#vinny coyle

[marleneoftheopera]

Some more photos from Monte Carlo.

#ramin karimloo #amelia milo #vinny coyle #phantom of the opera #the phantom of the opera #poto monte carlo

[cdaae]

Final Lair in Milan

x

#phantom of the opera #phantom #the phantom of the opera #ramin karimloo #amelia milo #vinny coyle

[ta-divchyna]

The Final Lair in two parts (one file is too big)

11.10. 2023, Milan premier

Ramin Karimloo, Amelia Milo, Vinny Coyle

#the phantom of the opera #ramin karimloo #amelia milo #vinny coyle #poto italy #poto milan audio #musicals #audio

[eleancrvances]

audio gift!

in honor of the italian production closing in monte carlo tonight, here's an audio gift of the full the phantom of the opera in milan, october 21st 2023's afternoon show!

cast: ramin karimloo (the phantom), amelia milo (christine), vinny coyle (raoul), earl carpenter (andre), ian mowat (firmin), anna corvino (carlotta), gian luca pasolini (piangi), alice mistroni (madame giry), zoe nochi (meg) + full cast in the folder

please credit as eleancrvances's master. you can hear me sob during the end of the final lair i fear...

also some notes because i thought it was a juicy performance, and as far as i know no videos of the milan run exist:

vinny's raoul is a sweetheart but also the king of flapping that long coat like it's a cape. so dramatic

anna corvino has grown way more comfortable with carlotta and was having so much fun tormenting christine during "il muto"

there's applause and some noise during the last section of masquerade because after a brief darkness the lights turned on to reveal the cast had come down among the audience, while confetti fell from the ceiling

ramin sank to his knees after the kiss and remained there for a looong while, in a daze. then he noticed raoul had gone limp and jumped to his feet to take the noose off him, in a "no wait he can't die now i can't have that anymore" way

in this production (like in the restaged uk tour) the phantom has his back to christine when she returns the ring, and delivers the "i love you" not knowing she's there. now, it wasn't done like this in trieste, but at least when i went in milan when raoul says it to christine in act I she has already started to leave the rooftop and he's still on his knees, so he also says it while having his back turned to her... the parallel becomes visual as well. exactly the same blocking. how fun :')

#audio gift #poto italy #poto #the phantom of the opera #phantom of the opera #ramin karimloo #amelia milo #vinny coyle #earl carpenter #poto milan #christine daae #erik the phantom #raoul de chagny #phantom italy

[flagbridge]

Audio: Luca Gaudiano POTO Italy 15/10/2023 Debut

Audio of Luca Gaudiano's haunting and beautiful debut as the Phantom in Phantom of the Opera in Milan, Italy at the afternoon performance on October 15, 2023. Full Audio to come.

#phantom of the opera #audio #luca gaudiano #amelia milo #vinny coyle #poto italy #poto #musical theater #musicals #phantom italy #understudy love #rising star #emergency cover #broadway italia #shows I saw in 2023

[rkdaily]

“Welcome to #Milan!

It's time for the The Phantom of the Opera to shine!”

[x]

#ramin karimloo #amelia milo #vinny coyle #phantom italy #phantom of the opera #instagram stories

[blue-eyed-giant]

i saw poto for the first time ever today since wanting to see it since i was 11 years old and there are some stuff i've noticed (and i will talk non stop bc this was a dream come true)

this was an incredibly creative stage. it was rather small but it was used so well. there was a spinning stage frame on the real stage and during in-play opera performances it would spin to show you what the cast backstage would see. it took all shapes throughout the play as if it was playdough just by spinning. it was stage, it was christine's dressing room (yes, phnatom stepped out from its inside through the mirror), it was andre and firmin's office, it was rehearsal room... i think if it was on broadway it could get a tony for stage design

DRAMATIC. ASS. LIGHTING. for the first half and hour or so it was so impressive because it made every movement so dramatic and it was perfectfor the spooky mood but. it got too much. sometimes it was hard to see actors' faces and expressions and it was constant. if the light had been used more variably this would be an incredible lighting piece.

