untitled, elle emerson (@transsextual)
[text id: my baby and i couldn't be happy with just these human bodies. i'm her boy & her puppy & it's right because have you ever seen a truer expression of joy than that of a puppy who has done nothing all day but sleep and wait when his person walks in the door? not many things more eager, more honest, than that kind of love. and truly i'm clumsy and nervous and i take silly things too far. even now i expect to be punished for my wildness in at least some small way. she's training me out of all that hurt. "no more sleeping on the floor, baby" she says. & every night i get next to her is the best one yet. i can't always say it as well as i'd like, but in my heart i'll be wagging up a storm, & i know she sees it when she tells me hello like i'm brand new, even though we've been in love for ages.]
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i’m sure people smarter than me have said this, but the odyssey is the sequel to the monomyth actually. in the hero’s journey the hero departs from home, from innocence, from safety, to fulfil his destiny. in homer’s the odyssey, the war is over, the destiny fulfilled. next comes the real fight, the unwinnable fight—to return to everything you left home to fight for.
in the first half of the poem, while odysseus fights tooth and nail to return home, his home fights with its last breath to give odysseus a home to return to. and time is running out. his wife penelope is down to her last desperate excuse. suitors have invaded his home, eating through his household and his wealth. his son, telemachus, almost grown, leaves home for the first time to find out if odysseus is still alive, if there is still a reason to keep fighting. having lost everything he had, over and over, odysseus is finally allowed to arrive in his homeland. at first he doesn’t recognise it. and he is cursed to look old and decrepit, so that none of his loved ones would recognise him.
for the second half of the poem, he has returned and miraculously, he has not been displaced or forgotten. but now he has to reclaim what was his. and removing the rot, restoring this place to the home odysseus remembers, is long and painful. instead of walking through the front door, he must sneak in through the back or risk being thrown out. not a single person knows him by sight; odysseus must prove his identity over and over, to every member of his household. he must retell story after story, share secret after secret, reveal every marking or scar upon his body, to finally be recognised by his own family. and then he destroys every last trace of the intruders—kills the men, kills the servants, wipes the slate clean.
by athena’s magic, he is restored to his former youth and glory as he reunites with his wife. the families of the slain suitors try to seek revenge, but zeus, lord of the skies, intervenes. odysseus, filled with his god-given strength, is home, and ready to fight to protect it.
it’s a complete sequel to the heroes journey, but what makes it part of the monomyth is the horrible truth about odysseus’ tale: that it’s impossible. that you will leave, and your home will change in your absence, and someone might fill your place; your family won’t recognise you, your wife met someone else, intruders have destroyed your home, and you will never be as young as you were. you will return and you will fight with every ounce of your strength and it won’t be enough to turn back the clock. it’s the terrible last chapter to every hero’s story that we don’t like to talk about.
and yet, of course, it’s the same story we tell over and over: we’ve won the war, now all we want is to return home, but home is no longer somewhere we can reach.
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ramblings on Li Ming (and Heart) and homosexuality
moonlight chicken has so many things to offer in terms of technical beauty and interesting themes but what i cannot stop thinking about is the different ways they approach homosexuality in the story.
we have Wen who has a rainbow flag on his desk and pictures of him and Alan on the wall. Wen, who openly flirts with Jim and has no qualms talking openly about his one night stand. Wen, whose step father knows about his sexuality and is close enough with him to discuss his love life.
Kaipa we don’t know too much about. But his mom knows and is supportive and some of the vendors and the chicken family seem to know. But if anyone was questioning in what reality this show is set with all the class discussion and corona featuring, his part of the story shows that homophobia exists and he is worried about how he fits in with his own family, the expectations of his mother and possible the awareness that he makes the family he has “different”.
Jim is arguably even more visibly gay than Wen in terms of what we see throughout the show. He opened the shop with his ex, they prayed at the temple together and even though he objected due to proprities sake eventually they loudly declared their love to each other and the whole neighbourhood knows. Wen somehow feels like he is living in the remnants of a bubble: his circle of friends seems very queer, his closest friend and the whole gym seem to be all part of that as well. This only might change now with him questioning his work and breaking up with Alan: some gatherings he won’t attend anymore apparently.
And finally, we have Li Ming. At school he doesn’t seem to open up to his classmates on most things and additionally is in the closet. While there wasn’t anything alluding to homophobic rethoric being spread at school we can see how the heteronormativity gets to him and feel that there must be good reason as to why no one knows. And it could just be how Li Ming is judging the situation based on vibes, we don’t know. His mother is or at least was homophobic but at the same time he is raised by his gay uncle who is surrounded by other gay people. And I love how it feels like this might have given him enough security to be comfortable with his own sexuality but how it also isn’t enough to shield him from the world at large.
With so many great shows coming out of Thailand and most of them getting more and more political it just feels so real and 2023 to me that Li Ming is part of a generation that knows who they are but still have to battle with the shadow that homophobia has cast way before they were born.
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