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💞 — 𝐓𝐇𝐄 𝐕𝐀𝐆𝐀𝐁𝐎𝐍𝐃 𝐖𝐇𝐎 𝐀𝐕𝐎𝐈𝐃𝐒 𝐓𝐇𝐄 𝐎𝐀𝐒𝐈𝐒.
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💞 — in which jamil realizes that no matter how hard he avoid the oasis, the thirst will not disappear till it is quenched.
💞 — jamil viper x reader
💞 — warnings: hurt/comfort type fic. some descriptions of gore to emphasize yearning (the arabs be dramatic, what can i say)
💞 — 1.7k words. inspired by "sawwah" the song by abdel halim hafez. you should listen to it while reading tbh. first in a series of me assigning old school arabic songs to various characters. and yes, arabic speaking jamil is back. the translations are italicized with the arabic, and i changed some lyrics to fit third person, instead of first.
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Wa ana mashi fil bilad, sawwah.
And I walk through countries, a vagabond.
Jamil had a job. He was bound to eternal servitude to the Al-Asim family—practically property to Bait (house/clan) Al-Asim. He had a job, and yet he spent his nights away in his mind, wandering like a vagabond. Purposeless, jobless. 
All those nights toiling in the kitchen of Scarabia made him forget purpose and work were different things. He would never call working for that spoiled boy his purpose. He was made for more—to be praised, to rule and command. He deserved more. Jamil deserved more than having to push away his moon, his qamar (moon). 
You were like an oasis in the desert expanse that he called his mind, and yet he walked away from you. He walked away when he desperately needed a sip. When he desperately needed rest and dates from your palm.
“Qad jinint? (Have you become crazed?) I have too many things to deal with. And you’d be better off without the burden of my title. Imshi (Go on/walk off).”
Jamil saw it. He saw the way your expression faltered, the softest twitch in your brow, the smallest tremble of your lips. It was cruel, he knew it, and it hurt him to say it. But in the end, he knew there was nothing else he could say. There must have been a better way to delicately reject your confessions, and yet he took the harshest route. Jamil plucked the dates from your palm and trampled over them.
He hurt himself by doing so, denying himself the one thing he desperately wanted. In the end, it was simple. Mishwar baeed, wa hu gareeh. His life was a long journey that only injured him. He did not want it to injure you as well.
Still, his charcoal eyes would seek you out. He would still ask Kalim about you, wanting to know how the distance was affecting you. Did you become a vagabond as he did? Were you avoiding oases?
Did you ask about the brown-skinned boy who broke your heart? He just wanted to be reassured—tamainu (reassure him)—that his qamar was doing alright. Wa in la’akum habibi, salamuli alai, he wanted to tell Kalim. If you see my love, wish them peace from me.
He would never ask you himself, nor did he get the chance to since you would scurry off whenever he passed by. The one place he could not avoid you was the kitchen of Scarabia, his domain, during one of Kalim’s parties. You were hiding away from the madness, and he had been trying to hide away from you. It was the same spot in which you cooked with him, listened to him, and were eventually rejected by him.
Jamil froze after walking in, and you turned your head up from your phone once you saw him, “I’m sorry,” you said, pushing yourself off of the counter and heading for the other door. You could not face him, not after that rejection. Not after he told you that your feelings were that of a crazed djinni (genie/jinn).
He shook his head and walked to the stove top, turning it on, “Stay. I’ll make chai,” he muttered. He did not even look at you.
You still wanted to leave, but instead, you just nodded. Honestly, you were a fool for the man, for that long dark brown hair which he braided so perfectly, and his aquiline nose which you desperately wanted to trace your finger along, “I don’t want to trouble you—”
“It’s no trouble. It gives me an excuse to get away from Kalim.”
You swallowed and nodded.
The silence was horrifically uncomfortable. The only sounds in the kitchen were the boiling water in the kettle and the sound that the mortar and pestle made while Jamil began to grind the herbs for the tea. Chai, cloves, cardamom—he added cinnamon this time. The scent always made everything more cozy.
Ya qamar, ya nasini. Oh moon who forgets me. Jamil hoped you would have gotten over your feelings for him and forgotten about the rejection, but he could tell it stung. The way you looked around the kitchen proved that enough. He poured the evaporated milk into the tea, let it simmer with the racing of his heart, and then poured both of you cups. He was gentle as he set your cup in front of you, unlike the savagery that he handled your heart with. 
Jamil leaned against the island, his eyes trailing over your face, “Are you—”
“I’m fine,” you blurted, holding the cup of tea. Waseitak, waseiya, ya shahid aleiya, “I promised you—you heard. You saw,” you elaborated, “I’m fine.” Tekilu ala beiyak. You could have told him of the state you were in after the rejection, but you opted for lies veiled by a fake grin.
He understood. He did not let you see past his veil either, “I see.” 
“The tea is great.”
“Thanks.”
There it was, another uncomfortable silence. His eyes said it all, though. Had you looked close enough, you would have seen how they ached to sacrifice themselves for you. He wished his worries for you would leave him alone—he would have gouged his eyes out just to make the aching in his heart disappear. It was curling in on itself, threatening to burst with the violence of a desert storm, sand filled his lungs, suffocating him. The weeks felt like years, and he was just a nomad in the night.
“I didn’t mean what I said,” he set his cup down.
You immediately frowned and put your teacup down as well, scared you would drop in, “You don’t get to say that now,” you mumbled.
Jamil nodded in agreement. It was cruel, rejecting you so harshly just to turn around and claim he did not mean any of it. Especially when he still did find you crazy for loving him as ardently as you claimed, “It’s wrong. I know,” he said, looking away from you and to the door where all the commotion was. The music was muffled by the shut doors, making the kitchen feel like an entirely different building, “But I… I feel the same.”
That was another lie. He did not just feel the same, Jamil longed for you. He yearned, his heart ached and his veins begged to be torn out for your sake. Every cell in his body called for your name, his hands begged to grasp your waist, kiss your neck—his hands which artfully painted henna, wished they could trace every curve and every dip on your body.
“Jamil…” you trailed off.
