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the-rewatch-rewind · 9 months

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I love Poe Party too much to feel like any words will do it justice, but I keep trying.

Script below the break.

Hello and welcome back to the Rewatch Rewind! My name is Jane, and this is the podcast where I count down my top 40 most frequently rewatched movies of the last 20 years. And today I will be discussing number 13 on my list: Shipwrecked Comedy and American Black Market’s 2016 mystery comedy Edgar Allan Poe’s Murder Mystery Dinner Party, directed by William J Stribling, written by Sean Persaud and Sinéad Persaud, starring Sean Persaud, Sinéad Persaud, Mary Kate Wiles, Sarah Grace Hart, Joey Richter, Lauren Lopez, Ashley Clements, Tom de Trinis, Blake Silver, and a whole bunch of other incredibly talented and underrated actors.

Edgar Allan Poe (Sean Persaud) wishes to impress the beautiful Annabel Lee (Mary Kate Wiles), so he enlists the help of his ghost roommate Lenore (Sinéad Persaud) to throw a murder mystery party for Annabel and a group of famous authors. But then guests start actually being murdered.

So, first of all, I realize that this isn’t technically a movie; it’s an 11-episode webseries available to watch for free on YouTube, which you should absolutely pause this podcast to do if you haven’t seen it yet (link in the show notes). But there is a feature cut that’s about an hour and 45 minutes long, and that’s what I counted as a movie. If I’d kept track of the number of times I watched each episode, I’m sure that even my least-watched episode would easily beat number one on this list. But as for the feature cut, I watched it 12 times in 2017, three times in 2018, four times in 2019, twice in 2020, and three times in 2021. To a certain extent, every movie on the Rewatch Rewind has changed my life in some way, but this one has changed my life to a degree that I would never have believed possible. Every single day of the last seven plus years of my life would have looked different if not for Edgar Allan Poe’s Murder Mystery Dinner Party. All of the guests I have had on this podcast who are not my siblings, I met either directly or indirectly because of this show. So fasten your seatbelts: this episode is going to be a ride.

My journey to Edgar Allan Poe’s Murder Mystery Dinner Party, or Poe Party for short, or Edgar Allan Poe’s Murder Mystery Invite-Only Casual Dinner Party/Gala for Friends Potluck for long, began years before the project itself was even written. In the late 2000s-early 2010s, my sister was relatively plugged into the YouTube scene, at least compared to me, and she first introduced me to a group called Team Starkid around 2009-2010-ish. At the time, they were a bunch of college theater kids who had put together a Harry Potter parody musical and on a whim posted it to YouTube, where it went viral, so they started making and posting other musicals – which they are still doing. I feel like I might still have discovered Poe Party if I hadn’t been a Starkid fan, but that definitely helped. A more crucial step on my road to Poe Party started on April 9, 2012, when my sister posted a link to a new YouTube video on my Facebook wall, with the message, “Fictional vlogs by Lizzie Bennet. (actually Hank Green.) There’s only one so far, but I’m kind of crazily excited for this!” Hank Green, of course, along with his brother John, is basically one of the fathers of YouTube. I don’t think I’d seen a ton of their videos at that point, but I was familiar with and liked them. And of course, I knew Lizzie Bennet was the main character in Pride and Prejudice, a story that I loved very much – more on that in a future episode. So I was also very excited for this new show, called The Lizzie Bennet Diaries, but I could not have imagined the intense emotional journey it would take me on, through two short episodes a week (plus spinoffs) for almost a year. There had never been a TV show that I was more invested in than LBD. I was double majoring in college and working part time, but the main thing I cared about was these modern Pride and Prejudice characters. The show was clearly very low-budget, but I was blown away by the writing and acting. I was particularly impressed by the person playing Lizzie, Ashley Clements, and the person playing Lydia, Mary Kate Wiles. And, like, it wasn’t just me – LBD had a huge following for what it was. Not, like, millions of fans, but hundreds of thousands by the end. As the finale approached, the producers launched a Kickstarter to release the show on DVD and – ostensibly – pay significantly more to the cast and crew who had been incredibly underpaid. If you’re at all interested in hearing more about that, I highly recommend checking out The Look Back Diaries on Ashley Clements’s YouTube channel; she just did a whole deep dive into the show and its aftermath in honor of its 10th anniversary that I found fascinating. But anyway, coincidentally, right around that same time, Starkid also launched their first Kickstarter, since most of them had graduated from college and no longer had access to the same resources but wanted to keep making more musicals. So they were raising money for Twisted, a Wicked-style villain redemption retelling of Aladdin, which sounded interesting. I had never pledged to a Kickstarter before, but I backed both the LBD DVDs and Twisted on the same day: March 25, 2013, according to my emails.

After that, I kept following Starkid and some of the cast members of LBD, but not particularly closely. In early 2014, Mary Kate Wiles was in a webseries called Kissing in the Rain that I think I watched part of at the time, and I thought it was fine, but I wasn’t particularly into it (imagine, me, an aromantic, not particularly into a show about kissing!) and there was a lot of other stuff going on in my life so I honestly can’t remember if I saw all of it when it was first coming out. I definitely couldn’t have told you that it was on a channel called Shipwrecked, or even the name of the actor she was kissing. But in May of 2014, a new Kickstarter launched for a series called Muzzled the Musical, which was going to feature several cast members from LBD as well as Joey Richter from Team Starkid (Lauren Lopez also ended up being in it but I don’t think that was known during the Kickstarter). And I thought, whoa, cool, worlds colliding, and backed it. And promptly all but forgot about it.

A lot of strange, confusing, and rather upsetting things happened in 2015 that I don’t really want to get too deep into here, but I will say that in hindsight most of them had to do with a combination of amatonormativity and heteronormativity, and I started feeling pretty bad about myself. Before then I had managed to convince myself that I was too young to seriously fall in love anyway, but suddenly I was 25 years old and had never had any interest in dating anyone, and I felt like there was definitely something wrong with me. I didn’t exactly want to change, since I liked not dating, but I had always thought that that would just automatically change when I got older, and facing the fact that it wasn’t changing meant facing the fact that I didn’t know what the point of my life was. I liked my job but I didn’t want it to be my sole purpose. I loved movies, but that didn’t feel like it mattered. All my life I had taken in the message that finding a spouse and creating a family was what made the struggle of life worth it, and I felt lazy for not even trying to pursue that. I remember hearing at some point in my late teens that if you didn’t find your significant other in college, you needed to look online, but I didn’t even know what I would be looking for. And I truly don’t know where this line of thinking would have ended up if it had gone on much longer uninterrupted – I may have discovered my identity a bit sooner, or I may have ended up hurting someone by trying to pursue a relationship I ultimately didn’t want, or I may have just continued to spiral – but what actually happened was I got an email in late October that that random fantasy musical series I had backed on Kickstarter a year and a half earlier was being released on YouTube.