the overture. i had never seen how the stage looks during overture but i loved this sooo much it looked like those start-credits scenes from movies. it showed all the key moments from the show in slow mo with shadows, as if raoul was remembering what had happened all those years ago. it was nostalgic and it was terrifying because even if you didn't know anything about the story you would clock something terrible and tragic happened there. at the very start you see two actors with an actress between them bowing together and then the actress goes to the side with one of them, the other looking at them as they go and taking some time before going to the other side himself. yeah, i think you got my point.

orchestra was live. and it was magnificent i think. this is all i have to say i can't think of a way to make you believe how a not particularly big orchestra was so impactful without actually showing you live.

carlotta's comedic acting was so on point. the "these things do happen" bit is my favourite and i loved seeing it a lot. "think of me" also was very well acted not just by carlotta but also by andre and firmin.

madame giry sounds real young. she is also less strict or stiff than the way she is traditionally portrayed.

the head male ballet dancer was surprisingly delicate for his size and i tell you that guy had a real broad torso and a lot of big muscles and the hannibal damce was beautiful

SO MUCH FUCKING MEGSTINE!!! during "think of me" christine panics and stops singing with a hitch in her voice and only gets her courage up and continues when meg holds her hands and has her sing looking only at her eyes

you very quickly realize meg is just as vocally strong as christine in this production

you immediately notice ramin's microphone being loud as fuck. the sound team said "people come here for this bitch let's give 'em what they want" so everyone is singing at a normal volume and quality and then ramin comes in with his full hd 4k stereo 1080p voice (not complaining tho)

you don't get it. this fucker isn't just playing phantom. he IS the phantom. he's studied, he's acted, he's lived, he's embraced, absorbed, eaten the part. i doubt the fucker drops a chandelier every week in his house. you know how people say "oh he's added a second/third dimension to this part"? this bitch is forcing his way into the sixth at this point. he's doing it such naturally and in a nuanced way i could believe this is his office job. think of 25th and make it better, that's what it was.

this phantom isn't just miserable. he is so much older and wiser than our leads and he knows this and he is actively holding this over their heads. he knows exactly what leaves christine vulnerable and plays into those things. he knows he's manipulative, you can sense that in his mimics and voice and chuckles. he holds great power over christine whether she allows it or not. he also treats christine like a predator does to a younger person, which makes the dynamic very realistic bc it is exactly that

amelia milo is young, which makes you realize just how young christine actually is because she actually looks, sounds and acts like a 21 one year old and this makes a lot of her decisions and reactions make so much more sense

when the ballet starts andre keeps bumping into the dancers and the male dancer doesnt know what to do with him so he just. picks him up, spins him and moves him out of his way.

"all i ask of you" is portrayed in such a different way without changing a single line i was speechless. like yea??? technically you can play it like that and it will change everything about raoul and christine's relationship even if the script is the exact same. right before the song starts christine rushes to the roof with raoul following, gives her speech about the phantom, and tries to jump off, rould yells and begs her name to stop her. then he sits right at the edge with his legs dangling, as if he's showing if she jumped so would he. AIAOY sounds like raoul desperately putting in all his effort and saying everything he could to keep christine from killing herself. it isn't the little ray of light in the midst of the chaos, it is just another little, happier chaos in the big chaos. even christine doesn't seem to be particularly happy, they both seem to think "we'll look into this later"

not a huge fan of vinny coyle's raoul. like many raouls he wasn't particularly bad, but also he wasn't so good either. ofc he had his moments like his good dancing and small stu ts during "masquerade" but he couldn't shine where he had to shine big and be the prince charming (aiaoy was very underwhelming bc of that). in the end i was wondering how would bradley jaden be if he stayed for the milan cast as well

this

also, probs due to lack of ensemble members, half the masquerade guests were puppets on wheels which made the whole vibe so creepy

after long years of poto, earl carpenter was also a cast member that shined and added so much character to the production

THE SPECIAL EFFECTS!! PHANTOM APPEARING, REAPPEARING AND THEN DISAPPEARING!! HIM TAKING PIANGI'S PLACE WITHOUT THE CHARACTER LEAVING THE STAGE! the special effects were top notch

at first she sounds kinda weak but towards the middle of the play amelia milo's voice gets so strong and impressive you start to hink she did it on purpose to show how amateur christine was at the beginning.

