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#which is. rad. they have a bunch of classic books
actualtoad · 2 years
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mutuals idk if any of you have read little women but if you ever did which of the sisters was your favorite im so interested
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quarkscooljacket · 22 days
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13 books
What’s up readers?! How about a little show and tell? Answer these 13 questions, tag 13 lucky readers and if you’re feeling extra bookish add a shelfie! Let’s Go!
Tagged by @softest-punk
1) The Last book I read:
Foster by Claire Keegan, which is what the movie An Cailín Ciúin was based on. It's only 70 pages (though I listened to the audio, which has a stunning narration) and I think I am in love with Claire Keegan maybe.
The last australian book I read was Witchy (vol 1+2) by Ariel Ries. Really fun comic about young witch Nyneve who is conscripted into the Witch Guards, runs away, and has to figure out her place in the world. Beautiful art!!
2) A book I recommend:
This year I finally read A Safe Girl to Love by Casey Plett, which is a collection of short stories about trans women living in Canada/the US. Every story felt so lived in and alive. It is mostly real-life stuff but there is one story where a woman can speak with her cat and it's done so well. Semi-related stories in that some of the characters know each other/mention each other. A trans classic!!!
3) A book that I couldn’t put down:
Birnam Wood by Eleanor Catton. Set in Aotearoa, centred around these two young women who run a guerilla gardening collective. one of them meets a billionaire who wants to give them a bunch of money. Now see the blurb told me it was an eco thriller but the thriller part is very slow burn until ur like JAYSUS SLOW DOWN.
4) A book I’ve read twice (or more):
I re-read the Southern Reach trilogy (Annihilation, Authority & Acceptance) by Jeff VanderMeer at the end of last yr because he accounced the fourth book. I just love them. The kind of spec fic I would love to write tbh.
5) A book on my TBR:
Praiseworthy by Alexis Wright. I bought it because I knew i was quitting my job and I wanted the staff discount and I thought I'd read it in my unemployment phase. Turns out quitting your job because you're horribly treated means that u enter a big extra-depressed phase so I did not have the brain space to read more than the first 25 pages. But i loved those, they just required more energy than I had. I'm gonna paste the blurb here actually because it just sounds fucken rad:
Praiseworthy is an epic set in the north of Australia, told with the richness of language and scale of imagery for which Alexis Wright has become renowned. In a small town dominated by a haze cloud, which heralds both an ecological catastrophe and a gathering of the ancestors, a crazed visionary seeks out donkeys as the solution to the global climate crisis and the economic dependency of the Aboriginal people. His wife seeks solace from his madness in following the dance of butterflies and scouring the internet to find out how she can seek repatriation for her Aboriginal/Chinese family to China. One of their sons, called Aboriginal Sovereignty, is determined to commit suicide. The other, Tommyhawk, wishes his brother dead so that he can pursue his dream of becoming white and powerful. This is a novel which pushes allegory and language to its limits, a cry of outrage against oppression and disadvantage, and a fable for the end of days.
6) A book I’ve put down:
A Marvellous Light by Freya Marske. I just simply do not care about rich English people. I had about an hour left of the audiobook, I rly tried to push thru but I just couldn't care enough.
7) A book on my wish list:
I would like to get a physical Irish-English dictionary!
8) A favorite book from childhood:
I did love Enid Blyton's Faraway Tree series which look I'm sure u can tell about me if you know me. And look I still do but my god. The amount of parents and parents buying these for their children at the shop for the love of god get them at the op shop PLEASE.
9) A book you would give to a friend:
Vague ............ well it would be something aus.
10) A book of poetry or lyrics that you own
The last one I bought was Non-Essential Work by Omar Sakr. I think Omar is one of the best writers working today in this godforsaken colony. HIs work is just exquisite and so precise.
11) A nonfiction book you own:
The last one I bought was Orientalism by Edward Said which made me realise how if you don't read anything academic in ten+ years it's very hard to get back into reading (or again, perhaps it is the horrible mental illnesses attacking my brain which mean I find it extremely hard to concentrate on anything!!! wahoo!!!!) so I am taking that one slow.
12) What are you currently reading:
Ghost Cities by Siang Lu which comes out in May. It's very funny and absurd and written just the way I like. It's about a dude who lives in Sydney and works as a Chinese translator, but he actually speaks no Chinese and uses google translate to do his job. He's fired via elaborate prank and then somehow gets the attention of a famous movie director, and is currently being whisked away to one of the ghost city apartment complexes in China to make a movie with him. There's a parallel story about an ancient emperor and I just finished the 30-page poem that his newly-imprisoned eunichs composed. It's exciting!!
13) What are you planning on reading next?
The Orphancorp trilogy (dystopian aus YA) by Marlee Jane Ward, which I have already read and simply adore. Three novellas that imo have perfect pacing and are about "what if capitalism was extra bad". They are deeply queer and anti-capitalist.
Tagging: @tideoftrash @drbuttox @briarrolfe @so-boop-tac-u-lar @hamthezombie @frankenfossil @dragnew @tekaihau @rows-study @nessie-nosebleed @tenderfacemeat @athousandhungrythorns @gamling
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demi-shoggoth · 2 years
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2022 Reading Log, pt 10
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46. Violent Victorians by Rosalind Crone. This book looks at pop culture during 1820-1870 in England, London specifically, and its embrace of violence. It covers the shift in news media from broadsides to newspapers, the rise and fall of the melodrama, and individual characters like Punch and Judy and Sweeney Todd. I think it’s interesting from a perspective of reading what British scholars are saying about British history—in America, it’s taken for granted that the Victorian obsession with respectability was a façade, whereas Crone spends a good deal of the book arguing that point against British scholars who have bought into the image of gentility and “civilizing impulse”. I’ve read whole books on most of the topics covered here in brief, but the book still has interesting and pertinent things to say, and is worth checking out.
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47. The Ascent of Birds by John Reilly. This book is aimed at birdwatchers and amateur ornithologists, using bird examples to teach evolutionary theory. I’m approaching it from something of the opposite side—I have a degree in Evolution, but don’t know a ton about birds specifically. So I definitely learned a bunch from this book, both about birds and about various breakthroughs since I was in grad school. The book is arranged in something like phylogenetic order, with the earliest diverging clade of extant birds (the paleognaths; ratites and tinamous) first, and oscine passerines (the songbirds) last. Some of the many topics covered include biogeography, niche partitioning, rates of evolution, sexual selection, behavior and genetic bases for evolutionary change. This gets my highest recommendation if you are at all interested in either birds or evolution. It gets a bit jargon heavy at times, but does explain what that jargon is.
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47a. Bestiario del Norte by Pablo Gallo. Usually I use the subheaders to indicate a book that I didn’t finish because I didn’t like it. In this case, this is a book I only sort of read. It’s in Spanish, a bestiary of folkloric monsters from various regions of Spain. And I am not fluent in Spanish. So with a combination of fading high school Spanish and Google Translate, I skimmed the introduction, read the monster entries, and skipped the lengthy section of bibliographies of Spanish folklorists. The book’s text stresses the pagan nature of many of the monsters within, particularly Basque creatures, in a way that feels slightly othering to me, but I could easily be losing the context through translation. The art is weird but not bad—it has a woodcut, collage style that is more designed to evoke the “feeling” of any given creature than its actual appearance. Imagine Terry Gilliam’s Monster Manual and you’re not too far off. My favorite thing I learned is that the alicorn, a Cantabrian unicorn, can trans your gender. I suspect it’s intended in a misogynist way (it can turn women into men on Saint John’s Day), but I prefer to think that alicorns are LGTBQ allies.
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48. Twisted Menagerie Manual by Reid San Filippo and Bob Brinkman, et al. This is a monster book for “Umerica”, a setting hack for the Dungeon Crawl Classics RPG. Think a combination of Gamma World, Mad Max and American Gods. The tone of the game is wacky, and the monsters contained within are the same. Examples include autovores, which are literal monster trucks, can crabs, like hermit crabs but in dumps (they come in three sizes: soup, coffee and trash), cyborg dinosaurs with chainsaws for arms, and the like. The first two thirds of the book is in typical Monster Manual fashion, and the back third features bosses, tougher versions of some of the monsters with their goals, followers and plot hooks, and short adventure outlines (some of which use the bosses). Some boss examples include Dr. Augh, a Frankenstein monster (power wight) who runs a hospital that he collects spare parts from, or Rad Fink, a gearhead dragon who cruises the wasteland on a modified tractor-trailer. It’s gory, silly fun, and I now want to check out the rest of the Umerica line.  
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49. Why Did the Chicken Cross the World? by Andrew Lawler. This book covers chickens, their history as domesticated animals around the world and the development of the modern industrial chicken, a bird barely recognizable as descended from jungle fowl. Chapters cover topics like the chicken’s role in the spread of humans across Polynesia, the search for the ancestral chicken that briefly engaged Charles Darwin, the role of cockfighting in Philippines culture and the Chicken of Tomorrow. Some of this stuff I knew (“The Chicken of Tomorrow” promotional filmstrip appeared on Mystery Science Theater 3000, and is the most important film they ever watched), but much of it was new to me. The book has a pleasant style and reads quickly, but I would have liked a photo plate section, or even some black and white images.
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50. Eating to Extinction by Dan Saladino. The title suggests food that we are wiping out because we’re eating too many of them, but the opposite is true. This book covers food endangered by things like market forces, dying traditions, loss of biodiversity and global conflict. Thirty four different foods are highlighted, each getting a chapter about where they’re grown, their history and who (if anyone) is trying to save them. A recurring character is Nikolai Vavilov, the Russian scientist who first developed the idea of a seed bank, and starved to death in a gulag. Several of the foods covered were collected by him or his students, and many others are being preserved in seed banks that are intellectual descendents of Vavilov’s work. I feel a little proud, and a little lucky that my diet is diverse enough to have tried some of these (Salepo Island red peas, lambic beer). This book makes reference to several others I’ve read, including Why Did the Chicken Cross the World?, above.
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thebibliomancer · 4 years
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Dark Crystal Age of Resistance Tactics liveblog pt 9
Even though I already befriended the Drenchen forever last time, I keep hanging around a swamp because I heard there was a SkekSil hanging around and I wanted to see him in his natural habitat.
Zing.
Now that the Drenchen are my best friends forever (high five, Gurjin!), I have to save them from the Chamberlain doing Chamberlain things.
Mission: Bogged Down - Putrid Banks
"The heroes set out to aid a Drenchen encampment. Rumor has it that the Chamberlain has been causing trouble."
I hope he doesn't have any threaders. Thats too much mind control in one place.
Aw dammit a bunch of hostile Drenchen. I'm always fighting Gelfling! There's not going to be any left to unify after everything at this rate! Short-coming of the narrative, I guess. If it was set later in the timeline, we could fight Garthim and Crystal Bats.
Maybe the sequel should get on that, hint hint?
And there's poisonous swamp water everywhere!
My swamp dream team is Gurjin, Naia, Rek'yr, Hup, and Kylan.
Because they're my lowest levelled but also because Gurjin and Naia are Drenchen and are immune to poison swamp water.
Dammit, the Chamberlain told the Drenchen that my group were fugitives.
Gurjin, you're a prince or something, can't you do something about this?
Apparently not.
But things are going okay. Sure, I can't cross the swamp very effectively except with the pet Nurloc, Naia, and Gurjin but do you know what is very effectively?
Kylan and Naia as a combo. Mark plus Double Strike? Very good. Beating up all the fools/members of her own clan.
AND GURJIN!
I've never used Defeaning Roar before even though its been on his movelist for a while but I love the graphic for it! It creates a blue energy shell around the unit which they bang ineffectually on with their fist! Its like noise proofing, for annoying mages!
Rek'yr, as you might expect from a desert guy, doesn't take well to the swamp. Most of the enemies that have attacked so far have ganged up on him. But he's still holding his own.
I'm very proud of my resistance group.
And then I gang up on the last guy, stack him with conditions, and kick the crap out of him.
Then Gurjin delivers a speech about freeing everyone from the Skeksis' tyranny which everyone is too unconscious to hear.
Its a feel good victory.
EVERYONE LEVELED UP!
Rek'yr learned Evasive (passive +15 evasion), Gurjin learned Tempered Stone (attack up for three turns if critical hit), Hup learned Friendship (he had this all along (ok fine, buffs accuracy and critical chance to adjacent allied beasts)), Naia learned Flurry of Steel (attack and take your next turn sooner), and Kylan learned Aimed Shot (attack a marked enemy for massive damage).
Oops, Kylan got to level 5, so I have to start training him on Mender so he can be a Song Teller, like the prophecy says.
Gurjin and Naia will stay Stone Warden and Paladin respectively. Feels like good symmetry for them.
I'm just going around the wheel with Hup so he needs five more levels in Tamer so he can become a Potion Master.
Rek'yr I'm going to try to make a Grave Dancer because it sounds rad and because he flirts over funerary arrangements. But he's a level 5 thief now so I need to get him to Paladin, which means Soldier. Since I'm making him a fighty guy, I'm giving him the Dousan Axe.
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Encounter - Putrid Banks - Fight a challenge to test your mettle
Always with the testing my mettle, geez.
Dang the swamp is full of darkened nurlocs and windsifters. This game is doing a slightly better job at making me remember the Darkening is an ongoing concern than the show.
Since encounters help you get more xp, I'm bringing my lowest levelled people Breg, Alyadon, Rian, Brea, and... Rek'yr? You just levelled!
New guy has to play catch-up a lot.
Well. That went well enough. Breg died. Poor Breg.
Rian leveled up so now I can start him on Stone Wardening so I can eventually make him the big-brained strategist of the resistance. And Alyadon levelled up so I can make her a tracker or thief. I forgot what the plan was for her. I don't have a dedicated Mender and she was one of those so maybe time to lean into that?
But if she's going to be in a basic job, I'm giving her nice things. A Dusty Tome so she can attack from afar, an Apprentice's Cloak because I was out of clothes, and a Pouch of Hollerbat Fur.
Decked to the nines.
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Geez, you never get much money in this game. I feel like a really long time goes by between being able to buy next tier equipment for my party but other than grinding on Encounters (which don't give much) I don't see what I can do.
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Mission: Creepy-Crawlies - Muddy Shallows
"Hot on the Chamberlain's trail, the heroes are stopped when they encounter an army of Arathim."
Dangit SkekSil!
My party is Breg and Rek'yr, doomed to always be the lowest levelled guys from some reason (its because Rek'yr just joined and Breg keeps dying), Brea and Boggi because a girl and her shouty dog is just classic, and Hup because Hup already knows Friendship.
The spiders talk, which I know they can do from the show but I don't think they've done in the game yet.
Gurjin: "Now he's convinced the Arathim to help him? We have to stop the Chamberlain and his manipulative ways."
Just keep Rian away from him. He's a good kid but way too easily swayed.
"Well this is not going great, what with all the spit but at least nobody as died so f- HUP NOOOOOO"
But despite spending much of the mission with most of my party hovering in low health, Hup is the only one who did die by the end. I'm surprised. Usually my team starts dropping like flies.
It occurs to me that this was a filler mission padding out a filler story arc padding out the show plot by having Chamberlain Up To Something.
Good news is that everyone level up!
Breg learned Evasive, Boggi learned Concentrate (Magic Up and Shell for one turn, take next turn sooner), Brea learned Landslide (Stun all adjacent units, nice), Hup learns NOTHING, Rek'yr learned to Shove people.
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Mission: The Chamberlain's Deception - Drenchen Encampment
"The heroes reach the Drenchen encampment and confront the manipulative Chamberlain"
Well, I won't say no to kicking his butt a second and a half time and stealing his clothes again.
