If a transgender person asks you to deadname and misgender them in front of certain people. Misgender them and deadname them in front of those people. It doesn't matter how icky or gross it may feel, it doesn't matter you'd rather be honest. It doesn't matter if there's more of you there. Certain people aren't safe, and honesty IS NOT the best policy when honesty could put them at serious risk. It doesn't matter if there's a crowd, because when there isn't shit goes down.
Be an ally, do what they ask. Understand that the trans person knows more about their situation than you do, and this includes who's safe and who's not. Some one can be "trans friendly" to other people, but not to people they know or specific people. Do as the trans person asks, yes it's uncomfortable, but it's 10 times worse if the person we don't trust finds out. 100 times worse if they have access to us when you're not around.
Respect trans peoples safety. Misgender and deadname when asked.
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you're allowed to completely abandon the project of searching for an objective 'true self'. you're likely never going to find some indisputable thing inside you that proves that you Really Are a lesbian or a man or autistic or an empath or an artist or whatever you're troubled over. you can just call yourself whatever (or nothing). you can just do the things that give you the most joy without obsessing over whether that makes you x or y.
there's nothing wrong with naming your experiences but do it with a light hand. do it with the knowledge that these labels are constantly shifting, simplistic social constructions which describe things you do; they don't cause them. these identities are projects of understanding between you + the world around you + you're allowed to abandon your role in that project. you're allowed to say "whatever i am to you is meaningless to me". even though we are all still forced to suffer the material consequences of others' perceptions of 'what we are', i personally feel absolutely freed by letting go of my gender + madness- i am unconcerned with what i am, only with what i feel + think + do.
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Fine I'll talk about Bridgerton
One thing this season made really clear to me is that Lady Whistledown is in a way a coping mechanism. It was stared by a lonely, neglected, unhappy seventeen year old girl who felt like she could scream until she collapsed to the ground and it would be into a void because no one would fucking listen to her.
Her mother constantly berates and criticises her, her father (while alive) barely speaks to her and is seen off to the side drinking when he's meant to be chaperoning her, her sisters are openly cruel to her and are still favoured by their mother. She has few friends, and the two relationships she holds closest both have significant blocks to them, with Colin it's her unrequited feelings and..... tbh her and Eloise's friendship is a whole different post and while they clearly mean the world to each other, there where fundamentally issues long before Lady Whistledown was so much as a drop of ink. I think they are both at fault for them and I love both of them, but Eloise's biggest issue comes from just not listening to her and in general as a person having a bad case of tunnel vision and hyper focusing on certain things while completely missing others.
Pen is outcast from society from the moment she steps foot in it, ridiculed and despised by those around her and bullied by girls her age for literally no fucking reason. She is seen as unattractive and undesirable, she believes the fundamentally human want to be loved a silly childish delusion because she is told from every angle that she is not worth it. She's not even worth listening to.
I think her resentment and hurt had been building for a while, she's never under any assumption that she will be treated or seen better. How could she be? When she is constantly reminded how much she fails to be what is wanted or respected or valued, primarily by her own damn family. Still, she's a kind girl. She's sweet and attentive and a good listener, she's patient and reliable and, before Whistledown started, probably extremely loyal, if how much guilt she felt whenever she genuinely betrayed someone says anything. She's someone who has never felt or had any power, who has so much hurt and resent and bitterness from years of this shit building and building.
But she's also smart and witty and funny and extremely intelligent. She has a talent for writing and words and clearly has the potential to be successful. I think being pushed into society a year earlier than she wanted (again, because her mother wouldn't listen) pushed her over the edge. She wrote her observations, the things she learnt from being pushed to the side for so long down, and published them. I don't think she ever intended for it to be as big as it was, and I think the bigger it got and still gets the more in over her head she is. Because for once people listened, for once people cared, for once what she thought and said and worked for mattered.
It is a young girl gaining her first glimpse at power and being deeply unprepared for the consequences. When things go wrong and she doesn't know what to do and no one will listen to her as Penelope, this is the only way she can make them. No matter how disastrous the affects, using Whiseldown gets results, it just also hurts people, pushing her further and further down this cycle where Whistledown is one of the only thing that makes her feel better and allows her to process the things in her life, while hurting the people around her and making her more dependent on it.
She truly meant to give up Whistledown after the disaster with Eloise, but on that night she had her connection or trust from the two people who she cared about and who cared about her the most broken. With the fight with Eloise and then overhearing Colin she lost both of them in the span of an hour, what else dose she have aside from her writing?
And again at the ball in episode one. Even after a complete upheaval of her entire look she still fails to talk to those guys, she still isn't enough, it's proof it is not her youth or her mother influence something fundamental in her can't do this. Then Cressida rips her dress with Eloise standing right there, then Colin comes and (even tho she is incorrect) confirms to her that he too, is embarrassed by her. So what dose she do? When she's miserable and powerless? She writes. She takes it all out in Whistledown and says the (admittedly true which is why it hurt so much tbh) cruel things about Colin, which she regrets literally a day later after actually talking to him. Adding more guilt and keeping her stuck in this cycle.
It's a business definitely, and there are many parts of Whistledown she genuinely enjoys, but I don't think it's good for her. It hurts the people around her and it hurts herself, she's in over her head and definitely knows she should stop, but I don't think she knows how. She doesn't let herself rely on others enough to be okay without this one thing that has allowed her to cope and be heard and respected and valued. That's also why I think she couldn't have stopped before this season, now she's finally getting that, she's finally being listened to and respected and valued and being told she is worth something. Not by many people, and it is still too new to change the fundamental thought patters about it she has, but it's a start.
Now she just has to grapple with that fact that this thing that has given her a voice and found her comfort might just be the dealbreaker for the real people in her life who can actually offer her the love and care and respect she deserves and craves and has been denied for so so long. It sucks and it's a cycle she can't get out of now, she's made her own trap without knowing how she did it.
That's what happens when a 17 year olds coping mechanism continues and grows and expands for years, when people unknowing pay to see more of it, and when she doesn't really know what else to do. Whistledown is Pens choice and all her actions for better or worse, but it would not exist without the context of her life. It would not exist if Portia was a better mother, if she had better sisters or a better family. It would not exist of other girls her age were kinder to her, if they excluded her a little less. It would not exist if she were not seen as a lost cause for love before she had the chance to try. Lady Whistledown would not exist if someone just fucking listened to her.
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