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#toa wizards storyboards
toa-archive · 2 months
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Bit late as it's been a everything is very behind kind of day. This week's boards are a random selection of panels by Tenyai (@ tenyai here on tumblr) which were posted a couple of years ago! A couple have not appeared otherwise.
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sergeantsporks · 6 months
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The Wizards fandom was crazy. Sometimes I'd make a silly little headcanon post and the Voice Of God (the writer) would appear in my notes and go "yea, sounds right" like wtf was up with that
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inhonoredglory · 4 years
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I thought this needed to be its own post, since it’s a huge meta and I really loved writing it.
The following is my attempt to analyze the symbolism and staging of @tenyai​ ‘s impeccable storyboards to Douxie and Merlin’s farewell, in the final episode of Wizards: Tales of Arcadia.
Teny, your boards and the thoughtfulness, heart, and passion you put into them have legit inspired me to take up boarding as a truly narrative, imaginative, and character-driven art. Thank you for these and for all the love. Your skill and craftsmanship and sincerity of emotion come shining through in these arts, and it warms my heart and fills me with absolute joy. I’ve been in awe of your handle of cinematographic symbolism ever since you teased so much meaning out of the final scene in Killahead Part 2, and I’ve changed my entire view on how to analyze scenes and characters on screen because of it. I cannot wait to see your analysis of this scene. It’s rich and powerful in ways I cannot even express.
People, please go check out her boards on her blog and at her professional portfolio on the website in her bio!!
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Waking up in Merlin’s Study
First up, parallelisms… Merlin’s study is the symbol of everything Douxie is aspiring to in his life. It’s the heart of Merlin’s knowledge, his position as a master and a wizard. It’s full of things Douxie is off-limits to (like the safe or the time map), as we saw in the second episode. He’s always been a student and an inferior in this room; that’s why he considers it an ironic Hell. But unlike in “Dragon’s Den,” when he wakes up in this room on the floor, scared and confused––here instead, he wakes up on the table, surrounded by Merlin’s books, Merlin’s knowledge. And he’s much more comfortable and relaxed. Symbolically, he’s not scrubbing the floor anymore as an inferior.
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I almost want to say that Merlin’s tables represent the places where Merlin crafts and makes things––like in “History in the Making” when he is shown making the amulet over one of the tables in his study. But in this case, the person Merlin had a hand in crafting was Douxie. And being a father to Douxie, by saving him from the streets, is Merlin’s greatest accomplishment. He may have saved Douxie, but Douxie took on a life of his own and surpassed Merlin’s wisdom, in a way much like the amulet took on a foresight far more wise than Merlin could have ever predicted (choosing a human to be the Trollhunter, despite Merlin’s belief that a human wasn’t enough).
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Walking to the Light
After Douxie wakes up, we get the walk towards the Light, with Merlin starting out in the Light and by the end of this scene, falling into Shadow. Symbolizing Douxie’s growth and perception of Merlin, and symbolizing Merlin’s position as Master Wizard of this realm and his willful relinquishing of that role to Douxie. At first, Douxie wakes up, thinking about his past in this room and all the service he did for his master––who in this shot appears as a hazy halo-ed vision speaking down at him from the unattainable glow: “Hello there, boy,” said with the kind of judgmental snide Douxie’s used to from Merlin.
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Then they start walking and then we hit the window at the far end of the room, a kind of apex in the parabolic staging of Douxie and Merlin’s movement through the scene––with the arc going from the back of the room and the table, to the window, and swinging again to the back, this time from the right side of the room. Merlin’s dialogue when we hit the window is important. He’s first talking about how he’s dead and vaporized into soot, etc, and then he opens the time map and asks, “The question really is, Why are you here?” A charged, thematically rich question placed right when we see the mingle of blue and green light from the time map’s lenses––the mingling of these two’s lives through the ages, the summation of all Douxie’s insecurities and all Merlin’s expectations, all Douxie’s greatest mistakes and his greatest triumphs.
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Why Are You Here?
