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tchintchun · 42 minutes
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I think that what's brilliant about The Far Side is how it can imply an entire narrative with only a single panel. It's sequential art without the sequence. Like this one
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There's the obvious implication of what's going to happen in the future (there's going to be a hunt), but it also stretches into the past: what circumstances in the anthropology of this group of cavemen must have happened to establish a tradition of dancing with Woolly Mammoths? Why does it, in spite of it's obvious absurdity, feel kind of right that there should be a dance before the cavemen and the mammoths engage in mortal combat? The reluctant fearful expression on the caveman at the bottom; is this his first hunt? Are those his elders trying to reassure him? Does the one mammoth actually seem to fancy him? What about the one looking fearfully back at his friends? How does he feel that the others aren't there to reassure him? One of the mammoths in the upper right looks just as fearful as the cavemen; why? etc.
And all of this is purely evoked. There's only simple line-drawing and two sentences of text, but you see it and it reminds you of other sorts of narratives you've seen or experienced, and your brain constructs a whole temporal sequence; and any possible answer you could get to above the questions would never be as satisfying as what your brain fills in.
I could write an entire essay about this.
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tchintchun · 4 hours
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Bonus:
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Telek R'Mor [2/?]
STAR TREK: VOYAGER | Eye of the Needle, 1x07
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tchintchun · 6 hours
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like Sasha Colby or Chappell Roan! but worse!
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tchintchun · 9 hours
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Abstract: In this paper we present T. rex fossils as disruptive objects that can drastically influence the actions and reactions of humans that encounter them. We present a vision of the T. rex as being a key node within a web of human and object associations that ultimately produces, first, extreme desire in humans, and then a breakdown in human relationships resulting in disagreements, disputes, lawsuits, and the committing of crime. From there we bring these T. rex fossils into the concept of desirescape which sees a network of object/object and object/human reactions provoking irresistible desire in humans. We argue that this desire can push humans to violate law or social norms or, in several T. rex cases, sue each other. How then should we humans approach T. rex and other disruptive objects? Cautiously, and with the knowledge that these objects may be more powerful than we are.
Yates & Peacock, 2024.
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tchintchun · 12 hours
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Pied Piper/Hartley Rathaway — “Invitation to the Speedster Ball” From Titans: Beast World Tour: Central City (2023)
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tchintchun · 2 days
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for research purposes if you are bisexual reblog and tell me what your phone case looks like
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tchintchun · 4 days
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MAD MAX: FURY ROAD (2015) dir. George Miller
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tchintchun · 5 days
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tchintchun · 6 days
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Mad Max: Fury Road (2015) dir. George Miller
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tchintchun · 11 days
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Did a study of Bespin using some new brushes and I'm actually so happy with how it turned out :D
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tchintchun · 11 days
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Typhon, the youngest of Gaia's offspring, birthed to take vengeance on the Olympains who had slain her Giant children
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tchintchun · 11 days
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Gar Field
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tchintchun · 11 days
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chimp love
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tchintchun · 12 days
Photo
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Gotham City concept art by Tina Charad for The Batman.
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tchintchun · 12 days
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tchintchun · 12 days
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Imagine a bee rn in a hive muttering "the beekeeper is not real because he is not intervening or helping me at all with this disastrous relationship I have with another bee". now imagine that's you talking about the good lord. now imagine a dog with a propeller hat on
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tchintchun · 12 days
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curious with USAmericans in mind but feel free to answer regardless: what’s ur go to supermarket chain
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