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rohanrider3 · 4 years

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Brace Yourselves, I have THOUGHTS on this guy

Okay so I just watched Wizards (Tales of Arcadia) and I, along with many other folks, adore one (1) wizard in particular--Hisirdoux Casperan, better known as Douxie. I’m sure you’ve seen the art, the posts, and, well, the internet lately.

BUT HERE’S THE THING. One of the (many) reasons I love this guy. He’s not what one typically gets in a main character, AND he’s very different than other protagonists we’ve met in Arcadia.

TLDR: Protective, kind-as-summer, ultimate “good older brother vibes” wizard who simultaneously 1) doesn’t think much of himself, 2) tries his hardest, and 3) is actually SUPER FREAKING POWERFUL is unique and I love him for all those reasons and more!! (Details (and spoilers) below the cut)

1: He’s young, yes, but he’s extremely experienced. He looks 19, but is 919. As the first episode shows, he’s been doing his best to live a good life and master magic for NINE CENTURIES. All the while looking like a kid! Douxie lived through the fall of Camelot, has seen technology blossom and evolve, AND has seen countless people come and go, all the while completely on his own except for Archie.

2: He’s extremely humble. He’s apparently been working odd jobs FOR ALMOST A MILENNIUM--so he can work from the shadows to protect people from terrors they don’t even know about--and works hard AT ALL OF IT. Menial jobs AND demon-fighting. First episode, he clearly WANTS to use magic to clean up the cafe (and as a former customer service worker I would have sold my wisdom teeth for magic, LET ALONE magic clean-up help!) but he refrains from doing so, because he really took Merlin’s advice to heart.

(Side note: IMO, Merlin’s an ASS. But the advice he gives in the beginning of “Wizards”--along the lines of “Relying on magic alone isn’t enough, first you have to master how to live well and THEN you can master magic, hard work is extremely important and not to be skipped”--is good. AND DOUXIE STICKS WITH IT FOR OVER 900 YEARS. OF HIS OWN VOLITION. Merlin’s in a tomb, he hasn’t been glaring over Douxie’s shoulder all this time!) Which brings me to-

3) Douxie, although a hard worker, sincerely good guy, and all around badass wizard, doubts himself a LOT (thanks Merlin’s endless snarking and yelling.) BUT, instead of always fighting/planning to get Merlin to approve of him, Douxie instead focuses on doing the right thing. But it isn’t easy and Merlin’s dismissal of him/his ideas/Merlin’s constant disparaging put-downs hurts him. But he doesn’t let it stop him.

4) Douxie CARES. A LOT. He’s patient, kind, eager to help, works hard, and has protected humanity from horrors it didn’t even know about for CENTURIES. While he was still an apprentice, with no master, and no other magic users (that we’ve really seen) that could teach him more about his own magic or how to use it. The hedge wizards are cool, but we don’t get to see much of them and it looks like they’re more of a side society in Arcadia than something Douxie’s strictly a part of.

5) Douxie protects whoever he can whenever he can. To him, all life is precious, and he gives off major “is anyone else protecting this person or trying to make things better okay cool cool cool, I’m gonna try to do that as much as I can for as many as I can right now!” attitude. Which gives off major older sibling vibes to me.

(To emphasize, he cares about EVERYONE. He’s distraught at the thought of Arthur’s death, HE’S the one who uses his magic to remind--not enchant, REMIND--Arthur and Morgana of their old love of the forest and of Gwen (apparently the glue that held their trio together) and how, each in their own way, they miss her and still love each other. HE’S the one who’s constantly checking the time continuum, and keeps trying to tell Merlin that it doesn’t have to be Arthur vs. Morgana. But Merlin outright pushes him aside/ignores him, and events take their course. Interesting note: Right during the big fight scene in the past with Arthur vs. Morgana, just before Arthur cuts off Morgana’s hand with Excaliber and she falls to her death, you’ll notice the time continuum is blue. Which means it’s fine. The future is good. Douxie could go back to his future no problem. BUT WHEN HE SEES MORGANA’S DEAD FORM as part of the repaired timeline, HE SHOUTS AND RUNS TOWARD THEM TO TRY AND STOP IT. Morgana being DEAD didn’t mess up the timeline. Excaliber being broken did. But Douxie was still trying to save Morgana AND Arthur, and only the blast of magic from their fight knocked him back. And he still grieves her death as one of the parts of his failure, even while Merlin pushes him aside and focuses on Arthur and Excaliber in the aftermath of the battle.

6) Does anyone else think Douxie has a major guilt complex/super messed up self esteem? Because Douxie tearfully shouting “I’m so sorry! This is all my fault!” to Merlin, AS DOUXIE’S OWN LIFE IS IN DANGER AFTER HE TRIED TO SAVE HIS FRIENDS and keep the Arcane Order from destroying the world...that hit hard. His life is on the line and (most likely) his last words are a plea for forgiveness to the Master that routinely dismissed him as an incompetent idiot and was more than happy to leave teenagers (!TEENAGERS!) who’d fought and risked everything to protect the world to die horribly at the hands of his enemies. Douxie--caring, kind-hearted, I-get-my-ass-rountinely-handed-to-me-but-always-get-up-again DOUXIE was the one who ran back to get Jim and Claire. Not Merlin. Merlin was *this close* to leaving to protect Nari for the greater good, and only reconsidered because Douxie had thrown himself into the fray (and despite his best efforts got thrown hard into a rock wall by The Green Knight. And then volleyball spiked into the (equally hard rock) floor and crushed by MindControlledTrollJim.

7) Douxie DOES NOT GIVE UP. Merlin writes Jim’s injuries off as hopeless and him as a lost cause, but Douxie relentlessly tries to figure out ways to fix things. Arthur and Morgana’s relationship, Jim’s injury/worsening curse, all the scenarios where they (it looks like) have to choose between saving their friends AND the world. He doesn’t just shrug and write off losses the way Merlin does. Douxie keeps throwing himself at problems and putting himself at risk to solve them.