Why is he here? At this point, Douxie’s finally let go, he’s accepted Merlin’s death, accepted the title of successor, accepted his gifts and powers and heroism. And he’s accepted that death is part of the job of Master Wizard if it means saving those he’s sworn to protect. So why is he here? Because he’s done everything and more that a true Master Wizard is supposed to do. He’s equalled Merlin, nay––surpassed him in heroism, wisdom, and responsibility. The mingling of the time map’s lights symbolizes that Douxie has achieved everything Merlin represented to him, and more.
And then Douxie touches the Light, looking out into the glow of the hereafter, saying nothing (I love that and makes me crave for his thoughts).
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There’s something so fundamentally and chillingly introspective and metaphysical here in this shot for me. It comes on the heels of not only “Why are you here” but also “I am most certainly dead. You saw me vaporize into soot.” Cuz that’s what happens when we all go, isn’t it? You might be the wisest person on this earth, mastered all there is to know about life, become the greatest wizard, lived a thousand years and more, and still in the end, you will die, and to the dust you will return. Maybe Douxie’s thinking, Am I here because I’m dead too? Because my body is gone, because somewhere out there beyond the stained glass is the explanation of the mystery of what happens when we die? Because even if you master life, there is no mastery over death, because none of us will ever feel what it truly is to be on the other side until we get there?
Separate and Equal
Symbolically, with the lighting, it also means Douxie’s touched Wisdom/Maturity in a way. If the hazy glow of Merlin at the start was from this Light, from this Unattainable Essence––then by the time of this staging’s apex, Douxie has achieved what Merlin has. He’s touched the thing that he has sought for so long. He too can be framed by the Light of the person he wanted to be. So now, we see Douxie talking back to Merlin, and not being silent anymore.
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Merlin and Douxie are on the same plane now––as equals. We get the vitally important shot of them side by side, Douxie laughing off Merlin’s disapproval, both of them framed by the Light, both of them standing on their own, balanced by the pillars and the light, each of them solid and independent, separate and equal.
Douxie’s Need for Validation
And then we get to the other side of the parabola, the shift in Merlin’s dialogue from disapproval to one of admiration and pride. “I can see you no longer need my validation.”
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This line kills me, because you can see in Douxie’s face that yes, he does. Oh how he desperately wants it. But he’s worked so hard to NOT need it, so that he can grow and flourish. And Douxie falls back into that quiet again, waiting on Merlin’s every word, because his rebellious veneer is stripped right now. Merlin’s hitting on the core of his needs, the source of his insecurity. In the film version, he’s even holding his hands together in front of him, and if that body language means anything to me, it’s Douxie feeling small and childlike again, needing and wanting something from his Dad but not having the courage to tell him.
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Staging-wise, Douxie’s still very much following Merlin. He’s behind him, chasing after him, looking up to him. The “ancient Draconic” stand-off was the first and most important show of Douxie’s growth, born from Douxie’s own gumption and sass, when Merlin for the first time in this scene walked up to *Douxie* instead of the other way around, even if it was to judge him:
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But like any good hero’s journey, after one win, our hero gets a setback, a reminder of his failures, before he wins again. And this time, it’s Douxie feeling like this latest monologue from Merlin is again some kind of judgement, some kind of backhanded lecture. Would his show of strength and independence fall on deaf ears?
“Remember when I told you that magic is mastery over life?” Merlin says, holding up an alchemy bottle and then a book––tools of the trade, spellcraft and tricks. All the things Merlin taught him. In a huge way, Merlin wasn’t there for the real lessons Douxie learned to become truly wise. Douxie became strong and selfless and kind because he had to, because those were the ways he knew in his heart would take him on the path to reaching that wisdom of life Merlin was talking about. I wonder if there’s something to the fact that once Merlin starts saying, “Nine hundred years you’ve guarded this realm…” he puts the book away––putting away his own knowledge and symbolically recognizing that Douxie’s wisdom has taken him far past Merlin’s own teachings, and that in the 900 years that went by, Douxie has guarded this realm with a mastery of life all his own.
