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#this triggers one of two things in me
tiny-steve · 10 months
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the thing that makes my entire body itch about that darcy confession scene parallel is that that's the fucking MIDPOINT of darcy's and elizabeth's story. you've baked the pancake halfway and you've tossed it in the air and you're holding your breath --- and now you've got to catch it and BAKE THE OTHER SIDE!!! you can't just roll the credits and leave me hanging like that!!! what if there's never a third season??? the pancake is ON THE GROUND NEIL!!!
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kaitobromota · 3 months
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[Blows the dust off this blog] Long time no see...
Back in the Danganronpa pits... have some silly doodles for an...AU? or like, slight canon divergence/missing scene? I got to chapter 5 in my THH replay and was thinking about the part where these four are alone in the gym dismantling Monokuma all night.
I know realistically it's supposed to be because they were paranoid and extra careful about taking it slow so nothing went wrong... but like... their alibi is from 10pm to 7am? In my heart of hearts it actually took the whole night because they kept getting distracted and chit-chatting and got into a bunch of shenanigans once the actual dismantling part was done. Like Byakuya says they went to the bathroom in pairs?? Not to mention you'd totally expect him to make a comment about how insufferable it was being stuck together for like nine hours. And Hina says they played rock paper scissors to decide who brought back breakfast???
You can't tell me they didn't bond at least a little bit. A friend pointed out it'd have the vibes of a 4am discord call and that's exactly it. Emotional confessions about personal fears and insecurities to dumb physiological debates that become inside jokes forever. Etc.
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tj-crochets · 3 months
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The options with the * are the ones I've already scanned, and all but the blorbo are sewing patterns (I've already shared the blorbo sewing pattern)
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blueskittlesart · 10 months
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do u have any navi thoughts from your oot replay
i've been waiting to answer this until I actually beat the game in my current playthrough because navi is another one of those characters that i think of in like a "set" with several other characters who serve relatively the same thematic purpose; in this case that purpose being the "mother" character, and i wanted to have all the characters in that set fresh in my mind. it's notable that while oot shows us very clear and consistent instances of the ways in which the adults of hyrule fail to protect their children, there ARE several adults who DO go out of their way to both oppose ganondorf and protect and nurture the children under their care. All of these characters are adult women, and all of them explicitly help the children out of some sort of parental responsibility or sense of duty towards them. in this group I include link's late mother, impa, nabooru, and navi.
all 4 mother characters, despite being adults or adult-coded, reject the inaction mentality which characterizes other adults in the game. they become either direct supports or shields to their children from the conflict the world has to offer them, and they are always explicitly punished for their interference--link's mother is killed trying to protect her son, impa's village is burned, nabooru is brainwashed. The mother's fatal flaw is that she will protect her child above all else, even in a world in which children cannot truly be protected. however, with the exception of link's mother, these characters manage to persist even in the face of her punishment, and this is where I think navi becomes the exemplary character.
Navi, after a lifetime of being link's only support system, the only adult in his life he could truly, consistently count on, receives her punishment at the hands of ganondorf--in the final battle, she is pushed out. she is unable to reach her child. she cannot protect him. However, BECAUSE link has grown up with her at his side, he is strong enough to take ganondorf down. and when ganon rises again, navi is there to support link, promising not to leave his side, and the intuitive targeting of that battle (a mechanic which navi is inherently tied to!!) makes it a cinch to win. Navi, and the other mothers we meet, are a reminder to the player that the world doesn't HAVE to be the way it is. Their persistence when punished, their insistence that their children ought to be protected, is a reminder that good adults do exist, and that good adults raise good children. link and zelda are able to win in spite of the adults who refused to help them, but also BECAUSE of the adults who DID. It's a reinforcement of the core theme of oot--that childlike idea that the world SHOULD be good and fair and if it isn't, it should be changed until it is. The mothers of oot are examples of what the world COULD be, reminders that it is possible to grow up without losing hope or growing bitter, and they are examples of the next step for the children they've raised to change the word--to continue fighting even in the face of punishment, to refuse inaction, and to foster that same hope and persistence in the generations to come.
