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wolfiemozart1787 · 9 months
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Thank you SO much
Hey, I just wanted to say to everyone who’s supporting me in this very unfortunate and just plain shitty thing that’s happening on AO3 - thank you. I really do appreciate it. AND just for those who have absolutely no idea what’s going on, I’ll explain it.
So, basically around three weeks ago I wrote and posted a smut fic on AO3 about two characters from Jackson’s Diary (if you don’t know what it is, it’s a Webtoon) and I immediately received an ENORMOUS amount of backlash, due to the fact the one of the characters was 17 - ergo, underage. I thought “well, that’s a reasonable thing to get titchy about”, so I re-tagged the work and stated in the A/N that the specific character was aged up a couple months, just to smoothen everything out. But, SURPRISE, it didn’t work. I started getting more backlash, which then turned into hate. It just kept coming and coming. At this point I was like “Jesus, how does one short fic cause all this?”. Then I received several requests (actually no, orders) to take the work down. Now, I’m new to writing fanfiction. I’ve been into reading it for maybe 4 years now, but I’ve only just started publishing works and this is the first fandom that I’ve officially joined, and I didn’t know that specific people had power over what I can and can’t write, sooo...yeah. But then, things took a turn.
I was scrolling through the fandom one day when I found a post titled “Please stop”. I was curious and clicked on it, only to find that it wasn’t an actual fanfic but a call-out post, telling all the people (aka me) who post smut fics (I literally posted ONE) to stop because it’s a.) disgusting, b.) is a basic representation of pedophilia and c.) is basically child p*rnography. Now I was astonished at these accusations. I aged up ONE character by a couple months, now I’m being called a pedophile? I explained that I myself am a minor, even younger than the underaged character, but of course that didn’t change anything. I tried to explain politely in the comments section that I didn’t mean anybody any harm whatsoever, and I was then harassed (and that’s not an overstatement) by several people, being told to take it down. So, my naive little brain couldn’t take it anymore so I took the work down. I then posted an apology. Now the reason I did this was not because I regretted writing the work, no no, it was just to stop all the goddamn disgusting comments about me. But it turns out I’d only added fuel to the fire.
I started receiving even more vile comments, some including death threats, others untruthful accusations about how I was a groomer or a child sexual abuser, others just calling me the most disgusting person alive. This had a serious effect on my mental health. I’m naturally a very happy person. I love making people laugh. I love making people smile and feel good about themselves, but now I felt like shit! I felt like I was all the things people were calling me. I was told to kill myself because everyone hated me. I don’t think there was a single supportive or positive comment on that post. I left it up for ages, until one day I came across a comment (from the same person who posted the “Please stop” fic) talking about a TikTok video about it. And I thought...”oh no”.
I IMMEDIATELY got my ass over to TikTok and saw the video, and...let’s just say I didn’t take it well. The comments were...unexplainable. Calling me the most vile words a person can be called. Accusing me of pedophilia, for the thousandth time! So many comments...horrible things said by people who don’t even know me! Judgement of my character, of my virtues, and they just kept coming. Then there was ANOTHER post by the same account, which then brought in MORE hurtful comments. By then I’d had enough. I had a full-on mental breakdown, trashing literally everything. Then anxiety started. I’m still in school, and I kept thinking “what if somebody at my school knows I did this?”. I started becoming anxious all the time, and it was all I thought about. Until somebody actually supported me and posted about the whole thing on Tumblr, which brought in SO many wonderful people! And I’ve tried explaining it to people on TikTok and AO3, but nobody will listen. But here I know people will listen. I’m sorry for sharing my whole boring story with you all, and by the way, it’s still ongoing so if you want to go have a look, it’s still up on AO3 with more comments every day!
But yeah, I just wanted to say that I really appreciate all my supporters in this difficult time, you really do make my day.
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wolfiemozart1787 · 2 years
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In 1991, Philips Classics released The Complete Mozart Edition, 45 themed volumes and, if put together, made up Mozart’s complete compositions, from KV 1 to 626. It was originally released in 45 different volumes, which I’ll list now. 
Vol. 1: Early Symphonies
Vol. 2: Symphonies 21-41
Vol. 3: Serenades for Orchestra
Vol. 4: Divertimenti for strings & wind
Vol. 5: Serenades & divertimenti for wind
Vol. 6: Dances & Marches
Vol. 7: Piano Concertos
Vol. 8: Violin Concertos
Vol. 9: Wind Concertos
Vol. 10: Quartets, quintets etc. for wind
Vol. 11: String Quintets
Vol. 12: String Quartets
Vol. 13: String trios and duos
Vol. 14: Piano quintet, quartets, trios etc,
Vol. 15: Violin Sonatas
Vol. 16: Music for 2 Pianos/Piano Duets
Vol. 17: Piano Sonatas
Vol. 18: Piano variations, rondos etc.
Vol. 19: Masses and Requiem
Vol. 20: Litanies/Vespers
Vol. 21: Organ Sonatas & Solos
Vol. 22: Cantatas, oratorios, Masonic music etc.