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In the final version, the moment Merlin says, “You’ve disrupted time, freed ancient beasts,” that’s when Douxie drops his hands, stops walking, and looks down––a brushstroke reminder of his guilt on doing these things, things that Merlin disapproved of, but things Merlin is now seeing as good and right things to do.
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And then we get to the shot of the amulet blueprints, and the wonderful crowning statement of Douxie’s morality: “You’ve… fought to save one life at the risk of countless others.” Meaning Jim, meaning the very person who inspired Douxie to take his selflessness that one step further and set aside his own life so that he could save everyone. Because every life is precious. I find it fascinating that on this line in the boards, Douxie silently fist-slams the table, disappointment all over his face. While Merlin, now in Shadow, has a look of wistful regret.
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This shot is so pack full of meaning, and I keep adding to this interpretation...
Douxie for so long has been stripped down for everything he’s done, been criticized by Merlin for being different from him. In some ways, he thinks this latest monologue is more of the same, more ways in which he’s disappointed his father. And clearly, despite his growth, it still hurts him.
And it hurts him that while Merlin is talking about saving Jim’s life, Douxie never really was able to save him. Douxie died while Jim was still corrupted. He died only seeing Jim lose himself to the Green Knight. He never saw Claire’s heroism in bringing Jim back. Personally, Douxie failed.
But even more than that, it hurts him that for all his love for Merlin, he could not save him. He might give his life to save the world, but he cannot bring Merlin back from the grave. Every life is precious and he would risk countless to save just one. But he couldn’t save the one that meant the most to him.
Merlin recognizing he’s wronged Douxie
In the end, Merlin here isn’t talking Douxie down, even as he’s pointing out their differences. He’s in awe at this idealism Douxie possesses. He’s not criticizing him, he’s not being wry or ironic. Merlin looks up at the portrait, knowing that it wasn’t him who gave Douxie this outlook on life. It wasn’t his harsh treatment that gave Douxie his beautiful soul. Douxie had it all along, and Merlin was too dense to see it and nourish it.
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So what Merlin says next hits even deeper––
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“And yet, despite such relentless hardships…” Merlin’s looking up at the portrait. He’s looking at himself. He’s looking at everything he’s done to Douxie that’s burdened his son with that guilt, that insecurity, that fear, that emotional abandonment. He’s acknowledging here his part in the trauma of Douxie’s life, and his regret is that all this time, it was Douxie who was the better man than he was.
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And then we get the symbolic shot––“Despite such relentless hardships, you managed to protect those dearest to you”––with Merlin in Shadow and Douxie lit from behind with the Light. A reversal of the opening shot of this scene, when it was Merlin in the Light and Douxie, unsettled, in the Shadow. This is finally Merlin laying down his ego, seeing in Douxie the strength and force of love and protectiveness he never had. The very thing Merlin didn’t do, when he didn’t protect Douxie all those years, when he let his son down, when he left him and ignored him and took him for granted. When he didn’t give the person dearest to him the love he deserved.
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Resolution
And finally, it’s Merlin walking *up* to Douxie, Merlin falling in Douxie’s shadow, and Douxie being once and finally again on an equal plane with his master and peer. “My Hisirdoux, what a life you’ve lived. What a wizard you’ve become.” This is the climax of Douxie’s parabolic hero’s journey in this room. Merlin has at long last given to him what he desperately needed to hear––pure, unadulterated pride in his father’s eyes, and an honest and sincere expression of love, kindness, and emotion.
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It’s too much for Douxie’s desperate heart, and he collapses into his father’s arms, releasing 900 years of pent-up emotions and need.
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(Is that symbolically why Merlin’s always in armor and Douxie never had any––cuz he’s fragile and bare in the face of Merlin’s cold, callous exterior?)
After that hug (waaaah TEARS, every. freaking. time), we once again are treated to the Light symbolism. First again to show how equal these two men are––Merlin importantly a step down from his son, with the light behind Douxie. And then to show the time map, glimmering with a calm, peaceful, happy equality.
