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daceytheshebear · 11 hours
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Oh my god I'm so excited
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daceytheshebear · 2 days
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daceytheshebear · 2 days
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I’m bored and nosy. Please reblog this with the book you’re currently reading.
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daceytheshebear · 2 days
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jokes on you I love Sansa I love Daenerys I love Catelyn I love Arya I love Cersei I love Brienne honestly I love every single female character in asoiaf I’m literally never losing you wish you were me
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daceytheshebear · 2 days
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JAIME IN THE RIVERLANDS II: Bluffs, Bargaining and Baby Trebuchets - Why Jaime Can’t Win at Riverrun
[lol sorry i've not updated this since Dec 2022 but i feel kind of compelled to finish it and this part was actually mostly done in back in Jan last year. I just got distracted. anyway part one here]
Following ASOS where Jaime’s character development came thick and fast, Jaime of AFFC is stalling by comparison, looking for an outlet and lacking one. He hopes to improve the Kingsguard as its new Commander but it’s in a poor state, saddled with men like Boros Blount and Osmund Kettleblack who are sworn to serve it for life. Meanwhile, his every move is undermined by Cersei’s erratic rule as regent, or the strange counsel she has built around her. He is beside his son, but Tommen can’t know it, and his daily duties involve tedium more often than not. Jaime’s scope has been drastically reduced: there are no bears, there is only Pycelle, and meanwhile his relationship with Cersei is undergoing seismic change that leaves him emotionally adrift. 
Jaime is also growing increasingly conscious of the risk that Tywin’s death poses to his family: joining the funeral procession for his father’s return to the Rock, ‘dead’ rings in his ears as he attempts reconciliation between Kevan and Cersei (JAIME II, AFFC) - Tywin is truly gone, and nothing stands in his place. Indeed, whilst we see throughout ASOS and AFFC that Tywin had the respect of his siblings, Jaime and Cersei are viewed by Genna and Kevan as little more than squabbling children far out of their depth. Kevan even regards the twins as a direct threat to he and his family’s security and goes so far to say as much, rending the family deeper. Worse still, Jaime is unsure whether or not Cersei does represent a true threat to their uncle, leaving him to play the game half blind:
Ser Kevan was a Lannister of Casterly Rock. He could not believe that she would ever do him harm, but… I was wrong about Tyrion, why not about Cersei? When sons were killing fathers, what was there to stop a niece from ordering an uncle slain? [JAIME II, AFFC]
It’s clear at this point to both Jaime and the reader that House Lannister is beginning to cannibalise itself, with each link representing a threat to the other: even Genna and Kevan compete for safer seats for their families, with Kevan leaving the poisoned chalice of Riverrun for his sister and her children. Meanwhile, Cersei’s growing paranoia and ineptitude as queen is setting off alarm bells: “The crows will feast upon us all if you go on this way, sweet sister” (JAIME II, AFFC). House Lannister’s vulnerability is hugely apparent, and now, far from Tywin’s vision of a single unanimous collective, each branch of the family pulls in its own direction. So we see that part of Jaime’s role at this point in the story is to somehow reunite his family with the singular object of their security: the trouble is that the security of House Lannister runs directly counter to the security of all others.
It is here that Cersei sends Jaime into the Riverlands against his will, to finish their father’s work in quashing House Stark and House Tully. Jaime goes reluctantly, knowing the Riverlands have already been ravaged by his father’s men: “scarce a field remained unburnt, a town unsacked, a maiden undespoiled.” Cersei’s request that he finish the work of men like Gregor Clegane and Amory Lorch “[leaves] a bitter taste in his mouth” (JAIME III, AFFC). Jaime is also mindful of his oaths to Catelyn Stark, i.e. that he will not take arms against Stark or Tully, and his own personal ambitions for betterment. But the dregs of the war aren’t going anywhere, and so begins Jaime’s attempt to balance his own personal ambitions with what his family needs to solidify their rule.
