artbookdap

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George Grosz's "Portrait of the Author Max Herrmann-Neisse" (1925) is from new release 'The Cold Gaze: Germany in the 1920s,' published to accompany the recent show on the art and culture of the Weimar Republic @louisianamuseum⁠ ⁠ At the center of this volume are the Neue Sachlichkeit (New Objectivity) artists—Otto Dix, George Grosz and Albert Renger-Patzsch—and the groundbreaking photographer August Sander, in particular his famed series People of the 20th Century, which portrayed both prominent and anonymous Germans from all parts of society in a simple and matter-of-fact pictorial style. Sander and the Neue Sachlichkeit artists both pursued an anti-Expressionist aesthetic, embracing social engagement and a rejection of romantic idealism. 'The Cold Gaze' also looks at the extraordinary writers associated with the Weimar Republic, such as Vicki Baum, Bertolt Brecht, Alfred Döblin, Hans Fallada, Erich Kästner and Christopher Isherwood. Further points of focus by a range of contributing writers include Germany’s Americanization during this period; Marcel Breuer’s innovations in furniture design; the invention and ascent of the Futura font; the Weimar cult of technology; and much more.⁠ ⁠ Read more via linkinbio.⁠ ⁠ #coldgaze #germanart #20sart #weimarart #weimarepublic #newobjectivity #neuesachlichkeit #georgegrosz #portraitofmaxhermannsse #maxhermannneisse https://www.instagram.com/p/CqaoCo6uMM5/?igshid=NGJjMDIxMWI=

#coldgaze #germanart #20sart #weimarart #weimarepublic #newobjectivity #neuesachlichkeit #georgegrosz #portraitofmaxhermannsse #maxhermannneisse

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"The use of the term 'cyberfeminism' can be traced back to 1991, the year some call the birth of the internet. Broadly speaking, it refers to a collection of emancipatory theories and practices that foster an alliance between feminists and technology. In March 2019, designer and researcher @mindyseu⁠ tweeted, 'I’m creating a cyberfeminist index,' and shared a link to a spreadsheet she hoped would become a site of collaboration. As the spreadsheet grew to nearly seven hundred rows—at a time when info-activism and open-access libraries proved crucial to consciousness-raising in the context of global exigencies like the pandemic and the Black Lives Matter protests—Seu used the data to create an easy-to-search website, cyberfeminismindex.com. In January 2023, Seu again repackaged the data as a book, 'Cyberfeminism Index,' this time hacking the strictures of academia by challenging the perceived primacy of printed matter over identical open-source content.…"⁠ ⁠ Read up on 'Cyberfeminism Index,' published by @inventorypress in today's @brooklynrail via linkinbio⁠ Reviewed by Jenny Wu @safflower_lady⁠ ⁠ #cyberfeminism #cyberfeminismindex #mindyseu⁠ https://www.instagram.com/p/CqYrYlgJ2H6/?igshid=NGJjMDIxMWI=

#cyberfeminism #cyberfeminismindex #mindyseu

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FRIDAY!! March 31 at 7 PM, @cara_the_org presents the launch of 'Helen Cammock: I Will Keep My Soul,' published by Rivers Institute for Contemporary Art & Thought, Siglio Press and the California African American Museum. The evening will include a reading and conversation between Turner Prize-winning artist Helen Cammock and writer, editor and art historian Re'al Christian. Due to limited seating, reservation is strongly encouraged. RSVP via linkinbio!⁠ ⁠ CARA: Center for Art, Research and Alliances⁠ I Will Keep My Soul: Helen Cammock in Conversation with Re'al Christian⁠ Friday, March 31 at 7 PM⁠ 225 West 13th Street⁠ ⁠ @cammockhelen @followriversinstitute @sigliopress @caaminla https://www.instagram.com/p/CqYXJCZuiZA/?igshid=NGJjMDIxMWI=