PHANTOM HAS BLACK BAT WINGS AND SOARS IN WANDERING CHILD

thank for coming to my ted talk :)

fr tho, they either fucked with ramin's mic or he just sounds so strong his voice feels solid bc that IT'S OVER NOW THE MUSIC OF THE NIGHT was something else

edit: at one point during an opera meg jumps on stage just to yell "he's there the phantom of the opera!!!!". it's not even her scene, she wasn't supposed to be on stage and gets called back by her mom. we love a hatergirl <3

#poto #phantom of the opera #poto milano #ramin karimloo #amelia milo #earl carpenter #musicals #vinny coyle #musical theatre

[ablatheringblatherskite]

This was on Vinny's Instagram story today and I was cackling AHAHAHA

(also Ramin is in fact correct. Vinny fidgeted with his ear a lot in the other slides which was very endearing 🤣)

#ramin karimloo #vinny coyle

[phantomtrader19]

Cinderella closes June 12th and the new phantom cast should start august 1st…

Vinny Coyle coming back to phantom as Raoul or Raoul cover????

Yes please!!! 🤩

Also Lydia Gerrard needs to come back please her voice is absolutely gorgeous such a shame we never got to see her Christine!

#phantomoftheopera #poto london #poto #phantom of the opera #poto west end revival #her majesty’s theatre #potouktour #vinny coyle #lydia gerrard #raoul de chagny #Christine daae

[pfannkuchen07]

The Changes from POTO Italy in Monaco- Monte Carlo

I've seen no one talk about it, so I'm gonna talk about it!! I was at the POTO Italy showing in Monaco on the 20th December 2023, and they made some interesting new changes for that show 👀 Beforehand I gotta say, I was also at the showing in Trieste in July 2023 and haven't watched ANY other of the productions, so I'm not too sure what may be new for people who only saw other versions :'D (well besides the anniversary version from 2011) But if you have any questions, just ask them! Also I'm gonna post my super secret complete audio recording of the show on another post, so look out for that hehe

In The Music of the Night Ramin's Phantom did that candle thing again, where he (in Trieste) would take one of his candles from the organ and blow it out, but this time he took the candle (somewhere at the start of the song) and placed it on the ground in front of Christine. She than sat in front of it and stared at it, like she was hypnotized by the light and by his singing promising her all these things she never even dreamt of, until finally he came to her, crouched in front of her and blew it out. "Close your eyes, let your spirit start to so~ar. And you live *candle blows out* as you never lived befo~re." From then on she was under his spell. For the rest of the song, anyway. Later she woke up in the Phantom's four-poster bed and proceeded to find him.. sitting thoughtfully on his piano bench. I guess inspiration for his music where to be found floating somewhere in the direction of the audience. They probably did that so that we could easier see when Christine snatched the mask from his face, but it was funny to see nonetheless. Just imagine this epic shadow man of gothic stories than can basically appear and disappear wherever he wants, truly a master in every craft, and he gets bested because a ballet girl sneaked up on him. :'D Anyways.

Later after the first chandelier got destroyed, Christine ran off to the rooftop and stood on the edge of the precipice. Just one jump and the Phantom might not kill again... but thankfully Raoul came before she could have acted on any of her wayward thoughts. Although Raoul only climbed up to the end of the roof ladder and Christine was scarily near to the edge. Why Have You Brought Me Here became a song to talk to Christine about what scared her and hopefully get her down from the roof. After one almost jump at the end of the song Raoul finally got off the ladder and scooted to her, to bodily keep her from any other near falls. He comforted her with All I Ask Of You and they end up kissing and engaged. Yay.