He merely shook his head, “It is because I feel the same that I must reject you. You—you have so much more waiting in your life without me. My suffering should not be yours,” he said, and he said it as if it were the law of the universe. He was a vagabond eternally bound to avoid the oases because the oases were not meant for him. They were meant for Kalim Al-Asim.
Despite all that, he did not push you away when you cupped his face. He did not protest as he drowned. He did not thrash, he did not fight. His body did as it wished, leaning into your hands, “Ya qamar… you are making this more difficult than it needs to be,” he muttered, the disdain dying before it could embrace the quiet air of the kitchen.
You frowned at him—sevens, he wanted to kiss that mouth of yours—and your brows furrowed, “Let me, Jamil. Just let me,” you said. What did you want him to let you do? You had no clue, or perhaps it was just too broad to describe.
Nawarli, wararili, seitak al-habayeb.
Enlighten and show me the path to the beloveds.
He was so weak when it came to you. Before he knew it, his hands were at the small of your back, pulling you closer and forcing you to arch against him as his lips met yours in a fierce kiss. He sighed into your mouth, his tongue slipping into your mouth when you gasped in surprise.
Jamil needed you even closer. His hands made their way down to your hips, his thumbs slipping under the hem of your shirt to feel your skin. It was just as nice as he dreamed it would be. What made it all the better was how you kissed him back.
One of your hands gripped his shirt, right at his chest, right above his cruel racing heart, and the other held the back of his head. The quietest of whimpers escaped you as he bit your bottom lip, causing him to groan. 
He pressed you against the counter, causing your hand to slip from his chest and move to hold onto the surface behind you. You kissed him till you could not breathe, “Ja—Jamil,” you stammered when your lips parted from his. 
Greedily, he went in and kissed you some more. Jamil had taken a sip, and now he wanted it all. He only pulled away when your hands pressed against his chest to push him away. His eyes widened and his hands fell back to his sides. He pulled the hood down to hide his face from you as he turned his head, “Sorry,” he muttered.
“It’s—It’s fine,” you replied, fixing your clothes and hair, “Are we…” you let the question hang like a date on a palm tree.
He nodded, “If you’ll still have me,” he replied. What he wanted to do was get on his knees and beg you to use your lips to end his suffering—beg that you use those hands to pull the sand out of his chest.
“Of course, I’d still have you, Jamil,” 
Your words were like a soothing balm. It was the salve that you spread over his burns, over his scars, and over the bruises that his yearning created, “Okay,” he said, and it was all he could manage to say for now. 
He picked up the kettle of tea and poured you some more. No matter what he did, he could not run away from you, his purpose. You forced the vagabond to stop and pulled the title right off of him, before pushing him into the waters of the oasis.
“We have some ma’amoul (semolina biscuit stuffed with date filling),” he says, after some silence.
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Hi, I'm working on a theory for Ramshackle and MC. Have the creators said why Queen of Hearts/Scar/etc. were chosen for the Great Seven? ((Also, why did MC become the prefect of Ramshackle and not the Housewarden?))
Hello hello!! Thank you for this question, it became a rabbit hole!
Yana had this to say about the villains who were used for inspiration (from the game guide):
"The number one reason is that they are all from 'masterpieces with which everyone is familiar'. They are all legendary—you need only say the movie titles and the characters come immediately to mind.
Since they are also legends in their own right, we thought it would be good to choose stories with a long history, and that is how we settled on these seven.
There are many other movies with fascinating villains, so it was a very difficult decision."
-Twst Game Guide (2020)
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She also goes into detail about the different eras during which the movies were set, which may also have influenced which were selected! More here! (Youtube)
But there may be more going on than we have been told 👀 There are theories that "death" is another theme that links the dorms together!
All members of the Great Seven were villains that either died in their movies (Scar, Ursula, Maleficent, Jafar (in the second movie), the Evil Queen), or were never alive in the human sense to begin with (Queen of Hearts, Hades).
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Death has never been a subtle theme in Twst, with new students at NRC arriving via coffins.
Kalim observes that, with the ceremonial robes they wear to orientation, "it's like we're attending a funeral."
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And there are also the ghosts!
While it seems possible to be born as a ghost (according to Crowley and Eliza), Lilia says that ghosts "linger here due to powerful attachments or personal motives...they aren't visible outside of magically suffused locations like Night Raven College," and that they "linger" by choice.
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And this brings back to the prefect!
In the manga, all three prefects that we have seen thus far have had names connected to the afterlife:
・Heartslabyul Arc, Enma Yuuken (円満 雄剣): Enma's family name is pronounced the same (the kanji is different) as 閻魔 (Enma), the king of hell in Buddhism. From the Kyoto National Museum website: "The King of Buddhist Hell is Enma, who is also the judge of the afterlife."
・Savanaclaw Arc, Hirasaka Yuuka (比良坂 悠河): "Hirasaka" is written and pronounced the same as the hirasaka of Yomotsu-hira Saka, known as "The Entrance to the Underworld" in Shintoism, explained on Shimane Prefecture's official tourism website: "Yomotsu-hira Saka appears as the boundary between the land of the dead and the land of the living."
・Octavinelle Arc, Mito Yuuta (三途 宥太): "Mito" uses the same kanji as 三途川, the "River of Three Crossings," which is "a mythological river the souls of the deceased must cross by one of three crossing points." Credit to blogger Tansho for the discovery that "River Styx" was changed to 三途川 in the Japanese-language dub of the "Hercules" TV show.
So there is definitely a theme of the prefect filling a role between life and death!
While one theory is that the prefect ended up in Twisted Wonderland after they died (in the manga it is insinuated that all three prefects were hit by vehicles directly before waking up at NRC), another theory is that they're not quite dead yet.
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If that is the case then they may be close (Grim wakes them up prematurely, and Crowley says that this is his first time having a student who opened their "gate" (coffin) on their own) and they might just be an astral projection of someone who is between life and death, appearing at the magically suffused location that is NRC.
In other words, a ghost 👀
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The manga is following a theme of naming its characters something involving "Yuu" (which is always the students' nickname for them) and "Yuu" is also commonly adopted as the default-name for the game's prefect.
