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themonkeycabal · 3 years

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The Falcon and the Winter Soldier ep 2

Spoilers!

Last week Bucky was a terrible patient and his new BFF is the father of a guy he killed while he was the Winter Soldier (so super healthy), Sam gave up Cap's shield and returned home to try to help salvage the family business (that went poorly), and some — I guess he must be from the Defense Department — dick made a big speech about needing heroes and he gave the shield to some goober (John Walker, but he'll always be Goober to me) in a Cap suit who strongly reminded me of Langly from the Lone Gunmen. (I'm not familiar with the actor, so I don't know what he actually looks like, but the helmet and the camera angle did him no favors at all, I'm just saying. Super punchable.)

Oh, and Sam has an adorable little minion named Lt. Torres who is getting himself into trouble with some weirdass terrorist group who like to slap red handprints on everything.

Zemo's out there lurking, too, but we haven't seen him yet.

I'm still slightly dazed that this show is real and we get to watch it.

Ep2: The Star-Spangled Man

Weird slow-mo opening shot of a close up of somebody unzipping their jacket. I mean. Okay. (Ohhh, it's the garment bag the Cap suit is in.)

And then we're on to Goober, he's wearing BDUs and he's in a football locker room (maybe high school?), fondling the lockers. He peels a name sticker off one, and underneath it says JW 10. A woman comes in and asks if he's reliving his glory days. They yada yada I don't care.

Now I guess they're talking about him becoming Captain America. "Everybody in the world expects me to be … something. And I don't want to fail them." She tells him to be himself and that they're gonna love him. Well, I've already decided he's a goober. I mean, he might not be, but he's got a hill to climb with me.

He spends a few seconds trying out his Captain America voice, then his buddy Hoskins comes in to talk him through it and give us some exposition. "Two weeks ago we were prepping for a special ops mission to Chile and now this."

Goober whines about how it's been handshakes and meetings and senators and whatnot and he just wants to get to it. But his buddy is all, that's part of the job man. Gotta glad-hand, too. You big baby (he doesn't say that part).

"You can't just punch your way out of problems anymore." Well, I mean, I think that was Steve's MO, mostly. That and 'hit it with the shield until it stops moving'.

Nu Cap is making a big showy thing at a rally at his old high school (Custer's Grove HS, GA) stadium for Good Morning America. He's still looking punchable in that helmet. But, they do bring out a kicking marching band, so there's that. It's a boring GMA interview. I don't care.

"John Walker, first person in American history to receive three Medals of Honor. Ran RS-One missions in counter-terrorism and hostage rescue. The government did a study of your body at MIT and you tested off the charts in every measurable category — speed, endurance, intelligence." (I legit laughed out loud. Lookit Captain Gary Stu over here)

Blah blah super humble yada yada. Just wants to make people feel safe, he has sooooo much respect for Steve Rogers, yada. Look, he could be a great guy and maybe I'll warm to him. But not yet!

Back in Brooklyn, Bucky's watching this and his face is all "No! No? What the shit is this? NO! NO? WHU NO?! No." Also, Bucky, I know you have a couch, why are you sitting on the floor? Love yourself just a little bit, dude.

In Louisiana Sam is in an Air Force hanger, staring at a garish 'Cap is Back' poster and looking a little queasy. Rhodey told you, subtly and not really directly, to not give up the shield, buddy. I hope when Bucky gets there the first thing he says is "He gave the shield to *you*, dummy. Not Captain Gary Poppins over there."

Torres says Nu Cap seems like a good guy. Sam's like, uh-huh, sure, so anyway. There's another "cap is back" poster and Sam's like 'ugh'. And they're off to Munich. I guess for the Flag Bros. Hey! There's Bucky! Finally, they're in the same scene. It's been nearly sixty minutes of screen time to get to this moment, Marvel. No, I wasn't counting.

"Shouldn't have given up the shield." lol. Hi Bucky! You forgot to call him a dummy.

Sam's like I haven't got time for this. And Bucky points to the umpteenth Cap is Back poster (seriously? Good lord.) "You didn't know that was going to happen?"

Sam did not know that was going to happen. "You think it didn't break my heart to see them march him out there and call him the new Captain America?"

Bucky will not let this go. "You had no right to give up the shield, Sam." You tell him!

But, Sam's kind of not in the mood. Look, I get it Sam, you didn't feel equal to the shield, but Steve gave it to you because he knows, my dude. Trust him. Come on.

But, he's feeling very raw about this, right now. "This is what you're not gonna do. You're not gonna come here in your overextended life and tell me about my rights." Well, ouch.

He says he's got bigger things to worry about, but that seems unpossible to Bucky "What could be bigger than this?" Terrorist douchebags wearing funny masks in Eastern and Central Europe. Well, fine, Sam; be all puts-things-in-perspective guy.

Redwing traced the far-too-strong maybe leader to a place in Munich. For some reason Bucky does not have good feelings about Redwing. Uh-oh, Bucky, you're going to extra hurt Sam's feelings.

Oh lol, it's the "Big Three" convo. "What big three?" "Androids, aliens, and wizards." Still funny. Sam's so proud of himself.

"I'm coming with you." "No, you're not." Bucky went with him.

Did they glare at each other the whole way to Munich? lol. I love this show so much already.

"Enjoy the ride, Buck." "No, you can't call me that." "Why not? That's what Steve called you." "Steve knew me longer. And Steve had a plan." lol, Steve Rogers never had a plan a day in his life.

Bucky wants a chute, but Torres who wisely stayed out of all of that, is like we're way too low for a chute. "I don't need it anyway." Then Bucky drama school bitch rips off the left sleeve of his jacket and jumps out while yelling like the dumbass he is. And he hits every branch of the dumbass tree on his way to the ground.

"I have all of that on camera, you know that right?" And Redwing zooms by to hovers over Bucky. So, maybe it's not a mystery why he doesn't like Redwing. lol.

Bucky and Sam meet up at a dilapidated warehouse in the middle of the forest. Only good things ever happen in dilapidated warehouses in forests. Like extra shady weapons smuggling. Bucky's gonna stalk after them. Sam messes with him a bit.

"Look at you all stealthy. A little time in Wakanda and you come out White Panther." lol. ilu Sam. "It's actually White Wolf." "Huh?" heh. What he won’t tell you, Sam, is that he earned the name from the kids near his goat farm who liked to spy on and giggle at the grumpy growly white guy.

"Hello. How are you?" "Great. What did I miss?" They're a delightful disaster! And they bicker and bicker and ahh, finally.

Also the people they're stalking are hella strong. And then these two idiots knock into an old bit of metal and make some noise. The shady people stop for a mo' but then move on. Sam scans one of the trucks the shady folks were loading (there are two), there's a figure sitting in the back. "There's an eighth person. I think they have a hostage." And Bucky zooms off! And Sam after him.

Bucky jumps onto the lead truck and then just like wanders around inside. I'm pretty sure the truck behind you noticed you, dummy. Anyway, it's loaded with crates marked "keep frozen." "They're stealing medicine. Vaccines." Those utter bastards. He spots a girl peeking out between containers. "Hi." lol, idiot.

He thinks it's the hostage, but I'm waiting for her to kick his butt out the door. She's not, you know, tied up in anyway. So … Also, again, does the second truck not have a radio to the first truck? Like was the driver texting while Bucky climbed up the back of the truck right in front of him? Now he's strangely incurious about the open door?

And, then she smiles at him and kicks him out the door, he hits the windshield of the second truck (maybe they've finally noticed you, Bucky!) and she puts on a mask with a red handprint. As you do. Two guys on the roof of truck 2, pull Bucky up ready to beat him silly.

Super strong girl, jumps over to truck two and punches Bucky some more. The Redwing zooms over and she jumps up, grabs it, and smashes it over her knee.

"I always wanted to do that," Bucky says, sad he didn't get the chance.

Sam shows up, there are more guys on the roof of the other truck. And there's fighting and fighting and then Sam is pinned down and the bad guy gets plonked with the shield and here comes Captain Poppins dropping down out of a helicopter. What timing. The CGI and green screen for this whole sequence are pretty dire. I'm sorry but it's true.

Captain Poppins is joined by his buddy Hoskins. "Sam. John Walker, Captain America." They know who you are, goober. Though, pausing to introduce yourself in the middle of the fight is a very Steve Rogers move, so points for that, Goober.

Lol, the look on Bucky's face when he catches the shield and Goober takes it from him. He's like 'rule two, rule two, rule two, remember rule two.'

Lots of fighting lots of fighting. Bucky is knocked off the side of the truck, he digs in and sort of zippers down the side, and then hangs off the bottom, his head inches from a tire, clinging to the underside by his vibranium arm. A bad guy stomps on it. Um, it's vibranium, guy. Like … though, somehow it works? and Bucky's arm sort of flops onto the road, sending up sparks. Sam does a neat little move, flies under the two trucks, grabbing Bucky as he goes, and knocking them both free. None of that worked out particularly well, guys.

"Could have used that shield," Bucky says helpfully. lol. "Those were all super soldiers, Sam." Well, bummer.

Back on the trucks, I think Hoskins is in trouble. Cap Goober is pulling himself back up. Hoskins is thrown from the truck, but Cap Goober tosses the shield and Hoskins lands on that. Now Goober squares off against super soldier chick. He does not fare well. And he's thrown from the truck to land on the windshield of a following car. You know, if I'm driving down the road and I see people fighting on a pair of big rigs, I don't follow close. You know what I'm saying? I maybe pull over and let them get way far away from me. Anyway, sorry for your body damage.

Bucky and Sam walk along the road, a pair of sad sad heroes who did not have a plan.

"I'm sorry about Redwing." "No, you're not."

Cap Goober turns up in a sorry looking vehicle of some sort. "So that didn't go as planned." Bucky and Sam keep walking. lol

So Goober's vehicle keeps pace with the disaster duo. "We're pretty sure it's one of the Big Three."

Bucky: "THERE'S NO SUCH THING AS WIZARDS!" That's his hill, he'll die on it.

Since it's super soldiers, and that's bad news, Cap Goober thinks they should work together. Sam's quiet but not thrilled. Bucky is not quiet. "Just 'cause you carry that shield, it doesn't mean you're Captain America."

Cap Goober has apparently jumped on a grenade 4 times. "It's a thing I do with my helmet. It's reinforced." Okay, I laughed.

He persuades them to ride with him, because it's like 20 miles to the airport. It's probably for the best, since I'm pretty sure they might try to strangle each other in five.

"They (Flag Haters Anonymous) say their mission is to get things back to the way they were during the blip." This group's goals are so hazy and weird.

oh, lol. Sam wanted to know how they tracked the Flag Smashers, and Hoskins is like, um, actually, we tracked redwing. "It's not exactly hacking," Captain Goober explains, "it's government property. We're kind of the government." Not winning any points, Goober.

Bucky's just glaring at him. "Does he always just stare like that?" lol

We get a bit of exposition about a group called the GRC, the Global Repatriation Council, which is tasked with helping the previously blipped reintegrate. Sam's like, okay, and? Hoskins explains "they provide the resources, and we keep things stable." The GRC sounds even more make believe than super soldiers, to be honest. But, whatever. Not here to analyze the bizarre and unlikely geopolitics of the MCU. Cap Goober makes a pitch for Sam and Bucky to sign up but Bucky is very firm about his "No".

Hoskins insists he has mad respect for them, but they were getting their asses kicked until he and goober showed up. Um, Hoskins, my dude, you also got your ass kicked.

Bucky stares for a second. "Who are you?" "Lamar Hoskins." Sam insists he needs more than that. "I'm Battlestar. John's partner."

Bucky says Mm hmm. Stop the car. And he's gone.

Cap Goober gives a pitch to Sam about how he's not trying to be Steve, or replace him, he's just trying to do his best and be the best Captain America he can, and it'd be great to have Cap's 'wingmen' on his side. I sense sincerity, but you're still punchable, goober. And Sam isn't buying it either. He shakes his head and laughs bitterly, "It's always that last line." He hops out and follows Bucky.

Elsewhere, the super terrorists have reached a safe house with a way too chatty dude who is trying to make them at home in his dicey looking shopfront. He rattles on about how they're becoming legends and the people love them because they're pushing back! Against … the GRC? I guess?

