Canon Wincest quotes in SPN:
(Dean & Sam, S1-S12)
“Sammy”; “Dee” (11.04, 11.12)
(Dean & Sam, S1-S12)
“Bitch”
“Jerk”
(Larry & Lynda, 1.08)
“Let me just say, we accept homeowners of any race, religion, color, or… sexual orientation.”
“Let me just say, that we accept homeowners of any race, religion, color, or… sexual orientation.”
(Dean, 1.11)
“You’ve always known what you want. And you go after it. You stand up to Dad. And you always have. Hell, I wish I—anyway… I admire that about you. I’m proud of you, Sammy.”
(John & Sam, 1.22)
“Killing this demon comes first, before me, before everything.”
“No, sir. Not before everything.”
(Dean & Sam, 2.07)
“What do you think, Scully?”
“I’m not Scully, you’re Scully.”
“No, I’m Mulder. You’re a red-headed woman.”
(Sam & Dean, 2.09)
“It’s over for me. It doesn’t have to be over for you. You can keep going!”
“What if I don’t want to?!“
(Henrikson & Dean, 2.12)
“Yeah, I know about Sammy. The Bonnie to your Clyde.”
“Yeah, well, that part’s true”
(Bobby & Dean, 2.15)
“You’re bickering like an old married couple.”
“No, see married couples can get divorced. Me and him, we’re like, uh, Siamese twins.”
(Bobby & Dean, 2.22)
“Something big is going down, end of the world big.”
“Well, then let it end!“
(Dean, 2.22)
“I’m gonna take care of you, I’m gonna take care of you, I gotcha. That’s my job, right? Watch out for my pain in the ass little brother?”
(Sam, 2.22)
“I mean, you sacrifice everything for me. Don’t you think I’d do the same for you? You’re my big brother. There’s nothing I wouldn’t do for you.”
(Dean, 3.01)
“Because I couldn’t live with you dead. Couldn’t do it.”
(Kyle & Sam, 3.05)
“This guy, he… he killed my brothers. How would you feel?”
“Can’t imagine anything worse”
(Sam, 3.07)
“I just wish you would drop the show and be my brother again. Cause…just cause.”
(Dean, 3.11)
“Sammy, I get all tingly when you take control like that.”
(Trickster, 3.11)
“This obsession to save Dean? The way you two keep sacrificing yourselves for each other? […] Dean’s your weakness. And the bad guys know it, too.”
(Sam & Dean, 3.15)
“Then, whatever the magic pill is, I’ll take it too!”
“Oh, what is this? Sid and Nancy?”
(Dean, 3.16)
“Sammy, all I’m saying, is that you’re my weak spot. You are, and I’m yours.”
(Dean, 3.16)
“SAM! SAAAAM!!”
(Sam & a crossroads demon, 4.09)
“I don’t want ten years. I don’t want one year. I don’t want candy! I want to trade places with Dean.”
“No.”
“Just take me! It’s a fair trade!”
(Nick, 4.14)
“I gave him what he needed. And it wasn’t some bitch in a G-string. It was you. A little brother that looked up to him”
(Dean, 5.04)
“Because whatever we have between us… love, family, whatever it is…”
(Hotel manager, 5.09)
“And at 4.30 there’s the ‘Homoerotic Subtext of Supernatural.‘”
(Ash, 5.16)
“A few people share. Special cases. Whatnot. […] Aw you know, like, uh, soulmates.“
(Zachariah, 5.18)
“You know Sam and Dean Winchester are psychotically, irrationality, erotically codependent on each other right?”
(Dean & AU!Sam/Dean & Sam, 2.20 & 5.18)
“Why are you doing this?”
“Because you’re still my (big) brother.”
(Castiel, 5.18)
“I don’t have the same faith in you that Sam does.“
(Chuck, 5.22)
“This is the stuff that’s important. The army man that Sam crammed in the ashtray – it’s still stuck there. The Legos that Dean shoved into the vents – to this day, heat comes on and they can hear ‘em rattle. These are the things that make the car theirs - really theirs. Even when Dean rebuilt her from the ground up, he made sure all these little things stayed.”
Chuck, 5.22)
“In between jobs, Sam and Dean would sometimes get a day – sometimes a week, if they were lucky. […] They could go anywhere and do anything. They drove 1,000 miles for an Ozzy show, two days for a Jayhawks game. And when it was clear, they’d park her in the middle of nowhere, sit on the hood, and watch the stars… for hours… without saying a word.”
