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#writing of case 2-3 is one of the best fucking things i've ever seen in any media
spiritualviolation · 7 months
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god, sometimes i really wanna know what goes on in enoch's head while 2-3 is happening
like. you concoct this very detailed plan for about a year. it's absurd because it involves the lead coroner of scotland yard herself and a piece of history that no one would think to connect because it's a tenuous link not even most of the public know. but it's because the concept is absurd, and the trust the public have in the coroner itself is great that they wouldn't think she'd purposefully fabricate an autopsy report (ignoring the fabrication in klint's autopsy since that is COMPLETELY out of public knowledge at the time). and to top it off, it perfectly lays the blame on the person you're constructing the machine for, without you being considered since the 'culprit' would've been obvious.
and then this japanese law student just goes into court, with the sheer determination of defending said person's innocence no matter the cost, just fucking unravels it all, even down to the very detail of every reasoning behind every action that you'd thought no one would get. like, seriously, if he wasn't correct, he would've sounded absolutely fucking crazy! but he is correct on every point, thus tearing apart your plan that you've devised for an entire year.
no wonder enoch exponentially got pissed as the trial went on, like. case 2-3 is fucking batshit INSANE the longer you think about it
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foone · 4 months
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So Warframe added a "Pom-2" Alternate 1999 computer (that's needed for weird void magic future science wizardry). Thoughts?
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Only thing I have that's a sort of question mark is that I don't know of many setups that would have needed a 5 1/4" floppy in 99 (or why it has both the tower and the under monitor unit)
ugh. OKAY, so... the tower and desktop combination is just weird. I have, on one occasion, run a "server" that was two towers, and the original PC supported a DUAL-DESKTOP mode, but both types together? nonsense.
dual monitor was rare but possible in 1999 (win98 added native support), so I think the best interpretation here is that this is actually two computers. maybe the one on the left is missing the keyboard and mouse because it's being used as some kind of server for the other computer? I used a little case like that to run my first linux server, which was also acting as a router for my internal network.
The OS is weird. The icons above the menu-bar look like win98, the dialog box is windows 3.x, the menu-bar icons on the bottom are pure os X (although they remind me of like a web-TV kinda system, like hotkeys for email/internet/etc), but the greyscale is very classic mac system. Actually it kinda reminds me of C64's GEOS, but GEOS was very classic-mac.
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Like most CRT-filters, they turned the scanlines up WAY TOO HIGH. No CRT I've ever seen looked that fucking terrible. The monitor buttons are a bit odd: You didn't get monitors with buttons on the front until long after they were all color... but maybe it's a color monitor that's showing a monochrome OS?
as for the floppies: yeah. There are multiple mistakes here.
5.25" in 1999 is just silly. If you still had 5.25" disk drives in 1999, you were intentionally doing some retrocomputing stuff. For reference, around 2001 my PC repair job would specifically ask me to copy data off 5.25" disks, because they didn't have any 5.25" drives anymore, and I was their only tech who did.
The other mistake is that they have THREE floppy drives. so the PC doesn't really support that, natively? You can do some tricks and make it work (The youtuber Tech Tangents did a video on how it could be done), but realistically two was the normal max.
The final mistake is that all the drive activity lights are on. Those are only supposed to be on while the drive is reading or writing... and I don't see any disks in those drives! Let alone a situation that would involve turning all three on at once (I don't think that's even possible on most floppy controllers!)
In fact, the main time you'd end up with the drive lights stuck on like that is when you've installed the drive cable upside down. That ends up with them getting stuck on and non-functional. So this computer looks, to me, like it was put together incorrectly and no one noticed.
I don't believe that font would be on a black & white retro computer. Nope. Too smooth and too big.
There's also a USB icon on that OS: I don't think there's ever been a monochrome OS that supported OS, and looking at that computer case I don't believe that it has USB. Maybe the tower would, but the desktop? no.
That keyboard is off a Gateway 2000 computer. Something like this:
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lovesongbracket · 1 year
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Reminder: Vote based on the song, not the artist or specific recording! The tracks referenced are the original artist, aside from a few rare cases where a cover is the most widely known.
Lyrics, videos, info, and notable covers under the cut. (Spotify playlist available in pinned post)
Your Song
Written By: Elton John & Bernie Taupin
Artist: Elton John
Released: 1970
Cover included: Ewan McGregor for Moulin Rouge!, 2001
The song was composed and performed by Elton John but the lyrics were written by Bernie Taupin. It originally appeared in his self titled and second album. Elton John hadn’t come out of the closet yet, but Bernie Taupin knew, which is part of the reason why the lyrics avoid using gendered pronouns. In a 2013 interview with Rolling Stone, Elton John said: “What can I say, it’s a perfect song. It gets better every time I sing it. I remember writing it at my parents' apartment in North London, and Bernie giving me the lyrics, sitting down at the piano and looking at it and going, ‘Oh, my God, this is such a great lyric, I can’t fuck this one up.’ It came out in about 20 minutes, and when I was done, I called him in and we both knew. I was 22, and he was 19, and it gave us so much confidence. ‘Empty Sky’ was lovely, but it was very naive. We went on to do more esoteric stuff like ‘Take Me to the Pilot,’ of course, but musically, this was a big step forward. And the older I get, the more I sing these lyrics, and the more they resonate with me.”
[Verse 1] It's a little bit funny, this feeling inside I'm not one of those who can easily hide I don't have much money, but boy if I did I'd buy a big house where we both could live [Verse 2] If I was a sculptor, heh, but then again, no Or a man who makes potions in a traveling show I know it's not much, but it's the best I can do My gift is my song and this one's for you [Chorus] And you can tell everybody this is your song It may be quite simple but now that it's done I hope you don't mind, I hope you don't mind That I put down in words How wonderful life is while you're in the world [Verse 3] I sat on the roof and kicked off the moss Well, a few of the verses, well, they've got me quite cross But the sun's been quite kind while I wrote this song It's for people like you that keep it turned on [Verse 4] So excuse me forgetting, but these things I do You see, I've forgotten if they're green or they're blue Anyway, the thing is, what I really mean Yours are the sweetest eyes I've ever seen [Chorus] And you can tell everybody this is your song It may be quite simple but now that it's done I hope you don't mind, I hope you don't mind That I put down in words How wonderful life is while you're in the world [Outro] I hope you don't mind, I hope you don't mind That I put down in words How wonderful life is while you're in the world
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Demolition Lovers
Written By: Matt Pelissier, Mikey Way, Ray Toro & Gerard Way
Artist: My Chemical Romance
Released: 2002
The Demolition Lovers are the couple seen on the cover for MCR’s next album, Three Cheers For Sweet Revenge. This song, along with much of the album, is a prequel to the story of Three Cheers… in which a man makes a deal with the devil to get his dead lover back by killing 1,000 evil men and giving the devil their souls in exchange for her. This song is most likely where the lover dies. The two “Demolition Lovers” are featured on the cover of the album.
[Verse 1] Hand in mine, into your icy blues And then I'd say to you, "We could take to the highway With this trunk of ammunition, too" I'd end my days with you, in a hail of bullets [Chorus] I'm trying, I'm trying To let you know just how much you mean to me And after all the things We put each other through and [Verse 2] I would drive on to the end with you A liquor store or two keeps the gas tank full And I feel like there's nothing left to do But prove myself to you, and we'll keep it running [Chorus] But this time, I mean it I'll let you know just how much you mean to me As snow falls on desert sky Until the end of everything I'm trying, I'm trying To let you know how much you mean As days fade and nights grow And we grow cold [Post-Chorus] Until the end, until this pool of blood Until this, I mean this, I mean this, until the end of [Chorus] I'm trying, I'm trying To let you know how much you mean As days fade and nights grow And we grow cold But this time, we'll show them We'll show them all how much we mean As snow falls on desert sky Until the end of every… [Interlude] All we are, all we are is bullets, I mean this All we are, all we are is bullets, I mean this All we are, all we are is bullets, I mean this All we are, all we are is bullets, I mean this [Guitar Solo] [Bridge] As lead rains will pass on through Our phantoms forever, forever Like scarecrows that fuel this flame We're burning forever and ever Know how much I want to show you You're the only one Like a bed of roses There's a dozen reasons in this gun [Outro] And as we're falling down, and in this pool of blood And as we're touching hands, and as we're falling down And in this pool of blood, and as we're falling down I'll see your eyes, and in this pool of blood I'll meet your eyes, I mean this forever!
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evilwickedme · 2 years
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Tell me more about the significance of Good Guy™ Superman.
Ok I'm typing this all up a second time, a couple of days later, because the first time I typed it all I did it perfectly but it was on my laptop and the hellsite fuckin goofed and it's all gone now so that made me sad. I can't promise to hit all the points I wanted to hit but I'll do my best
We gotta start by clarifying that in the tags that triggered this ask I did specifically say that clark/kal-el/superman being a Good Boy is important to me. I note this because while I have very good justifications for why it's important to me that he's a Good Person™, I acknowledge that this is one of those cases where the facts may back me up, but it genuinely just comes down to matters of individual taste.
So, like, big picture here: superman is Moses. I've talked about this before, you've read about this before, this is more fact than opinion. The parallels are obvious, and loud, and obnoxiously repeated in online spaces just as much as in books such as up, up and oy vey (this is not a recommendation, just pointing out that it's universally acknowledged pretty much everywhere). I'm not going to waste my breath trying to convince you of this fact. Superman is Moses. Moses is, in Judaism, possibly the holiest man to ever live. The first in the prophets. As many of you may recall, in my lecture on Jewish superheros, I argued that Jewish ideas of prophecy found their way into the modern Jewish stories being told by the comic book authors creating the very first superheroes - the very first superhero, of course, being superman.
One noteworthy thing about prophecy as described by Maimonides? The most basic component of prophecy isn't actually talking to god or receiving holy visions, it's actually just... Doing good. Good™. Good as an action, good as an innate need, good for the people around you and the people of the whole world. Moses showed this tendency as a young man - privileged, raised in the house of the pharaoh, he couldn't stand seeing any man get beaten, even if he was a slave. He loses his home over this, the family who raised him. He sees a man getting unjustly punished, and he kills the oppressor over it. And when he goes out again the next day and sees two Hebrews fighting, he tries to stop this as well (Exodus 2). Moses is our holiest prophet; before he ever even acknowledges God's existence, he feels the need to do good and prevent evil; superman is Moses; superman must follow a similar path of goodness as an innate need followed by action.
That's all big picture stuff, though. There's the smaller stuff, too. Not my bigger analysis of comic book heroes and the ideas of prophecy in Maimonides' writing, because honestly that's just... A lot. When it comes down to it, it is so much more satisfying to me that Superman is a person.
He's the first superhero, right? And he's got this insane level of power not really often seen since. Any person who attempts to defeat him needs to use a mix of his one singular weakness and genuine cunning, because there's really no brute forcing your way passed fucking superman. So yeah, you could tell a story like that of the Boys (although I didn't make it past episode 3 of that, my apologies). You could tell a cynical story where terrible people do terrible things and it all gets waved away. But the boys isn't really a story about people who happen to get powers - it's a story about people who have power, positions of authority, government officials and the like, not just superpowers.