Vol. 23: Arias, vocal ensembles & canons
Vol. 24: Lieder & Notturni
Vol. 25: Theatre & ballet music
Vol. 26: Apollo et Hyacinthus
Vol. 27: Bastien und Bastienne
Vol. 28: La finta semplice
Vol. 29: Mitridate, re di Ponto
Vol. 30: Ascanio in Alba
Vol. 31: Il sogno di Scipione
Vol. 32: Lucio Silla
Vol. 33: La finta giardiniera
Vol. 34: Die Gartnerin aus Liebe
Vol. 35: Il re pastore
Vol. 36: Zaide/Der Schauspieldirektor
Vol. 37: Idomeneo, re di Creta
Vol. 38: Die Entfuhrung aus dem Serail
Vol. 39: L’oca del Cairo/Lo sposo deluso
Vol. 40: Le nozze di Figaro
Vol. 41: Don Giovanni
Vol. 42: Cosi fan tutte
Vol. 43: Die Zauberflote (The Magic Flute)
Vol. 44: La clemenza di Tito
Vol. 45: Rarities & Surprises
These volumes are performed by many of the world’s greatest ensembles, orchestras, vocalists and instrumental soloists. Up to 2016, Philips Classics was the only label that had recorded Mozart’s complete works, either completed or fragmented. That was, until 2016 when Decca and Deutsche Grammophon merged together and formed Mozart 225: The New Complete Mozart Edition. This was a major breakthrough, because it contained newly discovered works by Mozart, including a notturno for soprano and fortepiano, co-written by Italian composer Antonio Salieri. In 2000, Philips Classics released the Complete Compact Mozart Edition, a large richly illustrated box containing 180 CDs, which in total were all 45 volumes from the earlier release. They were compacted into 17 different boxes, ergo it’s called the Compact Edition. The order goes like this:
Vol. 1: Symphonies
Vol. 2: Serenades/Dances & Marches
Vol. 3: Serenades & divertimenti for strings/solo wind
Vol. 4: Piano Concertos
Vol. 5: Violin/Wind Concertos
Vol. 6: Quintets, quartets & trios
Vol. 7: String Quartets & Quintets
Vol. 8: Violin Sonatas/String trios & duos
Vol. 9: Piano Music
Vol. 10: Masses & Requiem/Organ Sonatas & Solos
Vol. 11: Litanies/Vespers/Cantatas, oratorios, Masonic Music
Vol. 12: Arias, vocal ensembles & canons/Lieder & Notturni
Vol. 13: Early Italian Operas
Vol. 14: Middle Italian Operas
Vol. 15: Late Italian Operas
Vol. 16: German Operas
Vol. 17: Theatre & ballet music/Rarities & Surprises
Philips also released a 25 CD set entitled “The Complete Mozart Edition: Highlight”. This is a set of 25 CDs containing highlights from individual volumes. 
Some of the notable performers in the Mozart Edition are as follows:
The Academy of St. Martin in the Fields, London Symphony Orchestra, Mozarteum-Orchester Salzburg, Orchestra of the Royal Opera House, New Philharmonia Orchestra, Berlin Philharmonic Orchestra, Deutsche Bachsolisten, Leipzig Radio Symphony Orchestra, Staatskapelle Dresden, Beaux Arts Trio, Quartetto Italiano, Grumiaux Trio, Academy of St. Martin in the Fields’ Chamber Ensemble, Holliger Wind Ensemble, Netherlands Wind Ensemble, Leipzig Radio Chorus, Choir of the Royal Opera House, The Ambrosian Singers, London Symphony Chorus, Alfred Brendel, Henryk Szeryng, Iona Brown, Irena Grafenauer, Heinz Holliger, Anthony Pay, Jack Brymer, Klaus Thunemann, Peter Damm, Maria Graf, William Bennett, Arthur Grumiaux, Arrigo Pelliccia, Gerard Poulet, Blandine Verlet, Walter Klien, Isabelle van Keulen, Ronald Brautigam, Ingrid Haebler, Ludwig Hoffmann, Paul Badura-Skoda, Mitsuko Uchida, Ton Koopman, Dame Kiri Te Kanawa, Edita Gruberova, Lucia Popp, Thomas Moser, Elisabeth Cooymans, Elly Ameling, Dalton Baldwin, Margaret Price, Brigitte Fassbaender, Barbara Hendricks, Jessye Norman, Luciana Serra, Ingvar Wixell, Wladimiro Ganzarolli, Sir Neville Marriner, Sir Colin Davis, Leopold Hager, Herbert Kegel, Daniel Chorzempa, Sir Alexander Gibson.
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wolfiemozart1787 · 2 years
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On this day...
In 1825, Ludwig van Beethoven’s String Quartet No.12 in E flat, Op.127 was performed for the first time. It’s structured in 4 movements: - 1. Maestoso - Allegro, 2. Adagio ma non troppo e cantabile, 3. Scherzando vivace, 4. Allegro. It’s one of Beethoven’s later works, written two years before his death. It was first published by Schott Publishers in 1826, the second oldest German publishing company in the world, after Breitkopf & Hartel.
NOTE: The artwork is a coloured lithograph after an 1819 oil painting by Ferdinand Schimon, c. 1870
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wolfiemozart1787 · 2 years
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Now, I KNOW that this is not Mozart related, but I post interesting classical music facts that happened on this day. Today, 5 March, George Frederic Handel’s Organ Sonata in B flat, Op. 2 No.4 was first performed.
This was later arranged by Handel for harp and orchestra, making it one of the only solo harp concertos in history, because Mozart’s flute and harp concertos doesn’t count as a solo concerto.
Note: The painting is by English painter Thomas Hudson, from around 1734-35, the same year that this work premiered.
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wolfiemozart1787 · 2 years
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In 1819, Viennese artist Barbara Krafft painted a posthumous portrait of Wolfgang Amadeus Mozart, based on his figure from the family portrait by J.N. Della Croce. It’s now one of the most famous portrayals of the young man, and is often used as a reference portrait.
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