So I watched Muzzled, and it was very fun and silly, but the main thing I got out of it was, man I miss the Lizzie Bennet Diaries. So I finally opened that DVD set I’d gotten from the Kickstarter, and I binge-watched the whole show (I didn’t count it as a movie because there’s no feature cut, and also it is very long). And then I re-watched the whole thing with the DVD-exclusive commentary. And then I thought, I wonder what this cast has been up to lately, so I started searching for them on YouTube. And that’s when I learned that Mary Kate Wiles had been posting two videos per week on her channel for years, and I had been missing it. As I got caught up on her videos, I learned that I had just missed a Kickstarter for a musical she was going to be in called Spies are Forever, made by the Tin Can Brothers, which were a group of people who were also involved with Starkid, and that she seemed to be getting ready for a new Kickstarter with a group called Shipwrecked Comedy, the same people who had made that kissing show. They had also made a show called A Tell Tale Vlog about Edgar Allan Poe and the valley girl ghost Lenore who was haunting him, in which Poe had been played by Sean Persaud (the guy from Kissing in the Rain, who was apparently dating Mary Kate in real life) and his sister Sinéad (who was in the second half of Kissing in the Rain, which I definitely hadn’t watched before). Mary Kate had made a brief appearance in A Tell Tale Vlog as Annabel Lee, and this new show was going to be related to that, but bigger. I was so intrigued by this new project that I started supporting Mary Kate on Patreon to ensure that I didn’t miss any updates about it.

The Poe Party Kickstarter launched on February 2, 2016. By then, I had watched and enjoyed everything on Shipwrecked’s YouTube channel, but that Kickstarter video was my favorite thing they had made. I initially pledged the same amount that I had given to the Lizzie Bennet DVDs, thinking that would be my final pledge, but I ended up giving almost six times that much by the end of the campaign. Every $5,000 they raised, they revealed a new character and cast member with a poster, and each reveal made me more excited. Joey Richter was playing Ernest Hemingway?! Ashley Clements was playing Charlotte Brontë?! Lauren Lopez, who frequently played male characters, was playing George Eliot, a woman with a male pen name?! They got Jim O’Heir from Parks & Rec?! And then, as if the reveals weren’t enough, they had weekly 4-hour livestreams that I found incredibly entertaining. It had become clear that Shipwrecked Comedy now consisted of four people: Sean, Sinéad, Mary Kate, and Sarah Grace Hart, who had played Emily Dickinson in a stand-alone video and would be reprising that role in Poe Party. Various other cast members showed up in the streams with the Core Four, and I distinctly remember thinking, if these people are this entertaining to watch when they’re just hanging out, this show is going to be so amazing! In the second livestream of the campaign, they started writing people’s names on papers to stick on the wall if they pledged or raised their pledge during the streams, which was an excellent incentive, but I would have kept raising mine anyway, because I was desperate for this show to get made. Apart from a few weird troll messages, the stream chat was full of lovely conversations between people who seemed like my kindred spirits. I had never felt more at home in a community. And I had never been more excited than when the Kickstarter exceeded its goal.

And I’m telling you all of this because I need you to understand how astronomically high my hopes and expectations for Poe Party were. Some of the movies I’ve talked about so far ended up in my top 40 partly because I had fairly low expectations going into them and was pleasantly surprised, but that was absolutely not the case here. I had seen excellent work from several of the people involved before, and they seemed particularly dedicated to this project, and I knew they were going to make something incredible. I also desperately needed something in my life to go really well, and this seemed like it might be it, although I knew it wasn’t fair to put that kind of pressure on these independent filmmakers. I tried to temper my expectations, reminding myself that they had only raised a little over $72,000, and Kickstarter was going to take a chunk of that, and some of it had to go to perk fulfillment, so they weren’t going to have nearly enough to make anything super fancy. They released some prologue videos that were very fun but also very small, and I tried to tell myself that the actual show was also going to be small. And I kept reminding myself how long Muzzled had taken to come out, and that I was probably going to have to wait a while for Poe Party too, so I needed to chill. But then in late July – only four and a half months after the Kickstarter had ended – Shipwrecked released a trailer for Poe Party, which said it was starting in less than a month, and there was no tempering my expectations after that. The trailer looked fabulous. It was witty and clever and dramatic and intriguing, the music was perfection, and, shockingly, it looked like an actual studio movie. Not like a super high-budget one, but like they had at least a million dollars. Certainly way more than $60k. My already-ridiculously-high expectations soared to new heights. Part of me was sure I was setting myself up for disappointment, but I couldn’t help it.

And then it was August 22 and the first episode (Chapter 1: The Bells) dropped and it was so much better than I was hoping for. First of all, the look set the tone perfectly. The lighting was exquisite, and the location – incidentally the same house where Muzzled was filmed – was perfect. And then there was the writing. One thing the Persauds had mentioned during the Kickstarter was that they were inspired by the movie Clue, which will be featured in a future episode of this podcast, so I was expecting similar vibes to that, but I was not expecting there to be so many direct references to Clue. All of them made me extremely happy. It felt like the show was made specifically for me. It was like Clue, but even better. I already loved every single character and knew I would be sad to see some of them get murdered. It was also very clear from even just that first episode that this was going to fall into the “everybody was having way too much fun” category of film that I love. But while most movies like that tend to have pretty weak stories and just overall mediocre scripts, and the cast having fun makes up for that, Poe Party was different. The writing was fantastic, AND the acting was perfect, AND it looked gorgeous, AND everybody was having fun. Again, I tried not to have unrealistic expectations, I tried to tell myself that not every episode could be quite the banger that the first one was, but I was still incredibly excited for the rest of the show. And I was not at all disappointed. Somehow it just kept getting better. The running joke about everyone forgetting Emily Dickinson was there or who she was just kept getting funnier. Ditto the joke about George Eliot thinking she needed to convince everyone she was a man when everyone was clearly fine with her being a woman. I remember at one point, when around three or four chapters were out, Mary Kate tweeted that they were working on editing her favorite part of the show, and I thought, surely it doesn’t get better than what I’ve seen already. But it turned out she was talking about chapter 8, and yes, it absolutely was better. The constables, Jim and Jimmy – played by Jim O’Heir and Jimmy Wong – and everyone else trying to fool them, are so delightful to watch. Even though chapter 8 features probably the second saddest death in the series, it’s overall the funniest episode. This show touches an incredibly wide range of emotions and moods, especially considering it takes place in one house over one night.