8) He’s honest. (Certain Lad of Fortune bowl games aside ;) ) Merlin only told Jim the problem with the wound and left it at that. Douxie makes sure that Claire knows the reality of the situation and promises he’ll find a way to fix it. He knows their situation isn’t ideal, but he refuses to just shrug and leave things as they are. He’s more than willing to throw himself wholeheartedly into finding a way to fix things and refuses to let defeat stop him. Which leads me to, finally--

9) Douxie willingly, without flinching or making a big deal about it, walks into the jaws of death for his friends and the world. For Pete’s sake, he does it with a SMILE. He KNOWS getting his friends back is a long shot. He KNOWS the Arcane Order cannot get Nari AND the Seals, or else the world is doomed--AND he could easily have chosen to go on the run, with the Seals, for the rest of his life. His friends would have died (or worse), Nari would have been trapped with the Order for the rest of time, but the world (and Douxie) would have been safe. Why? The Order doesn’t know he has the seals. Merlin said they could be FOUND if his staff was destroyed, he didn’t say they were STORED there. (And yeah, I wanted Douxie to trick the Order with fake Seals too, but after some thought I’d argue that they’re ancient and powerful enough where they probably wouldn’t have been fooled by or chased after a fake.) Also, going on the run with inanimate objects your hunters don’t know you have and having the kind of magic Douxie does--he could have had a niiiiiice life. Maybe a little mobile, but arguably MUCH easier than constantly making sure a small forest spirit doesn’t get snatched up by her angry brethren. In any case--

Douxie’s plan included--and even hinged on--his willingness to die buying his friends and Nari time to escape. He BUILT IT INTO HIS PLAN. And that bravery, courage, and matter of fact heroism--along with that defiant smirk he gives the Order when they threaten to kill him--is why I love this guy so much.

#douxie #wizards #tales of arcadia #toa spoilers #wizards spoilers #long post #but its about DOUXIE you guys #heroism #protectiveness

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gothamcityneedsme · 3 years

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I saw this bouncing around my dash and decided to fill it out myself for fun :) I decided to not double-list any games, and I tried to mix up the companies I used too so that the list would be more unique.

Long post, so I’m doing a readmore for my longwinded part lol.

(read more)

Favorite Game: Star Wars: Knights of the Old Republic 2: The Sith Lords - I could talk about this game forever. How it tears apart the Star Wars universe from within, how it creates a compelling story while challenging the usual themes, etc. I could talk for ages about the characters and how their motivations slot in place, and how this game lends itself to interpretation and analysis alongside roleplay. It’s just a wonderful game, one I deeply love and will always love. It’s a game that isn’t afraid to have you talk to other characters for twenty or thirty minutes at a time and honestly I’m always riveted at every line. This game deserves the cult fanbase it has, but I think there’s a lot the fanbase misses in appreciating this game. (Note...gameplay is a little janky and a community made mod restores a lot content that was cut before shipping-the game wasn’t properly finished).

Best Story: Fallout New Vegas - It’s the setting that makes the story here, and all the moving pieces and factions alongside the main conflict really make this game stand out. There’s so many little pieces to find along the way in the world and the way the main quest splits based on who you want in power feels important--and you are choosing a future for this whole region.

Favorite Art Style: The Witness - This game is peacefully wonderful with its visuals. There are wonderful nature scenes and nests of wires and panels spreading in various parts of the island that are fascinating to look at. The environment is half of the gameplay in most areas, so it’s important to look around even though exploration is not really the gameplay. You find puzzles in the world, even in nature, and it’s fascinating. The colors are bright and beautiful. There is even a map in the middle of the island inside of a lake that helps you track your progress if you notice it (it isn’t like a normal ‘map’).

Favorite Soundtrack: Shin Megami Tensei IV - I love video game soundtracks, but SMTIV is something special. The music booms in ways that make you really understand the atmosphere of the world, and there’s a great mix of different kinds of tracks for different places. I love the tracks for the other worlds you enter, and the themes of the different routes are done so well. Some of the music draws from past SMT games, but the remixes done for this game really are stunning to me, and there’s so many fantastic original tracks.

Hardest Game: I Have No Mouth and I Must Scream - I love this game but I literally never touch it without a walkthrough, which is why it gets to be the hardest game on the list, despite being a point and click adventure game lol. Also just emotionally this game is challenging too, but I definitely mean this more in terms of getting a ‘perfect run’.

Funniest Game: The Stanley Parable - Trying to make this list has taught me that I don’t really play many ‘funny games’. I don’t know if a game where multiple endings demand that you kill yourself should count as a ‘funniest game’, but it is also a game where the narrator tells you to stare at a fern and memorize its features, so....it counts.

Game I Like that is Hated: RWBY Grimm Eclipse - I’ve been playing this game since it was in early access and have loved it the whole time. I find the gameplay soothing and fun, and I like playing the different characters. It’s a game I play to chill out and just enjoy some fun battle mechanics. It’s a fun game and I’ve spent over 100 hours in it, so I hope I like it, lol.

Game I Hate that is Liked: Nier Automata - Neither this game’s gameplay or story impress me, and the fact that you have to replay basically the same stuff from a more boring-to-play-character’s pov in order to SEE all of the plot is a huge damper on the experience. The story, to me, someone who engages with a lot of robot-focused fiction, is far from impressive or new, and it hardly engages with genre specifics at all, let alone in a new or interesting way. I view this game as ‘a story with robots in it’ rather than ‘a story about robots’, which, to me, is a detriment.