#one thing i've really been noticing this time around is the specific way in which navi's targeting works#because even though other 3d games have that targeting mechanic navi's targeting is noticeably different#in two ways. the first being that she specifically targets weak spots in enemies almost as if she is pointing them out to link#and the second being that she is capable of targeting things link himself doesn't see#whether it be invisible enemies or triggers that are out of his reach or scarecrow points or whatever#it's really reminiscent to me of the way you teach problem solving skills to a kid. you see them struggling with something and beginning to#get frustrated and you say 'hey let's look around. do you see any solutions?' and if they can't see the solution themself you might point#and say 'hey what's that?' just to get their attention on it and help facilitate that train of thought for them#because like in most other games targeting is sort of assumed to be link's own intuition in battle#and therefore it will usually allow you to focus on one enemy within a swarm of them but it won't explicitly light up the weak spot for you#navi does that for link because she's essentially the mother teaching her kid how to problem-solve.#and when she's taken away in the final battle link is able to fight anyway BECAUSE she put so much time and effort into raising him#that he no longer needs her to facilitate that problem-solving process. he already knows how to beat ganondorf#because he's done it with her before. and that's exactly the mother's role in her child's life#protect him and raise him as best you can so that when you can no longer be by his side he isn't afraid.#foster that sense of justice and encourage him to keep fighting to change the world even when it seems unchangeable.#god. ocarina of fucking time#zelda analysis#asks
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I noticed something in a lot of your Dick and Tim fics. It's probably so obvious, but you always write that Tim is watching Dick. In your newest one, Tim's watching Dick, in The Return Tim's watching Dick, and you even write that Tim is always watching him. Is Tim trying to read Dick? Trying to understand? Or does he understand him by watching? What is he trying to figure out by watching Dick? What does that say about Tim? I really hope this is intentional lmao because I would be embarrassed. Maybe this is just something so obvious that I'm just getting now.
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YES IT’S ON PURPOSE <333 Anon. Anon. I'm so sorry this answer took forever, but listen, this was a really delightful ask <333 I think about this a lot.  I really love origin stories—I like stories that resonate through a character’s history. 
And for me, a whole lot of what interests me about Dick and Tim is that theme of watching and being watched. Seeing and being seen.
"Watch me on the trapeze, Tim. I'm going to do my act...'specially for you." | "Timmy, don't look." | "I turned away... I couldn't watch. Then I heard you crying and I turned back... I'm sorry, Dick. I didn't want to hurt you by telling you all this." Dick's watching me. Gauging my reactions. (Tim watching Dick watching Tim!) | "I'm taking off the blindfold." "No!" | "I can't see him. You can't see him. But I know Robin. And Robin's always there when you need him." | I love that kid. Too much to let him see me like this. (But Tim spots him anyway.)
Spotlights and lighthouses and cameras and photographs. Blindness and vision and masks and detective work and trust.
I'm going to try to be coherent about this but it's gonna be incoherent sdfsf BUT I'M GOING TO TRY so. Below the cut, a really long grab-bag of my rambling on vision and watchers and watching.
Tim + watching / Dick + being watched / different dynamics
Tim's origin story
Being watched goes with vulnerability/exposure
Incomplete list of moments with Dick and Tim and vision
Tim + watching
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The first time we see Tim's face in LPoD: a close-up on his eyes looking for Dick, a close-up on his eyes at the moment that he sees Dick, a pullback to his face at the moment of recognition, a pullback to his face + his camera (you could maybe even argue that Tim comes into existence at the moment that he sees Dick, like, conceptually. the act of seeing is his defining characteristic. it is the thing that makes his character happen. he is the kid who's watching.)
Tim's a very vision-centric character: he's first introduced as a camera, then as a pair of binoculars, then as a pair of eyes. His whole backstory is about watching: watching Dick's parents die, watching Dick on TV, watching Batman and Robin. I've grabbed a few panels above with Tim watching Dick but there are so many more. His major deductions are all vision-based: he sees Dick-the-acrobat and later recognizes Dick-as-Robin; he sees Bruce-in-the-past and recognizes him as Bruce-of-our-time; the climactic moment in Red Robin is about going into a dark cave with a torch so he can see what's there.