That's not Clark Kent's story. Clark Kent is an illegal immigrant who was raised by good people in secrecy. He's handed superpowers, yes, but very rarely power - he's a journalist with farmboy training, and his greatest nemesis is a billionaire who becomes the fucking president of the united states. He fought Hitler in WWII, did you know that? He represents good because it makes for a compelling story. The underdog who's secretly not an underdog at all, choosing every day to fight evil and represent truth (being a reporter is vital to both of these, in case you're wondering). Yeah, he's a bit of a shit dad to Connor, but him not being a perfect person doesn't make him not a good one, especially since - again - in my definition of good, goodness is an action, and one you constantly have to perform and perfect and adapt to changing times.
Going back to Judaism - in Jewish tradition, we all have the force of evil and the force of good inside of us (yetzer hara and yetzer hatov). The word yetzer comes from the same root as the word for creation - we are capable of creating evil and creating good. Superman represents hope and justice because he chooses every day to create good.
And that, in a nutshell, is why it is so important to me that Kal El-Clark Kent-Superman is a Good Guy. Because he can be.
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erythromanc3r · 6 months
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Twenty Questions for Fic Writers
Tagged by @pipergirl17 and @pearlypairings - thank you both!
1. How many works do you have on AO3?
As far as you can tell, reader? Six.
2. What's your total AO3 word count?
65,700+ (not nearly as many as some of you, but I'm always pleasantly surprised to see how much I've written in such little time!)
3. What fandoms do you write for?
Stranger Things is the first fandom I've ever written for!
4. What are your top 5 fics by kudos?
brimstone, wrapped up in a bow
[REDACTED]
[REDACTED]
Better Living Through Chemistry
Among the Willows
5. Do you respond to comments? Why or why not?
I do my best to respond! It often takes me a little while but I love getting comments and interacting with anyone who was kind enough to take the time to leave a comment.
6. What is a fic you wrote with the angstiest ending?
It's not exactly angsty in and of itself, but the framework surrounding kiss me where you bruise me is not as happy as my other work. For one, it's the first fic I've written that contains explicit infidelity. I consider this fic in particular to be an excerpt from a bigger multi-chapter fic that I have outlined - it may or may not ever see the light of day, and there's a lot of longing and misunderstanding and hurt there, especially from Chrissy's perspective.
7. What's the fic you wrote with the happiest ending?
Relative to where it starts? Among the Willows.
8. Do you get hate on fics?
I have never gotten any negative comments and I'm really grateful for that!
9. Do you write smut? If so, what kind?
I do! Mostly I just see where the vibes take me. I like including it in multi-chapters as an examination of how people in budding relationships approach sex and desire, and how sex either brings them together or further complicates things. A lot of my PWP one-shots, on the other hand, are just me going "I bet these two would be fun to write with this kink," and most of those fics are anonymous to preserve my ability to actually publish them without getting all weird and self-conscious about the content.
10. Do you write crossovers? What's the craziest one you've written?
No crossovers, but I have considered tossing characters into other hyper-specific AUs.
11. Have you ever had a fic stolen?
Not that I am aware of!
12. Have you ever had a fic translated?
I don't think so!
13. Have you ever co-written a fic before?
I haven't, I think I'd get really insecure about my writing if I was actively working with someone else on a fic.
14. What's your all-time favorite ship?
You know, at this point, considering Hellcheer is the first ship I've ever felt compelled to write fic for...it's probably them! These two were created in a lab to give me maximum brainrot I think
15. What's a wip you want to finish, but doubt you ever will?
Never say never. If it's on ao3, I intend to finish it. Unpublished? The rest of kiss me where you bruise me.
16. What are your writing strengths?
Outlining, building momentum, characterization (at least I think so)
17. What are your writing weaknesses?
ACTUALLY WRITING. And second-guessing my choices as I write my way through a wip. This is something I am actively resisting as I work on a couple wips.
18. Thoughts on writing dialogue in another language for a fic?
I'm really only fluent in English. If I wanted to include dialogue in another language in my work, I'd only feel comfortable doing it after consulting with someone who speaks that language fluently.
19. First fandom you wrote for?
Stranger Things!
20. Favorite fic you've written?
it ain't fiction, just a natural fact is me living my best and most self-indulgent life. I make no apologies for what I'm doing here. I'm having a fucking blast writing it and I'm so glad so many readers have responded with so much enthusiasm.
I am tagging...anyone who wants to do this because I have seen this game come across my dash a whole bunch so I assume most of my mutuals have done this already. But just in case anyone feels left out. Consider this your opportunity to dive in! (YES, YOU!)
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micamicster · 9 months
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I finished the first season of Veronica Mars! And decided to stop after a couple of episodes of season 2. Idk, I guess I got tired of the lack of closure for many plot lines. The finale was interesting tho, I loved the final villain.
Share your thoughts on the show (here's supposed to be a question mark but tumblr wouldn't let me)
Hi bestie I'm sorry it's taken me so long to talk to you about this show! I'm gonna make up for taking forever by writing like, an essay haha brace yourself
I think that Veronica Mars is a good show that runs into some classic 2000s tv stumbling blocks, manages to do some things that infuriate me personally beyond reason, but ALSO manages to have some elements that are so powerful and so well executed that I'm honestly astonished it got made. These kinda peter out and become muddled over the years, but oh well, we'll always have season one <3
In brief, the 2000s messiness, in varying degrees of offensiveness to the world and to me personally:
The aforementioned plot lines that go nowhere <3
It's case-of-the-week, some cases are gonna suck! What can you do lol
The black best friend who doesn't ever really get any satisfying arcs or attention given to him as a character who contributes beyond letting our protagonist have dialogue with him rather than exclusively monologuing in voiceover
How they handle race in general ofc. Like while I think that in the actual plots of the show there are good intentions (and sometimes good material!) in depicting the racism of this insular hiarchical society, racism in the real world affects the writing by giving the characters of color very little to do, and over all they are taken less seriously by the narrative.
Veronica's rape plot line. I actually think this plot started out very strong! But the minute the show focuses directly on it the writing gets lost in the weeds of plot twists and rival love interests, and I really think the points they were originally trying to make get buried.
Deadbeat Mom ran off she's got a single dad raising her (i feel like the number of single dads in media is exponentially larger than the real number of single dads in life. it's propaganda. and its misogynistic. but I digress)
The stuff I personally hate:
The romances :) lol. lmao, even. (I would love to rant about this but I really think that's not something that deserves to be on what is currently a measured review of the show as a whole)
The stuff that's great:
The noir homage: It's just. It's so good. It's so fucking good. This is to noir detective stories what american vandal will be to true crime 20 years later. I want to give whoever first thought "hey, being an ostracized teen girl is kinda like being a hardboiled noir detective," a raise and a kiss MWAH <3 A+ for tone! Veronica lives on the edges of her society (high school), allowing her to see all of it's pieces and hypocrisy, turning her cynical and aloof. And she's a teenager who solves crimes :D She's funny and self aware of her role, but never in such a way that it feels like lampshading or winking at the audience. They take it seriously--they take HER seriously, and that makes the show work.
Lilly: The central case of the show, the murder of Veronica's best friend and Veronica's revenge-driven mission to find her killer, is where the first season gets its power. Veronica gets to have the noir detective plot line of being haunted by the death of a woman she loved and driven by revenge, and it is so much more powerful here than I've ever seen it in its original form. Lilly is a tragedy, she is an unflinching look at the sexual exploitation of teenage girls and the casualness with which violent men will turn that violence on them, she is a messy bratty bitch of a sixteen year old, and Veronica loves her. Lilly gets to be complicated because Veronica, who knew her and loves her, is telling us her story. There are a lot of people who are affected by Lilly's death, but this show is about Veronica, and her reaction to the murder of her friend is what matters to the writers and the viewers. Once again, the show takes Veronica (and her grief and her rage and her love) seriously, and there is a lot of power in that. I think the reason the later seasons struggle is because they simply can't stand up to the emotional intensity that made up the core of season one.
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mareenavee · 9 months
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From thr Asks to Spread Love game, choose 3 that you havent already been asked 🙂
Hi BRI :D Thank you for two of these open ended ones! I will most certainly oblige.
Fandom Positivity asks from this game here.
2. Tell us why you love one of your OCs or an obscure canon character (link to any fics/art you have featuring them!) 
I'm just going to go on and on about
⚔️Athis ⚔️
if you'll let me.
He's not really -obscure- per se but he is relatively ignored so let me just give him some love!
So I appear to be writing the majority of Athis things at the moment. Obviously my main fic features him as a POV character. I also have a couple that I'm quite proud of actually AH.
First is Sea of Storms from a duel. A Pirate AU.
Next is Little Dragon which part of the polycule AU with Tel/Nyenna/Athis actually being happy.
Love and its Decisive Pain is an extra chapter more or less for World, featuring Athis musing and worrying over Nyenna.
Next isn't one of mine but is by @archangelsunited! Originally a tumblr post but is now on AO3. Reader/Athis!
Next one is more pirates! by @paraparadigm. Athis is a Navigator <3 So smart, so handsome, so brave. Ah.
More from @archangelsunited -- this one is a bit on the tragic side but the voicing is phenomenal.
This one is also a bit on the tragic side, by TheBrandenRose.
And artwork?
AH this piece was fanart of To Hold On to You by @changelingsandothernonsense
And this post contains, like, perhaps the most handsome Athis fanart I've ever seen by @thana-topsy.
3. One of the best takes you’ve ever seen
The-Dragonborn-Is-Dead trope but done in the phenomenal way that BetterBeMeta wrote in Foe-Tongue: A Historical Fiction.
Here's a piece of the writing that I love. It doesn't mean anything out of context but OH MY GOD DOES IT ACTUALLY MEAN EVERYING.
“Valamand,” [Wyrenna] whispered, “do you have a comb?” He said, “Yes, of course,” and gave it to her. She used it to tidy up where she still was bed-frazzled, tied her hair neatly as she walked up the stairs.
I fucking love this fic. It's my favorite in any fandom, ever in existence. @paraparadigm rec'd it to me earlier on. (: I wanna write like them when I grow up.
13. Recommend a fic (can be your own!) that features something you wish was written about more.
Okay so in this case I am just over the moon about all of the overarching pulling of lore into a fanfic that KB has achieved in such a phenomenal way. I'm talking about @kookaburra1701's fic Aristeia and ALL THE ORC CULTURE. ALL OF IT. I'm HERE FOR IT. More Orcs please, OCs, NPCs, NPCs-Become-OCs. HELL. Yes.