Underrated: Nevermind - This game is amazing and very unheard of--and when it is heard of, it has been marketed incorrectly. Nevermind seems like a horror game, and does market itself as one a bit, but it’s much more than that. It’s more about trauma, recovery, therapy, etc. This is a game that is so mindful about the topics it engages in that I am impressed by it every time. It’s heavy with symbolism and character, despite lacking conversations or other similar game mechanics. This is a lovely game that I really wish more people knew about-`p5-all of the patients are so interesting, and the focus on recovery and mental health is impressive.

Overrated: Fire Emblem - I sort of mean this as the series as a whole really. I have enjoyed the entries I have played somewhat, but I overall consider the series much less impressive than I was led to believe by others. The gameplay especially is not impressive to me in any regard, even though I sometimes do find myself enjoying it. The stories are alright, but many of them are weighed down by the gameplay and as a writer and person who likes to analyze writing, it’s very hard to do so when it isn’t able to fully exist under the chains the gameplay forces on it. There are ways to mix gameplay and story well, Fire Emblem has not really done that in any of the entries I’ve played. That being said, I don’t regret playing them, and I will occasionally replay, but I consider them mediocre games at best.

Best Voice Acting: Devil Survivor 2 - I love the voice acting in this game. I feel like all the characters are really suited to their voices, and it’s really easy for me to visualize their voices. They really bring the game to life and make both the dramatic and the funny scenes more enjoyable.

Worst Voice Acting: Jedi Knight Jedi Academy - I love this game, I really do, but some of the voice acting is janky. Some of it is okay too--I think Kyle Katarn’s voice actor does fine, and some of the others I like NOW but hated when I was a kid, but the male protagonist voice in this game is just awful. Which is bad when Jennifer Hale is the female voice actress lol. His performance is passable though unless you’re playing darksided--the darksided ending to the game lacks all punch when you’re playing the male protagonist.

Favorite Male: Battler Ushiromiya from Umineko no Naku Koro Ni - He’s the protagonist for most of the visual novels and I adore him utterly, especially once you move past episode 2. He’s a wonderful character who I care about deeply. I love his drive and how he fights--he’s someone who is easy to cheer for. He matures well throughout the series and his character development is just wonderful.

Favorite Female: Naoto Shirogane from Persona 4 - I really like how Naoto fits so well in the game, especially for being a final recruit--oftentimes the final recruit of Persona games (post 3) have a bit of a more difficult time feeling right with the group. Naoto works really well though, and I love her struggles and story as well. I think the difficulties she has concerning living as a woman in her field hit very deep to a problem that has existed for a very long time.

Favorite Protagonist: Connor of Daventry from King’s Quest 8 Mask of Eternity - I’m like, one of four fans of this character in the world, lol. KQ8 is not a very well liked game and it does have a lot of issues, both with age and with how much of a departure it is from the series prior to it. It’s strange to take a puzzle adventure game and make it a hybrid with what basically is a shooter, and it doesn’t really work. Add to that the fact that you spend most of your time in the game without anyone around to talk to and it leads to this really polarizing and weird experience. For me, Conner goes through what I would consider to be the ‘Ultimate Nightmare Scenario”. Everyone in the world is turned to stone except him (and he survived out of mere chance) and so now it’s up to him, practically alone, to save the entire world. There is no game lonelier than this. I adore him for his bravery in the face of it, and how he just picks up to do what must be done because someone should do it, and if no one else can, then he will. I also really love how he apologizes to people who are encased in stone while he takes money from their houses to help him on his journey. I really do think he went back after the game was over and gave everyone heaps of gold to pay them back with interest lol.

Favorite Village: Oakvale from Fable - The first Fable is the only one I really like, and it was one of the games I played when I was little, so the hometown in the game always meant a lot to me. I like how you grow up there and how your tragic backstory is there--and then how you get to return to the town years later after you’ve come into your own, and you can see it completely rebuilt. I like to spend a lot of my time in this town, just wandering around it and playing the minigames. Even though I have a house in every town, Oakvale is where my hero calls home.

Most Hated Character: Merril from Dragon Age 2 - I don’t really want to lay into how I feel about Merril, but what I will say is that it was suggested to me that I totally ignore her when playing, and I did so. I only met her for her quest, dropped her off in town, and literally never spoke to her or interacted for the rest of the game. I had a much better experience for it, honestly. She appeared after I made my choice in the end of the game, which felt weird since I hadn’t spoken to her in several ingame years, but other than that, the game was totally fine without her. I sort of just wish you could kill characters in DA2 the way you can in DAO, then I’d just do that, tbh. It doesn’t suit very many (or any) of the characters I rp in DA2 to keep her around or support her in any way.

First Game I Played: Mixed up Mother Goose Deluxe - I’m not actually sure if this is the FIRST game I’ve ever played or not, but it’s one of the first I played alone as a kid. I really loved it--this is probably what created my love for point and click adventures, and the game was very silly and fun.

Favorite Company: Bioware - I’ve always been a sucker for Bioware games, ever since Knights of the Old Republic 1 was my favorite childhood game. I love how they do stories and party members, and while I’m not a fan of all of their games, I really love what they’ve made and their style of storytelling and character driven plot. Even though sometimes their stories get cliche, I think the suit video games well and most of my early gaming was within their games.

Hated Company: EA - Bioware truly only started to go to shit after the EA acquisition, so I fucking hate EA. I know Bioware had issues before EA too, but I definitely don’t think EA has helped the situation whatsoever.

Depressing Game: The Beginner’s Guide - I relate to this game as a creator and a writer, and it affects me deeply because of the story it tells and the questions it raises. It makes me reflect on how I think of myself as a creator, and it reminds me of friendships I used to have.

