Sagittarius. Fire signs are considered the most masculine signs. Sagittarius is bold, unapologetic and forward-thinking, and is known for its carefree nature. They are natural intellectuals and explorers. Bernie's hyper-anxious personality is completely unnatural for her. It is the result of sexist abuse to make her submissive, like a "good wife" should be. It's not who she really is.

Bernadetta: But wouldn't it be nice to spend some time alone with a nice guy in this lonely tower, cut off from all the rest of the world?

Bernie's wish at the Goddess Tower was to spend her life in solitude, something Byleth won't promise with her. But just before that, she said she wanted to be alone with a nice guy. So, she didn't really want to be alone. She shut herself away and let life pass her by, which all of her friends were concerned about. Her character arc was about overcoming her anxiety and her fear of befriending commoners, and also becoming more independent. Something which is extremely hard for her to do, based on her endings.

Bernadetta: I'm afraid to go home…afraid to see my parents…

In her solo ending, she becomes a hermit known as the "Bear of Varley". In her S-Support with Byleth, she is hiding away in her room again because she's afraid to go back home. In her ending with Byleth, she never overcomes her shyness (except in CF where she has to fight TWSITD). If she marries Ferdinand, she lives in his territory and stays home while he travels.

She does the same with Felix and becomes even more reclusive with him. If she marries Linhardt, she won't leave her room unless she has to give a lecture. In her ending with Caspar, he frequently counts her as one of his children. If she marries Seteth, she commits to life as a recluse. And she has to stay glued to Yuri's side.

Raphael: Really?! That would be great! We gotta get this war over with so you can have more time to cook! Bernadetta: You know, I'd actually like that.

Bernadetta bears the Crest of Indech, which is associated with Temperance. The Temperance card in Tarot is about the blending of opposites and the achieving of synthesis. It's about harmony, peace, and patience. As her complete opposite, Raphael was the one person who helped her the most. Bernadetta was the only female character who seemed to fall for Raphael at the end of their Support chain. The one "wifely" skill she enjoyed was cooking and Raphael's true passion was food. She was even excited for the war to end so she could cook for him whenever he wanted.

Bernadetta & Raphael Bernadetta succeeded the title of Countess Varley in place of her father but chose to seclude herself within her domain, never involving herself in national affairs. Raphael appeared on the scene, aiming to help Bernadetta engage with others. According to Bernadetta's memoirs, it was described as "a kind of public humiliation," yet whether this tough love worked or not, she began to interact with her subjects as their ruler, eventually becoming involved in central policies. Their grand wedding reportedly featured a bride uncharacteristically outgoing and a groom flexing his muscles as he circulated among guests.

This is the only ending (besides the one with Byleth in CF) where Bernie totally overcomes her shyness and actually becomes outgoing and assertive, like she would have been all along if not for her father's abuse. She's the exact opposite of a submissive wife and competently manages her territory.

And it's the only ending where Raphael achieves his dream and becomes a knight to a noble house (much safer than being a mercenary), while also helping someone in need. It's also one of the only endings where he finds love and gets married. He's certainly not the rich nobleman her father would have chosen, so we know that Bernie has developed the confidence to stand up to him.

#fe3h #fe3h meta #bernadetta von varley #raphael kirsten #raphadetta

[reunionatdawn]

My Analysis of the Best Paired Endings in 3H (Part 11: Flayn/Seteth)

Flayn: Even if it cannot last, I want to live among my peers as one of them—as an ordinary person. Similar to how you and Mother coexisted with your own comrades back then, fighting side by side. Seteth: Quite right. I know you must leave the nest someday. No matter how many ages our lives may span, I know that's the way of it.

The Crest of Cethleann is associated with The Lovers arcana. Flayn was Seteth's entire reason for living. But she wanted to grow up and gain more independence after living in isolation for so long. She was interested in boys and didn't want her father constantly interfering.

