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atimeofyourlife · 10 months

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Steve being the one who is actually a fountain of queer knowledge because he has a gay uncle in San Francisco or New York, one of the cities that had the biggest queer communities.

Robin not having much information because she's a closeted teenage lesbian who can't drive, so she has nowhere to source that information without raising the suspicions of her parents.

Eddie doesn't have the chance because he can't afford to spend weekends in Indianapolis or Chicago, because weekends mean parties, and parties are one of the best times to deal. He might go occasionally, but just hitting up a bar to find a dude to hook up with, not getting into queer theory because he doesn't really care to. He doesn't bother to learn about hanky code or anything else, because he's not interested. All he's interested in is getting a little action.

But Steve? He spent a lot of time with his uncle, Hank, while growing up. Anytime his family was in the area, they would stay with Hank. Sure, Steve's parents would try to explain his partner, Joe, as a friend or a roommate, but Steve always knew. He could see how in love they were, even more than his parents.

It became normal for him. He heard the words that other people would throw around, how they would talk about how dangerous, how disgusting two men together was. But he couldn't understand why people thought so badly about it. Because Hank and Joe were so happy together and they weren't hurting anyone.

When he was twelve, they were the first people he told when he had the conflicting feelings of having a crush on a pretty girl named Annika in the grade above, but also really wanting to kiss Tommy every time the other boy laughed at one of his jokes. Joe and Hank just listened to him, then taught him about bisexuality. That it was perfectly normal to like both. They gave him gentle warnings, that he would have to be careful because people were cruel.

And because his parents had left him with them for a couple of weeks, they took advantage of it to introduce Steve to other people. They took him to a tiny queer bookshop that was run by a friend of theirs, giving him a space to learn in safety. Because of them, he met people of so many different orientations lesbians, bisexuals, gay men. Self-proclaimed dykes and faggots. Transexuals, men who were once women and women who were once men¹ and people that pushed the boundaries of gender entirely. He felt in awe of all these people, but also loved and accepted by everyone he met.

A few years later, the summer of '82, age 15 and between freshman and sophomore year, he was sat down for a more serious conversation. The day after he arrived, Hank and Joe sat him down for a serious talk about safe sex, in way more detail than what he got from his parents, which was just a pack of condoms appearing in his bathroom on his fifteenth birthday, with a note saying to use them so he wouldn't get a girl pregnant. The talk emphasized the need for a barrier during any type of sex, and brought up the very real risk of GRID, which had yet to be renamed AIDS², to point out why he had to be incredibly careful with everyone he had sex with. But they also made a point to reassure him that they were both okay, that he didn't have to worry about them. They made sure that he knew that they were always there for him, just a phone call away if he ever had any concerns or questions.

A year later, at 16, they decided he was ready for more information. They provided him with pamphlets and zines, covering everything from rights movements to AIDS to secret codes. He took an interest in the hanky code, but felt a little intimidated about what some of the colors meant. They also provided him with a fake id that declared that he was twenty one and that his name was Mark. While he was staying with them, he joined them out in the community. Meeting the people affected by AIDS, learning about the real effects of it and not just the few scare stories that were breaking through on the news. Hearing more stories of lived life, getting a better understanding of the people around him.

Just a few months later, November '83. When everything went to shit. Steve was terrified when he saw the photos Jonathan had taken from outside his house and developed in the school dark room. He couldn't help getting stuck on the what if? What if it wasn't Nancy he had in his room? What if it had been that night when he and Tommy got a little too drunk and kissed each other? What if he'd finally got the nerve to bring a guy home? His life could have been destroyed in seconds by an asshole being a creep.

He became more on guard, scared that at any point someone could be taking photos in his backyard. Then seeing Jonathan with Nancy in her room, it pushed him further. With the fight the next day, he just wanted to make his words hurt. He dug deep and threw out accusations that he'd never wanted to say. Allowing his anger and fear to take over. The moment the word queer left his mouth, he felt an uneasy sense of regret. Accusing someone else of being what he was, as if it was a bad thing.