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Life and Death
And now we’re in scene denouement, as Merlin and Douxie walk to the end of the parabola (past the first table and eventually out the door). Fascinatingly, in the boards, Douxie glances around the room and then his eyes I believe land on the table he woke up in earlier, before the scene cuts and we get a shot of that same table, panning up to reveal Merlin and Douxie facing the doorway to the hereafter.
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And in my brain, it’s like we’ve come full circle in Douxie’s life arc. If waking on your back is birth, snarking about your tough childhood, and now after all you’ve gone through, you look back on that time at the end of your days, ready to face what comes after death…. (well, that’s what it means to me anyway).
Douxie’s fully prepared to leave the mortal world. That’s how far he’s come in his maturity. He closes his eyes, accepting the unknown and resting in the confidence of who he is.
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The Hero’s Journey
But like any good hero’s journey, the end isn’t to leave the ordinary world with the boon of your new knowledge and wisdom. It is to return to your home and share that knowledge with others, to use what you have gained and become a teacher and protector for your family and community.
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Merlin gives him one last lesson, one last parting gift to tell him, Hey, you have more power than you even imagine you possess. Your rebellious spirit made you who you are today, and it’s what will keep you alive and fighting because it’s your gift and how you protect the world. Your way.
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Merlin’s parting sign of the horns is the cherry on top of this whole thing, a perfectly subtle way of Merlin acknowledging who Douxie is, accepting it, and celebrating it. Saying goodbye to his son in a language meant for him. Douxie’s tears at the end (wish they got into the final oof!) speaks volumes to his beautifully mingled emotions––amusement at Merlin’s gesture and a poignant love that he did it for him. I tear up just thinking about the look on Douxie’s face and what it all means in his heart.
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Anyway, that’s a wrap, folks. I love Douxie with my entire soul. Thank you for sharing these boards, Teny, and for putting your heart and tears into this masterwork of a scene. (I listened to “Moving On” to write this for the Mood and guhh, it’s a tear-jerker gosh.) This fandom is incredibly lucky to be the recipients of your favorite sequence in your career to date. It’s been an absolute pleasure to see your work and feel the heart you poured into them.
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I’m screaming
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biancasiercke · 3 years
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Trollhunters ROTT Prediction #21
The Beast still lives inside Jim and he has nightmares that he will hurt his friends Thanks to our incredible @noehaddock​  for this prediction  💛 | For more ToA drawings visit my tumblr | This is not canon As always, if you’re interested to join the #ToARiseChallenge, send me a DM/message with the hypothesis you have for the movie.  I’ll draw images for as many as I can  right up to the movie  release (Only 7 more days!!!)  
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everlastingfable · 3 years
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Douxie cleaning Merlin’s study storyboard sequence by Dwooman
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sp-ace-bar12 · 4 years
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Instead of a big drawing this weekend I decided to do a sequence analysis cus I’m very out of practice. Gotta work on my line quality like crazy but I’m still happy with how this turned out!
Show: Trollhunters, Se3 Ep 13 time stamp: 12:23.
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phantomsilva · 3 years
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Thoughts on Rott
I’m not very active because of time, but I really need to put this out. So now that everyone has had their rants on rott… It’s my turn.
A reminder that all I’m going to talk about, is simply my opinion on the matter. Oh, and this will be a pretty long text.
ROTT SPOILERS(I guess)
I’m not even gonna talk about how OOC the characters were in the movie, I think other profiles already did a pretty good explanation of that, and I actually expect it from a movie.
I’d like to talk about resettings and about how as a writer myself (at least in my native tongue) I swear I’ll never use a timeline resetting as an ending in any canon fiction of mine.
To begin with, resetting being used as a resolution, an ending, is by concept disrespectful.
First, it disrespects all characters’ arcs.
Everything every character went through, their growth, their pain, their victories, is completely thrown at the garbage. It means nothing anymore because all of them went back to the start, none of it ever happened and there is no way in canon to know if it will happen the same way again.
I don’t know about you who is reading this but a big part of the reason I follow a series is for character development. That was the one thing in toa I was always proud to affirm it was chef’s kiss. Well, none of this exists anymore, jokes on me.