Creepy Game: The Path - God, I love this game. It’s just aimlessly wandering around and finding symbolic scenery and watching your current character comment on it. Then, you go off to find your girl’s wolf, and each one is different and unique to her, and you watch it ‘kill’ her--and facing her wolf is the only way each girl can truly mature. Whenever you get to grandmother’s house, the camera switches to first person, and your eyes keep closing, so you can only see while clicking to move. It forces you to keep moving so that you can see, but since you are moving, you only get to see things somewhat vaguely. It’s got a great atmosphere, and I love the symbolic storytelling.

Happy Game: Eastshade - This game is so sweet. There’s some drama around to with many of the quests, but I like this as an rpg without combat, and I think this would be a really good kids game. There’s a lot to see and explore, and the game was made to be really pretty so that you want to paint several aspects of it. It’s really lovely to just wander around in this game and bike around the area, painting anything that suits your fancy. As long as you don’t finish the main quest, you’re free to wander, and materials do respawn, so you essentially can infinitely paint once you get far enough.

Favorite Ending: Virtue’s Last Reward - I love the questions this game asks and where the ending goes. It thematically ties together--the whole reason the game itself exists is to get the attention of a ‘higher being’--the player, essentially. I love how it plays with that concept, and even though the final game in the series doesn’t entirely pick this idea up where this game left it, standalone this game is stunning in how it comes together.

#shitpost #long post #this was fun to do #i made it so every answer was a different video game and i tried to mix up my companies as well #got 3 atlus games on here but mer #2 obsidon #llol #2 sierra too haha but still #beginner's guide and tsp were made by the same guy too but #STILL I LIMITED MYSELF OK #these answers aren't absolute because i was trying to have a good diverse list lol

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metalbatandzenko · 4 years

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all the numbers owo

GrCUnA gaoh god sdljhdkjshfkjsh

This is gonna get long so I’ll put it under the cut. I’m also gonna remove the ones I’ve answered already.

1. What fandoms do you write for?

OPM and AtLA. I have a Miraculous Ladybug fic, but the creator is a nightmare and I hate the way the show treats the main character (literally the creator said part of the show’s episode formula is the main character “learns a lesson” every episode: usually through humiliation) and all the characters of color so I really don’t write for it anymore.

2. What pairings do you write for?

Batarou, Mumensai, and I do general fics.

3. What is your most popular fanfic?

My Miraculous Ladybug fic. By like. a lot akfdjhlgkjhfdlkg

It’s got triple the subscriptions and bookmarks, double the hits, and more kudos than any of my other fics. And I haven’t updated since January.

4. Do you write original stories as well?

I do! I’m a creative writing major, so I do a lot of memoir nonfiction and poetry, but I also write fictional short stories.

5. What fanfic of yours should everyone have read?

I don’t think there is one! Different strokes and all. But if you weren’t aware, I’m working on an ATLA fic rn about Zuko trying to repair his relationship with Azula. Not for this fandom, but a fun fic for me because it’s a bit out of my wheelhouse.

6. What is a fandom you will never write for?

Out of the ones I’ve been in, voltron.

7. What is a ship you will never write for?

There are...a lot. For the sake of my mental well being, I will not list them. But I will say any ship between a teen and someone in their mid twenties or beyond is a no go for me.

8. Archive of Our Own, FanFiction.net, Wattpad, Tumblr, etc. which platform do you prefer?

Begrudgingly, Ao3. I have my issues with Ao3 and I think I’ve made those pretty clear (and they’ve gotten me into some hot water lmao) but it’s a good place to put fics.

10. How do you stay motivated to finish what you’ve started?

I could not tell you. I am so bad at staying motivated. Certain fics I love writing. Others feel like I’m pulling teeth.

11. What’s your longest fanfic?

Hidden Horns. By a lot. like 20k words a lot.

12. Do you want to break your readers‘ heart or make them laugh?

A bit of both, but I lean towards laughing. The world needs more light.

13. What is your planning process?

Depends on the fic. For short ones or oneshots, there really isn’t one. For longer fics, I’ll have an outline, but a lot of times I’m laying tracks as I go. If I think of a good scene or line, I’ll write it down and just keep it at the end of my doc until it comes up in the story.

15. OCs or no OCs?

OC’s only when they’re necessary for plot. For example, Madame Oshitani in Hidden Horns only really showed up because I needed a piano teacher, and I couldn’t have it be an existing hero. Outside of that, I tend to avoid putting OC’s in fics, because I find them disruptive when I’m reading fics.

16. Do you use sentence starters, writing prompts and/or fandom headcanons for your fanfics?

Sometimes! Hidden Horns was based off of this fanart. If they are, I make sure to note that in the notes.

20. Can we get a list of all of your current available fanfics?

Yeah you got:

A (Not So) Brief Hiatus-Miraculous Ladybug

Promises to Keep-OPM/batarou

Little Boy-OPM/Metal Bat centric

A Game of Chase-OPM/batarou

Not Invincible-OPM/batatou death

Someone Fun-OPM/Mumensai

Date With the Devil-OPM/Mumensai sequel

Something of Note-OPM/Mumensai

Conduct Evil-OPM/batarou

Grief and Other Intangibles-OPM/Zombiedad and CE death

Horns and Fangs Series (Hidden Horns and Fear and Fangs)-OPM/batarou

Spaghetti and Juiceboxes-OPM/Zombiedad and CE

I guess they don't like me but I never figured out why (I guess they think I don't like them either)-ATLA/Zuko reaches out to Azula

21. What’s your shortest fanfic?

Conduct Evil at a whopping 354 words.

23. Long chapters or short chapters?

They vary! Mine tend to be pretty short, like 1k-4k.

24. How many WIPs (work-in-progress) do you’ve got?

*sweats* Like 17 at least

25. How many WIPs will you finish?

Rude to assume I won’t finish all of them eight if I’m lucky

26. First-person-narrative or third-person-narrative?

Third. I hate writing in first person except for in nonfiction.