Super soldier girl (Karli) gets a hate text. "You took what is mine. I'm going to find you and kill you." Well, sleep tight, sister!

One of the other guys has already logged into a computer system and he starts hacking and wiping their info off the internets and interpol, I guess.

"Six months ago would you have imagined people supporting a cause like this?" I'm still very unclear on what your cause is.

Maybe I'm overthinking the silly superhero universe, but I can't imagine the blip world was wonderful. You're missing half the people. So half of everybody who'd do various jobs. So half of the knowledge base of humanity on earth. Half of the experience base of humanity on earth. Half of the farmers, half of the engineers, half of the doctors, half of the people who maintain any system you can imagine, half of the people who build those systems, half of the teachers, half of the factory workers, half of the grandparents who pass down stories and community knowledge, half of the animals, half of the fish, half of the insects and so half of the plants. Ecosystems could easily collapse. Certainly infrastructure did, with half of the people needed to maintain it gone. Cities would have started to crumble, since half of the sources of goods, food, and services were gone. (we did have something of a real-world equivalent in Europe during the Black Death. Things were not nice for quite a long while after the worst years of the plague.)

I'm sure there would be areas that did better than others. But, half of any government gone, half of any police, half of any military. There would be power vacuums and probably shitheads to fill them. I don't see any particular utopia in a blip-ified world.

And that's not even taking into account the psychological damage to all the unblipped. The pure existential horror of half of everything suddenly gone.

But, that aside. I like genuinely do not know what they're trying to achieve.

"We're not playing no more," announces Karli. "We can't let the same assholes who were put back in power after the Blip win." Literally do not know what that means. "The GRC care more about the people who came back than the ones who never left." I mean … isn't that literally what they're for? "We got a glimpse of how things could be." Chaotic and apocalyptic? In fairness, I guess if you could carve out your own thing in that, and maybe it could even be good, then you'd be bitter if everybody came back all of a sudden and messed that up. I'm sure the power struggles are real.

"One world! One people!" Okaly-dokaly. Fascinated to see how you eight will achieve that.

Bucky's brooding on a plane, Sam's trying to sleep but the brooding is too much to ignore.

"You alright?" "Let's take the shield, Sam. Let's take the shield and do this ourselves." He's using his almost scary Winter Soldier voice. And staring into the void. Sam, call his doctor. She needs to remind him of rules one and two. "We can't just run up on a man, beat him up, and take it." Good point, Sam. For real, call Bucky's doctor. He's going to the scary illegal place.

"Do you remember what happened the last time we stole it?" "Maybe." lol such a petulant little grumpus you are, Bucky. "I'll help you in case you forgot. Sharon was branded an enemy of the state and Steve and I were on the run for two years." Not everybody was lucky enough to have a goat farm during all that, Bucky. That's what the man's saying.

"We just got our ass handed to us by super soldiers and we got nothing." "That's not entirely true," Bucky says mysteriously. And he jumps down off his brooding crate to go sit next to Sam. "There is someone that you should meet."

Baltimore, Maryland

Sam has a cute aside with a neighborhood kid, then Bucky leads him up to a house that has seen better days. Somebody answers the door and Bucky says they're there to see Isaiah. But, the young guy who answers the door insists there's no Isaiah there. He's not very welcoming. Bucky says "tell him the guy from the bar in Goyang is here." The things you got up to, Bucky. I do wonder. "We had a skirmish during the Korean war." oh, lol. I mean, I'm sure it's a horrible story, but lol, Bucky you disaster.

Oh hey, Carl Lumbly! Gosh, I haven't seen him in an age. I almost didn't recognize him.

"He was a hero. One of the ones that Hydra feared the most. Like Steve. We met in '51." "If by met, you mean I whupped your ass, then, yeah." lol

Isaiah says he took part of Bucky's arm in Goyang and he just wanted to see if it grew back. And if Bucky was there to kill him. Bucky says he's not a killer anymore.

"You think you can wake up one day and decide who you wanna be?" Well, sure. "It doesn't work like that." Oh, but it must, or else what's the point? Isaiah has a lot of reasons to be bitter, though.

"Isaiah, the reason we're here, is because there's more of you and me out there. And we need to know how."

This does not please Isaiah, who doesn't want to talk and throws a can of sardines (or something, I don't know what that was) through the wall. Old but still super solidery.

"You know what they did to me for being a hero? They put my ass in jail for 30 years." Um, wow. "People running tests, taking my blood, coming into my cell. Even your people weren't done with me." Well, that's deeply uncool. He very much wants his unwelcome guests to GFO, and I can't say I blame him.

Sam is super pissed once they get out onto the street. "Why didn't you tell me about Isaiah?" Bucky doesn't answer. "I asked you a question, Bucky." Yikes.

And no, Steve never knew, because Bucky never told him. "So you're telling me there was a black super soldier decades ago and nobody knew about it?" I guess so.

And we're interrupted by a bizarre random encounter with presumably racist cops. They stop them in the street, get weird about asking for ID, and then ask Bucky, "is this guy bothering you?" And Bucky's like what in the actual fuck, he looks like a high school chem teacher and I look like the muscle for a loan shark, "no he's not bothering me. Do you know who he is?" Oh to be the Winter Soldier again for just a moment, eh? Anyway, one of the dipshits recognizes Sam and they get all dipshitty apologetic. "oh, Mr. Wilson, we're so sorry."

Oh, lol, they're going to arrest Bucky. There's a warrant out for him, because he missed his therapy session. I told somebody to call his therapist! I want to know which of those dipshits ran Sam and Bucky for wants. Because that’s not automatic or some shit, somebody’s got to call it in.

Sam's like 'well that took a weird turn.'

Sam and Dr Raynor meet at whatever facility they’re holding Bucky. "Thanks for getting him out." "That was not me," the doctor assures him. Nope, it was Captain Goober, who greets the doctor with a wave. "Christina! It's great to see you again." lol. And Sam's day gets worse.

"I heard you were working with Bucky and thought I'd step in. Bucky's not going to be working on a strict schedule any longer."

She's like, uh what? Says who? And he points at himself. okay, again, lol. Though, it’s weird to me how he insists on calling Bucky ‘Bucky’, like they’re buddies. They’re not buddies. Bucky's going to punch him in the face.

"He's too valuable an asset to have him tied up. So just do whatever you've got to do with him, then send him off to me." Will Bucky turn around and go right back into his holding cell?

Dr's not going to let him. "James, condition of your release, session now. You too, Sam." "That's okay. I'll be out here with…" "That wasn't a request." Poor Sam. He has had THE WORST DAY.

I love Bucky slouching against the sergeant's desk all surly, like a 16 year old who got busted for boosting his grandmother's car.

Dr Raynor settles them all in what I assume is an interrogation room. She tells Bucky she just wants to help him get over whatever is eating at him. I guess she figures Sam could help with that, too?

"We're going to do an exercise. It's something I use with couples when they are trying to figure out what kind of life they want to build together." lol. but of course. a million fic writers deliriously rush to their keyboards.

"Are you familiar with the miracle question?" "Absolutely not." "Of course not." heh "Okay, it goes like this. Suppose that while you're sleeping, a miracle occurs. When you wake up, what is something that you would like to see that would make your life better?"

Bucky says his miracle would be Sam talking less. Sam says that's what he was going to say. Dr Raynor is writing fic of her own. "You guys are leaving me no choice. It's time for the soul-gazing exercise." This is the weirdest therapy session ever.

Bucky is very on board. Sam's like 'what have you done? staring? that's his thing!'

"Let's do it. Let's stare. This is a good exercise. Thanks, doc." Bucky, you little asshole. lol

How many takes to do this scene? I can tell they're trying not to laugh. "Take 57. It's 1:30 am, guys. Please, can we get it this time?"

"Wait, what are you doing? Are you having a staring contest?" What about these two men's attitudes walking into the room suggested they were going to be at all mature about this, Doc?

"James, why does Sam aggravate you? And don't say something childish." She knows you too well, Buck.

Oh, Bucky. He wants to know why Sam gave up the shield, because Steve believed in him, gave him the shield for a reason. But, maybe Steve was wrong about Sam and if he was wrong about Sam, then he was wrong about Bucky.

Sam, has his reasons. He says maybe Bucky and Steve can't understand, but he wants to know if Bucky can accept that he did what he thought was right. Poor Sam.

And Sam's had enough. He says they've got bigger shit going on and he'll put whatever this issue is aside for now, and they'll go take care of that, and then he and Bucky can never see each other again. "Thanks doc, for making it weird. I feel much better."

She's like, well shit.

Bucky leaves as well, but she stops him. "I know that look. What's wrong?" "What was rule two again?" "Don't hurt anyone." "Goodbye, doc."

I think maybe she miscalculated a tiny bit.

"I feel better," Sam grumbles. "I feel awful," Bucky sighs.

And down the street Captain Goober and Hoskins starts chirping a police siren at them and they wave them over. "Gentlemen!" I really want Bucky to punch him just once.

Goober wants them to join forces. They're tracking Karli through various displaced communities in Europe. She's the flag stompers leader, I guess? She's like … 16. DOUBT.

Anyway, she's do-goodering by stealing medicine and taking it to the displaced camps. I'm confused. So, post-blip, people who'd not blipped are now suddenly being displaced? I thought the displaced where the blipped trying to reintegrate. But, she was mad at the GRC for only caring about the blipped not the unblipped (which, again is the GRC's raison d'être, so yes?). I feel like I'm missing something.

Bucky snarks at Goober a bit. He's not a fan at all. "Things are really intense for you, aren't they, Walker?"

Sam's like okay, let's all simmer down. "It is imperative that we find them and stop them." But, also, though, he and Bucky are free agents, so they're more flexible than mister "i'm the government" over there.

Captain Goober doesn't care for that. "Word of advice, then. Stay the hell out of my way." Don't push your luck, goober.

Bratislava, Slovakia

Flag Stompers loading a small plane. Uh oh, they've been found out! Karli asks how much time they have. "None. It's the Power Broker's men." The Power Broker. See, that's the kind of jackassery you get in a Blip scenario. That's what I'm talking about. Did you steal super soldier serum from this guy, Karli? Hmmm? One noble Flag Stomper offers to stay behind and hold them off while they make their escape, for One World! One People! Dream big, kid.

He knocks down a power pole to block the road but then he runs at the badder guys? And gets himself shot a zillionty times. I … he'd already blocked the road? Why not just … you know what? Never mind.

Back to Bucky and Sam and Bucky with an idea that might just be worse than the self-sacrificing Flag Stomper's run-at-the-badder-guys-for-great-justice idea. He suggests that perhaps somebody who knows all of Hydra's secrets can give them the answers they need.

"So you're just going to go sit in a room with this guy?" "Ye-… yes," Bucky says, absolutely oozing with confidence.

Off to see Zemo! I'm sure that will go terribly! Can't wait!

And Credits!

Not gonna lie. I'm not sure how I feel about this episode. It felt a little disjointed.

I don't get the Flag Munchers, but I'm thinking they're just a red herring. Because they're basically utopian idealist twelve-year olds with nice but vague goals and vague iffy means to achieve those goals. I don't feel they're a whole lot more than some misguided kids who grew up in a blipped world and change is difficult and scary (and I’m sure it’s probably managed poorly. I can’t think of anything less efficient than a global council for anything. you could have a global council for dirt and it would be a bureaucratic nightmare). And they probably stole super soldier serum from somebody way scarier. Dummies. I think they're going to need to be rescued at some point. Probably soonish.

As for that other guy. There's moments where I like John Walker a little bit, and moments where I find him really aggravating. I get they want to make him the super-duper bestest perfectest hero, or that’s why he was chosen by the DoD or whatever, but part of Steve's charm was he wasn't perfect. He wasn't Captain America because he won a million awards, he was Cap because he had a good heart. That's the point. THAT'S WHY YOU SHOULD BE CAP, SAM!

Also, I don't like hard feelings between Sam and Bucky. Though, nothing about their history would suggest an easy friendship (one time Sam was driving in his car and Bucky ripped the damn steering wheel out), so that's not a complaint, it just makes me sad. They really only have a connection because of Steve and he's gone. Be friends, guys!

