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#why wasn't I enough
aprocessionofthoughts · 6 months
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Left Behind
ai-less whumptober day 19- left behind/why wasn't I enough fandom- dp x dc TW- abandonment Summary- The Fenton parents leave their kids at the Gotham Public Library
ao3 ailesswhumptober masterlist part 1 of TFR
Barbara was working the closing shift at the library. She was putting some books away when she overheard a conversation.
“Do you know when mom and dad are going to pick us up?” said what sounded like a teenage boy.
“No, I– Oh, wait they just messaged me.” said what Barbara thought was a slightly older teen girl.
Silence.
“Jazz?
“They left.”
“What?”
“Someone posted about a possible sighting in Metropolis. They said they’ll be there for a few days.”
There was more silence. Barbara stayed quiet.
“So, they left us behind.”
“Yeah.”
“Again.”
“...Yeah.”
Barbara closed her eyes, thinking of Tim and how he had been left home alone so much. And these kids… their parents had abandoned them too.
“Well at least we’re not helpless.”
“I hate them.”
“Jazz–”
“No, Danny. I hate them. They’re supposed to be our parents. They’re supposed to take care of us.”
“I know. They always chose something else over us. Why aren’t we enough, Jazz?”
“I don’t know.” she sniffled.
“Jazz, hey, look at me. We’ll be okay.”
“I'm sorry, Danny. I'm just so tired.”
“I am too.”
Barbara was about to speak up when they continued.
“At least i have a credit card this time so it won’t be like the time they forgot is in Bridgton.”
“Yeah, that sucked. We were lucky we were able to sneak onto that semi.”
“Well, tonight we can get a hotel room and then get bus tickets tomorrow.
“I could just... you know. Do my thing.”
“I guess, but we should at least get a hotel for tonight. I don’t want to try traveling while you’re exhausted.”
“That’s fair. But–”
Barbara finally decided she should make her presence known. She cleared her throat as she made her way around the bookshelf.
The two teens startle. They looked like siblings. The girl was a redhead with teal eyes, and the boy had black hair and blue eyes.
“Hello, I’m Barbara. I work here at the library. I’m sorry, but I couldn’t help overhearing your conversation.” she paused as the siblings glanced at each other, the boy reaching over to grab his sister’s arm. 
“What do you mean?” asked the girl, Jazz, if Barbara was correct.
“You need a place to stay tonight? It’ll be hard to find a good hotel at this hour. I’ve got an extra bedroom at my apartment, and you’re welcome to stay the night. You won’t owe me anything.”
“Why?” asked the boy, Danny.”
Barbara considered for a moment. “I have a friend who went through a similar situation as you guys, so I’m familiar with what it's like to have your parents be too busy. And you wouldn’t be the first kids I've let stay the night. I can help you find bus tickets in the morning. I’m familiar with most of the routes and can let you know which ones are the safest and quickest.”
The girl glanced at her brother, who stared at Barbara. There was a moment where his eyes seemed to glow and Barabar felt as if he were really looking at her. She suppressed a shudder at the intense feeling. 
Then he turned to his sister and nodded.
“That’s very kind of you. Thank you. I’m Jazz and this is Danny.”
“It’s nice to meet you both. I have to finish locking up so I’ll meet you by the door.”
They nodded and started gathering their stuff.
Barbara went to finish the rest of the closing shift duties. 
She also had a call to make.
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prahacat · 2 months
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when the horrors catch up and you take an evening off to batch-process
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hey-hey-j · 1 year
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I have to do everything myself around here 😤
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coquelicoq · 7 months
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what i like especially about the pronouns in the goblin emperor is that this language doesn't just have the T-V distinction (aka informal vs. formal second-person pronouns, in this case 'thou' vs. 'you'), it also has informal and formal first-person pronouns. having BOTH of these distinctions in the same language lets you fine-tune your tone by mixing and matching. with only one axis of formality, when you use informal pronouns, are you being familiar in an intimate way, or in an insolent or dismissive way? when you use formal pronouns, are you being polite or standoffish? you can't tell just from the pronouns; there's ambiguity. but a language where you can use a formal first-person pronoun in the same sentence as an informal second-person pronoun allows you to distance yourself (via the formal first) while also being familiar (via the informal second), thereby achieving the conversational tenor known to linguists as Fuck Thee Specifically.
