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#tmatb ii
keydekyie · 27 days
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captive moth
🎧
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When I first saw that @keydekyie had physical versions their books I knew I had to get them, I’m just so happy that they finally came in today :3
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theboarsbride · 1 year
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Name 5 movies/book/songs/etc that inspired each of your stories!
:0
OOO!!! So sorry this took too long to get around, but thank you so, so much for sending this ask in!! 🥺💛
The Monster and the Butterfly🥀🦋
Crimson Peak - and Guillermo del Toro's whole filmography, tbh, but Crimson Peak especially. And also other ghost movies/shows, such as The Orphanage, The Others, The Haunting of Bly Manor, Mama, Paranormal Activity, The Conjuring I & II.
Panna a Netvor/Beauty and the Beast (1979), as well as Jean Cocteau's La Belle et la Bete.
Various dark fantasy movies and books from the 1980s/90s like The Dark Crystal, Legend, The Company of Wolves, etc. and Angela Carter's The Bloody Chamber.
Shelley Duvall's Fairytale Theater "Beauty and the Beast" episode (literally why Susan Sarandon - who plays Beauty - is Sophie's fc)... and honestly, on that same note, Peter Jackson's LOTR trilogy because the fucking music is so good, and Brad Dourif as Grima Wormtongue is the whole reason why the modern version of Edgar exists (and is his fc) lmao.
A Taste for Monsters by Matthew Kirby - and to add onto this, KIND OF?? Is that a lot of inspiration for TMATB came from the hate I feel towards some modern BATB retellings (i.e.- Sarah J Maas' A Court of Thorns and Roses series especially) that feature conventionally attractive 'Beasts' who are only beasts in the sense that they're awful, toxic, cruel people who, to me, don't deserve redemption or romance - or even friendship - as well as female protagonists who are just so, so unlikeable in their bitterness, idiocy, and Mary Sue-ness??? I wanted to write a romance that featured love interests that were unconventional in appearance, flawed but still likeable, and having a relationship that is healthy/consensual!
Cheating and adding a 6th one, but the works of Abigail J. Harding's Parliament of Rooks portfolio! GOTHIC BIRD MONSTER BELOVED!
Those Red Nights🌕🐺
Using Bob Odenkirk as a fc for a werewolf character - literally that's the whole reason why this story exists lmfao. So you bet I was watching the hell out of Better Call Saul and Breaking Bad for inspo (and simp material)!
Silence of the Lambs, the movie especially! But there is also Thomas Harris' Red Dragon novel (and the movie starring Ed Norton and Anthony Hopkins, and the movie Manhunter) that was a source of inspiration!
David Fincher's Se7en - I wanted to write a neo-Noir story for a hot minute, especially ones with psychological horror elements!
Nightmare by Tuesday Knight - this just helped me develop the idea of TRN being a psychological horror, and writing about the themes surrounding nightmares, the haunting effects of guilt, etc.
Werewolf movies like Bad Moon and Silver Bullet
Temperance & Mr. Wyrm 🐍⚕️- I don't talk about this WIP much but I still think about it regularly!
Wanting to do a retelling of the fairytale "The Lindworm Prince" and also wanting to explore writing a weird body horror romance!
The Shape of Water - again, del Toro out here inspiring goofy fucking monster romances!
David Cronenberg's The Fly - tragic body horror romance goodness, my beloved!
General 1980s media and pop culture - a lot of this was kind of inspired by reading My Best Friend's Exorcism by Grady Hendrix! It's a book set in the 80s and utilizes the 80s nostalgia, but it also doesn't shy away from how ugly the 80s were in terms of social stigmas for people who weren't straight white men. In TAMW especially what I'd be alluding to is the stigma surrounding AIDS, and other blood-borne illnesses.
And, lowkey, wanting to have Gwendoline Christie as a fc for a character?? Like, idk, with who Temperance is as a character within the novella, Christie seems to fit her super well! Also the tall gf x short bf is a ship dynamic I ADORE! (also the character of Jack, the titular 'Mr. Wyrm,' is another character where I use Brad Dourif as a fc for but shhhhh i know I'm cringe, don't remind me)
These are the main WIPs I still work on!! There is also The Faeries and the Lark but that's more on the backburner for now, but that story was inspired by wanting to do a genderbent retelling of Sleeping Beauty but has now turned into a Gothic/dark fantasy Sapphic romance that's a funky blend between Sleeping Beauty and East of the Sun, West of the Moon that's inspired by Scandinavian folklore and seeing images of women in armor lmao.
But if there are any WIPs you'd wanna learn about, give me a shout and I'm more than willing to scream about these goofy, silly little stories!!
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keydekyie · 8 months
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oh he's fast!!!
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keydekyie · 10 months
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the boy lacks emotional self awareness
scene from book II
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keydekyie · 1 year
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tfw you upset your giant monster friend and he accidentally triggers your fight or flight response
▶───◆──◈──◇──◈──◆───◀
a portion of a scene in chapter 17 of The Crossing
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keydekyie · 2 years
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Reaching out, yearning to help, then flinching back, afraid of making things worse. Afraid to reach out, afraid not to. Afraid of hurting, afraid of being hurt. Afraid afraid afraid. 
Desperate to trust, to be trusted, and desperately afraid of both.