Another word that involves a "Yuu" sound is 幽霊 (Yuurei), which means: ghost :>
(Hence the name of this blog! It is the very chuunibyou name of a twitter account I made in 2018 to complain about my job. This potential connection to Twst was completely unintentional and makes me laugh.)
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As for why the prefect was named Prefect of Ramshackle dorm instead of Housewarden: I am not sure! But it seems to have something to do with the unique situation that is the prefect's role.
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They have not technically been assigned to the overseeing of the dorm as a whole, just to Grim, so maybe that is why? :>
And it is particularly interesting as that means that the role of Housewarden of Ramshackle Dorm is still open--maybe to be filled some day...? 👀
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i read @brennan-lee-mother 's post and well... yikes
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thinking about book 6 battle simulations
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I was thinking a lot about book 6 lately! (Not for any particular reason, I was just ruminating, haha...)
During the examination segment, Riddle, Azul, and Vil were put into one group and Jamil and Leona were put in the other group. Idia then put them into VR simulations in which (simulated) Trey, Jade, Rook, Kalim, and Ruggie approached the subjects to upset them. This is for the purposes of STYX to gauge their combative capabilities and blot accumulation. What I noticed on another read of these parts was that Idia makes sure to inform all the subjects they are about to enter a VR simulation BEFORE they dive in... and yet despite this, group 1 (Riddle, Azul, Vil) was still caught off-guard when Trey, Jade, and Rook attacked them. Meanwhile, Jamil in group 2 automatically defers to Kalim but Leona is the one who notices something is fishy about the situation. Now, now... this is interesting 👁️ Why might this be, I wonder~ (You bet I'm going to analyze the heck out of these small details!)
***Main story spoilers up to book 6!!***
First thing to consider: it's possible that perhaps the characters don't fully understand what "VR simulation" is, as most of them did take a while to come to their senses. Of the 5 subjects, Riddle is the most likely to fall into this category. He seems to be slightly confused by the concept of a "virtual space" when Idia explains the examination to them (which likely conflicts with Riddle's very traditional understanding of "tests"). Furthermore, Riddle has expressed in Endless Halloween Night that his mother did not allow him to play video games or to watch TV so he'd usually do crosswords or solve other puzzles for fun. He's not completely technologically inept (like Malleus), but Riddle does have a somewhat limited scope of how items and procedures are to be used, especially if it lies beyond its normal means. It's likely that he has not thought of VR simulation being used in the scenario in which he finds himself in now.
The other 4 subjects, however, most likely understand what VR is and shouldn't be confused by the simulation. Azul is very savvy and keeps up with trends, which can factor into his business(es). He even brings up streaming as a potential source of revenue in book 6; man has his fingers on the pulse of pop culture to know what will sell. Vil, being a celebrity and the leader of the Film Research Club, must have an understanding of various technologies used to achieve certain effects (especially as director of his own projects). Jamil constantly deals with Kalim's requests and, being in Kalim's social bubble, must get exposure to all kinds of crazy technologies. Leona, being a knowledgeable prince, surely must understand the concept of VR simulation.
Okay, so... why did they (mostly) still get "tricked" by the simulation anyway? The key words today would be "trust" and "dependence".
Thinking about it, there's one thing that separates group 1 from 2: the boys in group 1 have a tendency to rely on others for support and validation whereas the boys in group 2 are consistently shown to be more independent than their peers (even if they, too, seek validation). Let's go through them one by one!
GROUP 1
Riddle
Riddle is presented as a tyrant that rules with an iron fist, particularly in book 1 where he stars as the main antagonist. However, it's also pretty blatant that Riddle has become increasingly aggressive due in part to others enabling him. Ace specifically calls out Trey for this, saying that his failure to intervene or to quell Riddle's temper has resulted in Heartslabyul students suffering for it. Cater is also complacent, as he and/or Trey often follow Riddle's orders and remove Adeuce from the dorm multiple times in book 1. Riddle relies on these upperclassmen to listen to him and carry out his bidding, and he feels validated when they do. It's a lesson he has learned from his mother. He is the most powerful, and therefore he should be the most correct. Notice how Riddle is quick to anger when others refuse to obey him and how often he demands for them to conform. He becomes enraged when the Heartslabyul mobs rebel and chuck an egg at him. But what hurts him most of all is, perhaps, Trey turning too. Riddle was mad about the mobs acting up, yes, but he still did not overblot. Not yet, at least. No, Riddle overblots only AFTER he tries to attack Ace with the rose trees... and Trey steps in with his UM to overwrite Riddle's collar, turning it into cards. Trey's relationship with Riddle cannot be understated here. In this very moment, Trey, Riddle's childhood friend (one of his first friends), vice dorm leader, silent yes man, his most trusted confidant, has betrayed him. He is proving Riddle wrong, that the most powerful mage is not the most correct. "Are YOU going to tell me that I'm wrong too? After all I've done to protect the rule of law?! [...] I... I refuse to believe this!"
From these examples, we can clearly see that Riddle is someone who is reliant on others--not that he isn't a capable mage, but rather he is reliant on others for his own sense of self-worth. Indeed, even in his post-OB flashback, he indicates feeling proud and excited when his mother praises him for good grades or successfully performing a spell. This is reiterated many times over in book 1, in which Riddle feels satisfied and even smug when his students fall in line, and spirals into uncontrollable rage when they don't. There are a select few whom Riddle has chosen to place his faith in, and Trey is one of them. Trey, who gave him his first slice of strawberry tart and has been supporting him as his vice for over a year now (since Riddle became dorm leader in his first week as a first-year student; now is the start of Riddle's second year). That's why he feels so hurt when Trey is suddenly chastising him, telling him that he's behaving irrationally.