Here's a quote I love particularly from chapter 1 regarding some cultural things that I've been -really fast eyes- over:
“Olur tells me you bloodied your sword today.” Bagrak’s voice was even, as if she was remarking on the weather. Borgakh paused in spooning stew into the bowl before straightening up and presenting it to her mother. Bagrak did not take it. “I bloodied it for Mor Khazgur, mother,” Borgakh said, throwing her shoulders back and looking Bagrak in the eyes. “One of the Reachwomen and a briarheart tried to steal the deer I shot. Olur and I extracted our Blood Price.” “I am not sure one deer is important enough to be covered by the Code,” said Bagrak. “When their clan discovers them killed with orc weapons it will cause more trouble than one deer is worth. Now you will have another enemy to watch for when you are outside the walls.” Borgakh clenched her jaw in frustration, but kept her tone respectful. “They would have never been happy with one deer, and then they would have known Mor Khazgur was weak. What if they had wanted Kharag too? Is a good horse not covered by the Code?”
More. Orcs. Please and thank you. (:
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spideyfan42 · 1 year
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2023 Movie Time No. 1 - The Whale
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(Massive Spoilers)
I've actually seen Brendan Fraser, in person. He was in Belfast when I was young. He was the first picture we took on our new camera. However, it was from afar. My brother, sister and hell little young me couldn't believe it and didn't go up and talk to him.
I wish i had.
The happiness and warmth that man radiates would have quashed my fears, and I could've expressed my mother's love of him in the Mummy, or for an older me it would've been the geek cred of meeting freaking Robotman. And yes, whilst he is good in those roles, along with an illustrious career, very few things cold have prepared me for this.
The whale was the first film I watched in theatres this year. It wasn't Avatar 2 or Puss in Boots 2 or Ant Man 3 like I thought I'd end up watching first, but this.
And it blew me away.
I very often cry at films. I believe good art should move you, and quite frankly film is one of the most effective art forms. But Dear God, something about this film made me sorrowful and melancholy, in a way that the film would, I hope, be proud of.
My favourite line in the film was spoken by Charlie (Brendan), close to the film and protagonist's, end.
"Do you ever get the feeling that people are incapable of not caring"
This line made me cry. It's a sentiment I believe in wholeheartedly. A beautiful idea that mankind as a whole is fundamentally good, even though as you see in this film life takes relentlessly. Every character, from Charlie to his daughter Ellie, to his caretaker and lover's sister Liz, they have suffered. And whilst most of them are jaded cynics, Charlie believes the best. He sees his daughter's anger as passion and views her as good even when her mother is angry and outwardly claims her as evil.
Every performance in this film is fantastic. with only 7 members to its cast, with one only being a character seen for a total of around a minute with flashbacks, this film really allows you to feel each character's struggles. From Liz's pain to watching her brother's lover kill himself slowly, to Mary (Charlie's Ex) spouting her fears that she is what ruined her daughter. The film tells us that objectivity and the correct ways of writing are, to paraphrase its own words, bullshit, and we should all write something fucking real.
And I agree.
And the real truth is I fucking loved this movie. I cannot unbiasedly review it because all reviews lean on a bias. But I can promise you, that it is an emotional ride, that of every movie I've seen deserves awards. Brendan earned that Critic's Choice Award for Best Actor. But a case could be made for every other actor, Sadie Sink, Ty Simpkins, Hong Chau, Samantha Morton, and Sathya Sridharan gave exceptional performances, and every writer and every other singular person who worked on this film made real art.
So I hope that's real enough. That it captures even a singular atom of how brilliant this movie is. Because the truth is, this film is amazing.
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smileysuh · 2 years
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Hiii I have a question. So I'm part of your patreon and noticed something that I was simply curious about.
In your patreon posts sometimes certain words or phrases are bolded, usually when writers do that it's because they're following a prompt with that phrase...i was just curious if there was any particular reason.
Love all your work but I have to say meanie sandwiches are my fave 🤤
oooh yes hello!!!!
the short of it is: i like bolding words that have impact!
and the long of it is: an example-oriented analysis below the cut ;)
so just to start- i was taught in school that there's emphasis- and then there's... emphasis.
I've seen the emphasis on emphasis shown in this sentence told 7 ways-
1: I never said she stole my money
2: I never said she stole my money
3: I never said she stole my money
4: I never said she stole my money
5: I never said she stole my money
6: I never said she stole my money
7: I never said she stole my money
and when you add bolds- you can do even mORE with controlling just hOW people may read/verbalize what's being said into their own mind while reading, you know?
pacing- intense characters that have good control of the room are good with strong one-liners or just lines that do punch after punch-
for example
“See?” he practically purrs. “And do you know what that means, baby? That your pretty pussy is wet just from the sound of my fucking voice- It means you’re a sinner.” The gamer chuckles, then his mood shifts drastically. “What would your new little boyfriend think, hmm? Would he be turned on by the fact that you’re a needy little cockwhore? Or would he be upset- that you’re only ever a good obedient little slut for the master who trained you?” - paperclip
versus
“See?” he practically purrs. “And do you know what that means, baby? That your pretty pussy is wet just from the sound of my fucking voice- It means you’re a sinner.” The gamer chuckles, then his mood shifts drastically. “What would your new little boyfriend think, hmm? Would he be turned on by the fact that you’re a needy little cockwhore? Or would he be upset- that you’re only ever a good obedient little slut for the master who trained you?” - paperclip w/no bolds
boldened words make the reader slow down- they stand out from the paragraph- and yeah :) I've been adding them to be more precise with my vision for the dialogue of some of these dudes :)
and oof thank you for your patreon support and comment about loving meanie best- they're a pretty dynamic duo :) after a quick look through- Mingyu and Wonwoo don't have AS many boldened words as some other people i write for- *like hyuck* but they have their own interesting uses for bolds-
like in this line:
You feel bad because it had been your mistake, not Wonwoo’s- he had known all along- in fact, he’d even said, speak of the devil, and what does the devil wear? “Prada is in every season-” Mingyu continues while Wonwoo adjusts your thighs over his shoulders - celebrated
the boldened sections in this case kind of do a question and answer thing while also touching on a common saying "the devil wears Prada," but because the saying isn't a direct word for word, the bold was used to highlight the sentiment/flow of the repurposed phrase in a way that would visually make it more cohesive :)
it turns into something maybe more like this:
in fact, he’d even said[...] speak of the devil [...] and [what does the devil wear]? “[Prada] [...] is in[...] every season-”[...] Mingyu continues while Wonwoo adjusts your thighs over his shoulders - celebrate
writing is so fun- there are some rules, but for bold and italics- you can play around and i think there's so much more that can be added when you take your time at certain moments through a fic with pacing in bolds :)
goodness, hope this made sense :)
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x688plsloveme · 1 year
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I posted 2,540 times in 2022
48 posts created (2%)
2,492 posts reblogged (98%)
Blogs I reblogged the most:
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I tagged 536 of my posts in 2022
#not fallout related - 31 posts
#fallout 3 - 17 posts
#fallout new vegas - 10 posts
#fallout 4 - 9 posts
#my ocs - 8 posts
#👁️👁️ - 6 posts
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#point lookout - 5 posts
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Longest Tag: 78 characters
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My Top Posts in 2022:
#5
Replaying fallout 3 for the thousandth time because I'm mentally ill and it be like that sometimes
Anyway so I just got Charon and after he killed Azrukhal, one of the random ghouls said "Jesus Christ....123 years, what's the fucking point....."
So like. Either Azrukhal was 123 years old, or, and this is what I think, Charon was in his "employment" for 123 years. Which is a long time!!! I'd kill him too!!!
41 notes - Posted January 17, 2022
#4
I've seen people who literally want to date Yes Man and I was so confused cause why???? Until my latest playthrough and I started paying more attention to details and...I get it
66 notes - Posted August 2, 2022
#3
Magnolia Headcanons
Used to be a courser for the Institute, and was one of the first synths (not androids) to defect from them, taking a list of names that the Institute had replaced with synths with her
She refused to have her memory wiped, whether it was by the railroad or institute, so she changed her face and hair to look different
The one obvious thing she refused to change was her voice - she always enjoyed singing along to the radio when she was above ground
Wanting to pursue her passion was the final push she needed in leaving
She arrived in Goodneighbor since it seemed like a place where someone would ask the least questions about her past
She tells Hancock the truth about herself, and offers the document of names in exchange for him not immediately killing her. He reads the documents, recognizes a few names and tells her she can stay as long as doctor Amari can take some scans to make sure she isn’t carrying anything that could be relaying info to the Institute
And with that, she is able to live her own life
She takes the odd job for Whitechapel Charlie - waitressing for the most part, but if Hancock needs someone removed as quietly as possible, she’s the one to do it
Eventually, Whitechapel Charlie hears her sing as she’s cleaning up the bar and insists that she finish the song as best she can
He immediately hires her as a full time singer and sure enough, the bar’s profits sail through the roof
The Third Rail becomes the only jazz bar for miles around, and after her songs in Diamond City Radio’s playlist, people from all over come to hear her sing
She writes her songs and learns to compose them from an old woman who came from out of town
Magnolia’s songs truly become all hers then
She is very partial to flowers - she respects anything able to grow so beautiful in such an inhospitable place
Like all synths, she likes snack cakes
She hates any other thing sugary though, not used to such sweetness after living in the institute for so long
Her preferred method of fighting is hand to hand since it can be utilized well in a small bar like hers and hiding weapons in a dress is too much effort
that being said, she does convince Charlie to let her hide several guns throughout the bar in case there’s ever a time they’d be caught unawares
Part of the reason Hancock greets people who are new to Goodneighbor is so he can relay the information to Magnolia so she can sing “I’m The One You’re Looking For” when they get to the bar
They always get a little extra money that way
She also loathes heels, preferring comfortable boots, but Charlie’s complaining grates on her nerves enough that she complies
She gets her dresses specially made in Diamond City, even having some seasonal ones
She’s much happier singing than she ever was hunting down innocent synths for the Institute
80 notes - Posted March 27, 2022
#2
Companions react to Sole having a Just Dance holotape, and making them dance with them.
Here it is! The promised years old ask! I wonder if this anon will actually see this... Well hope you all enjoy!!!
"Oh my gosh, look at this!" Sole's excited yell startled their companion, and when they looked over to where they were excitedly tinkering with what looked like a projector, they became more confused than anything.
Having guessed their question, Sole was happy to tell them exactly what they were so hyped about. "This was a sort of dance-along holo that was really popular before the war. I never thought I'd see this again - some of my favourite songs are in this edition."
While their companion was glad that they looked so happy, the glint in their eye as they looked back at them made them hesitant to go near. Their intuition was correct because not two seconds later and Sole was dragging them in front of a projector, rambling about how they just had to dance together.
Ada: She was aware that she was still lacking in the "human emotions" department, but she couldn't fathom why anyone would try and dance with her as she is not built for such activities, but Sole assured her it was fine. Sole followed the actual moves less to try and incorporate Ada more while she moved around as best she could. She didn't enjoy dancing per see, but spending any time with a friend was valuable time indeed. 