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NEW from @steidlverlag !! 'Mary Ellen Mark and Karen Folger Jacobs: Ward 81: Voices,' an expanded edition of Mark’s classic account of a women’s locked ward, featuring additional photographs and documentation⁠ ⁠ Photographed in 1976, 'Ward 81' was Mary Ellen Mark’s (1940–2015) first independent long-term project. Mark and writer Karen Folger Jacobs (born 1940) set out to document the lives of the women in this locked ward at the Oregon State Hospital in Salem—the only one in the state. Every day for five weeks, Mark photographed and Jacobs interviewed the women on Ward 81. At night they slept in an empty adjacent ward.⁠ ⁠ 'Ward 81: Voices,' an expanded edition of the original 1979 book, includes previously unpublished photographs, excerpts from interviews with patients and recorded conversations between Mark and Jacobs, as well as new essays examining the influence of their project. 'Ward 81' has always been considered one of the best examples of Mark’s ability to portray subjects living on the edges of society with compassion. The inclusion of the women’s voices gives invaluable insight, not only into the lives of the patients, but also into Mark and Jacobs’ experiences and the challenges they faced during their collaboration.⁠ ⁠ Read more via linkinbio.⁠ ⁠ #maryellenmark #karenfolgerjacobs #ward81 #photobook https://www.instagram.com/p/CqWL15ipBSx/?igshid=NGJjMDIxMWI=

#maryellenmark #karenfolgerjacobs #ward81 #photobook

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Ever wonder how we assemble the Artbook | D.A.P. catalog each season? More than 600 titles, and 250 publishers all need to be wrangled and paired with the friendliest possible neighbors. Pictured here, catalog editor Thomas Evans, negotiating the Fall 2023 catalog layout, analog phase.⁠ ⁠ #artbookdapcatalog #dapcatalog⁠ ⁠ https://www.instagram.com/p/CqV-wdkJRbg/?igshid=NGJjMDIxMWI=

#artbookdapcatalog #dapcatalog

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Miami Event! Pattie Boyd: My Life in Pictures @pattieboydofficial in conversation with MITCHELL KAPLAN @mitchellakaplan Friday, April 8 at 7pm Books & Books | 265 Aragon Avenue | Coral Gables | FL 33134 Free RSVP required 👉 Linkinbio Published by @reelartpress @booksandbooks #pattieboyd #mylifeinpictures #supermodel #miamievents https://www.instagram.com/p/CqViE-xucgI/?igshid=NGJjMDIxMWI=

#pattieboyd #mylifeinpictures #supermodel #miamievents

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“The space surrounding my work is crucial to it,” Donald Judd wrote in 1977: “as much thought has gone into the installation as into a piece itself.” ⁠ Quote and photos are from 'Donald Judd Spaces' — new, expanded edition, published by @juddfoundation⁠ ⁠ Image credits:⁠ 1. 101 Spring Street, Kitchen with furniture by Donald Judd. Photo 2018.⁠ 2. 101 Spring Street, Permanent installation, left to right: Donald Judd, untitled, 1962; Claes Oldenburg, Soft Ceiling Lights at La Coupole, 1964 – 72; Lucas Samaras, Box #48, 1966; Dan Flavin, untitled, 1970; platform bed by Donald Judd. Photo 2018.⁠ 3. La Mansana de Chinati/The Block, West building. First library with Frank Stella, study for River of Ponds III, 1971; furniture by Donald Judd. Photo 2018.⁠ 4. La Mansana de Chinati/The Block, Art studio. Interior with, left to right: untitled, 1987; untitled, 1987; untitled, 1989; untitled, 1989; untitled, 1985; untitled, 1985. Photo 2012.⁠ 5. Las Casas, Don's house. Permanent installation, untitled, 1987; furniture by Gustav Stickley. Photo 2018.⁠ 6. La Mansana de Chinati/The Block, Architecture Studio. Interior with desk by Donald Judd; chair by Ludwig Mies van der Rohe; chair by Gerrit Rietveld; lamp by Karl Trabert. Photo 2019.⁠ 7. La Mansana de Chinati/The Block, East Building. Permanent installation of south room, left to right: untitled, 1969; untitled, 1963; untitled, 1963; table and chairs by Gustav Stickley. Photo 2012.⁠ ⁠ Edited by Flavin Judd, Rainer Judd. Text by Donald Judd.⁠ ⁠ Read more via linkinbio.⁠ ⁠ #donaldjudd @flavinjudd @rainerjudd #juddfoundation #101springstreet #chinati #ayaladechinati⁠ #marfa #design #architecture #art #minimalism #sculpture⁠ https://www.instagram.com/p/CqVhafYuxEg/?igshid=NGJjMDIxMWI=