If we reexamine Riddle's post-OB flashback, you'll notice that Riddle says he is lonely without every outright stating the word "lonely". The phrasing makes it sound as though Riddle does not understand his own loneliness, like he doens't even know the word or want to acknowledge it as reality. He is awkward and unsure around Trey and Chenya, who invite him out to play. He follows his mother's rules because he believes that is what will bring him happiness. He wonders why, in spite of following all those rules, he still feels hollow inside. Then, once Riddle has awoken, he confesses that he always wanted to play more with Trey, and that he wants to talk with everyone after a meal. Riddle. at his core, craves companionship rather than dominating his peers. Trey was one of the few friends he ever had, and so Riddle puts a lot of stock into his support. This may be why he was quick to believe the fake Trey in the simulation, and why he looked so shocked when Trey started attacking him. Here is a boy who has already been betrayed once, experiencing that same betrayal again at the hands of his childhood friend. How scared must he be of losing his oldest friend, of Trey turning his back on him or seeing him as a monster? 😭
Azul
Due to the bullying he experienced in his childhood, Azul works very hard to maintain a new image of someone who is cool, confident, and composed. Part of that is passing himself off as someone who is large and in charge, while posing Jade and Floyd as his lackies who do whatever he tells them to. The reality of the matter is that the twins are very much... there to do their own thing, and they just kind of go along with Azul's schemes because they seem to be a lot of fun. When you stop to consider it though, Azul definitely puts a lot of trust into the Leech brothers even though they're both shady and can be flippant at times. It's the twins going around and advertising Azul's services to the student population. It's the twins who help him expand his business and acquire new items (as all three's Dorm Uniform vignettes are about the Octatrio conspiring to acquire the rights to and/or advertise their new drinks). It's the twins who are asked to run the Mostro Lounge whenever Azul is absent. Time and time again, Azul falls back on Jade and Floyd. They've been with him since middle school.
In book 4, both Azul and Floyd insist that they aren't really "childhood friends", but they do consider each other "equals". As Azul describes it, "I strongly doubt Jade or Floyd have any binding allegiance to me. This is all and elaborate game of pretend to them. [...] If I made a poor choice as leader--or even simply a boring one... They would turn on me instantly and seize the dorm leader seat for themselves." Floyd follows with, "We ain't got any plans to challenge him, either... for now, anyway. Aha ha! [...] We stick with [Azul] now 'cause it's fun. If it stops bein' fun, we drop him like a bad habit. Easy." The twins and Azul are both very aware that their relationship is temporary and transactional one. Azul himself has even fully considered the possibility that Jade and Floyd may one day turn on him. This is all true--however, I also believe it's possible that the Octatrio are not being entirely truthful to themselves and do actually care for one another beyond the confines of their business ties or "having fun". In book 3, Jade and Floyd sense that something is wrong, and their immediate thought is to go check on Azul because of this gut feeling. Jade warns Azul of the consequences of misusing his UM. They are also the first to check on Azul after his OB and insist that he rest and find it within them to gently tease him over the situation. Even the way they address each other is "special". Jade and Azul have a tendency to be polite and use the honorific "-san" after everyone's name... except for each other and Floyd. Floyd, meanwhile, tends to give everyone a nickname... except for Jade and Azul. They drop these naming conventions within their group because that's how much they know and trust each other. Further proof of this is that when Floyd first meets Azul in the post-OB flashback of book 3, he calls Azul "Octopus-chan". Azul used to have a nickname, but no longer has one. This implies that a lack of a nickname actually indicates that Floyd is more intimate with someone than if he had nicknamed them. The same goes with Jade and Azul, who are usually so formal and polite.
I've already established that Azul acts in ways which indicate that he is close to the twins, as much as he tries to deny it and come off as tough. He drops the honorifics for them and he trusts them to do his bidding. What I find most telling, however, is when Jade and Floyd check up on him right as he's about to OB. "Jade! Floyd! Ahhh, you've finally come back to me," Azul says (if you listen to his voice, he sounds SO relieved). "Would you believe that thanks to these FOOLS, I've lost all of my contracts? Which is why I'm going to need your powers now. Come on, give them to me!" This is notable because, prior to this, he was forcibly ripping powers out of mob students. But now with the twins--Azul makes a CONSCIOUS decision to ask Jade and Floyd for them to willingly give up their powers to him. Azul is emotional and acting without tact here, but he STILL stops to ask the twins for them to surrender their magic. He cares about getting their consent specifically. When the brothers deny him and Floyd says Azul has become lame, that's when Azul snaps. His loyal henchmen are refusing his request and he's lost all his accumulated wealth. He's going to become the weak, friendless crybaby he once way all over again.
Knowing all of this, it makes sense why Azul was as startled as Riddle was when the simulated Jade attacked him. Azul claims that he anticipates this day--but he still seems to disturbed when it actually happens. It's true that perhaps this surprise comes in part from Azul having no indication that the twins were getting bored of him, so this is coming out of left field in his perspective. But... it could also be that he's hurt by the sudden shift, even if he and the twins have been telling themselves all along that they'd toss each other out without a second thought once they lose interest. This calls back to Azul's concerns right before he overblots: that his "business partners" (whom he refuses to call his friends) have lost interest in him and will now leave him alone and with nothing. He relies on the brothers not only for labor, but as his company and his confidants. When that's taken away from him... what does Azul have left that's worth anything?
Vil
Vil is another person who typically passes as very independent. He looks after himself quite well and is often the one nagging others to do the same. The thing with him is... he's still a celebrity at the end of the day, and a celebrity like him is always aware of his public image and the eyes on him. That's Vil's Achille's heel: as a celebrity, he is constantly concerned with how others perceive him. This is a lesson he learns in book 5--that he shouldn't let other people's judgment of him or a silly popularity contest determine his self-worth. Ah, but let's remember... book 6 begins like a mere DAY after book 5. Sure, Vil's character arc may be over, but that does not mean that he has suddenly completely changed. Up until yesterday, he was aggressively training to overcome his rival and to show the whole world his true beauty. Vil still, to some degree, finds value in how he looks and how others see him, as it strongly ties into his career. To this end, he sees Rook as a valuable individual.