Cait: If Sole wasn't her friend, she would have dropped kicked them the moment they tried to drag her in front of that god-awful game, and was not shy about expressing as such to them. Sole just laughed, the bastard. "Just try it! You'll like it!" Cait glared at them. "Doubt it." Sole started picking out a song and with an obvious fake nonchalance, said, "Well if you think you're gonna lose that bad, that's all you had to say." Cait took the bait, like always, and shoved Sole's hand away from their pipboy to pick the song herself. "As if you could ever beat me in anything! There! We'll do that one." Sole tried their hardest to not laugh at her choice - it was an expert-level song. It was definitely too much for a novice like Cait, and she was soon cursing at all the fast-paced motions and the idiotic figures on the screen that seemed to be mocking her. After a few rounds, she got fed up and threw the nearest piece of debris at the screen the projector was on, effectively ending their bet. Sole was now fully laughing and Cait was a tad embarrassed. Didn't regret it though.
Codsworth: "Oh, I remember this one mum/sir!" Sole laughed as they tried to dance with their clunky companion, spinning him around when all else failed. He was more than accustomed to their antics by now, and fondly recalled the other times they had seen them dance. Many times with their departed spouse, both slow and silly dances, but all of them saturated in the love they had for each other. He noticed how often they longed for their old life and how detrimental it was to them to experience such a drastic change along with the death of their loved one, so if dancing with him for a few minutes could bring back their bright smile for even a moment, he would be happy to oblige.
Curie: Being the most inquisitive, she readily followed Sole in front of the screen. She was amazed at all of the colours and designs that the holotape held, and was even more impressed by how fluid the motions were conveyed so one could follow them easily. The pair quickly got into the rhythm of the game and had tons of fun. It was exhilarating. Usually something this physically taxing would just end up with her cursing her sweat glands, but this felt different - she was having fun. Sole eventually broke away from the choreography to grab her hands and spin them around and only when they were both winded and dizzy did they let go, causing both of them to fall to the floor, laughing. Sweating sucked, but Curie was glad that she had a synth body so she could experience all of these new, fun feelings.
Danse: "I've seen this before." That stopped Sole in their tracks and they turned to look at him incredulously. He continued, "The Brotherhood prides itself in collecting all kinds of technology, even something as insignificant as this." A cheshire grin spread across Sole's face, and he was once again plagued by a feeling to get out of there, but it was too late and he had already allowed himself to get dragged along already. They said, "Insignificant, hm? So you've never actually tried it out before?" He sputtered as they went about choosing a song they thought they'd both like. "Of- Of course I haven't! Only the scribes and squires ever have access to them." He crossed his arms indignantly. Sole just kept smiling. "Well, prepared to have that changed today!" They put on an easy song and even though he complained so much, he gave in eventually and stiffly tried to follow the movements being shown on the screen. If he was a lesser man, he would punch them for the number of times they laughed at him for being so terrible at it, but he wasn't. And he was actually starting to have fun himself. He was still horrendous at it, but Sole's joy was infectious, and he found himself not caring so much about acting professional and just focused on enjoying the dumb animations and his great company. 
Deacon: He claimed that he had never seen anything like it before, so Sole was very much looking forward to beating him in every song and watching him fumble around. Of course, pride goes before the fall, and if there's any truth to life, it's that Deacon lies with every breath. Despite having years of experience on him, they were quite literally being humiliated with how much better he was than them. He aced even the expert-level songs, much to Sole's detriment. After an hour of trying out every song in hopes that he would be sub-par at the very least to no avail, they were collapsed on the floor, both breathing heavily and smiling wide. Not even Deacon could fake a smile that wide and genuine, so Sole felt like they accomplished something after all.
Dogmeat: Dogmeat didn't really understand everything that was being said to him, but he always loved it when people were excited! While Sole did their best to follow along with the holotape, Dogmeat did his best to weave between their legs, accidentally tripping them. He checked on the fallen Sole, licking their face as an apology, and was happy to see them laughing and not hurt at all. He hoped that they would take the weird light and sound thing since it made them laugh so much.
Gage: "No." His boss almost whined trying to get him to dance with them, but he was adamant and refused over and over again, but his conscious was eating away at him. He thought he'd be relieved to see them give up, but he just couldn't take their overly depressed look as they went to eject the holotape from the projector and shoved them back in front of the screen, gruffly saying to get on with it already. Their mood immediately did a 180 - it was so fast, he wondered if they were just pretending so they could guilt-trip him... Regardless, the song had already started and he'd be damned if he didn't do his best in front of his boss. He followed along as best he could, but between his own awkwardness and his armor, he wasn't accomplishing much other than making his boss laugh. 
Hancock: He was on board right away, curious about a piece of Sole's past as well as how it worked in the first place. When it finally booted up, he blinked in surprise. He didn't expect the dance models to look like something straight out of a trip. He liked it. He didn't really follow along to the dance moves though, he just did his own thing like always. As long as they were having a good time, what did it matter anyway? 
Longfellow: Lord in heaven help him - he hasn't danced in years. He couldn't even remember a time where he just casually danced just for the hell of it, but cap'n was just too insistent and he was just too old (and soft) to refuse. He did his little old man shuffle while Sole hit nearly every beat that showed up on the screen. Honestly, it was too flashy and fast for his tastes, but if cap'n was having fun, then he'd tolerate it.
MacCready: His first thought at seeing the game was that the kids back home would love it. His second thought was that he knows for a fact that he can't dance to save his life and would really prefer to not be made fun of. He tried to backtrack and leave, but Sole had a surprisingly strong grip when they were determined, so he had no choice but to be apart of what must be a sadistic social experiment on his psyche. His flailing arms and wildly kicking legs were more dangerous than funny though, and Sole found themselves dodging him more than they were actually dancing, which is funny on its own if you thought about it. After getting kicked for the third time on the shin, they finally put an end to it, much to MacCready's relief. Unfortunately for him, they informed him that they'd be doing this more often, using the excuse that he had to get good enough to not injure his son when he played it with him. Dam-. Dang it. Using his son like that was low - he had no choice but to agree.
Piper: She was a bit apprehensive, but her inquisitiveness wouldn't let her leave without experiencing a piece of the pre-war world first-hand. Plus, Blue was very obviously looking forward to playing it, and she knows how boring games could be when done by themselves. She was pleasantly surprised to 
Preston: His stumbling around was rather cute, but Sole had to be heartless to not take pity on him eventually and help him out. To be fair, he spends most of his time fighting the good fight, but to have no sense of  rhythm at all was almost sad. He was very determined to be half-decent, but let's just say that Sole was glad to be able to take the holotape with them so he could keep trying at home. There was no way he would be able to get this in one sitting.
Strong: He didn't like the sound of it, but after Sole told him it was a sort of training to help them move smoother, he was readily on board. He was very confident that he was doing every move perfectly, and Sole didn't have the heart to tell him otherwise since he looked like he was having so much fun. He was perfect for any overhead twirls though, and while being picked up like a couple of grapes by a giant mutant would terrify them, it was fun when it was Strong who they knew respected them too much to suddenly ragdoll them into a wall. On purpose anyway.
Valentine: He humored Sole for a little while, half-heartedly keeping up with the dancing figures on the screen, just letting them have their fun. His joints were a bit too rusted to do anything complex anyway - they knew that - and it seemed like they appreciated his effort anyway, so he wasn't worried. After they got their excited bout of nostalgia out of their system, he offered to teach them some dances he remembered the original Nick doing. Those songs were much slower, akin to dances like the waltz, but Sole didn't mind the tone change, and gratefully appreciated his lead. They didn't do much of this kind of structured slow dancing with their spouse back in the day since they were both too busy to take classes on it. They weren't particularly good at it, but Valentine lead well, and they found themselves enjoying this just as much as Just Dance. Good company leads to a great time regardless of what happens it seems.
X6-88: He didn't care how much he respected Sole, he would rather die than dance along to a silly little game like that. The bright menu screen seemed to be mocking him with its headache-inducing colours splashed across like a child's failed art project. Sole was a bit dejected, but understood, so they just took it with them. The actual problem arose when they introduced the game to a few settlers and they all had a blast playing it. His eye twitched. He should be the one standing next to Sole no matter what, not some random waster who could hardly do anything worthwhile. His resolve broke rather quickly, and he marched right up to the small group and pushed everyone aside and approached Sole. They looked at him quizzically, but before they could say anything, he remarked, "For someone as good as you ma'am/sir, only the best can stand beside you." They beamed up at him and expressed how happy they were that he was joining them. He would neither confirm nor deny that their response didn't make him feel a tad warm inside, but whether it was true or not, he ignored it in the face of a new mission: Prove That He Wasn't All Talk. He watched them do enough rounds that he had a good grasp on how to move, but if he was anything less than perfect, then he had no choice but to accept that he wasn't good enough to stand beside him. His pride was on the line here, even if no one else realized it. He only cared about Sole's opinion anyway, and as they danced, he noticed that they didn't really care about any mistakes, their own or otherwise. They were having fun with just this. After a while and he had started to work up a sweat, X had to admit that they might have a point with this game being fun - the way he used all of his body to carry out complex moves while the whole ordeal was perfectly harmless was rather enjoyable. Maybe next time, he would join purely because he wanted to.
129 notes - Posted March 23, 2022
My #1 post of 2022
Screw canon. Actually in Fallout 3 at the purifier, instead of LW's companions refusing to start it, they all fight over who gets to do it so LW won't have too
Fawkes owes them a life's debt and he'll repay it (plus he won't die)
Charon wants to repay the person who got him away from that bastard, and showed him kindness he never got before (also he won't die)
Butch wants to make up for all the terrible things he did in the past
Star Paladin Cross has seen far too many young people die in this wasteland
Clover is loyal to a fault
Jericho begrudgingly became fond of the kid, he wants them to have the chance at life he never did
439 notes - Posted April 26, 2022
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ritsuleo-moved · 2 years
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omg hi cloud so i remember i tried out miraculous ladybug at one point because i like to try out new media and i remember being so annoyed by the one episode i watched and afterwards i was like "i really could have used half an hour for so many other things instead of watch this mess" 😭 GOD the way i forgot her name marionette?? the way she fucking trips over air sometimes is so annoying like she thinks shes straight out of some slice of life anime and other shit i can go more and more on about ughh. glad you healed
HI LUKE!! yeah i'm not surprised that it annoyed you so bad sorry u went through that </3
i forgot her name after reading this if im honest hold on. marinette. yeah it's meant to make her a "cute clumsy awkward teenage girl" and keep some distance between her as a civilian and hero since ladybug is so put together but really it just comes off as annoying especially with how often it happens and like you said how she trips over nothing. every time i see her trip in the opening i get a little more annoyed
it does have some good concepts like personally i enjoy the function of kwamis and their jewlery and the idea of a ladybug/black cat superhero duo representing creation and destruction and the silly crush dynamic would be nice if it didn't suck but the execution of everything is so bad it's unforgivable
unfortunately i dont think ive healed yet i'm going to put the rest of this under a read more to spare everyone bc i have a lot of thoughts on this.