I want to make it clear that I would still love Poe Party even if I’d stumbled upon it years after it came out, and even if I didn’t recognize any of the actors. The show is excellent enough to stand on its own. But being part of it from the Kickstarter, being familiar with some of the actors, and being online as it was coming out, certainly enhanced my enjoyment of it. Shipwrecked had a weekly “competition” of sorts where they would give a vague prompt and people would make fan art or write fan fiction and post it on social media (#PoePartyFTW), and each of the four members of Shipwrecked would pick their favorite to re-post. I wrote a fic after each of the episodes, and several of them got chosen by Shipwrecked, and I hadn’t felt that good about myself in years. I loved the show so much that I couldn’t confine it just into weekly fics; I was shouting about it on every social media platform. I also started weekly speculation Tumblr posts, using Clue references as my guide, many of which led me astray – I was convinced there must be a secret passage between the kitchen and the study that didn’t turn out to exist – but I did figure out part of the solution relatively early on. While the mystery aspect of Clue is ultimately nonsense if you think about it too hard, Poe Party actually tracks. And if you’ve listened this far and you still haven’t seen Poe Party, please go watch it now, because I’m going to start getting into story specifics and spoilers, and I think everybody should get to see it once without knowing what’s coming. (I’m also going to spoil some of Clue, so you could go watch that too if you want, although I don’t feel like Clue spoilers matter that much.)

In her episode of A Tell Tale Vlog, Annabel mentioned that she had started seeing a banker named Eddie, and then in the Poe Party Kickstarter video, she asked Edgar if she could bring Eddie as her plus one to his party. So Eddie (played by Ryan W. Garcia) shows up late to the party with Annabel, and then becomes the first murder victim. EXCEPT, spoiler alert: he’s actually NOT DEAD, and is, in fact, one of the murderers. And from the very first episode, I recognized Eddie’s similarities to Mr. Boddy in Clue, who is also not dead when you first think he is, and I was therefore suspicious of him from the get-go. But I was still very much open to any possibility (or so I thought) because the Persauds had done an excellent job of making everyone at least somewhat fishy. But there was one thing I was not prepared for, and that was the end of chapter 9. Because it absolutely never occurred to me that Poe’s beautiful Annabel Lee would die, and I’m honestly still kind of devastated about it, even understanding why it had to happen, and at the time I was almost inconsolable. Mary Kate Wiles had led me to this brilliant show, in which she played the kindest, most likable character, only to be brutally murdered? Some fans at the time had thought Annabel might be the killer, which I never did, and honestly I would have been kind of angry if she had been because we need to have more genuinely nice characters in things. I was upset that she died, but I would have been more so if she’d turned evil. (Not that I have anything against MK playing villains – I’m all for it, under the right circumstances. And thankfully the Persauds know when the right circumstances are.) And like, okay, I know I complain about too much romance in stories, but Annabel’s “It was always you” as she died in Edgar’s arms – that got me. Annabel had been planning to marry Eddie because he was more respectable than the unhinged poet she actually loved, and I think that that whole trying to fake the life you think you’re supposed to have thing spoke to me. I had been so tempted to try that, and this was almost as clear of a message as the constables’ “Don’t Do Murder”: Don’t Fake Romance.

At that point, I was pretty much convinced that Eddie must have had something to do with this; why would anyone else kill Annabel? Also, chapter 9 reveals that Annabel wrote the invite list, and I thought it made sense that Eddie, her boyfriend, could have told her whom to include, especially since it had already been established that most of the guests had some connection to Eddie. The prompt for that week’s Poe Party FTW competition was “Confession,” so I decided to try something different from the short stories I’d been submitting, and I re-wrote the poem “Annabel Lee” from Eddie’s perspective as if he was the murderer. And I know this episode is already longer than most of my solo episodes and I have a lot more to say, but I’m still proud of this poem (even though it’s not completely accurate, since it turned out that Eddie didn’t kill everybody), so I need to share it with you:

It was many and many a month ago,

In her cottage by the sea,

That I first read the words that Edgar wrote

For my girlfriend Annabel Lee;

And he said that she lived with no other thought

Than to love and be loved by he.

“He’s just my friend and I’m just his friend,”

She quickly explained to me;

But we loved with a love which was worse than love –

I and my Annabel Lee –

With a love that was founded on secrets and lies,

Fueled by jealousy.

And this was the reason that, later on,

Faced with opportunity,

I took advantage of an offer made

To innocent Annabel Lee;

For when Lenore asked whom to invite

To that cad’s dinner party,

Annabel deferred to my input

Which I gave most willingly.

All authors, not half so worthy as bankers,

Who had e’er quarreled with me –

Yes! – they were the ones (no one would know;

I’d met them all secretly)

That Edgar would invite to his house that night,

At the behest of “his” Annabel Lee.

For our love it was weaker by far than the love

Of vengeance I carried in me –

Of justice toward those who’d wronged me –

And neither the psychics who bring back the dead,

Nor the cops fresh from Academy,

Can hinder my murderous plan; no one can!

No, not even my Annabel Lee.

As I watch them point fingers I find my gaze lingers

On the beautiful Annabel Lee;

When they mention invites, she suspects, knows she’s right,

Out the door runs my Annabel Lee;

Can’t let her get away: who knows what she might say?

So I kill her – I kill her – my eleventh kill today.

Instead of revealing me,

Her last breath says it was always he.