Now, there's a lot of contention about whether or not Rook is a good influence on Vil or not, as some interpret his commentary as derogatory or unnecessarily critical. I'm not going to get into that; here, I am going to speak plainly about how Vil himself views Rook's feedback. In Vil's Labwear vignettes, he confides in Trey that he relies on Rook's keen observational skills to reflect the truth back to him. A celebrity must look at his best, and he can count on Rook to not mince his words and point out even the most minute of changes at a quick glance. (Vil himself is also extremely strict with himself, but lacks the superhuman abilities that his vice dorm leader does.) Rook has been doing this since long before he even transferred to Pomefiore, critiquing Vil's performances and such, not just his looks alone. This led into long discussions and debates between the two, which demonstrates how much Vil values Rook's perspective. Even back then, Rook was one of Vil's greatest supporters, but not exactly a totally blind "yes man". He is offering the kind of feedback that Vil seeks, not empty, sugar-coated niceties. This is why, in spite of his betrayal at the end of book 5, Vil eventually accepts it, as he trusts Rook's keen eye and judgment. What's interesting about book 6's examinations is that Vil seemingly takes charge of his group. When approached by the simulated classmates, Vil steps up and, after a moment of silence, says, "No... It's nothing. Let's go." (Vil is known as a skilled actor and can easily sniff out an act himself. Was the silence hesitation as he, Azul, and Riddle reevaluate the scene? Hard to say, but I'm assuming that STYX's state-of-the-art tech was able to perfectly simulate Rook, and thus confused Vil and co. for a while.) Rook strikes him with a spell, and that invokes a great emotional reaction from Vil, who seems to be the most aghast of the group. The fake Rook then declares that he's going to claim the dorm leader seat from Vil, which shocks him. "As you know, I appreciate beautiful things. Hence... I can hardly allow someone who's acted as ugly as you to occupy the Fairest Queen's throne!" The scene then cuts away to a battle. Now, while we don't get any extra dialogue from Vil to show his reaction, one interpretation could be that he was stunned into silence. Why is this a believable occurrence? Because the fake Rook called Vil out for "ugly" behavior. This is significant because back when Vil was overblotting, he was desperately shouting for people to "not look at him" because he's "so ugly". Here, ugliness does not mean literal ugliness or something that is visually unappealing. The "ugliness" being spoken of refers to being morally rotten, as Vil was speaking on his guilt after resorting to dirty tactics to try and take out his rival (when he had previously sworn to win on his own merits alone). The simulated Rook might be referring to this, which induces great shame in Vil, who is aware of the weight of his sins. Heck, book 6 even starts with Vil taking accountability and sincerely apologizing to the whole NRC Tribe for causing them trouble. Vil blames himself for their team losing, as it was his OB that forced them to fight and physically wore them out before their big performance. "What does it matter who forgives me?! I can't... I can't forgive myself!" He may still have lingering guilt regarding this incident, hence why he's the one predominantly reacting when the vice dorm leaders betray group 1. His mirror and huntsman, who speaks only the truth to him, now tells him of his ugliness. What else can that be, if not the truth reflected back at him?
GROUP 2
Jamil
To be clear, Jamil did not automatically go after the simulated Kalim. He automatically defers and tries to go along with his dorm leader (and only starts fighting once Leona declares the simulation for the sham it really is). Why? Surely Jamil is sharper witted than that. To this, I say... of course, it's just that Jamil's so used to being a servant that he reverts back to submissiveness as soon as he's put in a circumstance where there's a power dynamic. He’s not the one relying on Kalim—Kalim is often the one relying on him. You need proof of Jamil's servile mindset? He was intentionally talking down his own skills ever since book 4 and, according to Azul, has been purposefully maintaining painfully average grades (which, in of itself, takes a lot of effort). Admittedly though, those are conscious choices, not unconscious ones. But how about back in book 5, when Vil announces him as one of the lead vocalists and Jamil's immediate reaction is not to accept it, but to humble himself and insist that Kalim would be better suited for it (when Kalim actually isn't)? Jamil has to stop himself, back up, and accept the nomination, which he has earned for himself, rather than relinquish it to someone less deserving. Years and years of serving someone else, forced to play the part of the inferior servant, will beat that attitude into his mind, regardless of how much he resents the position.
Even now, Jamil feels like he usually has to follow someone else's lead. Leona, the upperclassman and dorm leader, provides that lead for him in the VR simulation. This leadership + independence is something they would butt heads over later in book 6, as Jamil begins to act overprotective of his current charge (Leona) as he does with Kalim. While Jamil has played the part of Kalim's attendant and childhood friend, the reality is that Jamil cannot stand those roles. He desires to stand out and to be recognized--something which is evident in book 4. Before he brainwashes the Scarabia students, he's always framing himself in a positive and helpful light to them and speaks humbly about his abilities. After he brainwashes the Scarabia students, he has them heap him with praise that he had never gotten in his childhood. In the post-OB flashback, we see Jamil's parents scolding him for outperforming Kalim, even in something as simple as a game. The headmaster of a great arcane academy overlooks him in favor of someone far less capable.
Jamil knows he can be great, but he's intentionally being told to not reach those heights. He feels stifled and trapped, and no one understands his plight that he cannot escape from. This results in Jamil distancing himself from others and coming to rely on himself and himself alone to make his wishes come true. He can't rely on his family, who are beholden to their legacy of being servants to the Asims. He can't confide in friends because none of them are quite like him, and Kalim would ignorantly brush it off. He can't tell third parties because, as Crowley as demonstrated, they dismiss him outright. Jamil, as he acts throughout book 6, is doing so in an effort to find his own strength and to be able to act on it with the freedom he seeks. To play support not because he has to, but because he, the individual, wants to. As Jamil states before overblotting, he wants to "be free" from these precarious circumstances where a wrong move could doom him and his family... but he only has so many liberties to work with. This leaves him in a strange limbo situation where he still isn't fully independent but desperately wishes to be. We see him fighting against the restraints, and to varying degrees of effectiveness depending on the context and his state of mind within that context.
Leona
From a young age, Leona seems to have worked tirelessly to obtain recognition. Like Jamil, Leona was in such a position (second-born prince) that, despite his efforts, he kept being rejected and beaten down again and again. As we see in his post-OB flashback, this is what eventually broke Leona’s spirit and made him develop a pessimistic outlook on his prospects for the future. The thing is, even though Leona does not really have hope for himself, he still manages to inspire hope in other people, from underclassmen to the students of his dorm. Book 2 is entirely about Savanaclaw looking to Leona to save their own futures, and him trying to do so for their sakes. His club mates extol how he can so quickly hone in on their best skills and advise them on how to sharpen those skills. Jack admires Leona’s plays, so much so that he wished to one day play alongside Leona. He’s even able to get beastmen of different species to get along and live peacefully under his rule when this has historically been difficult for his older brother to manage. All in all, Leona has all the makings of a leader. He stands out from the crowd, knows when to leverage his power and intelligence (playing smarter, not harder), and commands with ease.