And he's a detective. He pries into secrets. He analyzes people. He's a worrywart and a fusser who always wants to understand what's going on with other people. In a lot of those panels where Tim's watching Dick, his inner monologue is busy deducing Dick's emotions and trying to psychoanalyze him. Tim's caring and watchful and intuitive... but all those qualities also make him very very intrusive.
Dick + being watched
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Dick performing acrobatics for Bruce, Donna, and Tim in Detective Comics 38 (his first appearance), New Teen Titans 16, Batman 441, and Nightwing 88 (where he reflects he's glad to be back in the hot glare of the spotlight)
Dick's a detective too, of course - Tim deliberately mirrors Dick, both in-universe and out-of-universe. But also Dick's a performer who loves being watched and also wants to control how he's seen. He gets a kick out of showing off, making puns, kicking ass, taking names, and he gets a kick out of having an appreciative audience. And he's got a kind of yearning for recognition - it hurts, when Bruce won't look at him, and in fights with Bruce, Babs, Roy, he'll often bring up the past, trying to get them to acknowledge a shared history.
At the same time, he's a very private person who withdraws and hides and pushes people away when he's upset. Right before Tim shows up, Dick's just ghosted the Titans because he's having emotional turmoil and doesn't want to have it in front of them, and they're trying to respect his wishes... but that solitude doesn't last long, because then Tim tracks him down. Tim will do this again when Dick's having an emotional crisis and trying to avoid everybody in Nightwing 110.
Possible dynamics
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Tim watches Dick in Robin 11, while silently analyzing Dick's anxieties about Two-Face
"The watcher and the person being watched" is a dynamic that really interests me, partly because it can be so complicated?
You can see in Dick and Tim their very first roles: enthusiastic performer and the enthusiastic audience member. Dick likes to perform and show off and entertain; Tim likes to watch; those are roles they both easily slide into and they have a lot of fun together! But also you can look at the harsher side: the crime victim and the voyeur, the amateur photographer and the guy who hates being photographed. Dick's intensely private about his vulnerabilities; Tim's intrusive and watchful and constantly trying to figure out how other people tick. Sometimes Tim's the caring friend who watches Dick closely, reads him well, understands him; sometimes he's the nosy mini-detective who pries into Dick's secrets. And that's just two different ways of describing the same thing!
One of the things that kinda fascinates me about Dick and Tim's relationship is that in a lot of ways it's built on a bunch of low-key boundary violations. A lot of their early relationship is driven by Tim's desire to know more about Dick vs. Dick's reluctance to get close to anyone from Gotham; Tim's often out-of-line, but without his pushiness, it's hard to see how they would've developed a relationship at all. Later on, their friendlier relationship is marked by Dick teasing and low-key bullying Tim; it's pretty obvious that Tim isn't actually bothered by this, but it does involve Dick ignoring whatever Tim's claiming he doesn't like ("Quit it!" "Shh").
And one of the aspects of those boundary-violations is that Tim has a habit of witnessing things that Dick would prefer that nobody see. Tim's a witness to Dick's first and most miserable tragedy; he sees the aftermath of some of Dick's fights with Bruce; he's there when Donna dies. And he's sharp and observant and analytical, and I like to imagine this as being something Dick's not entirely comfortable with.
When Dick first meets Tim, it's before he's learned to wear a mask. And Tim spends a lot of time trying to see through Dick's masks, and he's pretty good at it, and a lot of that prying comes from love and care, because one of the ways that Tim shows love and respect and admiration is by trying to absorb absolutely everything about you, like a little sponge. But there's also something unsparing and even threatening about the search for the truth of someone else. It can be comforting or threatening, to know someone's watching you.