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keydekyie · 2 years
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POV: you are a humble plainclothes officer and your acquaintance has very politely invited you to meet her friend, who happens to be one of the extremely dangerous creatures you've spent your entire career hunting, and you are desperately trying to maintain your composure as he does his best to intimidate the shit out of you
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keydekyie · 2 years
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It was strange, how the sight of her looking up at him from that pocket made everything feel so much less daunting for a moment, made the world feel so much smaller, so much friendlier.
excerpt from book II
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keydekyie · 1 year
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😏
Something from book II: The Crossing.
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keydekyie · 2 years
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"Sorry, you have, uh... you have something..."
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keydekyie · 1 year
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Any advice you might have for others who wanna publish but can’t seem to get their plots in order?
This turned into a lot o.o; sorry!
lol I'm not maybe the best to ask since it did take me more than 6 years to write a sequel to book I, but my advice would be to talk it through to someone else. Like verbally. Or maybe even to yourself! Explaining the plot (or something else important to the overarching story, like themes, motifs, or character arcs) can help me recognize things to work on. I talk to my partner a LOT!
Maybe the most important thing is to get things out of your head and onto paper (or a computer screen, as the case may be) so that you aren't trying to hold a lot of stuff in your brain that you don't need to be holding. Leaves room for the ideas and better organization. I'll expound on how I do that below.
I also like to zoom in and out of the story to help me keep perspective. When I feel like I need a closer emotional connection to it, I get real granular and write some dialogue, a dramatic scene or internal thoughts, or a description of some visceral physical thing, or maybe sketch some expressions or scene ideas. Might use it, might not. If I like something a lot, it may help me to know I need to move the story in that direction. When I feel too bogged down by stuff or directionless, I zoom waaaay out and write plot outlines or emotional arcs.
There are a few anchoring pieces that I build the story around. I take care not to forget them.
And of course I keep an outline of the story going, but I think it's important to keep things flexible. Why get hung up on putting things in a certain order or doing it a certain way when maybe it's better a completely different way? I've moved huge chunks of story all over the place. If it makes the story flow better or gives a scene a better emotional impact, then I do that! No rules, babey!
I think the thing that's hardest for me with this way of writing is not being able to share things as I write them, since I don't commit to anything. It makes it hard to stay motivated, because I'm not getting constant feedback and encouragement from people, but it makes the story easier to mold and form because I don't have to fit things to whatever I've already shared. If I write a big long chapter and two months later I want to completely scrap it in favor of something else, it's fine. There's no restrictions.
Oh btw my outlines are pretty loose and silly. I have a lot of stuff like this in them:
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I also like to write out the various ideas I have to resolve conflicts so I can play around with them. I don't like to choose the easiest, cleanest options, I like to pick the options that balance sense with potential drama.
Example for the fight at the Motylek altar in book II chapter 9:
[MAJOR spoilers for book II below]
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One other thing I found helps a lot is to have an exhaustive list of characters with their physical descriptions, ages, jobs, families, locations, basic personalities, and relevant beliefs in an easy to read format. I don't use all the characters I come up with, but it gives me things to springboard off of and helps me stay consistent. I made up and grouped dozens of Motylek villagers that I didn't end up using, but I had them ready just in case.
I've also found that drawing out the story in various visual forms helps me. For book II I drew all over a map where the characters were physically going and when.
[MAJOR spoilers for book II below]
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I also like making visual aids for other aspects of the story. Below is a chart I made to figure out Ruyak and Kaelin's growing relationship in book II with its ups and downs. It roughly graphs Kaelin's confidence in Ruyak over time (it's not to scale, it's just based on significant factoring plot points)
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This is just half the graph since the other half is book III stuff. You can see there are two horizontal lines I use for reference, the lower one is where Kaelin starts at the beginning of book II, the higher one is uh... something significant that happens later lol. You can see Kaelin's confidence actually started out higher before the start of book II and went down until Loske. This chart helps me keep track of where she's at while I'm writing so I can keep her behavior consistent even though I jump around a lot while I'm writing.
A thing of note: none of this stuff is set in stone when I make it! I changed things many times as I wrote, and added and removed things willy nilly.
I don't know if any of this is helpful or not! But it's what helps me, so... y'know.
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keydekyie · 2 years
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brothers fighting. again.
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keydekyie · 2 years
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The Moth and the Bear Book II goes live tomorrow!
Tomorrow (August 27th) Book II will finally be available on Kindle and Smashwords. Within a few days, the paperback will also be available, though Amazon doesn't tell me exactly when.
If I get any asks or post anything spoilery, I will be tagging it "#tmatb II spoilers", so feel free to blacklist that until you're done reading.
As a reminder, I did split what I was calling book II into two books, because otherwise it would have been abominably long. The good news is that it means book III is already mostly done. The bad news is that you'll still have to wait a little longer for it.
Anyway I'm just really excited for people to read it. I've worked very hard on it and I think it's genuinely really good. Way better than book I, anyway.
Thanks again to my beta readers for helping me with those final touches, and to everyone for their support and kind words.
Happy reading!
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keydekyie · 1 year
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I'd got a few ideas for requests, but how about on pages 227 to 230 (physical book) where Kaelin and Ruyak have their fight near the road to Loske
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I've not had the easiest time focusing these days so this is taking WAY too long to draw, but while I was trying to work on it I realized how cool of a thing it was to have the book page actually open on my desk while illustrating the scene and I got all excited lmao
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keydekyie · 2 years
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Oh my god I'm done. I'm finally done. Holy shit.
~122,331 words~
31 chapters
fuckin... 6 years???
holy shit
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