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#willie wright
harrisonarchive · 7 months
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George at Kinfauns with his Aston Martin DB5 (photo by Henry Grossman); driving in 1965 (photo by Henry Grossman); with his Porsche in January 1979 (photo by Alan Giddins).
“We’d take a break [during Dark Horse recording sessions in 1974] to go for fish and chips, and there were two ways you could go. One was through this very winding road through the woods from Friar Park to the little fish place. And that’s the way we went. The first time, he took me in a Ferrari. Well, he really liked racing. I’m telling you, man, when we came back from getting our fish and chips, he drove through those winding roads as if he was on a racetrack. I mean really, really going for it. It was serious, and I’m holding on, thinking, ‘Wow, man, I sure hope we stay on the road because if we miss, we’re history.’ Well, we made it home in the Ferrari. The next time we went for fish and chips, he took a Porsche and he took the same route. The Porsche seemed to handle the road better, so he started speeding up. I just thought, ‘He’s such a fan of racing, I guess there’s this little racecar driver inside him.’ But then he really started going, and when we got into Friar Park we were really flying so fast that the car got away from him. There were these high hedges that lined the driveway to the garage, and we’re running through the hedges — and I just sat there acting as normal as I could, but I was praying, O Lord, please don’t let them read about us in the newspaper. Just get us back to the house. After he came out of the hedges, he shrugged and gave me a little laugh as though it never happened. I’m looking at George, and he just looks away like, Don’t say nothing. Well, we went into the house and neither of us ever said a word.” - Willie Weeks, Here Comes The Sun: The Spiritual and Musical Journey of George Harrison (2006)
“George offered to drive us [Gary and Chris Agajanian] to the airport [from Friar Park], which was quite a hair-raising experience — his version of driving in a Formula One car at the Grand Prix. I thought to myself, ‘We survived India with its tigers, cobras, and pythons, and now we’re ripping down the M4 motorway at a hundred and twenty miles an hour!’ Given the speed we were traveling, we were stopped by a policeman, and as George rolled the window down, the officer politely said, ‘Oh, Mr. Harrison, sorry, on your way then.’” - Gary Wright, Dream Weaver: Music, Meditation, And My Friendship With George Harrison (2014) (x)
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newyorkthegoldenage · 9 months
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Attorney Samuel Leibowitz shows the Statue of Liberty to the four freed Scottsboro boys visiting New York from Alabama, July 26, 1937. Eugene Williams sits at left; the defendants clustered at right are Willie Roberson, Roy Wright, and Olen Montgomery.
In proceedings that lasted from 1933 to 1937 Liebowitz, serving without a fee, argued the case all the way up to the U.S. Supreme Court. It ruled that a Black person cannot be assured a fair trial in a community where they are systematically excluded from jury service. The Court ordered a retrial, with Black people included on the jury.
Charges (of raping two white women) were dropped against the men in the photo. The other five were convicted; three served prison sentences. The ones in prison all escaped, but two were caught, subsequently charged with other crimes, and convicted. The only one sentenced to death jumped parole and went into hiding for 30 years. He was found in 1976 and pardoned by Governor George Wallace.
Photo: Associated Press
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fawnvelveteen · 1 year
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Willie Anne Wright, "Irvington, Virginia- Marsha with Fabric, Nick and Dorothy’s Pool", 1980
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Just finished the Ace Attorney trilogy
Hot damn man
That's one of the coolest stories I've ever had the pleasure of playing through
The whole thing was a blast and could get really intense too
20/10
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more-relics · 2 years
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Pink Floyd - The Wall Tour circa 1980-81. Photos & Edit: Beb Ward/Jill Furmanovsky.
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elenichr · 5 days
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Year of Lists
March Films
more awards-related stuff and then FREEDOM (what I chose to do with it is another thing but one thing I cannot be judged for is there are a LOT of movies this month, and that is positive)
must-watches in bold (these are in relation to other movies watched, and the time, not necessarily must-watches of all time)
Mighty Morphin Power Rangers: Once & Always (2023) *6ish, I guess? - does this count? It's nostalgia in an hour's worth. it's every bit as bad as you would hope. Great stuff.
American Fiction (2023) *7.5 - hell yeah. Finally, something important done in a pleasant, human, enjoyable way (see how much I sobbed during this awards season: so.many.super.sad movies - or if not sad, just.so.much, overall). Performances are out of this world; it has everything: humour, nuance, a bit of romance, a bit of sadness; it was so damn good to watch.
