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#tjlc playlist
helloliriels · 24 days
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Would you love me more? (Would you love me more?)
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If I killed someone for you ...?
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Would you hold my hand? (Would you hold my hand?)
They're the same ones that I used ...
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When I killed someone for you.
If I Killed Someone For You - Alec Benjamin | TJLC playlist
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victorianpining · 10 months
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why are so many videos of yours missing from your TJLC playlist? TAB parts 1, 2, and 3, john's romantic arc, etc
BBC Copyright claims!
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inevitably-johnlocked · 10 months
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WAHHHH DISREGARD THE LINK IN MY LAST ASK
Use this one instead! The last one was to edit my playlist which I don’t want 😭🙃
gaylilsherlock asked: Saw a reblogged ask about your collecting playlists, here’s my tjlc playlist it’s a Spotify link, enjoy!
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Hey Lovely!!!
THANK YOU!! LOL I posted the second half first so I could remove the link the you DIDN'T mean to send, hahahah!!
If y'all want some more Johnlock-inspired music beyond my own playlist, please check out this one!
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rhasima · 3 years
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TJLC Explained Full Playlist
I need to say it again... this is just amazing!
https://www.youtube.com/watch?v=tAuSka6bMks&list=PLRwVIQF4ykfFZqqNQUP6yeDAwMk0INntn&index=1&ab_channel=TJLCE
Go and look up these Videos because, you will learn so much about Sherlock and John, about the Show, the subtexts and more. I know it's not canon yet, but I believe it. Its like I can feel it!
If you have something like TJLC Explained for Season 4 from Sherlock, I beg you to show it to me! I will read and/or see whatever I can get!
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impliedscamp · 3 years
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say something by a great big world & christina aguilera my detested
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thewatsonbeekeepers · 4 years
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I have a huge deadline today so I won’t be posting much til the johnlock hours, but a quick one now to say thanks to bbc Sherlock. I truly believe that it could have - and should have - been one of the greatest works of queer fiction ever written, and that if we ever got a series 5 that’s what it was going to be. thanks for keeping me going through school, and I’m so glad I came back after the s4 fiasco, because the emotional power of the show as well as the love in the fandom are unparalleled. 
Sherlock Holmes and his world have had a gigantic hold on me since I was 8, and Sherlock gave that a queer lease of life for the 21st century. There have obviously been ups and downs but I wouldn’t change it. (except the bit where women are compared to the kkk. I’d change that.) This show and tjlc taught me more about analysis than any English teacher, and it seems fitting that the 10th anniversary of BBC Sherlock is the deadline of the first chapter I’m writing in a book of tv analysis. It’s lined up really beautifully. Thanks sherlock, and thanks tjlc. love to you all xx
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shortangrybisexual · 5 years
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...sentiment is a chemical defect found in the losing side.
A playlist for two pining fools losing harder than they could have ever imagined. Listen here.
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not to get caught up in completely irrelevant things but this is the first tweet from ed birch (played tom)
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meetmyinnerdemons · 7 years
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THAT GIVES ME JOY <3
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helloliriels · 2 years
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I Was A Human,
Eating and breathing,
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Feeling and thinking ...
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Philosophizing
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I was a human
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Before you killed me
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And ripped my heart out
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I knew what love was ...
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Now when they ask me,
I just reply slow ...
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And sound like an iPhone
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'I do not know love ... '
I am a robot.
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victorianpining · 2 years
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What music/score choices would you have made in From A Drop Of Water if it was a real filmed season? 👀 the score episode of tjlc explained was always one of my faves and I was curious how you would’ve carried those motifs through!! (Also your playlists for the fic are So Good!! I’ve been listening to them so much!)
P.s. I hope you know your retrospective has launched me fully back into gay- brainrot mode after five years lmaoo, it’s been really fun!! (Also I knew nothing about BBC Dracula going into it and. I think I’ve lost my mind. What The Fuck. They really did that!?!?!?!! Anyway. I hope you have a wonderful day!! Can’t wait to see what you do next!💕)
Ooh interesting question! I have actually have a LOT of thoughts about this (way more than I thought I would when I started writing this answer) so I'm going to put most of the answer under the cut. Before then I'll say I'm glad you enjoyed the playlists and the retrospective! And man Dracula sure is A Show isn't it? (and thank you I am very excited to continue creating!!)
Onto Way Too Many Thoughts About A Hypothetical Score:
So in The Six Thatchers, Opportunities is working kind of as a camouflage for Moriarty so you don't hear his score, except it's also a giveaway since Moriarty is kind of the only character to be consistently associated with soundtrack songs and the lyrics are pretty obviously him. (The soundtrack songs also hopefully serve to make him kind of feel outside the rules of the narrative, since written pieces don't usually have soundtracks. I wanted all the music woven through his scenes to make him feel just slightly Off, he is the virus in the data after all).
Anyway, all that lead in to say that when Mary is walking through the college by herself, I think you'd hear the John or James music again, subtly bringing back that dilemma for her character before it gets overtaken by the lyrics talking about someone doctoring in mathematics, programming computers, and choosing the perfect crime for the perfect situation.
On the rooftop scene at the end of TST I'd want to do a version of the music playing in the Reichenbach roof scene to make that connection more blatant and kind of show you how far they've come since then.
And then for the big reveal at the end of the episode you'd finally get Moriarty's music along with a new play on The Fall theme, the one we have is good but I'd want something less overwhelming and more insidious, more intimate, and still just as unnerving. This new version of that theme is gonna be play for a few other important moments.