i've seen a lot of people say its a good show like. are we watching the same thing ? this fucking sucks. the writing is horrendous and its being dragged out unnecessarily. when they actually do something interesting it's immediately scrapped. as an example, the bully character chloe was on the track for redemption and then they went "nevermind" and replaced it with bringing her nicer sister in because the creator got mad that people are capable of change and said that this 14 yr old character didn't deserve redemption. and that's not an exaggeration he went on a twitter rant about it. the creators being shit (thomas astruc specifically in this case) is an entire other topic i wont get into just know that they should die :|
also the characters going back on development isn't a one time thing. this is a smaller example that doesn't matter much but still made me mad, but marinette's best friend alya is suddenly convinced that she's just being jealous during an episode where adrien is being forced by his father to go on a trip to model with another girl. it makes no sense since alya and marinette have been friends for a while now, so i don't think she'd be as dismissive.
and of course the "lovesquare" between marinette and adrien aka ladybug and chat noir. the showrunners Know that they've always appealed to not only a younger demographic but shipping culture or whatever its called as well like that was probably their main goal which is why they use the main characters' relationship as a "will they won't they" so heavily even now. it gets people to keep watching
there's an episode where they finally reveal their identities and start dating but then there's a whole bunch of time travel shit and it's a prime example of them dragging it out on purpose. like its the laziest and strangest copout ive ever seen. they literally just went yeah here's the relationship they Could have but because of their love chat becomes evil in the future ! or at least thats what ladybug thinks ! so now they cant get together because she thinks their love destroys the world like. are you kidding me?
also going back to the point of character development there's more than 2 miraculouses of course, the ladybug and black cat are just the main two. and eventually basically everyone in the same class as adrien and marinette get their own miraculous and this causes conflict between the two because she keeps calling on other heros instead of her original partner. marinette ends up saying something unecessarily mean to adrien and he decides to… completely give up on being a hero because of it?
he leaves his miraculous on a rooftop all alone (dangerous because there's a literal supervillain who has been trying to get these to destroy the world) and discards his kwami (who is basically his best friend and is attached to the miraculous). i cannot stress enough that he would never do this. adrien's only freedom in his daily life is being a superhero and to give that up is unthinkable. his days are planned out for him down to the minute by his extremely controlling father and he finds no joy in the things he's forced to do, but he does find joy in being a superhero and getting to actually express himself outside of his father's curated image of him as chat noir.
also lastly just some things i would change off the top of my head:
the design of the hero suits. they aren't good or age-appropriate even a little bit and it really annoys me. i saw someone redesign them so they look like teenagers actually made them and i really liked those designs. if i find them again i'll link it here
the sheer amount of miraculouses there are. i wish there were less but unfortunately it makes for good toy marketing and a lot of hype around the reveal of a new hero or miraculous combo. i think it's just unecessary to have so many though especially to the point of everyone in the same class having a miraculous. at that point it shouldn't be hard for the villain to figure out their identities
sorry that was really long <3
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not jealous | jake sim
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summary: jake sim is not a jealous person. at least that's what he tells himself. so why does he find himself going through your phone when a certain "bluejay park" decides to text you?
pairing: jake sim x y/n [ft. mentions of jay park]
genre: angst, fluff 
warnings: angst, cursing (very minimal), one slightly suggestive sentence, jake being cute, some more angst lol, slightly cheesy bc jake’s just too cute ugh
wc: 3.8k
a/n: ok i loved writing this, which is why i went on to almost 4k words LOL oops. but anyways, i love jake a little too much and this type of scenario has been running around in my head for a while now so i decided to put it into words. also i may have created this blog just so i could post this somewhere LMAO anyways yeah this was my first fic so hope you guys enjoyyyy <3
Jake Sim is not a jealous person.
At least that's what he tells himself. To be fair, in his past relationships, he never showed any jealously. Then again, he doesn't know if he can call those relationships, "relationships". Does a fifth grade relationship with a girl who he was once dared to kiss during a game of Truth or Dare in the basement of a classmate's house during their 11th birthday party count? He doesn't remember being jealous when the same girl was later dared to kiss his classmate, Sunghoon. (Funny enough, that's how the two boys came to be best friends 'til this day, but that's a story for another time.) 
But really, Jake doesn't think jealously is one of his traits, even if he's now almost 20 years old without any experience with love other than his current relationship with you and that short-lived romance in the fifth grade. (What was her name again? Jake would have to ask Sunghoon later.)
So he doesn't know what clicked in that brain of his that lead him to this current situation he was in. He doesn't know why he felt a little spark of anger in him when your phone, which you left right next to him on the couch while you went to take a shower, kept buzzing with texts from "bluejay park". He doesn't know why he couldn't kept his eyes distracted from the messages, although your phone was constantly lighting up because whatever it was Jay had to say to you, he would not shut up about it. He doesn't know why he questioned what your relationship with Jay was for a split second.
In fact, you're close with all of Jake's friends. That's one of his favorite things about you, you get along so well with all his friends you might as well replace Jake himself in the friend group. So he doesn't know what tells him to take a little glance at your phone—at the messages.
But he finds himself doing it anyways.
Hearing that the water in the shower was still running (you were always the type to take long showers), he quickly grabs your phone and scrolls through the lock screen just to find that he couldn't even read the messages since you had your notifications set so no one could read them unless the phone was unlocked (darn you and your settings!) Thankfully, Jake knew your passcode––and you knew his too––or he thought he did. Until the iPhone vibrated, telling him the passcode was wrong.
He must've entered it too fast or something. So he tries again.
And again.
And again.
Until the iPhone switches its screen to say: "iPhone is disabled. Try again in 5 minutes."
There's no way. You never change your password. And even if you did, you would tell him—you two even had each other's fingerprints saved into each other's phones in the past (you know, before the world decided that Apple's home button was too lame and decided to just completely get rid of it). If there was an option to save multiple faces for Face ID, you two would be that couple that saved each others faces in your own phones.
That being said, Jake sat there, your phone in hand, frozen. Why was your phone locked? Why was Jay texting you 10 texts per second? Why did he feel guilty about this entire situation?
He hears the shower switch off and in that moment, he swears he feels his heart beat just a little faster. He tells himself there's no way you'll be out before the 5 minutes are up. You followed a really meticulous skincare routine (one that Jake memorized by now) that took an extra 15 minutes of your time after each shower.
"Hey Jake?" Your voice calls out from the tiny bathroom door crack that you left open before you hopped in the shower, "Is my phone out there? Do you mind bringing it to me?"
Fuck.
Jake shifts on the couch. Taps his foot on the ground. Returns your phone to its original spot. Clears his throat.
"Don't you want to get dressed first?" he calls back, quite timidly.
He can hear you stop moving around in the bathroom. Probably telling yourself what an odd response that was. To be fair, it was an odd question, considering the fact that you two have been together for so long, it’s not like he hasn’t seen you undressed before...intentionally or not. 
Next thing he knows, the steam is rolling out of the bathroom door and you're stepping out in your towel, eyebrows raised.
"If you didn't want to get up from the couch, you could've just said so, you lazy butt," you smirk at him as you walk towards him and the couch, leaving a faint trail of water drops behind you. Jake's eyes follow your figure as you go to grab your phone and lift the screen towards yourself.
That's when he freezes. You do too.
You cock your head, as if asking yourself why it was disabled. He can hear the gears in your head turning.
"Jake, did you try to unlock my phone?"
He runs through all the possible excuses he could blurt out. Come on Jake, think of something! But he knows he can't lie to you.
Too many beats of silence pass by.
"Maybe," he finally says—or more like murmurs. He looks up to you like a child looking up at their mom, who just them caught stealing a cookie from the cookie jar. To his surprise, you don't show any hint of anger. A flash of confusion—and is that worry he sees?—crosses your face for a split second before you shrug and turn towards your room to change, dropping the subject. It was natural for you two to use each other's phones anyways. So then why did you have that look of worry?
Jake knows you well, a little too well. But that's what you love about him. He can easily read all your emotions. One of the many things he picked up from dating you for almost two years now. But why would you care if he tried to get into your phone? Why would that worry you? All the possibilities run through head and his own worry begins to increase. He trusts you. He does.
So then why does the thought bother him throughout the entire day? Why does he bring it up during dinner later that night, when you're both cuddled on your sofa, slurping take-out ramen while rewatching your favorite k-drama under the thick blanket that you always keep in your living room for nights like these?
"Huh? Of course I've heard from Jay today, we had that conversation about that stupid meme you boys kept laughing about in the groupchat we're all in, didn't we?" You answer him when he asks if you've heard from Jay lately. You sit up from your warm spot under Jake's arm to put your empty bowl on the coffee table in front of you. When you lean back, you look up at him,
"Why do you ask?"
"Oh, it's nothing, just wondering," he says, avoiding your eyes by keeping his own trained on the series currently playing on your TV. This would be your third time rewatching this series together. He would never complain to you though, he knows how much you love it and if he were being honest, he was secretly attached to the characters—not that he would ever tell you, he would never hear the end of it from you and the boys.
"You're being weird. Just tell me, or did you forget that I can practically read your mind," you say with a giggle and shove to his side, the one you were currently warmly cuddled into. Jake wasn't the only one who learned how to read emotions; you could read him just as well as he could read you. And like you, that's one of the many things he loved about you. But maybe not in this case.
He toyed around with the contents inside his ramen bowl with his chopsticks.
"I just..." God, how does he word this? Why was he having trouble explaining it? You were the easiest person to talk to. To him, you were the only person he could tell everything to.
"Jaywastextingyouabunchearlier," he blurts out quickly, but not quickly enough for you to miss it.
He feels you shift under his arm. He feels the air in the room shift. Tension.
"What?" Now you're sitting upright, legs criss-crossed in front of you on the couch but turned, so your body is completely facing him. He mirrors you, sitting up to put his ramen bowl next to yours on the surface, but he stays facing the TV.
"Your phone kept going off because of him when you were showering," he says with a little more confidence. But inside, he was nervous as hell, the same nervous as when he asked you out for the first time many moons ago. But it's too late to back out now, he brought it up first, anyways. Guess we're having this conversation now, good going Jake!
"Is that why you tried unlocking my phone earlier? I mean I thought you were just trying to leave selfies on my phone like you always do but you were trying to read my texts?" You question, slightly raising your soft voice. He doesn't know how to react, he hates confrontation.
"It wasn't like that, Jay just kept spamming you and like I—why was he even texting you in the first place? Then your phone got disabled because you changed your password, which you never do by the way, so I–"
"I changed it because my little sister kept getting into my phone when I went to visit my family yesterday! Did you really think I was hiding something from you? You know I can text whoever I want, right? You don't own me."
Okay so now he's managed to make you angry. Good going Jake, part 2!
"Okay but what does Jay need from you so bad that he has to send you like 50 messages at once?" He's standing now. So are you, eyebrows furrowed together as you collect your bowls from the table.
Standing there, bowls in hand, you say, "Jake, that's none of your business! It wasn't even that big of a deal, I don't know why you felt the need to nosy around."
"Well, if he's texting you non-stop, then obviously it's a big deal! We wouldn't even be having this conversation if you would just tell me what you guys were talking about," he murmurs back, eyes narrowing. You scoff as you trail into your kitchen. He follows behind and stops at the other side at your kitchen island as you place the dirty dishes into the sink.