And I love how all that complexity is wrapped up in Tim's origin story? Both the giddy childish "Watch me on the trapeze" and then the awful grim reality of what Tim actually sees as a result and then the difficult connection when Dick and Alfred finally get Tim to explain how he knows their secret identities.
Tim's origin story
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Tim (recounting his origin story in LPoD): My parents held me back as the thing moved to you. I cried out to warn you. (Two panels where we see just Tim's eyes, as he watches a crying Dick. He sees Batman approach and start trying to comfort Dick.)
I think fiction sometimes presents "being understood / seen / known" as an uncomplicatedly good thing, and there's nothing wrong with that! But I like complications, and I like the way Tim's origin story frames that moment of witnessing as difficult and fraught. Tim doesn't want to tell Dick how he knows their secret identities because he thinks it'll hurt Dick to know it: I don't want to hurt you, Dick, and I'm really afraid I might. And he's not wrong. It is painful; it does hurt; it's not something Dick's happy to know.
Dick's a very private person, and there's a painful intimacy to Tim's origin story - it's not Tim's fault he was there, but at the same time, it's not like Dick chose to have the most traumatic moment of his life on stage in front of an audience of strangers, you know? It's kind of a violation. In NTT/NT/Nightwing, Dick's pretty violently hostile to photographers, and he's intensely private about trauma in general, and I like to imagine this as partly a reaction to that foundational trauma of losing the most important people in his life and also doing it publicly.
And Tim's part of that audience. And he sees the worst part, the part that Dick can't talk about. He sees the bodies and the blood. He has nightmares about it for years. He hears Dick crying and sees him holding onto his parents' bodies. Not at all the kind of first impression Dick would want to make. Not at all the kind of person he wants to be seen as. And that understanding can be painful, because it's so close to the bone, and when Tim's just a stranger, it's upsetting, because Tim knows things that Dick would never have chosen for him to know. Their few conversations about it are awkward partly because Tim's thirteen and awkward... but at the same time, it's not Tim's fault so much as the situation! There's no way for Tim to talk about what he saw that wouldn't be uncomfortable for Dick.
... And yet, and yet. Tim's also one of the last people to see the Graysons alive. He sees Dick and his parents together; he even takes a picture with them. He remembers the whole thing so vividly he'll recognize Dick's somersault years later. He sees the grief. And so I think of that connection as kind of a metaphor for witnessing. Tim sees these things and they become real; Dick can't hide from them; in the act of being seen he's caught, he's in a spotlight, all the grief made real. You can't hide, that way. And Tim's got this unforgiving memory; he won't ever forget; he won't ever stop knowing.
But then, too: Dick's seen, he's known. Even at the very beginning, when Tim doesn't know enough to understand what he knows, he knows the important things.
So that shared memory is a barrier and a bond between them. It can be a source of discomfort or a source of comfort. And that's how I think about Tim watching Dick in general - it's complicated, and sometimes Dick's glad of it, and sometimes he resents it, and also it just is, it's a fact of Tim, that Tim watches. It's notable when he's not watching, when he's turned away.
Being watched goes with vulnerability/exposure
So I'm going to talk about the fraught feeling of being watched more in a little bit, but first: I think it's fascinating that Dick likes screwing around with games where Tim can't see!
Here's Nightwing 25 - Dick's come up with the idea of trainsurfing while blindfolded:
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Tim: Are you sure this is such a good idea? Dick: Shh! Listen. Tune into the changing sounds and - Tim: I'm not so - Dick: JUMP!
Here's Robin 49 - clambering through a tunnel into No Man's Land:
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Dick: Hard not to think about the river. All the water above us. And bugs. This tunnels' probably full of 'em. And rats. Big ones. Big blind rats with teeth as long as -
Here's Gotham Knights 9 - ambushing Tim in a sorta game of hide-and-seek:
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Dick: Gotcha! Tim: Augh!
I feel like mmm I don't want to emphasize power dynamics too much because it's easy to overplay it BUT when I think about headcanons it's interesting to me to think about how maybe when Tim can't see, Dick's more in charge / in control, and so he feels more comfortable and less vulnerable, and that's often when he's most relaxed and playing around the most?
