#walt peregoy

[goryhorroor]

thank you to walt peregoy for making scooby doo where are you! even more memorable as a child

#man was an ex-disney animator who created these masterpieces in scooby doo #walt peregoy #scooby do where are you! #scooby doo #art #i consider this horror heart #horror #tv art

[scurviesdisneyblog]

Concept paintings for 101 Dalmatians by Walt Peregoy

#disney #101 dalmatians #walt peregoy #disney concept art #concept painting #animation art #art #artwork #visual development #concept art #disney animation #illustration

[capturingdisney]

By Walt Peregoy

#Walt Peregoy #concept art #101 dalmatians #101 dalmatians 1961 #disney #disneyedit #disney edit #capturingdisney #*

[tomoleary]

Walt Peregoy “Paul Bunyan” Production paintings (Walt Disney 1958) Source (X)

#walt peregoy #paul bunyan

[c86]

Walt Peregoy - Chanticleer concept artwork, c. 1960s

#walt peregoy #Illustration #animation #disney #concept art #background art #60s

[mybeingthere]

Walt Peregoy, Disney Animator 1950's-60's

"My style was unusual for Walt Disney, but he tolerated me," Peregoy says. Although, since he was "tolerated" for 14 years, the artist sheepishly admits, "I had to be doing something right."

Born in Los Angeles in 1925, Walt Peregoy spent his early childhood on a small island in San Francisco Bay. He was nine years old when he began his formal art training, attending Saturday classes at the California College of Arts and Crafts in Berkeley. When he was 12 years old, Peregoy's family returned to Los Angeles, where he enrolled in Chouinard Art Institute's life drawing classes. At age 17, he dropped out of high school and went to work for Disney as an in-betweener.

In 1951, with a young family in tow, Peregoy returned to the United States, and resumed his career with The Walt Disney Studios. Initially, he served as a designer and animator on Peter Pan (1952) and Lady and the Tramp (1955).

"To this day, Walt Peregoy's color styling in 101 Dalmatians (1961) remains a fine example of how color can be used creatively in animation while serving more than a merely decorative function," says modern animation authority Amid Amidi.

Peregoy continued at Disney on the features The Sword in the Stone (1963), Mary Poppins (1964), and The Jungle Book (1967) Peregoy's unique style meshed well with that of his contemporary, stylist Eyvind Earle, and their work on the Academy Award®-nominated short Paul Bunyan (1958) was a departure for Disney.

[hisinfernalmajesty666]

If you're a fan of horror movies and shows today then there is probably a fairly good chance that as a child you were exposed to re-runs of 'Scooby-Doo, Where Are You!' (1969-71). I am currently rewatching them now and for a group of upbeat teenagers they sure did encounter a lot of dark and macabre environments, from abandoned houses to spooky swamps, they encountered every imaginable horror setting. The miasma of these backgrounds were captured by Walt Peregoy. He was only background stylist for the first episode but they set the table for the rest the crew to craft the gothic scenery of the following two seasons. Every episode always ended with the unmasking of a monster, who underneath was a human. Are we the monsters?

#scooby doo #scooby doo where are you #hanna barbera #horror #gothic #art #background #cartoon #animation

[preparfa-2024-leontine]

5 images importantes pour moi :

1. Concept art pour Les 101 Dalmatiens par Walt Peregoy, Disney, 1961

2. Photographie de la Nana danseuse de Niki de Saint Phalle, 1995

3. Capture d'écran du film L'Été de Kikujiro de Kitano, 1999

4. Scan de la bande dessinée Pico Bogue : Restons calmes de Alexis Dormal & Dominique Roques, 2013

5. Gravité de Preljocaj, 2018

[weirdlandtv]

Backgrounds from Scooby-Doo episode, “Foul Play in Funland” (1969).

#animation #scooby doo #backgrounds #animation backgrounds #fair #carnival #1960s #60s #animation art #hanna barbera #vintage #cartoons #walt peregoy #funland

[disneyprint]

Concept art for The Land at EPCOT by Walt Peregoy, 1981

#Disney #concept art #EPCOT #Walt Peregoy #illustration #Walt Disney World #1981 #1980s

[downthetubes]

A great thread on Twitter of “101 Dalmatians” art highlighting the work of Walt Peregoy, among others, compiled by Storyboard Artist Ward Jennings - https://twitter.com/wardomatic/status/1081217545179406339

#101 dalmatians #walt disney #Walt Peregoy

[cinemamonamour]

The Sword in the Stone (1963) - Backgrounds

Layout: Don Griffith, Basil Davidovich, Vance Gerry, Sylvia Cobb,Dale Barnhart, Homer Jonas

Background: Walt Peregoy, Bill Layne, Al Dempster, Anthony Rizzo, Ralph Hulett, Fil Mottola

#the sword in the stone #disney #scenery #backgrounds #animation backgrounds #animation #wolfgang reitherman #don griffith #vance gerry #walt peregoy #al dempster #ralph hulett #bill layne #anthony rizzo #basil davidovich #sylvia cobb #dale barnhart #homer jonas #fil mottola #my edits #60's #60s

[capturingdisney]

Visual development art by Walt Peregoy for The Sword in the Stone

#Walt Peregoy #concept art #visual development #the sword in the stone #sword in the stone #disney #disneyedit #disney edit #capturingdisney #*

[tomoleary]

Walt Peregoy “101 Dalmatians” Concept Art (Walt Disney, 1961)

#walt peregoy #101 dalmatians #disney concept art

[c86]

101 Dalmatians Colour Key/Concept Artwork, 1961

Artwork by Walt Peregoy

#walt peregoy #disney #101 dalmations #animation #concept art #background art #illustration #60s #shop fronts

[thewaltcrew]

The stylized background work of 101 Dalmatians, under Ken Anderson’s direction

Paula Sigman: Ken Anderson in 101 Dalmatians brought a whole different look… very angular and abstract. It’s very modern in its look.

Ken Anderson: It was the first use of Xerox line on any kind of a feature picture, and I personally loved the idea of seeing an animation drawing in Xerox, so then I tried to make it one world by doing the same thing with the backgrounds.

Brad Bird: And a guy named Ernie Nordli went over the backgrounds and made perfect symmetrical things a little asymmetrical and fattened some things up and gave it a little more of a caricatured quality. It’s a subtle effect. His drawings were then Xeroxed and placed over the background painting to bring it all together and make it all feel like it all had the same graphic quality as the foreground characters.

Brad Bird: There’s something very sophisticated about using the impression of a shape to be where your color is defined. While it looks simpler, it’s actually very hard to do well. And Walt Peregoy had a real knack for that, and I think Ken Anderson recognized that in Peregoy and let him go to town.

Floyd Norman: And I think what Ken Anderson, Walt Peregoy gave us with Dalmatians really fit that story, and I think it’s a great-looking film. Then we find out that much to our surprise that Walt was not all that pleased with it. And poor Ken Anderson, boy, he really suffered for that film because I think having Walt being displeased with your work is probably the worst thing that could happen to any Disney artist.

#101 dalmatians #ken anderson #ernie nordli #walt peregoy #paula sigman #brad bird #floyd norman #artist #backgrounds #sleeping beauty and 101 dalmatians have the best background work imho