27. Do you take requests?

Kind of. If people send me an ask that I vibe with, I might write something, but as a general rule, no. I’ve been considering doing commissions though, so if you want to toss a coin to your bitcher lmk

28. I will name you three things (object — scenario — fandom/ship): write a paragraph or two!

I can’t do this one without those three kdjhflkjsdh

29. What’s more difficult? Fanfics or original work?

They’re difficult in different ways, but original is way harder.

Original work means there’s zero scaffolding to build off of except for the scaffolding you make yourself, and there’s a lot of issues with worldbuilding and creating complex and relatable characters.

Fanfic relies on a solid understanding of existing characters and dynamics, as well as the internal logic of the world. The scaffolding is there, but often times it’s stifling.

30. What writing software do you use?

Word and Google Docs fkjhslgkjh

31. Do you use beta/sensitive readers?

Nope. I probably should though.

32. Past or present tense?

Past. I can’t consistently write in present.

33. Do friends and family know that you write fanfics?

Some of my friends do. I’ve shared some with them! I use fanfic as warmup, so a lot of my writing friends know about my fics.

34. How did you find the world of fanfics?

I wrote Adventure Time fanfic on middle school and published them on an Adventure Time facebook group. They were wildly popular in the group.

36. Did you ever delete a work of yours?

I don’t think so tbh.

37. Did your work ever get plagiarized?

If it did, I wouldn’t know. But I highly doubt it.

38. Do you partake in any fanfic/writing events? (Big bangs, zines, NaNoWriMo, etc?)

No because I can’t stick to a deadline.

39. Collaborations or working solo?

I’ve never done a collaboration before.

41. What is something you don’t like about your writing?

I rely really heavily on dialogue and I’m suuuper aware of it. I think the thing is I do a lot of domestic fics, and even my story fics tend to be pretty domestic. I’m looking at you Hidden Horns

My original work doesn’t tend to lean on it as heavily.

43. Guilty pleasure tropes and scenarios?

I am a die hard found family bitch. Nothing guilty about it.

44. Does fanart of your fanfic exist?

Yes, actually. The aforementioned middle school fic got mini fancomic for the first chapter, and I wrote a Miraculous Ladybug ficlet in a fic chain that got fanart.

45. Do fanfics of your fanfic exist?

I think there might be one that was inspired by my fic, but I can’t remember tbh.

47. What fanfic of yours is truly underrated?

My ATLA fic!!! give it some love tf :/ (kidding of course.)

50. Can we get a teaser for an upcoming chapter?

Yeah, here you go:

The hero removed his coat and dropped it on the ground, where it landed with a solid “thud”.

He unhooked the holster under his arms, removed a knife from both boots, and unstrapped the machetes from his back.

They joined the trench coat in the pile.

Garou watched in equal parts awe and horror as Zombieman continued to produce weapons from increasingly improbable locations.

Finally, when the pile at his feet was large enough to arm a private militia, Zombieman stopped.

“I’ve got a pistol in my chest, but I’d prefer not to take that one out,” he said, pushing past Garou. “Feels rude to invite myself over then get blood all over the tatami.”

#hidden horns #Anonymous

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boaws · 4 years

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BOAWS Top Records of 2019

20 – Control Top – Covert Contracts (Get Better)

Sometimes you sit around and you try and think about what makes an album good or why you like it as much as you do and it's not entirely easy to narrow it down to one or two things. Usually there are some distinctive parts or sounds that strike me, but occasionally there are albums like Covert Contracts that bring together a number influences and pull them off quite nicely...and it just simply rips. I guess the three years between their debut EP and this first full-length were well spent refining whatever they were ingesting musically at the time, as what came out is a wild blast of post-punk that spans decades worth of sounds/eras that all fit along snugly next to one another on Convert Contracts. Is it going to reinvent the genre? Absolutely not. But is it kind of dance-able while also trying to smoothly hide that black eyeliner? Yup. It sure is. But it's also really good at doing it too. Control Top - Unapologetic (stream) BUY IT! 19 – Spotlights – Love & Decay (Ipecac)

Spotlights ride the fine line between post-metal and shoegaze, which I'm usually a little weary of because boy oh boy is there a lot of those bands and all those big riffs generally amount to a big old snoozefest. However, Spotlights caught my attention awhile back when their named popped up when playing alongside Hum on one of their many sporadic appearances. Turns out Spotlights weren't too shabby and their album Seismic was a bit of a winner too. They've since released their second album for Ipecac records and it takes the balance between the two aforementioned genres and toes that line even further. Love & Decay tweaks things a bit closer to the metal side of things, but still with some Midwestern flair and creativity in the realm of melody and definitely has the layers to appeal to the shoegaze crowd. Spotlights - Xerox (stream) BUY IT! 18 – Spit-Take – Falling Star (Dead Broke)

Spit-Take have been scattered around these pages plenty of times before, usually good for churning out two or three songs per release that make me appreciate them all that much more. Falling Star would mark their third full-length effort and it's about as consistent of a record that I've heard them release that sees them navigate though a pleasant balance of classic indie-rock/power-pop vibes while also throwing out some very Midwestern-ish clanky emo run throughs (“How”), which is usually always a good way to work your way into my memory. Short and sweet and available on both cassette and LP. Spit-Take - How (stream) BUY IT! 17 – VR Sex – Human Traffic Jam (Dais)