… That being said, Leona’s presence can be so powerful at times that it’s also isolating. This was the case for his childhood, which is depicted to us as many palace servants being fearful of Leona’s devastatingly strong magic. He also uses this strong magic against his dorm mates when their intentions clash in book 2–and he comes close to killing someone in the process. He’s also just notorious in general for being grumpy or unfriendly toward others, including one instance in book 5 when he seems upset that you’ve showed up in his classroom. Leona drives people away from him, whether because of his strength or because of his prickly attitude.
At the same time, i would also describe Leona as a tactician that keeps some degree of distance from those he commands. He makes it clear he's willing to use others to achieve his own goals and does so many times over. Book 2, when he tries to take out Malleus to help his dorm leaders while also trying to prove to himself that he's capable. Book 3, when he helps Yuu and co. dissolve the contracts including one of his own he made with Azul, etc. Leona knows how to best use his own abilities, as well as those of others. That's what makes him so formidable--he can read others and judge the situation extremely well, and he knows when it is smart to fight and when to tactically retreat (such as in book 6, when he immediately surrenders to STYX agents rather than make a scene). Leona is a self-sufficient man.
There’s the question of Ruggie, of course. Leona is often depicted as lazy and relies on Ruggie to do many daily things for him, such as laundry or fetching food. This obviously throws a wrench into the claim that Leona is more "independent" than those in group 1, doesn't it? He doesn't even come close to Jamil, who actually does all of these tasks himself. Well, not exactly. I don't think "independence" here really comes down to that alone. Riddle, Azul, and Vil all relied on Trey, the twins, and/or Rook to some significant degree to inform their own senses of self. Jamil had this belief of deferring to his "betters" (the Asims) instilled in him, regardless of his personal feelings on the matter. And Leona? Leona does not significantly rely on Ruggie for his self-worth (dude was 100% going to sand him in book 2). Yes, Leona was likely looking to help his dorm members in part to prove to himself he is capable of leading a pack, but he gives up when he realizes it was a fruitless effort. He doesn't become reinvigorated to keep it up or to try again, even when his dorm members (Ruggie included) plead to him. Leona is acting selfishly, and he refuses to acknowledge their perspectives--he's set in his own ways and is driven by his own thoughts, not those of the people around him. Perhaps this is what allows him to discern truth from lies with such clarity, as it is Leona who rouses Jamil to his senses and leads the charge against the VR simulation Kalim and Ruggie.
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Time for the Grim upload!
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I’ve seen so many pictures/memes that give Yuu and Grim energy, so I had to redraw them as Yuu and Grim lol. That’s my Yuusona btw! Their name is Yuuma <3
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bring back zooterkins, the best 17th-century swear word
I don't normally do Just Characters Swearing, but. ...this kind of wrote itself and then wouldn't leave my head. it comes from both a piece of character-writing advice that has always stuck with me, and also my conviction that Leona is 1000% funnier as a character if his dialogue has to stay G-rated. let Kalim say fuck, but don't let Leona say bastard.
(I'm sorry)
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I just had a thought about the hometown events
So we all know how every hometown event so far has given us a new npc related to one of the boys right? Well I think the logic behind who shows up is as simple as "who is this character closest to back home?".
Jamil has Najma, his little sister who he loves and wants to keep safe.
Epel has Marja, his granmother who he admires and loves.
Deuce has his mom, who he wants to make proud since she's always done her best for him.
Leona has *spoiler alert*, who taught him strategy and always wsnted to push him to try harder because he believed in his capabillties (even if Leona finds him annoying lol).
And Vil has *spoiler alert 2: electric boogaloo*, who has been his role model and likely the person he loves most in the world (aside from himself).
So with that in mind, I wonder who would show in other's hometown events?
Ace clearly would have his brother, he admires him a lot and often talks about him. Sebek may have his mom since we've already met *spoiler alert 3* but then again we could have a repeat for the sake of other characters interacting with them.
Jade and Floyd are harder for me to guess, as is Azul. The tweels haven't shown any favoritism for a parent or relative as far as I'm aware, but maybe they would give us both parents bc each twin has a favorite? Azul meanwhile has talked about his mom's business a lot, but also about his stepdad's lawyer job being an inspiration for him and also about his grandma being very close to him (personally I'm between mom and grandma).
Kalim talks about his siblings a lot, but there's way too many, there's also his parents and his cousins, but none seem to have a particular closeness over the others. Maybe that could be a chance to show us some of the ambient he grew up in and give us a parent, to ser how they interact or a cousin to fill more RSA students!
Ruggie clearly would have his grandma, but Jack may have a sibling show up.
Anyways, there's a lot of possibilities and that's if we think every boy gets an event (which I do hope they do, to get personal lore and SSR's for them all).
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finding out from two different voice lines from two different cards that jamil practices dance moves that he finds is two too many for me not to go 🤨🤨🤨
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here are the voice lines in question -
Luxe Couture:
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Club Wear:
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(thank you to mysteryshoptls for the translations!)
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something i noticed
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A while back, I wrote this analysis reviewing how unfair the magic education system is in Twisted Wonderland. I would recommend reading that before this post, as it provides tons of context for what I’m about to discuss and add onto the discussion.
In 2-6 of the Tapis Rouge event, Vil has stylists from Luxe, a high end fashion brand, dress up Azul, Jamil, and Ace to be a part of his red carpet entourage. Once the boys come out in their new threads and makeup, Jamil and Azul, two individuals who are meticulous about details, provide some telling commentary.
According to those two, the team of stylists that helped them were mages. Azul further remarks that they were quite skilled mages and that having this kind of talent indicates a “first class brand store”. Their hair and makeup is also suggested to be done via magic, though this service is not normally performed for customers. Previously, we knew that skincare can be infused with magic (Vil does so with his own) and that magic can be used to style one’s hair (Jamil tells us in his Birthday Boy vignettes that he does his intricate hair with magic and used to take far longer with it when he lacked the precision). Idia states in book 6 that Jamil had no formal magic training before NRC, so that means Jamil was self-taught in his hair-handling magic.