Now fast forward to The Point Of No Return. They do their intrigue thing where they try to find the Phantom somewhere IN the opera, because he must be somewhere to watch them present his masterwork. Unknowingly he changes positions with Piangi (which looked very smooth. With his hands on the curtain during the switcharoo and all that). Lots of cool outfits during this scene. It must have been very hot, especially when I first saw it in Italy during a heatwave when it was like 30°C outside. Luckily they had air conditioning. Also I love that Ramin went all out in his attempt to make the Phantom sound more like Piangi in this scene and have the accent full on. Makes the switch that much more surprising when you don't know that it is coming since he does a really good job of imitating him. And I kinda love how he sounds with it hehehe The interesting thing though is that the Phantom loses the accent as the song The Point of No Return really starts as if to show Christine who really is behind the costume. You can here it on the first "Our games of make believe are at an en~d." especially well. He drops the accent and goes from his chest voice back to his more typical register. Also he gets his signature "whine" back. He kind of goes in and out of it as the verses go on. Fighting his desire to be with Christine with his need to keep the ruse going. Maybe he needs to be with Christine, maybe he needs to finally come clean, whatever it is, it made him take the disguise off at the end of The Point Of No Return and look guiltily at her while she sadly looked on. Christine herself didn't even try to look under the costume during TPONR and unmask him. Even when clearly she must have know that he was under it. I mean yes, during the song she didn't touch him as much as I know she does in the anniversary version (which here sadly takes the sensuality out of the scene for me because most of the time they stood with a few meters in between them or walked around the table :c), but she knows his voice and clearly heard him change his accent. One could argue she might know his voice like this (without the visuals) even more intimately then with. So I'd be easier to pick out for her. Not sure what I think about this change. After the Phantom runs away with Christine, and the police and audience is in chaos, Firmin and André let some lanterns fall down and proceed to burn down the Opera house because well, insurance doesn't cover maniacs but hopefully it does fires? As long as no one from the audience tells on them, I guess. The funniest thing about this show was the end In The Lair when Raoul gets hung up on a rope (by the Phantom's bed ;))) 90% less wet than he was in Trieste but 80% louder with his yelps and moans of pain. After some minutes he even goes still and passes out. And the show ends with the Phantom magically disappearing under the blanket on his bed. I do wonder how they did that, since I could very clearly see under it to the wall. Hmm... All in all, very fun to see tho. c:

#me #personal #poto #poto italy #poto monte carlo #the phantom of the opera #phantom of the opera #music

[lucy-ghoul]

It’s been some days, but can I ask your opinions about Phantom in Milan?

yes of course!! so, here are the things i enjoyed:

the performances were all very solid. ramin karimloo's voice has grown far better with time - he was never one of my super fav phantoms of all time but i always enjoyed him and it was really a treat to see him live. amelia milo is a lovely christine, and vinny coyle was also good as raoul. ah! and i got to see earl carpenter as andré (he's a superb actor and singer, and acting wise probably my fav erik ever)

the audience was on fire and very enthusiastic. the performers received multiple standing ovations at the curtain call - it was really a magical experience

in general the new staging, costumes, coreography were alright, and tbh far better (for the most part) than the restaged tour lmao. sure, the black angel wings of doom in the graveyard trio scene + the yellow coat/giant hat combo in ponr were a Choice but honestly? i didn't mind it so much, it kinda worked on stage.

in general i obviously prefer the original production but this was still a worthwhile experience. even my dad (who can't understand one word of english but was already vaguely familiar with the plot) absolutely loved it - he even said it was the best thing he saw in milan lmao. now he's a poto fan too sdfghjfjf

so tl;dr: they did a lot of things right. what i disliked instead:

in the graveyard scene... well it really doesn't look like a graveyard, to the point that my brother (who like my dad is familiar with the musical and even read the book many years ago) didn't understand that it was supposed to be a graveyard at all lol. the scenography was very bare ngl (they possibly saved some money for the abovementioned black angel wings of doom lmao)