#48 #donaldjudd #juddfoundation #101springstreet #chinati #ayaladechinati #marfa #design #architecture #art #minimalism #sculpture

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Feast your eyes, embrace the excitement of new release 'Alex Da Corte: Mr. Remember,' published on the occasion of the shape-shifting artist’s major recent retrospective at Denmark’s @louisianamuseum ⁠ ⁠ Eye-popping color, uninhibited humor and a sense of playful, therapeutic inquiry combine inside this 320-page clothbound hardcover, foil stamped on the cover with a paperback supplement sewn into what’s already a very generous book. Many excellent texts round out the volume, including several chunks of interviews with the artist. “The need to dress ourselves up is something common like the need to eat,” he says to Louisiana curator @mathiasussingseeberg in one. “There’s a shared blank canvas that we all have in some capacity and when you start adding on things, be it a certain diet or a particular hat, you start changing that canvas. And you can start playing with that. And granted, day-to-day, most people don’t change that game. But they can. And then you understand—as everyone’s shaped differently—what that projection of oneself should be, and you notice it in others. You start wondering whether you have been costumed yourself. Who is reading me, and how am I being read? And how am I reading others? And when you understand that it is just a fresh coat of paint on an old house, you realize you can change. This is a way to say that one can be untethered, if one wants.”⁠ ⁠ Read more about the book via linkinbio.⁠ ⁠ Edited by Lærke Rydal Jørgensen, Mathias Ussing Seeberg, William Pym, Alex Da Corte. Foreword by Poul Erik Tøjner. Text by Bruce Hainley, Delia Solomons, Alex Da Corte, Sarah Nicole Prickett, Steven Zultanski, Derek McCormack, Mathias Ussing Seeberg, William Pym. Interview by Mathias Ussing Seeberg.⁠ ⁠ #alexdacorte #mrremember #alexdacortemrremember @sadiecoleshq⁠ https://www.instagram.com/p/CqQSTXvu7q6/?igshid=NGJjMDIxMWI=

#alexdacorte #mrremember #alexdacortemrremember

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Behold the perfection of the @DavidZwirner Gerhard Richter pop-up bookstore, created in honor of the artist's first solo show at the gallery ⁠ ⁠ Here, you will find the largest selection of Richter’s books published since 1995, many of which we are proud to have published, co-published or distributed. This curated collection of 30 titles includes rare and out-of-print editions alongside perennial favorites. ⁠ ⁠ All limited editions and rare books on view are sourced through Artbook | D.A.P. in collaboration with @davidzwirnerbooks⁠ ⁠ David Zwirner⁠ 537 W 20th St⁠ New York, NY 10011⁠ Thursdays–Saturdays ⁠ 10 AM–6 PM ⁠ Now through April 22, 2023⁠ ⁠ #PopUpBookstore #GerhardRichter #Prints #ArtistBook #richter #richterbooks #gerhardrichterbooks #DavidZwirnerBooks #NewBook #ArtBooks #NewYork #NYC https://www.instagram.com/p/CqOdUztp9IV/?igshid=NGJjMDIxMWI=