I do wonder if we'll get to fight more Skeksis besides the Chamberlain, the Hunter, and presumably the General.
Geez, this map is huge.
I'm bringing Deet, Gurjin and Naia (home turf), Kylan (because he's Naia's bestie), and Breg. Because I'm always bringing Breg. Poor guy needs more experience constantly.
Gurjin: "Begone Chamberlain! Your kind is no longer welcome, drainer!"
The Chamberlain: "Please... Skeksis come only to help Gelfling living so far away. We bring them back to the castle. GIve them much-needed food and supplies."
He has a trustworthy face, I say we trust him.
Rian: "Don't listen to him! He plans to drain you all for your essence!"
Then again, Rian is a protagonist. He might be right.
Chamberlain: "Wicked Gelfling spread lies! Capture the fugitives and skekSil will reward you all at the Castle!"
-me hits a Drenchen after they hit me-
Chamberlain: "You see! Gelfling here to hurt you"
I MEAN. It doesn't look good for us! 90% of what we do is roll into town and beat up other Gelfling!
Soo. I lost.
Its a bad setup. There's a lot of swamp water in the middle that Chamberlain can just sit on the other side of and lob his ridiculous 4 and 5 ranged apparently perfect accuracy confuse Please, Please and stun Spithead abilities across.
All the Gelfling enemies are Drenchen so they can cross the swamp water no problem or darkened armaligs which have ridiculous defense.
Chamberlain himself has 1000 HP. You only have to beat him but he plays keep away on the other side of the swamp. And if you try to keep out of his range, then he'll cross over but run away if you attack him too much. And he's seemingly immune to status effects.
Trying again with Rian, Gurjin, Naia, Brea, and Hup. The all-star squad.
And I lost again. Chamberlain is just too able to lock down the party with confuse and stun and not to mention converting your people onto his team. I even got his MP down to nothing and he still used an ability to I can't win via attrition either. And when you take out half the enemy units, he automatically goes hopped up on essence and can use Skeksis Friend to convert a confused team member.
I had Hup, who could clear confusion but he died.
Eesh, what a disaster.
Going to try Hup, Alyadon, Brea, Rian and Naia. Alyadon and Hup can both clear statuses, Brea and Alyadon can heal. Rian can hit things. And Naia can hit things but look cooler when she does.
Oh, shit I actually won. I lost everyone but Naia. Heck, I lost everyone but Brea, Alyadon, and Naia just getting across the swamp to where Chamberlain was. Hup and Rian both got cornered and slowly beaten to death =(
I had Alyadon mark the Chamberlain, then he executed her =(
I had Brea dreamfast to give Naia more MP, then two armaligs bumped her to death at the cost of their own lives =(
And then Naia did double strike AND IT WAS THE DRAMATIC LAST BLOW! GOOD STUFF!
I didn't denude the Chamberlain again but I did steal his Signet Ring and got a book of Drenchen legends.
The ring lets the equipped hero start battle with ten turns of Guardian's Blessing! Which means an auto-revive! I'd have to suck a lot to die in the first ten turns but STILL NEAT
Giving it to Naia, she more than earned it!
Drenchen Legends is a spellbook, grants a ranged magic attack with 30% chance to inflict poison. GIVING IT TO BREA, SHE EARNED IT! Plus, she loves to read.
And Brea and Naia levelled up, as befits THE LAST TWO PEOPLE STANDING.
PHEW
Brea learned Channel (grant adjacent allies MP regen? YES THANK YOU) and Naia learned Retribution WHICH IS VERY APPROPRIATE FOR HOW I GOT IT (50% chance to counter attack melee attacks). I kept wishing Naia could counter the whole mission when she was confused and being slowly beaten to death by a mender.
I spent some of my battle spoils giving some teeth to Gurjin and Rek'yr and buying Brea some bat fur.
And thats where I leave off because that is just enough for right now. I really thought I'd just be stuck at this point and have to grind on bar fights!
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humboldtfog · 4 years
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Years of depression has prepared me very well for the current state of affairs which is weird but whatever here’s a list of my faves on netflix, if I’m missing something let me know cause now’s the time, right?
I'm kinda embarrassed by how long this list is but also kinda like fuck that, there have been very long periods of time where it was either sit and watch shows all day or lie down and stare at the wall in silence all day so I chose the former and it adds up and there's nothing wrong with that.
Glow (Badass ladies learn to wrestle, great 80s aesthetics and grrrrl power.)
Our Planet (Netflix version of Planet Earth, beautiful, cute, terrifying that we aren’t doing more to save us all.)
Bojack Horseman (Hilarious and “deep” critique of LA and celebrity culture for people who don’t care about LA or celebrity culture. Also very funny visual jokes about how if animals were also kinda humans, and lots of great jokes about cliches and tropes, puns, and weirdly rhyming and alliteration? I don’t know how to explain it just watch it.)
Father Brown (BBC, based on mystery novels about a priest who always meddles in police business and solves murders in his small English countryside town.)
Pose (The Ball scene in NY in the 80s, poc queer and trans writers and actors bringing their people’s stories to life. So much joy, so much beauty, but also NYC in the 80s so you will cry.)
Paris is Burning (Documentary made during the Ball scene Pose is based on.)
Sex Education (Such empowering representations of all walks of gender and sexuality, and actually very educational, like I would straight up show this in schools because everyone would be very entertained and would learn a lot more than they teach in a lot of schools.)
What Happened Miss Simone (Documentary about Nina Simone’s life, music and the activism the establishment/ government worked to suppress and used to blacklist her.)
Night on Earth (Low light camera technology has gotten hella good and they’re starting to learn stuff about animals’ behaviors at night that they’ve never been able to study before.)
Call the Midwife (Follows stories from the midwives that worked in the East End of London after the war, based on memoirs. Interesting look at the kind of life of poverty people led before there were many large hospitals or birth control, right as the British were implementing their universal healthcare program.)
The Great British Baking Show (Everyone’s so nice and everything looks so good!)
Atypical (Dramady about a high schooler with autism and his family, very funny and great representations of autism and how to be a good dude.)
Parks and Recreation (Just very funny and everyone knows it. Amazing ensemble cast, and they still keeps in touch through a group chat awww doesn’t that say something!)
Kim’s Convenience (Canadian comedy about family of first and second gen Korean immigrants that’s just a really solid funny modern day sitcom.)
Queer Eye (I feel like if everyone in this world could get a life makeover from these guys we just wouldn’t be here right now.)
Obvious Child (Jenny Slate accidentally gets pregnant and gets an abortion. It’s funny and it’s realistic, we’re not all Juno.)
Maria Bamford: the Special Special Special (Rad lady comedian not afraid to talk about her mental health and lack thereof and very vocal about the stigma surrounding mental health problems and I very much relate to. My favorite standup probably ever. I could make a list just for standup so message me if you’d like more suggestions.)
Monty Python (Flying Circus, movies, doc, ect. “The Beatles of comedy” is the cliche but it's true.)
Easy (Very unconventional non-narrative structure and editing, following random people in Chicago in a very real life feeling way. Different story each episode, but sometimes characters show up briefly in each other’s lives or return for a second episode.)
Everything Sucks! (High school nerds and lesbians and theater geeks in the 90s! I’m so sad this only got one season I rewatched it recently and it’s just so solid.)
She’s Gotta Have It (Revival of Spike Lee’s first movie, black girl magic, art world, gentrified New York, lots of sex.)
The Office (Classic, holds up very well, totally solid throughout, worth a rewatch. Also if you're a fan Jenna Ficher and Angela Davis are doing a rewatch podcast jsyk.)
Billy on the Street (Mindless game show for laughs, amazing gay comedian runs around New York yelling questions at them. I watch this with my dad and he can’t help but snort even when it’s “inappropriate” or “juvenile” so you know it’s good.)
Good Girls (Some lower middle class family ladies that are all about to be broke decide to rob the grocery store one of them works at, but they accidentally cross a gang that stored their cash there, so they gotta pay it back, and of course can’t help but get deeper and deeper into it. Very suspenseful like your heart rate will go up and stay up. )
Arrested Development (It’s just funny, as you've probably heard, but I'm telling you it just really is.)
The Laundromat (Tells the stories of a few of the people involved in the panama papers in different ways, explains in an entertaining way how money laundering works in a way that made it mostly make sense even to me. The rich get richer, and Meryl Streep is here to tell them to fuck off and pay their taxes.)
Russian Doll (She keeps dying and coming back to the same moment over and over and can’t figure out how to stop the cycle or why so kinda sci fi, very suspenseful, big cliff hanger ending, or rather no ending, and just found out season two filming is delayed because virus which is very annoying!!)
Dear White People (Show picking up where the movie left off, after a frat hosts a black face party and the ivy league college is forced to deal with racism.)
Dolly Parton’s Heartstrings (Stories based on Dolly songs. Very Hallmark channel, you will cry.)
Episodes (Show about two British writers making a version of their BBC show for American tv. Kind of meta, very funny, Matt LaBlanc plays himself and it's great.)
Dumplin’ (Fat girl grows up with a beauty pageant winning mom and enters one herself with the help of her late aunt’s Dolly Parton drag queen friends.)
Lunatics (Chris Lilley is the best character actor ever, all his shows are just him playing different parts and you seriously forget it’s all one actor, even when he’s playing teenage girls.)
Jane the Virgin (Prime time soap opera about a girl who is engaged and waiting until marrige and is accidentally inseminated with the only sperm sample of a man who’s had cancer so decides to keep the baby, very heavy on the soap opera cliches in a meta way but also that’s what it is. So good at first but after the first three or so seasons it gets too much tbh though.)
Zumbo’s Just Desserts (Australian Bake show but with just sweet stuff and pressure to be avant garde.)
Comedians in Cars Getting Coffee (Jerry Sienfeld goes out with funny people to coffee and lunch in fancy cars and they have funny conversations.)
One Day at a Time (Very very cheesy laugh track sitcom, like the kind of thing my grandma would watch, but it makes me so happy it’s doing a great job eplaining really woke concepts like queer pronouns and ptsd and addiction and white privilege to people like my grandma!)
Orange is the New Black (Good stories about very diverse characters, I’d say by starting it off about a upper middle class white girl it tricks privileged white people into watching and then encountering the more realistic stories of women who go to prison and how the system treats prisoners. Ending of season two is super solid and you can stop it there, season three is a really great critique of the privatization of prisons. I admit it goes on and on to the point that it’s stressful and after watching it spread out over years I can’t remember/ keep up with all the different story lines, though they’re all good stories to tell.)
Space Jam (Just saw while scrolling for more ideas this was added! One of the greatest sports movies of all time obviously.)
Bonus amazon prime shows, I try to avoid Amazon in general but these are just too good if you know a prime member who you can't convince not to give their money to amazon so they might as well give you their login (like yer dad).
The Marvelous Mrs. Maisel (A 1950s New York upper class Jewish house wife gets dumped and starts doing stand up, so funny, great actors, and they seriously transform NY back into another era.)
Good Omens (Mini series based off Terry Pratchett and Neil Gaiman’s satirical novel about the biblical apocalypse, very funny, very smart, very British, does the book pretty solid justice.)
There are other decent things that aren’t included, I’d say these are solid recs for a general list of genres all over the map without letting it get to a ridiculously unhelpful length. I feel like I’d be good at the “if you like this then you’ll also like…” so let me know if some of these are your favorites too and want personal recs for what to watch next based on a brain instead of an algorithm.
If you want to have a remote date and watch things together on video chat or one of those watch party sites or just tell me what to watch next here’s some stuff on my list I’ve been curious about or not sure about or don’t want to watch alone or have been putting off, and now’s the time right?: Strangers Things, I Am Not Okay With This, Black Panther, The Betty White doc, John Mulaney Snack Lunch Bunch, Dead to Me, The Ballad of Buster Scruggs, A Wrinkle in Time, The Little Prince, Maniac, Wet Hot American Summer reboots, and a bunch of different standup specials from comedians I like.
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houseofvans · 5 years
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ART SCHOOL | INTERVIEW WITH STEINER
LA based muralist and artist Steiner explores the relationships between humans and the environment through his vibrant and bold colored murals of wild psychedelic multi-eyed beasts and skulls emanating from toxic sludge.  We’re excited to chat with Steiner about his art, his process and what he has coming up for the rest of the year. Take the Leap! 
Photographs courtesy of the artist. 
Introduce yourself?  Steiner here, I grew up in Arizona eating burritos and drinking beers. I have lived in SF, NYC and now LA.
How did you first become interested in drawing and art?  Who were some of your early artistic influences?  I was always drawing and painting from a young age, but I became more seriously interested in art at around 15. My family spent part of year living in Rome Italy, and it really blew my mind. There was graffiti everywhere and of course, a shit ton of mind blowing classical art. Growing up in Arizona, which has a beautiful natural environment and a less than inspiring bland stucco sprawl city environment, Italy was quite the experience.  Other than that, I always loved comic books and watching freight trains roll by with all the graffiti on them.
When did you finally go from drawing and muraling to it becoming your profession and what you do? When i was younger, I held down all kinds of jobs from cooking to bartending, then slowly but surely all the years spent plugging away at drawing and painting murals started becoming more serious. A friend of mine and I started doing design and screen printing company together in New York, which was so rad. We worked for all sorts of companies big and small. Now I still make art for a living, but I also have a graphic design job, sort of like Jekyll and Hyde because my design work is quite different than my murals and art.
How would you describe your artwork someone unfamiliar with it?  Wild psychedelic beasts, with friendly colorful souls. I would also say that my work is about humans impact on the environment. I like to illustrate that with mutated multiple eyed animals painted in vibrant colors. Humans are represented by demons or skulls to denote the negative impact we have, and I often use smoke clouds in my backgrounds to represent pollution. 
What is it about muraling and creating art outside in the city that you are so drawn too?  I love seeing mundane spaces brought to life in big colorful ways. I love to work on large scales. Sometimes, painting on a small canvas is just a bit boring, but if you make your canvas the side a building, then it becomes way more fun. Also there are always weird challenges with murals – like the texture of the walls or roll down gates, the architecture of the building and the interaction with the street.
When you’re working on a mural, what’s the process like?  In an ideal situation, you have plenty of time to prepare. In this case, I would take pictures, get the dimensions, then make a bunch of thumbnail sketches that fit the space. Sometimes I have a sketch or something that will already fit perfectly, but other times, depending on where or who the mural is for, you work with a theme that can help dictate the end result.
When you’re not working outside on a mural, what’s a typical day in the studio like?  Sketching as much as I can. Sometimes ideas come pouring out, and some days it’s a struggle.
What are your essential materials and tools for inside and outside the studio? Moleskin sketchbooks are my favorite–mechanical pencils, all sizes of Sharpies and Micron pens, nicotine gum.
For murals: spray paint, rollers, gloves, fat and skinny caps ect..Always need a boom box , some cold ones and more nicotine gum.
What’s your best Art School tip that you want to share with folks? Man that’s a tough one, I always think about how a professor of mine made us mix 300 shades of green oil paint, without using black or white, then we painted an all green still life. It was frustrating at the time, but it really makes you think about color differently, and it really made a lasting impact on me. Other than that I try as many mediums as possible. You never know what might stick.
What’s been your biggest challenge you’ve faced as an artist? And what did you do to overcome that obstacle?  The biggest challenge is the constant one of never giving up and always trying to improve upon what you are doing. 
Whose an up and coming artist you are excited about? Jason Pulgarin, Keya tama, David Leitner, Revost. All of which are a bit more than up and coming, but I like what they are doing.
