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#yeah i'm dumb sometimes
lakevalorr · 2 years
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When you overlevel in PMD
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ssstrawberryflowers · 6 months
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another date, this time with ferrie
+croissants that shall unfortunately be given to filth
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hood-ex · 7 months
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Cass looks like a vampire
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Nightwing #106
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lastoneout · 10 months
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Tbh I have a lot of complicated feelings about the whole OceanGate thing and I'm not really a fan of how this is being treated as The Evergiven 2, but as it becomes more and more likely that the sub suffered a critical failure and imploded days ago my main thought is that visiting the Titanic's wreck should be in the same category as climbing Mt. Everest; a pointless, unfathomably dangerous, disrespectful excursion that should not be allowed, or at least regulated and reserved for experts who know what they're doing to conduct research and/or matinance.
I mean like at this point I don't even think the average person should know where Titanic is. What is the benefit? All it leads to is death and the disruption and/or potential destruction of a mass gravesite that also doubles as a unbelievably valuable historic artifact that will not be around forever. Why the hell are people just allowed to go down there?? We don't let people go rub their hands all over the Mona Lisa, and that wouldn't even kill anyone, why can billionaires just go tromping around in far more deadly and fragile locations, especially ones where hundreds of people have already died?
But yeah idk there's no real point in adding my input to the discussion and I kinda don't want to comment on it beyond this anyway, but the whole situation sucks and def makes it clear there are simply some things people should not be allowed to do no matter how much goddamn money they have.
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crownedwille · 1 month
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I've come to the conclusion that loving young royals doesn't mean I can't be critical about it, maybe especially bc I love the show so much I have such strong feelings about it, good and bad and I can love parts of canon and agree with it and appreciate it but I don't have to love it all. I have accepted that it's okay if I don't accept the ending and I don't have to force myself to support it. It's okay to not agree with all of canon and it's okay to not side with all of the creators' intentions/views. Loving a show doesn't mean you have to take everything the writers say on face value and that's the only version that is allowed to exist. Canon isn't everything and fandom is about curating your own experience that makes you happy and not miserable. You don't have to dismiss canon in every aspect and ignore it entirely, that's certainly not what I want but there is a fine line between being canon respectful, allowing some parts to exist and sometimes, yes, you just have to say "fuck canon" and move on for your own sanity and wellbeing
#especically in the first two weeks of a new release everyone is feelings lots of intense emotions ranging from ecstatic to angry#everything in between is a part of it and i know i'm also feeling very strongly about it right now#i always try to stay levelheaded and rational and see things from an objective pov and be diplomatic about discourse#i don't want any of what i say drift off too much into meaningless hate instead of the constructive criticism it's supposed to be#but when you feel so strongly about something and sometimes you really just wanna say yeah i fucking hate it lol#but i always try to explain why and give understandable arguments and not just blindly hate on something#for example - I'm aware there are fans who have some problems with s2 and don't love the season whereas i do and it's my fave#and there is a difference between expressing some criticism and justified concerns which you can understand where it comes from#and those who are just like 'oh it's a horrible season. it was so shitty and we should get rid of it' which is dumb hate and just not true#and i can't support people like that and take them seriously#i can have my own issues with s3 from a subjective pov which can also include some justified criticism as well#but also still acknowledge it as a truly good piece of tv media and the quality is top notch#and that's why you have such high expectations and have critique because it is so good and sets such a high standard#yrtalk#with that being said i understand ppl not wanting to see any critic about it if they are riding the high of happy wilmon endgame#but that doesn't mean that i can't express my own opinions on my own blog and i will continue to do so#and maybe one day i will feel differently and accept or even like the ending who knows#but it doesn't have to happen. it's fine if it does but it's also fine if it doesn't
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royalarchivist · 5 months
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Every time I see someone cite one of my clips when telling people about a particular charater, analyzing a specific interaction, or making lore predictions, it always warms my heart.