RETURNING TO THE RIVERLANDS
Jaime initially travels with little sense of direction. He hovers at Darry to see Lancel and settle the matter of Cersei’s infidelity. He returns to Harrenhal to restore order, and makes some attempts at a transformation into ‘Goldenhand the Just’: rescuing Pia, executing her rapist, punishing outlaws (be they of opposing camps or otherwise) and rehabilitating Ser Ilyn Payne. But as many have observed, these are small gestures - perhaps even misguided, in the case of the outlaws: Brienne’s chapters feature a sorrowful monologue on the plight of ‘broken men’, who have long suffered at the mercy of their high lords. This is Jaime attempting to do good within the scope he’s been afforded, but he is under no illusions that it is enough to transform his reputation, and it is certainly not enough to atone for his sins: 
"Wear [the golden hand], Jaime," urged Ser Kennos of Kayce. "Wave at the smallfolk and give them a tale to tell their children." "I think not." Jaime would not show the crowds a golden lie. Let them see the stump. Let them see the cripple. [JAIME III, AFFC]
“Men will name you Goldenhand from his day forth,” the armorer had assured him the first time he fitted it onto Jaime’s wrist. He was wrong. I shall be the Kingslayer till I die. [JAIME III, AFFC]
“He was not wrong," Ser Bonifer allowed, "but some sins are blacker than others, and fouler in the nostrils of the Seven." And you have no more nose than my little brother, or my own sins would have you choking on that pear. [JAIME III, AFFC]
After loitering long enough, Jaime finally continues his journey to Riverrun, where he finds the entire place at a standstill. The Freys have ruined negotiations by belying the bluff behind their threats, and now Riverrun will not fall without armed conflict. Jaime does not want armed conflict owing to the oath he swore to Catelyn that he would not take up arms against House Tully, but the danger to his house grows more pronounced: Lannisters and Freys can be found hanging in the woods, and Brynden Tully obstinately wants no peace with them. The contrast between the honourable Tullys and the impotent Freys is immediately made starkly apparent, and any reader would feel that Jaime is on the wrong side of this conflict. Yet even despite Jaime’s own obvious disregard for the Freys, we get to see the House Lannister he’s grown up with, and hopes to protect: the jovial Daven, the fond Genna, even the tragic Lancel. There is genuine affection amongst the extended tree of Lannisters, not easily dismissed for the sake of oaths.
Yet even so, Genna quickly notes Jaime is not the man to protect them: “Who will protect us now? [...] Tyrion is Tywin’s son, not you.” I’d argue that it is at this juncture, more than any other, that Jaime resolves to begin his performance as Tywin’s ‘true’ heir: he has entered this conflict lacking direction, and Genna has now provided him one that he has willfully ignored till now: House Lannister needs someone to protect them, and if not him, then who?
So begins the delicate balancing act between Jaime’s own ideals and oaths to Catelyn, alongside the dwindling security of House Lannister. 
ALLIES & ENEMIES
We frequently see Jaime struggle with the fact that he vastly prefers his enemies to his allies, even as the reader is encouraged to do the same. Jaime likes Jeyne Westerling, with her earnest devotion to Robb. He has admired Brynden Tully since he was a boy, and desperately hopes to win the man over himself (to no avail). He clearly prefers Tytos Blackwood to Jonos Bracken, despite (if not because of) Blackwood’s staunch support for House Tully, versus Bracken’s more malleable loyalties. Yet Jaime himself is encumbered by Freys of dubious loyalty and still more dubious character (if they are not altogether ineffectual), as well as lickspittles and violent rogues, such as the remainder of Gregor’s party he finds at Harrenhal. We see Jaime attempting to work with what he’s been given, but the disdain he feels towards his allies is always palpable - whilst his preference for his more honourable enemies is a recurring weakness.