#popupbookstore #gerhardrichter #prints #artistbook #richter #richterbooks #gerhardrichterbooks #davidzwirnerbooks #newbook #artbooks #newyork #nyc

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TOMORROW! Join @artbookhwla Bookstore on Saturday, March 25 at 4 PM for the Los Angeles book launch of 'Gayface.' Photographer Ash Kolodner will be in conversation with filmmaker Kimberly Peirce with book signing to follow. Register for the event and order a signed copy via linkinbio!⁠ ⁠ ARTBOOK AT HAUSER & WIRTH LOS ANGELES BOOKSTORE⁠ Ash Kolodner & Kimberly Peirce on 'Gayface'⁠ Saturday, March 25 at 4 PM PST⁠ 917 East 3rd Street⁠ Los Angeles, CA 90013⁠ Phone: [phone]⁠ ⁠ @ashkolodner @gayface1stclass @kimberly.peirce #gayface #gayfacephoto #gayfacebook #artbookevents @marquandbooks https://www.instagram.com/p/CqLcSnKOjeY/?igshid=NGJjMDIxMWI=

#gayface #gayfacephoto #gayfacebook #artbookevents

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Photos from 'Mondrian and Photography: Picturing the Artist and His Work,' an unprecedented 368-page photo-biography of the artist at work and at play—from informal snapshots to formal portraits and scenes of his studio and social life.⁠ ⁠ The archival photographs reproduced here show that Mondrian’s studios in Amsterdam, Paris and New York were works of art themselves, as fascinating as the guests seen visiting them. Also included here are snapshots showing Mondrian’s daily life, taken during journeys or visits; photographs of openings and dinners; and formal portraits that he used to promote the image of a serious and uncompromising artist. Detailed captions and richly illustrated essays on the significance of photography in the context of Mondrian's work make this book an extraordinary document of his time.⁠ ⁠ Pictured here: ⁠ 1. Portrait of Piet Mondrian, c. April 1909. Photograph by Alfred Waldenburg⁠ 2. Mondrian in his studio in Amsterdam, fall 1908. Photograph by Reinier Drektraan⁠ 3. Detail, "Die Surrealisten," c. July 1942. Photograph by Hermann Landshoff. The meeting took place in the house of Peggy Guggenheim and Max Ernst in New York. Mondrian stands next to Marcel Duchamp (top row, right).⁠ 4. Mondrian's Studio, 1925-1926. Photo by Pierre Delbo⁠ 5. Mondrian in the garden of Agatha Zethraeus, France, c. 1925. Photo by Agatha Zethraeus⁠ 6. Mondrian's Studio in Paris, c. September 1929. Photograph by Charles Karsten⁠ 7. Group portrait on the opening night of the exhibition of Gustave Buchet in Galerie Zak, 22 November 1929. photograph by Stanislaw Londynski⁠ 8. Mondrian's Studio in New York after his death, February 1944. Photograph by Harry Holtzman⁠ ⁠ Edited by Wietse Coppes, Leo Jansen. Text by Chris Stolwijk.⁠ Published by @hatjecantzverlag⁠ ⁠ Read more about the book via linkinbio.⁠ ⁠ #mondrian #mondrianphotos #pietmondrian #mondrianandphotography @wjcoppes https://www.instagram.com/p/CqLKfHLusnO/?igshid=NGJjMDIxMWI=