This is basically an alter ego of Andrew Clinco of Drab Majesty, wherein he typically goes by the alias of Deb Demure...here he opts for Noel Skum. I'm taking a guess that it's supposed to reflect the shift into a grimier/noisier side of the dreamy landscape that Drab Majesty typically inhabits. VR Sex contain much of the same undertones of something that Mr. Clinco would be associated with, remaining vastly catchy and rhythmic but now the game is a disassociated future where technology has apparently ruined society and now it gets darker, louder, and muddled in filth. Skum indeed. I'm not so sure the message is as conveyed as the presser would like one to believe, but I enjoy the tunes from a standpoint that it sounds like a slightly more modern Sisters of Mercy, Red Lorry Yellow Lorry or something along those lines. Not bad. I guess Human Traffic Jam will gain another level of appreciation years from now if it ends up hitting the nail on the head and we do in fact find ourselves in some type of Black Mirror episode. VR Sex - Sacred Limousine (stream) BUY IT! 16 – Cave In – Final Transmission (Hydrahead)

The trajectory for Cave In over the years has been one of the more interesting ones. Once a premier metalcore/hardcore band, they pulled the rug out from just about everyone and released their second album Jupiter, which sounded nearly like a different band...showcasing big hooks, melodies, and definitely a large infatuation with space-rock themes. I naturally loved it and was actually kind of excited for some reason when I saw that they had landed on a major label for their third album Antenna. Sadly it didn't go as planned and it was pretty much over after that album came and went without moving the needle a whole lot. Fast forward a handful of years following major label disappointment, the band suffers the tragic loss of bassist Caleb Scofield. The band had been in the process of recording/demoing for their first album in 8 years up until the point of his death and the recordings on Final Transmission are a collection of those. Andrew Schneider and James Plotkin did a nice job in smoothing out some of the rougher edges around what were mostly unfinished recordings, cause honestly I can't really tell in most places and the songs stand on their own for the most part. Final Transmission is, or likely would have been, an album that plants itself right in between Jupiter and Antenna, circling back to some of the spacey atmosphere and guitar tones that fed greatly into both of those albums sound. Possibly the album they would have made if RCA hadn't come knocking? Although it's unknown to me whether this is an actual final statement for the band, if it does indeed end up being that, it's a good'n. Cave In - Night Crawler (stream) BUY IT! 15 – The Bismarck – We Will Never Be Young Again (Self-Released)

The Bismarck have been around long enough to still have an actual website that hasn't been updated in years. As someone who still pays yearly hosting costs for some dumb reason and haven't quite convinced myself not to anymore, I guess I get it...but I know that's gotta be costly. The band is firmly in the PRF rock stable of bands, so that right there should give most of you an idea of what The Bismarck bring to the table. Over a run of what I think is five albums now, We Will Never Be Young Again seems to be an album that wants to prove defiant of its title, coming with full fire and energy and holy shit...anthems? Yeah. A song title like “Fuck You, Let's Boogie” certainly seems like something you could easily write off, but ends up being a bona fide gem of a tune. Solid album all the away around and if it ends up being to your liking, they have a rather deep catalog to pull from if curiosity strikes. The Bismarck - Fuck You, Let's Boogie (stream) BUY IT! 14 – Crumb – Jinx (Self-Released)

First album for the Brooklyn based Crumb and I'd thought I'd heard an EP or something before this, but upon further research, it would appear I hadn't. This introduction is fine enough anyway, wherein they combine that niche of slacker ethos that worked its way through a number of indie bands in the 90's and spin it with a chilled loungy/psych thing. Maybe a tinge of jazz influence here and there, but more or less it sticks to the poppy psych side of it all, leaving for a very breezy and smooth 28 minutes of music. The ambiance, or I guess mood, of Jinx is pretty heavy throughout, likely forcing the album to be something that is relegated to particular times of which it strikes just right, however when it does...it certainly works. Crumb - The Letter (stream) BUY IT! 13 – Razorlegs – Skip Skool (Self-Released)

Latest cassette from this improvisational noise/psych outfit, each side consisting of its own roughly 18 minute long descent into fuzz, pummel and blown amps. Side one is “Transistor Love” and gets things going with a rapid paced drum explosion that contends to outpace the entirety of the track, leaving me seemingly off balance for the duration. There are faint voices coming and going as the track progresses into its squalls of feedback and I'm left to envision that this is to mimic the joys of still using the radio dial (FM mute OFF...no cheaters) and then it promptly ends...picking back up with another steady drum beat that steers pretty much the rest of the track from one critical guitar injury to another. Flip the tape, you have “Skip Skool” and we're off with a death march of drums and the sputtering flare ups of distortion before turning into a full fledged burnt out psych mantra, sounding like it's trying to rip and tear its way off the tape that it was laid on to. Razorlegs - Transistor Love (stream) BUY IT! 12 – Breastmilk – Bliss (Chicago Research)

Chicago Research put out a variety of things this past year that I thought were all very solid in their own uniquely bleak and disturbing way, however Breastmilk kind of wins out of for things to play in the background if you genuinely want someone to be creeped out while being in your house. An interesting take on downtempo, that reaches its grimy fingers into the same head spaces of Throbbing Gristle, Nurse With Wound or the likes. An ebb and flowing bass churn scrapes along for 18 minutes of whatever hellscape this may be, the opener “Transient” using a ring-back tone to voicemail sample to unnerving ability. Not to mention a woman sobbing to the background of glass shattering and various other noises on “Jesus Piece”. Breastmilk provides the soundtrack for the horror, however part of the fun of Bliss is the open ended scenarios of whom and what it's playing for... Breastmilk - Transient (stream) BUY IT! 11 – HTRK – Venus in Leo (Ghostly International)