Jaime’s ADWD chapter is an interesting exploration of both the strengths of Jaime’s character, and the ways in which he is ill-suited to his role in this conflict. He is instantly able to build some rapport with Tytos Blackwood, agreeing to privately manage humiliating dealings, and making allowances for the man where he can. He even goes so far as to allow Blackwood to choose his own hostage - Jonos Bracken advises Jaime that taking Tytos’ treasured daughter would give House Lannister the strongest hold over the family, but when Tytos emotionally protests, he allows the man to instead suggest a son he’s less fond of, and who would even enjoy the trip to the capital. The threat inherent in this exchange is so forgotten that when Hoster Blackwood emerges as though ready for summer camp, Jaime realises he has to remind the Blackwoods of who exactly they’re dealing with, else appear weak to a supporter who might easily turn: 
"I am not your friend and I am not your brother." That cleaned the grin off the boy's face. Jaime turned to Lord Tytos. "My lord, let there be no misunderstanding here. Lord Beric Dondarrion, Thoros of Myr, Sandor Clegane, Brynden Tully, this woman Stoneheart … all these are outlaws and rebels, enemies to the king and all his leal subjects. If I should learn that you or yours are hiding them, protecting them, or assisting them in any way, I will not hesitate to send you your son's head. I hope you understand that. Understand this as well: I am not Ryman Frey." [JAIME I, ADWD]
Here, Jaime directly counterposes himself with Ryman Frey: the man who almost lost Riverrun owing to his ineffectual bluffing. The reason being that Jaime and Ryman are dealing in the same currency: so far, Jaime has offered only threats that remain untested by his enemies, and Hos the hostage is only another of them. His role as Tywin’s heir is an elaborate performance, but Tywin’s reputation was earned through deed - Jaime so far relies only the memory of that. The second any one enemy does dare to test his resolve, the whole business could come crashing down - because this is a character who has yet to prove his resolve in the matter to either his enemies or himself, and is desperately avoiding doing so.
We see his lack of conviction again in subsequent conversations with his new hostage. Hoster reminds Jaime of his younger brother Tyrion, building his warmth towards the boy, and soon enough Jaime is asking him questions about the surrounding landscape and its history. At the end of the chapter, Jaime even shares a skin of wine with Hoster and his young squires (mostly hostages themselves) about a campfire, failing to enforce an emotional distance. The only instance where Jaime resumes his performance before Hoster is one where the pretence is palpable:
"My father had a saying too. Never wound a foe when you can kill him. Dead men don't claim vengeance." "Their sons do," said Hoster, apologetically. "Not if you kill the sons as well. Ask the Casterlys about that if you doubt me. Ask Lord and Lady Tarbeck, or the Reynes of Castamere. Ask the Prince of Dragonstone." For an instant, the deep red clouds that crowned the western hills reminded him of Rhaegar's children, all wrapped up in crimson cloaks. "Is that why you killed all the Starks?" "Not all," said Jaime. "Lord Eddard's daughters live. One has just been wed. The other …" Brienne, where are you? Have you found her? "… if the gods are good, she'll forget she was a Stark. She'll wed some burly blacksmith or fat-faced innkeep, fill his house with children, and never need to fear that some knight might come along to smash their heads against a wall." [JAIME I, ADWD]
Here, Hoster inadvertently tests Jaime’s resolve in the Lannister cause, and Jaime parrots obligingly, invoking his father’s darkest deeds as a reminder of what House Lannister is capable of. As Tywin’s heir, Jaime, is aware that he owes his audience a performance.
Yet what is coming out of Jaime’s mouth runs laughably counter to his own feelings and actions. He does not agree with his father’s methodry: the memory of Rhaenys’ and Aegon’s bloody bodies is clearly traumatic, and something Jaime has repeatedly wished he had prevented. And he has of course sent Brienne to rescue Sansa; in doing so, he may well have sown the seeds of the next Stark uprising himself, a consequence that could directly threaten his own family. This goes to prove how complex and contradictory Jaime’s objectives have become. He is attempting to preserve the security of both the Starks and the Lannisters, whilst struggling to avoid handing either side victory over the other. 
Jaime cannot make that struggle apparent to his audience, however, and so he says the words for Hoster: it is important Hoster believes them - that everyone does - yet once again, words are all Jaime has offered.
