tim and bernard who break up and it's nothing big, no one cheated or anything. it's just their lifestyles didn't work out well together. tim cannot give up vigilantism currently and bear cannot handle the level of danger tim puts himself in. and on the other hand, tim cannot handle the fact that bear chooses to run into danger as an emt bc he already worries about everything but now he has to worry if he'll find his boyfriend convulsing from fear gas in a random alley but also bear who felt the life drain out of darla cannot stand the thought of not helping people and runs headfirst into dangerous situation after dangerous situation hoping that every person he saves can somehow make up for the fact that he could not save darla.
(he very pointedly does not think about the fact that there was nothing he could do because if he thinks about that, he'll spiral until they have to lock him in arkham too)
and so they break up but they were tim & bernard in high school and when they started dating they balanced out the worst of each other and they became tim&bernard. and everyone who knows them, knows that they're better together but they cant be together, they refuse actually because they cannot lose another person to the violence of gotham and by the time they figure out that they cant work together as long as the other is an emt or vigilante, it's too late for both them. they've already left too many pieces of themselves in each other.
tim still knows what bear means when he says "tim" in that exasperated voice. tim still goes boneless when he hears bear say "baby" in that firm tone. bear can still read tim like a book. he still knows the right way to massage tim's neck so that tim can go to sleep. everyone at the first responders gala knows not to bother ceo drake-wayne and senior emt dowd when they're talking.
(and if they're standing a little too close to each other than what is normal, who are they to judge? everyone knows that dowd and drake-wayne have history)
and if everyone on the night shift has caught red robin with his head tucked into the crook of emt dowd's neck as emt dowd runs a soothing hand up and down the vigilante's back, well then, they just quietly back away.
(after all, dowd's one of like, five, emts that can get the bats to receive medical treatment so if turning a blind eye to whatever the fuck they have going on is what allows them to give back to their heroes, then the night shift will do it every time)
and of course, tim and bear are practical people. they loved (love) each other sure, but when your lives are fundamentally incompatible, well, you cant get too stuck on the what-ifs, that's for sure. and so they do find love with other people and yeah, maybe it's not what they expected love to be when they first fell in love with each other. it's not the bubbly, stomach-swoopy, cant stop grinning, feeling that permeated tim&bernard's early days or the i Know you/you Know me that was their middle or the quiet despair that was their end but it is contentment. and in a life with as many losses as theirs, contentment is something they hold dearly
and they're happy! truly! but sometimes, at galas when they're making each other snort champagne out their noses or in darkened alleyways when their clothes are both stained with blood or at rallies for stricter gun regulations in gotham where they both sit too close to each other, fingers enclosed around each other in a death grip, when the presenters inevitably bring up grieves
(worst school shooting in gotham in decades, there's blood on their hands and blood in their mouths and darla is dead in between both of them and there is a chasm so wide that they are screaming to get their voices across and she will always be dead and maybe this had always been the problem that she is dead and there is no coming back from that and that there is blood on their hands and blood in their mouth and blood on their han-)
but sometimes, most especially on opposite sides of the street, as life pulls them in different directions, just sometimes, they see each other and just for a second, nothing too long, the flap of a hummingbird's wings, the time it takes to blink, an electron's orbital, they look at each other and for the briefest moment, blue on brown, a barely noticeable stutter in their steps, the space between heartbeats, because this is all they will give themselves because they do not dwell on what-ifs or what-could-have-beens, or what-should-have-beens, or delusions of a softer world, their eyes meet and they think to themselves, god, in another life, i would have really liked just doing laundry and taxes with him.
