#what I would have changed on the movie trajectory and what I wold have explored more

[the-scooby-gang]

Finally watched the Scoob!movie

Here we are in the future! As you guys know I was REALLY EXCITED to see the new movie. Well, here we are, so I will share my thoughts.

This one is a long one, so buck up!

Let’s break the movie down and see its high and low points, shall we? 

One thing that I noticed right out of bat is that the movie is following the typical Hanna-Barbera crossover logic: “Hey audience, you already know these characters and their dynamics, so we will not really focus on them (unless is a plot point on the narrative) and focus more on the adventure”

Which worked for me. But I also know that I’m a 20 years old woman that was a child when Wacky Races, Dastardly and Muttley in their Flying Machines, Scooby-Doo and Captain Caveman was on every day at morning before I went to school.

What I mean is, I already know these characters, so watching the movie was just like watching the crossover episodes. It was fun, not because of the plot, but because the characters that I grew loving were sharing a screen.

But now I think of a new audience that may have NO IDEA who these other characters are and are kinda mislead by the title of the movie because, and lets be honest here, the movie should have being called something like:

Scooby gang and the Falcon Team!

or more precisely

Scooby, Shaggy and the Falcon Team!

That’s the first low point: The opening minutes leads you to believe that, even if Shaggy and Scooby have most of the screen time, after all the plot of the movie is clearly about their bond as best friends, you expect that the whole Scooby Gang are going to have equal screen time. But that is not the case.

They have nice moments of course! One of the first high points is that the gang is really wholesome when they are together! They are good friends that care about each other! What breaks them apart is not some forced antagonism between them, but an outside force (MOTHERFUCKING SIMON COWELL) and, by the way things went, if the plot had not kicked in on the bowling alley, the gang would unite again, hug, call Simon Cowell an idiot, reassure Shaggy and Scooby that they are valid and find a new person to sponsor the expansion of Mystery INC. 

In fact, now that I think about it, the plot could have gone WAAAAAAY different, but that is a talk for another post.

High point one and a half: The movie was funny and cute. Self aware jokes, Muttley and Dick antics, Dick’s disguises, the F-Bomb, Shaggy is a Potterhead, Scooby was animated with “This dog deserves hugs” mentality and I approve.

High point number two: Dick Dastardly. His entire personality, his disguises , his motivation. God his motivation. I too would open the gates of hell to get my dog back (and also some treasure, this is Dastardly we are talking about)

In fact his interactions with Muttley are high point number three. THEY ARE SUCK ASSHOLES BUT THEY CLEARLY LOVE EACH OTHER SO MUCH I LOVE THAT!

But that also opens the gates for Low point number two: Where Dick arc is finished in a satisfactory way (being an asshole that cares for one (1) asshole dog) , Brian’s a.k.a Blue Falcon doesn’t.

You see, in the movie Shaggy clearly sees that Brian acts the way he does because he is NOT Blue Falcon. He is his son. He has the weight of a legacy on his shoulders and he is not coping well with that. This is highlighted by how Dynomutt sees him and his childish ways. (in fact, Dynomutt just being done with Brian shit 95% of the movie is high point number four) And you think “They are going to make a scene were he and Dynomutt are more open with each other. Where Brian says how scared he is and how the pressure of the legacy is maybe too much for him and that he is no hero, and them Dynomutt is going to reassure him that, No. You are a hero. I’m sorry for expecting you to be like your father, instead of doing to you what did for him: guiding you” and we got that! .....Really rushed in the middle of the final action scene with no emotional punch at all as a side effect from the “we expect you to know who these people are” crossover logic. Because I never watched Dynomutt and the Blue Falcon

I don’t how their dynamic was supposed to go. Even more by being the original Dynomutt with a new Falcon. I have no bases of how things used to be to feel anything. Especially because I don't know how the OG blue falcon acted in comparison to his son to see were he was falling short. I don't know how Dynomutt acted with the OG Falcon to see were he was setting the bar for Brian. Without that information, even if Dynomutt being done is entertaining  and fun, it leaves the emotional impacts hollow.