So yeah. I was deep into this. But then nobody in Shipwrecked chose it that week, and I thought, okay, maybe it wasn’t that good, or, maybe my theory is laughably far off the mark. Maybe Eddie’s too obvious. Maybe he really is dead. Then in chapter 10, Charlotte Brontë confessed, and revealed that her sister Anne had been there the whole time helping, and at that point I was pretty sure Eddie was also involved again. We clearly saw that Annabel’s killer was wearing pants, unlike either Brontë sister. And then it was Halloween and the finale finally arrived, and I was right about Eddie, but I was still completely unprepared for how awesome that final chapter would be. I think there was still a small part of me that didn’t believe it was possible for the end to live up to the buildup of the first ten incredible chapters. But it absolutely did. The finale was everything – everything, I say – that I wanted it to be and much more. The evil slow clap. The revolving villain trio of creepy neck touching. The flashbacks. The fights. The pet rock’s revenge. The literary references. And of course, the surprise reveal of Jane Austen, played by Laura Spencer, who had also played Jane Bennet in the Lizzie Bennet Diaries. The episodes were posted at 9 am on Mondays, when I was at work, so I couldn’t watch them right when they dropped, but after the first one I couldn’t wait until I got home either. My work’s wifi blocked YouTube, and I had an extremely limited data plan at the time, so on my lunch break I would walk to the McDonald’s down the street and watch the new episode using their wifi. And when the camera panned to Jane Austen, it was all I could do not to yell “OH MY GOSH IT’S LAURA SPENCER!” in that McDonald’s. I definitely audibly gasped, but I don’t think anyone noticed. The thing is, I would have still been blown away by the finale without that extra surprise. But that’s what Shipwrecked does. They make things that can appeal to a wide audience, and then they sprinkle in some extra treats for people who have been following them for a while. Of course, LBD was not a Shipwrecked project, but finding Shipwrecked through LBD is a fairly common path. And I’m still so impressed with how well they kept Laura as Jane Austen a secret. As a Kickstarter perk, I’d had a video chat with the Core Four that summer, and I’d mentioned that Jane Austen was my favorite author, and I was disappointed that she wasn’t going to be in Poe Party, and they were just like, “Yeah, we thought about including her, but we figured she would be too similar to Charlotte Brontë,” and betrayed not a SINGLE HINT that she was, in fact, in the show. Which is another thing Shipwrecked does: make a very specific, deliberate plan about what to reveal when, and stick to it.

As another example of that, the Poe Party Kickstarter had reached a stretch goal to produce an epilogue. I had completely forgotten about that, but other backers remembered and started asking about it after the finale. Shipwrecked was pretty cagey with their answers, but then directed us to a mysterious Twitter account that was dropping strange clues. I watched as the Shipwrecked fan Facebook group decoded them and ultimately unlocked the epilogue a day before it was released publicly. The epilogue is not included in the feature cut, and now I don’t really think of it as part of the show. Chapter 11 ends so perfectly – Poe stares at the floor as the heartbeat grows louder, a floorboard creaks, fade to black: chef’s kiss. But at the time I was feeling so many overwhelming feels about this show that I desperately needed that epilogue. I was so utterly relieved to see Annabel and HG thriving as ghosts. And I was so thrilled to be surrounded by such a great fandom, who all worked together and helped each other to solve the puzzles – it was a beautiful weekend. And it was also the last weekend before Donald Trump was elected president of the United States and I had to face the fact that the country was more broken and divided than I’d wanted to believe, which definitely adds to my nostalgia for that epilogue adventure.

The show may have ended, and the world may have been falling apart faster than usual, but I could not have gotten Poe Party out of my head even if I’d wanted to, which I didn’t. For over a decade I’d been searching for something that felt like a classic movie, but with some modern sensibilities, and these independent filmmakers had made exactly what I was looking for, zillions of times better than I’d imagined it. That clever, witty dialogue, perfectly delivered by quirky characters, almost felt like it came from a 1930s screwball comedy. But it also felt fresh and new and different from anything I’d seen before. It had so many similarities to Clue – in fact, I taught myself how to make gifs, or [other pronunciation] gifs, in order to highlight specific parallels between Poe Party and Clue – and yet remained unique. Where Clue was mostly just comedy, Poe Party was comedy, tragedy, romance, and intrigue, and absolutely nailed all of those. (Sadly no ravens, though, they didn’t have the budget for that.) Anyway, the series held up shockingly well upon rewatch, and I could not get enough of it. And despite the socially anxious part of my brain that remains convinced that everyone always is annoyed with me, that I have nothing worthwhile to say, that I should just shut up and stop bothering others with my existence – people seemed to like what I was posting about Poe Party. Other fans would engage me in conversation, and I started making internet friends for the first time. And, shockingly, the members of Shipwrecked seemed to genuinely appreciate what I was saying as well. After the finale had aired, Mary Kate reblogged my Annabel Lee poem on Tumblr and said, “I legitimately thought this was brilliant, and only didn’t choose it that week because of spoilers. Every single fic Jane wrote for this ftw has been wonderful, and I have so enjoyed them all, but this was above and beyond.” And maybe it sounds like I’m just boasting at this point, but the reason I’m sharing this is because a year earlier I had felt like a failure of a human who had no place in the world, and now this incredible actress/producer I greatly admired, who had just made my new favorite show, was saying that I had enhanced her experience of releasing it. People were liking and appreciating me, just for being myself and enthusiastically enjoying a movie. And I no longer felt like I was supposed to change who I was.

In early 2017, I got the rest of my Kickstarter perks, including behind-the-scenes goodies that featured not one but two fabulous commentaries. I love them both, but the second one is particularly chaotic in the best way. Ashley Clements and Ryan W Garcia, true to the villainous characters they played in the show, keep derailing the conversation and it’s incredibly amusing. The commentaries are over the feature cut, so many if not most of the views that I counted were with one of the commentaries. And I also bought the feature cut without commentary so I could show it to other people and still count it on my list. Now I tend to watch it episodically because I want the Shipwrecked YouTube channel to get more views for the algorithm, although I’m not sure that actually helps. But anyway, the feature cut and commentaries and other bonus features are still available to rent or buy on shipwrecked.vhx.tv, which I will also link in the show notes, if you’re interested.