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so I finally found a subbed version of PS3 Vesperia recently (what the DE was ported from), and that means I am now properly enabled to further make my arguments LOL. basically since the DE text is still in English and there are no subs for what's actually being spoken in the JP audio, it's harder for me to make some points since sometimes people will just listen to audio in JP but not really understand what's going on and have to rely on the English text (which again is localized and not genuinely translated, and in a lot of major cases with Vesperia, it's pretty egregiously bad).
idk how many posts I'll end up making about the bigger changes but I do want to cover some of the things that rubbed me the wrong way with unnecessary and even harmful to Yuri's character changes.
for instance, Yuri has a skit with Estelle that was heavily altered in the dub, originally talking about how he can't find himself being grateful to someone like Raven for showing them how to sneak out of the castle. his reasoning is basically that Raven is shady and he's not sure he should be grateful to someone like that, and is confused as to why Estelle would be so grateful when she doesn't even know him (because in his mind, he knows the guy feels somewhat shady from meeting him and isn't sure he wants to trust a guy with those vibes).
in the dub they just kinda... make him sound like an ungrateful jerk and not so much because he's not sure he wants to trust Raven. the dub skit doesn't make it sound like it's an issue of his with Raven specifically and that he just generally doesn't feel grateful for the aid (and that in general one shouldn't feel grateful for aid like this), which gives off a really wrong impression of him that doesn't hold up throughout the game.
Yuri wasn't wholly ungrateful for the gesture itself, but because of who it came from - and let's face it, getting that info from a guy in jail who had to be taken out by the commandant himself wouldn't look good in the eyes of an average citizen.
the dub really hurt Yuri's character in a lot of ways, but ever since I'd first played the game on the 360 yeaaars ago, that dubbed skit rubbed me the wrong way even before I knew the JP audio and now that I can show others the full JP context (again, can't really do that with the western release because the dialogue is still written in English so some people can hear the audio but if they don't understand it, the message they take away from it is still whatever is written in the localization) I really want to talk about some of the more damaging changes (in particular about Yuri because he got the absolute worst brunt of it). the skit is one example of a lot of weird changes that make no sense and unfortunately one of many that changed the entire meaning behind something Yuri meant/was doing.
there are a lot of weird cases of them just adding in entire sentences for no reason that don't really make sense or fit, but I probably won't cover those or at least in much detail. it's some of the bigger things I want to talk about because I feel like there's a huge disconnect in a lot of cases between western fandom Yuri and actual Yuri, and western fandom Yuri is partially if not mostly a result of the dub just yeeting entire aspects of his character out the window at the speed of light because dear heavens we simply can't have a cool adult man show a range of emotion evidently.
...on that note it's very wild to me how often they remove all traces of people calling Yuri an idiot. Karol had multiple but only got like one in in the dub. yeah.
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considering what you have spoken about regarding selina do you also get frustrated with like…i cant quite explain it but sometimes especially in more recent years shes been posed or positioned like some sort of damsel that needs a big strong man to save her and like im not saying she should be portrayed with the “hollywood level feminism” for lack of a better term im just think about how old versions of selina would have hated that. like im just thinking of anytime in the reeves movie where bruce grabs her or forces her mouth shut or even when he didnt allow her to kill falcone and im just thinking she should claw the fuck out of him for that. i just miss a version of selina who wouldnt allow anyone to walk all over her personal autonomy like that
oh absolutely! in fact this is specifically why i can't stand loeb's take on her character lol (and as we both know that was a significant point of reference for the reeves film). it's really jarring to transition from her volume one and two canon to the long halloween / dark victory / when in rome. i think a lot of people tend to latch onto these books because tim sale's art is to die for and it's obv hard not to enjoy a good murder mystery. in that aspect they're still books i can enjoy in isolation. but i find it very difficult to enjoy them as a selina fan specifically because in every single one it's like she's looking for solace and security in a man and i'm not sure why. like what was so bad about her original backstory of having a deadbeat dad (whether you ascribe to the volume one or volume two version of him) and why did she need to go looking for her "real" father in carmine falcone. why did she need to seek out temporary boytoy relief in italy. why did she dream about being saved by bruce. none of it really has a reason other than to create a "lack" in her for the sake of it being there, because she'd never needed a man like that before in her post-crisis narrative. as you mentioned it was quite to the contrary and she was fiercely independent and protective of her own peace, esp from men. when she felt empty or without a connection or lifeline to someone real, it was mostly about people like maggie or holly or arizona. her people