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maddy-ferguson · 5 months
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women will literally accuse women and esp lesbian circles of "not unpacking ""man-hating""" alleged ""misandry" sweetie xo" getting offended ppl aren't appropriately uplifting how "men are amazing and awesome and attractive and i won't be shamed for thinking so" as if appreciating men is a real counter opinion than blame whatever gave women of every sexuality instance to be jaded weary cautious and tired and who'll complain every now and then and continue on with her life until she dies putting up with patriarchy. just welcome to the "woke" internet where misogyny's over and "man-hate" "shamed for not hating men" is worth springing to defences for
yeah i've only seen people talk like men's rights activists and think they're being unbelievably progressive on tumblr it's kind of fascinating. like i can see how seeing people hate on men could mess with people and stuff but you can't demand men appreciation posts that's literally the whole world outside of idk your tumblr dash (or even on your tumblr dash because fandom misogyny from people who think they're not misogynistic at all is really something). men get praised for "babysitting" their own kids like be serious? it's very let men be masculine
i don't think being like men are soooo gross and we hate them is actually constructive and it can definitely veer into transphobia (you'll always be a man/"a male" and thus a danger to women/why would you ever want to become a man they're the enemy and the bane of society etc) and homophobia relatively quickly?
but the way people ON TUMBLR ""combat that"" is often so off to me like if the most basic feminist principles offend you then i'm not really sure where to go from here. i remember seeing a post that was like "men aren't your enemy. they're your friend/brother/father/colleague/neighbor" with a lot of notes and like i don't know how to tell you this but that's literally who's most likely to harm a woman, the men she knows?😭 and obviously not every system of oppression is exactly the same but would you say the same thing to someone criticizing white people like...just very weird
i think women who are attracted to men and dating them making jokes about how they only tolerate being attracted to men because they have no choice and especially the whole i'm bi so i love every woman and only find 1 in a 1000 men attractive (very often said while in a relationship with a man) thing is obnoxious and annoying for like everyone who has to hear it lmao but also when women who date men make jokes about it (not about them being ugly or unattractive or whatever but about them being bad partners in general) it's like. what else are they going to do like you said they're gonna endure patriarchy for the rest of their lives and as girlfriends/wives/mothers they go through the most it's very bleak? idk. it's not like you can date a better man yourself out of patriarchy
of course men aren't a all as bad as the worst guy you can imagine and they're not all out to get you or whatever but saying things like "men don't all benefit from the patriarchy rich men benefit from the patriarchy but jake, 23, is not oppressing you" is like. kind of insane. jake, 14, was oppressing me like have you never interacted with boys in school😭 and it's not like it was entirely their fault we all have to outgrow misogyny it's just you know society etc but some of them never outgrow it lmao and just...the takes you see on feminism on tumblr are astounding i hate it here
#and like i do think that young guys who feel bad about themselves only having people who make them feel worse and who actively make them#worse like incels and idk youtube algorithms to turn to is a problem but like. again it's the same thing as white people who feel bad about#being white to me in a way like are women and GIRLS supposed to coddle them and say it's gonna be okay you're great even when they're#like actually harming them by being misogynistic to them? that's already what they're taught to do always#the notes on that male loneliness epidemic post i reblogged a few weeks ago still haunt me like OH MY GOD#and if you think misogyny isn't as prevalent anymore you're very naive. and probably misogynistic yourself#i'm not even sure young men being more feminist is true (well it's probably true when you compare it to like the 50s) but even#when men ARE like yeah women shouldn't have to do everything i can help with chores (the use of the word help is already a red flag lmao)#when you look at what they actually do they still do way less like i don't have links because these are tags on a tumblr ask but i read#somewhere that men think chores are 50/50 when they're only doing like 30% of the work? like it just seems hopeless#sometimes i'm happy and then i think about the mental load#sorry for not uplifting men 24/7 you can just hang out on the steve harrington tag or something there's actually a lot of people doing that#when someone said um does the ronance fandom not seem terfy to you...because of a post that was like can the lesbian ship ronance#be about the lesbian ship ronance not about steve A MAN#like you can't make this up#i meant it when i said the average tumblr user would benefit from being exposed to more misogyny like i swear they forget it's even a thing#like obviously they wouldn't BENEFIT from it lmao but their posts wouldn't be as dumb and that would benefit me🙏#ask
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spamtoon · 2 months
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i would take their poison
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Sketch + Line Art for those Clicking Under the Cut(tm) (archival purposes honestly)