The Zone of Interest (2023) *6 - how do you rate this? that six is not representative of the movie at all, but here we are. Everything you've heard about this is true: it's masterful, definitely a gut punch, Sandra Hüller is having a great year; the sound(track) is out of this world. It says so much with so little. Yes, it's a movie about the Holocaust, but it's also, really, a movie about how we stand by and allow atrocities to happen. It's a movie about humanity's cruellest side: indifference - right now, and then, and always. There is much to be said here, a lot of conversation was around how Schindler's List worked as a movie, therefore, romanticised, by the movie lens, the Holocaust. I can see how The Zone of Interest tried really hard not to do that, and I can confidently say it's done so much for exposing how useless we can be in the face of tragedy, but with every day that passes, I keep thinking more and more that it hasn't escaped that movie lens. However, it does really well at asking the question of whether we can portray atrocities of this kind, and does it really make a difference when we try?
Dune: Part Two (2024) *7.5 - umm, this is so long I need to rewatch it to even have a formed opinion. In lieu of a rewatch, here are my current thoughts: it wouldn't have been half the movie it is without the soundtrack. Also currently my favourite soundtrack of all time. I could rave and rave about it. The performances were great all round. I really love that Villeneuve doesn't try to constantly capture people like the mega starts they are: see Timmy's double chin, constipated face, present in both movies, and at a close-up at that. Some scenes were visually and emotionally breathtaking but I'm not sure if this was the case because of the anticipation of seeing something loved in a book portrayed on screen. It felt busy and a bit disjointed, especially in comparison to Part 1. I so wish they'd done the romance differently. I was constantly thinking of The Bear and how well that worked there. I wish they'd let Paul and Chani's connection breathe and mature, taken us along for the ride.
Alice, Darling (2022) *6 - this gave How to Have Sex vibes. I love when a movie addresses difficult subjects (in this case, abuse) in a slice-of-life, uber real, awkward way. It dexterously looks at the outward indicators of abuse, the responsibility of friendship - some mild body horror for both symbolic and literal purposes.
The Sixth Sense (1999) *7.5 - they don't make them like this anymore. Boy, do I envy anyone who hasn't watched this and doesn't know anything about it. If you know that person, please, make them known, I want to sit them down and pop this in the cassette player (Netflix or Prime or whatever, but you know). It's only the second time I watched this because I thought there wasn't much reason to, apart from nostalgia. Surely, it's just so worthy because of the set-up. Yeah, yeah, I was wrong. I had to pause a couple of times to allow myself to digest the mastery of what this movie is when YOU DO KNOW.
Scarface (1983) *7 - what can I say? Yup, it's great. Colours are a highlight, as is Michelle Pfeiffer.
A Time to Kill (1996) *6 - disclaimer: I am going through legal dramas, I love 'em. This was fun, much more timely than I expected. Samuel L Jackson has a beautiful, beautiful speech. A man fancies a woman that is not his wife, and she is pretty, and young, and smart, and she ignites a spark in him, and she believes in what he's doing in all the ways his wife doesn't, and yet, said man doesn't cheat on said wife. Woohoo. I'm all for complexity and non-monogamy (when both, or more parties, agree to it) but it is just so beautiful to see a good marriage challenged and withstand the challenge. Bonus points for young Matthew McConaughey and infant Sandy Bullock. It's serious, it's legal fun, a bit naïve; the nineties in a two and a half hour ride.
Rush Hour; Rush Hour 2; Rush Hour 3 (1998) (2001) (2007) *6 *6 *5 - WAR UGH ... SO MUCH FUN. Yeah, they shouldn't be bunched together, yeah, a lot of it reads problematic, yeah, I wish I'd been watching them all my life. Great stuff. Don't look away at all the racist jokes, both ways, and any other way you can imagine. This is a superb example of looking at what we made for fun: there's so much to digest, learn from, appreciate. I LOVE JACKIE CHAN. When I was a kid, it was considered embarrassing to appreciate his work. I had a stupid-ass, DUH, moment of realisation watching this: oh, that 'martial arts movies are sub-par' idea? Yeah, blatant racism. It feels so good to come to this now. Side-note: Zhang Ziyi showing up in 2, what a treat. I'm not one for recycling material but can we have Rush Hour 4 please, please, please?
Blow Out (1981) *6 - another Brian de Palma, another good movie with its merits. Some of it was delicious in a movie buff way, but I was bored nonetheless. If you're into your legal, crime, journalistic slow-burners, go for it.
Decision to Leave (2022) *9 - triple bold. This is my favourite movie. It has been since I saw it in the cinema and cried in the toilets after. It is a masterpiece, Park Chan-Wook might well be my favourite director. There are not enough good things or good enough words I could say. Here's the best I can do rn: noir at its best, romance at its most complex, human nature at its barest, lyricism, depth, story for days, really unapologetic storytelling, no infantilising the audience here, crime at its most beautiful, and potentially the best ending scene cinema has ever seen. Watch this, watch The Handmaiden, watch Stoker, watch Oldboy (when I watch more of his movies, they'll be added to this). They're all in my great movies of all time (fictional) list. Side-note: WE ARE SLEEPING ON KOREAN CINEMA. We're getting there, but we're not even close. Still underrated.