What are your favorite style of VANS? Summertime has always been about the Authentic for me, but I do love old Skools and SK8-His as well. Vans Vault has been a staple of mine for years.
When you’re not making art, how do you like to chill out and unplug?  Riding bicycles has always been a hobbie of mine–from fixed gear to road bikes or big old beach cruisers. Also there is a great little par 3 golf course I love to play by my house. It’s a good place to zone out. What’s coming up for you the rest of the year?  I just want to paint as many walls as possible, hopefully a truck or two also haha. Hopefully I’ll do some more collaboration walls; I really love to do those! It’s so fun to blend styles. 
FOLLOW STEINER | INSTAGRAM | WEBSITE
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manawhaat · 4 years
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What's your best vacation memory? ❤️
Oof… there are a couple that stand out from my childhood but I have to go with the Vegas/Pioche trip I took with my dad and my middle sister in 2015.
This is FUCKING LONG so if you feel like reading about it for 6 hours then there’s more under the cut and I’ll throw in some photos at the bottom because this trip really did just make me so happy. 
I had joined a photography scavenger hunt group and participated in a couple of rounds (and got some rad photos!) when they decided to hold a meet up. It was held in Vegas and they had classes and photo shoots and group trips out to different places in the surrounding area. I decided to go and booked a hotel room fro the last day of the meet up, but then my mom died. The meet up was about 2 months after that so when I was trying to figure out if I should still go, etc, my sister and my dad said they’d go with me.
On the way there we drove through the desert because we always do and my sister and I played the Alphabet game. It was the most intense game she or I have ever played. We were on x by the time we got into the middle of no man’s land and I managed to get it on a random XTRA semi truck that was parked in the middle of a salt flat. She got it as soon as we got back onto the main road on a car licence plate that was ‘xmasgft’. We went back and forth getting one only for the other to get the same letter seconds later. It was crazy. I was on Z when she was on Y and at one point she started saying ‘oh shit oh fuck oh shit’ and I started to panic thinking we were about to get into a car accident or something… when she stopped panicking I asked her what her problem was and apparently we’d passed a billboard for Zoomanity and she was panicking that I was gonna win. Her panicking distracted me and I didn’t get the Z. She ended up getting her Y and immediately after I found another Z on a sign that said ‘construction zone’ and it was the best ‘fuck you’ and the most victorious win of, like, anything that I’d experienced up until that point. It was fantastic! 
When we got into town I never did make it to the meet ups lol. I saw one person I know from the group while walking out of the hotel, but that was about it. I didn’t really have it in me to branch out and go to the meet up functions by myself so I didn’t. Instead I hung out with my family. We went zip lining over Freemont street and walked around, we went to the Mob Museum (which was fascinating), we did the Mandalay Bay Aquarium, and went out to the Hoover Dam. I’d never been and it was really cool, it was a gorgeous day and it we took a bunch of cute pictures there.
We’d all made a pact that we were going to do the controlled free-fall that they offer at the Stratosphere but when we got up to the top and watched a few people do it we all collectively noped out lol. We ate at this restaurant near the Stratosphere called The Peppermill that is FUCKING FANTASTIC. The food was good but the ambiance. Holy shit. It was like Vegas in the early 80s threw up in there. It was so good. Just neon lights and mirrors and tacky carpet and too many potted plants. The waitress was your classic sassy waitress, which only added to the experience, and my sister ordered the ‘mammoth pancakes’. It came with two and the plate weighed like 4 pounds! 
We did a few other things but I remember just being in a good mood the whole trip. I had gotten a throw pillow with Dean’s face on it before the trip and I took it with us so we could sleep in the car comfortably and I remember taking pictures with the Dean pillow like everywhere we went and it became a funny sort of adventure with him. I was also talking to a guy on my dating app that I was like, legit in love with. Everything about him felt so perfect and I remember telling my sister that if he magically transported to Vegas while we were still there that I’d 100% marry him.
This was also the first time being in Vegas since I’d turned 21 (that Vegas trip was a fucking nightmare!) and this really made up for it. I got drunk downstairs at the hotel and won like 80 bucks on a machine, which was the most I’d ever won at that point, so we had to stop and play that machine at every casino we saw it at. My sister and I had also been on a Ghost Adventures kick before that and there’s a very specific sound that one of their devices makes and the elevator at the hotels all made that sound, so we were constantly making it and giggling at it. All in all, it was just a lot of fun and a lot of like, solid bonding and enjoyment of the experiences we were having and who we were with.
Keep in mind, ^^^^THAT’S ALL STILL JUST VEGAS! ^^^
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Since we’d been on the Ghost Adventures kick, we stayed in Vegas for a couple of days and then drove out into the desert toward Pioche, Nevada. The Ghost Adventures Crew had done a paranormal hunt there at the Overland Hotel that is notoriously haunted (rooms 10 and 14, specifically).
I remember the drive being a nice clear day and the type of desert started to shift a little from what we’re all used to so there was some cool scenery. Now, we were on this trip in like April so I packed for desert weather in April, but what they failed to mention to me was that Pioche was in the HIGH desert, which didn’t really mean anything to me until we made it around a ridge and saw fucking snow!
We pulled over and played in it a little bit and then finished the drive and, lo and behold, it got more snowy. So when we finally arrived in Pioche I had to walk my happy ass through snow in leggings and sandals and a tank top with only a light jacket. And the next day, I only had shorts or a different pair of equally as thin leggings! It was terrible, but in a funny way.
The town of Pioche is fucking TINY! The population is literally barely over 1,000 and even when we were there we couldn’t figure out how it even held that many people! So we checked into the hotel and managed to get room 10 (one of the most haunted ones) and walked around. It was an old mining town so we checked out the remains of the tram, we went down to the Boothill Cemetery that had wicked old graves that were like, really old western graves of people who’d died in like the early 1800′s in saloon shootouts.
We had food at the only diner in town and while we were walking up a truck drove by goin’ extra slow. The driver was a good ole country boy- he was super hot- and in the back of his truck bed were…. idk, 15 or so fucking BEAGLE PUPPIES! I fell in love, I legit chased his truck down the street lol. It was like, the most amazing thing I’d ever seen.
So we hung out in the tiny place and when night fell we went downstairs to the bar at the hotel and hung out. We talked to one of the hotel staff who actually appeared in the episode of Ghost Adventures and we talked about the guys on the show and she was just really down to earth and funny.
Then, I got shitfaced.
I remember sitting at the high table watching my dad play pool with some locals while my sister was talking to some guy who’d also been on the show (and was a regular at the bar). At that point, I was really drunk and really lovey, so I decided to drunk dial everyone I knew to tell them I love them. Only, I didn’t get reception in the hotel, so I walked my happy ass out into the freezing night, and kept walking almost two blocks down to a little bench outside of the run down fire station and sat outside for over an hour, in the snow, in leggings and sandals, calling everyone I knew to tell them how much I loved them.
My sister finally came looking for me and dragged me back to the hotel while I was still on the phone, and I was able to make one more call to a friend. Drunk!me thought it would be a GREAT idea to finally confess that I had a crush on him and wanted to make out, so I told him that, and when he asked ‘uh, what?’, my dumb ass said it again, clearer and louder so he wouldn’t miss it!
Before he could respond my sister figured out what I’d just said and snatched my phone away and hung up. We went back inside to get my dad and then we walked up the street to the other bar in town and while we were walking my dad started throwing snowballs at us, so I fuckin’ took off. In my entire life I’ve never run as fast as I did that night lol. I ran so fast that  only stopped after my drunk brain could register the flash of neon I’d passed. So I turned around and was a few buildings away from the bar and when I looked for my sister and dad, they were still at the other end of the street a good 2 football fields away!
We went in and played shuffleboard and hung out. They paid the bartender not to give me anymore drinks and I then crawled on the bar and tried to convince him to give me more lol. I ended up going to the bathroom and the signs didn’t say ‘men’ and ‘women’, they said ‘John’ and ‘Mary’ and I freaked out because, Supernatural, duh!
When we left the bar later that night, with me even more drunk than before, my dad started throwing snowballs again and we ran down the street. There was a kind of boardwalk that we were running on and we didn’t realize it ended with a staircase so I jumped into the road and ran down the asphalt but my sister ended up, in a full sprint, leaping off the end of the boardwalk and crashing into me. She was so graceful and when she was in the air it was like she was  in slow motion. So when she landed we were howling with laughter and then we rounded the building and there was a big ass dog right in our faces! I freaked out just because I was shocked but it ended up being friendly and sauntered off, but drunk me was already laughing at my sister’s majestic leap so I started laughing even harder that I’d gotten so scared.
I ended up peeing my pants and we went back into the hotel and I tripped going up the stairs, resulting in more laughter and more pants peeing. We finally got to the room and I changed and we went to sleep. The room (and hotel, itself) were pretty creepy, and because we knew it was haunted I was already on high alert. They went to sleep but when I tried to, and every time I closed my eyes, I could feel someone standing at the side of the bed staring at me. I kept smelling and feeling little gusts of wind in my face, as if someone was sitting by the bed staring me down and was smoking a cigarette/cigar and blowing the smoke in my face. It was incredibly unnerving because it didn’t stop not once all night, so I ended up staying up all night watching tv, hoping I didn’t see anything or feel anything else.
The next day when I showered I couldn’t shower fast enough because it felt like someone was watching me shower and we thanked the hotel staff and left. I slept on the drive home and at one point when I woke up my sister asked if I’d heard from my friend. I said no and was really confused and then she asked if I remembered calling anyone last night and then it all struck me and I was mortified the rest of the ride home. When I got home I decided to just be straight up so I texted him saying that I’d meant what I said and was open to either going that route, if he was also interested in me, or just staying friends. He ended up ignoring me for weeks and I had to talk to a mutual friend about it. Now it’s just water under the bridge, but a hilarious memory. I even wrote a fanfic about the whole trip to Pioche! (I think some of the details in the fic are wrong/exagerated, and I’m not totally clear on some of the details that I’ve recounted here as they differ from the details at the end of that fic, but it’s all as accurate as I can remember without asking my sister for more clarification.)
All in all every part of the trip was just FUN. We didn’t ever have a moment where things went wrong, we didn’t have bad experiences. We weren’t stressed. It was exactly what my soul needed after spending years watching my mom battle with cancer. It was a bonding retreat and everything about it just soothed me and filled me with so much joy and the memories I have of that trip will last a lifetime.
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All the TOP 10 OF THE DECADE posts made me want to make one of my own, so here’s my 10 fave games this decade:
Yakuza 0  Shovel Knight  Nier Automata  Metal Gear Rising  Gunvolt Chronicles Luminous Avenger IX Final Fantasy XV   Scott pilgrim vs the world the game Undertale Persona 5  Doom
Danganronpa 2, New Vegas, Touhou Luna Nights, Katana Zero and Mario Odyssey all only barely missed out, and it was a tough decision not to include them. I loved the shit out of those games but thinking it through I decided they were just slightly less loved by me than the above.
Below the cut are some extended thoughts (of varying length) on the games included:
Just CTRL F if you wanna find a specific one
Yakuza 0
Every Yakuza game is delightful and this is definitely the best one, in my opinion. The Yakuza games appeal to me for a lot of reasons: the combat, the story, the variety of activities, the look of it all and the music. I feel like its a very unique game experience with its blend of weird in-depth side activities, serious crime drama, manly man masculine combat friendship melodrama, metal gear-esque convoluted conspiracies and a surprisingly compassionate view of the world it takes place in. 
The combat is what drew me in initially because it just feels good, the feedback of stomping on a dudes face in yakuza is delivered perfectly, and the attacks are brutal, hard and flashy. Its a very solid and satisfying combat system and in 0 its the best it has ever been. The ability to switch between 3 different and equally fun fighting styles on the fly really lets you mix things up and adapt your approach, every style feels fun and useful. If i had to pick a favorite it would be slugger, but its a tough choice, and they are all very viable and FUN.
Yakuza 0 also gets big points for having the best story in the series. The protagonists feel much more interesting in this era, the fights feel more earned in this game than others, the relationships are incredibly touching (I’m almost mad majima didnt stay with makoto) and the substories (and some parts of the main story) are the funniest they’ve ever been. Stuff like the quasi-stealth mission where you have to make sure women don’t see you buying a porn magazine for a child, and the extended scene of kiryu trying to guess the right business manners for a meeting had me laughing so much i was i was almost in physical pain.
The extensive business and host club substories get you tons of extra game content and are good enough to almost be there own game. The other games in the series have extended side activites of varying quality, but i think 0 had a rare case of all of these being, basically, perfect. The team obviously agrees since host club management came back repeatedly, but never as good as it was here.
Being set in the 80s elevates almost everything in the game because of the outfits, money flying out of every enemy you attack, the classic sega games you can play at the arcade (Outrun is so much fun and I’d have never have given it a proper go otherwise) and the disco minigame everyones made a meme out of (that music is so catchy).
As a final note this game has the best boss fights and music in the series, which is a very high standard to surpass when you look at the rest of the series. The dual final boss fights, the recurring boss for kiryu and almost every majima fight are highlights of the entire series for me. 
0 is going to end up being one of the few games I’ll never sell my copy of because i want it available for me to play forever, its a complete delight.
Shovel Knight
This game has been analysed to hell and back, so i wont have much original to say i suppose. Admittedly i did enjoy the first campaign but it didnt completely win me over, plague knights campaign and beyond was what really made this an all time greats for me. It’s one of very few games that gets the NES+SNES platforming appeal 100% right and essentially surpasses most games of the day, with almost perfect pacing, challenge and level design. IT helps that the whole world and story and look is charming as all hell. It’s an easy game to love and the more you play it the more that feels justified. Being PACKED with great content is also a plus. If you liked the first campaign you can just keep going through a set of campaigns about as good that only really rehash some level assets. I would say its one of the best 2D platformers ever for me, if not quite my true number 1.
ALSO JAKE KAUFMAN KNOCKS IT OUT THE PARK WITH THIS SOUNDTRACK
Since i have little else to add to the shovel knight discussion, here’s my ranking/thoughts on each campaign
Plague of shadows. BEST storyline, great levels with a really cool gameplay gimmick, the characters are all cute and the ending really makes me feel for him. both sorry for him at first and then a very real AAAAAAAWWWWWWWWW for LOVE
King of cards. king knight is just fun as hell to play as, he doesnt have that many tools but his movement is just crazy fun and i love the flair in all his animations. also has that rad final boss. joustus is ok i guess.
Shovel of hope. uuuuuuh what can i even say about this. its good, and the melancholy dream bits add a lot to the mood of the story. we’ve already analysed this campaign within an inch of its life i dont think i can say anything new. wish we could fight the battletoads on pc.