#mondrian #mondrianphotos #pietmondrian #mondrianandphotography

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A few pages from 'Gordon Parks: Segregation Story' — an expanded edition of Parks’ classic account of race relations in America, with previously unpublished images and texts. Back in Stock from @steidlverlag & @gordonparksfoundation⁠ ⁠ In the summer of 1956, @life magazine sent Parks to Alabama to document the daily realities of African Americans living under Jim Crow laws in the rural South. The resulting color photographs are among Parks’ most powerful images, and, in the decades since, have become emblematic representations of race relations in America. Pursued at grave danger to the photographer himself, the project was an important chapter in Parks’ career-long endeavor to use the camera as a weapon for social change.⁠ ⁠ After the photos were first presented in a 1956 issue of Life, the bulk of Parks’ assignment was thought to be lost. In 2011, five years after Parks’ death, the Gordon Parks Foundation found more than 200 color transparencies belonging to the series. In 2014 the series was first published as a book, and since then new photographs have been uncovered.⁠ ⁠ Read more via linkinbio.⁠ ⁠ Edited by Peter W. Kunhardt, Jr, Michal Raz-Russo. Text by Maurice Berger, Dawoud Bey, Charlayne Hunter-Gault.⁠ ⁠ #gordonparks #segregationstory #segregation #photobook #gordonparkssegregationstory @dawoudbey https://www.instagram.com/p/CqJEuAZp7jK/?igshid=NGJjMDIxMWI=

#gordonparks #segregationstory #segregation #photobook #gordonparkssegregationstory

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Women's History Month in happening and 'Cecilia Vicuña: About to Happen' is Back in Stock! A gorgeous artists book on the politics of the sea by Chilean-born "poet of the precarious" Cecilia Vicuña. Published by @sigliopress⁠ ⁠ Beginning and ending at the edge of the ocean at the sacred mouth of the Aconcagua River, About to Happen serves as a lament as well as love letter to the sea. In this artist's book, Chilean-born artist and poet Cecilia Vicuña weaves personal and ancestral memory while summoning the collective power to confront the economic disparities and environmental crises of the 21st century.⁠ ⁠ Text by Andrea Andersson, Lucy Lippard, Macarena Gómez-Barris. Interview by Julia Bryan-Wilson.⁠ ⁠ @ceciliavicuna #ceciliavicuña #performance #quipu #poesia #abouttohappen #ceciliavicuna #ceciliavicunaabouttohappen⁠ https://www.instagram.com/p/CqIyRNzu477/?igshid=NGJjMDIxMWI=

#ceciliavicuña #performance #quipu #poesia #abouttohappen #ceciliavicuna #ceciliavicunaabouttohappen

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Photobook lovers, rejoice! 'Gordon Parks: Segregation Story' is Back in Stock! One of the great photography books of the 20th century and perhaps Parks’ photographic masterpiece, this expanded edition includes around 30 previously unpublished photographs, as well as enhanced reproductions created from Parks’ original color transparencies; newly discovered descriptions Parks wrote for the photographs; a manuscript of film-developing instructions and captions Parks authored with Samuel F. Yette; previously published texts by the late art historian Maurice Berger and the esteemed journalist and civil rights activist Charlayne Hunter-Gault; and a new essay by artist Dawoud Bey.⁠ ⁠ @dawoudbey writes: “In picture after picture … deliberate choices of tool, material and sensibility lend the Black Southern presence, often under siege, a sense of lives fully and expressively lived. We see Black subjects and spaces that are rendered with all of the qualities of expressivity that the medium is capable of in the hands of one seeking to use it as not only an information-gathering tool, and as a ‘weapon against all the things I dislike about America,’ as Parks once stated, but also as a transformative tool capable of reshaping the experience of the world, and the Southern Black peoples who lived in it, into photographs that are the equal of those made by others whose works are considered formative to the medium’s expressive potential.”⁠ ⁠ Read more via linkinbio.⁠ ⁠ Published by @steidlverlag & @gordonparksfoundation⁠ By Gordon Parks. Edited by Peter W. Kunhardt, Jr, Michal Raz-Russo. Text by Maurice Berger, Dawoud Bey, Charlayne Hunter-Gault.⁠ ⁠ #gordonparks #segregationstory #segregation #photobook #gordonparkssegregationstory https://www.instagram.com/p/CqIaEvzORtX/?igshid=NGJjMDIxMWI=

#gordonparks #segregationstory #segregation #photobook #gordonparkssegregationstory