Manuela: Say, Seteth. Have you ever considered remarrying? You know, just so you're not alone? Seteth: It is not a thought that has ever crossed my mind. I have been too preoccupied with fatherhood. Manuela: It's been a long time since your wife passed, right? You should start thinking about it. There could be someone who finds you handsome. Someone close by. Maybe even right in front of you. Seteth: Whatever you said just now, I didn't quite hear. But to remarry—I'd never even considered it an option until you brought it up just now.

While finding Seteth a wife might seem like a good solution, he only considered remarrying when Manuela suggested it. And he only considered it because Flayn would not be by his side forever.

Seteth: It reminds me how deeply I appreciate those years… and how I wish I could return to them. Flayn: We cannot turn back the clock, Father. We must live our lives fully, in the present moment. Seteth: You're right. That is what she always said, isn't it? Dwell too much on the past, and you may be unable to move forward.

While I do think he needed to give Flayn more independence, I think it is better that he takes more time to move on from his wife's death instead of rushing into a relationship just to not be alone. I don't think he was ready to remarry anyone for a long time yet.

Byleth & Seteth Byleth took on the role of archbishop of the Church of Seiros, and Seteth continued in his position of adviser. As they set about the grand task of restoring Fódlan and the church, Seteth's strictness combined with the archbishop's magnanimity won the faithful over easily. Their personalities complemented one another perfectly in keeping church operations smooth. When Fódlan returned to stability, they finally announced their marriage, to the shock and delight of the people. The faithful considered themselves truly blessed to be guided by such a pair.

In most of Seteth's paired endings, he will dedicate himself to the restoration of the church and its authority. His paired ending with Byleth even mentions his strictness in his leadership position.

Seteth (Solo) Seteth remained at the monastery and worked to restore the authority of the Church of Seiros. Doing away with his old strictness, he adopted a tolerant stance toward all. His encouragement of believers to respect those of other faiths helped the people of Fódlan to find common ground with others.

However, his solo ending describes him as doing away with his old strictness and adopting a tolerant stance towards all and encouraging his followers to respect other faiths.

Flayn: Father, I have been wondering something. Is it truly so difficult for the people of Fódlan to live in peace? The world would be a much happier place if everyone could live in harmony with each other... Seteth: I know. I feel the same. But so do the majority of those risking their lives in this war. That is why I believe a peaceful future awaits us, beyond this dreadful conflict. That is the reason I fight. And so you do not have to. Flayn: Father… Seteth: If I lose you, I would lose the very meaning of my life. And so, we will always be together. Flayn: Come now, Father… Please try to understand that I cannot stay with you forever. I will grow up eventually. Though I do promise to refrain from any unnecessary recklessness. And until that day comes, I will always be with you. Besides which, I am certain Mother would be cross with me if I left you all alone. Seteth: I understand. Thank you…Flayn.

From the very beginning, Seteth's purpose was to create a peaceful world, particularly for his daughter. In their paired ending, Flayn leaves the monastery, and he stays behind at first to finish his work before eventually leaving to join her. So even if he isn't ready for her to leave his side for good, he has at least decided to give her more independence. Which shows the growth of their relationship, as well as significant character development on his part.

Hubert: Those with power must use it wisely. Is that not a teaching of the Church of Seiros? It's absurd to preach to others what you cannot practice yourself. Byleth: You're absolutely right. Hubert: Yes. It is our humanity that pushes us to step up and take the lead should the need arise. That is not the case for inhuman creatures with lifespans well beyond our own. We must fight to preserve what makes us human.

I do agree with Edelgard and Hubert that it was better for Rhea and Seteth to step down from a position of authority. They did not always use their power wisely. But I disagree that it was because Rhea, Seteth, and Flayn lacked "humanity".