Specter of torment. still fun and i appreciate the tone change, but i didnt care as much for the characters and the mega man-esque level select doesnt suit shovel knight imo. specter knight has a lot of fun movement options though. mainly i just love GRINDING and the diagonal slash. i dont give a fuck about reize
Nier Automata
I feel a tiny bit ashamed i have so little to say about this considering it is one of the most emotional experiences i have ever had with a story. If i lsten to the final version of weight of the world i still cry just from remembering this game and how it made me feel. i think its one of the greatest narratives of the century but i can barely get across the appeal to anyone who hasnt already played it. its a story about hope, despair and the nature of the human race that never feels like its preachy or pretensious or taking on more than it can handle. it made me feel all kinds of emotions deeply and intensely, it genuinely made me burst into tears about 10 times, maybe more. even putting aside the ggrand narrative, theres so many cool character moments and bits of world building and visual eements and tragic little side stories that you would need a whole book to talk about them all while doing any real justice to them. i loved it so much that im paying £70 to see an orchestra do the soundtrack live. I want to hug and kiss 2b and 9s better. i just love it deeply and i find it hard to explain why it makes me feel that way, but its a dark beautiful and hopeful story where every moment feels earned. the despair of the story giving way to genuine hope with the rest of the world helping you fight for it is such an intensely emotional moment that you could never replicate outside of this kind of story and medium. how the fuck do i explain that to anyone that doesnt already get it. I’m glad this game exists
Metal Gear Rising 
Well, complete tone shift here. Platinum made a lot of great action games in the last decade that all dig into that same itch for DODGE SLOW MOTION BANG BANG BANG alongside great soundtracks, visuals and awesome set piece moments. Just intense, flashy, awesome combat. Picking a favorite of the decade was the hard part, because a platinum game had to be one of my faves of the decade. The closest was transformers, but mgr has a couple of things about it that put it above the rest of the platinum catalog for me.
The story actually works very well at still being metal gear while in the platinum formula, its about the cycle of violence and FINDING YOUR OWN PURPOSE and it works weirdly well. The strangest part is that it feels like a legitimate sequel to metal gear 4 tonally while still being the crazy action game it is
Raiden is just super fun to play as, while I’ll always miss the DODGE SLOWMO in a platinum game parry and zandatsu give a great flow to fights and there’s real exhilaration to parrying a hard chain of attacks and tearing out a bunch of enemies spines at once every time
raiden is also just  a fun protag, it truly allows me to embrace that kind of stereotypical edgy cool anime swordsman he embodies
BEST PLATINUM SOUNDTRACK DO NOT @ ME
Bosses just rule
one of the best final bosses ever, in my opinion? maybe that’s controversial, but armstrong gets an insane amount of characterization and pure PRESENCE out of such a small amount of screen time and the fact he feels like such a perfect rival to raiden so quickly is kind of nuts to me. within about half an hour you are ready for the ultimate final showdown with everything at stake, and then the gameplay 100% delivers on that with a fight that is challenging as hell and just feels climatic and intimidating. its a little thing, but having this dude just smack you around with his hands and almost no fighting skill after a game filled with crazy flippy cyborg ninjas makes him feel TOUGH and the way you finish him off? it just rocks, plain and simple. I don’t think i need to justify slices a massive dudes chest open and ripping out his giant still beating robot heart as the music climaxes and our cool edgy protag literally says WE’RE DONE HERE. truly, it has to be this way.
Gunvolt Chronicles Luminous Avenger IX 
For fast twitchy 2d platformers this barely beat out Katana Zero and Touhou Luna Nights, but i think its just a little better. The skill ceiling on this game is high as hell and once you really get to grips with it, its an experience you cant find anywhere else. its just satisfying as hell to be able to get through the point where you can ZOOM  through these levels by making use of copen’s dash and lock-on and weapons well enough. once you get good enough to get through a hole level without touching the ground, you just cant go back. I liked this enough to get an S rank on almost every level. this game just rules, man.
story, art and music are all great as well. but they pale in importance next to zippy jetpack zoom zoom fun time.
also great for having a cool twist that i genuinely did not see coming at all
Final Fantasy XV   
For context, my experience of FFXV was not the base game so i cannot personally address the concerns of the version at launch, which i hear from others was a total mess! The game has been updated and changed so much that it is probably almost unrecognizable aside from the absolute base aspects of it. The version i am talking about is, as far as we know, the “final” version released right before Episode Ardyn. There was of course an update after this, but it only added DLC compatibility and a few items, so it means very little in the grand scheme. I also played all of the dlc and watched all the periphery material to get the full, messy disjointed experience. it is also worth noting that the only other FF game i have played is the classic title Mario Hoops 3 on 3 Basketball. I feel it important to tell you this before getting into things so that you can have a full idea of the perspective i come at the game from.
This was chosen over Mario Odyssey and someone will probably kill me for that. I just think its a great emotional story that does a fantastic job of making you care for all the characters, and the world feels massive and full of cool stuff to see. It’s my favorite open world game and i love The Boys.  its not the kind of thing i usually play but i think it genuinely had a great story and its a very fun game to just explore and spend time in. ffxv truly understands the emotional bond between The Lads and it is fun to kill big monsters with your party
(they kinda ruin the last cutscene in english, in japanese he says I LOVE YOU GUYS and it makes me cry but in english he goes U GUYS ARE THE BEST which just isnt the same. a small nitpick though. a lot of this game made me cry regardless, its just great at creating an emotional bond)
I admire the insane level of ambition in the visuals and scope, and i bought every dlc for it because it was just that good. the ifrit boss fight and all the giant monsters are just amazingly epic in scale. the “found a cool rock” post is what i truly admire about this game summed up. 
all the ancillary material for the game is great and worth getting into, with the exception of the Comrades multiplayer expansion. Everything else adds depth to the story and the world without being entirely necessary for you to get through the story. the anime and the dlc all really feel worth getting into without being something you have to see to get The Full Experience
the giant monsters are cool
Scott Pilgrim vs the World: The Game
Being from 2010 this game only just makes it in, but it was my favorite beat em up this decade and a source of great nostalgia for me. It had a pretty big impact on music and art tastes in regards to games, and in retrospect this games existence was very much a dream team scenario. Paul Robertson is a great sprite artist who does a lot of good work, Anamanaguchi have gone on to become one of my favorite bands (another winter is still one of their best tracks imo) and at the time this came out i was obsessed with scott pilgrim. That plus the beat em up gameplay makes this kind of a perfect blending of a lot of my specific tastes. Playing this brings me back to the time in my school life that i played it very distinctly, a more comfortable time in my life for sure, and i think the game still stands up excellently. I hope that someday it will get a rerelease so others can enjoy it. I give this another play through every year or so, but i wish id gotten the dlc while it was still available
Doom
ITS VIOLENT ITS FAST ITS FUN ITS METAL
i like this game because of the intense adrenaline rush and violent catharsis it gives me, essentially a constant dopamine rush
fun game good
Undertale
I’m glad i got to this before the massive wave of spoilers and popularity came about. It’s a great story with some fun gameplay, and i think SANS UNDERTALE was one of the best boss fights this decade. Its a shame that for so many new players this experience is going to be ruined by spoilers
Persona 5 
Danganronpa 2 and fallout new vegas were close contenders for this last spot. I actually made a post about my thoughts on this game before https://journaloftomfooleryandjapery.tumblr.com/post/184341270554/nue-is-great-love-his-goofy-design-when-life-will but essentially 
Essentially, its got a great cast of characters, a cool slick look, great monster designs, a fun gameplay loop of collecting monsters and grinding stats while waiting for the next big event, and a surprisingly good story
No idea if royal is any good, but its on a pretty small list of games that i might actually take the time to replay
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2 big posts in one day? it’s more likely than you think!!!
Moze gameplay breakdown babey here we go
shit sorry i forgot my tl;dr the first time i posted this: the tablet is big important and might have eridian writing on it, it ties into the temple, the loot gun, the tablet in tannis’s infirmary on sanc-iii, and the planet holograms in Eleseer from TPS. also you get a special melee tool to break the purple crystals that i'm like 70% sure are Eridium and also, you’re never gonna believe this, but I talk about Atlas for a little bit because of it.
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“lair of the harpy”
ah harpies. I’m shifting into Percy Jackson mode
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just putting this out there
anyway as for what “Lair of the Harpy” means in bl3? Well we’ve seen in the We Are Mayhem trailer a bunch of flying Maliwan bots (i am assuming rn that those are Maliwan, anyway)
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these green fucks
(u can tell that’s Jakobs Manor cause of the railing on the left) so i imagine that’s why it’s called the Lair of the Harpy. Could also be the lair of some evil woman character, idk lmao. 
Far more interesting than the Harpy thing, to me anyway, is this:
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i wonder if that’s gonna lead us to the psycho basement with tv heads being hanged where the Hammerlock siblings are standing in front of the fireplace
i wonder...
nah but for real. I would almost bet money that the Vault on Eden-6 is in that giant volcano/mountain area. It just feels right. we’ve seen it both dormant (the leaked footage) and active (the 3rd trailer) so I imagine opening the Vault would cause it to activate. Tho I’m still hoping onto the hope that it’s a moon pool. Just saying, Randy, if you’re reading this... just saying.
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we also see this glowing sparkle icon again, which I think pretty much confirms from the We are Mayhem trailer that those will show us where the Moxxi crew quests are.
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we see an enemy called “Shredder Fanatic”, personally I’m a fan of Splinter, but to each their own. Uhhh but for realsies they probably deal some blade damage or have a high RoF weapon. 
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a cool detail I noticed about the minimap is that elevated areas won’t get discovered until you reach that level. Thank god lol
part of this camp is made out of an old sailboat, which i think is pretty fuckin rad
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makes me wonder if we’re ever going to see the areas of Pandora affected by the flash freeze again. How long do seasons last on Pandora again? I swear it was like 5 years or smth. oh well lol
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i wanna know what this big thing is!! it looks cool. they mentioned that eden-6 was going to have a shitload of broken-down ships, so maybe this is related to it?
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another look at what i'm assuming is Jakobs Manor. this is very hard because I keep getting distracted by the gameplay lol I’ve seen this video seven times! it shouldn’t be that enthralling!! and yet!
the combat music in this area is so fucking solid btw i am jamming the hell out
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in awe at the size of this place. I’m digging the elevated hallway. i am very much getting a hogwarts vibe from here. the far right looks like an observatory, even.
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“Big Donny’s Chop Shop - Open 7 Days” lmao
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a gramophone and it looks like we can interact with it! i hope it plays classical music while we go on a murder spree
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some sort of bridge? i assume that’s how you actually get up to Jakobs Manor. that may be why our quest is “go to Jakobs Manor”, we gotta fix the bridge before we can.
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A Typhon journal!!!
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No audio, though :( 
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From the radio: “catastrophe lead [???] to a lets play (flay?). Craving some meat in a bite sized package? then try festy flesh meats with a bandit on the go. hey, we know you want it, but do you have the time to hunt it down? ...”
-moxxi speaking about her crew challenge i can’t understand the radio here-
[different voice] “... for an exciting announcement from the CoV’s own ministers of murder: Pain and Terror! Those guys are cooking up one hell of a sh-” [player turns off radio] I gonna assume he was about to say “show” cause they’re a Penn and Teller reference. These are the guys from the arena with the giant skull thing, i think i have talked about them before?
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Eden-6′s version of the shock cactus?
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El Dragon Jr.
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OwO are those the same purple rocks as Promethea?
They look like they are growing out of a stone tablet, i mean look at the green light. also they have that same star pattern inside them as Amara’s arms and Maya’s phaselock!!! Which makes me think it’s raw Eridium just... growing out of a stone tablet. which IS WILD!!!
AND WHAT IS MOZE HITTING IT WITH?!
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FUCKING ENERGY BLADE
that is not her normal melee weapon, BY THE WAY
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she normally uses her Stab! knife!!!
when u try to break the purple rocks on Promethea, iirc the player character can say something to the effect of “have to come back here later”, so it’s possible later in the story we get something (the glowing red/orange/yellow) energy sword to break the purple rocks (eridium???). and yes you KNOW i pointed out the colors because Atlas.
After meleeing it, Moze says “let’s open you up” so im wondering if maybe those stone tablets come into play later? the (eridium?) crystals explode into sparkly purple powder
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glowing green!!!! It’s weird, I feel like these are eridian ruins/tablets growing eridium or some shit. we’ve seen the ruins have lines of color across them before, but never strictly on one side. and also never saw them grow eridium. i wonder if that is a reaction to us opening the second vault on pandora? eridium grew on pandora from the 1st one, now it’s spreading because of the second? I deffo think Eridium is from the second dimension (it started growing on pandora after the opening of the Vault) and it’s our key to getting there. 
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OwO
hey doesn’t that look familiar? I’ll give u like
10 seconds
...
...
yeah it’s the symbol from the gun
YEAH BABEY
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AND GUESS WHAT
YOU KNOW HOW THE GUN WAS TIED TO THE TEMPLE
YOU KNOW HOW I WAS TALKING ABOUT TANNIS’S FLOOR TILE IN HER INFIRMARY ALSO BEING TIED TO THE TEMPLE AREA???
LET ME GO GRAB IT
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THE TEMPLE
AND YOU KNOW I WAS REPLAYING TPS THE OTHER DAY FOR MY ANGEL ANALYSIS AND
FUCKING
ASGHDJUYKFDJTYHSRTAGR
THAT’S LABELING A PLANET IN THE HOLOGRAM
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AAAAAAAAAAAAA THE ERIDIANS GAVE US A LOOT SPEWING GUN BUT THE GUN MAKES SENSE BECAUSE VAULTS VOMIT UP LOOT ALL THE TIME BUT IT’S NOT LIKE THE LOOT WE GOT WAS AROUND WHEN THE ERIDIANS CREATED THE VAULTS
ALSO I AM VERY CONCERNED THAT CORPSE IN THE TEMPLE IS TYPHON NOW AND THE BOOK IS HIS JOURNAL. WHY WOULD MAYA BE GIVING THE JOURNAL TO THE LITTLE GIRL? IS SHE ALSO RELATED TO TYPHON?
OKAY SORRY I GOT EXCITED but uh yeah idk if that writing/those symbols being the same was intentional or not but it exists and i'm losing my mind over it
i also just wanna know why the rocks are growing eridium and glowing green like what the fuck are your SECRETS 
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Aurelia shows up as you cross the checkpoint at the bridge, so it’s pretty much 100% confirmed the Hammerlocks are helping us with the jakobs thing. considering Aurelia is contacting us and not Alistar, im REALLY worried about the shot in the We Are Mayhem trailer where he has red eyes. please don’t hurt him. also i love how Aurelia calls herself a rich bitch. she makes that shit rhyme lol
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another look at that big tower thing. May be a different one, actually. idk!
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round the corner and see a little camp on the left. through that tunnel up ahead leads us here
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we head to the right and Zer0 ECHOs us, asking us to kill someone to complete a crew challenge
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The target’s name is Heckle (and his rage name is Hyde)
Interestingly he has a megaphone strapped to his mouth
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wild.
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Lots of stuff! Zer0 sends you mail for killing the target and you are informed that the Crew Challenge is completed. You also get a challenge completed for doing it. You ever notice the actual gameplay of borderlands is very tied to yellow and blue? the color of the title is yellow and the vault symbol for it is red (except for TPS). just odd to me idk
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looks like a little envelope icon appears under your minimap when you have mail in your inbox!
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we can see some cryo freezing the swamp water here! that’s my favorite thing. the electricity is cool, but ice is cooler.
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i love the way this dude runs. also we now know that his pickaxe is to burrow his way into the ground
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looks like it will create a huge pink cloud so you know when its about to happen, giving you time to stop it. nice.
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getting closer. guess that wasn’t an observatory after all. Awww mannn
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lootsplosion from the loot tink
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bigger lootsplosion from his bag
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i believe this is our first look at an ‘artifact’ which are replacing relics from bl2 and oz kits from tps. and like the interviews said, they’ll be effecting movement! this one turns your slide damage into cryo damage, lets you deal more radiation damage overall, and allows you to slide faster and further. i wonder how broken this can get on a downwards slope with a super high level slide relic. let’s break the sound barrier!
anyway, that’s all i saw that caught my eye. I still haven’t completed my Mask of Mayhem analysis, I was kinda hoping something during E3 would help me figure out who those mystery robed maliwan guys are on it, but alas we got nothing of real substance. oh, i also gotta finish that mural piece... aw fuck
13 notes · View notes
davidmann95 · 5 years
Note
E L S E W O R L D S ? ? ?