#moshi monsters#sweet tooth moshi monsters#experimentation i am COG AWFUL at digital dear goodness i was playing with coloring and transparency and all those fun digital doodads.#next time i probably wont have black outline or i'll do it differently. or i'll try well. not doing this. it sure was a process im#i'm an amateur everyone who masically only doodles. does the sketch look better than the final. kinda! but thats okay because im learning#and y'know what. sometimes in life you just need to draw faves no consequences#for how saturated a character they are i kinda feel like i pastelled things too muc and trapped myself with my convoluted layer setup but m#it was looking WEIRD with everything at full force#maybe the sparkles look dumb maybe the hair looks dumb and out of place and why i kinda made the lollipop a little funky too#uhh. first digital piece posted... ever?#the arm is SO fucky i am not that was. thats not what perspective is spam#yes this is what i spent a good chunk of today doing after i started working on coloring it and then. decided to go for it.#cooolrs a little inaccurate on the horns and such but man one of the biggest art things was like#i dont have to have everything at their perfect hex codes all the time. this would look way worse if i just. used their standard colors#yeah this is. instead of looking like its forward and to the right it kinda just looks like they have a Bigger hypno-lolly#especialy becase. i did not bother on the gloves and platforms i the sparkles work with 2 kinda sorta but you know#im practicing! i'm learning! i'll get better and learn how to do things more effectively!#anyway. sweet toof#though hey their arm looks even more fucked in the line art and sketch SO#note to future self have a Consistent Line Art Size so that if you feel like the line art looks like shit during coloring you dont have to#gamble on what size it was while changing it#sketch lollipop looks better i should have kept it small. but its fine. we'll get em next time boys (tm)#yes i know my gif post was so fancy and then the drawing is just THIS
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mumbledramblings · 2 months
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Some more Prompto, for pleasant dreams.
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gatoplaga · 19 days
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Trying to figure out my Lamb design. Still needs some adjustments but I think I'm getting somewhere!!!
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stabbyfoxandrew · 4 months
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oh... gods i just realized i have ao3 comments that are two months old...
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joy-girl · 3 months
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One thing that is making me go INSANE is how Hinata literally almost died for Naruto during Pain's attack on Konoha, after finally telling him that she loved him.
She was literally the trigger that almost got Naruto to let the nine tails out of the seal.
And you're telling me that Naruto, after coming back from the fight didn't even ask her how she's doing??? Let alone address what she just told him a moment ago?
Okay maybe it was too early because he just saved everyone and they were all celebrating him and that's totally okay, but I was expecting that scene to be addressed in the next chapters... or at least a little mention of it.
Nothing.
Everyone just forgot that happened and now they're going to the Gokage Summit.
Hinata you deserve better, because what the hell is this treatment 😭
(To avoid spoilers, I will say that I'm still on chapter 456 so I don't know if this will be addressed in the next chapters but it's still strange that it wasn't addressed at all for now)
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mystery-moose · 3 months
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EYO THE OSCAR NOMS ARE OUT
Let’s discuss!
BEST PICTURE: I've seen four of the ten nominees this year! Not a bad score for me. Of the remainder I am very interested in American Fiction, Anatomy of a Fall, and Past Lives. American Fiction in particular got Jeffrey Wright a Best Actor nomination! I love Jeffrey Wright! He deserves more recognition! Any film that can get him that has gotta be worth something.
Of the ones I’ve seen… I’d probably select Killers of the Flower Moon as the best? It’s a hard watch, but the craft on display at every level is exceptional. If not that, then… I dunno, maybe Barbie? The Holdovers is a safe choice, it’s a great movie, but there’s almost nothing… surprising about it. Barbie is CONSTANTLY surprising! But it’s also a madcap comedy bathed in metaphor so… man I don’t know!
Regardless, I wouldn’t pick Oppenheimer. Not to disrespect it, I genuinely believe it to be a very interesting film that’s compelling to watch, and as always Christopher Nolan’s ability to make weird-ass films with experimental structures popular with a mass audience is worthy of tremendous respect. But its pacing is rushed, its script is sometimes awkward to the point of parody, and I just don’t know that it’s saying or doing anything THAT interesting or enlightening about the real people involved or about people or history in general. Y’know?
BEST DIRECTOR: Nothing but Best Picture nominees here, which makes sense. Pretty blown away that Alexander Payne didn't get a nom here for The Holdovers. Not blown away at all that Greta Gerwig didn't get one for Barbie, despite that whole thing clearly being her baby. A real Streisand situation here, I'd say! "Eight nominations on the shelf, did this film direct itself?" Regardless of who wins (or even who I think deserves to!) I'd definitely say Gerwig got snubbed here.