Joy Ride (2023) *6 - does what it says on the tin. Also SO MUCH FUN.
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eosora · 3 months
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Willie Anne Wright
Lumen Print
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plus-low-overthrow · 10 months
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Willie Clayton - Livin' with You, But My Heart Is Somewhere Else (Sky Hero)
1980. For fans of 'O. V. Wright'
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villain-championship · 11 months
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Unbreakable (2000)
This is a Movie Health Community evaluation. It is intended to inform people of potential health hazards in movies and does not reflect the quality of the film itself. The information presented here has not been reviewed by any medical professionals.
Unbreakable has one early scene where cameras flash from all directions, happening as the main character leaves a hospital, and only lasting a few seconds. A few split-second flashes of strobe lights are used in a montage at the very end of the movie.
A few scenes use handheld camera work, with brief moments of mild shaking.
Flashing Lights: 4/10. Motion Sickness: 4/10.
TRIGGER WARNING: The opening scene depicts an infant in extreme pain. One scene revolves around a child finding and using an unsecured gun. In a sequence that shows horrible things people have done, a racially-motivated assault is shown, as well as an implied rape.
Image ID: A promotional poster for Unbreakable
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fatcdsongmoved · 2 years
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@fatcdrcam​ didnt ask for this but we talked about it so-
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their hands shake a bit, but she was trying not to seem too nervous for the time being.’’--do you prefer ferris wheels or carousels..?’’ willie asked the other, hands sliding into their pockets. she was never great at second dates or even third ones.
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mixamorphosis · 30 days
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Blog post and linked up tracklist [HERE]
Tracklist
01. Willie Hutch - Your Love Keeps Liftin' Me Higher (Be With Records) 02. Gloria Ann Taylor - Deep Inside Of You (Luv N' Haight) 03. Mike James Kirkland - Love Is All We Need (Luv N' Haight) 04. Roy Ayers Ubiquity - Baby You Give Me A Feeling (Polydor) 05. Jermaine Jackson - You Like Me Don't You? (Motown) 06. Gwen McCrae - Rockin' Chair (Sequel) 07. Eighties Ladies - Turned Onto You (Original Selection Records) 08. Tony Joe White - I've Got A Thing About You (How Do You Are?) 09. Harry Nilsson - Love Story (RCA Victor) 10. Sue Barker - Lover Man (Hot Casa Records) 11. Milton Wright - All I Know Is That I Have You (Alston Records) 12. Aaron Neville - Baby I'm A Want You (BCI Eclipse) 13. Curtis Mayfield - Give Me Your Love (Love Song) (Curtom) 14. Eddie Hazel - Physical Love (Be With Records) 15. Lyn Collins - You Can't Beat Two People In Love (Get On Down) 16. The Voices Of East Harlem - Take A Little Time To Love (Just Sunshine Records) 17. Jean Adebambo - Paradise (Soul Jazz Records) 18. Sonya Spence - Talk Love (Attic Salt Discs) 19. Finley Quaye - Even After All (Epic) 20. Kellee Patterson - I'm Gonna Love You Just A Little More Baby (Hubbub Records)
Download available via [Hearthis]
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spookytuesdaypod · 5 months
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spooky tuesday is a (now not so new!) podcast where we’re breaking down all of our favorite slashers, thrillers, monster movies and black comedies on the new scariest day of the week.
ready for more b-cember, spookies? well, you'd better be, because for our second week of b movie december, we're going bigger and better than ever. on our latest episode, we're diving into grindhouse (2007), an ode to the double features of horror history. featuring a ton of your favorite celebrities and with a whole bunch of spoof trailers sprinkled throughout, robert rodriguez's planet terror and quentin tarantino's death proof make for quite the movie night. there's zombies, fast cars, and shared cinematic universes galore — all dressed up real nice and with sexy ladies practically hanging off of every frame. we're explaining exploitation film and getting into the real (~reel~) dirty details on a new in-person episode of spooky tuesday.
give spooky tuesday a listen on apple podcasts, spotify, iheart radio, or stitcher
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prettyfamous · 10 months
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Letitia Wright | Prada Fall 2023 | Willy Vanderperre | July 2023
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more-relics · 2 years
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Pink Floyd live onstage - The Wall Concert, 16 June 1981. Earls Court Exhibition Hall, Earls Court, London, England. Photos by Pete Still.
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spilladabalia · 1 year
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The Overnight Players - Malcolm X
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