HALF MEASURES
Jaime’s sole ADWD chapter offers the best framework to unpack one of the most discussed episodes of Jaime’s Riverlands arc, and that is: Jaime’s threat to fling a baby over a castle wall.
"You've seen our numbers, Edmure. You've seen the ladders, the towers, the trebuchets, the rams. If I speak the command, my coz will bridge your moat and break your gate. Hundreds will die, most of them your own. Your former bannermen will make up the first wave of attackers, so you'll start your day by killing the fathers and brothers of men who died for you at the Twins. The second wave will be Freys, I have no lack of those. My westermen will follow when your archers are short of arrows and your knights so weary they can hardly lift their blades. When the castle falls, all those inside will be put to the sword. Your herds will be butchered, your godswood will be felled, your keeps and towers will burn. I'll pull your walls down, and divert the Tumblestone over the ruins. By the time I'm done no man will ever know that a castle once stood here." Jaime got to his feet. "Your wife may whelp before that. You'll want your child, I expect. I'll send him to you when he's born. With a trebuchet." [JAIME VI, AFFC]
As already mentioned, bluffs have been Jaime’s sole currency against the Tullys so far. The trouble is that he has entered an arena where bluffs have already been used to ill effect: the Freys have practically numbed Brynden Tully and his garrison to Edmure’s death, by threatening to do kill the man daily and failing follow through: this has led Brynden to frame his retaliation under the supposition that his nephew is as good as dead already. The best thing Jaime could do to assert his status over the Freys and dominance over the Tullys is demonstrate that he is a man of action, and will kill Edmure - but the action required is precisely that which he is not willing to take.
So Jaime enters this conflict with a bluff of his own, this time pointed at both the Freys and Edmure, as it’s necessary for both parties to believe he means what he says. Having covertly directed Ser Ilyn Payne to bluff, Jaime fools even the reader for a moment into believing that he meant to have Edmure’s head off:
The ferry had just started across with Walder Rivers and Edwyn Frey when Jaime and his men arrived at the river. As they awaited its return, Jaime told them what he wanted. Ser Ilyn spat into the river. [...] The sight of Ser Ilyn widened [Edmure’s] eyes. "Better a sword than a rope. Do it, Payne." "Ser Ilyn," said Jaime. "You heard Lord Tully. Do it." [...] "No! Stop. NO!" Edwyn Frey came panting into view. [JAIME VI, AFFC]
It’s here apparent that Ilyn Payne has been instructed to sever the rope suspending Edmure, making it seem to Edmure and onlookers that he means for Ilyn to behead the man. Jaime knows that Edwyn Frey will intervene before this can take place, but Edmure, who already bought into Jaime’s Kingslayer persona, has now had it reified by Jaime’s apparent resolve to behead him there and then. This lays the foundations for Jaime’s subsequent negotiations with Edmure: whilst treating with Brynden Tully, a man with nothing to lose, was a worthless pursuit… convincing Edmure, with everything to lose, holds more promise, and Jaime has now primed him to accept the carrot and fear the invisible stick.
Many readers do not regard Jaime’s villainous monologue to Edmure as any kind of bluff, but rather a promise that demonstrates that even if he isn’t Tywin’s ‘true’ heir, he’s capable of the same cruelties. However, we’ve now established that bluffs have become the currency at Riverrun, and are an especially vital currency to Jaime, a man who is determined to take no decisive action for the sake of his oath. His sole objective is to get Edmure to surrender peacefully, and violent words are his oddly pacifist method. 
It is also worth observing the improvised nature of the threat. Jaime mentions trebuchets specifically because they are trademark of Tywin’s from his feuds with the Reynes and the Tarbecks - as is drowning castles so that no-one would know they ever stood. The whole threat is heavy on Tywinian rhetoric, promising violent extremes that are atypical of Jaime’s own approach in war - but of course, they go the extra mile in pushing Edmure over the edge. Edmure knows what the Lannisters are capable of, and that is enough to frighten him into acquiescence before he begins to wonder what Jaime himself is capable of. 
