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#literary adaptation
marykatewiles · 2 years
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Don’t Sleep on Headless
Hey everybody. Real talk time. If you want @shipwreckedcomedy to be able to keep making stuff, if you want to support female/POC indie creators, you need to watch Headless: A Sleepy Hollow Story. We NEED you to watch and share it. 
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Headless is it for us. We pulled out all the stops for this. This show cost us a quarter of a mil to make (thanks to you!). The four of us at Shipwrecked paid ourselves none of that. We’ve worked on this show for three years now. This is what we gambled on.
The response to the show thus far has been so positive, and we’re so happy! But even for the small channel that we are, and even with the INCREDIBLE cast who gave their time to be a part of this project, the views we’ve been getting on this show are fewer than we hoped. 
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I remember a few weeks into The Lizzie Bennet Diaries, Hank Green made a vlog talking about how the show wouldn’t be sustainable if it didn’t start getting more views. And it really helped! And that’s where we’re at. We can’t keep doing this if we don’t grow. 
Don’t get me wrong, we are going to continue to put out Headless until Halloween and make it the absolute best show we can. But if we can’t grow as a company, we can’t keep making shows like this. It just isn’t sustainable for us. 
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We really thought this was gonna be the one to do it. We thought this was gonna be the thing to take us from small creators with less than 50K subscribers and a handful of views to a real, bona-fide channel with reach and influence that pulls the kind of viewership on our projects to match the amount of work we put into them. And I think it can be! It looks good enough to be on any streaming network. It makes me laugh every thirty seconds. But we are a small group and we NEED word of mouth for this show to succeed.
Shipwrecked is primarily female-run, making narrative content in a space where other (more successful) creators are predominantly male. I’m sorry to harp on this, but I can’t help but feel like we have to work so much harder to get the same amount (or a fraction) of attention. 
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The episodes we have yet to come in this show are so wild, so wacky, so Intense, and so heartfelt. SO many people put their hearts and souls into this show. I believe it can catch fire and become one of the most successful digital series out there. But WE NEED YOU TO WATCH IT. 
The story we have playing out over the next few weeks is Shipwrecked at its most Shipwrecked. We have some surprises and reveals up our sleeves that I think you are really going to love. More than anything, we love unfolding a big story over a period of time and bringing people along for the ride. I’m so excited for you all to see what we have in store, and I promise you are going to want to do what you can to experience it in real time.  
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It’s free. It’s fun. It’s spooky. It’s funny. If you want Shipwrecked to be able to continue to make shows like this - original content, inspired by literature, with a mysterious twist and fresh humor - help us make Headless a success. We need you to take us there - we can’t do it on our own. ♥️💀🎃
Subscribe to Shipwrecked Comedy - support female driven literary inspired cinematic narrative content!
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rrrauschen · 1 month
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Yorgos Lanthimos, {2023} Poor Things
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Please reblog! I love seeing everyone’s favorites!
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georgefairbrother · 7 months
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Robin Ellis (Ross Poldark) has shared on his Facebook page that the original Poldark aired for the first time on October 5th, 1975.
He writes:
"...We had no idea that it would catch on as it did...With fond memories of a wonderful cast who were like a great, extended family. Thinking especially of those no longer with us: Angharad Rees, Ralph Bates, Richard Morant, Paul Curran, Mary Wimbush, Frank Middlemass, Forbes Collins - and of course, Winston Graham himself, and his wife Jean..."
Poldark ran for 29 episodes over two series on the BBC. Its audience peaked at 15 million, was sold to over forty countries, and it became the biggest selling costume drama on video until Pride and Prejudice (1995).
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Robin Ellis (Ross Poldark) and Angharad Rees (1944-2012) who played Demelza, interviewed for the series' 25th anniversary
Images from Robin Ellis' Facebook and blog.
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friedap · 1 year
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Review: You should be watching Rational Creatures.
Persuasion has always been my favorite novel by Jane Austen. Sadly, there was no Persuasion in the wave of YouTube modern adaptations that started a decade ago with the Lizzie Bennet Diaries. Not only did adaptions of Emma (Approved) follow, there were two adaptations of Northanger Abbey (Northbound and The Cate Moreland Chronicles) and an attempt at the unfinished Sanditon, well before it became a PBS series. Mansfield Park became From Mansfield With Love, the very best adaption of Austen’s least popular novel. I kept thinking Persuasion would be next. But after a few years, the YouTube literary adaptation had lost its bloom.
Rational Creatures  debuted in 2019. Its slightly minimalist aesthetic beautifully captures the tight plotting and the melancholy tone of the original novel. The short episodes sometimes feature more meaningful glances underscored with music than actual dialogue. The series is shot as a film rather than a vlog. This makes it possible to more subtly suggest the inner lives of Ana Elías (a Latina Anne Elliott) and Fred Wentworth, who fell in love as teenagers but parted badly. She went to college, he became a famous travel blogger. Ana’s high school YouTube videos provide flashbacks of their relationship and feel appropriately old-fashioned.
The changes to adapt Persuasion to modern times are deftly handled, and the acting across the cast is uniformly compelling. The circle of friends that Fred returns to after many years of travel is queer and bisexual, and thus genders of characters have been changed. Louisa Musgrove is Louis, and Ana’s sister is married, but to a wife not a husband. Missing characters and other details from the novel show up in stray references, inside jokes for those familiar with the original source material. The writing for the remaining characters is perhaps kinder to them than Austen’s often biting satire, though without them losing their core features. Louis, in particular, has a notable new depth as does Ben (Captain Benwick). Fred is not simply a modern version of Austen’s conquering naval hero. He is someone who has traveled the world but finds himself strangely stuck and unhappy. It’s heartening that Ana is not the only one with lingering feelings from their ended relationship and a sense that her life is not going anywhere.
