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#unmourning
skymantle · 6 months
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shall not be mourned...
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hydropyro · 4 months
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This is the funniest fucking thing I’ve ever seen. I’m howling
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fallenclan · 5 months
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ermies??????? why would sweetclover sit vigil for otterslip??????? i mean ik she's his granddaughter lmao,,,,,,,, but is there a reason why she would sit vigil for him when her sister wouldn't??????? (ik her cousins defo wouldn't sit vigil because they were born WAAAAAAAAAAAAAAAAAY after otterslip's exile LMAOOOOOOOOOOOO) was she closer to otterslip?????????? enough to excuse murder?????
-🦝
she was the closest grandkit to Otterslip, for one thing, but also she's just. an incredibly kind cat. she probably didn't go to Otterslip's vigil for her own benefit.
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anghraine · 1 year
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I was just making tea and suddenly thought about how Anakin, a former slave, essentially has to address his teacher and (according to him) father-figure as "master," and continues to do so even after he's a Jedi knight and no longer Obi-Wan's pupil. When he falls, he addresses Palpatine as "master."
And when he meets Obi-Wan in ANH, his exact wording is "When I left you, I was but the learner; now I am the master."
It's worth noting that Palpatine never appears in ANH, and Vader never addresses anyone that way. Tarkin can get him to do things sometimes, but it seems mostly because he sees Tarkin's point or just doesn't care enough to fight about it, and he's not shy about voicing disagreement when he considers it worth the trouble. So he does exercise quite a bit of agency.
But things are a bit different by ESB. He seems to have a more powerful role in the Imperial hierarchy, yet at the same time, he has to kneel to Palpatine and call him "my master." However, this turns out to be something of a ploy; he's actually plotting against the Emperor. There's still some sense of agency there.
It's been largely crushed by ROTJ, though he manages to assert himself in small ways (mainly by determinedly referring to Luke as "my son" where Palpatine talks as if Vader and Anakin were separate people). Palpatine calls Anakin "my friend," but Anakin clearly understands this isn't true.
And after Anakin tried to get Luke to join him against the Emperor in ESB, by ROTJ, he's saying to him, "I must obey my master." His subjection now even extends to Luke in his view: "He is your master now."
This is ... horrifying, actually. And there's a certain logic to his final choice in this sense. I think it's pretty clear that Palpatine was orchestrating his death and replacement. The question was not if he would die, but when. And it seems like part of him is still very much in "I must obey my master" mode as he watches Palpatine (slowly and painfully) kill his son. But a larger part of him realizes that he is free to act.
Yes, that action will kill him. And no, he's not actively trying to die in order to escape consequences or whatever the hell that reading is. The narrative is structured in such a way that rebelling against Palpatine and acting freely will mean his death. Still, he can do it. He can, at least, choose how he dies, and save his son (the son he earlier consigned to Palpatine's mastery!). He can do something that he's rarely been able to: what he wants.
What he wants is to save Luke and see him with his own eyes. And that's exactly what he gets.
I've talked before about how the time crunch that the OT ran into affected Anakin's arc—his redemption was earlier envisioned as more extended and it's not clear that he would have immediately died. But the canon version does achieve something important, I think, in making the set piece ultimately pivot on Anakin's ability to choose.
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zeebreezin · 15 days
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20 for the throuple!
20. Will they recover from their trauma or will it consume them?
Oh boy.
So, we’re going to have to break this question down a little bit, because this is an interesting one when we’re talking about the throuple. I’m also going to be answering this pretty much all at once for all three of them, which will make sense in a second. TL;DR: It really depends on what trauma we’re talking about here.
If this question is talking about their personal trauma, from before the New Sequence, then I would argue that yeah, they have been recovering, admittedly in an incredibly unhealthy way. Isobel’s family breaking down directly after the fall, Vincent’s […], and Laurence’s trauma following the War on Hell are still things that follow them for the rest of their lives, but also their relationship does genuinely help them heal from their experiences. I’d be lying if that extremely codependent mess didn’t have some positive impact, especially in the sense of having other people to rely on emotionally. Don’t get me wrong here, they’re endlessly feeding each other's complexes in an ouroboros-like manner, but you’re also talking about three people who are all some combination of massively codependent/starved for affection & care/[…]/insanely lonely/have very strange definitions of love. Is the relationship healthy? No, absolutely not. Is it working? Yes. Are they in a better place than when they started? Yeah.