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In 2014, tech leader and burgeoning art collector Komal Shah's "eyes were opened to what she described as vast inequities faced by women artists in market prices, museum acquisitions and overall visibility in the art world." ⁠ ⁠ She has since assembled one of the most notable collections in America. "Made predominantly by generations of women working in abstraction, from the mid-20th-century artists Joan Mitchell and Lenore Tawney to the young contemporary painters Firelei Báez and Jadé Fadojutimi, the collection isn’t obviously about gender. Rather, it embodies a feminist perspective through its bold expressiveness."⁠ ⁠ Read more about Ms. Shah, the collection and the superb forthcoming 432-page catalog, 'Making Their Mark: Art by Women in the Shah Garg Collection,' in this @nytimes feature by @hilariesheets via linkinbio⁠ ⁠ 'Making Their Mark: Art by Women in the Shah Garg Collection' is published by @gregoryrmiller⁠ ⁠ Edited with text and interview by Mark Godfrey, Katy Siegel. ⁠ Text by Daniel Belasco, Glenn Adamson, David J. Getsy, Kirsty Bell, Jessica Bell Brown, Gloria Sutton, Kevin Beasley, Charles Gaines, Lyle Ashton Harris, Jacqueline Humphries, Allison Katz, Helen Marten, Laura Owens, Tschabalala Self, Christina Quarles, Jaune Quick-to-See Smith, Joyce J. Scott, Kay Sekimachi, Mary Weatherford, Aria Dean, Kay WalkingStick.⁠ ⁠ @komalshahgarg @markgodfrey1973 @katysiegel.88 #makingtheirmark #shahgarg #shahgargcollection https://www.instagram.com/p/CqGFkuRuFp6/?igshid=NGJjMDIxMWI=

#makingtheirmark #shahgarg #shahgargcollection

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"When even casual intimacy is seen as transgressive, insisting that people come together for pictures was a form of rebellion."⁠ ⁠ Read @vincealetti on Tina Barney's searching early work — on view now @kasmingallery with superb monograph, 'Tina Barney: The Beginning,' forthcoming from @radius.books in June — @newyorkermag via linkinbio.⁠ ⁠ "Barney writes, in one of a series of undated diary entries, 'I want to get inside, because it’s the only thing that’s worthwhile. … I want to know what other people feel. Otherwise it’s too lonely.' In today’s photography world, when conceptual strategies and random sightseeing rule, Barney’s only-connect sincerity could not be less fashionable or more valuable, and it sets her apart. Her work can be both sharp and affectionate, but she’s neither a satirist nor an apologist. …"⁠ ⁠ @tinabarney_ #tinabarney #tinabarneythebeginning #tinabarneybeginning #photography #photobook https://www.instagram.com/p/CqDe3Ynu00H/?igshid=NGJjMDIxMWI=

#tinabarney #tinabarneythebeginning #tinabarneybeginning #photography #photobook

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Can't argue with @curbed — we're happy to have three of the editors' picks for best Architecture, Urbanism & Design books of Spring 2023:⁠ ⁠ Donald Judd Spaces: Judd Foundation New York & Texas, published by @juddfoundation⁠ ⁠ Heads Together: Weed and the Underground Press Syndicate, 1965–1973, published by @editionpatrickfrey⁠ ⁠ @triagiovan Loisaida, New York Street Work 1984–1990, published by @damiani_books⁠ ⁠ Read the reviews via linkinbio.⁠ ⁠ #bestdesignbooks #bestarchitecturebooks #besturbanismbooks #judd #donaldjudd #weed #headstogether #triagiovan #loisaida⁠ https://www.instagram.com/p/CqBHGhfu-Mo/?igshid=NGJjMDIxMWI=

#bestdesignbooks #bestarchitecturebooks #besturbanismbooks #judd #donaldjudd #weed #headstogether #triagiovan #loisaida