BEST ACTOR: All best picture nominees here, save for Colman Domingo for Rustin. Had never heard of this film before, because it's a Netflix film and they always bury all their work, but it's about a civil rights activist so that makes... how many years that the Academy has included one of these in a Best Actor/Actress context? Selma, Harriet, Judas and the Black Messiah. I'm sure Colman Domingo gives a good performance, just noting that the Academy loves to nominate these for acting awards and not honor them in most any other way. (Hey, Jeffrey Wright's in that movie too! Good year for him!)
Bradley Cooper's here too. I don't think I like him very much! I've never disliked him really, but I've never loved his performance either. But the Academy seems to, since he's been nominated... TWELVE TIMES? Holy SHIT no wonder I wasn't surprised to see his name. Never won one, though. He keeps this up, maybe they'll throw him a pity one like they did for DiCaprio. Then again, I don't think Cooper assigns as much value to it as Leo did -- or at least, it doesn't feel like it. I care so little about Bradley Cooper! I don't follow his personal journey very closely! He's fine, I guess!
As a fan, I'd LOVE to see Jeffrey Wright take it, even though I haven't seen his movie. Of the ones I have, Cillian Murphy is very good in Oppenheimer, no question, but I've gotta give it to my man Paulie G. Dude is an incredibly talented actor with a non-traditional look who's done great work for decades and deserves a big win. He's fantastic in Holdovers too! It's a layered, funny, incredibly natural performance that he just falls into. Not particularly showy, which lowers his chances for a win, but to me (and most sensible folks) that makes it a better performance, so there, nyeh!
BEST ACTRESS: I haven't seen four of these but if they don't give it to Lily Gladstone they've fucked up. Sorry, other nominees, that's all there is to it. Also, where the fuck is Margot Robbie? She's incredible in Barbie! If I get to Supporting Actor and Ryan Gosling is there, this is misogyny.
BEST SUPPORTING ACTOR: This is misogyny!! But I'd love for Gosling to win for this. It'd be his first, and for a role like this that'd be hilarious. That being said it's still a tremendous performance! His commitment to the role both on-screen and off is clear, he's having a ball throughout, and he does his own dancing! God, I just wanna see his speech.
That being said, he has some extremely stiff competition. De Niro continues his golden year renaissance with an excellent performance of a very evil man in Killers of the Flower Moon, and Downey Jr. is so good in Oppenheimer that it took me a couple minutes and a scene transition to realize it was him at all! Also Sterling K. Brown and Mark Ruffalo are here! I like both those guys! If I had to pick one that I've seen that isn't Gosling? Probably Downey Jr. If I gave Oppenheimer one award, it would be this one.
BEST SUPPORTING ACTRESS: I like all these actresses, I think America Ferrera is very good in Barbie, and Jodie Foster has been doing great work lately, but this award belongs to Da'Vine Joy Randolph. She takes a character that could be one note in The Holdovers and invests them with so much life and complexity and history. I still think about that movie in part because of her, and because she made choices that made that character feel more authentic. It's maybe the most I've been impressed by an actress in a good long while, frankly! She deserves this one! Don't fuck it up, Academy! (but I know you will)
ORIGINAL SCREENPLAY: All Best Picture nominees, save for a movie called May December... because it's a Netflix film, of course. God, they sure do make a lot of award-worthy films I never ever hear about, huh! Wild how that happens! (Did you even know a new Spy Kids movie came out this year? Of course you didn't! It was on Netflix!)
I haven't seen four of these, but heard good things about Past Lives. I do really love The Holdovers though! Unless one of the others really knocks my socks off, I'd be comfortable with that winning here.
ADAPTED SCREENPLAY: Oppenheimer does not deserve this. I'm sorry, maybe it's a failure of editing, but the pacing on this thing is too breakneck. Maybe that's a failure of editing more than screenplay, though. Then again, the dialogue itself is uh... often pretty blunt and borderline silly, in that Nolan sort of way! So, y'know!
I'd love to see Barbie win it. It's so fucking funny, and occasionally vibrating with pathos. But I haven't seen the others, and they might rule, actually! American Fiction might be great! I'm looking forward to finding out when it hits digital!
