Friday was my last day at Valve.
Leaving a job full of people and projects you love is always hard, but I have a pretty good reason for it this time around:
Next Monday is my first day at Cyan.
Feels appropriate to announce this on Riven's anniversary, the game that is entirely to blame for who I am as a concept artist and Art Director. WHO WOULD I EVEN BE if I hadn't had my 11yo mind blown by the little wahrk gallows counting toy in the Rivenese schoolhouse??? It's a mystery.
I can’t talk about what's on the horizon just yet—short of helping to get Riven out the door—but I’m thrilled to finally be a part of this studio, officially, after thirty years of wistful pining. If my ancient Riven fanart is anything to go by, it's been a long time comin.'😎
2K notes
·
View notes
Man I feel like a lot of leftist activists would do a lot better to just use common fucking language to talk about things rather than dense academic shit that's only understandable to people with PhDs and people who spend 95% of their waking life on Leftist Twitter lmao
Like, you're talking with other academics? Great, use academic language. You're a social media account trying to interact with the general public? Don't say "decarcerate", say "find alternatives to imprisonment". Don't say "collective liberation", say "freedom for all". By GOD don't say "bodymind autonomy", say "the ability to have control over our own minds and bodies".
Yes it takes a little more effort to explain shit in common language but I promise you people will stop looking at you like you have two heads and dismissing everything you say as Woke Bullshit if you like, actually get on their level, goddamn it. Not everyone has the privilege to have a graduate-school level understanding of this type of language or spend so much time reading leftist theory that they can perfectly understand this stuff.
1K notes
·
View notes
it's just that sometimes you have to love a thing including the ways that it inconveniences you like i keep picking dog hair out of my clothes because he steals things from my laundry basket to lay on them while i'm gone and whenever i use my laptop i have to type with my arms in a parabola to make room for his head on my legs and yes it's kind of a far ride to my mom's house but she always remembers to have dairy-free options available just in case i stop at home and nick lives in another timezone so we have to plan our calls carefully to be sure he's available and i'm not in bed and i hate driving and looking for parking but it means i get to visit my friends and i hate doing dishes but i'll do a million if it means i get to throw a dinner party for everybody and i hate being cold but one time we stood outside in the snow for 5 hours waiting for a concert, bundled up and red-nosed
i always apologize about the ways i take up space even when they're medical like at a restaurant i usually have to take the moment to say i really am allergic, sorry, and feel like i am making everyone around me angry and i always apologize when i am too tired to be funny or when i actually really do need to take care of my human body because it feels like i'm making everything about-me and i always apologize for the ways that i become needy; how i get scared when we're high up (and no for real please get down it actually kind of stops being funny) or how i panic if i hear a loud noise i wasn't expecting or how it's been years but there are days when i'm still doing the same shit, still drowning
the trick about relaxing, i think. like the answer to why i couldn't trust the idea anyone actually likes me. was realizing that at some point i am going to be an inconvenience, which means that at some point i need to trust other people want me to take up space. and yes, some people have to take up a lot of space. but. i relish this little gratitude: making room for people and things in my life. i love picking the dog hairs out of my food - it means i get to have a dog. i love answering the phone at 3 in the morning - it means someone is on the other line, and i can help them weave through life. i love the little chores - it means i have something productive to do. so what if you take up space - it means this world gets to have you.
3K notes
·
View notes
What’s funny about Jonathan’s magical girl transformation with the stark white hair is that it’s just impossible. Like, yes, we all know it is, but I hadn’t been focussing on that until now.
I was like “yeah, stress can cause early greying bc you’re no longer producing the melanin in your hair--” and then I realized like “wait, why would that change the colour of the already-grown strands as if they were fucking dead coral?” Because it’s not like if you pulled out a strand of your own hair, the colour would fade and go white.
Jonathan’s hair is alive? Dead now, alive before? Jonathan’s out here being Rapunzel from Tangled and everyone surrounding him is like “seems aight”.
4K notes
·
View notes
There’s a weird recurring take in D20 fan circles that Zac doesn’t play “complex” characters and that people are just waiting for the day when he “finally” plays an asshole, which kind of baffles me. Quite apart from the idea that only morally grey characters are complex or compelling, are you sure we’re watching the same show?
In Fantasy High, we have Gorgug, an adopted biracial teenager whose journey includes realizing his self-worth, coming to terms with his rage (literally), seeking out and navigating new relationships with others (his birth parents, the Bad Kids, Zelda), and discovering what he’s capable of.
From The Unsleeping City we have Ricky, a second-generation Japanese-American, who has a very personal struggle across two seasons between doing the dutiful/sacrificial thing for other people’s benefit and expressing his own needs, wants, thoughts, and feelings; it’s a very particular exploration of immigrant generations and the relationship between the sacrificial model of your ancestors and the culture you grew up surrounded by which emphasizes the self.
There’s A Crown of Candy and Lapin, whose snark and one-liners are honestly less interesting than the way he engaged with and sought to understand religion and faith; the different yet similar ways in which both the Sugar Plum Fairy and the Church exerted control over their followers, and the search for spiritual meaning beyond these figures/institutions.
Then there’s Cumulous, whose every character aspect navigates a space of tension - the ultimate war guy who made himself hardened (literally) and pragmatic to get the job done but who also remains soft and caring and empathetic at the same time; wielding the power of death without glorifying or giving into it; the cousin who both is a member of the family and yet who remains at somewhat of a distance from the centre; a literal warrior-philosopher who is single-minded in battle and quietly thoughtful about the mysteries of life and death outside of it.
As for actual assholes, we have Norman Takamori in A Starstruck Odyssey, a bitter man who is the living embodiment of both the Superior Orders excuse as well as scapegoating. On a side note, the amount of absolute vitriol and double standards which people threw at Norman during ASO for being an unapologetic asshole -and he had less than two full episodes of screen time- kind of underscores the calls for Zac to play a “real” asshole. Zac can and will play whatever type of character he wants, but is fandom really ready for him to play an asshole if that asshole doesn’t have a secret heart of gold?
From the same season, we have Valdrinor/Skip, who starts as the “prince running from his destiny” archetype with a dash of brain slug possession, has a humorous yet oddly profound exploration of what humanity is and what it means to be human, and springboards from there into “wait, who am I really and actually, why are we doing things (brain slug possession) this way when there are other ways to engage with the universe.”
Most recently in Neverafter, we have Pib, who apart from the fascinating meta element of being a literal character archetype, constantly straddles the line between self-absorbed self-interest and putting himself on the line to help others; his repeated demonstration of both at various points throughout the season is a subtle yet intriguing manifestation of free will and choice-making in a story all about lacking free will and agency.
So, I mean, lack of complexity where? Does a character need to be an asshole in order to be deep or compelling? And because I’ve heard this specific rebuttal quite a few times now, does a character need to vocalize their innermost thoughts loudly and frequently in order to prove their complexity? If a character is “less vocal” compared to other characters, does that mean they lack interiority?
Also, other people have brought this up before, but I am once again asking that people remember the difference between fictional characters and real life people. Zac playing one (1) himbo on the show does not make him a himbo in real life, nor does it make him incapable of creating or playing complex characters (especially as said himbo is himself an extremely complex character), nor does it make him a lesser player than other cast members. You don’t have to find all or any of his characters interesting or complex, but can we stop conflating character with player?
1K notes
·
View notes