#just kidding i don't know what linguists call that tenor. or any tenors. i'm not totally positive what a tenor even is#but i can't let that stop me from writing a jokey post on tumblr dot com#register is a very interesting area of linguistics that i know very little about#so i'm probably revealing the depths of my vast ignorance here to all the sociolinguists who surely hang on my every word#but i've always thought of the formal/informal pronoun thing as being about two things: intimacy-distance & rudeness-politeness#and of course you can usually tell from context whether a formal pronoun is meant to indicate distance or politeness#(plus distance and politeness are related to each other (to various degrees depending on culture))#but it seems like it would be cool to have a built-in alignment chart of sorts just for pronoun combos#instead of prep jock nerd goth...why not try intimate self-effacing polite superior?#the goblin emperor#pronouns#register#sociolinguistics#my posts#f#anyway i know i said i wasn't going to reread the goblin emperor...but guess what. lol#and i edited my tags on that earlier post but fyi the language DOES distinguish between plural and formal singular pronouns#i had said i thought it used the same pronouns for plural and formal but i just wasn't paying close enough attention#so anyway i just reread the part where maia is talking to setheris in formal first and informal second#and you can see setheris going ohhh shit. oh shit oh shit oh shit#i'm in biiiiiig trouble#you sure are dude. that's the Time to Grovel signal#it's interesting because at the very beginning of the book when i first saw the formal first used i just thought it was the royal we#because i knew the main character was supposed to be royalty#but then EVERYONE was doing it. so it's not the royal we it's just the formal we#however. this does make me realize that the way the royal we would function in a language that retains the t-v distinction#is the same way i'm describing here. it's just reserving that particular tone (i'm better than you and am displeased with you)#for royalty only. which makes sense given royalty's whole deal
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charliespringverse · 1 year
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i am not a taskmaster blog but i AM autistic and a taskmaster fan and this post made me have some emotions earlier today and i am yet to see it shared on tumblr
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aquanutart · 7 months
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foxyfexyll · 10 months
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omg guys. i found a wip in my files and i finished it. completely unheard of.
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charlie on the left belongs to @doodledrawsthings !! i think the context for this drawing is that i found this post while i was sitting surrounded by craft/wrapping paper, ribbons, and art supplies. so i thought: what if they made their own lil prom dresses?
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stiltonbasket · 2 months
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I was today years old when I found out about the Binghe cameo in MDZS...
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nellasbookplanet · 7 months
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The more time I sink into andromeda, the more I suspect the biggest reason it ultimately failed commercially was because of the massive tonal shift I've already mentioned, and how there was probably a pretty big chunk of original trilogy players who simply no longer fit as a demographic, while the game failed to reach the people who might’ve enjoyed it.
The original trilogy, much as I love it, feels a little bit like a wishfulfillment power fantasy for a very obvious demographic. Almost all women are overtly sexy in design and the f/f relationship in the first game seems to be written along the guidelines of 'what would a straight man find hot'; you play as someone cool and confident and powerful, the most specialest human ever, and maybe you aren’t always respected but YOU and the NARRATIVE always know you're right and you get to be rude to and sometimes punch/murder people who disagree with you so it’s fine. The game then salvages all this by means of genuinely well-written characters and arcs, really cool sci-fi tech and lore, a fantastic story, and meaningful and hard-hitting choices and consequences (which also allow and often encourage you to steer away from that exact macho ideal).
Enter andromeda. Instead of being a super powerful supersoldier from the start, you're the kid of one. You barely know what you're doing. Everyone doubts you, including yourself. You don’t get the assuredness of knowing you are Right and Cool that you have as Shepard. You don’t demand that same respect. And I'm sure there are a lot of people who hated that.
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ink--theory · 2 months
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thoughts on bonerattle arena
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haven't scribbled any Lights Out in a hot second!! take these two scribbles - i wanted to mess around with Wally's hair & try to make a rudimentary ref for him in the au's late stages
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earlgodwin · 6 months
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An appreciation post for the beautiful Giulia Farnese: she's so smart, kind, and caring. She believed in women's solidarity and showed deep care for Lucrezia, always delicate and tender with her. Giulia proved her worth and loyalty when she rescued Lucrezia from the hands of her abusive husband. Even when she learned that Rodrigo cheated on her, instead of being envious and hating the young artist he cheated with, she offered a threesome. She never disrespected Vanozza but formed a friendship with her. Giulia was also a great asset to the Borgia family, helping establish and strengthen the church's charitable works, securing the pope's legacy, and earning her brother a cardinal's hat. She only departed when her relationship with Rodrigo was no longer working, with his blessing.
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bonefall · 5 months
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Does leopard still have 3 lives in her final battle? Or was that changed?
Yep. I think she drowned her once, then Leopardstar lunges up refreshed, and she gets the upper paw on Mistyfoot with 2 lives to go.
(MAYBE tw gore, but I really did try to be tasteful about a head being smashed on a rock.)
On her back, splashing and thrashing furiously against Leopardstar's claws dunking her head under, Mistyfoot glimpses a wave breaking just over the tip of a stone-blue rock. Her only chance.