A recurring theme in 3H was that humanity is based on behavior, not species. Byleth's arc was about regaining their humanity. They used to cut people down without emotion until they spent time with the students. They did not lose their humanity when they merged with Sothis. Dimitri's arc was about reclaiming his humanity by becoming a person who can reach out his hand rather than kill. And Claude's arc was about how people often dehumanize those of other races.

Seteth: If something were to happen to you, it would utterly destroy me. You are my reason for breathing. Do you understand? Flayn: I…I understand. If something were to happen to you, it would break my heart. I could not go on either.

Despite their long lifespans, the Nabateans were just as capable of empathy and grieving loss as any human.

I am sorry, Rhea. I fear we must return to a life in hiding. I detest that person with all my heart. However, Flayn's life is more important to me than all else. I pray that you will one day be free from the burden of your work…

It was Seteth's humanity—his fear of losing his daughter—that led him to step down and begrudgingly leave Fódlan in Byleth's hands.

Scholar: It's normal for history to be revised in favor of those who hold the power. The documents in this library are no exception. It's perfectly possible for someone to have made edits to them. But it's my belief that no one has the power to blot out the truth entirely. I like to read the same texts over and over again. That way, I can spot some of the truths hidden between the lines…

I've seen many fans claim that every route in FE3H leads to a golden age. But I'm not so sure that's actually true. There is a certain scholar who appears in the library and only says the above quote in CF. He points out how history is revised by those who hold power, and you have to look for the truth hidden between the lines.

Narrator: Embracing her newfound power, Edelgard could at last set about destroying Fodlan's entrenched system of nobility and rebuild a world free from the tyranny of Crests and status.

I'm not so sure that CF's ending text was something the player was supposed to simply take at face value. Especially when you consider the authoritarian imagery that accompanies the narration, the fact that nobility still exists in the other endings, as well as the director's interview stressing how "history is at the end of the day the victor's privilege and nothing else".

Mila: Edelgard, your strength and resolve will surely bear you fruit in a world reborn by your hand. But I can't help but wonder what kind of world will grow from the ruin of what came before. I only hope you do not regret your world once you've built it...

Because Seteth and Flayn are banished/killed in CF, I couldn't get their paired ending and had no way of knowing whether Edelgard really brought lasting peace or if she just used her power as supreme ruler to alter history in her favor.

Seteth & Flayn Flayn disappeared shortly after the war, but Seteth remained at the monastery as the Archbishop's assistant, working towards restoring the authority of the Church. The former strictness gave way to a more lenient approach in all matters, as the management policy shifted. Seteth relentlessly pursued reforms in doctrine that were in line with the times, ensuring clarity for the faithful before leaving the monastery. Centuries later, in a completely transformed Fódlan, a couple dressed in old-fashioned attire appeared. The woman asked the man beside her, "In this era, is it acceptable to address you as 'father'?" The man replied, "Wouldn't 'brother and sister' be more natural after all?"

Seteth's ending with Flayn is similar to his solo ending, but it goes a step further. It says he left the monastery when he was satisfied his message of tolerance had been received. And unlike in CF, he chooses to leave of his own free will. That's why it's the best ending for his character arc. He no longer feels the need to stay in a position of authority over humanity. He has completed his purpose and created a safe world for his daughter.

This ending might be the best ending in the whole game for Fódlan. It is the ONLY ending that states that it is a drastically different place several centuries in the future. It is significant that the Flayn/Seteth ending is not written from a historian's perspective, like most endings. Because they apparently went into hiding once again, their ending is from the perspective of living eyewitnesses.

#fe3h #fe3h meta #seteth #flayn #rhea fire emblem

[reunionatdawn]

My Analysis of the Best Paired Endings in 3H (Part 10: Shamir/Catherine)

Shamir: Still, you always remember your first love, right? That's enough of that. There are more relevant topics to discuss. Byleth: What will you do after the war? Shamir: Good question. The world is completely open to me. Your next move seems apparent… But…who knows where I'll end up.