As an example, I wouldn't want it to be the same song but I think probably if there were a musical motif for Devil's Foot it should be in the same key or structured similarly as the new fall theme, again just making the connection more explicit, this drug burns out people's sanity, Moriarty is trying to burn out Sherlock's heart, he wants Sherlock to make the same choice as Jack but if he doesn't he plans to force his hand.
John or James music would come back on The Dorian when Mary shows up, I'm basically turning that into Mary's theme.
Then the shack! I think you want no music for that, right? Like all focus should be on what's being said and the silences between and it should feel so close that you can even hear them breathing. I would bring in some music outside when John asks if Sherlock has ever had a boyfriend. That would be a good place to have a subdued version of Sherlock's theme, and maybe, if you could get away with it, you could even call back to the Private Life theme in the score subtly. (Copyright might make that an issue though).
Ideally you'd have the same music playing for both versions of the scene with Sherlock and Culverton, maybe with some new instrumentation in the second version to reflect the new information you have at that point. Then Sherlock opens the box and we get that new fall theme, I'd have it building and building while John reacts to what's happening until you finally get the reveal of what Moriarty wants. And then just keep the intensity going until John finally manages to calm Sherlock down, then either bring in their themes or just let it sit without any music, the calm before the storm.
I have the most ideas for TFP. The first scene of TFP is obviously going to be Moriarty and Mycroft's themes. Like when the stranger comes through the door you hear Mycroft's little motif notes and along with everything else it's just another tip off that you already know who it is.
Back in Baker Street you have that fall theme playing in the background while Sherlock is freaking out, and then when John is alone puzzling over the box you'd hear the danger version of his theme, he's the answer to the puzzle and he doesn't even know it.
There are a lot of directions you could take the music for the scene with Sherlock and Moriarty. I'd probably call back to the music from Reichenbach scene, maybe with more hints of that new version of the Fall theme. When Sherlock realizes there's a fire that would be a good time to bring back the music from the fire scene in TEH, or some music from the pool scene, kind of just musically showing this is all an escalation from something we've already scene.
When Mycroft turns back up you should be hearing Moriarty's theme in the background.
Then when they're on the run again you just bring back those Moriarty and Fall themes, keeping that uneasy feeling going. I'd probably put in a subtle callback to Irene's theme when they arrive at the hotel in Paris since in the film version you couldn't have the line about the furniture reminding John of her house and that's kind of an equivalent hint.
Once Don't Stop Me Now dies out, I'd leave it quiet until Sherlock offers himself up, when you'd get a sad version of John's theme. Then when John offers to stab himself, you'd get a sad version of Sherlock's, until Moriarty gets a hold of him and that slowly morphs into the new fall theme, maybe with the Sherlock music still playing, since both John and Jim are after motivated by their feelings for him in that moment. You'd get a version of the Johnlock theme when Sherlock pulls John back up which would keep playing, slowly getting more hopeful as John has his revelation, but it's interrupted when Mycroft shows up.
Back in Baker Street I would want the music to build very slowly and very subtly. It should feel just like pieces falling into place without you really noticing the shift, like the music was always playing, just like it was a love story the whole time. And it would culminate in that perfect blending of John and Sherlock's themes that is both understated and triumphant. For the epilogue I'd have that same music but with the instrumentation they used for the TAB version of the title theme.
And as one final touch, I'd give The Empty Hearse members a musical motif that is a version of All The Woman from TAB.
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Here it is! My narrative Johnlock playlist. Narrative as I see it described under the cut.
Big thanks to everyone who suggested songs, and of course @inevitably-johnlocked‘s massive list of Johnlock songs: http://inevitably-johnlocked.tumblr.com/johnlockplaylist
(via https://open.spotify.com/user/ellywhale/playlist/745hryVMeBfDXqkCB0obve?si=9pNpvvBRTAGbiwe9ikEChw)
1-4: Sherlock and John meet and have an instant connection. They re-evaluate their predispositions to be alone.
5-12: Sherlock panics about falling in love. The feeling is strange to him and he sees both the positives and dangers.
13-16: They both assume the other doesn’t feel the same. Mutual pining.
17-20: John struggles with feelings of inadequacy.
21-25: They become closer, and their bond deepens, showing hints of more than friendship. They both let this happen.
26-29: Sherlock panics about becoming too reliant on another and John becoming emotional dependant on him.
30-33: There is ambiguity in what their relationship is defined as. They are on the brink.
34-37: John celebrates his bisexuality.
38: Sherlock jumps. It’s the Reichenbach fall. Sorry y'all.
39: John’s response.
40-45: Sherlock realises the damage he’s caused, and misses John.
46-47: John mourns Sherlock.
48-49: Sherlock’s back.
50-51: John marries Mary.
52-60: Sherlock is sad. Need I say more?
61-62: John isn’t happy in his marriage.
63-74: They reconnect and their relationship blooms once more, this time defined and certain.
75-80: Their happily ever after.
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silver99johnlocked · 6 years
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Lately I been, I been losing sleep
Dreaming 'bout the things that we could be
But baby I been, I been prayin' hard
Said no more counting dollars
We'll be, we'll be counting stars
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I feel the love
And I feel it burn
Down this river every turn
Hope is a four letter word
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Counting Stars - One Republic
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I was walking down the street today, listening to Uprising, feeling like I had an intire angry gay army behind me
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confirmedjohnlock · 7 years
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would “boy is a bottom” be Too Much ajksfl
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Just here to inform you, in case you haven’t noticed, that TJLC EXPLAINED playlists are back on YouTube in all their glory and I might have squealed a bit
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