Toutes peines confondues (AKA Sweetheart) | Michel Deville | 1992
Patrick Bruel, Vernon Dobtcheff
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Sweetheart
Sweetheart [trailer]
A young police inspector is sent to Zurich to keep an eye on an important business man.However,things get complicated when the young inspector seems to mix things and people.
It has all the elements of classic (organised) crime thriller. But the behaviour of some of the protagonists is somewhat off. The dialogue is often knowingly direct and humorous, and at times it has a poetic touch. Which makes for a very enjoyable watch.
I could watch it again just to look at Mathilda May's beautiful visage.
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THE DAY OF THE JACKAL (1973)
Grade: B
Really liked how Edward Fox played it, he was so cool. Interesting thriller about an assignation from mostly the POV of the shooter . Very suspenseful and detailed. Holds up. Definitely a superior film to the remake with Bruce Willis.
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#ProyeccionDeVida
🎬 “ANTES DEL ATARDECER” [Before Sunset]
🔎 Género: Romance / Drama / Cine independiente USA
⌛️ Duración: 77 minutos
✍️ Guión: Richard Linklater, Ethan Hawke y Julie Delpy
📘 Historia: Richard Linklater y Kim Krizan
🎼 Música: Julie Delpy
📷 Fotografía: Lee Daniel
🗯 Argumento: Jesse y Celine se conocieron en un tren y pasaron juntos una noche inolvidable paseando por Viena. Aunque prometieron encontrarse de nuevo seis meses más tarde, esa cita nunca llegó a producirse. Nueve años después, se vuelven a ver, pero esta vez en París. Jesse, que está de gira promocionando una novela, la ve en la librería donde está firmando ejemplares. Ella vive desde hace tiempo en París; él, en Nueva York. Jesse inmediatamente decide dejarlo todo para pasar el tiempo con Celine. Así pasan el día en los cafés, en los parques, recordando aquella tarde en la capital austriaca y hablando de sus vidas.
👥 Reparto: Ethan Hawke (Jesse Wallace), Julie Delpy (Celine), Mariane Plasteig (Waitress), Marie Pillet (Woman in Courtyard), Albert Delpy (Man at Grill), Vernon Dobtcheff (Bookstore Manager), Rodolphe Pauly (Journalist #2), Louise Lemoine Torres (Journalist #1), Denis Evrard (Boat Attendant) y Louise Lemoine Torrès
📢 Dirección: Richard Linklater
© Productoras: Warner Bros. & Castle Rock Entertainment
🎞 Distribuidora: Sony Pictures Classics
🌎 País: Estados Unidos
📅 Año: 2004
📽 Proyección:
📆 Jueves 25 de Abril
🕗 8:00pm.
🎦 Cine Caleta (calle Aurelio de Souza 225 - Barranco)
🚶♀️🚶♂️ Ingreso libre
🙂 A tener en cuenta: Prohibido el ingreso de bebidas y comidas. 🌳💚🌻🌛
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CALIFICACIÓN PERSONAL: 5 / 10
Título Original: Mata Hari
Año: 1985
Duración: 108 min
País: Estados Unidos
Dirección: Curtis Harrington
Guion: Joel Ziskin
Música: Wilfred Josephs
Fotografía: David Gurfinkel
Reparto: Sylvia Kristel, Christopher Cazenove, Oliver Tobias, Gaye Brown, Gottfried John, William Fox, Michael Anthony, Vernon Dobtcheff
Productora: Cannon Group
Género: Thriller; Drama
TRAILER:
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Ethan Hawke and Julie Delpy in Before Sunset (Richard Linklater, 2004)
Cast: Ethan Hawke, Julie Delpy, Vernon Dobtcheff, Louise Lemoine Torrès, Rodolphe Pauly, Mariane Plasteig, Diabolo, Denis Evrard, Albert Delpy, Marie Pillet. Screenplay: Richard Linklater, Julie Delpy, Ethan Hawke. Cinematography: Lee Daniel. Production design: Baptiste Glaymann. Film editing: Sandra Adair.
Jesse (Ethan Hawke) and Céline (Julie Delpy) together again, nine years after Richard Linklater introduced them in his 1995 film, Before Sunrise. They meet in a Parisian bookstore where Jesse, now a successful novelist, is signing copies of his book, whose story is based on their brief encounter in Vienna nine years earlier. It might have remained that, a brief encounter with echoes of the great 1945 David Lean film of that name, except that Céline's curiosity, tinged with guilt, brings her to the book signing, where she hovers on the fringes until she catches Jesse's eye. Jesse's novel has ended, like Linklater's film, on an uncertain note: He doesn't say whether the characters he has based on himself and Céline made their appointed rendezvous in Vienna. The people at the book signing urge him to express an opinion on whether they did, but Jesse hedges. And so it remains for Céline herself, who invites him to join her for coffee after the signing, to elicit the truth. She knows she didn't make the planned reunion: Her grandmother, she tells him, died and she was at the funeral when they were supposed to meet. But did he show up? He says no at first, but then confesses the truth: He was there, but with no way for either to contact the other, he only had to assume that she decided it was over. He has married and has a son; she has remained single. And so begins the delicate verbal dance that Linklater, Delpy, and Hawke have scripted for them to perform. They start almost as they did in Before Sunrise: he the brash, open American with the nervous laugh; she the reserved but intrigued Frenchwoman, only faintly condescending to his cultural and linguistic disorientation in a foreign land. And as in the first film, they walk and talk and prod each other into more and more revelations. Like the first film, Before Sunset also has a terminus ad quem that gives their encounter a sense of urgency: He has a plane to catch and a driver to get him to the airport on time. And like the first film, this one ends on an ambiguity: They have gone to her room, where they exchange a bit of dialogue before the credits roll. "Baby, you are gonna miss that plane," she says. "I know," he says. And so we have another sequel to wait for. I know of no other English-language film that so deftly uses dialogue and the chemistry of two actors (who also wrote much of the dialogue) to accomplish its romantic aims while at the same time scoring so many points about the passage of time, the limits of communication, and the significance of sex.
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Max Kalba : It seems you have competition, Mr. Bond. And from where I sit, I fancy you will find the lady's figure - hard to match.
Vernon Dobtcheff as Max Kalba in THE SPY WHO LOVED ME
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