And finally, when will Sharon Carter return from being an enemy of the state?

#tfatws #tfatws spoilers #the falcon and the winter soldier #the falcon and the winter soldier spoilers #tfatws liveblog

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patrick-hockstutter · 4 years

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Modern!Bowers Gang:

Patrick:

Really into cinematography and photography of the unsettling

Never captions his Instagram posts

Goes live on Instagram a lot, even though people really wished he wouldn’t

Makes art out of dead animals or animal bones he finds

Think Banksy, but with roadkill

He’ll take some (somehow) tasteful photos of them, post them, then leave the scene there for some unexpecting bystander to find

Has a nosering (fight me)

Never uses incognito mode

If someone happens to stumble upon his search history, he’s not paying their therapy bill

He likes reading smut more than he likes watching porn

A ps4 guy

Loves spooky games like Resident Evil, Silent Hill, Until Dawn and Death Stranding

He’s not really into school, but he surprisingly reads a lot when he’s alone in his room

Only about things he likes though

Abnormal psych, criminal psych, and sometimes some zoology (u kno y)

Watches serial killer documentaries like he’s paid to

Listens to grunge, nu metal, and 80s alt

Won’t admit it, but sometimes listens to Joji

He’s not super into emo music, but he’s the only one who will listen to it with Victor (he fckn vibes to Brand New)

Ironically uses a Zune

Has an Android but lowkey wishes he had an iPhone

Doesn’t have a computer, just jailbreaks/hacks the school issued laptop

Has a black line tattooed around some of his fingers, one of his wrists, and the shell of his ear

Has a foot tattoo

Has a fucking Juul

Watches LeafyIsHere on YouTube (tell me I’m wrong)

Spends too much time on Reddit

Wears flannels, skinny jeans, and Vans (a beanie if he’s cold)

Mostly cycles through the same three or four outfits

Wears the same pair of Vans every single day

Victor:

Big into aromatherapy

He uses lavender soaps and has an essential oil diffuser in his room

Uses incognito mode to watch Vampire Diaries

A Nintendo ass b i t c h

He has the gray Switch Lite

He brings his Switch with him everywhere (yes he’s that guy)

But what else are you gonna do when you wanna ignore Patrick?

Watches conspiracy theories about ghosts, cryptids, and aliens

Also big into podcasts (mostly true crime and conspiracy ones)

He listens to them on his headphones while he takes walks or draws

Posts his drawings on Tumblr

Does art streams on Twitch when he gets really bored

Has an eyebrow piercing (but it’s a small stud one, not a ring)

Has little tattoos on his hands

Wears bomber jackets, skinny jeans, joggers, army jackets, converse, and combat boots

The boy has style okay

Had an emo phase but still listens to the music (especially Tiny Moving Parts)

The emo phase was pretty short because Henry made fun of him so much

He just fucking liked MCR and Taking Back Sunday a lot, okay?

And Pierce The Veil and Sleeping With Sirens, but he doesn’t readily admit that

Now mostly listens to new wave, synth pop, and lofi hiphop

His favorite bands are Drab Majesty and Choir Boy (look up their new album btw)

Has a black iPhone and a space gray MacBook Pro

Uses Apple Music

Vapes, but only fruity flavors

Watches BoJack Horseman

Doesn’t really eat fast food but never passes up an M&M McFlurry

Paints his (and Patrick’s) nails black

One time Patrick caught him doing a facemask, so Patrick put one on and started chasing him around screaming as a joke

Cue: hmm… this feels kinda good tho

So now Victor and Patrick have secret mini spa days

Drives a Subaru

Belch:

Makes Spotify playlists like he’s paid to

He’s just really good at putting songs together

He tried to get into music theory, but he wasn’t one for actually making his own songs

Really into metal (obvi) but also likes some classic rock and punk stuff

Has records hung up side by side all around his room where the wall meets the ceiling

Still buys CDs

His Instagram feed is full of vintage cars and custom import cars

Fast and Furious is his favorite movie series

His favorite shows are Sons of Anarchy and The Walking Dead

But he also loves early 2000s comedies

Has a mini projector to watch movies on his room wall

Wears band tees, flannels, jean jackets, Carhartt stuff, d a d h a t s

Really wants a tattoo but always gets nervous

Uses incognito mode to watch porn and buy some of his band tees from Hot Topic

Only one in the gang that uses Facebook (Mama Huggins made him so he could keep in contact with family)

Follows a few meme pages but also some cooking ones so he can send his mom any cool recipes he finds

Victor lowkey makes fun of him for actually using the Facebook page

Invests money in really good headphones and car speakers

Has a black iPhone

It’s always at 20% battery cause it’s always connected to his headphones, Bluetooth speaker, or car stereo

Him and Victor FaceTime when they’re bored

Sometimes they won’t even say much, they just like the over the phone company

Doesn’t smoke, but sometimes hits Vic’s vape

A social vaper if you will

Watches Idubbbz and Filthy Frank on YouTube

His favorite fast food place is Wendy’s

Not really into video games but fucking slays at Guitar Hero

And when Rock Band came out nobody saw him for like two weeks

Has a black Hydroflask with band stickers on it

Henry:

He plays a lot of Xbox

Mostly Halo, COD, Destiny, any first-person shooter really

Baits people on Xbox Live cause he thinks it’s hilarious

He’s also a fucking cyberbully but we all expected that

Has Victor’s old iPhone

Never fucking charges it

He’ll text you back in 3-5 business days (if at all)

And if you try to call him he’ll block your number

Plays iMessage games like cup pong and 8 ball with Belch

The only social media he uses is Snapchat and Tinder to look at girls

In one of his Tinder photos he’s holding a fish (srrynotsrry)

Doesn’t really listen to too much music

He doesn’t dislike music, just usually prefers to do things in silence

His mind is chaotic enough, he doesn’t need background noise

But he will listen to Cigarettes After Sex and TV Girl on a really low volume when he goes to sleep

Uses incognito mode to pick and choose random soft or angsty songs that he likes to put into a bedtime playlist

Otherwise just listens to whatever Belch listens to

Has a tattoo on his wrist

Takes a lot of drives into the countryside/national forests/mountains with Belch

Takes a lot of scenery photos, but never posts them anywhere or shows anyone except Victor

Still smokes cigarettes (he thinks vaping is douchey)

Watches South Park and American Dad

If he’s willing to spend money to go see a movie, he’s going to an IMAX theater

Sometimes he likes 3D, but most of the time it just hurts his eyes after a while

Longboards everywhere

Needs prescription glasses but refuses to wear them

They’re mostly for reading, which he doesn’t do anyway

But he does listen to audiobooks sometimes

Likes Frappuccinos but will kill you before you find out

He orders them through Uber Eats under a fake name so nobody will find out

BONUS: all four!

Victor still has his childhood GameCube that they play Mario Party, Mario Kart, and Melee on

Henry is banned from playing Mario Party after breaking a controller while beating Patrick with it

Patrick only ever picks Waluigi in Mario Kart and everyone is sick of it

When they play Rock Band Patrick is on bass, Henry plays guitar, Belch absolutely slays the drums, and Vicky boy sings his lil heart out

One night a week they order a shit ton of Dominos and make a drinking game out of watching Vine compilations

Victor does everyone’s birth charts

They collectively made a fake Tinder account on Patrick’s phone and catfish guys with it

They all try to one up each other doing vape tricks yikes

They buy bags of chips and candy from Costco and lounge around eating them on weekends

They’re banned from the city metro busses because Belch’s car was in the shop for a week and that week was hell for every bus driver in the city

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inhibited-irregularity · 3 years

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EUROVISION 2021, personal favorites:

- Russia 🇷🇺

Manizha, Russian Woman: Absolute favorite. The sheer originality of the song! Her energy and the level of absolute badassery! She can sing, she can rap,and she's a bomb of energy. The way reggae and brass and hiphop and Slavic melodies overlap and it somehow works, the transitions between fun and "I'm bitter about the sexism and I'm mocking it unapologetically and making a stand" and the anthemic, emphatic and powerful message to Russian women; I was swelling with emotion while watching her. While to an American or a Westerner it may seem like performative feminism, I'm gonna remind you that in Russia and other Slavic countries that's very much not a thing and actually a very unpopular stand to make, and in Russia, The Balkans, and Eastern Europe in general, hundreds of women face domestic and sexual abuse on the daily, and those who do come forward rarely get support and are mostly dismissed. Let's not forget that Manizha got a huge backlash from the Russian government officials, and a big part of it was for her Tajik roots. The honesty of her message is real, and she's speaking from personal experience and the experience of women around her - nothing performative about her song, and you can tell from her delivery that the fire within her is true and she leaves her heart on the stage and pours it into the song. The staging and costumes are great as well, and symbolically well thougt-through. I would really like her to win, or at least get to the top 5. Most of all, I hope her message is heard and felt. 10000/10

- Italy 🇮🇹

Måneskin, Zitti e Buoni: definitely the closest thing to my actual music taste this year, so liking them off the bat wasn't a surprise. However, they're not just your regular Franz-Ferdinand-ish young alt rock band that wants to do rock "properly" - they have IT. The X factor, the Je ne sais quoi. I've been exposed to that particular genre, and I can confidently say that the song still manages to be refreshing and original (that bridge, those riffs!) The band has a great energy and no matter how much Damiano steals the show, they are still a unit and nobody is left in the shadows. They have the spirit of great rock bands of the previous century, and yet they don't try to copy anyone (khm,Greta Van Fleet, khm). Damiano's vocals are both powerful, seductive and provoking, and I'm still admiring the sheer amount of emotion he can pack into a single line and the nuance and yet rawness behind it. I'm not gonna state the obvious lol (the obvious being yes, I'm thirsty as well, he becomes yet another unattainable rockstar for me too,and yes they all look great) Anyway, great song, and maybe the clearest and most serious candidate for the number one spot, taking both the jury and the public into consideration. 10/10

- Iceland 🇮🇸

Daði Freyr and Gagnamagnið, 10 years:

What can I say about this masterpiece that hasn't already been said? A clear fan-favorite (hi, Valentina), but with the guns to back it up. The song is contagious, fun and campy, and unlike some other songs with said qualities, actually good from a musical perspective. Daði is incredibly charismatic and his sense of humor shines through, and even though he's the star of the show, the same can be said about the other band members. The synergy Måneskin has can be applied to Gagnamagnið as well, even though the energy is entirely different. They're serving us fun, sunshine, kitties rainbows sugar spice and everything nice, and manage to do it with zero cringe factor (plus those funky keytars). I'm one of those Eurovision fans that lament the golden age's (2004-2009) campiness (We'll never forget you, Verka), and Daði managed to bring it back, but modernised, polished and still sincere. I personally preferred the epic dad joke that slightly more commercial Think About Thing was (but that's one tough act to follow), but I'm always down for a husband adoring his wife and singing praises to their relationship. Since we're on tumblr, I feel obliged to use the term "cinnamon rolls" in describing Daði and the band. 9.5/10

- France 🇫🇷

Barbara Pravi, Voilà: She brought the theatrics, she brought the drama, and she brought the 101 in "that's how you perform". Her personality leaps through, and her voice is both beautiful and full of emotion and power. I'd hire her to star in a serious and artistic movie. Despite the fact that Voilà is from its melody to the singing style to the video to the vibe and the aesthetic hands down the most French thing I've seen since Amélie (do not come for that movie), it miraculously doesn't come across as a cliché, but rather an homage, and an individualistic one at that. It's not entirely my cup of tea, since I'm usually biased to songs that may come off as snobbish (I mean, the jury is going to lap it up), and are all about being proper and technical and oh how ~artistic~, but Barbara puts the soul into the immaculate. I'm not giving her the highest mark because I'm yet to see the performance, but I'm rooting for her. If she delivers the performance, we might have a clear winner. 9/10

- Ukraine 🇺🇦

Go_A, Shum: I'm a sucker for all things ethnic and mytological, so this was a no-brainer. I want that song played at every party. I want to go to the forest in the video and chant and summon the spring with flute and hard-bass. Kateryna Pavlenko has some unexplainable power over me, and her eyes are simply hypnotizing. The vocals are great, proper Slavic ethno right there (seriously, check out Slavic folklore and traditional music), and she has a subtle punk quality too(?). Ukraine came to save the spring and make us forget about the pandemic, and minus the Maruv fiasco (justice for her!), they always deliver and I expected nothing less. On the other hand, I loved the original version much more and couldn't help but be a bit disappointed with the revamp (yes, I know they had to), and while I personally love Shum, I think some other acts are more deserving of the higher placement. Go_A are not my winner, but definitely soon to be in my playlist. 8/10