MY THOUGHTS ON THE WORLDS AND THEIR ELSE-ENING ARE MANY.
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Gonna put most of this under a spoiler cut just in case, but right up front: I only regularly watch The Flash starting with Season 4 (along with seeing the first half-seasons of it and Supergirl, plus sporadic episodes of the other shows and Invasion!), and while there are absolutely standout episodes, it’s probably the most lukewarmly received piece of media I consume on a regular basis. So Elseworlds looked rad, and The Best Superman was coming back for it, but aside from hints that it was going all Final Crisis (which sadly weren’t realized) I was hardly outright ecstatic at the prospect of a Freaky Friday alone, even with Batwoman’s introduction in play. Basically I assumed it’d a bunch of fine stuff I’d get through so I could drink up the Superman content like a dying man in a desert.
This was my favorite live-action DC thing since The Dark Knight Rises if not in fact The Dark Knight itself, and in all honesty probably my favorite period of the non-Batman division. It was everything I want out of this sort of project and more.
I’mma break this down into a few categories: as a whole, Superman specifically because if you’re here you know what my deal is, THE ENDING, and a multitude of scattershot impressions and thoughts.
AS A WHOLE: Was this a masterwork of layered conceptual depth and calculated plotting tight as drum? Hardly - if nothing else, the sheer fact that the entire Superfamily is functionally and thematically superfluous precludes that upfront. But again, this is the perfect version of this kind of series, where clockwork precision is rarely the name of the game (aside from that dope episode of Flash with the bomb) so much as excitement and character-driven emotion, and in that regard this is the platonic ideal. Oliver and Barry hold the narrative together as Barry low-key relearns the value of his own kind of strength, and Oliver high-key learns to accept that he’s not living in a world defined by him anymore and he needs to be better, to the point where I may not even rag on him as Walmart Batman anymore every time I have cause to mention him, especially since that gets its own perfect sendoff. Batwoman functions as a perfect pilot capsule while still functioning as a chunk of a larger story, and Ruby Rose is on point. Supergirl gets some quality content even with her hands off the wheel (which is one of the lesser aspects given…well, given this is probably gonna be the last crossover like this and she really should have been the lead for one of them). It’s funny and thrilling and so damn weird, concerned above all else with making you giggle at doing stuff you’ve wanted to see for years and then making you give a shit about the emotional consequences of Barry Allen picking up some archery classes, and it earns what it reaches for.
Moreover, this episode represented a moment of maturation for me in terms of its status as a shared universe: Crisis on Earth-X was the culmination of what this world HAD been with its massive group shot aboard the Waverider, and that culmination was my going “wow, lookit that, they really did build something kinda functional out of what they had to work with”. It was a world that was comic book as all hell in the best way, but its own oddball strain made up of recognizable pieces broken off from a larger puzzle and rearranged into a new configuration. Here? From the moment the Monitor chases off 90s Flash on a desperate race from his dead world and the bodies of an army of superheroes to save all creation, into Superman taking his place as a central figure, Batman’s mythology unfurling out of nowhere at a beautifully shameless breakneck pace, the establishment of the Multiverse and Monitor mythology as the base level concept uniting the universe as a whole, and hotlinks to a half-dozen other major mythology elements I’d given up on ever seeing acknowledged, this really and profoundly feels like DC Comics.
SUPERMAN: Still so so good! I will say, this wasn’t nearly as much a breakthrough standout display for Hoechlin’s Clark as his prior Supergirl appearances, with a couple line readings where he’s maybe just a little too chill, and less opportunity to display range or depth given he’s in the back seat. And dude’s gotta practice pretending to be thrown back, however you do that, because that was pretty badly fakey-looking. If this had been his debut, I still would’ve loved him, but he’d be taking up third or fourth on my list of live-action Superman actors rather than sitting pretty at #1; I have to wonder if a lot of his energy simply went to his killer performance as Deegan, or if he’s still modulating his kinda-being-his-real-self-but-also-still-putting-on-the-Supermanness chunk of his performance given it’s with Kara and Lois that he really shines. If someone writes him off as a dime store Reeve though, they’re still wrong and also probably bad. Shoring up his cracks though is Elizabeth Tulloch, who’s already at least vying for a place on the Lois Lane Mount Rushmore. Reminded me heavily of the best of Erica Durance’s take, but with an additional straightforward bluntness that suits Lane incredibly well, and a talent for talking rings around Clark that does more than any other Lois to date to sell the idea that that’s a huge part of what he loves about her. Also she slaps around a mad god with the hammer for the cosmic anvil from All-Star Superman, because if there’s one thing Lois Lane steadfastly refuses to be in the business of, it’s in any way fucking around.
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As for the big question: even aside from Tulloch making pretty clear in a recent interview that it’s something producers are talking about, yes, I absolutely think the Superman/Lois chunk of this was as fully intended to act as a backdoor pilot for them as the second act was for Batwoman. I know I’ve been certain on this in the past just as a matter of ‘they can use Superman so it would be foolish not to push that’, but then, well, nothing happened. But here, while the creators are clearly hedging their bets with providing them what could easily be a happily-ever-after, their appearance in this way in this context is bizarrely conspicuous and pointless if that wasn’t what was intended. They’re incidental to the plot (Deegan becoming Superman, while great fun that gives us an interesting new spin on the evil Superman concept, is basically just an aesthetic), the functionality of getting Clark away from National City had already been handled by the season premiere and never actually takes anything more than ‘he’s busy in space/plugging up a volcano/fighting Luthor’ as has already been done in the past, the guest spots and relevant emotional beats could have easily been contained to an episode of Supergirl rather than spilling out into an already stuffed three episodes, and if they could only be used in one crossover for some reason they’d obviously be saved for the next one. And they get a scene to themselves AFTER their role with our leads is wrapped up, with a moment that could have already come off-screen earlier but didn’t, purely to endear them to us in a way that would make us want to see more of them. I’m not saying a Superman show is now guaranteed, but unless there was some bizarre instruction that they suddenly once and for all needed to permanently get rid of him - yet permitted that to be accomplished via the delivery mechanism of more Superman, in a way that’s noted as impermanent in-universe and in a context that’s going to introduce him and Lois and push them as big deals to the maximum possible number of viewers - yeah, I think that’s what the people who made this must have been intending. And that the powers that be let them is incredibly encouraging. As Tulloch said, a lot of this is out of the hands of anyone but corporate, but Elseworlds got season highs so that’s a point in their favor; hopefully Cryer works out as Luthor, because I imagine that’s the other checkmark needing to be crossed off that comes down to the response of the viewership.
Also the proposal was perfect, and I am astonished that happening after the pregnancy was announced got to go through - ‘modern’ indeed, as Cat Grant would put it. I get it’s got precedent of a sort in Superman Returns, but on the other hand, that precedent was Superman Returns. I’m surprised I’m not already seeing thinkpieces on the degradation of American Values coming out of this.
FUCK: 
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FUCK.
I really thought there was gonna be one more crossover before they dove all the way in. But nope, nope nope nope, instead by this time next year for-real live action Crisis on Infinite Earths with Flash, Supergirl, Superman, the Monitor, shadow demons, the Psycho Pirate, and assuredly a comprehensive collection of carefully curated cameos from the ghosts of DC TV past will be a thing out there in the world. Marv Wolfman sure must be having a nice day.
And boy, they are not in ANY kind of position to half-ass it. The name value alone would be enough, but if that was it they could at least maybe get away with Dean Cain and Brandon Routh showing up in their old working clothes to help beat up the Anti-Monitor on a cordoned-off Vancouver street, maybe a couple of the Legends folks biting it. But they‘ve been explicitly acknowledging it as a thing they’d build up to for five years, since episode one of their most popular show, and if I’m right and the writing in the book of Destiny was supposed to be the same kind of text that Nora’s writing, they’ve been actively setting up Chekhov’s guns within the shows themselves for at minimum two years. AND they’ve already done three other world-threatening multiversal crossovers, including a classic JLA/JSA-model Crisis, so they’ve already established a threshold of crossover event that this needs to plainly mark itself as an entirely different order of magnitude from, AND they’ve had a threat to the multiverse before in Zoom so just saying that again without really showing it isn’t going to measure up. Hell, the idea of massive status quo changes is reinforced as being just the much of the mission statement of this as the original via Psycho Pirate. They’ve apparently quite knowingly backed themselves into a corner where they actually have to Wreck Shit. At minimum one of the three leads has to die for keeps, and all have the symbolic weight behind them - Oliver included after Elseworlds, and really in the first place as the founder of this DCU - and have obvious enough successor shows waiting in the wings to feel like they’re legitimately in the line of fire.
My hope? One that unlike usual I’m not gonna bolster by drawing on evidence at hand and logical assumptions, but the way I simply feel it Should Go and think at this point has a legitimate chance of being the case? Crisis is its own miniseries in the fall in place of the return of the other four shows, a massive high-budget ensemble piece with room to breathe…and at the end pretty much everyone dies. Most of the Legends, some supporting cast members, and above all Oliver, Barry, and Kara ALL die grandiosely and nobly to save all creation, hidden from the audience successfully by way of a miniseries ‘putting off’ the actually nonexistent renewals of the existing series. Earths 1 and 38 are merged (hopefully without discarding the multiverse as a whole, and with the heroes remembering their pasts), and in the wake of this massive conclusion, the entire DCTV lineup is effectively relaunched. Batwoman comes in here, taking Arrow’s place, while Superman emerges (likely with a psuedo-Rebirth setup since Jon’s on the way - they can figure out a way to get him to the appropriate age) with him dealing with his family and his initial grief, The Flash is relaunched with Wally and/or Nora assuming the mantle, and Legends reconstituting itself, whether by its original title or as Legion of Superheroes or Justice League, with a new lineup made up in large part of the castoffs from the cancelled series. Again, obviously there’s nothing definitely pointing towards this being the case, but somehow it just feels right, especially with Batwoman and Superman shows clearly being gestured towards when Arrow and Supergirl are the shows that would definitely have to end or at least change names with the death of their leads. The strongest evidence against all this, I think, is that Supergirl wouldn’t quite have hit a hundred episodes and syndication yet. Though there may still be that Supergirl movie too, so that’s a factor.
A couple incidental thoughts on that front: 
* Interesting that Flash vanishes in 2024 and is still gone in 2049, but the first crossover - made when ‘Flash vanishes’ was already a keystone mythology element, and given its place at such an important moment you’d think the writers would remember - makes clear there’s an old Barry around in 2056. I could see that coming up. 
* Thawne’s role in this season of Flash feels at this point like it has to dovetail into everything, and I could see him taking up Psycho Pirates’ role in the original story even if the genuine article’s around. 
* I wonder if Jon Cryer’s gonna play Alexander Luthor.
* If Kara and Barry do die, and likely make some post-death appearances, I wouldn’t mind if they for the sake of novelty reverse things so that it’s Kara who comes back for real in Final Crisis, while Barry’s the one who comes from the past unknowingly and tear-inducingly ala Whatever Happened From The Man Of Tomorrow? (that could easily be set up via the “three hardest days of your life” thing Johns did in his Flash run).
* Incidentally, do Final Crisis as the ultimate event the next wave of shows build up to like this was built up to, and make that the end of everything.
* If I’m all wrong about Superman and he’s just being set up as a lamb to the slaughter for Crisis to fill the Supergirl role (which would still by no means require him appearing in Elseworlds, especially given it’s not like he develops a relationship with Barry or Oliver, so I’ll say my points all still stand), I get the impulse is to do him dying in Kara’s arms. But if they do wanna go this way and finish his story, I really, really hope that instead they let him deal at least part of the killing blow and then somehow vanish into ‘Heaven’ with Lois and Jon. If you’re gonna homage a Superman bit from there to close him out, that’s the one to go with.
* If Ezra Miller wasn’t bullshitting and would be willing to put in a little appearance, this is the place.
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ASSORTED REACTIONS:
* “Oh Barry, what have you done this time?” Oliver’s wise to your shit, boy. He knows full well he’s pretty much in a ‘Barry fucks up with Flashpoint even further’ meme come to life.
* Barry freaking out that he knows kung fu is a delight, as is Oliver trying so dang hard to do this whole ‘Flash’ thing.
* Knocking out the pair of them is admittedly *a bit much*, but while some might correctly note that they’ve seen so much weird shit they should be able to accept this, I’d say it’d also be fair to note that they’ve seen so much weird shit they’re not wrong to think this is gonna snowball into some bullshit and it’d maybe be simplest to nip it in the bud and get things under control.
* Barry, I’m glad there are toilets in the Pipeline, but someday you’re going to think to ask ‘so Cisco, what are you feeding them down there?’, and then Vibe’s gonna go OH FRAK or some other nerd shit and they’re gonna find 5 seasons worth of corpses to clean up.
* Hahahahahahahahahahahahahaha they did fuckin’ KGBeast on Arrow. Was that who Dolph Lundgren played? Checking…no. Dang.
* I had heard there was gonna be a Remy Zero shout-out for Smallville, but I assumed someone would just ask for someone to save them or it would be playing on the radio, not that they’d hard swerve from vague orchestral stirrings to pseudo-Nickelback. Loved it.
* Clark’s doin’ Clark stuff and I love it, Lois is doin’ Lois stuff and I love it, she nearly kills the Flash and Green Arrow with a hammer (truly her weapon of choice!) and I love it.
* Oliver pathetically puffing out his chest, WHILE CLARK ISN’T EVEN BEING SUPERMAN, is as good as television gets.
* AMAZO. Aside from basic delight at his existence, I love that the ‘Mirakiru’ ties into the Ivo material I know was in early, pre-superhero Arrow. It’s as if when Smallville got to do Supergirl and Doomsday for real they went ahead and tied them back in to the weird proto versions of them they’d already set up not knowing what they’d be able to do later. Much as Mxyzptlk or Grodd or Muppet Legends (I also caught that shows’ midseason finale, it was delightful) are easy to point to as indicators of how far this universe has come, this underlined that in a very unique way.
* Harsh, Barry - and where did you get those crossbows? - but earned as the Superfamily probably put together when they heard Oliver yelling about how when HE shot Barry he totally had a good reason for it. And along with the sheer, savage power of “I don’t think you can go more than nine hours without some sappy motivational speech”, it sets up Barry’s more understated character arc relative to Oliver in questioning and then reaffirming that his brand of emotional strength is just as strong as what your cowled types draw on. And while Lois obviously had the killer moment, Clark’s little “well, you kinda had that coming” look when Barry floors Oliver is nicely done. Smart money says he was thinkin’ about Bruce.
* Continued into the porch conversation, where the show takes its first real step in rehabilitating CW Green Arrow into a character I may no longer refer to by default as Walmart Batman as the show continues to dunk on him but he begins to take it in stride and realize he’s gonna have to change things up a bit.
* “Cool. Who are you?” “A friend.” So choice. Is that very clearly Williams-evoking musical sting at the end there something that often shows up in Supergirl? And I can’t tell whether’s Clark’s grin is in response to what he’s about to do, or because he’s relishing the hilarity of meeting a normal dude for the first time in his adult life who doesn’t know who Superman is, but either way I love it. And since I found his previous introductory shirt-tear honestly a little sub-par, this was an appreciated moment of redemption.
* Amazo fight rules, obviously. I do like to imagine the headlines the next day mentioning “hey, another superhero teamup happened with Supergirl from that other Earth who helped out with those invasions, and this time a male partner of hers showed up, some kind of…Super-man?” as the one pubic mention of Superman in the history of what’s presented as a ‘main’ DC universe.