After it was all over, the details were shared, the cover stories were given, the paperwork declaring that nothing had happened had been signed, Steve felt lost and alone. Even after apologizing, he still felt dirty for calling Jonathan queer. After a few days, he breaks and calls Hank and Joe, and tells them, well not everything, but what he can. The photos, the camera, the fight. What he said to Jonathan. They understood his anger and his fear. They disagreed with his choice of words, but told him that if he'd apologized and meant it, and it had been accepted, there was no point in him continuing to beat himself up about it. That he couldn't change the past, but he had to try and be better in the future.

The following summer, 1984, he joined them with a new hatred and fear of the government. He felt safer with them, not feeling like he was looking over his shoulder all the time. But he was also so worried, what if the Upside Down came back when he wasn't there to help. He threw himself into helping others, knowing there were so many ways that the government was willing to screw over citizens. Wanting to do the little he could when he could. It brought him some peace of mind, being able to do something.

After Starcourt, after getting discharged from the hospital, Steve confides in Robin. He tells her about Hank and Joe. About how much he'd learnt from them. He tells her that he's bisexual, a word she was unfamiliar with, but she embraces him anyway. He spins a story of all the different people he'd met, people that proved it could be okay for people like them.

It formed an even deeper bond between them, a shared understanding that they couldn't find in anyone else their age. They share secrets about crushes, about realizations. Judging how attractive customers are together once they got the jobs at Family Video. Steve showed Robin the zines, helping her pick up more pieces of information, about how many others there were out there.

Steve clocked Vickie pretty quickly, almost certain she was bisexual like he was. Robin struggled to believe him, not wanting to get her hopes up, or to risk getting hurt.

When Eddie crashed into their lives during the spring break from hell, Steve found himself falling hard and fast. He'd noticed the black bandana Eddie wore tucked into his back left pocket, and wanted it. He had never considered being into s&m, but would be willing to take anything Eddie gave him.

He tried to bring it up subtly to Eddie, only to be met with confusion. Even trying less subtle ways of questioning it, Eddie still didn't seem to get it. Steve had to ask if he was flagging, and Eddie responded by asking what flagging was. Steve felt mortified, and stuttered about it being a code, and he thought Eddie was gay. Eddie assured him that he was gay, but still had no clue what Steve was talking about with flagging.

Steve showed Eddie the zines as well, going through all the different colors of the hanky code. Eddie got a little embarrassed when he realized what he'd been signalling, but some of the interactions he'd had with guys the few times he'd been to a gay bar made a lot more sense.

It took a few more days after that for Eddie to realize what Steve had been getting at by bringing up him flagging. There was another awkward, and slightly embarrassing conversation to confirm that yes, they were into each other, and no, neither of them were actually into s&m.

(And of course, Hank and Joe got a kick out of the story when they were the first ones Steve told, other than Robin.)

¹I wrote it this way, as it would have been a way that twelve year old could understand different gender identities in 1979. Different language and terminology was used. I believe that it is up to individual trans people for how they describe and consider themselves pre and post coming out and transition, as it is a very personal thing. I'm non-binary and I consider anything about myself under the age of 17 to be a girl, because that's how I identified at that time. ²(AIDS was known by a bunch of different names, some less kind than others, including GRID [Gay-related immune deficiency] and 4H disease [Heroin users, homosexuals, hemophiliacs and Haitians], until the summer of 1982. The name AIDS was proposed on July 27th 1982, and came into use by the CDC in September of that year. The term HIV came into use in 1986.)

This was supposed to be a quick little headcanon, and it ended up taking me nearly a month to write 1.5k words. And I now want to write so many parts about Steve with his relationship to Hank and Joe. They're the gay uncles everyone deserves.