- San Marino 🇸🇲

Adrenalina, Senhit ft. Flo Rida: You know that golden age of Eurovision I mentioned? THIS. I'm Serbian, so I can't resist a banger reminiscent of our horrible turbo-folk elements (and I say that endearingly,takes me back to 18th birthday parties (boy I'm glad that's over)). Let's just crown Senhit this year's Queen of Camp. The wild factor of Flo Rida...just?? Amazing. Can't wait to see how the performance goes (EDIT- it went great, I had a grin on my face the entire time and couldn't help but dance along). A certain refreshment after Serhat and Valentina Monetta endless loop. They didn't dial down the weird, but made it catchy af, and the vocal can rival any Balkan folk diva. While I think it's definitely the most entertaining entry this year, it's far from being the most original, and it's not really my genre of preference. Will vote for Senhit and root for her to qualify. 7.5/ 10

- Sweden 🇸🇪

Tusse, A million voices: As I mentioned before, I'm the first person that starts complaining about Sweden Superiority as soon as Eurovision season begins, and I'm with you all with being tired of Sweden qualifying just because they're Sweden and usually just bringing the same brand of MTV/Calvin Harris/American pop, or a successful and not-so-subtle imitation of the performances that did well the previous year,but listen: A million voices is a solid pop song and I'm going to die on that hill. It actually embodies the essence of pop - a catchy, pleasant melody sung by a good vocalist, with a short,sweet and uplifting message. It's not the same as previous years, it's not commercial, just good pop - good pop being something you immediately like and vibe to no matter how many common elements of the genre it checks. It relies on RnB rather than electronic sounds, auto tune or various DJ effects. Tusse is charming and charismatic af, and he's a 19yo kid doing an amazing job on a global stage. You don't have to like it, but there's no need to hate on it (ask Jendrik). Imo, Tusse deserved to qualify. Not winner material yet, but I wish him a fun time and a successful career. 7 5/10

- Switzerland 🇨🇭

G'jons Tears, Tout L'Univers: I saw the video first, and I HATED IT. It came across as a Duncan Lawrence-high-art wannabe, something technically perfect, but empty of soul or meaning, another soft boy with a sad falsetto, another jury-points bait. BUT. I changed my mind entirely after seeing him perform. Hands down, it was touching and epic. Reminding me of Hamlet aside, he DELIVERED, and made me love him, and actually enjoy the song. I still think the song is less original than Tusse's voices, but I enjoy the troubadour vibes of the pre-chours. G'jon is absolutely adorable, and I'm not gonna be mad if he wins. 8/10

shout-outs&honorable mentions:

- Serbia 🇷🇸 Yes, some national bias, but I'm proud of our girls. Ever Since we placed 2nd with Željko's Lane, we had that goddamn flute e v e r y year, and the same outdated scenography with a side of extra pathos (I'm sure that ruined Sanja's chances and her otherwise great performance back in 2016.) Finally something fun and actually representative of the music popular here. They looked flawless and the energy was off the charts. Go, Hurricane!

-Finland 🇫🇮 Yes, cheesy and corny and I cut my finger accidentally from watching the video on all the edge, but I'm biased because they're bringing emo and nu-metal back, and that's the music of my early adolescence (hello, Kaulitz brothers and Andy Biersack,hello Gerard Way and Linkin Park) Call me grandma lol

- Malta 🇲🇹 DESTINY CAN SIIIIIIIIING! I wasn't impressed with the song initially, but the performance blew my mind.

- Ireland 🇮🇪 A for effort, and so nice of her to try and give us something unique! While it wasn't good enough to qualify, it was super fun and she seems so nice. Also, we all know that she was out of breath an can sing much better than that. Still wasn't bad.

- Romania 🇷🇴, for being so young and brave enough to put on a show. The nerves got the better of her, but the song itself is good and no doubt she'll do well in the future

- Lithuania 🇱🇹, thanks for the memeries

- Croatia 🇭🇷, Not my cup of tea, but Albina gave a great performance

-Norway 🇳🇴, for embodying the spirit of Eurovision

- North Macedonia 🇲🇰, for the disco chest

- The UK 🇬🇧, for putting some effort

(Might edit later)

#eurovison #eurovision 2021 #rotterdam #the netherlands #russia #malta #italy #france #iceland #sweden #serbia #esc 2021 #switzerland #san marino #ukraine

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warriorsam · 3 years

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Favorite Albums Of 2020

A bit late but here we go :)

Deftones - Ohms (nu-metal)

Everything In Slow Motion - Influence (post-metal/post-hardcore/rock)

Broeder Dieleman - De Liefde is de Eerste Wet (folk)

Tobe Nwigwe - CINCORIGINALS (hip-hop)

Run the Jewels – RTJ4 (hip-hop)

Respire – Black Line (post-black metal/post-hardcore)

Kloster - Især til de levende (indie folk)

Regal Lily - bedtime story (indie/shoegaze)

Unseen Faith – Evoke (deathcore/metalcore)

156/Silence - Irrational Pull (metalcore/mathcore)

My top 10 more below:

Kids – Lost Cities (alternative pop)

Lecrae – Restoration (hip-hop)

Matt Elliott - Farewell To All We Know (indie)

Envy - The Fallen Crimson (screamo)

Dawnwalker – Ages (post-black metal)

KB – His Glory Alone (hip-hop)

Infant Island – Beneath (screamo)

Lifelong - Above the Waves (post hardcore)

Touche Amore – Lament (post hardcore)

Svalbard – When i Die, Will It Get Better? (post-black metal)

American Arson - A Line in the Sand (punk rock/posthardcore)

Bear – Propaganda (metalcore)

Gawvi – Heathen (hip-hop)

Azusa - Loop of Yesterdays (progressive post hardcore)

Lightworker - Fury by Failure (metalcore)

Sareem Poems & Newselph - The Art of Living (hip-hop)

The Ghost Inside – The Ghost Inside (hardcore)

clipping. - Visions of Bodies Being Burned (alternative hip-hop)

Enter Shikari - Nothing Is True & Everything Is Possible (electronic rock)

Mantric - False Negative (alternative metal)

O’Brother - You and I (rock/postrock)

Loathe - I Let It In And It Took Everything (metalcore)

We Are The City – RIP (alternative pop)

August Burns Red – Guardians (metalcore)

Denison Witmer - American Foursquare (indie/folk)

Fit for a King – The Path (metalcore)

#music #2020 #metal #post-hardcore #metalcore #deathcore #indie #folk #postrock

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alysemeadfad · 3 years

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ₒₗd ₛcₕₒₒₗ

Grandmixer D.ST.

Derek Showard, better known by the stage name GrandMixer DXT, is an American musician, one of the earliest to use turntables as a musical instrument in the 1980s. Renowned for his scratching techniques and his showmanship on stage, such as breaking in to dance or scratching records with other parts of his body other than his hands

Early in his career, he was known as Grand Mixer D.ST, a reference to Delancey Street on the Lower East Side of Manhattan, New York City. He was featured in the influential hip hop film Wild Style.

Widely recognized as a pioneer, Grand Mixer DXT is credited as being the first turntablist. He was the first person to establish the turntable as a fully performable and improvisational musical instrument. Especially important is his technique of altering the pitch of the note or sound on the record.

He is also credited with helping to popularize DJing through his scratching on Herbie Hancock's single "Rockit", from the Bill Laswell and Material produced album Future Shock. He is featured in the 2001 documentary, Scratch.

D.ST’s original group was The Infinity Four MC’s consisting of Kingpin Shahiem, Mike Nice, Baron and Legendary female rapper Kimba.

While working with the Infinity Rappers n 1982, he was part of the first hip hop tour to Europe with Afrika Bambaataa, Rammellzee, Fab 5 Freddy, Rock Steady Crew, the Double Dutch Girls, and graffiti artists Phase 2, Futura, and Dondi.

Phase 2

In late 1972, Phase 2 first used an early version of the "bubble letter" or "softie", a style of writing which would become extremely influential and is considered a "giant leap" in the art form.The puffed-out, marshmallow-like letters drawn by Phase 2 were soon copied by other artists who added their own variations.

Phase 2 quickly embellished on his original form, creating and naming dozens of varieties of softies, such as "phasemagorical phantastic" (bubble letters with stars), "bubble cloud", and "bubble drip".He described the thrill of tagging subway cars as "impact expressionalism".He is also credited with having pioneered the use of arrows in graffiti writing around this same time. Hip-hop journalist Jeff Chang has noted that Phase 2's canvasses from 1973 have "been widely recognized as defining the early genre."

Futura 2000

He started to paint illegally on New York City's subway in the early 1970s, working with other artists such as ALI. From 1974 to 1978, he served in the U.S. Navy and traveled all over the world. In the early 1980s he showed with Patti Astor at the Fun Gallery, along with Keith Haring, Jean-Michel Basquiat, Richard Hambleton and Kenny Scharf.

Futura painted backdrops live on-stage for British punk rock band The Clash's 1981 European tour. In 1985, he was on the first meeting of the graffiti and urban art movement in Bondy (France), on the VLP's initiative, with Speedy Graphito, Miss Tic, SP 38, Epsylon Point, Blek le rat, Jef Aérosol, Nuklé-Art, Kim Prisu, Banlieue-Banlieue. More recently, he is a successful graphic designer and gallery artist.

One of the most distinctive features of Futura's work is his abstract approach to graffiti. While the primary focus, during the 1980s, of the majority of graffiti artists was lettering, Futura pioneered abstract street art, which has since become more popular. Conversely, his aerosol strokes are regarded as different from those of his peers, as they are as thin as the fine lines usually associated with the use of an airbrush.

Dondi

Graffiti became a serious part of Dondi's life in the mid-1970s. He tagged using "NACO" and "DONDI", and worked on refining his style, gradually moving from simple tagging to building more elaborate pieces. Using the name Dondi (a version of his own name) was considered very risky at the time, as the Metropolitan Transportation Authority and the New York Police Department (NYPD) were trying to crack down on writers. In 1979, Dondi officially adopted his name when he painted a giant piece on the roof of his house.

He became a member of TOP crew (The Odd Partners) in 1977. In 1978, Dondi formed his own crew, named CIA (Crazy Inside Artists), which included other prominent artists such as his good friend DURO. For the next 20-odd years, Dondi became recognized as the stylistic standard, influencing generations of graffiti writers.

Dondi pioneered many of the styles and techniques still used by modern graffiti artists. Though he would often do wildstyle pieces for the benefit of other writers (like the famous 2MANY piece), he wanted the public to be able to read and enjoy his work, so he would focus on readable letters with intricate fills and characters.

scratch

Scratching, sometimes referred to as scrubbing, is a DJ and turntablist technique of moving a vinyl record back and forth on a turntable to produce percussive or rhythmic sounds. A crossfader on a DJ mixer may be used to fade between two records simultaneously.

While scratching is most associated with hip hop music, where it emerged in the mid-1970s, from the 1990s it has been used in some styles of rap rock, rap metal and nu metal. In hip hop culture, scratching is one of the measures of a DJ's skills. DJs compete in scratching competitions at the DMC World DJ Championship and IDA (International DJ Association), formerly known as ITF (International Turntablist Federation). At scratching competitions, DJs can use only scratch-oriented gear (turntables, DJ mixer, digital vinyl systems or vinyl records only). In recorded hip hop songs, scratched "hooks" often use portions of other songs.

Graffiti

In the early days, the ‘taggers’ were part of street gangs who were concerned with marking their territory. They worked in groups called ‘crews’, and called what they did ‘writing’ – the term ‘graffiti’ was first used by The New York Times and the novelist Norman Mailer. Art galleries in New York began buying graffiti in the early seventies. But at the same time that it began to be regarded as an art form, John Lindsay, the then mayor of New York, declared the first war on graffiti. By the 1980s it became much harder to write on subway trains without being caught, and instead many of the more established graffiti artists began using roofs of buildings or canvases.