(Dean, 5.22)
“Sam, it’s okay. It’s okay, I’m here, I’m here. I’m not gonna leave you.”
(Sam, 5.22)
“It’s okay, Dean, it’s gonna be okay. I got him.”
(Chuck, 5.22)
“Dean didn’t want Cas to save him. Every part of him, every fiber he’s got, wants to die, or find a way to bring Sam back. But he isn’t gonna do either. Because he made a promise.”
(Chuck, 5.22)
“I’d say this was a test… for Sam and Dean. And I think they did all right. Up against good, evil, angels, devils, destiny, and God himself, they made their own choice. They chose family. And, well… isn’t that kinda the whole point?”
(Dean, 6.01)
“So I’m dead? This is Heaven?”
(Sam & Dean, 6.01)
“You finally had what you wanted, Dean.”
“I wanted my brother. Alive.”
(Lisa, 6.06)
“You two have the most unhealthy, tangled-up, crazy thing I’ve ever seen.“
(Veritas, 6.06)
“Mallory to your Mickey.”
(Sam, 6.22)
“I was with two guys. One was like a male model type, and the other was an older guy named Bobby.”
(Balthazar, 6.22)
“How’s Sleeping Beauty? You didn’t steal any kisses, I trust?”
(Tortured!Sam & Sam, 6.22)
“Why is this so important to you?”
“You know me. You know why. I’m not leaving my brother alone out there.”
(Dean, 7.06)
“Sammy. Not Sammy.”
(Leviathan!Sam, 7.06)
“You could be anything. You’re strong, uninhibited, smart enough, believe it or not, but you’re so caught up in being good and taking care of each other.”
(Michael, 8.04)
“Is it just me or are you getting a workplace romance vibe from those two?”
(Dean, 8.23)
“There is nothing, past or present, that I would put in front of you.”
(Ezekial/Gadreel as Dean, 9.01)
“I made you a promise, in that church. You and me. Come whatever.”
(Ezekial/Gadreel as Dean, 9.01)
“There ain’t no me, if there ain’t no you.“
(Castiel & Sam, 9.11)
“Sam, the trials. You chose not to go through with them for a reason, didn’t you? You chose to live rather than to sacrifice yourself. You and Dean, you chose each other.”
“Yeah, I did. We did.”
(Alonso, 9.13)
“Hey, new guy. Quit flirtin’ with the trainer and keep scoopin’, huh?”
(Dean, 9.23)
“I’m proud of us.”
(Sam, 10.02)
“I don’t care. Because you’re my brother and I’m here to take you home.”
(Sam, 10.03)
“Come back. […] Come back to me.”
(Dean, 10.03)
“What did Sam say? Does he want a divorce?”
(Castiel, 10.03)
“It’d take a lot more than trying to kill Sam with a hammer to make him want to walk away.”
(Dean & Sam, 10.04)
“I never even said thank you, so…”
“You don’t ever have to say that, not to me.”
(Dean & Marie, 10.05)
“Why are they standing so close together?”
“Reasons.”
“You know they’re brothers, right?”
“Well, duh but, subtext.”
(Dean, 10.05)
“I don’t need a symbol to remind me how I feel about my brother.”
(Marie as Sam & Sam, 10.05)
“The two of us against the world!”
“What she said.”
(Heddy & Beverly, 10.06)
“I knew those boys were trailer trash the moment they rolled up in that American-made.”
“Not to mention homosexuals.”
“Homosexual murderers. Like Leopold and Loeb.”
(Sam, 10.12)
“Look, man… do I wish the mark was gone? Yes, of course. Absolutely, I do, but… I wanted you back.”
(Sam, 10.18)
“This is my life. I love it. But I can’t do it without my brother. I don’t want to do it without my brother. And if he’s gone, then I don’t…”
(Sam, 10.18)
“If there’s a cure, we’ll do it and deal with the consequences later. I can’t lose you.”
(Sam, 11.04)
“We are home.“
(Dean, 11.11)
“All that matters now, all that’s ever mattered, is that we’re together.“
(Sam, 11.16)
“The nest messes with their victim’s head, shows them things they love, parts of their soul in distress.”
(Sam & Dean, 11.16)
“You said the soul eater made you see things, plural. So, what else did you see?”