After losing her first love, Shamir chose the life of a mercenary, alone and free to live wherever and however she pleased. But her dream was to find a new partner and a place where she really belonged.

Shamir: I knew it… Shouldn't have let emotion get in the way…

She was afraid of getting attached, as she laments in CF if she's unrecruited and dies defending the monastery.

Shamir: Finally found so many reasons to live…

Her death quote says a lot about her. Shamir's reason to live was those she cared about at the monastery.

Catherine: Making decisions in the spur of the moment, you can't hope to be perfectly fair and just. That's why I choose to fight for Lady Rhea's justice. The justice of the Church of Seiros. Caspar: But what about when Lady Rhea's ideals don't really line up with yours? Then what? Catherine: Not possible. Lady Rhea's ideals are my ideals. There's no conflict between them, because that's what I've decided. Do you see?

As a Knight of Seiros, Catherine had vowed to do anything for Rhea, with the sole exception of dying for her. She devoted her life to the archbishop as a stand-in for the goddess. She couldn't cope with her inner conflict when she had to make the decision about her previous partner, so she decided to hand over her morality to a higher authority.

Shamir: It's not easy to put your life in the hands of someone who doesn't share your beliefs. Catherine: I understand. I think we can both agree on that.

Shamir and Catherine came into conflict over the latter's way of life.

Shamir: Hello, Catherine. I always knew this day would come. Catherine: What a coincidence, so did I. It seems that now we have no choice. We have nothing in common. Not our backgrounds, not our beliefs. Shamir: Not the way we lived…or the way we'll die.

If you recruit Shamir in CF, you can tell that Catherine was the reason she quit the knights. Without her partner, Shamir goes back to being an unfeeling mercenary who will simply go with whatever side pays more, even if she has to execute her old comrades. And without her partner, Catherine goes back to being an unthinking zealot who will follow any order Rhea gives her, even if she has to burn down a city.

Catherine: The last time I saw you, you saved my life—but I never thought you'd force me to repay the debt quite like this. Shamir: You don't owe me anything, Catherine. If you need to hate me, then hate me.

Their relationship is much the same in Hopes. Shamir didn't agree with people from Fódlan and their values. In SB, she only became a mercenary for the Empire because Hubert said he'd spare Catherine's life if she did. After you recruit her, she is hurt because she put her life on the line for Catherine. But she knew Catherine would cut her down in the name of following orders.

Catherine (Solo) When Rhea resigned her position of archbishop and left the Church of Seiros, Catherine followed. She devoted herself wholly to Rhea's protection, and the two lived a life of quiet seclusion. Though Thunderbrand remained always by her side, she came to be known by a different name: the Guardian of Zanado.

If Rhea survives, Catherine's solo ending states that she accompanies her to live a life of quiet seclusion in the Red Canyon. For most of her other partners, she'll actually have two versions of their paired ending, depending on whether Rhea is alive. If she is alive, Catherine seems more devoted to Rhea than her partner. She has to ask permission or be persuaded to wed (Ashe, Lorenz) or she will bring her partner along to live as a hermit in Zanado (Linhardt, Caspar) or both (Seteth).

Catherine: I will be faithful to Lady Rhea until I die. If I had to choose between you and her, I would choose her every time. I assume that disqualifies me from being your partner. Shamir: Between you and Rhea, I'd choose you. But between you and me, I'd choose me. That probably disqualifies me from being your partner too. Catherine: Well, no. I'm quite fond of being alive. I don't intend to sacrifice my life, either. If it came down to you or me, I'd choose… Huh.

Like so many other characters, the ideological difference between Catherine and Shamir can be worked out if they just stick around on the same side long enough. Catherine said she'd always choose Rhea over anyone, but Shamir was the only person she'd actually die for. Catherine wouldn't even die for Rhea. So, she realized that Shamir is the only one she would actually choose over Rhea. Catherine didn't love Rhea, but she did love Shamir.