#steve harrington #robin buckley #eddie munson #platonic stobin #steddie #pre steddie #steve harrington x eddie munson #steve x eddie #atimeofyourwrites

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hermitzine · 3 months

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Announcing the Theme for Hermitzine #9: ABCs!

For the ninth issue of Hermitzine, “H is for Hermitcraft” Edition: A is for Alphabet, B is for Book (with pictures!), and C is for Contributor applications opening March 2nd!

This time, the Hermitzine team is taking inspiration from the inventive, colorful and often surprising world of picture book art to go on a whimsical journey across Hermitcraft, from A to Z.

If you join us for the ride as a contributor, you’ll be teamed up in a group of several artists and one writer (this may vary a little depending on circumstances). Your team will be assigned a letter of the alphabet, and as a team, you’ll create a section of the zine for that letter, between 1 to 5 double page spreads.

You’ll need to work together to create a fun and cohesive section for your letter, but the shape that takes? That’s up to you. Want to work on individual pieces that go well together? Go for it! Want to all team up on a single, multi-page writing and illustration work that takes up the entire section? Go ahead!

This edition is about playfulness, having fun, and going on an adventure, so we’re very excited to see what people come up with.

To help our alphabet teams get started, we’ll be gathering prompt suggestions from the community, so keep an eye out for a link to the prompt suggestion form. Stay tuned for applications opening March 2nd!

Animation by @boxbug (with additional assets by @noctude, @unnecessaryredstone, @martuzzio and @helsknight), sound design by @noctude

#hermitcraft #hermitzine #hermitcraft fanzine #hermitblr #fanzine #zine

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the-jennnster · 1 year

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Something about the way bibliopunk/punk academia is treated on here Bugs Me and I think it can be best summed up as this:

You can't just throw the "punk" descriptor onto whatever you like and call it an aesthetic

Punk is not an aesthetic

Punk is a mindset, it's a philosophy-- it's a rebellion against societal systems

When I say bibliopunk, I don't mean sweater vests and old library photos and quotes from classics.

Bibliopunk, to me, a punk librarian, is about freedom of information. It's about making sure everyone and anyone can have the resources they need to learn, whatever that means for them. It's no late fees and fighting against censorship. It's defunding the police and funding community resource centers that specialize in making sure there's a place where people can go to ask for help, to read books on any subject they can think of, to connect with events and organizations that exist to help THEM. It's about making zines and learning how to bookbind, because fuck the idea that traditional publishing and Amazon are the only people that can make something a book.

Punk academia, which is used colloquially here, is related to this-- it's saying fuck the academic systems that keep out the poor, the people of color, and the disabled. Fuck your Ivy Leagues, education is whatever the hell you make it. College should be free, classes should be accessible WITHOUT being forced to give up all of your personal financial and health information, curriculums need to include as many varying perspectives as they can because fuck the idea that a cishet abled white man is the authority on any given topic.

Bibliopunk, punk academia, and any other Tumblr "aesthetic" with the punk descriptor is not just a moodboard of photos you stole from Pinterest.

Because what's more punk than a public library?

#punk #dark academia #punk academia #bibliopunk #punk aesthetic #this has bugged me for a while #as someone who really cares about things like literature and writing #but is also very fucking angry at the systems that make them inaccessible to others #the only shit you find on bibliopunk is aesthetic posts #and nothing about actual values #ive thought about writing up like #a bibliopunk manifesto? zine? thing #but thats a lot of spoons #and i am but a small cripple

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crowdsourcedgender · 8 days

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My zine, 'Label Coining as an Artform', is finally done! Transcript/Image ID underneath (warning: it's long). Printed version in a reblog.

[Image ID: A series of pages in a zine. The text is handwritten, and all figures described are simplified stick figures.