Also in 2017, the first episode of Poe Party was shown at a festival near me, so I got to meet the Core Four members of Shipwrecked and some fans in person. That was very exciting, but I was also extremely nervous, although I didn’t need to be. The Shipwrecked people were so lovely and actually wanted to talk to me and the other fans who were there. And then I got to see Poe Party win some awards, which was awesome. And then a few months later, Shipwrecked launched another Kickstarter, and I pledged even more to it than I had to Poe Party even though the goal was lower, and then they kept making more stuff and I kept supporting it, and also continued to love everything they made (yes, even the Fart Feud with the Tin Can Brothers). I continued to support Mary Kate on Patreon, and I also started supporting other cast members on Patreon, like Whitney Avalon who had played Mary Shelley and does a lot of her own stuff on YouTube, and of course Ashley Clements, as I’ve mentioned previously, and as soon as Shipwrecked finally got their own Patreon, I was all in at the top tier. And, like, I don’t want to go on about this too much, because I do truly believe that I would love their work even if I’d never interacted with them, but I don’t know that I’d be quite the die-hard, take-all-my-money-to-make-more-things Shipwrecked fan that I am, if I hadn’t had so many wonderful interactions with the members of Shipwrecked over the years. I didn’t set out to become friends with them, but I kind of have – although I still feel a little weird and presumptuous to claim that. I feel like this will sound to some people like an out-of-control parasocial relationship, but like, it’s not that, because they do know me. Other people in my life have referred to Shipwrecked as “the people you pay to be your friends,” but it’s not that either: I give them money so they can keep making things, and we also happened to hit it off as friends – which again feels like a presumptuous label, but I can’t come up with a more accurate word. They make what they love and I love what they make, so it’s not that surprising that we’d get along. And for similar reasons, it’s not surprising that I’ve made so many very close friendships with other Shipwrecked fans. Our love for these projects brought us together, and then turned out to be far from the only thing we have in common.

I feel like I’m talking way too much about my own personal experiences, I’m so sorry if this is boring. Back to Poe Party itself. I’ve hinted at it already, but I need to emphasize again both how incredible the script is, and how amazingly the cast brought it to life. The story was so well thought out: every scene, every character, every moment was there for a reason. Like, I thought George Eliot disguising herself as a man was just a nod to female authors having to use male pen names, but then that turned into an important clue that led to the Brontës. Yes, you can poke plenty of holes in Poe Party if you want to – not all of the characters based on real people were actually alive at the same time, some of the technology is anachronistic, etc – but none of that stuff really matters. It’s clearly meant to be silly and fun, so you don’t really need to know what year it is. But the fact that they managed to write something silly and fun that didn’t completely devolve into absolute nonsense is so incredibly impressive. Sean and Sinéad wrote an absolutely brilliant script, and then they assembled the perfect cast for it. Every actor is on the exact same page about what this project is, and they each know exactly how their character fits in. Even when they’re in the background, everyone is giving 100%. I want to especially shout out Joey Richter, since Ernest Hemingway is drinking all night, and Joey did a tremendous job of tracking how drunk he was supposed to be. By the finale he’s having to slap himself to stay awake in the background, and it’s hilarious. Everyone else is also a delight to watch, and I feel like I’m still noticing little background moments I hadn’t clocked before. There aren’t very many close-ups, which I think was mainly because they didn’t have the budget for the time it would take to shoot them, but it works perfectly because a lot of the funny moments become even funnier when you can see multiple characters’ reactions at once. If you’re watching the background acting closely enough, you may notice a few instances of people almost breaking, but personally I just choose to interpret that as the characters finding it difficult to keep it together when other characters around them are being silly, and who can blame them? I appreciate that the writers and director trusted the cast enough to let them play around and improvise, because some great ad-libbed lines ended up in the final cut, and many more went into the best blooper reel ever, which is 24 minutes long and I love every second of it. There are some moments from the bloopers that I find myself saying sometimes when I’m watching the actual show – Ashley’s “Don’t be mean to me!” is probably the one I quote the most.

There is definitely romance in Poe Party – the whole reason for the party is because Edgar is in love with Annabel. Lenore and HG Wells develop feelings for each other over the course of the evening…until he dies. And several other characters flirt with each other. But none of the romances end well, and throughout the story, there is a lot of emphasis on friendship, and acquaintanceship, and other types of relationship. And that’s a running theme in most of Shipwrecked’s projects. There hasn’t been a kiss in any of them since Kissing in the Rain. Of course, much of the Poe Party fandom was, and is, into shipping characters with each other – for any listeners who may not be terminally online, shipping characters means that you want them to be in a romantic relationship with each other. I joined in somewhat, mostly because I felt like I was supposed to, but I couldn’t have articulated that at the time. And, as I mentioned earlier, I was particularly fascinated by the Eddie/Annabel dynamic, but I was only able to fully comprehend how much I needed the “don’t fake romance” message in hindsight. This show and its fandom made me feel less alone and adrift, but I still didn’t figure out I was aroace for a few more years. Although it was friends I made in the Shipwrecked fan community who first really helped me understand and accept that part of my identity, so I can still say that Poe Party was an important step on that journey.

I want to say so much more about this utterly brilliant show – I don’t feel like I’ve even come close to doing it justice here – but there truly are no words to adequately express my love for it. It still holds up nearly 7 years later, but Shipwrecked has come a long way since then. When their most recent webseries, Headless: A Sleepy Hollow Story, was about to come out, they said it made Poe Party look like it had been done by a bunch of kindergarteners, and I was upset at the Poe Party slander, but once I watched that series, I understood what they meant. Headless is so far above and beyond, but unfortunately it came out too recently to make it into my top 40. Currently they’re releasing an audio narrative called The Case of the Greater Gatsby, which should be on the same platform you’re listening to this on. That is a sequel to their short film The Case of the Gilded Lily, which I will be discussing in a future episode. I really hope that someday Shipwrecked gets the level of recognition they deserve – their fandom is still relatively small, although we are mighty and devoted. At the very least, I hope that the current strikes will help enable them to make a living from writing and acting.

Thank you for listening to me discuss another of my most frequently rewatched movies, or at least attempt to. Following this will be a two-way tie of movies I watched 25 times, both of which feature Cary Grant, my favorite leading man apart from Sean Persaud. As always, I will leave you with a quote from the next movie: “Hi! Mellow greetings, ukie-dukie!”

#poe party #edgar allan poe's murder mystery dinner party #shipwrecked comedy #the rewatch rewind

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the-rewatch-rewind · 7 months

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Here we go again, we're changing the scene.

Script below the break.

Hello and welcome back to The Rewatch Rewind! My name is Jane and this is the podcast where I count down my top 40 most frequently rewatched movies in a 20-year period. Today I will be discussing number six on my list: Shipwrecked Comedy and American Black Market’s 2017 film noir parody The Case of the Gilded Lily, directed by William J. Stribling, written by Sean Persaud and Sinéad Persaud, and starring Sean Persaud, Sinéad Persaud, Sarah Grace Hart, and Mary Kate Wiles.