Shamir: Aren't you forgetting something? After gambling and booze, you're supposed to ask me about women. Though I doubt our tastes are similar. Balthus: Wait, what's that supposed to mean?

Hopes confirmed that Shamir is no stranger to lesbian relationships, she just has different taste than Balthus. Just because not every character can romance same-sex Byleth, doesn't mean that there aren't other same-sex characters they would be into. The writers obviously wanted to plant the seeds of same-sex attraction which would, of course, reflect on how players viewed her relationship with Catherine. So, there was no doubt that this pairing was intended to be taken as romantic.

Shamir: And Catherine… if you really insist, I'll consider a partner's future. Catherine: Partner's future? What do you mean? Shamir: In Dagda, it's more common for people of the same sex to form partnerships. …What's wrong? Your face is all red, partner. Catherine: Well, you come out with something completely unexpected, so… That's enough of that discussion!

In her dining hall dialogue, Shamir says that eating with Catherine makes her feel like she's "home". In most of her other paired endings, she goes back to being a wanderer. Catherine is the only partner she takes back to her homeland of Dagda.

Catherine & Shamir Catherine and Shamir, who left the Seiros Knights, reaffirmed each other as lifelong companions. Embarking on a carefree journey together, they remained inseparable, never straying from their shared path. They traveled across various regions of Fódlan, eventually reaching Shamir's hometown of Dagda across the sea. Along the way, they encountered numerous challenges and sometimes found themselves involved in incidents where they lent a helping hand. However, with Catherine's "Thunderbrand" and Shamir's arrows unleashed, there were no enemies left standing, so the story goes.

Other than Catherine's ending with Alois (where she remains a knight), her ending with Shamir is the only one that is the exact same whether Rhea is alive or not. When paired with Shamir, Catherine will leave the Knights of Seiros to be a "Free Knight" and live according to her own sense of justice. The writers obviously favored this pairing, as it gives them both the most satisfying conclusion to their arcs.

#fe3h #fe3h meta #shamir nevrand #fe3h catherine #cathmir

[reunionatdawn]

My Analysis of the Best Paired Endings in 3H (Part 9: Caspar/Petra)

Catherine: When I told you I would cut down children with no hesitation, you looked disgusted. I take it that's the part you're struggling to accept? Caspar: Pretty much. I don't think I'd be able to do it, even if that meant disobeying orders.

Caspar and Ferdinand are the two most difficult students to recruit outside of their home routes because they can only get C-Support with Byleth before the time-skip. And this corresponds to how difficult it is for them to leave the Empire from an emotional standpoint. They can't even be recruited in Hopes. Caspar wasn't sure when to obey orders or act on his own morality. He got reprimanded for doing so in his C-Support with Byleth, and that single incident had a huge impact on his development.

Shez: You're taking this awfully well. Weren't you and Caspar childhood friends? Linhardt: Yes, but that is of little consequence now. He is not fighting for honor or any greater purpose. War is just his way of life, and he doesn't have the slightest intention of dying or losing.

Caspar has never known any other way of life but fighting and making a name for himself on the battlefield.

Caspar: Something is kinda bothering me. I was talking to someone the other day about how I want to distinguish myself in battle, and they said that meant I wanted the war to go on forever. Of course, I told them they were nuts… Then I actually started thinking about it. About what I'll be doing when the war ends, I mean. About what I'll even…be. Ferdinand: I do not think you have cause to worry. We may not know what the future holds, but you are delivering great results as a leader. Surely you will be held in esteem for such? Caspar: Sure, but doesn't that just mean my life is about nothing but fighting? I'm not a guy like you who's good at pretty much everything, so… Ha! Listen to me. I can't remember the last time I got in my own head like this.

He was more introspective about his circumstances in Hopes. But that only reinforced how unhappy he was with his way of life. It wasn't fulfilling for him to live only for war, but he had no real sense of identity other than as a warrior.