Page 1: ‘LABEL COINING as an ARTFORM in large text. Below is the multicolored MOGAI wheel, with three figures taking pieces of the colors and using them for art: sculpting, cutting a piece of paper, and painting. Below is ‘a MOGAI (& LIOM!) zine by Elliot/Hesper aka @ crowdsourcedgender on tumblr. Under the text are five pride flags: aro-spec, veldian, alterhuman, xenoman, and schooldoodlic.

Page 2: ‘Label Coining’ in large pink text. ‘(in this context) is the act of creating a word (and usually flag) for a certain experience!’. Next to this text is a figure filled in with pink with a speech bubble full of pink shapes, talking to someone using a cane holding out a hand and expressing a question mark. Below reads ‘generally a queer experience, but does often include or incorporate disability, neurodivergence etc.’ A figure asks ‘Why?’ and the text reads ‘I would say these are the ‘core tenets’:’. In a cloud next to this text is a blue and purple pride flag with purple text reading: ‘like this cool prosopagnosia flag I made!’.

The bottom half of the page is split into two columns: ‘Understanding’ and ‘Community’. The first column has a purple arm amputee explaining a purple rectangle to another purple person who is thinking ‘that’s me!!’. Next to them another purple person is explaining the same rectangle to a blank person, who has a purple-filled thought bubble with a white exclamation mark. Underneath the drawing is text surrounded by question marks: ‘Labels help people understand what they are experiencing, and communicate this to others. It’s easier to explain something when it’s already been written down!” The second column has a purple person holding a purple umbrella. They are waving to a purple person in a wheelchair. A purple person is leading another one to the group. Underneath the drawing is text surrounded by connected dots: ‘People can unite under a shared label whether this group is big or small! Whether for practical purposes (like advice) or just for fun, having people like you is nice.

Page 3: ‘And these are just as important as ever! But I’ve noticed what I like to call COINING for the sake of CREATION’. This last phrase is in large, dark and light blue text. Two sun symbols are on either side. Below is the text: ‘Vexillology is very clearly an artform, but label coining has become something more (not to mention that not all new labels have flags!). It’s composed of multiple skills has become more than the sum of its parts. Any art captures an experience, but label coining is much more explicit about it. And not just people’s experience of their identity! Part of the art of label coining is incorporating other concepts too, e.g. Schooldoodlic A gender related to doodling on school work papers and/or your homework. By spirits-gender-coining on Tumblr.’ The text about Schooldoodlic is small and light teal. Next to the text is its flag.

Page 4: ‘Elements of Label Coining’. The text on this page is separated into four green boxes.

‘Naming: Coming up with the actual word can be tricky. Generally, labels with lots of elements get more leeway with length. It’s important to check that a label isn’t already a word as well.’ Next to this text is more rough, dark green text reading ‘Premade suffixes + prefixes help! And latin (for some languages) as it’s possible to intuit meaning!’ Around the text is a few examples: ‘-vesil’ ‘-musica’ ‘an-’ ‘quoi-’

‘Flag making: Also known as vexillology, this is a pretty big deal. It’s also the most fun for me! You develop a really good sense of color from spending so much recoloring the same three stripes.’ Next to the text is 6 versions of the same pride flag, each with slightly different colors, with a 7th final version with a symbol.

‘Symbol making: Most flags don’t have symbols, but they’re good for groups of labels under a certain umbrella, or just if you have a really good idea.’ Next to this is rough, dark green text reading: ‘I drew three semirealistic flowers for a flag and ended up only using one’ with sad face. Under it is a drawing of a daisy, a pink coneflower, and lavender, which is circled.

‘Descriptions/formatting: Explanations can be artistic in their own right, and formatting is fun to mess with: many people have their own style. Make sure it’s accessible: add image IDs and plain text where applicable. There are a lot of good resources online!’ In dark green text is the phrase ‘Accessibility over Aesthetics’ with an image of a key on top and sparkles below.

Underneath the boxes in light green text is ‘Note: in the right context, any of these can be optional!’