Whereas the moments when Tim's looking at him are often a bit more fraught, as here in Lonely Place of Dying:
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Tim: I'm sorry, Dick. I really am. I didn't want to hurt you by telling you all this. Dick... Dick: It's all right, Tim. No matter how old you are, there are some things you never forget. Or get over. (Silent panel: Tim's watching Dick as Dick turns away and stares into the window.)
Or here in Nightwing 6, when Tim wakes him up from a nightmare:
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Dick (internally, imagining a kid falling): He shouts to me. He always shouts to me. I never hear what he says. Tim: Nightwing! Wake up!
Or here in Gotham Knights 26, when Bruce is accused of murder:
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(Silent panel where Tim's watching Dick.) Tim: I'm sorry. This must be hard for you. Dick: Me? Why? Tim: Well, I mean, it'd be one thing if we really knew he was innocent, but as it is - Dick: Wait, what? Stop right there. What are you saying, Tim?
Here's Tim spotting him before he can get away in Nightwing 110:
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Dick (watching Tim from a distance, internally): Still, Timmy played it through nice and clean. Disarmed the perps, protected and avoided the cops. Kept any civilians from getting shot. God, I love that kid. Too much to let him see me like this. Tim: Hey! (appearing on the roof above him, fake-cheerful) You weren't gonna leave without saying hi, were you? Dick (looking away, very quietly): Hey, Timmy. Tim: Look at you, man! Back on both feet! Think you're done stopping bullets with your body for a while? Dick: Hope springs eternal. (Silent panel with Tim watching Dick, who's turned away.) Tim: You okay, Dick? Dick: I'm fine. Tim: Well, where're you staying these days? Dick: With some people.
Of course, sometimes Tim's watchfulness is frustrating but also a comfort, as in Detective Comics 874:
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Tim (watching Dick, who's looking away): Are you listening to me, Batman? I'm saying the gas the Dealer used on you was powerful stuff. Dick: I'm fine, Red Robin. Besides...you're here now. Tim: You're not fine. And with or without me, you shouldn't be out on patrol ye - Dick: Sshhh. Here they come.
(Later in the comic, Dick mentally concedes that Tim's right that he hasn't really recovered from the gas, and Tim saves him from drowning when he's hallucinating. So Dick feels kind of exposed by the scrutiny, but also... he invited Tim along, so there's trust there, too - Tim's perceptiveness can be a good thing, too, when things are serious.)
Incomplete summary of moments with Dick and Tim and vision
I think I already mentioned a lot of these but here is my LIST
almost the first thing that Dick says to Tim is "watch me on the trapeze, Tim" and then Tim does and he basically never stops watching;
Tim watches Dick's parents die and watches Dick sobbing on-stage and watches him on TV and recognizes him by seeing a particular trick because he's dreamed about Dick doing the trick in his recurring nightmares about that night;
in New Titans 65 which is their very first team-up comic after Tim's origin, Dick's training pre-Robin Tim and gives him a test about watching for details and later Tim's takeaway is "I saw how [the Titans] listened to you";
there's a moment in Showcase '93 12 which is just Tim watching Dick and analyzing what's going on with him and there's another moment in Prodigal which is the same thing;
in Nightwing 6 Tim sneaks into Dick's apartment and hides in the dark and Dick spots him and tackles him; one of their most important bonding comics is Nightwing 25, where Dick insists on blindfolding him to get him to rely less on vision; when they sneak into No Man's Land they're in the dark and Tim can't see again and Dick's teasing him;
there are multiple moments when Tim can't see Dick for a bit and panics about his safety, in Nightwing 25, in No Man's Land, in Transference, in Bruce Wayne: Murderer;
Tim's there watching when Dick's wedding to Kory falls apart and he's there watching when Bruce and Dick fight and he's there watching when Donna dies and he's watching when Dick and Bruce swing together on the night before Infinite Crisis, and when Dick goes down and almost dies in Infinite Crisis we cut to Tim watching and seeing it happen and screaming;
there are multiple moments which are just silent panels of them staring at each other trying to figure out what's going on with each other or having a stand-off - in Bruce Wayne: Murderer, in Resurrection, in Red Robin;
in the aftermath of Donna's death there's a panel where Dick's watching Tim from a distance and not approaching;
in the aftermath of Blockbuster Dick spends half the comic just staring at Tim from a distance and hiding himself because "I love that kid - too much to let him see me like this," but Tim sees him anyway and chases him down and then they lie to each other and *ranting* LISTEN TO ME the whole comic is about Dick trying to AVOID being SEEN both literally but also METAPHORICALLY AND --!!!