Caspar: Oh. Hey, Professor. I was just reading this letter from my father. Do you know him? He's a pretty big deal in the Empire. He only writes to ask how my training's going, or how many monsters I've killed. Stuff like that.

Caspar had a strong desire to punish evil in the world, but he possessed a very black-and-white sense of morality. That simplistic view of good and evil probably came from his father, the famous warlord Count Bergliez.

Caspar: My father was responsible for a lot of what happened to the Dagdans! Shamir: Are you responsible for your father's actions? Caspar: Well, no…but kinda? I know I wasn't there, but I gotta—

It is much easier to invade and conquer when you convince yourself that the enemy is evil.

Caspar: After we cross the Great Bridge of Myrddin, we'll be in my father's territory. We actually crossed it five years ago for the Battle of the Eagle and Lion. Remember? Ugh! This is terrifying! What am I gonna do? I gotta get a grip… Byleth: Don't worry, I'll arrange for your funeral. Caspar: You think we'll meet him on the battlefield and he'll kill me? The front lines cover a long stretch of land, you know! We might not even run into him!

Caspar was also terrified of his father. He didn't like the sound of thunder because it reminded him of his father yelling at him when he screwed up.

Caspar: All right! Off to the Kingdom's capital we go! What's the matter? Should I not be excited? I can't help it. Everyone's gotta have something to look forward to!

I was really struck by Caspar's demeanor in CF. He only ever focused on taking out whatever enemies he was ordered to and barely had anything else to say.

Caspar: It's so awful to see the Kingdom capital go up in flames, but at least we made it this far!

He fought alongside the Death Knight and invaded other nations without question. It was as though Count Bergliez was hovering over his shoulder the entire time.

Catherine: You have a strong sense of justice. You have clearly defined ideals. But that's not an asset on the battlefield. Ideals slow you down. They cause inner conflict.

It was truly sad because that wasn't who he was. He had his own ideals and criticized Catherine for submitting her sense of justice to another person. It made me realize that CF!Caspar couldn't do anything else but focus on fighting because otherwise the inner conflict would have destroyed him.

Caspar: I think… I can't deny who I am. I know you were right five years ago when you told me not to chase after that suspicious guy… But I still can't get over the possibility that he might have hurt those kids. I would have regretted not stopping him for the rest of my life. There's no way I could forgive myself. It sounds awful to say, but the safety of those kids is more important to me than the knights we lost.

His character arc was about realizing that it's okay not to follow orders and that he should live according to his own sense of justice.

Caspar: I've been wandering on my own for five years. I won't go back to that house or my father, that's for sure!

And leaving his father was necessary for him to do so.

Caspar: We weren't related by blood, but Randolph was still my uncle… Seeing him end up that way was… Never mind. It's nothing. Byleth: That's how it goes with war. Caspar: This wasn't just about war. It was a grudge. Or are you gonna tell me you're on Dimitri's side? I'm sure he never trusted me, being born in the Empire and all.

Like Ferdinand, Caspar can only access his Paralogue—where he can confront the "evil" Death Knight—if he defects from the Empire. The game incentivizes you to recruit him in AM, too. Not only does he share his Paralogue with Mercedes, but doing so in AM unlocks an additional scene for her to say goodbye to Emile. I'd argue that he has the best arc in AM due to his connection to Randolph. It was important for him to see the war from the side from the Empire's victims, so that he could have his worldview challenged.

Petra: It feels like…a knife against my throat. That I am making my grandfather obey the Empire. Because I am a hostage, it is not an option to be giving up. I must be fighting and winning and staying alive. I must do anything to be making life better for Brigid. To be making Brigid and the Empire stand as equals. That is what my people are wanting from me…and what my grandfather, the king of Brigid, is wanting! Byleth: And what do you want? Petra: My want? I…I am not knowing of that. The wants of my people are something I have power to achieve. Their wants are my own.