ANIMATED FEATURE: I still think we probably shouldn't cordon these off into their own category, but then so few would get nominated for anything, so let's just live in the world we have, huh? The Boy and the Heron is a Miyazaki film, so that automatically makes it a contender, though I've heard some mixed things about it. Nimona is a dark horse that I remember having some buzz around it earlier this year, and Robot Dreams is a sad movie about a robot so it's automatically a movie I vibe with! Elemental... exists! (Why in the hell was this nominated and not Teenage Mutant Ninja Turtles: Mutant Mayhem?! Why of all things did THAT get snubbed?!)
But we all know this belongs to Across the Spider-Verse. It might not be a complete narrative, but purely on visual spectacle alone, it should win. It is, without question, the wildest eyeball experience I've ever had watching a movie, finally dethroning the previous occupiers, the Wachowskis' Speed Racer and the animated film Redline. It is constantly visually surprising and experimental, to the point that much like its predecessor I don't know how they fucking did some of the stuff they did. It's not the out-of-nowhere immediate game-changer that its predecessor was, and it might not have the immediate influence on an entire genre in the same way... but I think it pushes the medium even further! I can't wait to see what other movies look like in the future because of it.
(also the production sounds like it was a nightmare, animators deserve more pay and more respect, unionize, etc.)
PRODUCTION DESIGN: I mean, of all the things about Napoleon, how it looked was the absolute best of them. I wouldn't be too upset if it won... except I would, because Barbie. I mean, come on. COME ON. This one's a gimme. (Though why is The Creator not here? I know it was a pretty bad movie, but the design? Absolutely impeccable vibes!)
COSTUME DESIGN: I mean. Barbie. Did you see Ken's outfits?
CINEMATOGRAPHY: This is my nerd-ass award I care about. I've liked Hoyte van Hoytema's work in the past, and if Oppenheimer won this I wouldn't think it a complete miscarriage of justice -- it's got some really great images in it. But to me this is Flower Moon's award to lose. I haven't seen the others, but I don't know that anything else is going to match that. It's not too showy, but it is pretty damn impeccable.
There are also movies that I think got snubbed here, like John Wick 4 (yes I'm serious) and Sisu (again, I'm serious) and The Killer. Heck, they didn't even nominate The Holdovers here, and that movie leans into its period setting by aping the cinematography of films from that period! That's neat!
EDITING: That Oppenheimer is here is more proof the Academy doesn't know what good editing is. I mean, if you isolated a couple scenes of that movie, there IS great editing there! And even structurally, I think it makes some bold choices that should be rewarded! But as a whole, I didn't feel like I had time to breathe during a scene, and most of that is down to Nolan always choosing to cut or transition too soon. Sometimes it's even a matter of seconds! But those seconds matter! They're the difference between me feeling like I'm moving through a room and feeling like I'm being hurried through a room, y'know what I mean?
I'd probably go with Flower Moon here, but Holdovers has a lovely, languid pace to it and some very funny cuts, so I'm leaning in that direction too. Haven't seen the others!
MAKEUP AND HAIRSTYLING: How is Barbie not here?! What the hell kind of award show is this?! (A Bad one, we all know this.)
SOUND: (This used to be two awards, one for sound mixing and one for sound editing, and on a technical level those are two very different skills, but whatever, Academy!)
This is one I think that Oppenheimer will probably take, because it does some cool things with sound a few times. But it's also one that I think The Creator might actually deserve. Some really killer sound in that film, right up there with its production design -- which it should have gotten a nomination for! Also, Mission: Impossible dark horse, just to give it something. Because I love those movies, even if this year's was maybe my fourth-favorite Mission: Impossible movie that still makes it better than most movies!
VISUAL EFFECTS: It's kind of a long-shot, but I'm pulling for Godzilla Minus One here. Guardians looked good, The Creator looked good (it's about all it did) and I absolutely adore and respect the commitment to practical stunts and car chases and effects in Mission: Impossible and it should get all the recognition possible for throwing a real train off a real cliff... but c'mon. It's Godzilla. And by all accounts, it does so much with so little, at least in terms of budget. It's a movie directed by a guy who previously supervised visual effects! Of course it was gonna look good! That it looks that good at that budget though? Might be enough to get it the big win. Here's to hoping! It'd be nice to see a movie that cost about ten million dollars be recognized as having better visual effects than a movie that cost... two hundred and fifty million Jesus Christ what are you doing Disney.