Following Edmure’s surrender, Jaime self-consciously notes to himself his cynical invocation of Tywin’s trademarks, humorlessly marvelling at what came out of his mouth:
‘With a trebuchet,’ Jaime thought. If his aunt had been there, would she still say Tyrion was Tywin’s son? [JAIME VI, AFFC]
And of course, we see again here what has been on Jaime’s mind the whole time. Genna has told him she doesn’t believe he can protect their family, because he is no second coming of Tywin Lannister. Jaime is desperate to prove otherwise, whilst simultaneously desperate not to - and so, in thinking to himself that he has proved Genna wrong, Jaime has ironically proved her right: he is not willing to take decisive action, offering only words to suggest he could. 
Finally, there is a telling passage that precedes Jaime’s threat, suggesting the extent to which just saying the words pains Jaime:
Must you make me say the words? Pia was standing by the flap of the tent with her arms full of clothes. His squires were listening as well, and the singer. Let them hear, Jaime thought. Let the world hear. It makes no matter. He forced himself to smile. [JAIME VI, AFFC]
Jaime has built rapport with Pia and his squires over the course of AFFC - he gets to know them as people, they get to know him, and Jaime is a different person for them than he has been in the minds of those back at King’s Landing - he is a saviour to Pia, and a mentor for his squires. They are at the inception of the man Jaime wants to become for the rest of Westeros - someone honourable, and worthy of their respect. 
However, Tywin Lannister was not such a man - he was a man to be feared, and to sustain the Lannister regime, his heir must be feared as well. Jaime asks himself, ‘Must [Edmure] make me say the words?’, belying the fact that he had hoped to leave the threat implicit, offering Edmure a hand to his feet without having to show him the back of it. He is conscious of Pia and his squires listening, and how these words will impact their opinion of him; how the words will get out of the tent, and impact everyone’s opinion of him. 
But Jaime resolves: “Let them hear. Let the world hear. It makes no matter.” It’s apparent that it does matter to Jaime; he does not want to be a man feared and despised. Nonetheless, there is a futility in these lines. He lost the respect of Westeros long ago, and will not regain it in acting as Tywin’s heir. ‘Goldenhand the Just’ is a fantasy, and revealing his true motives to the world would be dangerous. He has to maintain his performance as Tywin’s heir for the sake of his family, and if that’s all the world will ever know of him… here, Jaime is telling himself to suck it up. “He forced himself to smile.”
The threat serves its purpose in the short-term, however. As much as Edmure hates Jaime for the words, it’s likely he requires them before he can sign Riverrun away to the Lannisters. Edmure needs to know the price of the carrot, cannot take it without asking. The price tells Edmure he’s making the right decision for everyone, albeit a bitter, humiliating one that reeks of injustice. Yet to refuse the carrot would be to surrender his family and people to something worse than injustice: in short Edmure needs to believe he’s saving his family from something. Jaime gives him that. 
THE PEACE
Of course, the greatest trouble for the Lannisters is that Jaime’s measures will not maintain the peace in his absence. Jaime did not take up arms against the Tullys, and so Brynden has escaped. In all likelihood, Edmure and his pregnant wife will shortly do the same - they travel with Jeyne Westerling to Casterly Rock, a character GRRM has told us will feature in TWOW’s prologue. It seems a foregone conclusion that that prologue will see an interruption to the hostages’ journey to the Rock, perhaps one orchestrated by Brynden Tully. 
It hardly helps that Jaime has even released a number of Tully men after having them swear an oath after the fashion of his own to Cat: 
Lady Genna suggested that a few of the men might be put to the question. He refused. "I gave Edmure my word that if he yielded, the garrison could leave unharmed." "That was chivalrous of you," his aunt said, "but it's strength that's needed here, not chivalry." [...] The Tully garrison departed the next morning, stripped of all their arms and armour. Each man was allowed three days' food and the clothing on his back, after he swore a solemn oath never to take up arms against Lord Emmon or House Lannister. "If you're fortunate, one man in ten may keep that vow," Lady Genna said. [JAIME VII, AFFC]
As we see, Genna does not regard Jaime’s measures as stringent enough for their ends, and she may well be right - the Lannisters’ pit of violence has grown too deep for the family to sustain themselves through pacifism now. But ultimately, these chapters serve to show that Jaime is not willing to consider the alternative: whatever method his family requires to survive, he is demonstrably not the character to implement it.