Low point number three is also to blame here: the movie fells INCREDIBLY RUSHED. And I think I know the reason. Hanna-Barbera is no stranger to crossovers, but they never did more them one property + another before, three properties at most. It was always Scooby Doo and The Wacky Race or Scooby Doo and Captain Caveman or Scooby Doo and The Blue Falcon but never Scooby Doo and All of them together. 

Even in the episode of Mystery incorporated “Mystery Solvers Club State Finals” were ALL THE HANNA-BARBERA MYSTERY SOLVER TEAMS WERE TOGETHER UNDER ONE ROOF , they made the mystery about the disappearing of all the mystery solvers except the mascots, which left the cast of characters of the episode more manageable them having all the gangs fighting for screen time, and even them some of the mascots have more dialog and character beats them others.

With so many characters, they had to pic which ones got a full arc or important plot beats, which left all the other character lacking as a side effect.

That brings us to low point number four: THE MYSTERY IS WEAK. It’s weak even for Scooby Doo levels and that is saying something. I saw episodes of Be Cool (that is a really good incarnation character design aside, you should check it out) that had a more well rounded mystery them this. The focus of the movie was divided in so many places that the mystery had no room to breath (Dick, Shaggy and Scooby, Shaggy and Scooby and the Falcon team, Dee Dee and Dynomutt backs aching by having to carry the plot forward, Shaggy and Brian have a heart to heart moments, Captain Caveman fight scene, and finally the mystery gang and the, you know, mystery)

The mystery is about “why the fuck Dick wants Scoob so bad” and the answer is “Because Scooby is descended from Peritas, Alexanders the Great Dog, and he needs him to open the gate to the underworld that Alex and Perry created to protect their treasure, plus save Mutley that is stuck there”

That could have being such a strong mystery!!! They would think that he only has greed in mind by opening the gates, not giving a flying fuck about the giant Cerberus that is going to eat Athens while he fills his pockets, only to discover that, yes there was greed in his actions but there was also a man looking for his best friend stuck on the other side, with would have made such a strong emotional parallel to Shaggy and Scooby final challenge. Missed opportunity. 

Back to the high points to balance thing out, the high point number five: Fred is a himbo that loves his friends and his van. The moment were they hear that Shaggy and Scooby are in danger and he immediately turns the van around nearly launching Velma and Daphne though the window was really good, plus the “Leave Shaggy Alone” and the fact that when the Fake!Fred appears (Dastardly in one of his ultra-realistic disguises) in the island and Shaggy calls his name and they hug in the most wholesome way, the fact that Shaggy doest think that the wholesomeness is out of character implies that the Real Freddie is just as sweet.

High point number six: Daphne gains first an Allie and then an entire robot army for her friends though the power of compassion. This is a nice take on Daphne. They say that Fred is the Brawn, Velma is the Brain and Daphne is the People person, which I take is the fact that she can make fast friends and easy contacts to solve the mysteries + think about why someone would do something, like, Velma sees the logic behind the mystery while Daphne sees the emotion that lead to the mystery in the first place.

Which, unfortunately leads to low point number five: even if I can make all that character analyses from one phrase and this specific moment and its outcome, thanks to Low point number three and four a.e. Lack of character focus and lack of mystery I can't truly see if I’m right or not about Velma's logic and Daphne’s emotional knowledge... BECAUSE I CAN BARELY REMEMBER VELMA AT ALL. Velma is the one that suffered the most by the lack of mystery because there is where she thrives. The moments were Velma piece the clues together is so overshadowed by everything that is going down that you barely notices it. Same thing for Dee Dee. She and Dynomutt are, thanks to the way the plot was build, the only ones that are actually making moves to compel the plot forward, but outside of being the one flying the ship and trying to find were the skulls macguffings are, I can barely remember her besides  a moment were she and Dyno are baffled about Brian thinking that Anonymous was an actual name.