It's 1939 in Los Angeles. Hardboiled private eye Ford Phillips (Sean Persaud) doesn’t touch Hollywood cases, until junior ace reporter Fig Wineshine (Sinéad Persaud) convinces him to help her childhood friend, starlet Wilhelmina Vanderjetski (Sarah Grace Hart) find out who is blackmailing her.

In my episode about Edgar Allan Poe’s Murder Mystery Dinner Party, which was number 13 on this list, I discussed how I found and fell in love with the work of Shipwrecked Comedy. If you haven’t listened to or don’t remember that episode, to summarize, I had incredibly high expectations for Edgar Allan Poe’s Murder Mystery Dinner Party, aka Poe Party, that were exceeded in every possible way, and in joining this small but enthusiastic fandom, I finally felt that I had found my people. I was very excited to learn what Shipwrecked’s next project would be, and I didn’t have long to wait. On May 30, 2017, just under seven months after the Poe Party finale, they shared a teaser poster for The Case of the Gilded Lily, which showed silhouettes of the Core Four (Sarah Grace Hart, Sinéad Persaud, Sean Persaud, and Mary Kate Wiles) in a style consistent with film noir. Since one of my favorite things about Poe Party had been the way it reminded me of classic movies, I was ecstatic to see them leaning even more directly into Old Hollywood.

The Kickstarter campaign launched a week later. Unlike Poe Party, which was an 11-episode series, Gilded Lily would be a short film, and they were only asking for $25,000. It didn’t even occur to me to be disappointed that this was going to be so much smaller; I was just excited that Shipwrecked was making another project so soon. In some ways, this Kickstarter experience was similar to the Poe Party one – the fun livestreams with backers’ names on the wall, the character reveals when milestones were reached – but in others, it was very different. For one thing, I had by this point met Shipwrecked and gotten to know many of their other fans, so instead of interacting with a bunch of pleasant strangers, these livestreams felt more like hanging out with friends. And for another, they reached their goal in less than a week, whereas Poe Party had taken almost a month, so it felt a lot less stressful, at least from a will-this-get-to-exist? perspective. They set a few stretch goals and ended up raising just over $43,000 by the time the campaign ended on June 25. I pledged a bit more to this project than I had to Poe Party, partly because I felt like I owed them for how much Poe Party had already changed my life, but also of course because of how thrilled I was that they were making something else that was related to my interests.

The main reason they were making Gilded Lily right then was because they had been invited to premiere a new project at Buffer Festival in Toronto, where they had screened all of Poe Party the year before when only the first 9 episodes were up on YouTube. I would have loved to have gone, both to see Poe Party and to see Gilded Lily, but it didn’t work out. However, Kickstarter backers at the $25 level and up would get access to watch The Case of the Gilded Lily soon after Buffer, before it was posted publicly, and that was good enough for me. Buffer Festival was only about three months after the Kickstarter ended, so Shipwrecked had a ridiculously short period of time to complete this video that they had originally intended to be about 20 minutes long but ended up with a runtime nearly twice that. I still don’t understand how they did it. I know, from talking to members of Shipwrecked at the time and from behind-the-scenes content they’ve released, that they were incredibly stressed about things like finding and locking locations, a cast member having to drop out last minute, and, of course, the budget, but still, they managed it. They successfully premiered their 38-minute long “short” film at Buffer Festival 2017 and emailed a link to backers a couple weeks later, on October 12.

I had a lot of trouble setting my expectations for The Case of the Gilded Lily. This group had just made Poe Party, so I knew they were capable of greatness, but I also knew I had no right to expect this to be on the same level as that, since it was always intended to be a much smaller project. I was sure I was going to enjoy it, but I was very curious to see how much. The first thing that struck me after I clicked the early access link was the music. The soundtrack was composed by Dylan Glatthorn, who had also composed the Poe Party soundtrack, which I absolutely should have mentioned in that episode because it is incredible. But the Gilded Lily soundtrack is somehow even better. Shipwrecked had released a video of a song from the short called “A Change of Scene” in September, written by Glatthorn and performed by Mary Kate Wiles as lounge singer Vivian Nightingale (a name that had been mentioned in Poe Party), so I already knew that was a bop, but it didn’t prepare me for how hard the opening credits music would slap. The theme is so delightfully jazzy that even after nearly six years, I can’t sit still when I hear it. That music over the black and white shots of the Hollywoodland sign and palm trees was the perfect way to set the scene. And then the opening credits finished and the film itself began.

So here’s the thing about film noir. In general, I enjoy it: I think it’s a fascinating filmmaking style and a very effective technique to tell a certain type of story, and two of my other top 40 most frequently rewatched films – Notorious and Gaslight – are fairly noir-esque, but also, film noir can get very dark. Every November, along with many film lovers on the internet, I celebrate Noirvember, a time to watch and appreciate film noir. In 2015, I actually managed to watch 30 noirs in Noirvember, and by the end of the month I noticed that it was really getting to me. I was starting to feel a constant vague sense of unease, dread, and despair. So in every November since then I’ve forced myself to consume noirs somewhat more moderately. I must have known that Gilded Lily was going to be more of a parody and not like one of the darker noirs. The group was called Shipwrecked Comedy, after all. But even Poe Party had had some pretty dark moments. I’m sure I expected jokes in The Case of the Gilded Lily, but I was utterly floored by just how laugh-out-loud funny the whole darn film was. It wasn’t dark at all, at least compared to most noirs or even to Poe Party. There wasn’t even any murder! The first time I watched it, I must have missed at least half the jokes because I was still laughing at prior gags. The plot was just as complicated and twisty as most noirs, but that first time I was barely paying attention because, again, too much laughing. Therefore, once I finished it, I naturally had to immediately rewatch it several times to pick up on the jokes and plot points I’d missed, and I was delighted but not at all surprised to find that it held up very well. I don’t recall exactly how many times I’d seen it before the link was made public on December 11, but by the end of 2017 I’d watched it nine times. I then watched it four times in 2018, six times in 2019, five times in 2020, three times in 2021, and four times in 2022. And I still think the jokes are funny. So if you haven’t watched it, you absolutely should, it’s still available for free on YouTube (link in the show notes) and it’s like the length of one episode of a TV show.