* Barry just casually addressing ‘Clark’ by his first name is the first moment where I really thought ‘oh wow, this IS the DC Universe now’. And that “You’re welcome” worked as a reminder where there otherwise wasn’t space that yeah, he’s a nice dude, but maybe don’t tug too hard on his cape.
* Even though it wasn’t overtly followed up on, Barry being reminded that following Oliver’s example as his source of strength isn’t what’s gonna win him the day in the long run in the way that matters is a pretty essential piece.
* Every moment of Total Bat-Bullshit in here was so cheap and I loved it all so much.
* Oliver-dunking takes on its glorious apotheosis here - you know the line I’m thinking of - but it’s a necessary aspect of his journey here.
* Ruby Rose is very good as the charismatic vaguely menacing but easily flirty businesswoman, and again later kicking ass and delivering the growl, which she honestly does better than any live action Batman to this point. Curious to have it elaborated what kind of role she had in Bruce’s operation, given she clearly knew and has her own friggin’ cave.
* And then Barry stands up to Oliver’s demons while Oliver realizes Barry’s.
* “You really do have a lot of tattoos.” Oh my, Kara.
* “You have real steel in you, my friend.” And there you go for Barry’s arc.
* Well, wow. Fan theory bullshit triumphs at last, and now I kind of have to imagine we’re gonna see some actual Lanterns down the line. Hope, likely in vain, we see Hal so he can pal around with them before Oliver and/or Barry bite it.
* Mar Novu, huh? Somea that Final Crisis bullshiiiiit, please do feel free to pursue that further. Mandrakk’s cousin or something I guess?
* That can’t really be the end of the 90s Flash, right? If nothing else, he needs to stick around so that if they decide not to disintegrate Grant Gustin after all he can be the one there to make the death run.
* Episode one: “The darkness…I feel it…it threatens…to…CONSUME me…” Episode three : “oh my GOD Oliver we broke a LAW I’m gonna THROW UP”
* Hoechlin plays the hell out of Scary Dickhead Superman, even if it’s odd that Deegan was defensive about making an arguably sexist choice of identity when he already openly fucking supports eugenics. But an anon asked me about this and suggested this is a top-tier evil Superman, and yeah, I’d agree with that. He’s not scary because’s a mad god, he’s scary because he’s a small, small man who’s lucked his way into being GTA mod Superman, all of the pluses with none of the minuses, all of the ego-assuaging praise and power without having to meaningfully hold up his end of the bargain. It’s an effective twist on Superman as a power fantasy, one that’s scary in a very different way than the idea of it going wrong usually is. Because instead of him letting us down, it’s one of us joining him in the sun and trying to kick him and the rest of us out because it’s all HIS now.
* Oh yeah, of course Superman totally knows about the Book of Destiny. All the REALLY cool superheroes got that that kind of experience in the bag.
* As I said, Supergirl takes a back seat, but Benoist really shines with swaying Alex Danvers - from the moment I saw she’d be in this from the trailer I thought “Kara swaying her can’t be done very believably, it would be convincing her of a whole other life instead of a minor alteration”, but damn if she didn’t sell it.
* I must admit, the Superman V Superman fight is Hoechlin’s low point; him losing the advantage because he’s saving people is perfect, but some of his good-Superman deliveries lack the necessary conviction, and whether due to the animation or his overexagerated tumbling, him getting knocked around the city looks notably fake in parts to an extent that breaks the immersion.
* I guess Superman fought Bizarro at some point, if that concept carried over (I know Supergirl fought a Bizarro too, but if Superman never fought one the average citizen wouldn’t make that comparison). I suppose it’s the Earth-1 Alex Danvers and James Olsen though?
* Similar note: Kara mentions that ‘maybe my pod didn’t make it here’, and given doppelgangers are a thing, it’s been noted there’s a Krypton in each universe, obviously at least one other major superhero carries over in Batman, and the degree of long-term planning clearly going on at this point with the multiverse stuff, I honestly wonder if they might be laying the seeds for something on why Superman and Supergirl never happened on Earth-1.
* I do like that Superman’s technically the one who beats the bad guy flat-out and saves the world from a broken history by sheer force of will, even if he’s not the one with the splashier more permanent win later (and even then he saves Lois).
* Fuck yes. Never liked Superman turning the world backwards, but now entirely worth it for how that shit comes back here in the most gleefully unhinged manner imaginable (even if Mach 7 wiping out Barry and Kara is absurd on the face of it).
* And Oliver comes full circle to realizing he’s no longer the center of his own universe, realizing he can be better while still proving he has it in him to make the hardest call. This dude still ain’t Ollie, but I guess I can acknowledge him as Green Arrow.
* And then it’s all Superman stuff and Crisis, which I discussed, though worth mentioning just how off-guard the Jon confirmation caught me. Thumbs up on that!
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jenroseyokel · 5 years
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Awesome of the Year 2018: The Books
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Happy New Year! ‘Tis the season for year end lists left and right as we attempt to figure out the best of everything from 2018. And of course, as a fan of books, music, and movies, it’s only right to get in on the list-making. Over the next week or so, I’ll be sharing my 2018 favorite lists. First up: books! This year, I set my Goodreads reading challenge at 40 books, and actually passed it. I’ve been setting arbitrary book goals for years, but I’m pretty sure this is the first time I’ve succeeded since 2007. Probably because of all the graphic novels and comic trades I read this year WHICH TOTALLY COUNT BTW. Ahem. Anyway. This isn’t really a best of 2018 list so much as a Here’s a Bunch of Books I Really Liked in 2018 list, split up into categories. I hope you’ll find something interesting here, especially if you’re looking for ways to spend bookstore or Amazon gift cards you got for Christmas… ;)
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Newish Books by Rad Christian Women:
Every Arbitrary Book Goal should have a small correlated goal attached. This year mine was to make sure I read at least 50% women authors… and there have been a lot of GREAT new books from women writers in the past few years. If the “Christian women” section of your local bookstore makes you cringe a little inside too, check out these three wonderful books, all released in the past couple years:
Courage, Dear Heart by Rebecca K. Reynolds (NavPress, 2018)
Anyone who has read Rebecca’s writing knows she needed to write a book. She has a sharp mind, a poet's soul, a scientist's eye, and the most beautiful, tender heart. Also, she's an incredible writer who loves her readers with a love that radiates off every page. Buy a copy for everyone you know.
Wearing God by Lauren F. Winner (HarperOne, 2017) Girl Meets God was a formative book in my early 20s, and I’ve always meant to read more from this author, but somehow haven't. I finally picked up this one and oh man, for a solid month afterward I couldn’t stop thinking about it. With the eye of a scholar and the heart of a poet, Winner draws on personal stories, deep Biblical study, and a love of language to explore lesser known metaphors for God. Liturgy of the Ordinary by Tish Harrison Warren (InterVarsity Press, 2016)
Several years ago, James K.A. Smith’s Desiring the Kingdom helped me see liturgy in a new way, as not just religious practice, but the embedded routines that shape us. In this book, Tish Warren brings that idea to life as she walks through an ordinary day explores the holiness in our most mundane moments of living. You may not look at brushing your teeth or losing your keys the same way again.
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Good Stories
This year, fiction reading was… all over the place? I don’t know if I read much that was OMG amazing, but here are a few that were fun…
The Fairyland Series 2-5 by Catherynne M. Valente (Feiwel & Friends, 2012-2015)
I am notoriously awful at finishing book series. I read the first Fairyland book maybe… two years ago? Yikes. Just finished the last one and wow, so fun. Colorful characters, a whimsical narrator, crazy locations, and a whole lot of heart make this Victorian fairytale meets contemporary fantasy a delight to read. 
Til We Have Faces by C.S. Lewis (Harcourt, 1956)
Lewis’ contemporary retelling of the Cupid and Pschye myth through the eyes of Psyche’s jealous sister Orual. Second read for me, and even better this time around. Pretty sure this is Lewis’ storytelling at his best.
Strange Practice by Vivian Shaw (Orbit, 2017)
This was a year to embrace fun, nerdy reads. So there was the Star Trek spoof Redshirts (with a plot twist I totally saw coming... and I am not good at guessing plot twists) and my first trip into the Star Wars extended book universe (or whatever the heck they call it these days) and… this. A story about a doctor for the undead in London, trying to solve the mysteries surrounding a murderous cult and keep her monster friends safe. Not the greatest, but a fun Halloween read. I’ll get to the sequel eventually. (See also: bad at finishing book series.)
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Poetry for Everyone 
Another new reading practice this year: always keeping a poetry book on the bedside table. Poetry books are best for leisurely dipping in and out rather than reading cover to cover. If you think poetry is only for the ivory towers, give these writers a try and think again.
A Child's Year by Christopher Yokel (Independent, 2018)
Okay, I’m biased here, but hey! Chris quietly released a new poetry book into the world this fall, and I’m a big fan of Chris AND his poems. A Child’s Year is a season cycle, sort of like his last book A Year in Weetamoo Woods, but this time it’s anchored by a four part poem recalling the journey of seasons through childhood eyes. And according to our friend Kirsten’s 7-year-old son, he gets the experience right. ;) 
The Jubilee by John Blase (Bright Coppers Press, 2017) For his 50th birthday, John Blase released his first poetry book, with a poem for every year of life. It’s rare for me to make it through an entire collection start to finish but these were just so good. There are poems about aging — the author’s and his parents’ — and poems that evoke wide spaces and natural wonder. There are psalms and parables, and meditations on dying and, yes, living. All of them finely tuned with wisdom, gentle grace, and a touch of humor in all the right places. How I Discovered Poetry by Marilyn Nelson (Dial Books, 2014)
When I heard Marilyn Nelson read her poem “Thirteen-Year-Old American Negro Girl” on the On Being podcast, I was captivated. And when I found this lovely hardcover in a used bookstore back home in Florida, I knew I needed to read more. This is a memoir in poetry about growing up in a black military family during the American Civil Rights era, told with gentle lyricism, warmth, and humor. Plus, the book itself is lovely with whimsical illustrations and family photos.
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Comics!
I’m always on a quest to get more comics in my life. Plus knocking out a whole series in a couple weeks is a solid way to pad out your Arbitrary Book Goal.
Amulet 1-7 by Kazu Kibuishi (Graphix, 2008-2016)
After their father’s tragic death, Emily and Navin move with their mom to a strange old house that belonged to their great-grandfather… and so the adventure begins. In this fantasy series, the two kids find themselves in an underground world of demons, robots, talking animals, and a dangerous and powerful Amulet. A captivating and beautifully illustrated fantasy tale. Ms. Marvel 1-5 by G. Willow Wilson (Marvel, 2014-2016)
Y’all, I super want to be a Marvel nerd. But alas, I can't keep up, so I get my sister to loan books to me. Ms. Marvel is my new fave. A Pakistani-American girl from Jersey City has the power to grow, shrink, and stretch her body at will. So she’s trying to fight crime, keep up at school, and well, stay out of trouble with her parents. So fun. (Dear Disney: I really want this kid to show up in Agents of S.H.I.E.L.D. before it gets canceled kthxbye.)
The Legend of Wonder Woman by Ranae De Liz and Ray Dillon (DC Comics, 2016)
Weren’t we all mildly obsessed with Wonder Woman after the 2017 film? Another one I borrowed from my sister. A solid take on Diana’s origin story that’s accessible for comic n00bs (ahem, like me) who can’t figure out where to begin with beautiful art and a lot of heart.
The Classic I Finally Read 
Sense and Sensibility by Jane Austen I always try to tackle either a thick intimidating novel or an unread classic in the wintertime. This year, I worked on my Austen deficiency and discovered I relate a little too much to Elinor Dashwood.
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What’s Next?
In the new year, I think my goal is less about numbers and more about reading widely. I liked the 50% women authors goal because it helped me actively choose to support women writers. This year, hoping to read more books by authors of color, explore some new ideas and genres, and hopefully do a better job reading deeply and taking notes. I’ve got my eye on Book Riot’s Read Harder Challenge too, perhaps as a way to dig into new things I wouldn’t normally notice. And yeah... perhaps a monthly reading life update is a thing I can do here on the blog. :)
If you’re curious to see the full list of What I Read This Year and follow along with me in 2019, feel free to follow me on Goodreads!
What were some of your favorite reads in 2018? And what are your goals for the new year? I’d love to hear all about it in the comments!
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aion-rsa · 4 years
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Birds of Prey: DC Comics and DCEU Easter Eggs Guide
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Harley Quinn and the gang deliver a romp through the seedy underbelly of the DCEU in Birds of Prey!
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This article contains nothing but Birds of Prey spoilers. We have a spoiler-free review right here.
Birds of Prey is the latest entry in Warner Bros.' sprawling DCEU shared universe of superhero movies. It's not just any superhero movie though. Birds of Prey offers up a female-led, female directed R-rated action romp through the grimy streets of North Gotham. Like any good comic book movie, the Cathy Yan helmed flick includes a whole bunch of impressive Easter eggs from deep cut DC Comics references to ridiculous Batman '66 nods all the way through some awesome homages to Harley's origin. 
As always we're trying to catch all of the Easter eggs and secrets that Birds of Prey and the Fantabulous Emancipation of One Harley Quinn has to offer but despite our hard work there's no way that we've spotted them all! That's where you come in, if you caught something that we didn't then jump into our comments or hit us up on Twitter and if we update the piece with your spot then we'll give you a shout out! 
Harley Quinn
- Easily the most deep cut reference in the entire movie, Birds of Prey features the first appearance of Harley Quinn. But we're not talking about Batman: The Animated Series. During Harley's prep for the final battle, a clip from Days of our Lives can be seen on the screen of Renee Montoya's TV which shows Arleen Sorkin as a Harlequin on the popular soap opera. It was this sequence that inspired the character and that led to Sorkin becoming the first person to voice Harley Quinn on Batman: The Animated Series! 
- Harley's necklace says Bruce, the name of her Hyena who in turn is named after Bruce Wayne (in the film she apparently doesn't know that he's also Batman). Harley keeping a pet hyena is also a nice riff on her pet hyenas from Batman: The Animated Series. Only those two were named Bud and Lou, after famed comedy duo Bud Abbott and Lou Costello.
- We get to see Harley chopping it up on a Roller Derby rink which comes from Amanda Palmer, Jimmy Palmiotti, and Chad Hardin's popular New 52 Harley Quinn run. 
Black Canary 
- At the Black Mask club, a drunk Harley accidentally calls Dinah "Bianca" in the club... now we're probably reaching with this one, but in the comics Helena Bertinelli has a daughter called Bianca Bertinelli...Could this be another deep cut reference to the classic comics? 
- When Renee Montoya and Dinah first meet, the cop references Dinah's mother who was apparently the first Black Canary. This is a really interesting note as in the comics Dinah was the first Black Canary and her daughter Laurel later took on the mantle, so who was Dinah's mom? We'd love to know more, especially as the pre-Man of Steel history of the DCEU has only been explored in brief teases so far.
- Black Canary’s costume at the very end incorporates her traditional fishnets, but as part of her sleeves in a smart reinvention of her iconic look. 
Huntress 
- The Helena Bertinelli version of the Huntress has been kicking around DC Comics since 1989. But there was an earlier version of the character, Helena Wayne, who was the daughter of Batman and Catwoman! The Helena Bertinelli Huntress was created by Joey Cavalieri and Joe Staton.
- The rival mafia don who kills the Bertinellis is Don Galante. In the comics the Galante family are one of Gotham's five mob families that make up the city's La Cosa Nostra.