Page 5: ‘If it wasn’t clear, I think this is AWESOME’. Awesome is in large text with yellow radiating lines. Underneath is ‘I’m a MOGAI coiner myself (generally) with about 65 coins at time of drawing. Using something I made, I wanted to demonstrate what a label coining might look like!’ Underneath is four versions of the same pride flag as well as a description, with ‘flag!’ ‘stripe meanings (I don’t normally do these)’ ‘symbol’ ‘name’ ‘pre-existing format’ and ‘experience’ labelled. The description reads ‘[Image ID was here] Human non-conforming (HNC). Human non-conforming (HNC, similar to gender non-conforming) is an umbrella label encompassing all identities and subcultures that somehow incorporate nonhuman elements in any way.’

Page 6: ‘The thing I love most about the label coining community is just that- the community! The way coiners and users interact, as well as how coiners can work together, is wonderful. There are 5 large words each with an associated doodle.

‘Requesting’: A figure leaning on forearm crutches has a speech bubble with yellow shapes exploding out of it. Another figure is taking shapes down from the bubble and forming it into a ball.

‘Collecting’: A figure is pulling a yellow cart with a large cloth bag labelled ‘LABELS’. They have stars in their eyes, and are looking at another person who is gesturing to a yellow rectangle.

‘Collaborating’: Two figures, one with orange speech and one with yellow speech and an AAC tablet are discussing, with many shapes and lines intermingling to make a fragmented rectangle.

‘Combining’: A figure in a grey hijab pulls down a lever. They are standing next to a large blender mixing orange and yellow liquids. On either side is bright yellow lightning.

‘Redesiging’: A small star with four radial lines coming out of it becomes more and more complex, indicated by black arrows.

Under the words is the text: ‘I’ve never participated, but there’s this amazing event called: COINFIGHT. Hosted by @ kiruliom on Tumblr. It’s inspired by artfight, and it involves coining labels for other people- but competitive-ish!’ Coinfight is in large, text with a crescent moon with stars at the top right corner, and a star at the bottom left.

Page 7: ‘I don’t think there’s anything like finding a label that finally fits you, or hearing that something you made did that for someone else.’ Under is a figure looking at an orange flower with light lines, then forming elements of the flower into a bubble, then showing an orange rectangle to another figure, with orange tendrils reaching towards them, forming the shape of a heart. Below is the text ‘There are a lot of things like pouring out your heart- or just having fun- while making or collecting label. I coin in the same mind I sketch and color and shade.’ On each side is a pen drawing an orange figure with a red shirt, and a tablet with an orange and red flag. Under this is ‘Label coining is an artform both like and unlike any other, and I’m proud to participate in it. I hope that if you want to, you can join me. And if that’s not your thing- thanks for reading!’ There is a drawing of a figure with dark grey wings holding up two fingers. Next is a ‘<2’ heart and ‘elliot’ as a signature. In smaller text next to these is ‘Thank you to the creators whose work is featured in this zine! Credit on the next page. Remember to keep this wonderful community and artform accessible to all!’

Page 8: ‘Credit’: This section has a pride flag next to each label. ‘Aromantic-spectum, @ theflagarchive on Tumblr. Turian, @ kenochoric on Tumblr. Schooldoodlic, @ spirits-gender-coining on Tumblr. Xenoman, @ ryanyflags on Tumblr. MOGAI symbol, Kautr Wikimedia Commons. Alterhuman, @ vaestra on Tumblr. (the flag on pg. 4 is Wildflowergender). ‘About making this zine’: ‘I really, really regret handwriting this. Drawing over Helvetica Neue for so long might change my actual handwriting, [more rough:] which looks like this! According to Artstudio Pro, I took 14 hours! I barely planned this before starting, the color wheel theme and the people doodles. /End ID]

#mogai #microlabels #mogai coining #lgbtq #lgbtqia #zine #art zine #lgbtq zine #queer zine #label coining #queer vexillology #queer #queer community #long post #described #image described #image id

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