On the other hand, I don’t think any of them are really ever going to unpack the fact that. Well. “Hey you’re in a military sun cult dedicated to a mechanical god”. Both Isobel & Vincent died extremely loyal to the cause, and though Laurence is less fanatical than those two were on a few levels, he’s also in way too deep to ever come to any conclusions about that. Especially not when his memories of his early days in the New Sequence are hazed over in affection, thanks to Isobel & Vincent. A lot of the red flags are lost on him now, and I highly doubt he’d ever be able to really deconstruct his beliefs unless under very specific circumstances - specifically involving Beverley, who he’s gotten pretty attached to. Even then I can’t see that ending well for him, and would probably only end up in him self destructing even harder. Sorry buddy.
There’s another level to this, specifically considering the fact that Vincent’s whole sense of identity is out of wack. The man’s brain is fucked beyond belief and trying to classify if he’s going to heal as a person or not is really difficult, considering the fact that beneath his charm he’s a very hollow shell that gets filled with whatever Isobel wants him to be in the moment. I genuinely don’t know if he could heal from all that without another terrible thing happening to him in the other direction, and then we’d be talking about an entirely different character.
Basically, I think my final answer for all of them is…. “Yes, but actually no,” with a ton of citations needed. Whoops.
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aladaylessecondblog · 6 months
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Fallen Star brainrot
Azura: why'd you do it. Literally the entirety of Morrowind gave you every reason not to
Sadara: I was drunk
Azura: The first time maybe, but what about the million other times?
Sadara: *gesturing vaguely across the room*
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it came to me in a dream
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I was given a small plant pot and the power of paint markers today. So of course me with my elder scrolls brain rot draws the tribunal and the sharmat sloppily on the sides.
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im trying to draw dagoth ur for the first time TwT
YEAH!!! Go crazy and have fun!!!
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rotworld · 2 years
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Offal
if you wound an animal, it will come back more vicious than before.
->mason/reader. explicit; contains noncon, rough sex, gore, mild feral behavior.
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In—and out. You rake your fingers through the dirt and it gathers under your nails, but there’s nothing. Nothing to hold onto.
In—and out. People don’t make noises like that. Bears do, snuffling through a campsite. With claws and teeth and eyes like still, black water, they make those rumbling, throaty grunts while they eat. But not people. People don’t sound like this. 
In—and out. A sluggish, leisurely pace. Every thrust is slow but hard. There’s time to catch your breath between but you never do because then he’s in again punching the air out of your lungs. The thick drag of him, in and out, tugs at you inside. You’re broken. Your head rests against the ground and you look back, beneath yourself, and all you see is shadows—him—big and veiny, streaked with blood and cum.
In—and it stops. You’re full and breaking. His weight bears down on you as he reaches around, cupping your chin. He tugs your face out of the mud and makes you look at the cold forest. Delirious, you wonder if it looks back. If it sees you here, no different than any other pair of animals. Fucking. Fighting. Teeth in neck. Flesh in flesh. He grinds his hips into you and reaches somewhere deeper, forces past the clench of muscles and a hiss of pain. 
“You’re quiet,” he murmurs. “This the end of it?” He doesn’t pull out. There’s no room for breath, no reprieve. He stays right where he is and humps against you like an animal, a buck mounting a doe; in, in, in, deeper than before. You learn new agonies; what it feels like to split in two. Your thighs sting, legs spread too far apart. Cold, misty air chills the sweat on your skin. The dampened heat feels like sickness. He’s like a fire inside of you, licking pain across your muscles.
And then out. You’d collapse but there’s no further to fall. The hunter gets a grip on your hair again and tugs your head back at a painful angle. He makes you look at him above you. He makes you see just what you’ve done to him, the flush of his cheeks, the heat in his eyes. “If you’re done, you’re done. No shame in that,” he says. The words are gentle, soft like flannel. You’d like that, you think. You’d like to be done. 
In—and out. Harder than before. Faster. He wrenches a sob up from your belly, a sound you didn’t even know you could make. 