As a political hostage to the Empire, Petra fought extremely hard to survive, not for herself, but so that Brigid could live independently and stand as equals with the Empire. But when Byleth asked her what she wanted, she didn't even know. She needed to figure out what she wanted for herself, not just what other people wanted.

Ferdinand: Do you not want to go back to your homeland? Petra: I do have the hope of returning one day, but Fódlan is also like a homeland to me now. I came to Fódlan nine years ago. I have been living half of my life here. My family is living in Brigid, but in Fódlan, I have new family and new friends.

So, what did Petra want? Well, she wanted to return home, but she also wanted to stay connected to her new family, and to use their political connections to improve relations with Brigid and Fódlan.

Petra: When this war is finished, I am wishing for you to be seeing my homeland. Dorothea: You…you are? Oh my. I'd love to, Petra. As soon as the fighting is done, I'd like nothing more than to see Brigid with you.

She wanted to bring her friends back home with her to visit. Whether you go for their romantic paired ending or are content to leave them as friends, her Support with Dorothea showed how important it was for her to maintain permanent connections with her classmates.

Petra: I am not having an obligation. I will only be marrying if I find a good person.

And she also wanted a husband from Fódlan.

Petra: My father was killed. By the Empire. By your father. And so I will be impaling you on this blade to be satisfying a deep wish of mine. Caspar: A deep wish… What are you talking about?! Petra: I am talking about my wish. Of course…I am also having another wish. An even deeper wish. I wish for you and I to keep being friends. To keep fighting and surviving together.

Petra had one other deeply held wish. She wanted to kill Count Bergliez. She always bottled up her true feelings and never expressed what she really thought. She was always gung-ho about fighting and said war fed her body and mind. She may have acted like she was fine with her situation, but she was really not. She didn't want to kill people in the name of the Empire that invaded Brigid and killed her father, and she had a lot of rage underneath her calm surface.

Caspar: Well, I guess even a queen can't push her feeling down forever. I can't imagine what it must've been like to go through what you did. But I think I can still relate. Petra: Umm… Caspar: Hey, here's an idea. From now on, take it out on me. Petra: No. This is silliness. There is no point in killing you. Caspar: I'm not talking about killing, Petra. What I want you to do is unload on me! Tell me off! Just talk to me about whatever it is you're feeling. If all your hate becomes too much, dump it on me. If you wanna hit something, I'm your guy. I just want us to keep being friends, alright?

Caspar was the only character she ever showed that side of herself to. In Hopes, she wanted to kill him, but he offered for her to take her pain out on him. He was the one person she could talk to and be open and honest with because he was the same. And Petra was more raw and emotionally vulnerable with him than anyone else.

Petra & Caspar Petra returned to her homeland of Brigid, and inherited the throne from her grandfather. As ruler, she declared independence from Fódlan, and renegotiated Brigid's diplomatic ties to Fódlan and Dagda on more equal terms. At every step along the way, she was accompanied and supported by her husband, Caspar, who had left Fódlan behind to be with her. It is said that the people of Brigid were initially suspicious of the union, due to Caspar's relation to a nemesis of their homeland, but that his tireless efforts on Brigid's behalf endeared them to him over time. It certainly helped that he made the queen very happy.

Petra didn't have an obligation to get married. She just wanted someone to share all of her heart with. Caspar was never particularly envious of his brother, and he always liked hard work. So, working tirelessly for Brigid is a better way to live than inheriting his father's position and becoming the new Minister of Military Affairs.

I don't think the writers necessarily pushed for either Caspar or Petra to be paired with anyone in particular. Many of their paired endings work just as fine. Still, the Caspar/Petra ending is one where Petra can have everything she wants, including someone who she can be truly open and honest with. And it is the only one where Caspar can directly address the damage caused by his imperialist father. So, I consider it the best one for them.

#fe3h #fe3h meta #caspar von bergliez #petra macneary