The link between hip hop and graffiti evolved as a competition, much like the dance moves of the hip hop culture. Graffiti began to show up on subways in New York and other cities as a form of expression of the culture who listened to rap music. Graffiti distiguished by "tags" or distinguishing marks of the originators and a way to distinguish or stand out from other graffiti artists. Graffiti quickly spread and was picked up by others.

Graffiti is viewed as a form of artistic expression by some and trash by others. Graffiti has been seen adorning the album covers of some rap artists, on sides of buildings, on busses, on clothing, and various imaginative places where you sometimes have to stop and wonder, "how in the world did they manage to get up there?"

Young rappers growing up and wandering the city streets still see graffiti all around them. For some, graffiti represents decay, but for hip hop culture, graffiti provided the visual inspiration that encouraged other forms of creativity and expression, such as emceeing.

Ed Piskor

Ed Piskor is an American alternative comic book artist. He gained his first fame illustrating stories in Harvey Pekar's 'American Splendor' series. Among his original works are the satirical comic 'Wizzywig' (2011) about hacking culture, and the educational graphic novel series 'Hip Hop Family Tree' (2012-2016), which deals with the history of hiphop. In 2017 he created another historical passion project, 'X-Men: Grand Design', a nostalgic look back at the history of Marvel Comics' 'X-Men' franchise.

Hip Hop Family Tree

In 2012 Piskor started a monumental project, named 'Hip Hop Family Tree' (2012-2016). It narrates the history of hiphop and various legendary artists and groups, among them the Sugarhill Gang, Grandmaster Flash, Run DMC, Schoolly D., the Beastie Boys, Ice-T, Public Enemy, Dr. Dre, Rakim, Will Smith... Piskor said he was inspired by Robert Crumb's biographical comics about old blues and country artists. Just like Crumb loves music from the interbellum, Piskor is a hardcore hiphop fan. Even as a child he'd try to dig up the oldest singles by certain hiphop artists, particularly trying to find out where a certain musical sample came from? He is so well-educated in the genre that he felt he would be the right artist to make a comic book about the genre. As a bonus he would learn more about its roots too. 'Hip Hop Family Tree' doesn't just focus on the historic facts, but Piskor also illustrated many fascinating and occasional funny anecdotes about certain artists. Graphically Piskor gave the stories a yellowish newsprint effect to match the "old school" feeling.

From January 2012 until December 2015, the stories ran weekly on the website 'Boing Boing'. Fantagraphics later published the series in comic book format. In 2015 'Hip Hop Family Tree, Volume 2' won the Eisner Award for Best Reality-Based Work. It also entered the New York Times Best Sellers list, landing the artist an interview in Time Magazine. Rap legend DMC (of Run DMC) praised 'Hip Hop Family Tree' with the words: "I'm happy this book is here, because it tells a truth." Fab Five Freddy (Grandmaster Flash) shared a panel from one of the comics on his Facebook page and stated: "Being in an Ed Piskor comic is cool enough to freeze hot water." Chuck D. (Public Enemy) also tweeted favorable comments about Piskor's work.

As a huge fan of comics and hiphop since childhood Piskor also saw a correlation between the two art forms. Both are trash pop culture, initially scorned by true art lovers but eventually gaining more critical respect. Many cartoonists and hiphop artists take pseudonyms to give themselves a different public persona and alter ego. Both rapping and cartooning are often said to be easy. Most importantly, Piskor noticed that both hiphoppers and cartoonists have a tendency to borrow material, or sample, from their predecessors and colleagues. It motivated him to pay more homage to other comics in some of his panels.

Hip Hop album covers

Idea influence

vision boards

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ovrlord · 6 months

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Tallah 2023

pics by Vanessa Valadez / lionrevolt on IG

#tallah #nu metal #true american nu metal #nucore #nu core #justin bonitz #max portnoy #alex snowden #derrick schneider #tyler hinson #metal #metal bands #band photography #nu metal bands #next to none #perfect shadows #coldxpanic #hungry lights #call it ego

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tvguidancecounselor · 11 months

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TV Guidance Counselor Episode 581: Connor McGrath

January 29 - February 4, 2000

This week Ken welcomes fantastic fellow New England Comedian Connor McGrath (GET HIS NEW ALBUM! "KIND, BEARDED, WEIRD" OUT NOW!) to the show.

Ken and Connor discuss Vacationland, Maine, growing up in Portland, The Fine Arts "Adult Theater"/Rock Club, Chyna, Pro Wrestling, human garbage Triple H, the awful sack of pus that is Vince McMahon, Wrestlemania, The Dark Ages of American Culture (Nu Metal, Monster Energy Drinks, etc), Mankind, Mick Foley, The Rock, The Decade of Jeers, why Lemmy from Motorhead was a bad guy, celebrities being injured on film, the age of Divorce, Jerry Seinfeld creepily dating a high schooler, Pat Buchanan, Pets dot com, the dot com boom, Super Bowl Ads, Blast from the Past, Marshall Law, Arsenio Hall, Sammo Hung, pandemics, racism, ABC's TV Movie Runaway Virus, cursed objects, Brutus "The Barber" Beefcake, Brutus "The Barber" Beefcake's cocaine, "Hurricane" Peter McNeeley", sports taunts, Jerry Springer, Baywatch Hawaii, Dave Holmes, Say What! Karaoke, Freaks & Geeks, James Fraco a creep, WCV vs WWF, Highlander: The Series, Homicide Life on the Street, Queen soundtracks, Tom Green Show, feeling sad for Jennifer Love Hewitt, hating Jamie Kennedy, Backbeat, Hey Arnold!, Catdog, pre-Spongebob, Talk Soup, Norm McDonald being fired from SNL, The Odd Couple starring Sherman Helmsley and Pat Morita, Billy Joel's fired band, Who's Line is it Anyway?, short form wrestling improv, Chicago Hope vs ER, AAA Luchadore Marvel tie-in wrestlers, ECW, the strange evolution of The Nashville Network, Behind the Music, E! True Hollywood Story, hanging out in Belfast Maine on PBS for an entire night and DownEast Dickering.

Check out this episode!

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jezfletcher · 3 years

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1000 Albums, 2020: The Big Lists

Hey folks, I’ve written up my top albums and my top tracks of 2020, but there’s so much music released in a year, and restricting myself to just 30 albums, and 50 tracks is a difficult task.

As a result, I’ve compiled a longer list of my top tracks and albums (without write-ups), for your perusal. This is obviously more for the sake of completeness, but are here in case you’re interested in finding out if I at all rated something you liked this year (or, if you’re Sam, if you want to actually do a detailed comparison).

Want playlists? I’ve got playlists for you too:

My Top 50 Countdown - which I posted yesterday. This provides a sorted countdown of my top tracks from #1 to #50. (50 tracks)

My Top Tracks - a longer list of all the tracks I really rated highly this year. This accounts for a much larger number of artists, and includes most of the tracks I’ve listed below. (169 tracks)

My Top Tracks & Albums - a playlist containing all my top tracks, plus selections from all of my favourite albums of the year. (216 tracks)

My Top Tracks, Albums + Much, Much More - Are you game? Contains a huge, varied collection of music that we listened to this year. I really enjoyed all these tracks, and they provide a much broader collection of albums, artists and genres. (1,014 tracks)

Anyway, without further ado here’s my Top 200 Tracks, and Top 100 Albums:

Top Albums of 2020

100. Winnetka Bowling League - Congratulations (power pop)

99. Locate S, 1 - Personalia (art pop)

98. Dua Lipa - Future Nostalgia (pop)

97. LukHash - Transient Offworld (synthwave)

96. The Drowns - Under Tension (street punk)

95. The Mystic Underground - Wrapped in Riddles (electro disco)

94. Jonathan Wilson - Dixie Blur (Americana noir folk)

93. Mighty Oaks - All Things Go (indie folk rock)

92. Kiesza - Crave (synthpop)

91. Dance Gavin Dance - Afterburner (post hardcore)

90. The O’Reillys and the Paddyhats - Dogs on the Leash (Celtic punk)

89. Warm Digits - Flight of Ideas (krautrock)

88. Dandelion Wine - Le Cœur (Australio dreamfolktronica)

87. Marc Scibilia - Seed of Joy (indie singer-songwriter)

86. Biffy Clyro - A Celebration of Endings (Scottish indie rock)

85. Savant - Void (complextro)

84. Cordovas - Destiny Hotel (Americana folk)

83. TTRRUUCES - TTRRUUCES (wonky pop)

82. The Claudettes - High Times in the Dark (Chicago piano blues)

81. Dustbowl Revival - Is It You, Is It Me (post country)

80. Sea Wolf - Through a Dark Wood (indie folk rock)

79. Cory Wong - The Striped Album (funk rock)

78. Someone - ORBIT II (psych pop)

77. Days N’ Daze - Show Me The Blueprints (H-town thrashgrass)

76. Blossoms - Foolish Loving Spaces (indie pop)

75. Kyros - Celexa Dreams (prog synth rock)

74. Dub Pistols - Addict (dub)

73. Grimes - Miss Anthropocene (dreampop)

72. The Hanging Stars - A New Kind of Sky (psychedelic folk)

71. Neon Trees - I Can Feel You Forgetting Me (indie pop)

70. The Corner Laughers - Temescal Telegraph (folk pop)

69. 3D Stas - Eleven (soiltronica)

68. Pantayo - Pantayo (kulingtang gong pop)

67. The National Parks - Wildflower (folk rock)

66. Pigeon John - Gotta Good Feeling (underground rap)

65. Novo Amor - Cannot Be, Whatsover (indie folk rock)

64. The Explorers Club - The Explorers Club (sunshine pop)

63. Poppy - I Disagree (bubblegum metal)

62. Overcoats - The Fight (indie pop)

61. Chemtrails - The Peculiar Smell of the Inevitable (psychedelic garage pop)

60. Joywave - Possession (indie pop)

59. Heart Bones - Hot Dish (indie pop)

58. Mitochondrial Sun - Mitochondrial Sun (darktronica)

57. L.A. Salami - The Cause of Doubt & A Reason To Have Faith (post blues)

56. Car Seat Headrest - Making a Door Less Open (alt rock)

55. Tunng - Dead Club (folktronica)

54. Butch Walker - American Love Story (glam rock)

53. Polly Scattergood - In This Moment (experimental pop)

52. The Beautiful Fear - The Waltz of the Moonshine Blind (prog rock)

51. The Altogether - Silo (acoustic pop rock)

50. KES - We Home (Trinidadian soca)

49. Man Man - Dream Hunting in the Valley of the In-Between (experimental rock)

48. Creeper - Sex, Death & The Infinite Void (horror punk)

47. Darlingside - Fish Pond Fish (indie folk)

46. Enter Shikari - Nothing Is True & Everything Is Possible (electronicore)

45. Trixie Mattel - Barbara (drag country)

44. City Mouth - Coping Machine (indie pop rock)

43. Bright Eyes - Down In The Weeds Where The World Once Was (indie rock)

42. The Texas Gentlemen - Floor It!!! (heartland rock)

41. Will Wood - The Normal Album (cabaret rock)

40. Maeve Gilchrist - The Harpweaver (harp folk)

39. rook&nomie - me&you (experimental pop)