i thought the staging for aiaoy was a bit... heh. basically raoul and christine don't really touch/hug each other until the end of the song (with the big damn kiss etc.) and it was a weird choice since this is supposed to be a romantic scene; in fact it kinda reminded me of the restaged tour version. same with motn (erik & christine don't have any physical contact until the famous 'touch me, trust me' bit, while in the og there's this interesting thing where he barely touches her at all/she leans into him etc. until the climax) but it makes more sense here. i mean, this is just a pet peeve of mine, both scenes were fine. as you pointed out it's been some days since i saw the show so maybe i'm misremembering it all. if anyone out there has a better memory than i have and wants to correct me you're free to do so lol

in the final lair scene, after erik lets christine & raoul go, she does return to give him back the ring but whereas in the original they face each other here she just. leaves it there (tho she looks emotional) while erik is facing the audience and singing 'i love you'. again, this doesn't ruin the show or anything but i prefer the more intimate scene from the original.

obv there were a lot of changes/additions to the og production and i can't list them all (i suppose other phans already did) but imho it's one of the most 'loyal' non-replicas out there, and while the original brilliant is still. you know. the og brilliant and all in all superior/far more spectacular this did not disappoint 💜

#thanks for the ask! #phantom of the opera #asks

[marleneoftheopera]

More photos from the Italian/Monte Carlo production.

#I remember seeing some vinny photos taken during the Milan run so that’s why I said italian and monte carlo #so it seems Ramin wears two masks during the show? #Earl is such a mood lmao #poto Monte Carlo #phantom of the opera #the phantom of the opera #ramin karimloo #amelia milo #vinny coyle #earl carpenter #Anna corvino #Ian mowat

[cdaae]

Amelia Milo and Vinny Coyle

x

#phantom of the opera #phantom #the phantom of the opera #amelia milo #vinny coyle

[ta-divchyna]

Wandering Child (11.10.2023, Milan premier)

Ramin Karimloo, Amelia Milo, Vinny Coyle

#the phantom of the opera #ramin karimloo #amelia milo #vinny coyle #poto italy #poto milan audio #musicals #audio

[charlicpace]

MY AUDIO FROM THE STADGED CONCERT OF LES MISERABLES FROM 2019 IS NOW AVAILABLE ON PAYHIP.

Cast: Alfie Boe (Jean Valjean) Michael Ball (Javert) Carrie Hope Fletcher (Fantine) Matt Lucas (Thernadier) Katy Secombe (Madame Thernadier) Shan Ako (Eponine) Rob Houchen (Marius) Lily Kerhoas (Cosette) Bradley Jaden (Enjolras) Earl Carpenter (The Bishop) Factory Foreman (Gavin James) Celia Graham (Factory girl) Craig Mather (Combeferre) Vinny Coyle (Feuilly) Niall Sheehy (Courfeyrac) Ciaran Joyce (Joly) *unknown Gavroche & Little Cosette* Notes: 01/10/2019. Great quality audio of the staged concert cast midway through their run, with a very excited and lively audience for a Tuesday evening! Alfonso Casado Trigo got well-deserved entrance applause at the top of both acts, as did Matt Lucas during first entrance. Matt also loses his wig during Beggars At The Feast, and the entire scene derails from there with Rob being the only person on stage (and in the whole building!) to keep it together, and the bows have been kept in and as Michael then snatched his wig, much to the delight of the audience. Showstopping performance from Alfie Boe, and wonderful performances from Rob Houchen, Bradley Jaden, Katy Secombe, Matt Lucas, Earl Carpenter and the ensemble.

Link is in the source. Price is listed as £4, but the coupon code POUNDS4PACE gives you 50% off for all of February 2024. Please do not message me about this audio.

#les mis audio #les miserables audio #audio gift #my audio #les miserables #staged concert #pace.txt

[flagbridge]

Curtain call for Luca Gaudiano’s debut as the Phantom in POTO Italy (Milan). Stepping into the shoes of a giant—and absolutely crushed it. Bravi, bravi, bravissimi!

Getting an understudy is such a treat. More later but absolutely thrilled to have experienced this.

#phantom of the opera #poto italy #phantom italy #understudy love #Luca gaudiano #amelia milo #vinny coyle #earl carpenter