It sure doesn't feel like it's been roughly five years since HTRK released the excellent Psychic 9-5 Club, but that's the case. Following the death of co-founding member Sean Stewart, HTRK continued forward as a duo and have seen their sound venture further into the electronic world; relinquishing the heavy low end found on early recordings while cold pulses of bass and synth have since flooded over. Remaining consistent has been Jonnine Standish's vocal presence throughout, one that dictates the miscues, misery and loneliness in hushed breathy swoops. On their fourth effort, Venus in Leo, Standish and guitarist Nigel Yang return to the same nighttime introspection of regret, however with Yang's shimmering guitars coming back into play more so than we've heard in quite a while...fading in and out of the background. I kind of miss the heavy minimalism, almost deep-house vibe, that Psychic 9-5 Club had...but melancholy plays out in many different ways...and Venus in Leo seems to be the way HTRK wanted to tackle it this time. No matter, it's still immensely enjoyable. HTRK - Dream Symbol (stream) BUY IT! 10 – Jessica Pratt – Quiet Signs (Drag City)

Funny note, Quiet Signs was one of the first albums of 2019 that I really liked and accordingly I included one of the tunes from it on that respective months mix. My now fiance listened to it and then sent me a picture of the name of the song that was on and simply said “hate this”. Noted. It's OK though, we still love each other. How could you hate something as serene as Quiet Signs? Anyway, Jessica Pratt has been honing in her sound for several years now and took the plunge with her third album to record in a proper studio, which resulted in an album that sounds really far removed from being recorded in a proper studio oddly enough. The sparseness in instrumentation and the dreamlike echoes of Pratt's voice feel like both are in the same room with you, but still somehow a million miles away...or if that I'm not careful enough the whole thing will disappear entirely. It's the indescribable feeling of distance and brief lapses of clarity that make Quiet Signs so beautiful sounding. It comes and goes all too quick however, so I'll be anxiously awaiting the next appearance from Jessica Pratt. Jessica Pratt - This Time Around (stream) BUY IT! 09 – Notches – New Kind of Love (Dead Broke / Salinas)

Was blown away by Notches and their debut record High Speed Crimes around three or so years ago. It was pretty much everything I could ask for in a pop/punk record, bringing plenty of fuzz/distortion and a heaping fuck ton of melody. While New Kind of Love doesn't necessarily register on that same scale with me, it's still a fantastic record from a band that continues to peel off some of the catchiest material within the genre. It being the bands third album and all, it's kind of fun noticing them “growing older” of sorts and moving away from the turned up to “11” mindset. It's about the song now man, I mean it's always been I'm sure, but now it's no longer buried underneath a sheet of distortion. Can't blame them. I entered my listening to public talk radio in the car phase of my life here not too long. Totally feel ya. Give these guys a listen please. Notches - Funny How (stream) BUY IT! 08 – Dry Cleaning – Boundary Road Snacks and Drinks (It's OK)

From the opener “Dog Proposal” Dry Cleaning establishes very quickly that Boundary Road Snacks and Drinks is exhausting. I don't mean that in the negative sense either. The second EP from the UK based post-punk group is merely informing all of you out there that life is just extra fucking exhausting. Because it most certainly is. Singer Florence Shaw takes the six songs on this EP and crams so much of our current day-to-day nonsense in it that I'm basically getting an anxiety attack listening to this sucker. However, the honesty is appreciated and the contradicting jauntiness of some of these tunes is an excellent way to remind that no matter how tired I am that everything else is going to keep rolling as it always has. While there are much bigger issues at hand that Dry Cleaning tackle throughout, it's the debilitation of everything as a whole that Boundary Road Snacks and Drinks really conveys the most. After two excellent samplings from the band, it's pretty terrifying to think of the destruction on my nerves that they could cause with a full-length. Time will hopefully tell. Dry Cleaning - Viking Hair (stream) BUY IT! 07 – Kim Gordon – No Home Record (Matador)

It had never really occurred to me that Kim Gordon had never released a solo album up until this point of her lengthy career. I was kind of blown away by that to be honest. I guess it's just that Thurston Moore seems to fart one out here and there, so I'd assumed Gordon had done the same. However, as it stands, No Home Record is Kim Gordon's first solo effort and completely took me by surprise. Maybe I'd expected it to sound much like her material in Body/Head? I don't know. Or for it to be closer threaded to Sonic Youth? That's unfair, I know, but it is what it is. The good deal is that No Home Record is completely left field of about anything I expected; that takes equal parts no-wave and drags it through the glitch/industrial minefield. Gordon's voice fits right in with it all, adding to the instability and jarring nature of practically everything on this record. I'd never thought I would have wished for a Kim Gordon experimental electronica record, but it's 2020 baby and things are apparently really fucking different now. Fantastic stuff. Kim Gordon - Don't Play It (stream) BUY IT! 06 – Joshua Abrams Natural Information Society – Mandatory Reality (Eremite)

I somehow wish I could have this album playing practically the entire time I'm at work (it's almost long enough), but unfortunately my boss sits perched only a mere few feet away from me to ensure that maximum stress is achieved. Joshua Abrams and the NIC have created an absolutely astonishing collection of work on Mandatory Reality that is likely easier to zone out to than to deliberately ignore. You'll want to, because wherever Mandatory Reality exists, the grass is most certainly greener and I'm frantically waving my ticket to hop aboard whatever space-age craft is going to take me there at any given time. But really more to the actual music, Joshua Abrams and the NIC have laid out 4 slow moving, borderline minimalist, pieces of avant-garde jazz that sooth and calm the bludgeoning attempts of our actual mandatory reality sometimes. It's pretty brilliant and perfectly recorded/captured by Greg Norman. Played on a proper stereo, it's a variety of nuanced sound that demands repeated listens simply on that alone. Joshua Abrams Natural Information Society - Shadow Conductor (stream) BUY IT! 05 – 55 Deltic – You Could Own an American Home (Kingfisher Bluez / Strictly No Capital Letters / Barely Regal)