38. Steep Canyon Rangers & Asheville Symphony - Be Still Moses (orchestral bluegrass)

37. Fiona Apple - Fetch the Bolt Cutters (art pop)

36. Sea Girls - Open Up Your Head (indie pop rock)

35. Michael Franti & Spearhead - Work Hard & Be Nice (reggae fusion)

34. Oneohtrix Point Never - Magic Oneohtrix Point Never (experimental electronica)

33. Ultrahappyalarm - Critical Daydream (happy hardcore)

32. The Living Tombstone - zero_one (Israeli electro rock)

31. The Flaming Lips - American Head (psychedelic rock)

30. Saint Saviour - Tomorrow Again (experimental folk)

29. Post Animal - Forward Motion Godyssey (psychedelic rock)

28. The Jerry Cans - Echoes (Inuit neo-folk)

27. Aloud - Sprezzaturra (blues rock)

26. The Phenomenal Handclap Band - PHB (psychedelic soul)

25. Jason Isbell & The 400 Unit - Reunions (alt country)

24. Badly Drawn Boy - Banana Skin Shoes

23. MOBS - Cinema Paradiso (80s pastiche pop)

22. Jason Wilson - Sumach Roots (eclectic folk)

21. DMA’s - The Glow (Australio indie rock)

20. Cornershop - England Is A Garden (chamber psych)

19. Igorrr - Spirituality and Distortion (baroque breakcore)

18. Eleventyseven - Basic Glitches (synthpunk)

17. Kate Rusby - Hand Me Down (indie folk)

16. Indigo Girls - Look Long (folk rock)

15. Another Sky - I Slept On The Floor (indie rock)

14. Courteeners - More. Again. Forever (post britpop)

13. Dutty Moonshine Big Band - City of Sin (jazztronica)

12. Nelson Kempf - Family Dollar (art folk)

11. Beans on Toast - The Inevitable Train Wreck (drunken folk rock)

10. Joe Wong - Nite Creatures (baroque pop)

9. Luis Pestana - Rosa Pano (experimental electronica)

8. Sufjan Stevens - The Ascension (art pop)

7. MisterWives - Superbloom (indie pop)

6. Lola Marsh - Someday Tomorrow Maybe (Israeli noir pop)

5. Dyble Longdon - Between a Breath and a Breath (chamber folk)

4. Hugo Kant - Far From Home (downtempo nu-jazz)

3. The Lemon Twigs - Songs For The General Public (alt rock)

2. King Gizzard & the Lizard Wizard - K.G. (microtonal psychedelic rock)

1. Ada Rook - 2,020 Knives (electropop concrète)

Top Tracks of 2020

200. Sea Wolf - Forever Nevermore (indie rock) 199. Steep Canyon Rangers & The Asheville Symphony - Easy to Love (orchestral bluegrass) 198. Dandelion Wine - Too Late She Cried (experimental pop) 197. Aloud - Oh Danny (blues rock) 196. Car Seat Headrest - Weightlifters (anti-folk) 195. Michael Franti & Spearhead - I Can Still Feel You (reggae fusion) 194. Dance Gavin Dance - Lyrics Lie (post hardcore) 193. Post Animal - Post Animal (psychedelic rock) 192. La Oreja de Van Gogh - Menos Tú (Spanish indie folk) 191. The Hanging Stars - Heavy Blue (cosmic country) 190. Oneohtrix Point Never - Long Road Home (experimental electronica) 189. Will Wood - I / Me / Myself (cabaret rock) 188. Butch Walker - You Gotta Be Just Who You Are (glam rock) 187. Brothers Osborne - Muskrat Greene (country) 186. Tycho - Easy (downtempo IDM) 185. The Altogether - Brown of Gold (acoustic pop rock) 184. Dua Lipa - Cool (pop) 183. Circa Waves - Jacqueline (indie dance rock) 182. Sangatsu No Phantasia - Rendezvous (Japanese pop rock) 181. Moonchild Sanelly - Bashiri (South African future ghetto punk) 180. Needshes - Love (Uzbek indie pop) 179. The Explorers Club - Ruby (sunshine pop) 178. Osi & the Jupiter - Appalachia (pagan folk) 177. Thievery Corporation - The Forgotten People (Symphonik Version) (orchestral world triphop) 176. Enter Shikari - Marionettes (I. The Discover of Strings) (electronicore) 175. Zuzu - How It Feels (pop rock) 174. Los Mocosos - Viva Los Mocosos (latin funk) 173. DJ Plead - Going For It (mahraganat) 172. Igorrr - Camel Dancefloor (baroque breakcore) 171. Someone - Pull It Together (psych pop) 170. Dizzee Rascal - You Don’t Know (grime) 169. The Corner Laughers - The Accepted Time (power pop) 168. The Claudettes - 24/5 (rock and/or roll) 167. The Ballroom Thieves - Tenebrist (neo Americana) 166. Joe Wong - Day After Day (baroque pop) 165. Porter Robinson - Something Comforting (complextro) 164. Jason Wilson - Happy Little Sisyphus (indie folk) 163. Jason Isbell & the 400 Unit - Be Afraid (alt country) 162. Hayley Williams - Dead Horse (indie pop) 161. Badly Drawn Boy - I Need Somebody to Trust (indie pop rock) 160. Bleached - Stupid Boys (bubblegrunge) 159. Man Man - Lonely Beuys (experimental rock) 158. Dustbowl Revival - Dreaming (neo Americana) 157. The Texas Gentlemen - Easy St. (neo Americana) 156. Maeve Gilchrist - The Storm (harp folk) 155. The Drowns - Them Rats (street punk) 154. Mr. B The Gentleman Rhymer - Frolicholic (chap hop) 153. Zutomayo - Obenkyou Shitoiteyo (Japanese jazz rock) 152. Jonathan Wilson feat. Mark O’Connor - ‘69 Corvette (Americana noir folk) 151. Dub Pistols feat. Natty Campbell - Sound Sweet (dub DnB) 150. Cordovas - I’ma Be Me (Americana folk) 149. The Birthday Massacre - Enter (gothic darkwave) 148. KIDS - The Mourn (indie rock) 147. Kyros - Rumour (prog synth rock) 146. Paul Heaton & Jacqui Abbott - A Good Day Is Hard To Find (pop rock) 145. The O’Reillys and the Paddyhats - James Brian (Celtic punk) 144. The Fizz - The World We Left Behind (MOR pop) 143. Beans on Toast - World Gone Crazy (indie folk) 142. Liraz - Shab Gerye (arab groove) 141. 47 Soul feat. Shadia Mansour & Fedzilla - Border Ctrl (Palestinian shamstep) 140. 3D Stas - Dislocated Minds (soiltronica) 139. Bright Eyes - Tilt-A-Whirl (indie folk rock) 138. Darlingside - Ocean Bed (indie folk) 137. Once and Future Band - Freaks (psych pop) 136. Prizm - We Were Young (synthpop) 135. Z Berg - To Forget You (dreamfolk) 134. L.A. Salami - Things Ain’t Changed (post blues) 133. Kero Kero Bonito - It’s Bugsnax! (hyperpop) 132. Days N’ Daze - Addvice (thrashgrass) 131. Sufjan Stevens - Tell Me You Love Me (art pop) 130. Fiona Apple - Shameika (art rock) 129. Dutty Moonshine Big Band feat. HypeMan Sage - Big Band Fam (jazztronica) 128. Five Finger Death Punch - Leave It All Behind (nu metal) 127. Sundara Karma - Artifice (art pop) 126. TTRRUUCES - Lost Boy (wonky pop) 125. Theory of a Deadman - Ted Bundy (post grunge) 124. The National Parks - I Can Feel It (folk pop) 123. The Innocence Mission - John As Well (ambient folk) 122. King Gizzard & the Lizard Wizard - The Hungry Wolf of Fate (microtonal indie rock) 121. The Jerry Cans - Atauttikkut (Inuit folk rock) 120. Sufjan Stevens - Lamentations (art pop) 119. Pigeon John - They Don’t Make Em Like Me (jazz hip hop) 118. Michael Franti & Spearhead - Lay It All Down (reggae fusion) 117. ARASHI - Party Starters (J-pop) 116. Neon Trees - Used To Like (indie pop) 115. Savant feat. Jahari Medina - Zealot (complextro) 114. Alestorm - Tortuga (pirate metal) 113. MisterWives - Valentine’s Day (indie pop) 112. Alex the Astronaut - Happy Song (indie folk pop) 111. Big Freedia feat. Kesha - Chasing Rainbows (bounce) 110. Cory Wong feat. The Hornheads - Click Bait (instrumental funk) 109. Suzzy Roche & Lucy Wainwright Roche - I Think I Am a Soul (neo Americana) 108. Victoria Anthony - Temporary Tattoo (synthpop) 107. Novo Amor - I Feel Better (indie folk rock) 106. Harper Bloom - Walk My Way (indie folk pop) 105. Badly Drawn Boy - Is This a Dream? (indie pop rock) 104. Bywater Call - Arizona (blues rock) 103. Mitochondrial Sun - Chronotopes (voidgaze) 102. Kronkel Dom - Giftig (Deutsch rap house) 101. The Phenomenal Handclap Band - Riot (nu disco) 100. Woodlock - Collateral (indie folk rock) 99. SKIES - It’s Alright (pop rock) 98. Pinguini Tattici Nucleari - Ringo Starr (Italian indie pop) 97. Warm Digits - False Positive (neo-krautrock) 96. Winnetka Bowling League - Come To The Beach (power pop) 95. ViVii - Whistle (folk pop) 94. Fame on Fire - Roxanne (post-screamo) 93. Tunng - Death Is The New Sex (folktronica) 92. Feuerschwanz feat. Melissa Bonny - Ding (neue Deutsche härte) 91. Jamie Cullum - Don’t Give Up On Me (jazz pop) 90. The Living Tombstone - What I Want (Israeli electro rock) 89. Walk Off The Earth - What’s Love Got To Do With It? (indie pop cover) 88. Hildegard von Blingin’ & Cornelius Link feat. Friar Funk - Pumped Up Kicks (bardcore) 87. Loma - Don’t Shy Away (ambient rock) 86. Pantayo - Heto Na (kulingang gong pop) 85. Gin Wigmore - H B I C (indie rock) 84. Dyble Longdon - Crossbones (chamber folk) 83. DMA’s - Never Before (Australian indie rock) 82. Mighty Oaks - Tell Me What You’re Thinking (indie folk rock) 81. Circles Around the Sun - Landline Memories (instrumental prog rock) 80. Blossoms - Your Girlfriend (indie pop rock) 79. Grimes - 4ÆM (industrial pop) 78. Ada Rook - 2,020 Knives (electropop concrète) 77. Walk Off The Earth - Oh What A Feeling (indie pop) 76. AWOLNATION - Radical (stomp pop) 75. Little Big Town - Bluebird (alt country) 74. Dutty Moonshine Big Band feat. HypeMan Sage - Outlaws (jazztronica) 73. Hugo Kant - Everything Is Transformed (downtempo nu-jazz) 72. King Gizzard & the Lizard Wizard - Intrasport (microtonal indie pop) 71. Stuck On Planet Earth - Higher Than The Drugs (dance rock) 70. Kesha - Potato Song (Cuz I Want To) (pop) 69. joan - want u back (indie pop) 68. MisterWives - Love Me True (indie pop) 67. Butch Walker - Fuck It (I Don’t Like Love) (glam rock) 66. Heart Bones - This Time It’s Different (indie pop) 65. Anamanaguchi feat. meesh - Pop It (glitchhop) 64. Poppy - Concrete (bubblegum metal) 63. Creeper - Cyanide (alt rock) 62. The Lemon Twigs - Only a Fool (alt rock) 61. Purity Ring - stardew (dreampop) 60. Curt Cannabis - Falling Sensation (indie rock) 59. Custard - Funky Again (Bluey’s dad rock) 58. Ryan Hamilton and the Harlequin Ghosts - Newcastle Charm (power pop) 57. Indigo Girls - Howl at the Moon (ectofolk) 56. Cornershop - Highly Amplified (chamber psych) 55. ShockOne - Follow Me (drum n bass) 54. Yelle - Karaté (French hip hop) 53. Ultrahappyalarm - Wanna Cam??? (hyperpop) 52. Biffy Clyro - Tiny Indoor Fireworks (Scottish alt rock) 51. Heaven Pegasus feat. rook&nomie - Nomi (pop rock) 50. L.E.J. - Pas Peur (French chamber folk) 49. Avec Sans - Altitude (vapor pop) 48. Trixie Mattel - Malibu (pop rock) 47. Beans on Toast - Logic Bomb (jazz folk) 46. Nelson Kempf - Family Dollar (art folk) 45. Marcelyn - Guilloteens (experimental folk rock) 44. Little Big - Hypnodancer (funeral rave) 43. Walk Off The Earth feat. Harm & Ease - Toxic (eclectic pop cover) 42. Stormzy feat. Aitch - Pop Boy (grime) 41. The Fratellis - Six Days in June (pop rock) 40. MOBS - Big World (80s pastiche pop) 39. The Lemon Twigs - The One (alt rock) 38. The Cuckoos - Weekend Lover (glam rock) 37. MisterWives - It’s My Turn (indie pop) 36. Sammy Brue - Pendulum Thieves (alt country) 35. TheFatRat feat. Laura Brehm - We’ll Meet Again (pop EDM) 34. Starbenders - Holy Mother (glam rock) 33. Minh Beta - Let’s Fight COVID! (Vietnamese coronavirus pop) 32. Kiesza feat. Lick Drop, Cocanina & Shan Vincent De Paul - Dance With Your Best Friend (pop) 31. Ultrahappyalarm - Messy Gyaru (happy hardcore) 30. Saint Saviour - Taurus (chamber folk) 29. Kate Rusby - Love of the Common People (indie folk cover) 28. Seazoo - Honey Bee (indie pop rock) 27. City Mouth - Sanity For Summer (indie pop rock) 26. Cory Wong & Chris Thile - Bluebird (jazz-bluegrass crossover) 25. rook&nomie - soft atrocity (hyperpop) 24. Will Joseph Cook - Something To Feel Good About (indie pop) 23. Courteeners - Better Man (britpop) 22. MOBS - School’s Out (80s pastiche pop) 21. Luis Pestana - Sangra (experimental electronica) 20. Hugo Kant - High Gravity (downtempo nu-jazz) 19. The Flaming Lips - Mother I’ve Taken LSD (psychedelic rock) 18. eleventyseven - Battlecats (synthpop punk) 17. Igorrr - Lost in Introspection (baroque breakcore) 16. Polly Scattergood - In This Moment (spoken word triphop) 15. Dent May - Hotel Stationery (indie fuzzpop) 14. Another Sky - Fell In Love With The City (indie prog rock) 13. Lola Marsh - Like In The Movies (Israeli pop rock) 12. Ada Rook - Reverie (JH Ligation Experiment 1) (breakbeat electropop) 11. Trixie Mattel - Video Games (country folk cover) 10. KES - Na let go / (when ah) Jamdong / (with d) Boss Lady (soca) 9. Emerson Hart - Lucky One (heartland rock) 8. Uncanny Valley - Beautiful the World (AI dance pop) 7. Villagers - Did You Know? (indie folk) 6. Chemtrails - Uncanny Valley (psychedelic garage pop) 5. Andy Shauf - Try Again (indie pop) 4. Lola Marsh - Echoes (Israeli pop rock) 3. Sea Girls - Do You Really Want To Know? (indie pop rock) 2. Kishi Bashi - Never Ending Dream (indie pop) 1. Dyble Longdon - Obedience (chamber folk)