Needless to say, it seems pointless to argue that there aren’t clear ‘good guys’ and ‘bad guys’ in the Riverlands conflict - because even if there were, Jaime’s desire to protect his family is a sympathetic one. His attempts to do this solely through rhetoric are understandable, even laudable. And the fact that he has ultimately failed has a level of tragedy to it: we root for the Tullys and their return to Riverrun, and the downfall of the Lannister regime, but there is still a human cost associated. 
The coming of Red Wedding 2.0 is another foregone conclusion, but from the groundwork laid in AFFC and ADWD, it seems clear that GRRM will not intend it as a triumphant event: it was gruesome and cruel the first time, with many innocent lives lost in the crossfire - it can only be so different the second. 
As readers, we want Jaime to move beyond the Lannister cause to higher ideals, and in ADWD he has. But GRRM does not intend that this should be an easy path to take. Jaime’s loved ones remain embroiled in this conflict, and fighting for or favouring the other side has implications for all of them. Abandoning the Lannister cause is necessarily difficult, and there will be consequences for doing so.
NEXT PART: A Reckoning in the Riverlands!!! this won't be quick but i hope it won't be a fucking year
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daceytheshebear · 2 days
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Arya made a face and hugged the wolfling tight. Nymeria licked her ear, and she giggled. (Arya I, AGoT)
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“Girls don’t shave,” Arya said. “Maybe they should. Have you ever seen the septa’s legs?” She giggled at him. “It’s so skinny.” (Jon II, AGoT)
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"Stay away?" Mercy giggled. She was a giggly sort of girl, was Mercy. "No. I've got to get closer." (Mercy, TWoW)
Mercy was a giggly sort of girl...and so was Arya, once upon a time.
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daceytheshebear · 3 days
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daceytheshebear · 3 days
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besides daemon as a gothic heroine trutherism the reason i want to see more of harrenhal on house of the dragon is because i always thought it would play a significant role in twow/ados. if king’s landing gets annihilated due to some combination of wildfire, dragon fire, and jon connington bell-related ptsd and winterfell is in the hands of the boltons—and there must always be a stark in winterfell, which aside from being propaganda actually has something simmering there—where on the continent do these storylines converge?
it’s chekov’s monstrously huge castle that no one family can hold, that can hold armies, right in the middle of the continent—a liminal space, a temporal vortex, haunted and cursed, hungry and waiting. it sits on the god’s eye, where the first men and the children of the forest made their pact, where dragons died, where gendry realized who arya was just as rhaegar realized who lyanna was. balerion made a pyre out of the highest tower and there are weirwoods built into the beams and rafters. it’s where jaime was claimed and sent away by an unworthy king and where he returned to save brienne in a moment of certainty and bravery that sucked him into the past and propelled him forward all at once. littlefinger holds it and holds sansa captive, but she has giants to slay and the vale has men. the timing of its completion with aegon’s conquest, how he burned it that first day, and that it’s where jaehaerys held the great council that set into motion the dying of the dragons—but daenerys is a character who symbolizes rebirth, redefinition, reclamation (of her body, of her name, of her legacy: if the throne her family built burns like a pyre, melts like harren’s tower, what better place to restart than a castle that was also burnt and survived? and if arya goes back there, will it seem like an old friend this time?) like we’ve got to go back. the dragons are back. we’ve got to go back. different roads lead to the same castle. am i losing my mind.