- That Huntress costume at the end looks pretty cool, we even get a classic domino mask. We're excited to see where the Birds of Prey go next... now they're a real team could we possibly see the appearance of one Barbara Gordon? 
Renee Montoya 
- Renee is the first canonically gay character in either a Marvel or DC movie and when we're introduced to her ex-girlfriend (played by Ali Wong) it's a nice nod to the queer history of the character who once dated Kate Kane's Batwoman. 
- In the comics Renee Montoya quits the police and becomes the Question. Considering that the film ends with Renee retiring to become a full time crime fighter, with the Birds, maybe there's a chance we could see something like this happen on screen. We'd love to see her put on the iconic mask if Birds of Prey gets a sequel. 
Cassandra Cain
- One of the first things that we noticed was that Cassandra Cain mentioned she was in foster care. Now that might not seem too out of the ordinary for a street kid, it's important in regards to Cass and her comic book origin. In the DC Comics, Cass is the daughter of Lady Shiva and David Cain who train her to be an assassin. Now it doesn't look like Cass got that training here (although she is quite good with her hands). But the fact that she's fostered means that we could learn more about her real parents going forward...
- When Cassandra Cain is initially unable to respond to Montoya’s question in the precinct, it’s a nod to how the character couldn’t speak in her early appearances. This was due to her brutal training by her father which put the ability to kill above the ability to communicate.
- This probably isn't the direction they're going to take her in the movies, but in the comics, Cassandra Cain wore the mantle of Batgirl for a number of years, and rocked one of the coolest costumes in the Bat-family while doing it!
Black Mask
- The Janus Corporation gets several mentions and background appearances in the movie, notably in a "Janus Cosmetic" billboard. In Black Mask's comics origin, Janus was the foundation of the Sionis family fortune, and Roman made a fortune on flawed cosmetics that ultimately ended up scarring its wearers. The appearance of Janus here is another tie to the wider DCEU as well, as we had previously seen a Janus sign all the way back in the Justice League movie. 
- Roman’s “fuck family” rant is the closest this character feels to his earliest comics appearances, where he resented his parents and actually created his mask from the wood of his father's coffin. Roman is a weird guy.
- Roman keeps an extensive collection of exotic masks, as he did in the comics, even before he adopted his villainous alter ego.
- Later in the movie, Roman's goons all wear strange and exotic masks which works as a rad homage to his crew in the comics who were known as the False Face Society. 
Gotham City
- During the third act of the movie we see Harley take on Black Mask at the so-called "Founders Pier" though that isn't a location we know from Gotham City, it seems like it could be a mashup of Founders Island in the Arkham series of games and Gotham Pier in various Batman movies and comics. That's not the only landmark familiar to gamers, as Amusement Mile, the location of the Funhouse is a key location in the North East of Gotham in both the Batman comics and the award-winning Batman: Arkham games. 
- Harley mentions Robinson Park, a landmark in Gotham City which is named for classic Batman artist Jerry Robinson. It's a regular fixture in the comics and has been mentioned in Joker as well as other DC movies.
Suicide Squad 
- During that epic evidence room fight we caught a glimpse of what looked Katana's iconic sword from Suicide Squad. 
- In the third act when Harley and the gang are battling the gangs of Gotham they're in the top of a funhouse and the windows are covered with Joker-style "ha-ha-ha" graffiti. When she looks for her weapons stash it's all gone revealing that it was clearly an old safe house for Harley and Joker. 
- The building that Harley crashes the truck into is ACE Chemicals which is historically where he first turned into the Joker. In Suicide Squad this is also where Harleen was turned into Harley, this destruction is a key part of her titular emancipation! What's more, when Harley is reminiscing about her origin story, the movie reuses footage from Suicide Squad meaning that it's definitely in canon with past DCEU efforts.
- Some other nods that Suicide Squad is 100% in continuity focus on Harley joking about the events of the film, cutting her Squad hairstyle off, and the infamous “Daddy’s Little Monster" shirt that she says has "sentimental value."
- Something that is interesting here though is that any and all references and footage of the Joker are definitely not Jared Leto and seem to be almost aggressively generic and more of an implication of the Joker rather than any specific representation of him. 
Miscellaneous Cool Stuff
- The "famous Gotham artist" who made Roman's statue could be the Bat-family villain Grotesque or in a more deep-cut and silly reference it could be a Batman '66 villain known as the Clock King who pretends to be an artist when he isn’t committing bizarre time-based crimes.
- Harley mentioning that she once stole "Eleanor Rosevelt's nudes" for the Joker is especially funny because the first lady was actually introduced in to the DC universe canon as a character in 1981's All-Star Squadron #3. 
- Harley and Cassandra are watching a Tweety and Sylvester cartoon, and there’s a Porky Pig VHS tape on top of the TV, this is not just a cool Warner Bros. animation nod, but also pays homage to the fact that the film really feels like a live action Looney Tunes cartoon, which is exactly what Harley Quinn should be!
- Though we couldn't find anything about the Golden Lion crime family in the comic we were wondering if the name of Mr. Keo's organization could be a nod to the similarly named award that Joker took home at the Venice Film Festival last year. 
- This might just be us living in a dream world but we think that one of Roman’s goons in the funhouse near the end was dressed like almost-forgotten DC Comics character, B’wana Beast!
Birds of Prey Post-Credits Scene
There isn't a post-credits scene in Birds of Prey, but we DO get a post-credits voiceover. Harley says “I hear Batman f…” before it gets cut off. This is likely a reference to the excellent Harley Quinn animated series on DC Universe where Harley refers to Batman as “a guy who fucks bats.”
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Rosie Knight
Feb 6, 2020
DC Entertainment
Birds of Prey
Margot Robbie
from Books https://ift.tt/387ZHLg
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mangamavericks · 4 years
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I wanted to make sure that the next time I made one of these posts that we’d have all our plans for the near future down-pat first, and I’m pretty confident about our November schedule!
MANGA MAVERICKS
As you can see, the first two of four podcasts we plan to release this month are already out on on our Patreon as early access for all Patrons! First up is our New York Comic Con report, in which VLordGTZ and I go over all the exciting events and announcements made at this year’s show, and give our overall thoughts on the con experience itself! Next up is our long-awaited Saint Seiya retrospective with special guests Shaenon Garrity and Dr. Mari Morimoto, who edited and translated the series for Viz Media! They are huge Seiya fans and share a ton of awesome insights into the series, including fascinating anecdotes on some of the challenges and choices made in the adaptation! This podcast will be released to the public on Sunday, November 10th, but you Patrons get to listen to it over a week ahead in advance! Rad-tastic!!
After that, we’ll be releasing another news catch-up pod to discuss all the post-NYCC October and early November news, plus reviews of a bunch of new series! We’ll be discussing two new Manga Plus additions - ‘Tis Time for “Torture,” Princess and East, Into the Night! We may discuss even more series than those if more simulpubs keep showing up out of nowhere!
Finally, we’ll be releasing our highly anticipated BEASTARS podcast this month, which features the folks from Manga Machinations on as our special guests! We’re joined by dakazu, Darfox8, & returning guest Morgana Santili to dissect the world-building, characters, and themes in Paru Itagaki’s metaphorical commentary on race, class, gender, and more! The folks at Manga Machinations have been Beastars’ biggest fans ever since they first started talking about the series on their show over two years ago, and it was a pleasure to have a comprehensive, spoiler-free conversation about the series with them!
MANGA MAVERICKS @ MOVIES
But that’s not the end of all the new podcasts coming out this month! Manga Mavericks @ Movies is also returning for the fall movie season, with reviews planned of upcoming theatrical anime releases like Konosuba - The Legend of Crimson and another deep dive into the twisted GHIBLI CONSPIRACY as evidenced in Princess Mononoke! We’ll also be releasing our overdue review of I Want to Eat Your Pancreas, Studio VOLN’s anime adaptation of the novel of the same name, which we saw in theaters back in February! We discuss how the animated film differs from its live-action counterpart, whether it’s perspective on life is sophisticated or sophomoric, and whether the film stacks up to the likes of recent anime movie masterpieces like Your Name and A Silent Voice! Then the week after we’ll be releasing our review of One Piece: Stampede, the franchise’s latest theatrical feature celebrating the anime’s 20th anniversary! Like our Film: Gold review from way back when, Colton will be joining VLord and I to discuss the film. If you want a preview of Colton’s thoughts on the film, then you can also subscribe to the SSAA network Patreon to hear him talk about it with Doctor!
#LUM SQUAD
This month should also hopefully see the long-awaited return of #LumSquad, with episode 2 finally coming out and episode 3 hopefully maybe recorded! Nothing definite, but I really want the show to continue, and now that my podcast editing slate is clear a bit I can hopefully resume working on it! Depending on how things go this month, I may even venture into doing podcasts for Rumiko Takahashi series outside of Urusei Yatsura…
MANGA MAVERICKS BOOK CLUB
Oh, and of course, this month’s Patron Bonus Pod will be the last installment of Colton and Grant’s coverage of JoJo’s Bizarre Adventure: Phantom Blood as part of the Manga Mavericks Book Club! As someone not apart of these episodes, I’ve really been enjoying listening to their analysis of the manga, and looking forward to seeing their final impressions of the arc at the conclusion of volume 3. The next few Bonus Pods will see a short break from the Book Club format, but rest assured there are plans for even more volume-by-volume deep-dives on classic manga coming to our network in the future!
UPCOMING RECORDINGS
We’ll have to keep mum about some of the podcasts we’re planning to record this month until the dates have been finalized.However, we CAN reveal that on this upcoming Sunday we’ll be recording with special guests Jason Thompson and Brandon Bovia to discuss a series filled with ancient artifacts, absurd hairstyles, and children’s card games taken deadly seriously! That’s right, it’s finally time for us to DU-DU-DU-DU DU-DU-DU-DUEL and discuss Kazuki Takahashi’s original Yu-Gi-Oh! manga. What began as a story about a games-loving kid with a sadistic and vindictive dark side soon evolved into the multi-media merchandising phenomenon with half-a-dozen spinoffs that we now know today. The series has lived on in our hearts through memories and memes, but is there more depth to the original story than ridiculous holographic monsters and broken game mechanics? We’re going to revisit the series with two of its biggest fans (and in Jason’s case - the editor of the manga for Viz Media!), and see if Yu-Gi-Oh! is a puzzle we can figure out, or if we’re a millennium years too early to truly appreciate the depths of Takahashi’s genius!
That should just about get everyone up to speed on our November plans! With so much of the prep work done in advance, I imagine this will be smooth sailing for us this month, which is good because it’s gonna be hella busy! VLord and I will be at Anime NYC again this year as Press, and if you see us around definitely say hi to us! We definitely hope to meet and hang out with a lot of awesome people while we’re there, and since last year’s ANYC was one of our favorite con experiences ever we’re similarly excited for this year’s!
So, to sum up, here’s our PODCAST SCHEDULE FOR NOVEMBER 2019!:
Sunday, 11/03/19: Manga Mavericks EP. 101: “New York Comic Con 2019 Retrospective”
Monday, 11/04/19: Manga Mavericks @ Movies #39: “I Want to Eat Your Pancreas”
Sunday, 11/10/19: Manga Mavericks EP. 102: “Saint Seiya” (w/@shaenongarrity & Dr. Mari Morimoto)
Monday, 11/11/19: Manga Mavericks @ Movies #40: “One Piece Stampede”
Sunday, 11/17/19: Manga Mavericks EP. 103: “‘Tis Time For Torture & East, Into the Night”
Monday, 11/18/19: Manga Mavericks @ Movies #41: “Konosuba - Legend of Crimson”  
Tuesday, 11/19/19: #Lum Squad #02
Sunday, 11/24/19: Manga Mavericks EP. 104: “Beastars” (w/@MangaMacPodcast)
Monday, 11/25/19: Manga Mavericks @ Movies #42: “Princess Mononoke”
Saturday, 11/30/19: November Patron Bonus Pod: MM Book Club: JoJo’s Part 1: Phantom Blood Vol. 3 (w/@grantthethief)
It’s a Thanksgiving Feast’s worth of podcasts this month! Lots to look forward to, and I hope you all have your fill!
- LumRanmaYasha
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houseofvans · 5 years
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WORKSHOP SHOUT OUT | SKATEISM | VANS US OPEN
It’s the last weekend of the Vans US Open of Surfing, but we’re not ready to go just yet! 
We’ve still got some of our favorite workshops over the week to share –like the fun folks over at SKATEISM who hosted a zine making workshop at Van Doren Village. We caught up with Tobias from SKATEISM to find out what folks created, more about the zine making process, and what special gift they're giving out on this final weekend. 
Introduce yourselves and tell us a little bit about Skateism. My name is Tobias Coughlin-Bogue, and I’m the online editor for SKATEISM. The magazine was founded by Christos “Moch” Simos and Oisin “Osh” Tammas in Athens. It began as just a little local Athens skate blog in 2012, but when Osh signed on they started doing more English-language posts and international coverage. Moch is one of the only out skaters in Greece, and at some point he and Osh realized that the stories they were most interested in telling centered around that… as well as some other areas of skateboarding they felt had been neglected like skate charity, global scenes, and women’s skateboarding. They also realized they wanted to make a magazine, as a place for underrepresented populations in skateboarding to see themselves in a proper print publication. Two years and four issues later, that’s exactly what they’ve done and we’re very proud to present Issue #4 as the Pride issue, focusing on the experiences of LGBTQ+ skaters.
Take us through your workshop and what were you doing with attendees at the Vans US Open? Essentially we facilitated everything to make a zine except shooting photos or binding the final copies. We had prints of images on hand for people to cut and glue onto cardstock, creating what’s called a “master” page. Masters are what zinemakers make photocopies of that they then bind together into their final zine. We started the workshop by talking a little bit about what zines are and why we think they’re so cool. We covered the zinemaking process, and then dived right into it.
What about zinemaking do you think is super fun and accessible? Zinemaking was a fundamental part of the pre-internet skate culture. While it isn’t exactly a necessity anymore, when it comes to communicating our own unique visions of skateboarding it’s still super fun to do. It forces you to take all the things that catch your eye at an event like the US Open, that might be a quick Insta story or something, and put them all down on a page together in a thoughtful way. Plus we like writing about skating, and zines incorporate a lot more text than some of the forms of storytelling we do on social media these days. 
As far as being accessible, well zines were kind of the social media in skateboarding (and punk and queer scenes too) before social media existed. They were cheap to make and there was a broad network of people sharing and exchanging them around the country, all interested in the same kind of subcultural topics. If you had an idea you wanted to share, you could just paste the images and words that capture it best to some backing paper and get to photocopying. Then mail it out to a distro or drop it off at the skate shop and — boom — you’re a publisher. 
Obviously a lot more work goes into what we do with something like SKATEISM, which takes hours and hours of reporting and editing and designing to make, but I at least got into the world of skate media via zines, and I have a huge soft spot for them. For what I do, and what a lot of people getting into media these days do, learning to publish fast and loose is actually really helpful, because that’s the pace digital media operates at.
What type of materials did you have on-hand for folks to work with? We shot a few photos of the first weekend of the event on Kodak Fun Savers (a very accessible and enjoyable way to source art for your zine!), and made photocopies of the best exposures. Plus, we had copies of some pages from past issues of SKATEISM… And of course all the scissors, glue, card stock, staplers, and other stuff folks needed to put together their own master pages. We encouraged attendees to supplement the images we’ve provided with writing and drawing that documents their own experience at the event!
Are there any rules to zinemaking? Have a good time doing it and don’t be hateful. That’s about it.