The first season of Rational Creatures had thousands of viewers. Although crowd funding subsidized season two, the pandemic hit, making production impossible. Three long years later, the series has resumed, like Anne and Captain Wentworth’s relationship, finally fulfilling its original promise. Yet sadly, while Netflix’s ridiculously terrible Persuasion generated international attention, a smaller number of viewers are enjoying seeing the YouTube rendition play out. I imagine that they, like the makers of Rational Creatures, are the best company: clever, well-informed people, who have a great deal of conversation. You should join them.
Creators of Rational Creatures: Ayelen Barrios Ruiz Pagano, Hazel Jeffs, Jessamyn Leigh, and Anya Steiner.
Above: Ben (Benjamin Mills) and Louis (Derek Quesada); Ana (Kristina Pupo) and Fred (Peter Giessl).
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theersatzcowboy · 8 months
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Tales of Terror (1962)
Director: Roger Corman
Cinematographer: Floyd Crosby
Starring Vincent Price, Peter Lorre, Basil Rathbone, Debra Paget, Joyce Jameson, Leona Gage, and Maggie Pierce
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ebookporn · 1 year
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allweknewisdead · 1 year
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White Noise (2022) - Noah Baumbach
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donmarcojuande · 2 years
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Lucy Gutteridge as Linda in ‘Love in a Cold Climate’ (1980)
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Warning! Some of the themes discussed here might be triggering.
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fairweathermyth · 3 months
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ROBIN HOBB’S REALM OF THE ELDERLINGS >> The Fool The Farseer Trilogy + The Liveship Traders Trilogy + The Tawny Man Trilogy + The Fitz and The Fool Trilogy
You know who I am. I have even given you my true name. As for what I am, you know that, too. You seek a false comfort when you demand that I define myself for you with words. Words do not contain or define any person. A heart can, if it is willing. But I fear yours is not. You know more of the whole of me than any person who breathes, yet you persist in insisting that all of that cannot be me. What would you have me cut off and leave behind? And why must I truncate myself in order to please you? I would never ask that of you.
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rrrauschen · 11 months
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Caroline Leaf, {1977} The Metamorphosis of Mr. Samsa
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ruegarding · 3 months
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i'm genuinely floored that this was marketed as a faithful adaptation
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darklinaforever · 4 months
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I basically discovered that anti-Percabeth people exist ! I didn't even know it was possible to hate this couple ! Not to mention hating Annabeth's character ?! And I am deeply shocked ?! Apparently this relationship is unhealthy and toxic ?! Annabeth would be abusive ?!
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Why ?! Because of the nickname she gives to Percy ?! The affectionate little blows she gives him from time to time ?! Because yes, at what point did you consider that to be really hitting someone ?! The fact that Annabeth, a literal teenager, dared to be jealous of Rachel seeing that she was close to Percy who Annabeth had romantic feelings for ?! The Faith or she basically kicked him to the ground after believing that he had willfully ignored her and been gone for months ?! I mean... Yes, this gesture was not glorious and or good, especially since we know that Percy was Hera's prisoner, but not Annabeth at that time, who has, I remind it, a serious problem with fear of abandonment. And they are half-gods who learn the art of war and fighting as soon as they discover their identity ! It's not out of place that when they get angry they are capable of being physical ! So... WHAT THE ACTUAL FUCK ?!
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I have nothing against shipping Percy with other characters such as Nico or Rachel (they are very cool by the way). But claiming that Annabeth and Percabeth are super toxic is ridiculous...
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Besides, this post explains very well why seeing Annabeth and her relationship with Percy as toxic is stupid :
Say bullshit like Annabeth and Percabeth are toxic, is of the same level as saying that Annabeth is using Percy as a rebound for losing Luke. It's so dumb.
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see-arcane · 2 months
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After reading and watching several adaptations, I have come to the conclusion that Quincey gets much more respect than Jonathan. Yes he appears much less, but he gets his heroic sacrifice when he does instead of getting bastardised. Three times I have seen him be the one who kills Dracula without Jonathan. In two of those he has the kukri.
Also idk if vampire Quincey is underappreciated, there is a novel all about him.
And in this one Jonathan is revealed to have been a cowardly cheater all along.
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You know. Sometimes I think I might be going too overindulgent with my Harker Horrors and lavishing of attention on my favorite special little haunted gothic heroine lad.
And then I get lovely reminders like these that not only am I not being indulgent, I have to actively burn every daydream of an inhibition I have as a writer to unfuck 126 years' worth of doing the whole cast dirty, but Jonathan Harker the absolute worst.
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kareenvorbarra · 2 months
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...I must confront Apollo with his wrongs. To force a girl Against her will and and afterward betray! To leave a child to die which has been born In secret! No! Do not act thus. But since You have the power, seek the virtuous path. All evil men are punished by the gods. How then can it be just for you to stand Accused of breaking laws you have yourselves Laid down for men? But if--here I suppose What could not be--you gave account on earth For wrongs which you have done to women, you, Apollo and Poseidon and Zeus who rules In heaven, payment of your penalties Would see your temples empty, since you are Unjust to others in pursuing pleasure Without forethought. And justice now demands That we should not speak ill of men if they But imitate what the gods approve, but those Who teach men their examples.
Ion (from Ion by Euripides, translated by R. F. Willetts)
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