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An Analysis on Makiko's Grasp of Time
Makiko’s Battleship Island
I’d like to introduce Photographer Makiko’s work as well as the photograph I will be analyzing shortly. Makiko is infamous for her black and white photography, and the image below is no exception. The photograph below is part of a 700+ series of monochromatic photographs taken on the Gunkanjima island, also known as Battleship island. I’d consider this photograph to fit into the urban exploration and abandoned photography genre. To capture this photograph Makiko had to obtain a special permission from Nagasaki City, due to the zone being restricted. The objective of the photograph is to frame how the island looks now, whilst maintaining the memories of how it used to be 40 years ago.
Remains of a Gunkanjima Island Home. Makikophoto.com/©MAKIKO
"I work mainly in black and white because I see things in monochrome. I create minimal images, timeless images" (Makiko, 2020).
Photograph Analysis
To give the external context of the photograph, it was taken in a way that is meant to resemble a child’s perspective. This was achieved by taking the photograph from a lower angle, to mimic a child’s gaze upwards. Makiko had the objective to show this home as if we were observing it through the memories of a former resident. The black and white filter really aids this because it gives the photograph a nostalgic element, which communicates the memory storyline. The lighting in the photograph is softer, and the gentleness of the shadows gives the home a sense of warmth. The home is inviting despite it being damaged, but the decay is important to showcase the abandonment of the house and island. The contrast between textures is very organic, the stiffness of the wood and concrete versus the lushness of the plants below. It really juxtaposes the abandoned life above and the new growth reclaiming the space. The flowers in the bottom right corner symbolize this new life.
“For me a camera is a tool to record what I like to describe, what I like to tell others, what I like to leave behind. It allows me to mechanically frame the moment and put all my thoughts that are often fragmented and chaotic into one visual form” (Makiko, 2020).
Final thoughts
This image appeals to me because the storytelling is done with talent. This photograph captures a moment that can bring to the viewer multiple familiar emotions. There is that feeling of comfort, knowing this was a space filled with memories and the daily lives of people we’ve never met. Looking at the image you can almost feel the shift as those memories fade and are lost in time leaving only the broken bones of a house that used to be a home. We live a fragment of an experience through this photograph, and can feel empathy though this is a circumstance we are likely never to encounter. Makiko has won the honorary mention at the Open Call of Life Framer in 2020. “ It paints the island like a distant memory – strange and magical and just out of reach” (Life Framer, 2020). Another review is from Daido Moriyama, “As such her camerawork enables her to express her profound feeling further. In addition to this, by including many archive photos describing what kind of daily life the residents used to have, (the book) is able to highlight the quality of time human beings possess. It reflects the essence of photography as media” (Moriyama, 2018). Moriyama’s comment demonstrates that Makiko is able to clearly communicate her sentiments. “A book lasts forever. I feel the same about photography, it will last as long as it can so long as it is good” (Makiko, 2020).
Citations
Makiko. (October 2016) Trails to Prayer. Makiko.com
Makiko. (January 2018) Battleship Island. Makikophoto.com
Daido Moriyama. (2018) Battleship Island. Makikophoto.com
Life Framer. (2020) “Open Call” Announcing the Winners. Life-framer.com https://www.life-framer.com/open-call-ii-2020/
Grant Scott (2020) What Does Photography Mean To You? Bluecoat Press, Liverpool, England.
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