"When even casual intimacy is seen as transgressive, insisting that people come together for pictures was a form of rebellion." Read @vincealetti on Tina Barney's searching early work — on view now @kasmingallery with superb monograph, 'Tina Barney: The Beginning,' forthcoming from @radius.books in June — @newyorkermag via linkinbio. "Barney writes, in one of a series of undated diary entries, 'I want to get inside, because it’s the only thing that’s worthwhile. … I want to know what other people feel. Otherwise it’s too lonely.' In today’s photography world, when conceptual strategies and random sightseeing rule, Barney’s only-connect sincerity could not be less fashionable or more valuable, and it sets her apart. Her work can be both sharp and affectionate, but she’s neither a satirist nor an apologist. …" @tinabarney_ #tinabarney #tinabarneythebeginning #tinabarneybeginning #photography #photobook https://www.instagram.com/p/CqDe3Ynu00H/?igshid=NGJjMDIxMWI=
Covid 19 karantinası sürüyor. Sokaklar bomboş. Tina Barney'yle evde ve sürekli yemekteyiz. Havluların ortaklaşa kullanımı herkes evde kalıp küvette yüzüyorsa şayet, şu noktada pek bir şey değiştirmeyecektir.
Kayak eldiveniyle yılan sevmek, güneş gözlüğünün altından kitap okumak, inci kolye ve kovboy kemeri takıp dizi izlemek serbest. Sandıkta kalmış naftalinli gelinlik varsa, çıkarıp kendi kendinize de evlenebilirsiniz.
Market poşetleriyle birlikte paspasta 3 saat bekletildikten sonra ev içine alınan her sanat eserine bilimsel bir mesafeden, mümkünse fona yapışık papyonlu amca uzaklığından ilgi göstermek elzem.
Pembeye bir şans verilmeli. Bugüne dek kıymetini belki hiç bilemediğimiz pembe, son dönemde sırtını griye dayayarak minimal çıkışlar yapmış olması bir yana, mutlu bir dışarıya aralanmış neşeli perdelerin sesi olmayı bin yıldır sürdürüyor.
Çocuk odaları asla tekin mekanlar olmadı. Diğer tüm odalar tükenmediği sürece orada uzun ya da yatılı kalmayın.
Haftasonu kulübe giderken giydiğiniz takımları ve onların içindeki kendinizi hiç bu kadar yakından inceleme fırsatınız olmamıştı. Keşke üç tane almasaymışsınız.
"Tina Barney was home alone in Watch Hill, R.I., during 2020 and needed a Covid quarantine project. While many were cleaning their closets, the acclaimed photographer exhumed about 1,000 35-millimeter negatives shot in the late 1970s and early ’80s, when she was learning the basics of her craft at the Sun Valley Center for the Arts in Idaho and turning a lens to rituals and relationships among her affluent circle of friends and family. Without a proper light table, she spent months editing images shot largely during summers in Rhode Island and New York — many recognized only now as interesting by her mature eye. More than 50 early photos, most never before shown, will be included in a show at @kasmingallery in Chelsea, opening March 2, and in a forthcoming book from @radius.books Both are titled 'The Beginning' and together they capture an artist in the act of finding her voice.…" Read the full @nytimes review by @hilariesheets via linkinbio @tinabarney_ 'The Beginning' features text by @jamescwelling Published by @radius.books #tinabarney #tinabarneythebeginning #waspculture #wasps https://www.instagram.com/p/CpKsoMvOtCW/?igshid=NGJjMDIxMWI=
Since the late 1980s, the field of fashion photography has exploded, moving away from presenting a desirable ideal to showing contemporary lifestyles. An intriguing exchange of ideas and techniques between commercial photography and art photography and, more specifically, between fashion and art photography has completely changed the idea of what a fashion photograph is and what it should look like. The focus is on defining a milieu rather than just clothing. Fashioning Fiction in Photography Since 1990 presents a selection of high-profile fashion photographs influenced by two aesthetic strategies: cinema and the amateur photograph. The cinematic image, through its attention to drama and its reverence for tension and voyeurism, seduces a young audience whose primary visual points of reference are film and television. The amateur photograph, including the family album picture, provides seemingly offhand documentation of the activities of friends and associates in the lives of photographers, blurring the line between pictures made for hire and those made as personal keepsakes. This groundbreaking book, and the exhibition it accompanies, includes lavish illustrations of the work by photographers such as #Philip-LorcadiCorcia, #CedricBuchet, #GlenLuchford, #TinaBarney, #JurgenTeller, #NanGoldin, and #LarrySultan, among others. The principal essay, by Susan Kismaric, Curator, and Eva Respini, Assistant Curator, in the Department of Photography at The Museum of Modern Art, explores the nature of fashion photography in the last decade, and the work of the photographers presented in this volume. A second essay, by Dennis Freedman, Vice Chairman and Creative Director of W magazine, discusses the subject from within the fashion industry and provides an intimate view of the creation of the promotional campaigns and the imagery of fashion.