"No, we're having this conversation because you obviously don't trust me! It doesn't matter what we were talking about, it doesn't matter who I was texting! I could be texting your mother and I shouldn't have to tell you what we were talking about! That's why we're having this conversation," you say as you turn back to face him from the other end.
He hates this. He hates fighting with you (which is a very, very rare occasion). He hates that you think he doesn't trust you. He hates his insecurity eating at him, telling him to keep questioning you on why you and Jay were talking in the first place. He was aware that you were close with his friends, but it wasn't until the texts he realized just how close you are with them. It's not that he didn't trust you, he just didn't know how to act when it came to you and other guys. God knows how he got lucky enough to meet you, let alone date you, so the thought of him losing you to someone else actually terrified him. Not only were you his first real relationship, but he wanted you to be his first and only one in life. You were it for him.
"Why did he text you." He deadpans from his side of the kitchen.
You scoff with a hint of exasperation. "You're kidding me."
You stare at him. He stares back, quirking an eyebrow, as if restating the same question back, as if testing you.
You're fuming now. Why was he making it so hard? Why was he doubting you? Out of frustration, you start laughing, which scares him. That can't be good.
"Fine. You wanna know so bad? Take a look,"  you're one tone level away from screaming as you take your phone out of your pocket, unlock it, and open up your conversation with "bluejay park", sliding the phone across the island to reach him.
Jake stares at the phone which now lies there, unlocked, facing him. Isn't this what he wanted? It is, right? That's why he started this dreaded argument with you in the first place.
Then why does he feel so fucking awful?
He looks back up at you, to see you sighing and looking up at the ceiling, as if trying to force your forming tears back into your eyes.
Yup, he feels horrible.
"Happy? Happy to know we were just trying to plan a surprise birthday party for you but you and your jealously just had to know huh, Jake?" You quickly state, voice cracking, as you tried not to choke up. You weren't sad that he found out about the surprise. You were sad that it felt like he didn't trust you. That he thought you were the type of person to do god knows what behind his back. You hated the feeling of not being trusted. Especially by Jake, of all people.
"Fuck."
Jake's face (and heart) falls with the most broken expression you've ever seen. But you're too sad, angry, tired (a mix of all?) to care. Your only goal right now is to not let him see you cry.
You hurry past him, across your apartment, and into your bedroom, slamming the door behind you, leaving behind a shocked, and regretful, Jake.
His heart shrinks when he hears the door slam shut and a little more when he looks down at the still unlocked phone in front of him. He didn't have the heart in him to look at it anymore. Of course he trusted you, he knew what you said was the truth.
He mentally screams at himself for assuming the worst––for thinking that you, a literal angel, would betray him.  First, he thought he was losing you to someone else. Now, he was afraid he just lost you through his own actions. 
He hesitantly sulks over to your door, softly knocking when he reaches it.
"Y/N?"
No response.
"Y/N, I'm so sorry. I didn't know, I let my—”
"Jake just please leave me alone for now," he hears you painfully say from a distance, meaning you're on your bed. He knows the door's unlocked—the lock on your door hasn't been working for a long time now, despite the many times he tells you to talk to your landlord about it. But he doesn't find it in him to open it. He knows he messed up. If he saw you in there right now, crying, he wouldn't know what to do. He wouldn't know what he would to do himself, knowing he was the reason behind your tears.
He nods in silence, knowing you can't see him, but does so anyways and returns to his spot on the couch. He could leave right now, go back to the dorm with the rest of the guys, let you have your space like you wanted. But his heart hurts at the idea of leaving you sad, angry, or a combination of both. He can't leave this unresolved. He fucked up, he has to fix it.
And so he sits on your couch for another hour. The clock on the wall behind him continues to tick as the silent tension in your apartment continues to grow. When it hits 11pm and he's sure you've slumbered off into sleep, he quietly enters your room.
He can see your figure in the dark, your back facing the door as you're curled up into yourself under the comforter. He feels his heart drop a little more when he imagines you crying in that position from earlier. He slowly peels the comforter open and gets into his side of the bed, careful not to bother your sleeping figure.
Laying there, staring up at the ceiling, he's never felt more like a stranger in your bed. It's not that he hasn't slept over before, god knows he's probably slept over at your place more than he has in his own bed. But right now, in this moment, he just felt awful. Like he didn't deserve to be in such close proximity to you. How could he be deserving? He violated your privacy, made you feel like you weren't trusted, doubted your relationship.
These thoughts run through Jake's head as he stares up at your ceiling fan, wishing he could turn back time to a few hours ago, before he checked your phone, before he let his insecurities get to the best of him.
You can feel the dip he makes in the bed behind you when he gets in. Of course you're not asleep. There's no way sleep could reach you when you had the recent events constantly replaying in your head like a broken record.
You knew Jake with all your heart. You didn't have to look at him to know he was probably laying there, hurt, staring up at the ceiling, drafting what to say once you wake up—or once he knows you're actually still awake.
You decide to break the tension by turning to lay on your other side, facing him.
You were wrong. Thanks to the little sliver of moonlight shining through your sheer curtains, you can see him, now laying on his side, already looking at you with so much regret in his eyes. You can almost hear the cracks in your heart physically forming.
His eyes widen when he realizes you're still awake. He opens his mouth to say something, but not before you quickly shift over to his side of the bed and embrace him in a tight hold, burying your face into his chest. Without any hesitation, he returns the gesture, arms holding your body as close to him as possible. As if once he let go, he'd lose you forever.
He lets out a sigh of relief as he breathes you in. He didn't even know he was holding his breath all this time.
"I'm so sorry. I'm so, so sorry Y/N," he mutters into your hair. He feels his hoodie getting wet from where you buried your face. He pulls you closer, if that's even possible, feeling his own eyes heating up with sadness. He would never forgive himself for making you feel this way.
"You know I trust you right? Please know that. I shouldn't have assumed the worst when I saw your phone. I...I let my insecurities get to the best of me."
You move your head from its home on his chest to look up at him, as if asking him to elaborate. This was new to you, you didn't know he held insecurities in your relationship. But it wasn't because of you, no, you were his entire world. Losing you meant losing everything.
Jake's never been the best at saying his feelings. That's why it took him so long (with the help of his six best friends) to finally confess how he felt about you. He was afraid of letting people in if they could easily walk out. Maybe that's why he never let anyone into his life before you. But oh, were you an exception. The second he met you, he knew he was fucked. But thank god he did, because thanks to you, he's been able to be more open, more vulnerable. He's able to talk to you about anything and everything. He doesn't have that same fear of losing people anymore, not when he has you in his life to reassure him every step of the way. But right now, in this moment, he doesn't know how to tell you that his new fear was, in fact, just losing you.
The sheer idea of you not being a part of his life anymore terrified him. 
"I hope you know you're never going to lose me Jake, if that's what you're insecure about," you softly mutter as you wrap your free arm that's not stuck in between both your bodies around him to gently play with the ends of his hair. It's as if you could read his mind, he loves that you know him so well.
"It just sucks that you could even think I would ever do something as awful as what you were assuming...with one of your closest friends nonetheless," you continue.
"I know. I know, and I feel terrible. I'm so sorry. I know you would never do anything remotely close to that, and I know you would never intentionally try to keep anything from me," he sighs. He shifts so he can lie down on his back, bringing you with him to lie on his chest, never letting you go once. "It's just...I just don't know what I'd do if I ever lost you Y/N. Everyday, I ask myself what heroic thing I must've done in my past life to deserve this life with you and I can't help but think you could just as easily be stripped away from me."
As much as your heart breaks listening to him rant, you feel your love for him grow even more. You knew how hard it was for him to put his true emotions into words, and him telling you this reminded you how much trust he had in you.
After some moments of silence, moments of him drawing random shapes onto your back, moments of you two just holding each other like it was the end of the world, you speak up.
"I love you. I'm sorry for making you doubt yourself—"
"No, it's not your fault, I can't help but think things like that. I just don't know what I did to deserve you, and I know that I need to be mo–"
"Babe let me finish," you say with a little giggle in your tone. He immediately stops and mutters a little "sorry". How cute, you tell yourself.
"I was gonna say," you look back up at him so you're making direct eye contact now. "You're the only one that's ever on my mind, Jake. I can't help the way you think, but I can assure you that there is no one else I would rather be with. And I mean that for the rest of life."
You snuggle back into the comfortable hoodie he's currently wearing (you make a mental note to yourself to steal it from him later) and decide to ease the tension,
"So you're stuck with me for life, sorry to inform you Mr. Sim."
Jake lets out a laugh, looking down at you to see you returning his smile with a cheeky one.
"I love you. So much," he says so sincerely, so genuinely, that you almost tear up again from how content you were. Now you were asking yourself, what did you do to deserve him?
Jake Sim is not a jealous person.
No, he just loves you.
A lot.
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lovesongbracket · 1 year
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Reminder: Vote based on the song, not the artist or specific recording! The tracks referenced are the original artist, aside from a few rare cases where a cover is the most widely known.
Lyrics, videos, info, and notable covers under the cut. (Spotify playlist available in pinned post)
Your Song
Written By: Elton John & Bernie Taupin
Artist: Elton John
Released: 1970
The song was composed and performed by Elton John but the lyrics were written by Bernie Taupin. It originally appeared in his self titled and second album. Elton John hadn’t come out of the closet yet, but Bernie Taupin knew, which is part of the reason why the lyrics avoid using gendered pronouns. In a 2013 interview with Rolling Stone, Elton John said: “What can I say, it’s a perfect song. It gets better every time I sing it. I remember writing it at my parents' apartment in North London, and Bernie giving me the lyrics, sitting down at the piano and looking at it and going, ‘Oh, my God, this is such a great lyric, I can’t fuck this one up.’ It came out in about 20 minutes, and when I was done, I called him in and we both knew. I was 22, and he was 19, and it gave us so much confidence. ‘Empty Sky’ was lovely, but it was very naive. We went on to do more esoteric stuff like ‘Take Me to the Pilot,’ of course, but musically, this was a big step forward. And the older I get, the more I sing these lyrics, and the more they resonate with me.”
[Verse 1] It's a little bit funny, this feeling inside I'm not one of those who can easily hide I don't have much money, but boy if I did I'd buy a big house where we both could live [Verse 2] If I was a sculptor, heh, but then again, no Or a man who makes potions in a traveling show I know it's not much, but it's the best I can do My gift is my song and this one's for you [Chorus] And you can tell everybody this is your song It may be quite simple but now that it's done I hope you don't mind, I hope you don't mind That I put down in words How wonderful life is while you're in the world [Verse 3] I sat on the roof and kicked off the moss Well, a few of the verses, well, they've got me quite cross But the sun's been quite kind while I wrote this song It's for people like you that keep it turned on [Verse 4] So excuse me forgetting, but these things I do You see, I've forgotten if they're green or they're blue Anyway, the thing is, what I really mean Yours are the sweetest eyes I've ever seen [Chorus] And you can tell everybody this is your song It may be quite simple but now that it's done I hope you don't mind, I hope you don't mind That I put down in words How wonderful life is while you're in the world [Outro] I hope you don't mind, I hope you don't mind That I put down in words How wonderful life is while you're in the world
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She Will Be Loved
Written By: Adam Levine & James Valentine
Artist: Maroon 5
Released: 2002
“She Will Be Loved” is the third single released from the band’s 2002 debut album, Songs About Jane. The song peaked at number five in the US (becoming their second top ten there), number four in the United Kingdom and number one in Australia (for five consecutive weeks). As of June 2014, the song has sold more than three million copies in the United States.
