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#yellowjackets core
dreamgiirlevil · 1 year
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heartshapelocket · 6 months
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souvlakic · 1 month
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them
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novelconcepts · 1 month
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Do you ever just lay awake at night, turning over in your head the stark difference in delivery between Hewson's Van saying--steadily, unshakably--"it's just something that's happening to you...happening to us" and Cypress' Taissa saying--imploringly, whiningly--"this was not just my dream, this was our dream"?
Do you ever just turn it over and over, how often Tai tried to scare Van away, and how it only made Van set her feet more firmly? How Taissa's first love was this person who saw a problem fall into Taissa's lap, a problem that was quite literally trapped inside Taissa's body, and decided unflinchingly: No, that's an us problem now? How she refused point-blank to walk away even with blood in her mouth, how she flatly informed Tai "I'm never gonna be scared of you", and promptly turned a moment of pain into a declaration of love? And how this would etch itself into Taissa for the rest of her life? How she'd take these things that worked with Van--with the person Van was, with the bond they shared--and try so hard to run through an identical script with Simone?
Except Simone is her own person. A completely different kind of person. A person who hasn't been offered any of the context, any of the realities going on inside Taissa. So: naturally she doesn't respond the way Van did at eighteen--and will go on to do all over again in her forties. Naturally, she hears our dream as the excuse it is, not as a plea for connection. Naturally, she is scared away when Taissa pushes, and shouts, and begs. Because there isn't blood in her mouth, not yet, but there will be. And they have a son to worry about. And she isn't eighteen and a special kind of immortal, a special kind of romanticized. She's a grown woman with responsibilities, with priorities, with an understanding that you can't fix someone just because you love them. And Tai can't just perform a revival of the play she and Van had memorized twenty-five years later with a whole new performer in the works, and expect it to shake out the same.
Of course it doesn't work. But look at Taissa trying it. Look at Taissa trying to reframe her first love through a new lens. Trying to recast it. Trying to play it through again. Van taught her love was sticking out the blood, shaking off the pain, making a you problem into an us problem. Does it ever just eat at you, how tragic it is, watching Taissa try to shape her marriage around a woman who isn't even wearing a ring?
#yellowjackets#yj meta#taivan#sorry i'm just fucking obsessed with cypress' delivery choice in that scene#it is the most immature we EVER hear tai sound#and it's not teenage taissa. it's adult wife-mother-almost senator tai flat out whining in desperation#it is SUCH a choice#and then after the S2 opener to hear van sound so adult offering a glimpse as to WHY tai would#so pleadingly seek turning a Tai Thing into an Us Thing#yeah. yeah of course she would. because van shared the worst of her#van shared it without allowing tai to dissaude her. van quite literally tethered herself to tai's problems#and tai learned: that is what love is#and tai thought: this is what love is#it's sharing. and giving up on sharing is surrendering the whole thing#and she's lying! is the thing! she's lying to simone and to herself#she's making excuses for doing what she wants to do even though she shouldn't be doing it#but the core of it is Team. the core of it is Us. the core of it is#'if you love me you will be on my side. for better or worse.'#because that's what van did. for better. and for so much worse.#which isn't true. isn't actually how love works. love is sometimes putting your foot down and saying 'nah dude that ain't it.'#love is communication. but that was never taivan's game and it isn't tai's now and so she's just trying old plays#and it is NOT a play that can ever work the same with simone in the leading role. nor should it.#but god everything about them makes me so sad because simone deserves better and taissa needs what she won't admit to#anyway. will be absolutely gnawing at the walls until S3.
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vanpalmr · 9 months
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YELLOWJACKETS APPRECIATION WEEK 2023 day two: favorite character(s) ↳ SHAUNA SHIPMAN, JACKIE TAYLOR, TAISSA TURNER, VAN PALMER
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aeonsbug · 4 months
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nat if she had an alt phase in the 2000s and was the lead singer of a pop punk band vibes
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dreary-eyed · 5 months
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they would of loved ethel cain
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paperglader · 1 year
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Jackie and Shauna are definitely winning at most fucked up canon wlw pairing at the moment... Just watched heavenly creatures for the first time and some things are clicking.
Once you realize that Jennifer's body and heavenly creatures set the tone for those two from the start everything sort of makes sense.
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dreamgiirlevil · 1 year
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staliaqueen · 3 months
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FILM/TV CHARACTERS I SEE MYSELF IN PART 7:
Malia Tate (Teen Wolf)
Leslie Knope (Parks and Recreation)
Natalie Scatorccio (Yellowjackets)
Lily Aldrin (How I Met Your Mother)
Anthony Bridgerton (Bridgerton)
Dustin Henderson (Stranger Things)
Giselle (Enchanted)
Emma Woodhouse (Emma.)