#1000albums #albums #best of the year #songs

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randomvarious · 4 years

Video

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S Club 7 - “S Club Party” Now That's What I Call Music! 6 Song released in 1999. Compilation released in 2000. Pop

We love the overly transparent crass commercialism of the 90s and early 2000s, don’t we folks? S Club 7 were the bright-eyed and bushy-tailed septet of British teens and 20-somethings that were concocted in a lab and thrust upon hordes of impressionable tweens across the world. The story of S Club 7 is a rather gross one that consists of young and attractive, moderately talented people being taken advantage of by their manager and his company to churn out gobs of content without just compensation. If you’re an American of a certain age, you probably know a little something about S Club 7. Their ballad, 2000′s “Never Had a Dream Come True,” peaked at #10 and #8 on the Billboard Hot 100 and Billboard Mainstream Top 40, respectively. Two of S Club 7′s other biggest global hits, the Jackson 5-inspired “Bring It All Back” and “S Club Party” never charted in the US, but lots of Americans still seem to be familiar with them.

S Club 7 was the brainchild of Simon Fuller, one of history’s most successful music managers, who had managed the Spice Girls. Fuller was known for manufacturing a bunch of British boy and girl bands throughout his career and, at the time, also managed Annie Lennox of the Eurythmics and athletes, too. After helping the Spice Girls skyrocket into global superstardom as a brand that sold itself on a gimmicky blend of “girl power” and quirky British-ness, Geri Halliwell (Ginger Spice) orchestrated his firing. Citing his unbearably controlling nature and his marketing schemes, the Girls decided to proceed without Fuller.

But the day after his firing, Fuller was back at it. This time, he decided he would start a new band, but rather than it being a boy band or a girl band, it would be a boy-and-girl band, modeled after an idea put forth by another British group, Steps. Steps are a quartet, and while they’ve achieved little to no success in the US, they have enjoyed wild success in Europe, especially in the UK. And they’re still around. After a five year hiatus that followed a twelve year hiatus, Steps released an album in 2017 that reached #2 on the UK charts.

But they weren’t a Fuller group. Fuller seemed to have the connections and gravitas that Steps’ managers didn’t. To start his new group, Fuller held an audition of an astonishing 10,000 people, which eventually was culled down to seven. These seven would then be formed into a group and be dubbed S Club 7. None of the members had known each other prior, but according to all the articles I could find, they hit it off and they all became close friends.

With this crop of kids, Fuller saw dollar (or pound or Euro) signs. S Club 7 were going to be way more than just a pop group; they were going to be a marketable brand. And to achieve that goal, the first thing they were going to do was not get into the recording studio, but instead shoot a fictional TV series to air on CBBC (Children’s BBC) to introduce themselves to British pre-teens. Each character would have their own personality, which would be loosely based on their true selves, and together the group’s adventures would strengthen their bond. And each episode would consist of a choreographed song performance, too. The first season, set in Miami, would depict the seven constantly being exploited by a seedy hotel manager and made to perform housekeeping duties.

Unfortunately, these fictional circumstances were loosely based on their own reality. Over twelve weeks of shooting in Miami, the group worked tirelessly for eighteen hours per day, and after a long day’s work, would have to take care of their own cooking and laundry. Fuller and his company, who were flush with cash, didn’t provide S Club 7 with any of these needed amenities. The S Club 7 TV series would become an immense hit in the UK and ended up being sold to 120 different countries. As a result, each group member pulled in 52,000 Euro; a total pittance compared to the total sum of all the TV contracts the show received.

Seven months after its UK debut, the S Club TV series would make its way stateside on kids’ TV purgatory, Fox Family. Formerly The Family Channel, which was founded by horrible and insane Christian shitbag grifter, Pat Robertson, it would be acquired by NewsCorp. Fox would control the network’s programming, save for some hours in which Robertson’s daily spoonful of Christian conservative nonsense, The 700 Club, would air. Admittedly, for a time, I was an avid viewer of Fox Family (except when 700 Club was on), but I’m pretty sure I was rare. Year after year, Fox Family would try to replenish its lineup with new shows to attract new viewers, but they failed to peel many eyes off of the likes of Nickelodeon, Cartoon Network, and the Disney Channel.

The release of the S Club TV series in the U.S. coincided with the group’s debut album. And maybe it was the fact that they only managed to get on Fox Family that led to them peaking at an unimpressive #112, but back home, they topped charts. The TV series-first formula more than paid off (for Fuller, though. Not so much for S Club 7). “Bring It All Back,” the group’s first single, which was released two months after the TV show’s debut, went to #1 in the UK. Its follow-up, “S Club Party” topped out at #2. And their debut album reached #2 as well.

And along with the TV show and the music came all the merchandise. Dolls, makeup, perfume, clothes, school supplies, a PC game, you name it. If there was an object that a kid could use, Fuller wanted it to bear the S Club name. There were also more seasons of TV and movies, too. And Fuller would reap great profits from all of it, but once again, S Club 7 saw minuscule returns from their name and likenesses being marketed and sold.

Fuller’s cartoonishly-evil-yet-real-life-record-executive persona became more than apparent during a meeting between he, S Club 7, and some of the members’ parents. Asking how they could receive such little compensation as Fuller and his company made millions off of their efforts, Fuller told the members that he could replace them on stage with cardboard cut-outs and it wouldn’t make a difference. Fuller would also be publicly shamed by a radio DJ when it was revealed that while the S Club kids were traveling the world and making him literally millions, he flew them in economy class. Only after his miserliness was made public did he bump them up to business class.

And although Fuller knew the right people to get his band spoonfed to British kids, it didn’t mean S Club’s songs were bad for what they were. They were well-produced bubblegum pop. Five songs on the debut album ended up being produced by a Norwegian duo called Stargate. Total unknowns at the time, Stargate went on to write or produce for some of the pop world’s most successful groups and artists, including Michael Jackson, Mariah Carey, Lionel Richie, Jessica Simpson, Britney Spears, Beyoncé, Rihanna, Selena Gomez, Janet Jackson, Shakira, Jennifer Lopez, Sam Smith, Mary J. Blige, Ne-Yo, Katy Perry, Coldplay, P!nk, Sia, Kylie Minogue, Carly Rae Jepsen, and Charli XCX. Throughout their careers, Stargate have managed to rack up a whopping seventeen Grammy noms, including four wins But before building up that long list of accolades, they began with S Club 7.

The first single Stargate ever produced was “S Club Party”. A piece of sunny and breezy, anthemic kids’ pop, this song is a natural earworm. Underneath mostly loud and shouted vocals, Stargate weave a celebratory, feelgood g-funk whine throughout the choruses as a series of electro-funk synths and string and horn stabs predominate the rest. The first verse, sung solo by member Jo, proceeds from relative sparseness to an addition of hand claps and a simmering choir of backup vocals, before launching into the undeniably catchy chorus. The four female members soothe in unison as the boys contrast with revelrous chants. In the post-chorus, the girls get in on the chanting, too. The second verse, which packs more energy than the one that precedes it because it’s sung in unison, introduces each member of the group with a simple rhyme. Following the bridge, the song undergroes an unexpected key change, which raises the enjoyment, and as the song fades out, Bradley, the group’s lone black member, does some light scatting.

You know, Fuller admitted that since he was fired by the Spice Girls, there were some ideas he had had for them that he wasn’t able to use, and instead used for S Club 7. Maybe musically, he wasn’t quite finished with that g-funk infused pop sound. The Spice Girls’ “Say You’ll Be There” has that summery g-funk pool party vibe much like “S Club Party” does. Just a thought.

Here’s the music video, which shows the group transporting back to a California desert in 1959 to race a bunch of people. A choreographed song and dance seemingly materialize out of thin air, too: It comes from the movie they shot called Back to the ‘50s.

youtube

For the next few years, S Club 7 continued to release high-charting hit after high-charting hit in the UK, but in 2002, band member Paul decided to leave. This ultimately resulted in possibly the worst sentence ever written on Wikipedia:

Talking about his former musical venture three months before he left S Club 7, Paul Cattermole described his school nu metal band — called Skua— as having a "Limp Bizkit vibe" as well as comparing their style to Rage Against the Machine.

Wat.

Following Paul’s departure, S Club 7 shortened their name to S Club and continued to make hits. However, their star was clearly fading, and in 2003, they agreed to a mutual split. In 2008, some of the members got back together and formed S Club 3. In 2014, they expanded by a member and became S Club Party. Eight months after that, all seven members regrouped for a reunion tour to cash in on some nostalgia. Needless to say, Simon Fuller was involved, and hopefully, the contracts weren’t as exploitative this time around. In the meantime, Fuller would continue unabated, amassing management deals with the likes of Carrie Underwood, Amy Winehouse, and Kelly Clarkson. In 2001, he launched Pop Idol, which would be imported to the States as American Idol.

Now you know more than you thought you’d ever know about S Club 7. It’s tragic how Fuller treated them, but the group is responsible for some great turn-of-the-millennium pop hits, despite how manufactured and seemingly preordained their success was. Oh well, we can’t help what we listened to when we were kids and nostalgia has a way of making us love things we definitely wouldn’t as adults. Nothing wrong with coming to terms and embracing that fact.

Stay the fuck inside you freaks.