So, my second point: Ending with a resetting disrespects the viewer.
I think it is bad enough when you waste two hours of your life watching a movie, for the resetting to happen at the end. But then it was only two hours. Rott was a movie, but it was a part of a 5 years franchise. 5 years that we spent waiting for new stories to come, to see our favourite characters grow, come back or even die. All the engagement, happiness, and other emotions we felt while following these same characters were completely meaningless when the franchise ends with “And so we are back to the beginning”. I think it is even worse when they complete it with “and now everything is different and you don’t know what is going to happen… But we won’t tell you how”.
The disrespect doesn’t even end there for me lol . Besides the “So, and it was all for… nothing” feeling, I think the specific way it was done in toa affects it on another level.
Trollhunters was a comfort tv show for me, I found it in a very difficult time of my life and have been rewatching it for fun in stressful weeks.
I saw someone commenting “how can I enjoy the rewatching if I know in the end none of this ever matters?”. That is my problem with the specific way they used it. It affects my rewatches. Maybe it is still too early, but everytime I think about rewatching season 1, I realize there is no reason to do it. And not because I already watched it several times (thanks anxiety), but because all of this was undone and maybe never even happened.
I never expected an ending would ruin a whole franchise for me and I followed Steven Universe weekly. Worst case scenario, I thought we would have had a weak ending that could easily be forgotten, or continued in our fics. We would lose some characters, like we’ve lost Draal, but when we revisited them in past seasons they would still be there.
Revisiting past seasons now just tastes bitter.
I see Jim riding his bike on episode 1, I see Strickler with his character arc, Steve that has grown so much as a person.. And then I remember it was all for nothing. All of it was erased and, canonically, they will always be on square one.
I saw someone today saying “It is worse than ‘it was all a dream’ ”, and that is it. “It was all a dream” is already a disrespectful trope, this was worse.
If you are still here, I'm sorry, there is more to this rant. I won’t be repeating the disrespect thing though, I think I’ve made my point.
There is another aspect of the resetting that I really want to talk about.
Have you ever watched Dragon Ball? Yes, guys, I’m that old.
Dragon Ball was known for the trope of reviving characters. We always used it as an example to criticize this trope.
Reviving characters out of nowhere or with frequency takes the weight out of a character’s death. The spectator doesn’t care anymore when they see someone die, because they will come back in the end, and you feel that the writers take killing people very lightly because of that.
Difference between Reviving Characters and Resetting Timeline as an ending is that Reviving Characters can be good if used with caution. Resetting Timeline can’t, and that affected writing in Rott.
I found it strange how so many deaths felt light there, and to me the explanation is: they knew in the end it wouldn’t matter, so they didn’t need to put that much weight into it. “If none of this ever happened, I can kill whoever I want however I want.”
Which takes me to my last point of “Ending with Reset Timeline is bad by concept”.
When you know you will reset a whole world to the start, you can do any crazy thing to the plot or the characters because you don’t have consequences from that. Which, to me, explains the “wtf” feeling a lot of the fandom got while watching so many OOC scenes and silly situations during the movie. From a fandom who was waiting for an ending for more than a year, it is really disappointing.
Now, of course I’m not saying any of this was done on purpose, or with malicious intent. I think the writers had very good intentions, we know there were crew there who worked on other seasons of TOA. I even get the concept of “the adventure will continue forever”. I just think they forgot to read the fandom room.
Anyway, I really wanted to share my feelings about the “Resetting Timeline as an ending” trope (?) because I don’t think the issues here are limited to TOA. All points T made are pretty general and I got it from all the works I’ve seen using this “solution”. I’ll advocate any day that this is a lazy and disrespectful solution, no matter who uses it or where it is used. Unless, of course, you do give me the whole franchise rewritten after the resetting, but that ain’t ever gonna happen.