With a surge of power, her claws sink into her leader's golden shoulder and they tumble and roll to the right. Before the tyrant even realizes what's happening, she's yanked up, and then whipped backwards with a wet CRUNCH
And then again
And again
And again, until Mistyfoot can't even make out what's left of her leader anymore. All she can see is that it's a red, brown, and yellow blur, because her eyes burning with salty tears and her whole body is trembling.
She drops the corpse onto the stone and it slides into the water, lifelessly. After a moment it spasms aimlessly one last time, like an insect does after its head is bitten off, unlike the deliberate, agonized throes of Tigerstar suffering through his doomed lives. And then it's still.
There's only the tranquil sound of bubbling water, and Mistyfoot's frenzied panting. Her pounding heart makes it hard to hear either.
The blood is carried off by the shallow water in scarlet swirls, but the lake runs pale red as if it's washing it away. Some were aware of this prophecy, but Mistyfoot was not.
It isn't closure to her, or a fulfillment of divine decree. It's just blood that should be on her paws, slicked away by the complicit river. She wished it could feel like it's over, but she's smart enough to know the truth. Has been through enough terrible events like this to understand what comes next.
Her body will move foward. Her mind will need to consider her deputy. Her paw will come down on code-defying cats like Blackclaw and Greenflower. But her heart will stay here, next to the remains of Leopardstar, the same way another piece of it remains at Stonefur's side across space and time.
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the-crooked-library · 11 months
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On Horror, Queerness, Mirrors, and Dracula
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Your wish is my command (you may or may not regret this). 
Here’s the thing - I love horror, and I love patterns, and I think the best horror is always in some sense symmetrical.  It might not be obvious, but what’s the point of staring into an abyss if you can’t see your own face reflected back?  The symmetry itself comes in any number of different twists, whether it is familial, communal, erotic, or individual, and most of these apply to Bram Stoker’s Dracula. 
The centre of our novel rests on the Harkers.  So, starting with Jonathan - his experience in Transylvania is a twisted version of his life back home.  Dracula is reserved but eloquent, seemingly caring and occasionally affectionate, he reads train schedules and they spend hours upon hours in conversation; which is a dark mirror to Jonathan’s train schedule-loving, passionate but serious Mina.  It may even be said that the Count is re-enacting a caricature of traditional heteronormative domesticity - he maintains the household, waits on his guest himself, and blows him kisses from the stairs.  His possessiveness of Jonathan is the only way a vampire like Dracula is capable of understanding the bond Jonathan shares with Mina.  The Count states that he, too, feels love; but he is written by a closeted gay man in the late 19th century, so his imitation of married life is both a lie and a tragedy.  He is a shorthand for forbidden, wrong, and corrupting desires. 
At the same time, Mina herself also has a same-sex connection in the beginning of the story, and her relationship with Lucy mirrors the relationship between Jonathan and Dracula.  They cling to each other, in a sense; despite being excited about the prospect of their impending marriages, there is some trepidation associated with this new stage in life.  A common part of a dowry used to be a shroud, simply due to the frequency at which Victorian wives died in childbirth soon after the wedding; and even provided a survival, the transition to married life was still a loss of innocence.  As such, Lucy’s affection for Mina is the last expression of her girlhood, and she herself is the personification of Mina’s.  Lucy is, therefore, the direct antithesis of the Count; her death and subsequent rising change Mina the same way that Dracula does Jonathan, establishing a firm duality between the Harkers and their respective vampires. 
The other characters are reflections of each other, as well; the suitors defend while the brides terrify, Van Helsing wants to preserve life while Renfield wishes to consume it - and even further, the old Hungarian lady cares enough about  a stranger to give Jonathan a cross for protection, while Lucy’s own mother lets Dracula into the house herself, selfishly ignorant of her daughter’s needs and the doctor’s orders.  Another parallel is drawn again between Jonathan and Renfield, who represents directly what he could have been, had he not escaped from Dracula’s grasp; which makes Renfield’s vehement, last-ditch attempt to protect Mina perhaps all the more poignant.  In him, she sees the resilience of Jonathan’s humanity; while he gets to see exactly what she could become after her turning  - in Dracula himself.  These dualities are integral to the story’s thematic structure, and therefore inextricable from each character’s development. 
There is really too much to say about each individual dynamic to fit into one rant, but for the current purposes, I can forgo the details.  They all converge as it is on Jonathan and Mina, and thus, the central theme of this story is devotion.  If Jonathan had truly broken, like Renfield, Mina would have stayed by his side; and if she had fully turned, like Dracula, he would have adored whatever shred of her still remained.  In madness and in death, in happiness and sorrow, in sickness and in health - until the echoes start to sound like wedding vows. 
@stripedshirtgay​
@bluberimufim​
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beaulesbian · 5 months
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Shanks always said that if the path to what you want seems too easy, then you're on the wrong path.
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hrokkall · 10 months
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What's gabriel in this au?
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Some loser, probably.
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