I love the title of this record so much, because here sometime in the next year we're going to have to start looking for a house and having been through this rodeo once before...I know how utterly dreary that's going to be. The only fun part about it right now, is the non serious part where I'm just cruising Zillow listings at work and seeing the inside of all these cool houses I can't afford. And what better of an idea to center an emo/slowcore record around? In actuality I'm pretty positive that's not what 55 Deltic are even remotely channeling here, but I would imagine there is a definite longing/nostalgia for a time when working towards a successful future was something not increasingly hard to obtain. The songs on You Could Own an American Home weigh heavily through a slow but sturdy pace, that lines up well with bands like Bedhead or Codeine, who both seemed to pull at a lot of the same strings that 55 Deltic are equally bummed out about no longer being commonplace in society. Really enjoyed this one, as it touches upon a lot of the aspects I like about the genre and isn't afraid of getting a little raucous here and there. 55 Deltic - Tangen (stream) BUY IT! 04 – Cherubs – Immaculada High (Relapse)

I guess the rumor of Cherubs signing to Relapse finally came true...albeit for their second album, fourth overall. Not sure why that took so long, but whatever...here we are...Cherubs consuming roster space on the same label that I remember receiving some pretty wild catalogs from years and years ago and lots and lots of pretty bad cover art. Or really good cover art if you were into grindcore. Either way. I guess it makes sense, Cherubs were, and are, fairly extreme in the realms of the noise-rock world, being a band that released one of the true classics in Heroin Man. When they got back together, there was a level of fear that the burden of having to follow that sucker up would be a bit hard to do, but 2 Ynfynyty wiped away any concern of that as I foolishly had mistaken the band as a group of people that would even remotely worry about something like that. The album ended up being nothing short of amazing and sounded like a band that had a little regard as to what they “should” sound like and just made a record that they wanted to. They returned this past year with Immaculada High and did exactly the same thing, producing a record that isn't simply a repeat and pushes their sonic explorations of marrying noise/melody even further into the grandiose murkiness. At this point, I'm calling it good. I mean, this is two more Cherubs albums than I ever thought I would get already, so I'm not really willing to push my luck here. However, if more is to come...then I'm here for it. Cherubs - Full Regalia (stream) BUY IT! 03 – Clear Gash – Replenish (Iniquity)

Knew nothing of Clear Gash when listening to Replenish and still know nothing about Clear Gash. They are from Germany and apparently have a very sparse web presence other than releasing this album on Iniquity Records, which have graciously provided it on their Bandcamp site or in the form of a....CD? Beggars can't be choosers I guess and at least Replenish got out there one way or another. Clear Gash are a bit of an oddity in this day and age, as there just aren't too many people out there really trying to bring murky moodiness of grunge back to the forefront, however that's not too far from what they are attempting on their debut (I'm assuming?) album. It's fuzzy, down tuned and pretty filthy sounding stuff. The interesting part is that they are taking the tone/sound and partially playing it like slowed down hardcore. Odd, but it jams sure enough. The production almost lends a bit of a raw Born Annoying/Strap it On era feel, which is definitely appealing to me. Replenish rips and is a distorted mess of riffage that has sorely gone missing in the past couple or so years for some reason or another. Clear Gash - Ode to Discrepency (stream) BUY IT! 02 – USA/Mexico – Matamoros (12XU / Riot Season)

Considering the players involved that make up USA/Mexico, I would be really really bummed/surprised if they managed to put out a record that was crap. It just doesn't seem possible when bringing together members of Butthole Surfers, Shit & Shine and When Dinosaurs Ruled the Earth...three very very fine purveyors of completely fried and distinctive noise-rock. So, it's relatively safe to say that Matamoros falls within that same realm of noise and dives deep into the red at the drop of the needle with the title track opener and spots some extra guitar ugliness from Spray Paint member George Dishner, which seems ridiculous that an extra amount of mangled feedback would seem necessary...but listening to Matamoros one gets the sense these fellas operate in a world unbeknownst of limitations. This then segues right into a grossly heavy cover of Cherubs' “Shoofly” with guest vocals by Mr. Kevin Whitley himself. Even he can't really crawl above the heaping amounts of distortion that USA/Mexico uncompromisingly continue to pour on, as his voice is repeatedly swallowed up by the mass. Matamoros carries on much in the same manner for it's duration. “Vaporwave Headache” cranks up the RPM's some and rips through two and a half of minutes of chugging maxed feedback and alien vocals as a possible representation of a vapor wave song if it were dubbed over on the same cassette roughly 400 times and then played at five times the speed. In the end, Matamoros greatly out performs the bands debut Laredo and is essentially the exact product of which could be expected through this collaboration of sorts. Well worth the risk of potential hearing loss. USA/Mexico - Matamoros (stream) BUY IT! 01 – Possible Humans – Everybody Split (Hobbies Galore / Trouble in Mind)

Yeah, this is my kind of thing. I'll never shy away from bands that want to continue hoisting that Homestead/Flying Nun flag and pumping out those type of jams. Possible Humans have apparently been lurking around Melbourne for a handful of years now, playing shows...etc. However, just towards the beginning of last year put out their first full-length through Hobbies Galore and it's been nice to see it gain some traction over the past few months. Enough so that Trouble in Mind picked up the record after the initial pressing of 200 sold out lightning quick. I got hooked after hearing the sprawling psych flavored “Born Stoned”, which despite being eleven minutes long it makes good on every single second of it, masterfully combining the Homestead or Athens sound with something that could have been an absolutely smoking Blue Oyster Cult deep cut. It quite simply rules and will undoubtedly be the best track I hear for a very long time. Definitely not trying to sell the rest of the album short, because Everybody Split is front to back a fantastic listen and piece of work that encapsulates a general feel/sound so well. If you haven't heard it yet, please make this one a priority. Possible Humans - Born Stoned (stream) BUY IT!

#top20 #bestof

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