I’ll take from TOA the amazing artists and storyboarders I found out here. The stricklake discord that gave me so much joy over the last two years and let me meet great people. Even the screenshots and beautiful scenes from the movie because the art was Amazing! That part I'm taking with me. Oh, Good Aaron, of course, cause now I’ll be following his work wherever he goes because this man is amazing. Actually, only him to make a good situation out of this. As he himself said, all headcanon is now canon.
So I’ll be disregarding the existence of rott, as I disregard the existence of the last airbender, take the rest of the franchise with me and any post-Wizards/rott rewriting fics I’ll find. And if I don’t find one I’ll write one. Nothing can be worse than resetting timeline ending.
I hope someday I can revisit the old seasons without this bitter taste, though.
That being said, I’m open to fic suggestions. Rott AU's, Rott erasement, post-wizards AUs, you name it. Do you need a reader? Send it to me.
And I’ll be doing stricklake month, once I recover from this.
Thank you for coming to my TED Talk.
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jim-thehunter · 5 years
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I'll forever be bitter about how underappreciated Trollhunters is. It's arguably the best fantasy show of the decade. The character designs, the art direction, the storyboarding, the animation... They are phenomenal. It at least deserves the same fandom as The Dragon Prince and Tangled the Series.
But instead, it's often ignored or even disrespected in the animation community on Tumblr and Twitter (maybe a certain YouTube video has something to do with this).
And I wasn't around in 2016, but Netflix didn't put too much effort in promoting 3Below and it doesn't seem like they're gonna change that with Wizards. ToA deserves more.
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brushes-of-sage · 4 years
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Whump anon! Latter (scenes of your own) and anything goes! Thank you and wishing you the best--or at least, a better day than they are having ^^
Oooh sweet, free rein, bless you anon 😈
Alright, a few scenarios come to mind, one for each fandom. I might not be good with physical whump, so here comes the emotional turmoil and internal angst:
TTS
Here’s some sporadic thoughts -
DECAY INCANTATION - the feeling of slowly dying, as if your insides have begun to shrivel up but you can’t see any physical changes, your strength leaving you and you fall into your knees, your chest tightens and you can’t seem to be getting enough oxygen each time you breathe, everything seems to be turning grey where are the colors where did they go, and you can then literally feel the life and light and warmth being sucked away from you and through the muffled pounding of blood in your ears, you hear the cackling and victorious chanting of an ages-old demon...
Like imagine if we saw in depth more of those effects - granted, it did happen in canon, but storyboards shared a different story and I’m always down to see extended and darker perspectives of those characters who were literally dying-
Now just imagine if Rapunzel or Zhan Tiri hadn’t stopped, whether it be in the final battle or at the Great Tree, or even when freeing Quirin-
ALSO - just because this suddenly came up on shuffle, ‘All I Had is Gone’ (such an emotional song during the heroes’ low points). But also a good song for Varian - whether it be in prison and he’s coming to terms with what he’s done, with what he’s attempted to do, with what he’d been ready to throw away because he truly believed he had nothing left to lose then, or be it also possibly another event where an invention went severely awry or hey, a kidnapping where his past catches up with him?
But it reflects on his internal struggles with forgiving himself, with perceiving the views others had of himself, with wanting to make everything up to his dad (because how do you react to your son almost committing regicide for what seems on your behalf?). He had so many hopes, so many dreams, so many possibilities to strive for...
One mistake, a few missteps, a choice that ended up hurting others... and it feels like you’re standing on an empty stage with the spotlight burning bright on you as you’re watched by countless of faceless people and you’ve forgotten your lines because you know you’ve never picked them up and it’s now all on you
Vague one there, but emotional turmoil is one way to go 😅
TOA
Alright, I love Douxie, so of course he gets all my love and whump. I actually had the vaguest thought of a fic for this but it turns out I might not be able to do it so....
Nightmares. 900 plus years of seeing the wonder and the horrors of the world, all while brushing aside his own desire for validation and reassurance from one of the few people he viewed as family until he gets it at the very end right before said person died-
He gets nightmares. Of Merlin dying. Of falling. Of himself dying. Of leaving Archie and Nari alone. Of guilt. He hears the icy and hissing voices of Skrael and Bellroc in his sleep, always haunting him, mocking his every move. Some of the last voices his living ears had heard before he’d died.