“I saw you, dead on the floor.”
“How messed up are our lives, that you seeing a vision of dead-me is actually kind of comforting?”
(Dean, 11.17)
“Bring him back. Bring him back and take me instead.”
(Michelle, 11.17)
“I watched the man I love die. There’s no normal after that.”
(Dean & Cesar, 11.19)
“You guys fight just like brothers. Almost as bad as us.”
“Well, it’s more like an old married couple.”
(Dean, 11.20)
“I’m not leaving you, ever!”
(Dean & Sam, 11.23)
“C’mon, you know the drill. No chick flick moments, c’mon.”
“Yeah, you love chick flicks.”
“Yeah, you’re right I do, come here.”
(Dean, 11.23)
“I need him, he needs me.“
Comparisons, parallels, direct lines, feel free to add to this list.
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Shaping himself to John’s liking is an art Dean perfected years ago. He’s sitting on the bed, waiting, watching as Dad takes the seat in front of him. Dad’s still wearing his Fed suit. He’s either dressed up or drunk when they do this. Sometimes both.
Today, though, it’s only the suit.
“Look at you,” Dad murmurs, his gaze slowly leaving Dean’s face, trailing down his body.
Dean’s not wearing much. Socks. One of Dad’s too-big flannels, completely unbuttoned, allowing Dad’s eyes to roam over his pale chest. A pair of plain cotton panties from the women’s underwear section at Walmart, white except for the dark spot already forming at the front.
Dad reaches for his ankle, lifts his foot, holds it in both hands. His hands are warm, strong. Dean’s heart speeds up in his chest, dick leaking some more. Dad’s eyes leave the white cotton of his socks, looking back up at him.
“What do you want, Dean,” he murmurs as he rubs his thumbs over the arch of Dean’s foot. “Why’d you dress up like this?”
Dean’s never drunk when they do this. Doesn’t need to be. He’s always dressed up a little, though. But not the way Dad is. Not full-on. Just enough to look a little less like himself, just enough that Dad won’t look away in guilt.
“Want you to look at me,” Dean says, sounding a little hoarse. It’s always hard to find his voice. Being dressed a little less like himself doesn’t make anything easier. Not for him.
Dad never asks for a specific outfit. Doesn’t have to. Dean knows just what he likes. He doesn’t give a crap about satin and lace. He’d laugh Dean in the face if he ever dressed up in the pair of silky, soft pink panties Dean keeps hidden in a sewn-in pocket in his duffle. Anything too feminine is a no-go. He’d tell Dean to get that crap off his face if Dean would ever show him what a little mascara and some cherry-colored lip balm can do. That too is safely hidden in the secret pocket in Dean’s duffle.
“Am lookin’, kid,” Dad says, fingers trailing up Dean’s ankle. He rests Dean’s shin in his hand, eyes traveling up his thighs, to the shape of his hard dick straining his briefs.
Dad doesn’t like anything too feminine. Just something that softens Dean’s edges a bit, something that makes him seem a little younger, a little more pliant. A loose tank top. Knee-high socks. One of Dad’s old Marine shirts, long and wide enough to look like a nightgown on him. Sam’s old soccer shorts, short enough to expose most of his thighs.
But no skirts or dresses. No tight spaghetti tops, no real lingerie. You’re my boy. Act like one. So Dean walks a fine line between femininity and masculinity, between softness and strength. Acts like Dad whenever they’re on a hunt or when it’s just the three of them crammed up in another motel room. Tones it down when he’s with Sam, or when he’s alone with Dad like this, Sam dropped off at Bobby’s.
“Want you to touch me,” Dean says, trying to keep his voice even. Dad doesn’t want to see insecurity, doesn’t want to see fragility. Hums in approval whenever Dean does as he’s told and goes down to his knees or spreads his legs for him, but he’d snort in disdain if he knew Dean fingers himself at night, fantasizing about Dad fucking him missionary style, calling him his wife; fantasizes about cuddling and being little spoon afterwards. Dad loathes femininity because he loathes weakness. Dean figured that out a long time ago.
He doesn’t want Dean to play housewife. Doesn’t want Dean to open himself up to him, to expose himself completely.
He just wants Dean to obey. And Dean knows how to walk the line.
Dad’s good little soldier, and nothing else.
Cross-posted to AO3
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