[Verse 1] Beauty queen of only eighteen She had some trouble with herself He was always there to help her She always belonged to someone else [Pre-Chorus] I drove for miles and miles And wound up at your door I've had you so many times But somehow, I want more [Chorus] I don't mind spending every day Out on your corner in the pouring rain Look for the girl with the broken smile Ask her if she wants to stay a while [Post-Chorus] And she will be loved And she will be loved [Verse 2] Tap on my window, knock on my door, I Want to make you feel beautiful I know I tend to get so insecure Doesn't matter anymore [Pre-Chorus] It's not always rainbows and butterflies It's compromise that moves us along, yeah My heart is full and my door's always open You come any time you want, yeah [Chorus] I don't mind spending every day Out on your corner in the pouring rain Look for the girl with the broken smile Ask her if she wants to stay a while [Post-Chorus] And she will be loved And she will be loved And she will be loved And she will be loved [Bridge] I know where you hide Alone in your car Know all of the things that make you who you are I know that goodbye means nothing at all Comes back and makes me catch her Every time she falls, yeah [Pre-Chorus] Tap on my window, knock on my door, I Want to make you feel beautiful [Chorus] I don't mind spending every day Out on your corner in the pouring rain, oh Look for the girl with the broken smile Ask her if she wants to stay a while [Post-Chorus] And she will be loved And she will be loved And she will be loved (Please don't try so hard to say goodbye) And she will be loved [Outro] Please don't try so hard to say goodbye (Yeah, yeah, yeah, yeah, ooh) Please don't try so hard to say goodbye (I don't mind spending every day, ooh) (Out on your corner in the pouring rain) Please don't try so hard to say goodbye
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pale-silver-comb · 4 years
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So I know absolutely nothing about Leverage except what I've been seeing you post lately and I have to admit you're making it look tempting to watch! Can I ask what are some of your favorite things about the show/reasons you would suggest people watch it? And is there really a poly relationship that is canon?
Okay. Okay, okay, okay, okay, okay. I am going to do my best not to just “asdfghkjl” at you and answer coherently.
In a nutshell, Leverage is about 5 people. 4 are criminals (Parker, Hardison, Eliot and Sophie) with different and unique skill-sets and 1 is an ex-insurance investigator (Nate) who, at one point or another in his career, has tracked down (or at least attempted to) the other 4. The whole show is essentially: man reluctantly reforms 4 criminals to use their criminal powers for good and 4 criminals move into man’s life and stubbornly refuse to leave because, goddammit, now they have morals. 
I’ve got a lot of favourite things about the show but the main ones are as follows:
1. Found family. And I’m not talking about loners who come together to fight crime and happen to co-exist to the point where they realise they happen to have found themselves a family. I mean, Nate and Sophie are the Drunk Uncle and Wine Aunt who somehow become Mom and Dad to 3 beautiful criminal children. Mom and Dad love their criminal babies and the kids love them (as well as each other, but we’ll come to that in a moment). You get amazing family moments such as: Mom and Dad packing the kids lunch before sending them out to kick corporate greed’s ass; Mom and Dad giving the kids ridiculously expensive and personal Christmas presents causing their most Grumpy Kid to go very very quiet and soft as he runs off to gleefully play with his new murder toy; the kids interrupting Mom and Dad’s big Movie Style Kiss to ask if they can please keep their new underground layer and huffing and puffing when Dad tells them no.
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2. Found family: the OT3 edition. To answer your question, the OT3 is indeed canon, confirmed by the creator. Now, usually, “confirmed by the creator” infuriates me because most of the time it’s a way for a creator to be seen as “progressive” without doing anything to actually be progressive. That isn’t the case here. The OT3 are built up carefully and while it is obvious the creators didn’t originally intend for all 3 of them to become a relationship in the romantic sense, by mid-season 5 we are given a very clear picture of where Parker, Hardison and Eliot are heading in their relationship. There aren’t any kisses at the end to signal this but there are solid marriage vows in not only one but two episodes. (And by marriage vows I mean literal equivalents of marriage vows: “for better or worse” and “’til death do us part”. I’m not even exaggerating). The OT3 also doesn’t need explicit romantic narratives to convey how much they love each other. Their love is laced through the whole show, from the way they teach each other things to the way they respond to each other and work as a unit. The way they fiercely protect and admire each other. Like someone once said, if you need characters to kiss or say I love you to let the audience know they love each other, you are writing them wrong. 
Aside from that, each of the parings in the OT3 are just. Gah. They are so well done, with friendship being the solid basis for them all. The creators never expect the audience to assume anything about them or fill in the gaps. They give us their relationships on screen and reference many things off-screen to show us how these relationships continue to build in between episodes.
Hardison and Parker are a canon couple and date in the show: it’s approached slowly and they are so goddamned sweet. They are basically every fluffy slow-burn trope with a healthy dash of mutual pining in the mix. They are basically that quote “love is patient, love is kind”. (I would like to add their romance never becomes the focus of the show or overrides the importance of any other relationship they have with the other characters, especially Eliot.)
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Hardison and Eliot are the Old Married Couple and from day one are already bickering and looking at each other/making comments that are found in every UST fic ever (not to mention Hardison has a very good knack for making Eliot grin like a little kid, when usually he’s basically an Angry Little Chef Man). They argue, they play, and love each other plain as day. 
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Parker and Eliot are more subtle but every bit as wonderful. They have an unspoken connection and understand each other on a level no-one else can. Parker and Eliot are not good with giving themselves over to affection for different reasons (and Hardison plays a central role in helping them realise it’s okay to want it and have it- that boy has endless patience) but there is something so beautiful in the way the two of them come together on their own and develop their own special bond that works for them. Parker and Eliot are that trope where the characters don’t need to speak to understand each other perfectly. They just do. Their love language is a lot of the time non-verbal but speaks volumes. (Parker also likes to annoy the hell out of Eliot and Eliot....just.....lets...her. Because he’s soft. The softest, grumpiest boy.) 
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I could go into so much depth for each pairing and their dynamics as a 3 but that's for another post.
3. Subverting stereotypes. There is the occasional hiccup in the show regarding stereotypes but ultimately, Leverage gets an A+ when it comes to writing characters and making them 3 dimensional people who are not defined by certain characteristics or events. Nate could so easily fall into the White Man Pain trope where he uses the trauma of losing his kid as a reason as to why he is entitled to act like a dick. Nate is a dick but he doesn’t use his pain to excuse it and I appreciate that. Hardison is a black man who is soft and nurturing. Easily the most empathetic and patient of the group. He’s nerdy, an actual genius, and has the biggest heart of all the characters. Nate is maybe the glue but Hardison is definitely the heart. Media’s usual aggressive, amongst other, racist stereotypes can fuck right off. Parker is canonically autistic (I am sure this was confirmed by one of the creators) and she is not defined by it. It’s not written as some kind of singular personality trait. It’s part of what makes up Parker but it’s only one facet of who she is and not once is her actions, thoughts or feelings treated like a joke. Sometimes people don’t understand why she does and says the things she does but it’s met with patience and fondness over the course of the show. Equally, it’s not met with over-caution. Parker is just Parker. No-one tries to change her. The other nice thing is Hardison, who always makes sure Parker knows she’s amazing because of who she is and not in spite of it. Finally, Sophie is in her 40s. She’s not treated like she’s past her prime. Ever. She’s sexy, smart and never is she pitted against or compared to Parker (who is younger) for anything. Sophie is amazing and there’s never even a conversation of “I may be older but I am still *insert adjective typically associated with younger women here*”. Sophie is possibly the first female character I’ve ever seen who isn’t just unapologetic about her age but has never had to apologise for her age. It’s a non-issue and that’s that. The women on the show are written so well, right down to secondary characters and it’s beyond refreshing.  
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4.) It’s just fun. The show has a “monster of the week” type format. Except instead of a ghoul or a ghost, the monster is some corrupt wealthy and powerful individual or organisation. The show draws on real-life individuals to do this and therefore closely parallels real-life people and events. It addresses important political, economical, social and environmental issues while at the same time remaining fun and light-hearted. The characters constantly get the chance to play dress up and by GOD do they have fun with it. You get to watch Eliot beat up bad guys in the most delightful of ways, usually after a witty non-sequitur and with a weapon you’d never think could be a weapon. The dialogue and back and forth between the characters is everything. And finally - my favourite thing- the team can never resist striking a dramatic pose after they’ve taken down the bad guy, making sure the bad guy sees them. I mean, they COULD just walk away, satisfied they’ve taken the person down, but nope. They gotta be dramatic bitches 24/7 and pose like they are models for every single month of this year’s Criminal Calendar.  
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5.) Competence Porn. So. Much. Competence Porn.  
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Honestly, I could list a thousand reasons for why Leverage is amazing but to list them would to be spoiling so many amazing moments you’d get to discover for the first time on your own if you do choose to watch it. It’s the kind of show you can watch with an eagle-eye and sink your teeth into. But it’s also the kind of show if, you would prefer, put on in the background for something entertaining while you do something else. Each episode is about the job at hand but it’s made up of so many moments between the characters that show how much the creators and writers care about them. You’ll laugh, you’ll cry, you’ll do whatever it is you do when something Soft and Wonderful happens that makes your heart melt. I am so beyond grateful for Leverage. It’s everything I always wanted in a show. Nearly every show I’ve watched in the past 10 years has disappointed me in some way, usually either because the writers run out of steam or characters who I love are treated poorly or given some kind of unnecessary “shock value” arc. Leverage doesn’t do that. Leverage is what it says on the bottle. Fandom isn’t something I joined because I needed canon fix-its. Fandom only enhances and celebrates an already excellent canon. 
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danny-chase · 3 years
Text
Warnings: violence, blood, realism in comics, me mentioning things stans want to ignore to make a point, you don't have to consider them canon, I'm just making a point don't hurt me
Right. Been seeing dialog about Jason's decision to give up guns that i feel is missing a few points.
1. Bruce is traumatized by guns. Yeah he jumps in the line of fire every night but that doesn't mean he isn't scared of/triggered by them:
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[Image ID: Oracle!Babs and Robin!Tim roll/walk through the clocktower. Babs: (about guns) Hates them. But doesn't fear them. Tim: Not the way he jumps in the line of fire night after night. Babs: Line of fire... Babs: I was afraid of them for a long time. I'd go faint at the sight of a gun on TV. Tim: You have reasons, Barbara. So does Batman. Babs: But I. worked through them. Babs: Maybe Bruce hasn't. Maybe he's not the rock we thought he was. Tim: He bought a gun as therapy? Babs: Look at the facts. He bought it just like any other citizen. Like he wanted to experience it as someone else would. Tim: I don't think- Computer: Keyword media search alert. Tim: What's that? End ID]
Birds of Prey (1998) #40
Bruce's opposition of guns is partially based in trauma - it's not completely a moral stance or completely logical rule. Jason giving up guns is for himself, but it allows him to be closer to Bruce and for Bruce to be more relaxed in his presence -> can make their relationship closer.