“We done, then?” he asks. In—and out. You feel the slap of his hips into you as much as you hear them. He’s so deep. It doesn’t feel real. It feels like a nightmare with impossible tortures, like his hands are in your guts. Like he’s clutching them, squeezing until they burst. Like he’s going to fuck them out of you, make room for nothing but himself inside. “Are we done?” he asks, and there’s a knife pressing against your throat. You cry out. You don’t recognize your own voice. That could’ve been a rabbit. A bird. Some little scared thing in the bushes. He grips your hair harder, pulling some out at the roots. He doesn’t hold the knife steady, too focused on the in, the out, the hot, clinging embrace of your insides dragging along his cock. Steel bites your skin. Your blood is hot as it slides down your chest, into your clothes.
“No,” you say, or try to. It’s more of a noise than a word, a pitiful whine that squeezes between your teeth. In and out, faster and worse and too deep, too much, like a hot knife and you can’t stop it, can’t do anything but writhe on it when he stabs it in. Your chest aches. Your lungs burn. Your throat is raw and you bit your tongue and there’s blood sliding down your throat. You writhe, desperate, helpless, hurting, but not done, a coyote that has decided the leg in the trap must go. “No. No! No!” you scream. The hunter moans on top of you. His grip around the knife goes slack and your fingers are weak, frostbitten and clumsy, but you wrap them around that bone white handle as tight as you can. 
In goes the knife, sinking hard through heavy fabric, skin and muscle. Through the leg, maybe the thigh, you don’t know, can’t see. It’s a blind, panicked stab that makes him shout. You’re shocked to hear that sound. Human. That’s what a human sounds like. Wordless, recognizable anger. The pain, the suddenness, it makes him clumsy. He’s slow to react. He shifts, tries to move the weight off of his injured leg, and you slip out from under him. You feel his fingertips graze your ankle but too slow, scraping down your pant leg.
On your knees and then back down, legs quaking, too weak to lift yourself but you can’t be, can’t let yourself be, on one foot and then the other, stumbling, shoving blindly against the hands that reach and claw for you. You have the knife and you swing blindly, catch something, tear and shred through it. You scream until you can’t anymore. Everything blurs, a rush of noise, movement, pain, and it’s seconds, just seconds, the most important seconds of your life, limping and staggering, throwing yourself away from him, anything to get away. You run, can’t believe it, run and nothing stops you. Your shoes slip over wet leaves and you’re on all fours, pushing yourself up the hill, away, uncaged.
You stop, just once, emboldened by freedom. You look back. You see the hunter leaning against a tree, chest heaving, eyes wide, red leaking between his fingers where he pressed his hand to the spreading stain in his side, but what does he see? You—animal. Blooded and bitten. Disheveled, mangy, furious. Your breath comes out hoarse and seething. You have to go. Have to hide. Rest. Lick your wounds. You study each other, hunter and hunted. You feel the balance shift. He looks vicious, teeth bared. His eyes are on the knife in your hand with heat and wanting.
You limp away, into the woods. If he wants it, you think, licking his blood off the blade—then he’ll have to come and get it.
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ivan-fyodorovich-k · 1 year
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There’s a nonzero chance the liberal order will collapse and in no small part because young people hate it so much
It has been a victim of its own success; because it beat out the alternatives it is no longer possible meaningfully to internalize what was wrong with the alternatives, which now benefit from the idealization that comes with ignorance
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hydropyro · 4 months
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This is the funniest fucking thing I’ve ever seen. I’m howling
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maidmythics · 8 months
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thinking about the line “if i relaxed my body now, i’d fall apart. i’ve always lived like this, & it’s the only way i know how to go on living. if i relaxed for a second, i’d never find my way back. i’d go to pieces, & the pieces would be blown away.” & remilia tonight .
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voluptuarian · 8 months
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I'm getting through a reading for class, and currently on the re-titling/re-naming craze during the French Revolution and found this
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Imagine your parents come up to you one day and tell you your name is Brutus now. And you know you're not even named for a halfway cool Brutus, no, your parents are naming you after somebody they admire for not giving a shit his about sons dying.
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pipskippy · 6 months
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in hxh when gon said "killua, you have it easy...since it means nothing to you" and when antigone said to her sister ismene "you will not die, not with me you won't. you had nothing to do with this" amnd in code ge ass when suzaku said to lelouch "nothing that happens now is any of your concern! your very existence is a mistake! you need to be erased from this earth!" collecting many such phrases
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ramblebrambleamble · 9 months
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Why does Elynas haunt his bones?
Why does Durin's heart still beat?
What is the knowledge (we must atone)
That sends gods to their knees?
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