Dee Dee is from Captain Caveman, she was the brains of the group, which we kinda see, but she is apparently in a point in time where she and Cavey don't even know each other. I think if they had removed the Caveman fight scene and instead added dialog of her talking about how she and her friends discovered a caveman on ice and they are planing on defrosting him, you know, THE PLOT OF THE ORIGINAL CAPTAIN CAVEMAN AND THE TEEN ANGELS would have being better.  Or maybe just say that she is just here because she promised the OG Blue Falcon that she would help train his son to replace him and when her work is done she is going back to her team. You know, actually stabilising a more connected world without inflating your cast and making things difficult for yourself and the script writers.

Low point number five and a half : Captain Caveman is completely superfluous. He was a funny beat, but outside of that, the time that they expended getting to his island, finding him, fighting him and losing the skull macguffing anyway  could have being expended on character moments either between the falcon team, or better yet, the Mystery gang. Or put more time on the mystery itself.

Now to high point number seven and the most important of them all, after all it is the plot were the entire movie is set upon: When Shaggy is speaking with Brian about how the pressure of his father shadow over him is beyond overwhelming, Shaggy is so insightful in that scene that it heavily implies that he feels in part in a similar way in the gang and that is one of the reasons he felt offended when Simon Cowell, and later on Dick Dastardly, say that he is virtually insignificant  to the group and them gets jealous of Scoob when he starts to spend more time with the Falcon Team. 

Is one thing to be the scary cat with your best friend, is another thing entirely to be the scary cat alone. AND I LOVE THAT

Shaggy and Scooby bond has being highlighted from the opening scene (high point number eight) and Shaggy’s felling of loneliness. That before Scooby came into his life, he had no one. And even after the gang was united, Scooby remains his first and best friend. The slight idea of losing his friend to something that he can never compare (What is a Shaggy in face of a Blue Falcon Team membership) makes him lash out. We joke about Scooby being Shaggy service dog, but for all effects, Scooby is his emotional support, his light on the end of the tunnel that was his loneliness. The gang are his friends, but they are really different from him. Meanwhile he and Scoob are almost always in the same wave lane. And them suddenly Scoob appears to be changing. Moving away. 

The entire movie is Shaggy dealing with the idea of losing Scooby. Of losing his first friend and scared cat companion. What he ultimately learns is that the power of his friendship with Scoob is way too strong to let simple thing as “going away” or “changing” diminished what they created through the years. That’s why he says he has changed in the final. That he has grow. Because he has come to realise that even if Scoob changes and becomes more brave or something, he has nothing to fear. Because being friends is to know that, even miles apart, dimensions apart, your friendship lives on.

By acknowledging that Scoob can change, or even leave but never truly abandon him, Shaggy himself grows.

That’s why he chooses to be the one stuck on the other side.

Because he knows that he is not alone, not really.

So the final count is:  HIGH points = 7,5 LOW points = 5,5

I liked the film. I was giggling like an idiot the entire time. My inner child was happy, even if my adult brain was not as pleased in many moments after further thought. However both my child heart and my adult brain agree that the movie is far from perfect. Many interesting ideas but poor execution of many of them.  With is fine. We all know that the Scooby movies have already peaked *cough* Legend of the Phantosaur *cough*

This was a long ass review of the Scoob! Movie.

#Scoob! #Scoob review #Gih Writes #Scooby Gang #scooby doo #Shaggy Rogers #Velma Dinkley #daphne blake #Fred Jones #dick dastardly #muttley #dee dee sykes #captain caveman #blue falcon #dynomutt #i will later on make a WHAT IF about the Scoob plot #what I would have changed on the movie trajectory and what I wold have explored more #long post

[archiveacademics]

Why write fanfic?

I left off my last post with a screenshot from AO3′s homepage that gave some stats about how many fandoms are represented and stories have been written on the site. And there’s a lot, over 5 million works so far. But what is it that drives people to write fanfic? 

In Fic by Anne Jamison, popular YA author Rachel Caine writes about how fanfic saved her writing career. 

“By 1999, I was ready to quit professional writing. Quit, completely and utterly. I was still doing the occasional short story...During this time I wrote another novel, Exile, Texas, a straight mystery/thriller; but although it was published, it also sold in not fantastic numbers.