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daceytheshebear · 4 days
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no matter how terrible my day is. i can always end my day in bed imagining fictional characters making out sloppy style and fucking raw. and that's beautiful. there's some good in this world mister frodo and it's worth fighting for
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daceytheshebear · 4 days
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I'm fine with serving cunt with low cut gowns, in fact I'm all for it, but I can't get over the hair. It's just so impractical. I distinctly remember reading ASOS for the first time and being very much bothered when Jaime sees fArya off and remarks that "the girl's long brown hair blew wild in the wind". She's on horseback. With her hair down and blowing wildly before she even starts riding. Poor girl. I can feel the hair getting in her mouth I swear I can. I mean it might just be my own flavor of gender dysphoria coming through but I project suffering onto anyone who has to deal with long hair whipping on their neck back and face. Uh. If you're afab and can't have it cropped short or shaved without facing severe punishment (luckily I can) then take full advantage of your medieval setting and bind those tresses in a tight updo. You can even make it sparkle with gems!
when people criticize asoiaf by saying that women having unbound uncovered hair and low cut gowns are inaccurate to medieval times…… I’m on grrm’s side here I think hairstyles and head coverings and high collars are cool but I also just fucking love drawing girls with long loose hair and generous cleavage…… they’re gonna have to take us both out, george. I stand with you
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daceytheshebear · 5 days
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REVERSE TROPE WRITING PROMPTS
Too many beds
Accidentally kidnapping a mafia boss
Really nice guy who hates only you
Academic rivals except it’s two teachers who compete to have the best class
Divorce of convenience
Too much communication
True hate’s kiss (only kissing your enemy can break a curse)
Dating your enemy’s sibling
Lovers to enemies
Hate at first sight
Love triangle where the two love interests get together instead
Fake amnesia
Soulmates who are fated to kill each other
Strangers to enemies
Instead of fake dating, everyone is convinced that you aren’t actually dating
Too hot to cuddle
Love interest CEO is a himbo/bimbo who runs their company into the ground
Nursing home au
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daceytheshebear · 5 days
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Nope. No. Don't. Please. Don't do that. Don't do it if you feel that you can't. But also absolutely own doing shit well and still being able to do more of it, because you are that awesome. That's the two options you have. I can and will. I can't and won't. That's it.
“i can’t do this anymore” says a girl who is not only going to do it but do it well
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daceytheshebear · 6 days
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brynden bloodraven in his tree cave watching the sixteen year-old he used psychic raven election tampering magic to install as the lord commander of the night’s watch ignore every single increasingly less subtle omen hinting at his greater place in the upcoming war for the dawn as king beyond the wall and warg and champion of the free folk. because he simply loves doing inventory paperwork and loan negotiation THAT much. and then gets killed trying to brazenly walk out of the job GOING THE WRONG WAY after telling everyone he is deserting.
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daceytheshebear · 6 days
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“joncon is repressed about his sexuality” objectively untrue and frankly kind of silly to say “joncon is repressed about his gender but being trans is almost unspoken of and he’s 40 years old dying of fantasy aids and needs to conquer a country and put his son on the throne before that happens so he can’t really think about that right now” so real it hurts
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daceytheshebear · 6 days
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scenes from asos jaime vi
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daceytheshebear · 9 days
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daceytheshebear · 10 days
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Arya has my whole heart
 When Yoren had dragged her into that alley she'd thought he meant to kill her, but the sour old man had only held her tight, sawing through her mats and tangles with his dagger. — ACoK, Arya I
"That hair is a fright and a nest for lice as well. We'll have it off, and then you're for the kitchens." — ACoK, Arya VI
Lady Smallwood insisted that Arya take another bath, and cut and comb her hair besides — ASoS, Arya IV
The Hound had hacked handfuls of her hair off only two days past. He was an even worse barber than Yoren, and he'd left her half bald on one side. — ASoS, Arya X
The waif had shaved her head for her when they took her eyes; a mummer's cut, she called it, since many mummers did the same so their wigs might fit them better.  — ADwD, The Blind Girl
After that she found her razor. A bare scalp helped the wigs fit better, Izembaro claimed. — TWoW, Mercy
Of course, there are symbolic and thematic layers to Arya losing her hair more often than any other character in the books. But it's also pretty funny how almost every adult that has Arya in their care takes one look at her and immediately goes, "This child needs a haircut".
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