… Okay but 😭 WHAT DOES THIS IMPLY ABOUT MAGIC AND CLASS??? Is it just a coincidence that the teams of stylists who staff a high class store are ALL mages? Surely not, given how uncommon mages are in the general population. The store (or maybe the brand itself?) must be going out of its way to hire them because I guess being dressed with magic is a more “luxurious” experience than the normal way. We can also guess from Azul and Jamil’s accounts that the degree of magic these staffers use requires significant skill and precision, which either means they need formal instruction or lots of practice on their own. Neither option is afforded to people with naturally low or no magic reserves at all 💀
Now, this doesn’t inherently mean the rich and famous people who frequent these stores are also all mages (Kalim’s dad and Vil’s dad are two non-mages who are extremely wealthy and influential); the majority of them must still be regular people since humans seem to be the majority, and 90% of humans are non-mages. It also doesn’t guarantee that the Luxe stylists are paid more than a non-Luxe stylist (although I do think this is possible for a prestige brand, especially if we factor in commissions on sales).
What’s sticking out to me here is that there exists an association between magic and luxury. The reverse also appears to have some truth based on what little other lore we have; Ruggie states that there are not a lot of mages from his hometown, which could imply a history of non-mages being driven into poorer communities. It all fits together a little too well to seem coincidental… but obviously, Ruggie’s hometown is just one place and could be an outlier rather than the exemplar. We know that most non-mages must live an average lifestyle, not the extremes that Ruggie has experienced. Still, the claim that magic is typically associated with the upper class holds and it continues to be perpetuated in the lore.
Anyway, Fellow and Rollo were right—
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I wanted to doodle Grim 😊
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I'm gonna say it.
It's unhinged to assume that someone's taste in fiction equates to what they believe is moral or good, or is something they want to see or experience in real life.
That is a bonkers assumption to make.
I'm tired of humoring people with long arguments about it when the simple fact is it is a totally fucking absurd reach to accuse someone who enjoys something in fiction of being in favor of it in real life.
I'm tired of pretending like this is a legitimate position to hold-- that they should be afraid of fiction's dire influence on a reader's moral decay or that it's a sign of what the author secretly wants for realsies in real life.
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Twisted Wonderland Reaction Part 17 ~ Special Edition
Hello everyone! 
So…it’s been a while since I’ve made one of these. Almost 2 years to be exact. But after book 5 forever changed how I engage with twst (for better and worse), I haven’t really been up to doing reaction posts anymore. Also after book 5 I actually began focusing more on the jp server since there were many things in the official translation that I found…lacking to say the least. 
But when twst jp released this mv on April fools day, I just knew I HAD to talk about it! I’m actually surprised more people aren’t. Probably the biggest thing about this mv is that in a lot of ways the narrative of book 5’s ending has changed now we have context to how NRC Tribe performed. I’ve seen a lot of posts on the bird app saying things like it makes sense now why they lost the VDC. 
I will say, this is definitely NOT a perfect performance. But as a former dancer with WAY too much time on their hands, I decided to analyze this. So for context, I did a mix of ballet and jazz for eleven years and in 2017 I decided to return to dance and have been dancing consistently ever since. To judge this fairly, I watched the MV several times, four times per member, (do the math and feel free to judge me). And with that, here are the things that stuck out to me the most. 
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He is beauty, he is grace, HOW HE HELL DID HE NOT KICK EPEL IN THE FACE?!
Synchronization/symmetry 
The lack of synchronization was the first thing I noticed, ESPECIALLY in the first 30 seconds. The footwork is sloppy and Deuce and Ace in particular aren't as sharp with their moves as the other five. Rook seems to be the only one doing the choreography correctly because one point at 0:25 (and again at 3:31) where he bends his knee higher than the others and thanks to those fuckass uggs standing out so much, I couldn’t unsee it. At 1:03, 1:07, 2:07, and 3:00 Ace’s form is noticeably off as well.
And this may just be a personal hangup of mine but I found lack of symmetry between the boys at 1:14 very odd. Like, I don’t know how I can describe it but the way Epel tried to take center stage during his and Vil’s duet gave me the impression that wasn’t originally in the routine. At 1:13 there’s a split second where you can actually see Vil looking down at Epel like “...wut?” I immediately thought about that moment right before they go on stage where Epel offers to take on Vil’s solo’s because he looks so weak but Vil refuses. I wonder if Epel trying to take center like that is a callback to that exchange. Unfortunately, since the boys were perfectly symmetrical for the rest of the song, it stands out as awkward all the more. 
Kalim and Jamil
Lowkey, Kalim and Jamil both carried this performance after Vil. The little magic with the mic was a super nice touch and Kalim shines the most during the dance break. He seems to be having fun with it despite being in agony. What’s interesting is that after Ace and Deuce, Kalim is the most out of sync but he pulls it off well since I can tell he’s been on the stage before. Both he and Jamil are natural performers. 
Vil’s movements
So, this has been something of a headcanon of mine but it seems to have been proven correct with this mv. Vil has always struck me as someone who probably has a lot of classical dance training but little training in other styles like hip-hop or jazz. His movements are very graceful and elegant but almost…too elegant? I don’t know if that makes sense but they seem very smooth for this style of choreography.
AND THAT FUCKING GRAND JETE!!! Absolutely flawless but it feels SO out of place here! I will give him credit though, that is one of the most difficult jumps to pull off in ballet, and the fact he did that in fucking 5-inch heels right after the most mentally and physically traumatic episode of his life, it’s beyond impressive. And the fact he landed perfectly and so seamlessly moved into his final solo is even more remarkable. Still, that was the most jarring element of this choreography and I think it would still be out of place even if this was a “perfect” performance. 