2. [X] weapon isn't even lethal. Getting cut/hurt + no health care = possible death from infection -> shooting a henchman with regular bullets in the foot can be lethal. Or cutting them with a batarang.
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[Image ID: A girl walks home getting off the school bus. Girl: "Mama, I know you don't want to hear this, but --" She opens the door to an empty run down house. Girl: "Mama? Mama are you --?" She opens up the bathroom door, revealing her mother sweating and bleeding out on the ground, trying to press a towel to a wound on her side. Her mom is wearing a henchman outfit for the H.I.V.E. Girl: "Mama!" Mom: "Why -- Why are you home so soon?" The girl holds her mom in a sitting position. Girl: "This isn't the flu. You said you had the flu." Mom: "I -- I will be better soon. I just need to rest." Girl: "You need a hospital, mama." Mom: "No. If they find out -- they'll take you away from me. Send me back to Guatemala." The final panel shows a wisp of Ravens cape, the view zoomed out. Girl: "I know you want to protect me, but you need help now -- no matter what happens later." Raven: "Maybe I can help." End ID]
Titans: Titans Together #4
Similarly could ppl stop acting like rubber bullets are non lethal, everything the batfam uses can be lethal and cause scenes like above. Literally none of them can claim moral high ground they've all thrown batarangs in people's faces (off the top of my head, Jason nailed Dick with one in the face in BoC and Bruce got Jason in the neck in UTRH so there's the two characters at odds).
3. Jason/Bruce has never hurt an undeserving person. Jason isn't a mass murderer and you're slandering him. Bruce is the best dad ever you're an idiot for thinking otherwise.
...did you miss the times he tried to kill Tim? Or sprayed Dick with fear gas? Or shot Damian in the chest (not rubber bullets mind you). All of this happened in Battle of the Cowl. He poisoned 82 prisoners indiscriminately in Batman and Robin (2009) #23, went around killing random "thugs" in Brothers in Blood arc of Nightwing. Is it slander if he did it? Idk. If anyone can answer that lmk but everything is canon now so the point is moot.
And let me also say if everythings canon Bruce has also hurt/hit/abused his family (i don't have the specific issue numbers but runs that I've seen bad dad Bruce in are The New Titans, Batgirl (2000), Nightwing (1996), Tom Kings crap, RHATO rebirth, etc. I don't feel like going into detail but if hard pressed i will) don't try to paint me as a Bruce or Jason apologist/hater please
Also literally see the panel above 💀 the mom is an undocumented immigrant from Guatemala with an engineering degree she can't use because the US gov is literally fucking flaming garbage, so she had to take that job to provide for her daughter. Quit thinking extrajudicial murder/vigilantism is a woke take. No. Stop. Bad. Criminals have rights for a reason.
Can you choose to call the above things Jason and Bruce have done ooc and bad writing. Yep. Go ahead, be my guest. Just it's weird to me that ppl always seem to do it for one character and not the other. Like... that's not productive dialogue? And yeah both Jason and Bruce stans do this i just happened to see a post from a Jason stan so he got to be shamed first. If you think i think my fave is wrong, i literally made a post publically shaming him at one point, and wrote an entire fic dedicated to me pointing out why i think characters would hate him the most 🤷‍♀️ if someone read a comic that shows your fave in a bad light don't call them stupid for not liking that character just point them in the right direction and if you don't want to. Don't. Just block them. I'm tired of watching ppl act like their better than each other because they don't consider things canon (unless you stan a minority character and don't consider their racist/sexist writing canon in which case, same, you're the best ppl in this fandom)💀 or referencing fanon as canon and telling ppl to go read more comics 💀
Anyways the takeaways I've come out with are, this debate between the two is more than just morals, they've both wronged each other, and trying to simplify it down into victim and abuser is just - missing nuance and ignoring their full histories in my opinion and kinda just ends up flattening both characters and making both of them less relatable
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misschinablue · 2 years
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Awesome things I've learned in three days of having Bell's palsy:
On Monday my face felt twitchy and tingly all day. I put it down to work stress and brushed it off. Then on Tuesday I woke up to one side of my face not working properly. Kind of like when you have anaesthetic at the dentist except in that whole side of my face. A few hours of genuinely thinking I'd had a stroke/suddenly developed brain cancer overnight were kind of a trip but that doesn't matter now - I'm fine, thank god - and one hospital trip later I had a diagnosis of Bell's palsy (click here to learn about what this is but the tl;dr is that it's facial paralysis, usually on one side of your face, and temporary in the vast majority of cases), a 10 day course of steroids and an understanding that what brought me here was probably our good friend Stress, which has been linked to it. Some other suspected causes are dormant viruses (HSV-1 is considered a big culprit), flu, diabetes and Lyme disease, but the reality is no one seems to know exactly how it happens and everyone is totally different. In my case I'm almost 100% confident it was stress as I have no history of cold sores or any of the other conditions.
So right now one side of my face is partially paralysed. Thank god it's really not that bad - you can't even really tell when my face is neutral and there's no overt drooping really but I can't smile or laugh with one side of my face, eating and drinking without channelling my inner toddler is somewhat challenging and my affected eye does some awesome freaky shit when I try to blink. Some people experience slurred speech but luckily I can mostly talk okay, just gets harder at length and certain letters are hard to pronounce. I can't close my eye all the way on the affected side unless I squeeze it really hard (and I couldn't even do that yesterday so woo!) and I have to wear an eye patch intermittently in the day and all night (managed to find a leopard print one on amazon so I can stay sexy) and put drops in my eyes like every five minutes otherwise risk corneal damage at best and vision loss at worst. Did I mention how fun this is?
ANYWAY. I rarely post personal shit on this blog but I felt compelled to write something to process just over 48 hours of serious mental gymnastics, despair, anxiety, humour, hope, and actually more positive thoughts than I usually think. But first, in case anyone who happens to be reading this ever ends up with this little slice of hell of a condition, here is some helpful shit I have learned:
1. You need to catch Bell's palsy early. There's a crucial 72 hour window from when it starts where if you don't get it seen to and get medication (usually steroids but some doctors will also prescribe antivirals alongside it depending on your country) you potentially lessen your chances of a full recovery. Many people do recover anyway without any treatment, especially if it's mild, but early treatment heightens your chances enormously.
2. Vitamin B12 helps with nerve regeneration. Bell's palsy is a nerve problem - it happens when one of your cranial nerves is like "lol fuck this I'm tired" and stops working as it should. Take vitamin B12.
3. Actually, just take a shit ton of vitamins. Boost your immune system to help you fight this shit. No one needs Bell's palsy. Fuck it off.
4. REST. I know for me having to do this especially when I otherwise feel well is super frustrating but if you have this, you are sick, and you need to rest as much as if you had the flu or whatever.
5. Get emotional support, and get it from the right places. I've never felt so grateful for my good friends and family than I have over the last 48 hours.
6. Find a way to laugh about it. Seriously. It might be the last thing you feel like doing because it's fucking freaky when your face turns on you, but it really does help. Smile looks evil? Lol you're a mafia boss. Dribble all over yourself when you try to drink something? Laugh it off. Oh, and avoid hot drinks. Seriously. I learned this the hard and burny way.
7. A lot of places will advise you to drink with a straw. DON'T. Your nerve needs to rest. Drinking with a straw stretches your face too much and you will piss it off. The nerve already hates you. Don't poke the bear.
8. On that note, don't force your face to do shit it doesn't want to do. Same reason.
9. On that note again, don't try the facial exercises you might see online until there are obvious signs of recovery. Same reason. Keep that nerve happy. Leave the mean angry bear alone.
10. Lastly - DON'T PANIC. 85% of people recover in a couple of weeks to a month or so, the other 10% or so in a few months to a year and the final 5%, well, there's still hope - there are all sorts of alternative treatments that have been proven effective. Plus panicking will only stress you out and make things worse both physically and emotionally.
So this is the practical side if you ever find yourself with this - and if you're reading this I pray for you that you never have to experience it, or if you've found this post because you are experiencing it I hope what I have to say is at least somewhat helpful.
So, more general advice. At the risk of whining (although I only mention this to make my point), 2021 has been one of the worst years of my life. I won't get into it too much but I've had some seriously low moments this year starting with the death of a family member and spiralling from there. I had times where I really felt like giving up, and no matter how depressed my neurotic ass can get, that's not like me. And as I reflect on how stressed out I've been - and what I'm sure has led me here - well, no fucking wonder. Getting this has been a HUGE wake up call about taking better care of myself. Here is a list of little wisdoms I have been mulling over the last couple of days - I hope anyone reading this can take something away from it. Trust me, something like this changes your perspective on certain areas of your life quickly and A Lot.
1. Stop fucking worrying about how you look. I have dreadful self esteem and often avoid cameras because of it - there are many events with friends, family etc that there are no trace of me even being at because I hide whenever someone mentions taking a picture. When this is over - never again. I have a whole new appreciation for my face. You really don't know what you've got until you risk losing it.
2. Stop persisting with people who make you feel like shit. Seriously. I'm avoiding people who even stress me out a little bit while this goes on. It's not worth it.
3. Stop squashing your feelings. Stop apologising for your feelings and trying to hide them. You're human. Show it. The right people will respect you for it.
4. Your job is just a job. Don't make anything that's not your problem, your problem. Do your work, do your best, don't absorb it, go home and forget about it until you have to go back. Work to live. It's not worth it.
5. You don't have to have something going on every night of the week. Take some time to yourself and use it to rest. Just because you have time doesn't mean you have to use it. Don't give into the "unproductivity" jitters. You don't have to be making and contributing and socialising all. The. Time. It's not worth it.
6. Comparison is the thief of joy. It's not worth it.
7. Go to therapy if you need it and use it wisely. Don't touch stuff that you're not ready for. It's not worth it.
8. Will it matter in a week, 5 months, 5 years time? No? Then it's not worth it now.
9. You can't change the past and you can't control the future. It's cliche but it's true. Stop ruminating, and if you can't stop seek help. It's not worth it.
10. Avoid things that make you angry in an unproductive way. It's so, so, so not worth it.
If you're still with me hi and thank you for reading. I know this was a super long post but I felt compelled to share this experience for anyone who happens to see it and my thoughts/learning so far - my perspective has never shifted so dramatically and so positively in such a short space of time. There are really fucking hard moments with this but with early treatment, the right mindset and very small but definite signs of improvement already I'm confident I can beat this. I sincerely hope none of you ever find yourself in this position. And for anyone who I talk with semi regularly, sorry if I'm a bit quiet over the next couple of weeks - I'm using this time to do what I never do, focusing on resting and focusing on myself. Much love to you all xx
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