Any tips you’ve learned over the years for readers who may want to try creating a zine on their own? Just start doing it. To borrow a concept from Ira Glass, you know what you like to see on the page, so keep trying until the stuff you make starts to look like that. Don’t stress out too much if it doesn’t work out at first. Technically speaking, it’s really important to think in terms of spreads (two individual pages facing each other is one spread), and understand that a magazine is essentially a bunch of sheets of paper stacked up, stapled, and folded in half. Making sure that the individual pages in the spreads line up correctly can be tricky, so it might help to take a bunch of blank sheets of paper, bind them, write page numbers on them, then remove the staples and use them as a template for what to paste on each master page as you’re working.
What other zine techniques can people incorporate besides cutting and pasting? Doing it by hand is obviously the classic method, and will get you the most zine scene cred. But I am not ashamed to admit that, after two issues of cutting and pasting my first zine, I started scanning my photos and putting it all in InDesign. There is no shame in using layout software, and it will give you a whole new appreciation for how much thought and effort goes into every single print publication you ever read. It’s not just what they’re writing and which photos they’re publishing, but where on the page that stuff is, where it is in relation to the other stuff, what color and font things are, what angles they’re tilted at, what the background is, and so on... It’s definitely a different look and feel than handmade, but now that design software is so accessible, we think it’s every bit as DIY.
What did participants create and walk away with after the workshop? Well, besides hands on experience making zine master pages, we’re going to take our favorite masters and make a limited run of a compilation zine to give out on the final weekend of the event. 
So we’d like anyone who enjoyed the workshop to come back and grab a copy of that! And failing that, just a better understand of the zinemaking, DIY ethos that skateboarding was built on. Skateboarders have always made their own spots, their own rules, and their own fun. That definitely applies to their media too.
Who are some of your favorite zine makers? In the areas we’re focused on, you can’t not mention Xem Skaters by the Swedish nonbinary skater Marie Dabbadie. They’ve been making a rad, unapologetically genderqueer zine for years, and have done loads to change the conversation around gender in skateboarding. Of course, The Skate Witches are killing it too. In terms of general zines that I like, I grew up volunteering at the Zine Archive and Publishing Project in Seattle, which had copies of really rare ‘90s skate zines like Pool Dust, so I tripped out on those a lot growing up. Not ‘cause I’ve ever actually skated a real pool, just because they had this really scrappy, no bullshit aesthetic and made skateboarding look so cool. 
Recently, I was on a team for Thrasher’s “Zine Thing” Challenge in Seattle, which gave people two weeks to shoot a zine with Fun Savers; two weeks to do writing, editing, and layout; and then gave awards in different categories. Looking through the compilation book of all the entries still blows my mind. It’s a great reminder that skateboarding is full of cool, creative people, and everyone has a wildly different experience of it. I still can’t pick a favorite, although Leo Bañuelos' ’Skaters in Drag’ article is pretty legendary.
Three words that describe what Skateism is all about? The underground and overlooked. Sorry that's four!
Who or what were you most excited to check out at the Vans US Open? Personally, I’m excited to finally skate Cherry Park (nearby). But that’s just because my joints are falling apart and I can only skate low ledges. At the Open, I was excited to see all the pros skate the course, especially the women. Women’s skateboarding has been growing at an insane pace in the last few years, and the level of talent is out of control. When I started skating, I never thought I would see little girls back-smithing huge hubbas and female pros filming back-tail-kickflip-outs for their video parts, but here we are. The rate of progression is so exciting to me, and I feel like people will definitely be throwing down for the event.
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queeranarchist · 7 years
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2, 5, 6, 10, 11, 12, 16, 17, 22, 27, 35, 39, 40, 50 :o
2. What are you currently reading?
The Rivers of London it’s a super sassy urban fantasy and I love it
5. Which book did you last re-read?
Harry Potter and the Prisoner of Azkaban
6. Which book was the last one you really, really loved?
Answered :)
10. Sci-Fi or fantasy? Why?
Hmmm generally sci-fi because I hate historical fiction like I just cannot read it and since the majority of fantasy is also historical I tend to shy away from it - I adore urban fantasy but there doesn’t tend to be much of it. I’m also just a sucker for space which is an obsession sci-fi tends to indulge
11. Classic or modern? Why?
Modern - again I dislike historical fiction - the way we write has also changed and such classical fiction often feels really stilted to me.
12. Political memoirs or comedic memoirs?
Oh god - I want them both? I mean the ultimate goal is a comedic political memoir. I find comedic memoirs more readable and like you can just read them for hours whereas political memoirs tend to be more wordy and if I don’t know much about the situation I need to stop and google or you know just pause to work it all out in my head. The thing with comedic memoirs is they’re easier to do well than political memoirs which can very easily become quite dry so I suppose my answer would be that a good political memoir trumps but the majority of comedic memoirs are better than the majority of political memoirs
16. If you could bring three books to a deserted island which would you bring and why?
Okay so I won’t do the edgy How to Build a Raft joke. I’d props go with Everyyou Every because it’s my fav, then Che My Brother because I’ve been meaning to read it because I know very little about Cuba and what place to not offer distractions than a deserted island - I’ll be able to start a socialist island community with the animals that live there it’ll be rad. And the third GOT book because I’ve just tarted reading it and let’s face it it’ll definitely give me many hours of entertainment
17. If you owned a bookshop what would you call it?
Mark’s Bookstore - nah I’m joking probably something cat related? Like I don’t know ‘The Cat and the Mouse’ or ‘The Cat’s Pyjamas’ or ‘The Cheshire Cat’ and then there would be a bunch of cats which live in the book store
22. Pro or anti e-readers? Why?
Theoretically pro them but actually nah - I think half the reason I’m so angsty about long fanfics (unless they are super good) is because I don’t like reading off a screen - I also like the aesthetic of book shelves and being like hmmm I don’t know what to read and just being able to browse actual books you know.
27. If you could change one thing about mainstream literature what would you change? (i.e. more diversity, better writing, better plot etc.)
Less love triangles please for the love of god - or at the very least love triangles where they end up in a poly relationship or you know the girl is like nah fuck this I go shit to do.
35. Name a book you consider to be terribly underrated
Probably More Than This by Patrick Ness - I don’t know a single person who has read it and it’s a super good sci-fi
39. Name one of your favorite childhood books
Okay if we’re going super far back like picture book far back Pussy Willows was the best. After that probably the Totally Horse Mad series - it was a book series that I kind of got to grow with as they came out pretty much at the same time as I was in the grades that the main character, Ashleigh, was in. It’s also Australian so I got all the references to things that were happening and what not
40. Name one of your favorite books from your teenage years
Gosh I had so many what do you expect from me - not to sound super cliche but I really liked Paper Towns it gets a lot of shit because everyone is like wow John Been made Margo the classic ‘pixie-manic girl’ but the whole point of it was that Quentin made her out to be that and that she was actually nothing more than a person - plus Margo just getting up and fucking off because she didn’t want to deal with shit is relatable.
50. Why do you love to read?
I mean I couldn’t really specifically pinpoint it - idk I suppose I had a very ‘old school’ raising as in I didn’t have a playstation or xbox and I didn’t get a phone or a laptop until I was a few years into high school and I never had my own tv so apart of playing outside books were kind of the only form of entertainment I had. I suppose books also help to let you forget your current life and help put it in perspective you know.
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strydcr · 7 years
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hellooo babes, i’m blair waldorf acacia (◠‿◠✿) nineteen, she/her, and the main admin here. lol sooo sorry you guys are all trapped in this rp with me. but wtver~ you guys will learn to adore my 3am messages comin’ up with plot that’ll hurt us and what not. also meet the beauty that is stryder estrellas. anyways, i’ll try to keep this as short as possible. since i always get lazy halfway thru writin’ intros. :~)) )) ) &&. of course this got way longer than expected so just find the ☪  at the end to read the summary // aim: alohacacia && skype: alohacacia
****psa you clicked on this so you’re obligated to plot with me srry but i don’t make the rules.
░   * . ╰ ✯ ›  ⊰ SELENA GOMEZ, CIS-FEMALE, TWENTY-THREE ⊱ is that STRYDER ESTRELLAS ? the BARISTA & FLORAL SHOP ASSISTANT MANAGER. they’re known to be INTELLIGENT & INDEPENDENT. but also BLUNT & CYNICAL. unknown to them, they are the reincarnation of PERSEPHONE.
BACKGROUND + TRIGGER WARNINGS: cheating 
well to kick things off, stryder is that one night stand baby. let’s call her biological dad “bio father/dad” and her mom’s husband “dad” then of course her mom is “mom”. sorry if this is confusing. but just think about how stryder is gonna feel once she finds out about this.
once upon a time her mom and her dad were happily in love. like they were the high school sweethearts who ended up getting married and blah blah blah. but before she was born, there was a point in time where the two broke up. probably once they were both about to start freshman year of college. that’s when her mom hooked up with stryder’s bio dad. she obviously ended up getting pregnant. but she ended up making up with stryder’s dad. SOOOOOOO…. he thinks he’s stryder’s father. but he ain’t. the one night stand hook up is.
stryder is completely unaware of the fact that he’s not her real father. her mom is still in contact with her biological dad. obviously, keeping that a secret from both her husband and stryder. but it’s only because her bio dad always sends her money to help provide for stryder. so basically this family is a mess. but only on the low. because on the outside this family is absolutely perfect. she grew up in a really nice household. suburban type of wealth in a town outside of los angeles, california. big house, nice cars, a vacation every now and then. but not rich enough to like be bill gates or something you get what i’m saying? just a nice upper middle class.
you might be wondering... how did they end up in seattle? one day her dad told the fam he had to move out to there because of work. (occupation: tbd) so they packed up everything they had and left. this was around the time stryder was starting her senior year of high school. stryder really isn’t the type to throw a fit over dumb shit. but you know this girl started bawling knowing she wasn’t going to graduate with her only two friends. ‘cause she had to start the loner life all over again.
now, stryder works at a small coffee shop as a barista and an assistant manager at a floral shop. (cause persephone, flowers, how cute.....) she does go to school at a community college about 30 minutes away from her house. probably studying to become a botanists. (a literal flowerchild yes.) and to her surprise she is actually enjoying living here. she doesn’t know why, but she feels drawn to the place.
PERSONALITY + RELATIONSHIPS + TRIGGER WARNINGS: anxiety 
PERSONALITY wise, she’s that tumblr post that’s like ——— me: i love myself i’m such a bitch // me: i hate myself i’m such a bitch. because one day she’ll be like “oh my god you’re my best friend!!!!!” then they’ll do her shady and she’ll be like “new phone who dis?” like do her dirty and she’ll get angry real quick. which is bad because it’ll trigger her anxiety. but yayayayayayayayyyyy. she’s the type to be sippin’ tea with her pinky finger up. she is the “is it bad that i secretly want to be hit by a car all the time” but also the “gotta better myself, my body, my skin and my bank account” type in one. she has a very clean exterior. although she outcast herself a lot. she does care about her appearance. (i.e. she has a sense of fashion.) she really likes to read and learn. so, you can always catch her doing something of the sort. talk to her about flowers or coffee and she gotchu. overall, stryder is pretty wishy washy. it all depends on her mood. she’s kind of a wallflower. isn’t exactly the most popular baby. but that’s by choice, not by force.
when it comes to FRIENDS stryder can always use some of 'em. she possess the qualities of a good friend loyal, honest, trustworthy. however, she can be quite obstinate. which might be a reason why she might not have as many friends as she would like. once her mind is set to think a certain way it’s hard to persuade her to believe otherwise. she’s the type of friend to listen to your problems, but be prepared to listen to her opinions – all of them. she’s also the type to put a friend in check when they need it. she thinks of it as trying to convince them to see the bigger picture. first impressions is something she might not be very good at. while she isn’t exactly the definition of rude, she tends to not filter then things she says. overall, i would say that she might just need a handful of friends and just a whole bunch of acquaintances.
i’m pretty sure stryder doesn’t think she has is ENEMIES. but, i could obviously understand why a girl like her would have any. she tends to be very outspoken and although she doesn’t mean to insult anyone or come off rude, she can’t help it. so, there’s always that. stryder is the type to hold grudges. (this is mostly because of her mother — trust issues man) she thinks once you fuck her over, then inevitably, you’re gonna do it again. basically, if you lose her trust everything you had, despite how far back your past goes, she isn’t going to trust you fully again. so if there was any type of fall out at all, stryder is gonna be pissed 5ever. but if in some point in time where she had to chose between her life and saving another’s, she’d save them before herself. stryder’s a good person guy’s. she has good morals. they’re just messed up in her black hole of thoughts. enemies? *grabby hands*
alright, so stryder and LOVERS. i have a feeling she’s dabbled in the dating world. she’s had a few boyfriends, dates, etc. but most likely nothing LONG TERM. possibly because she doesn’t see the point unless it’s for marriage. just like her mom and dad (lol troll.) she has the independent woman facade going on right now. which makes her seem like she doesn’t want anyone. but deep down she’s a hopeless romantic. this girl would love to be loved. and she truly needs it. most of the time she makes herself the outcast. this girl is completely oblivious to anyone having a crush on her. assuming friendship automatically. she’s probably read tons of books about love and fluffy shit like that. so she has high expectations when it comes to relationships. so someone rlly needs to come here and treat this girl right.
WANTED CONNECTIONS
FRIENDS
best friend — someone who will always be there for her. the person she feels most comfortable with. // m, f, or nb
partner in crime — they may not be the most reliable person like her best friend. but definitely someone she can get turnt tf up with. // m, f, or nb
childhood friend(s) — her first friend(s)! the one(s) she’s known since birth. she will never switch up on the real ones. (or so u think...) // m, f, or nb
ENEMIES
rivals — someone who hates her and some she hates too. maybe they just don’t get along yo. it happens // m, f, or nb
old bully — maybe somebody who bullied her or someone she might have bullied? bc honestly, if she bullied someone it would’ve been a joke. // m, f, or nb
old flame that didn’t end well — this is someone she used to date. maybe they wanted it to go further than just a date. but she ended up cutting ties with them. now it’s just made awk. // m, f, or nb
LOVERS
hate/love — just ‘cause these are my favorites. just little bickering. maybe they’re too much alike or just not a like at all. // m, f, or nb
old flame that ended well — the classic, exes that ended on good terms. they don’t hate each other at all. are actually still on really good terms. and possibly still have lingering feelings.  // m, f, or nb
currently dating — going on dates and what not. having a good time. who knows where this could go.  // m, f, or nb
MISCELLANEOUS
☪ overall, this bitch is flippy floppy. she’s loyal. quiet, but has a lot of opinions. intelligent, but sometimes stand-off-ish. she’s a bit of a feminist. trusts no bitch. but if you’re her friend, she’s chill AF. but really — she just doesn’t know how to process her good thoughts into words. she’s a barista and florist. she’s independent, hardworking, and determined. my muse for her is michelle (spider man homecoming) & margo roth spiegelman (paper towns). she’s a bit sketch when it comes to making new friends. since she’s a bit of a loner. and she’s super family oriented. despite her being absolutely oblivious to the fact that her mom cheated on her “dad” with her bio dad. anyways, give her girl scout cookies and she’ll love you til the end of time. overall, she’s not as lame as she portrays herself to be and is actually a pretty rad chick.
wEW this got waaaaaay longer than i expected it to be. anywho, if you actually read all this i love you and i cherish you hella. if you just skimmed, i would too. i would really love to plot with everyone. so just slide into my dms and we can get things started!! but okay, so, now imma go touch up my other intros. hope u don’t hate me after this long ass essay lmao. luv u *blows a kiss*
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