what i think it ultimately comes down to are two things: the first thing is the diminishment of her post-crisis origins. after all, it's convenient to ignore how distrustful selina is of people, and of men with power at their leisure to abuse specifically, when her post-crisis origins are no longer relevant to her personal characterization. although selina's status as a sex worker is more prominent now, it was more or less completely swept under the rug for the bulk of volume two. loeb also refused to engage with it in any capacity. it only really resurfaced with the conclusion to volume two because it drew direct parallels to how we initially found her in volume one, and then brubaker expanded on it once again in his take on the character, which was notably juxtaposed against a pre-existing romance with bruce and brings me to the second thing. i've already waxed about this at length so this may very well be recap but i really don't think selina's lack of control over her personal autonomy can be divorced of the modern portrayal of the romance. when selina looking for security and understanding and comfort in bruce is what drives the romance forward there's not much room to maintain her original values and guarded demeanor, if not her outright defensiveness and hostility. a lot of people look at the extensive trauma selina has experienced and argue that she deserves to be in a relationship with someone who allows her to let those walls down. this isn't incorrect in theory. but it does repeatedly ignore who she is. it's kind of like the point i was making about bruce yesterday. exploring the inherently abusive nature of robin or of bruce's right to his children in light of that fact is interesting to do, but the actual execution has rarely managed to take into account who bruce actually is
for however nice it might be for selina to let her walls down romantically and look for solace in bruce—and i say this mostly for the sake of argument, personally i would argue against its necessity—it's realistically not something she's actually going to do. at least not as willfully as she's been portrayed to. realistically she's going to make it extremely hard, which if anything is precisely the appeal. i love it when selina gives bruce a hard time. i love that it's not supposed to be easy or maybe even a possibility for him to win her over bc there's so much about his own ideological stances that's flawed and in opposition to her own. she doesn't have to be any less unrelenting in her principles and worldview for that romance between them to be compelling bc at the end of the day the entire crux of it is that against all odds bruce cares. for however wrong he thinks she might be in a given moment or in her stance against the government, he knows who she is and how hard she's fought and what she's survived and it makes him sympathetic to her because she's real. she's a wonderful character through which to explore the logical limits of bruce's self-righteousness and categorization of crime, as well as a wonderful mirror to hold up to his face as he starts to ask himself whether what he's doing is really the only means of keeping the city safe. and the novelty of it all is that you don't have to sacrifice her character for any of that to be true. writers have simply deluded themselves into believing that they have to and that's why we are where we are today
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WHAT HAPPENED OMG how was it!!
it was a really good date, we spent 4 hours (!!!!) together just like, walking downtown and we got drinks which he paid for mine, said it was his bday gift for me 🥲 and talked a lot about everything, hockey especially, families, education/career, news, memes, travel, music...
i think he picked up on my hints, when we were walking i kept bumping lightly into him on purpose, and i'd tuck my hair behind my ear and lick my lips lmao. and i let him have a sip of my drink. cause i wanted him to kiss me, and he did, but i got so nervous and messed it up and pulled away 😭 (i buried my face in his chest and held him and i think he chuckled.. he could tell.. then he kissed the top of my head and i died 🪦 i texted him after saying sorry for the bad kiss LOL and he said 'don't apologize i thought the goodbye was very cute' .. omg)
it's just i never liked kissing but i wanted it with him, and he was good his lips were soft gosh, the second it was over i wanted it back.. this is crazy i miss him already 😭
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In Depth and Personal Munday Meme // 🐸 - Something that makes you smile for fandom reasons? (and/or) 🍼 - Do you have a comfort food?
Mun Questions n' Stuff!
@oculusxcaro
(HAAAAA PEAK SMILES WERE HAD WHEN GIVING RIDDLER HIS COMEUPPANCE IN EACH AND EVERY ARKHAM GAME, TBH. I mean I love Eddie lots, but MAN was he one punchable weasel in all of those games except probably Origins. Definitely helped 'inspire' you to get all of those collectables though, I'll say!
As for comfort food... Probably the coconut rice pudding I accidentally made one time? I was trying to make actual coconut rice but 'failed miserably' and made coconut rice pudding instead haha. It was GOoOOoOD THOUGH, got a stomachache from over-eating the stuff! xD)
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