But mostly? Mostly it was the fic that kept me writing, from the sheer joy of creating stories in a wold that I loved to inhabit. I also loved the challenge of working in a world that had clearly defined rules and characters. Unlike most fanfic writers, I didn’t want to write outside the lines; the highest compliment I could be offered was when readers confused one of my stories for an actual episode of the show [I was writing about].”

A similar story is told by Betts, a guest on the Fansplaining podcast episode “The Craft of Writing (Fanfiction)” Betts was working at a bank and smothered her creative and fannish impulses when she discovered a popular fanfic in the BBC Sherlock fandom called “A Cure for Boredom.” And it changed the whole trajectory of her life. She eventually got an MFA and became a writing instructor. She even uses fanfic in her classes. 

“In Creative Writing, I have a lot more freedom, and so since I went into the MFA as a…as what they called a “self-taught” writer, since I had no creative writing—traditional creative writing instruction before that point, I developed my class around how I taught myself how to write, which involved very heavily fanfic.

And so I would take, when I started writing fic, I would take a concept that I wanted to improve on—and I did this very systematically, very scientifically—take a concept I wanted to improve on, and I would do all this research, and I would find like, resources and what other people thought of it and whatever, and then I would write a fic where I only focused on that single thing. And then everything else I didn’t care about. So like, if I was focusing on character development or voice, then it didn’t matter what anything else was doing. I was just, one thing at at time.

And so I got to develop my class around that, and that, like, I have these like—I have lesson plans, and I have a week dedicated to fairy tales, and a week dedicated to…and the fairy tale week is actually about form. And how to break form and invoke meaning. And I have a week based on character development, a week based on, on endings, which is called “Exit Strategies.” [all laugh] 

And so I do very much bring in fandom context into my classroom, because we also talk about—I should say, I meet with students one-on-one, because I’m, I think I’m better one-on-one than, you know, just standing in front of people talking at them. And I can usually tell by sitting in front of someone what their interaction with pop culture is. [all laugh] And so, like, they’ll be talking about their story, and I’ll just kind of insert, “Do you like fanfiction?” [all laugh] And it’s amazing, it’s amazing how many faces just like light up, like “I didn’t know I was allowed to write that, I didn’t know I was allowed to do that.” And I’m like “Yes, please please please write fanfic, please write things that are a step away from it, please begin with a fic and then move original,” you know. 

And so when I phrase it like “You can start something with something you’re familiar with, and then slowly work it around into something original,” and that kind of branches off of what I see as a major block for a lot of people who are writing original fiction, which is there are just too many decisions to make when you face a blank page.” (From the episode transcript)

Ok, so that’s a lot of words from someone else, I know, but I think what Bett’s gets at here is so important. Writing fanfic is not only about loving something and participating in it, it’s also about learning. Writing fanfic can teach you how to write. 

A simple Google search for “writing fanfic” will bring up a myriad of articles on the subject. From Julie Beck’s “What Fanfiction Teaches that the Classroom Doesn’t” to Colleen Mitchell’s “How Fanfiction can Improve your Writing” and Vivian Shaw’s “6 Ways Fanfiction Makes your Writing Stronger.” 

As Betts says in the podcast episode “[Fanfic] is a genre of freedom.” It allows for lots of different ways of writing and reading and interacting with a piece of media (be it TV, movie, book, or otherwise) that other genres don’t generally allow because there are boundaries, rules of what makes a genre a genre that fanfic doesn’t necessarily have. And it becomes easier to focus on particular aspect of a piece, be it character or plot, when you don’t have to fill in all the blank space. So an AU gives you a new setting to play with, but the characters are still the same, and you’ve got the story laid out for you. Meanwhile a story where you add an OC into an existing world allows you to work on character development without making you create the setting or the plot as well.

I actually ran a survey, posted to Facebook and it only received 12 responses, so it’s by no means scientific. But I asked my friends if they wrote or read fanfic and why.