Coriolanus Snow (The Hunger Games)
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knowlesian · 1 year
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cannibalism has that good “i cracked into your marrow so i could keep you forever in mine” gay energy and tbqh i love that for us
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mourning-at-night · 11 months
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ok im going to ramble for a minute but i think van palmer's turn towards violence is so interesting. like in the beginning, she nearly throws up just thinking about allie's broken leg. she can't watch when shauna sobs over her baby's body. but then she's one of the first to truly believe and accept that they'll end up turning to violence in order to survive - she stops and she watches shauna beat their friend and teammate and she knows. it's brutal and bloody and near deadly, but this time, she doesn’t look away.
despite her weak stomach, she's always been willing to do what she believes is necessary. to her, violence isn't intriguing or sensational or something to be celebrated - but it is something to be resorted to, one of those things she sees as an inevitability, a necessity, no matter how painful or nauseating or depressing. she’ll slap her mother awake, but first she'll call out to her. she'll hunt nat through the woods and she'll let a 14yo drown, but only because she and taissa and lottie and everyone who she cares for, they're all starving, or hurt. she will do what she believes it will take to keep herself and her loved ones alive, at least most of them, at least as many of them as possible - because, of course, she’s always tried so hard to be the protector. that's who she is, shown in a thousand little ways. she plays goalie. she tries to break up the fight between tai and shauna in the pilot and she starts to defend nat when travis is being a dickhead in bear down and she helps hold shauna back until lottie tells them not to in burial. she tries to look after tai when she sleepwalks, like how she possibly had to look after her mother for years. she jokes around and she tells the group stories, trying to keep them connected to the outside world.
i think it's interesting to see a character so solidly rooted in the idea of protection to be the one spearheading violent action. it's ironic and tragic and it makes sense, because as yellowjackets shows, over and over - care is not an inherently gentle or bloodless act!! it's van telling the others to leave her bleeding in the woods after the wolf attack and it's tying herself to tai even though she gets hurt and it's helping carry bodies onto the plane and digging graves. it's telling tai she loves her for the first time by literally writing it in her own blood.
sometimes it’s painful. sometimes it's not healthy or righteous. sometimes it’s the hard choice - putting forth the playing cards and joining the hunt and watching with grim determination as javi struggles and cries out for help, and then separating herself and the others from the choice to let him die by claiming the wilderness made it for them. reaching out and turning his face away from shauna when it’s time for the bloodletting. convincing travis to cannibalize his little brother by telling him that he owes javi this final act of love.
it's giving up retelling movies and tv shows and instead telling a different story, a quiet, cold one, because she believes the only way for them to survive out in the wilderness is to give themselves over to it fully, no matter how horrible - because, after everything, what choice does she feel she has but to persist? even in wiskayok, living was always a fight, another series of necessary actions in order to Get Through It and Get Out. after the alcoholic mother and ambiguously unmentioned father and the trials of being young and gay and butch in the suburbs of 90s new jersey, she wants a future, so badly. and after having to pull herself out of the crash and surviving the wolf attack and the pyre, after spending months watching the others around her suffer and starve and die, she can't pull out of the fight. she wouldn't even know how. like a brutal, desperate instinct, she must survive, and she must protect.
it's agonizing but she won't let herself feel it and it's endless but she can only think about the end result. it's selfish in the way they're almost all selfish and it's loving in the way they all love - but especially van, who is so deeply and fiercely protective, who has always cared so much. in the end, that protective instinct both keeps her painfully human and pushes her out into the deep end. it's the kindest and most wonderful piece of her being and it's an intense force that leads her towards brutality. because sometimes caring is the violent thing!! sometimes love is violence and violence is love!!!!
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novelconcepts · 1 year
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I’m sure I’m not the first person to say this, but I am so grateful that the Yellowjackets creative team has proven themselves flexible storytellers—in a lot of ways, but particularly regarding Van. ‘Cuz how many times do we get a lesbian in a show (especially a funny, lovable one) and resign ourselves to having to say goodbye in some catastrophic way? And this is absolutely the kind of show where, until you see the adult counterparts, any one of those kids could bite it. And that Van was SUPPOSED to die—or at least, wasn’t necessarily supposed to live—but Liv Hewson did such a fantastic job and the character became so enriched and so charming that she not only gets to live past season one, but gets to live into adulthood.
And that she gets to be so herself in adulthood; Van feels the least changed, in some ways, of any of the grown versions. She’s, as Ambrose and Hewson point out, dimmed down and calcified, but she’s still dressing the same, she’s still proudly gay, she’s out here acting as a sort of snarky cinema mentor to the kids who come into her shop. No, she isn’t happy, because none of them are, but she is alive, and she’s out and proud, and she’s a fundamental figure in this narrative when she could so easily have been written out in a blaze of fire or a wolf attack. I’m so grateful, because it means no matter where adult Van’s journey takes her, we’re getting to hang on to Hewson for as long as the show runs, as one of the core six members of the ‘96 cast, and that is fucking huge. We’re getting the message that at least two of those six characters are gay and get to grow up, and that gayness has nothing whatsoever to do with their trauma and problems in 2021. Like. Goddamn. That’s enormous.
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firefrostfaith · 2 months
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why do homosexuals always have to consume each other 😭😭get your teeth out that bitch he hasn't showered in weeks!!
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petalsfordany · 10 months
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the girls being called the core 6 is something so insulting to me, a person who lives in deep denial that jackie taylor is in fact dead and being digested by her girl failure pals.
it’s core 7 thank you
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1uc0z4dee · 9 months
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