ORIGINAL SCORE: Be neat to see Indiana Jones take this one! Good score, nice but not too reverent. But I don't have particularly strong feelings this like I have in previous ones. Don't remember many movie scores from this year, nothing's made it into my playlist beyond a couple Mission: Impossible tracks, certainly nothing's impressed me as much as something like The Batman's score or anything.
ORIGINAL SONG: Two songs from Barbie here, one from the Flamin' Hot Cheetos movie (yes it's real and yes it's historically inaccurate!) and one from... Killers of the Flower Moon. Uh oh. Uh oh! I was all ready to be ride or die for "I'm Just Ken" (and to be clear if it won I wouldn't object) but that song in Flower Moon and how it hits at the end... well. It should probably win, is what I'm saying. Even if it's not the fun choice. Be nice to see it performed, at least. These will all be great performances, probably!
DOCUMENTARY FEATURE: I haven't seen any of these! I usually don't until at least year or two after the fact! Just how I end up watching documentaries, usually. It'll probably be the one about Ukraine, though. Not necessarily because it's the best one, but because the Academy likes to think that making picks like that is somehow activism. (Also can you believe that's still happening? Ukrainian sovereignty, end the war, etc.)
INTERNATIONAL FEATURE: Haven't seen any of these, but heard good things about Society of the Snow. Zone of Interest is a best picture nominee, so odds are that'll be the one that wins. Surprised a Japanese film got in here but it's not Godzilla! Damn! Was hoping for a dark horse win for Big G!
ANIMATED SHORT: Never seen 'em!
DOCUMENTARY SHORT: Most of the short documentaries I watch are on Youtube these days!
LIVE ACTION SHORT: Good for all these people who got nominated!
THAT'S IT hoo boy the Oscars, huh. This year's a bit of a dull one, nothing that I'm really excited about winning anything outside of like, Barbie. Killers of the Flower Moon definitely deserves a lot of awards, but how many it'll get remains to be seen. Also I just realized DiCaprio didn't score a nomination for his part in that! Just Lily Gladstone! Haha! Good! (Though I do think DiCaprio's work has improved noticeably after he finally got his stupid Oscar. Almost like he stopped trying so hard and that made his performances feel more natural! Wild!)
Anyway, next year I'm gonna be stumping hard for Dune 2 so. Be prepared for that.
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raplele · 7 months
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I think she's really the one!!!! I know I said that about the other 5 but this time it's different !!!!!!!
it's gonna work out once and for all and then I'll never be lonely again
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masschase · 10 months
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Casey Belle isn't real and she can't shoot me
Casey Belle:
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This is the most 'internet' thing I have done
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phynali · 1 year
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One thing I don't see people talk about much in the context of anxiety is how freaking annoying it is.
Anxiety is borrowing energy from the future. There's this Thing, real or imagined, that's looming, or that could happen, so you gotta prepare and be ready, so you mobilize your energy resources toward it. "Very slow tigers are chasing me" and all that -- the tiger is somewhere out there and you gotta be Ready and not relax or else it might get you.
And I've been doing a lot to work with instead of against my anxiety, like "okay there is a Thing that's stressing me and all my energy is being mobilized worrying about that thing Now, so what can I do Now to put this energy to work? What steps can I take with all this anxious energy to get ready for that very slow tiger's arrival?"
Which is good and fine and can help dissipate the anxiety, yay, but -
But sometimes there's nothing more you can do to prep for that slow tiger. You've got everything ready and done everything you can do and the tiger is actually a cub like it's not even a threat, but you're still buzzing with energy waiting for it to show up.
Which itself is annoying because you wanna relax and you try your distractions and meditations and other tools and they help maybe but they don't necessarily change or fix the fact that the tiger is on its way, and your body and brain are demanding you Be Ready.
But far more annoying? That's a lot of energy mobilized, a lot of resources spent. So after long enough you feel spent, because you haven't hit a full state of relaxation or slept that well or truly recharged -- you're still using up that energy Staying Alert for the tiger.
And then you have no energy left for other shit! And the tiger is still on its way! And the other shit starts turning into little baby tigers because you didn't have the focus or lost the energy to direct toward it effectively.
Rinse and repeat. And it's annoying af.
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