Now here’s where I potentially piss people off
All in all this is a perfectly imperfect performance. Being completely objective and not taking my love for these characters into account, I honestly still don’t see how they lost. Well, I understand why but it still is fucked to me. I can understand Vil feeling like NRC Tribe didn’t perform their best since they were exhausted and hurting from dealing with his overblot. I can also understand that they were probably a lot more polished in rehearsal. But here’s the thing,  for a group of amateurs, I would probably expect this quality of performance even if they hadn’t had to deal with Vil’s overblot.
First off, the choreography is rather complex for beginners and requires a lot of synconization to look correct. But perfecting syncronization alone can take months and in larger groups sometimes even longer. To give an example, last year at my dance school, the kpop class did a TWICE cover that took us the better part of eight months to learn and we had to learn the chours in groups of three. And even then we still fucked up alot because again, none of us are professionals. If NRC Tribe can look like this after only ONE MONTH of training, that’s extremely impressive. Vil, can you train me please?? XD
As for having to perform right after beating OB Vil’s ass, again I was expecting to see A LOT more noticeable errors. And knowing what they all just went through honestly makes me admire this all the more. The thing is, it’s easy to be beautiful when everything is right and perfect in your world. But being able to smile even when you’re struggling and your heart is breaking is even more beautiful still. Personally, I don’t think I could perform even half as well if it were me. 
It’s unfortunate that we don’t have a MV of Neige’s performance so I could do a fully fair analysis. But if we look at all the evidence, it seems to me that NRC Tribe still gave a better performance. And I think the true tragedy here isn’t even that NRC Tribe lost since I think that was always a given considering the dynamic NRC and RSA has. The true tragedy, I think, is that Vil could be convinced that this perfectly imperfect performance was still inferior to Neige’s. 
But I’ll leave that for another time. 
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People are making fun of the luxe outfits but I think they’re pretty decent, there was thought put behind them.
Omg thank you for saying this anonie 😭😭 if you weren’t gonna send this in, I would have made my own post on it
I get why the outfits didn’t hit right at first. I saw the live 2D of Azul’s outfit and got a bit sad at first since the way the sleeves fell and the way the jacket framed his body didn’t look super flattering (plus I was sad it wasn’t a tailcoat ahahahahah). This is coupled with the fact that among the three, Azul fits the least in those colors hahaha. Those aren’t bad colors by any means, in fact, as someone who’s gotten a color analysis and came out with autumn as my best color palette, those are suchhh perfect colors for me. But Azul doesn’t fit those at all, especially the light brown. Heck, even if you just flipped the colors of the jacket and the dress shirt underneath, he would have looked so much better since dark colored tops work better with him in general than light colored ones (unless we’re talking silver/lavender/light blue, Those fit him very well).
Jamil and Ace are lucky in that they do fit the color palette better. People also just took issue with how Jamil’s pants look very wide.
But honest thoughts? I find that they do look good, especially when considering the theme of the event, and the event itself has listed the reasonings behind the designs of their outfits.
I think we have to remember that this is high fashion, hence the fits won’t hit with the majority of the fandom, who don’t really follow that kind of fashion. Jamil’s fit, especially with the wide pants, is common to see in fashion, and really to be honest, when we take into account of his character and personality, wide pants fits Jamil more than slim pants. Plus, in the event, the reason for that kind of fit is because of Vil’s profile for Jamil that he sent to the designer: a plain or humble guy who worries a lot in the background, to which the designer adjusted to a humble guy who behaves in moderation (from @mysteryshoptls).
Ace’s fit hits well with many people because it matches a lot of trends and classic fashion tips that we, especially younger people, like to see: slim figure, an emphasized waist, cropped top. It matches his description that Vil gave of him being an immature potato 😂 or the designer’s adjusted version of him having that fresh new student feel (also @mysteryshoptls).
Azul, now I will say he’s just a victim to the live2D not doing him any service. 🥲 The sleeves fall very stiffly, and the jacket doesn’t seem to frame him well. But you can see in his SR how the outfit is meant to look and shine:
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The sleeves are meant to be very flowy especially when he’s walking and making dramatic gestures with his arms (something that he does a Lot in his live2D). His jacket as well is meant to be that long so that it would look like a trail (??? English isn’t Englishing rn) especially when he’s walking or making big movements. In other words, Azul’s outfit probably doesn’t stand out too much at first. But the moment he brings out the drama, the drama of his fit shines and amplifies his theatrics, thus attracting people. It sort of matches Vil’s profile for Azul is a scammer, and the designer adjusted it to a mysterious person who charms people (also @mysteryshoptls).
There’s a lot of thought put into the design, and I love them so much. I still find the colors a bit of a tragedy personally, only because it’s not Azul’s best colors, but thematically, considering the event story, it makes a lot of sense. I’m excited for what happens later on in the story and what they’re going to do in the film festival :3c
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Jamil be watching High School Musical and Cheetah Girls I feel it in my soul 😩
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🤡 happy twst april fools~ 🤡
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(The last three April Fools’ Days were magical wheel/blastcycle-themed! For information on those, please check out this post!)
This year, you will be able to get “Magical Monitors” for the Guest Room from the in-game shop. It is a decoration item that depicts the VDC/SDC squad (Vil, Rook, Epel, Jamil, Kalim, and Adeuce) performing on a mounted flat screen TV.
This new limited-time furniture item pairs with a new video (VPN required for regions outside of JP, I believe). It shows a newscast-style skit and then an MMD performance of the NRC group performing the full version Absolutely Beautiful. (Yes, it involves the dance routine, including some ballet-like moves, and Jamil’s rap!) If that first video link does not work, try this one (in 2 parts; see the comments for the second half).
Additionally, there are plans for Extra difficulty to be added to regular battles mid-month. Previously, Extra was only in limited situations such as Unified Exams and (Guest Room) Material Collection Battles.
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✨💫 TWST JP "ABSOLUTELY BEAUTIFUL" FULL 3D PERFORMANCE 💫✨
I needed to share this video because it was region locked for this year's April Fools, but we finally got the full performance of the VDC tribe in TWST FES last year....😭🫶
WE WON EVERYONE 🎉🎊
LOOK AT THEM!!! 😭🎉🎉
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I'm listening to fantasy high. All these player characters are really charming, I can't really pick a favorite. Love the adopted orc, the delusional private investigator goblin, the neglected elf girl and the punk girl tiefling. Not good at names
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