One of the questions I asked was about when they started writing fanfic, and the answer for most of them was between 10 and 15, though one person said they didn’t start writing fanfic until they were 22, and another said they started at 35! Fanfic is for everyone of all ages, is what I’m saying. I also asked when they stopped writing and while some are still going strong, others stopped in their twenties. 

The most important question I asked, though, was what they got out of writing fanfic. A few of the answers were the expected, about loving the world or being inspired by reading other people’s fics. Many, though, had very interesting reasons for writing their fics. 

The survey was anonymous, so here are some of the answers in no particular order:

“It was some of my first serious attempts at writing a story more than a couple pages long. It was a great way for me to practice plotting, and writing a longer piece, without having to spend all my time working on world building and character creation as well. Also, playing around with the characters and the world, almost like a set of dolls, was - and is - just plain fun!”

“I first started writing it to make my own little world where I could be important and cared about, since I didn't have it in real life. After that I was just interested in exploring a couple concepts/characters deeper than the canon did.”

“I wanted to know what happened in those side stories, but obviously the author wasn’t going to tell me so someone had to do it. I had fun, entertained myself and others, flexed my creative muscles, and learned how to emulate others’ writing voices.”

“I wanted to see the characters explore storylines that weren't getting written in the comics (Rogue was done dirty by the x-men comics in the early 2000s), half of my oc got killed off (Anakin Solo [don't get me started on how much material Disney squandered when they rendered a bunch of novels/comics non-canon]), or I just really hated all the canon pairings (HP)”

I also asked why my friends read fanfic, because a whole big part of the experience is not just writing, but reading it as well!

“The last season [of Gilmore Girls] changed writers and producers and it became a different show, so I turned to fanfic to continue wondering what would happen if the original writers and producers were on the show. Additionally, the fanfic became a lot more interesting. I realized that there were a lot more people that liked the show than I even realized. I was also really impressed with the creativity of the writers. They were able to replicate the characters, how they would act, what they would say, almost perfectly to make a completely new scenario. I would say that reading fanfic has made me more imaginative about the shows I watch, or even the books I read, but also it has opened up a realization that there is a community in almost everything you do.”

“Fanfiction gives you alternate takes so you can spend time in the viewpoint of a character who barely makes an appearance in canon. Also, importantly, fanfic is written by peers, so you can interact with the writers. We are all friends.”

“Probably the main draw is getting to spend more time with the characters that I love, and seeing how they might react in different situations that didn’t come up in the source material. Also, it can be nice to be able to search the archives online to find something to exactly match my mood at the moment (such as if I’m in the mood for angst, or romance, or family bonding, it’s easy to find exactly what I want).”

“Ff is definitely 1) an easier lift than reading something new and 2) satisfies a slightly different itch than canon. It’s easier to read just because I mostly know what to expect from the characters and the type of story. There are few unpleasant surprises and I’m already invested, and if I don’t like a story, it’s easy to drop and move on. Fix in my brain is also wish fulfillment. There are many many things I would never stand for in canon, like overly saccharine endings or pointless melodrama, that I can enjoy in ff because “real” story is already established. Canon has the hard job of making a world or a character enjoyable or interesting. Ff is where I can go to wallow (sometimes for years) in that joy or interest, whether it was a character or a dynamic or just a specific trope.”

At the end of the day, fanfic isn’t just about reimagining stories we love, it’s about reimagining those stories with other people. 

Both Rachel Caine and Betts discuss this, that it was the positive feedback of the fandoms they wrote in that helped give boost their writerly self esteem and keep them coming back to write more, which eventually led to them writing their own original fiction. 

Not that you have to move from fanfic into original fic! There are plenty of people who are completely satisfied writing nothing by fanfic for the rest of their lives. And that’s ok. 

Whatever your experience with fic, whether you are a lurker who just reads but never comments or writes your own stuff, or if you’re a BNF (big name fan) or even a fan who became a big name (like Rachel Caine or Naomi Novik), the pleasure of fanfic is that we get to experience it together.

#fanfic #writing #reading #fansplaining #community #why #fic