There are so many different types of humor in this film, and all of them are great. There’s the whole playing with and making fun of noir tropes aspect, including several instances of characters interrupting each other’s voiceovers, a camera rotation into a Dutch angle causing Ford to fall over, and Wilhelmina trying to smoke and drink to fit in but not quite understanding the concept. That last one serves the dual purpose of making fun of the excessive smoking and drinking common in noirs and further developing one of my favorite types of character: the confidently clueless. The Case of the Gilded Lily has two of these: Wilhelmina Vanderjetski, the starlet who’s being blackmailed, played by Sarah Grace Hart, and Dash Gunfire, Ford’s rival private eye, played by Joey Richter. Wilhelmina’s cluelessness mostly makes her happy and charming, whereas Dash’s makes him frustrated and annoying, and it’s very entertaining to see two such similar yet very different characters in the same project. Basically everything either of them says or does makes me laugh. There’s also some great physical comedy, mainly from Clayton Farris as the disgruntled Buster Keaton. Similarly, there’s humor with the set and props, like when Cliff Calloway (played by Tom DeTrinis) switches between smoking a cigar and a cigarette in the same scene depending on who he’s talking to, and when Officer Claudette Knickerbocker (played by Joanna Sotomura) is talking to Ford on the phone about how hot she finds Cliff, and it cuts away to Ford putting down the phone and pouring himself a drink and when we see Claudette again her office is in complete disarray. And then there are all the hilarious running gags. Like how whenever someone brings up that Wilhelmina’s real name is Lily THomas, Ford has to argue that it should be pronounced Thomas. And how every time the scene changes after Vivian sings “A Change of Scene” the first time, there’s a little reprise of her singing about how we’re changing the scene. And the way Fig is obsessed with cookies and keeps getting them – I am truly in awe of Sinéad Persaud’s brilliance in writing a character for herself that required her to eat lots of cookies. What an iconic move. And then there’s the running bit where Ford will pause and stare into the distance dramatically before mentioning The War, much to Fig’s confusion, until it’s finally revealed that The War was a movie he and Claudette acted in when they were children. Another running bit is the bartender Bixby Crane (played by Dante Swain) repeatedly saying his own name unnecessarily, and taking things very literally in unexpected ways. This bit was particularly funny to me because my high school band director’s name was Parker Bixby, and when we marched in the Tournament of Roses parade, one of the announcers commented, “I want to change my name to Parker Bixby.” Later somebody put that on t-shirts and Mr. Bixby ended up with one. So seeing a character named Bixby who was obsessed with his own name made me laugh even harder than it would have if they’d picked any other name for that character.

Like in Poe Party, the actors in The Case of the Gilded Lily were encouraged to play around, at least as much as their limited production time would allow, which once again resulted in an excellent blooper reel, and also some great moments in the film. One of the best is when Wilhelmina’s husband, producer Roger Haircremé, played by Gabe Greenspan, comes into the lobby from the Sufferin’ Safari premiere and says, “Sweetheart, it’s nearly giraffe time!” which was improvised. Also, major shout out to the Persauds for their incredible character names, and also to Gabe Greenspan, who filled in last minute when the original Roger had to drop out of the project. It’s kind of mind boggling that this was the first time Gabe worked with Shipwrecked and that he almost wasn’t even in this, since it’s hard to imagine their more recent projects without him. Another unscripted moment that I love is when Vivian is telling Fig about an underground gambling ring and says that they meet on Wednesday nights, adding, “Tonight. And next Wednesday. And the Wednesday after that…” That last part wasn’t in the script, but they brought it back again when Fig passes this information on to Claudette, saying, “Vivian only knew they meet tonight. And then next week. And the week after that. Basically, it’s a weekly thing.” And Joanna, not really knowing how to respond to that, just had Claudette go, “Oh, okay” and move on with her lines, and for some reason that just really tickles me.

I think the thing I appreciated the most about The Case of the Gilded Lily, once I stopped laughing long enough to analyze it, was that it felt like a typical Shipwrecked project while also feeling completely different from what they’d done before. The sense of humor felt the same as Poe Party, even though the Gilded Lily gags tended to be on the sillier side. The story was just as well thought out as Poe Party’s, but while Poe Party was being released I was constantly trying to figure out who the murderer was, whereas with Gilded Lily I didn’t even attempt to guess who the blackmailer was, I was too busy laughing. Also, being a short film rather than a series released over 11 weeks, there was much less time for speculation. Of course, the overlapping cast made the projects feel similar, and I particularly enjoyed seeing Ryan W. Garcia, who had played Eddie in Poe Party, show up as an extra in about half the Gilded Lily scenes. This ultimately inspired me to write a rather long and intense fan fiction tying a bunch of Shipwrecked projects together with the time traveling ghost of Eddie. Tom DeTrinis’s Cliff Calloway seemed about what you’d expect if Oscar Wilde was trying to pretend to be a straight film star. Joey Richter’s Dash Gunfire was similar to his Ernest Hemingway in that both were rivals with Sean’s character, although Dash is way sillier.

And then there’s the Core Four. Sean and Sinéad’s characters and dynamic were very similar in A Tell-Tale Vlog, Poe Party, and Gilded Lily: both Poe and Ford are loners who secretly desire friends, and both Lenore and Fig are outgoing and talkative and enjoy winding up Sean’s character, who begrudgingly appreciates them despite his best efforts to abhor them. But of course, they are unquestionably different characters, and I think they both did an excellent job of adjusting their mannerisms to make them feel distinct. Mary Kate and Sarah’s characters, on the other hand, are essentially the complete opposite of what they played in Poe Party. Annabel was sweet and naïve and wanted everyone to be happy, whereas Vivian is bitter and jaded and having affairs with four different men in five different states (another great line) and doesn’t seem to care about anyone besides herself. Going straight from an ingenue to a femme fatale and absolutely nailing both was an excellent way for Mary Kate Wiles to demonstrate her incredible acting range. I’d already been a huge fan of her work for over five years at that point, and I was still blown away. Vivian doesn’t even get that much screentime, but gah, what MK does with her voice, like, just, close your eyes and listen to Annabel and then listen to Vivian, you can’t even tell they’re the same person. I feel like this also helps distinguish Edgar and Ford from each other. It’s a running theme in most Shipwrecked projects that Sean’s character is super into Mary Kate’s character, although they rarely end up together, and I can’t really explain why, but I don’t feel like Poe would be particularly into Vivian, nor would Ford be interested in Annabel. But I could be wrong about that, I don’t really understand how sexual or romantic attraction works. Anyway, all that being said, if I had to pick one single favorite aspect of The Case of the Gilded Lily, it would have to be Sarah Grace Hart as Wilhelmina Vanderjetski, mostly because she is absolutely hilarious, but also because she is so different from Emily Dickinson in Poe Party. Emily is forgotten by everyone the second after she introduces herself, whereas Wilhelmina is one of the most famous stars in Hollywood. Emily seems to know what’s going on, and I have a theory that she could have figured out the whole thing if people would have just listened to her, whereas Wilhelmina, bless her, is paying blackmail while also telling everyone what she’s being blackmailed for. Also it’s literally just… having a stage name. Not really something worth paying $20,000 per week to keep secret, especially if you’re just going to tell everyone anyway. But Sarah commits to this character so hard that you never once doubt that Willie would absolutely fall prey to this ridiculous scheme. She’s so earnestly oblivious in the most endearing and hilarious way that she’s probably my favorite Shipwrecked character, and possibly my favorite character in anything ever.