#pop #pop music #bubblegum pop #music #90s #90s music #90's #90's music #90s pop #90's pop #90s pop music #90's pop music #90s bubblegum pop #90's bubblegum pop

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uncloseted · 4 years

Note

Back again with the costume designer talk -- Yes, I agree with the mischaracterization of all the characters in s6. It felt like last series' plots and endings had been thrown out the window. While watching s6, it felt like a different show all together. Everything that made every character unique was gone. Was there any reason as to why Edward was gone? Also, you stated that Matty likes Victorian and gothic culture. What are other characters' interests? I know Alo's are nature/punk; Rich: metal

Totally. I think series 5 got a lot of backlash from older fans who no longer felt like the characters were relatable and were very vocal about that fact on Twitter, and so they decided to go completely in the opposite direction because maybe people would like that instead. And I think that’s a real shame, because like I’ve said before, I think series 5 is some of the best, tightest writing that Skins ever did. As far as Edward goes, I think he left to work on Secret Diary of a Call Girl. My impression is that he was trying to balance both jobs in 2010 and then felt like it was too much. Katie Newham, who took over, was Edward’s assistant costumer, so I think he assumed that she would be able to just pick up where he left off, which ended up totally not being the case (and which is what makes me think she comes from a styling/costume construction background as opposed to a costume design one).

Canonically in terms of interests, here’s what the characters like:

Franky likes “making stuff,” The Catcher in the Rye, The Little Prince, Clockwork Orange, Graphic Novels – Dark Knight, Manga - The Rose of Versailles, Arcade Fire, Burial, Crystal Castles, Nirvana, Corpse Bride, Seven Samurai, Let Me In, Bad Santa, Spirited Away, Vertigo, Harold Lloyd!, Dexter, The Walking Dead, Battlestar Galactica, and taking photos.

Alo likes his weed, his van, his dog, Youth in Revolt, The Dharma Bums, The Velveteen Rabbit, Blitzen Trapper, Wolf Parade, Dog is Dead, Edward Sharpe and the Magnetic Zero's, Fruit Bats AND Filthy filthy filthy filthy filth. Borgore, Excision, DatSikk, Funtcase, 16 Bit, Into the Wild, Grizzly Man, Where the Wild Things Are, East of Eden, The Jungle Book, Backdoor Sluts 9, The Hangover, Ninja Warrior, Party Down. Summer Heights High. Babestation. South Park. Family Guy, Lookwell, porn, and Victorian porn.

Rich is mostly defined by what he doesn’t like: he doesn’t like pop music, Simon Cowell, beautiful people, Radio 1, ITV, rapping, beatboxing, middle-class wankers, racism, sexism, Death Cab For Cutie, The Smiths, religion, Downton Abby, Tracy Chevalier, nu-metal, Empire magazine, Kerrang (wankers), drum machines (except when carefully used in Grindcore or Cybergrind – see Cutting Pink With Knives and Noism), synthesizers, Beth Ditto, public displays of affection, the city centre at the weekend, trance, techno, house, dubstep or any music made by skinny white people with computers, Kanye West, JLS, any show about fucking cooking or cooks, townies, chavs, narcissistic politicians, teachers, the song ‘Wait and Bleed’, the second solo on ‘Master Of Puppets’, artichokes, JK Rowling, any film or tv show with fucking vampires or zombies made after 1986, Glee, Glee, Glee, Glee, Glee, Glee, Glee. He does like metal (”ugly, angry music which you’d probably hate because you don’t understand it”), Atlas Shrugged, American Psycho, The Illuminatus Trilogy, Slayer, Napalm Death, Black Sabbath, Raging Speedhorn, Noism, Atari Teenage Riot, Venetian Snares, Behold The Arctopus, Godflesh, Cathedral, Sleep, Sepultura, Pantera, Soul Fly, Slipknot (2nd album only), PPK, Anal Cunt, Pig Destroyer, Jesu, Sunn 0))), James Plotkin, Earth, Brain Donor, Chrome Hoof, Hair Police, Mayhem, Wolves In The Throne Room, Burzum, Wolf Eyes, Ec8or, Dark City, Split Second, Blade Runner, Near Dark, Braindead, Halloween, The Thing, The Fly, and Alien.

Mini likes “Shopping. Shoes. Sushi. Sex. (”yes, always in that order.”) Sour apple martinis, putting effort into her appearance, Diana, Princess of Wales, Marilyn Monroe, Madonna, yoga, Pilates, fashion, fragrances, dubstep, Katy Perry, Harry Potter, Twilight, Dreamgirls, Grease, Dirty Dancing, Pretty Woman, The Hot Chick, Legally Blonde, Clueless, Mean Girls, Crossroads, Inbetweeners, Misfits, Come Dine With Me, Party Wars, True Blood, Gossip Girl, 90210, The Hills, and ANTM.

Liv likes dancing, HST, Philip K Dick, The Animals of Farthing Wood, Only Forward, Dubstep, Hard DnB, Die Antwoord, Kids, A Scanner Darkly, Dazed and Confused, Bright Young Things, Anchorman, Blades of Glory, The Other Guys, anything in which Mel Gibson dies, Banged Up Abroad, BSG, Firefly, South Park, Twin Peaks, Hollyoaks, The Gilmore Girls.

Nick likes Rugby, Sex, Winning, Drinking, being awesome, “all sorts” of music, R’n’B, Mumford and Sons, Rocky, Bourne, Borat, and anything with action or the funny, Sport and Friday Night Lights.

Matty likes absurdity, Friedrich Nietzsche, William S. Burroughs, Clive Barker, Hakim Bey, Splatterpunk, Maurice G. Dantec, Anton LaVey, Robert Walser, H.P. Lovecraft, Antonin Artaud, Raymond Abellio, The Art of War, everything Edgar Allen Poe would have listened to if the synthesizer was created before 1964, David Lynch, My Own Private Idaho, What's Eating Gilbert Grape, and Shortbus.

Grace likes so many things. Jane Austen, ballet, theater, lucid dreaming, not having to wear a school uniform, collecting pennies, making wishes on things, animals, vanilla ice cream, The Big Book of Fairytales, Sense and Sensibility, Pride and Prejudice, Wuthering Heights, Northanger Abby, Mansfield Park, Persuasion, Emma, Lolita, Jane Eyre, Little Women, Ballet Shoes, Alice Through the Looking Glass, Great Expectations, Tess of The D’Urbervilles, A Little Princess, The Secret Garden, Tom’s Midnight Garden. The Lion The Witch and The Wardrobe, The Wizard of Oz, Tales From The Brothers Grimm, Matilda, Alice's Adventures In Wonderland, A Midsummer Night's Dream, Romeo and Juliet, Much Ado About Nothing, Death of a Salesman, Cyrano de Bergerac, Macbeth, Cat On A Hot Tin Roof, A Streetcar Named Desire, Cymbeline, Twelfth Night, The Tempest, The Winter's Tale, music that moves her, Casablanca. Sabrina. 42nd Street. Meet Me In St. Louis. A Star Is Born. The Wizard of Oz. An American In Paris. Mary Poppins. The Sound of Music. Annie. Singing In The Rain. Top Hat. The Gay Divorce. My Fair Lady. West Side Story. The Red Shoes. Grease. Fame. Dirty Dancing. Moulin Rouge. Chicago. Cleopatra. The Philadelphia Story. The Shop Around The Corner. An Affair To Remember. Some Like It Hot. Roman Holiday. Meet John Doe. La Belle Et La Bete. Breakfast At Tiffany’s. Romeo and Juliet. Disney films, Jeeves and Wooster. The One Show. Strictly Come Dancing. Anything on the Disney Channel. So You Think You Can Dance. Downton Abbey. Agatha Christie’s Poirot. The Forsythe Saga. Any Human Heart. Upstairs, Downstairs.

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friedesgreatscythe · 5 years

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tfw you realize that your formative years as a tween and teen were shaped by traumatic horrors on a macro and micro scale, on a national and personal level (tween me’s most emotional moments were a new backstreet boys album, and watching the columbine school shootings and resulting media circus unfold and my mother beating me; teen me obsessively listened to nu metal and nin to deal with the pain of abuse and the loneliness and isolation i felt from friends and family, and also had her keyboarding class [the one class where i was consistently praised for doing a good job and thus felt safe in] derailed when the teacher put on the radio so we could listen to the terrified broadcast of journalists documenting 9/11 in real time, only to go home and watch it all unfold on the news, and would eventually be raped by a boyfriend and sexually molested by several friends)

and all of those things happened alongside me suffering the constant pain and fear of untreated mental illness, and the only way you were ever able to come close to coping was by writing stories (stories of girls fighting monsters; stories of monsters learning how to be human; stories of girls harmed by their families; stories of children chasing their parents into dream worlds and being devoured by that dream; stories of traumatized adults finding the damaged child inside them; stories of the end of the world, the cruel demands of a tyrannical god, and all its horrors being inescapable and all that matters is the people around you; stories of magic and eating death and telling the one force that makes us all powerless that you will not bow to it)

and now that you’re an adult and trying to heal from one of the major traumas that happened on a micro level, you realize that every story you have ever written has in some way been about fighting against powerlessness, realizing that you are always going to be at a larger power’s mercy, and what matters is finding comfort and safety however you can get it by making it yourself

and then you feel less bad at taking so long to really be able to craft a story from start to finish because for half of your life, storytelling wasn’t about the technical process or wanting to be a novelist, it was about surviving, about coping with trauma, about showing a wound and trying to patch up pain

i’m not yet published not because i don’t know how to write, or was lazy, or not taking it seriously. i’m not yet published because up until now, my brain hasn’t been able to look at my writing as anything but an expression of agony and loneliness, and so i couldn’t view it as a skill to live off of. it wasn’t a skill at all. it was a necessity.

one of my high school teachers once said about me (in a recommendation letter for college) that my “modus operandi screams survival.” and i think that’s probably the smartest and most true thing anyone has ever said about me.

ETA: and i know that like... saying >9/11 seems crass or cheap or some throwaway line, but i don’t really... know how to stress how horrifying and scary and painful it was as a teenager, as a new yorker, as someone who has always loved being from new york and being proud of it and having that be the only american-related identifier i AM proud of, to just... sit back and watch this happen to my city, to my fellow new yorkers.

because it’s not just about the horror of the act itself, of planes going into buildings--it’s knowing that those planes and those buildings were full of people. it’s knowing that people were trapped in those buildings. it’s knowing that there were people on the streets looking on in fear, asking, “what about all those people?” it’s about people rushing to their aid and not knowing how to give them the help they needed. it’s about watching fire fighters stand in the lobby of the first building listening to bodies hit the street outside. it’s about knowing each crash is a life. each crash is a person. that’s a person. a person.

and through all that, it’s about new yorkers being new yorkers in a way i don’t think many people outside new york can really grasp. there’s a spirit in this state and in that city that’s unlike any other, honestly. we never sleep. we endure. we persist.

so while politicians in my country took advantage of 9/11 and used it as some jingoist rallying cry for war and conquest and invasion and preying on national fears and the deeply embedded racism and prejudice and hatred of other cultures and religions, for me, as a new yorker, it’s just this constant open wound. i don’t know if it’s something i’ll ever be able to put into words. i don’t think it’s something i can really understand.

a documentary about 9/11 came out in 2002, taking footage from two brothers who were filming the progress of a rookie firefighter as he rose through the ranks. they just so happened to be filming on the day it happened. if you have the stomach or the nerves for it, you should give it a watch. it’s the closest thing i’ve found that comes to really capturing how it felt for me to sit there and listen and watch and not know and not understand, but having to witness it anyway.

idk this post is really scattered, and it’s not like... 9/11 is the only traumatic, gutting, destructive thing that happened in my life. i’ve gone on in great length about being physically abused and raped and how that almost killed me, and how my mental illnesses literally devoured my body until i was barely skin and bones. i’m just trying to process how those things that happened to my body also happened in the same time i was watching this happen around me, and the realization that nowhere is safe. my body isn’t safe, my mind isn’t safe, my world isn’t safe.

while also realizing at the same time that for me, writing has always been an act of creating shelter. if nowhere is safe, then i had to MAKE a place that was safe.

#krist.txt #don't mind me #9/11 for ts #'make your survival mean something or else we're all doomed'#this explains why i love some fictional characters to abstraction #Sansa Daenerys Akechi Dimitri Edelgard #Shinji Asuka Kaworu Lightning Rinoa #Ashe Nadya Malachiasz #Usagi Hotaru the Seeds #Soulsborne protags Friede Ludwig Lawrence #they are all survivors and sufferers #they are all determined to make their pain mean something #they are all survivors of a force beyond their control #they endure

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