He may act and actually be confident, but one doesn’t brush away centuries of buried insecurities so easily, especially when they’d been clawed to the surface just recently.
So yes. Nightmares.
(Also, can’t throw out the trope of kingdom that fears and despised magic and thus execute anyone who is or uses magic. Merlin might’ve saved his life, but he’s not there 24/7. People don’t forget. People have prejudices. This is a kid and a cat off of the streets. He’s small and scrawny and just absolutely in Merlin’s debt - a target who won’t cause the Master Wizard any trouble by bothering him about minor scuffles and intimidation tactics and threats. Douxie’s survived long enough with Archie, but living in the castle - it’s like living in the lion’s den where the lions have been starved and you’re the first lamb they’ve seen in forever. They will pounce at the first moment’s notice).
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I’ve got no idea if this is what you were looking for, but here’s some whumpy thoughts for your pleasure :)
Hope you have a great day/night as well!
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toa-archive · 2 months
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It's been a bit of a chaotic day/going to be A Week so this weeks boards are a different form of chaos! From Leah Artwick we have this sequence from the Wizards episode Battle Royale with all the modern gang accounted for. Even if Douxie does look a bit done with life and the universe or just Steve waving Toothache around, he's doing his best.
Archie meanwhile is NOT having a good time.
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toa-archive · 7 months
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Oozing a bit from a weather induced headaches so apologises for any typos/general janky wording.
This week's storyboards are from the Wizards episode Killahead and are by Dan Stone! Tumblr is still point blank refusing to link properly so below is a screenshot preview and the link to the gif. Enjoy an untextured stick if you were struggling a bit on the shape of the thing
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Link here. In addition there is this related tweet:
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Overnight he announced he's moving from boarding to writing so these were backed up along with his other non-youtube/vimeo sequences juuust to be safe. The folder these are in are affectionately dubbed "Making the stick."
Now rather interestingly this is not the only place the machine shows up! On Alison Donato's website it's there too for an effects breakdown in it's untextured glory.
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EFX breakdown and look ideas for this sequence; the 3d model was provided to me from the cg team.
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Unsure who that rough board belonged to though without a doubt the other three are Daniel Stone's aka these give or take:
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Not unheard of for boards to be shown on another artist's work, just very unusual!
What is also very unusual is we actually have the model artist for the machine as well which will be posted on twitter on Monday. His name is Anthony Syracuse and he his two demo reels have all sorts of tidbits you never normally get to see.
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Not the best pause in the world but you get the idea. The reel this one is in can be found here.
Enjoy this production rarity of the stars aligning and enjoy for your reference needs!
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toa-archive · 5 months
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This week's storyboards are from Wizards involving Steve's workout montage during the Killahead two parter! We need something light this time of year.
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Paul Cohen is a delight just look at this:
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Gonna know his name alright.
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toa-archive · 6 months
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This week's storyboard had me yelling from the moment I got my hands on it last Monday. Why? Well for one it's Wizards (Which is already a struggle), for two it has content that didn't make it to the final which is always a delight and three, it contains Charlemagne! He's up there with Zoe, any of the Order and the doubt it'll ever be public Lady of the Lake in terms of rarity.
So may I present this delightful sequence by Tom Sales which is from the episode Dragon's Den!
HERE COMES THE BOY
HELLO BOY
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WELCOME
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Sorry
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toa-archive · 10 months
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Wizards opening sequence part 2
Did the text thing twice. This was also the original post that hit the cap causing even more juggling when a few got missed...
As mentioned on the previous part found Here, Felix Yang's website was recently discovered to have been updated! With a ton of Wizards content including an alternative intro! Due to the video going by in three seconds it has been screenshot for easier viewing and will contain UI elements due to being very difficult to pause. Some panels may be missing too.
So resuming again...
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For fun comparison purposes this is what the finalised intro looks like:
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biancasiercke · 3 years
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Jim and Claire before going on stage 😊💛 | For more ToA drawings visit my tumblr
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