What I didn’t know at the time was that originally, Shipwrecked had planned to follow Poe Party with a whole series featuring these characters, but when they got invited to Buffer they knew they wouldn’t have time for all that, so they made The Case of the Gilded Lily as kind of a pilot for the Fig and Ford series. They did make it clear that they had at least some intentions of continuing the story, with a question mark appearing after “The End” and a quick post-credits scene with Vivian bursting into Fig and Ford’s office and saying, “Mr. Phillips, something terrible has happened!” After years with no word of what this could be leading to, I had almost given up hope of more from this world, and then, in 2022, Shipwrecked launched a Kickstarter for an audio narrative called The Case of the Greater Gatsby, currently coming out weekly on all major podcast platforms, and we’re finally getting more, and it is so delightful. Once again, I don’t feel like I’m doing a very good job of trying to figure out what’s going on, but I am living for the jokes.

Classic film noir tended to be relatively sexually explicit for its time – at least, as much as it was allowed to be under production codes. In particular, the male protagonist was often led astray by his attraction to the sexy but dangerous femme fatale. The Persauds had said that they were inspired by Who Framed Roger Rabbit, another noir parody, which turns these sexy expectations around with a femme fatale type character who is, if not overtly asexual, certainly ace-coded – she’s married to a rabbit, and when asked what the attraction is, she says, and I quote, “He makes me laugh.” The Case of the Gilded Lily finds a different way to put a twist on the femme fatale trope with Vivian Nightingale, who is certainly not ace-coded, but also doesn’t seem to be particularly dangerous – at least in the Gilded Lily plot, I don’t know where Greater Gatsby is going yet. Vivian is a possible suspect, and Ford is very attracted to her, but she’s innocent and nothing bad really comes of her involvement in this story. She has an attitude of, “I have no clue how I got mixed up with you clowns, but I’ll be fabulous while I’m here" that you have to admire. Really the only romance in The Case of the Gilded Lily is the one between Wilhelmina Vanderjetski and Roger Haircremé, and that one is… questionable, to put it mildly. For one thing, Willie lied to Roger about her background to get him to marry her. For another, Roger saw through her ridiculous story but pretended not to, instead blackmailing her to pay off his gambling debts. When Fig and Ford uncover this, instead of being furious with her husband, Wilhelmina is delighted that the blackmailer was just her kind, loving husband who’d never do anything to hurt her. Typically I’m very much in favor of forgiveness, but in this case I really don’t think Roger deserves it. In a way, this could be seen as illustrating the harms of amatonormativity, showing that Wilhelmina thinks staying with a blackmailer is preferable to having no husband, but it definitely comes across as her genuinely believing that Roger has done nothing wrong. It’s weird, but I love the way this shifts the noir trope of sexy-romance-gone-wrong to be about a couple who was married at the start and has no intention of getting divorced at the end, and involves a woman who bears zero resemblance to a typical femme fatale.

Like pretty much every other Shipwrecked project (besides Kissing in the Rain), The Case of the Gilded Lily is way more focused on platonic relationships than romantic or sexual ones. Even though the crime is related to Roger and Wilhelmina’s relationship, it’s solved mainly because of Fig’s friendship with Wilhelmina, Fig’s attempts to befriend Ford, and Ford’s friendship with Claudette. I didn’t know I was aroace when this came out, but I certainly appreciated all the non-romantic storylines. And I would argue that Gilded Lily does have at least one ace-coded character, although it’s not the one who reminds us of Jessica Rabbit: it’s Fig Wineshine. She wants to be friends with everyone but doesn’t show any signs of attraction to any of them. And she has this great line in Greater Gatsby when she’s describing how Cliff Calloway is a Hollywood heartthrob: “He didn't really do it for me. But then again he wasn't circular with crispy edges and a gooey middle.” She’s saying that her type is a literal cookie. There’s no allosexual explanation for that.

My main takeaway from The Case of the Gilded Lily back in 2017 was that Poe Party was not a fluke. I had truly stumbled upon an underappreciated group of talented, hardworking geniuses when I found Shipwrecked Comedy, and I was going to keep following and supporting their work from then on no matter what. And I have never regretted doing that for a second. Most of the projects they’ve made in the years since The Case of the Gilded Lily have been too short to count as movies, but they have all been incredibly delightful. I would highly recommend everything on their YouTube channel, in addition to the Greater Gatsby podcast they’re currently releasing, especially if you enjoy Old Hollywood; I am thoroughly enjoying all the references to actual movies and actors that I love by the fictional characters from the world of Fig and Ford that I also love. Shipwrecked keeps telling the exact stories I want to see and hear, and I cannot even begin to adequately express how much joy they have brought to my life. I truly hope everyone out there has found or will find a group of artists whose work means as much to them as Shipwrecked’s does to me.

Thank you for listening to me discuss another of my most frequently rewatched movies. Next week I will enter my top 5 with the oldest movie on this list, which I also watched 31 times. As always, I will leave you with a quote from that next movie: “Always remember that the truth has never hurt any man! …And anyway, if it does, I’ll go to the hospital with you.”

#the case of the gilded lily #fig and ford #shipwrecked comedy #the rewatch rewind #please watch this short

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