(the only thing i'm even as halfway obsessive about for them is the heights thing because also there are a bunch of moments involving falling or Tim being anxious about heights and worried that he'll fall or Dick will fall)
In conclusion
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Consider the progression in all these moments where Tim's watching an upset Dick and worrying about him!! From reaching out instinctively-but-pointlessly when he's too far away in the LPoD flashback, to almost reaching out in LPoD but hesitating, to putting a hand on Dick's back to walk him back to the Cave in Gotham Knights 10, to physically dragging him clear of the water in Batman: Black Mirror!
In conclusion I don't have a conclusion but basically YES, "watching Dick" is a core Tim characteristic as far as I'm concerned, and Tim watches Dick a lot and that can mean all kinds of things from admiration to nosy intrusiveness to worry to care to gratitude to trying-to-figure-out-what's-going-on-with-him, and sometimes Dick's resentful and sometimes he's relieved and sometimes he's playful and sometimes it's a mix of all those feelings.
And at first it's always Tim watching Dick, but later you've got Dick watching Tim too, and there's that moment where Dick's secretly watching him fight but Tim spots him in Nightwing 110 and there's a silent panel where Dick's watching him in Resurrection and at the very end of Robin there's a scene where Dick's secretly watching him fight but Tim spots him and in the very last issue of Red Robin Dick's watching the end of the confrontation with Boomerang and in Prodigal Dick's the one who notices his face is bruised and aaaaaaah
Anyway I think they're neat <3
#ask tag#hi anon this is SO old i'm so sorry sdfsfs#if you're still here hi!! <333#this was such a validating ask to get because as you can probably tell i think about the vision thing constantly#also this is SO long oh man. sorry i just started typing and it went on and on sdfdsf#dick grayson#tim drake#dick & tim#it's like. it's just endlessly fascinating to me because the paparazzi/photography stuff is one of dick's biggest triggers#and tim's introduced as a surreptitious amateur photographer#so there's no WAY they will ever get along#but then there's the Meaningful Photo from before the show#that low-key shows that tim's freaky obsessiveness comes from a place of genuine caring & this moment of real connection#so you have early days!dick kinda vibrating back and forth between 'I DON'T WANT HIM MAKE HIM GO AWAY'#vs. those moments when he IS getting attached to tim kinda against his will sdfsdf#and just. the dichotomy between paying attention as a form of love vs. being watched as a kind of violation and exposure#and that both are kinda the same thing?? and dick deeply craves the first and deeply hates the second#tim shows up being all I REMEMBER and what he remembers is exactly what dick was demanding bruce remember in b416#but /also/ he remembers /everything/ 'i remember it all' he remembers the graysons dying in incredibly painful detail#and like. kid!tim is very tactless & has only two switches of 'TELL HIM NOTHING' and 'if forced to speak then overshare'#but the tactlessness is a fixable problem and the remembering is /not/#it's not like it's any better for tim to keep his mouth shut & dick to just be painfully /aware/ that he's thinking abt the graysons dying#bc ofc /tim/ remembering forces /dick/ to remember#but!! but also. you know. maybe that remembering /isn't/ entirely a bad thing#and dick's feelings about it can change over time#anyway tim's not the only person that dick has this kind of conflict with - wally & roy sometimes chase him down when he's withdrawing too#and he often doesn't really appreciate it from them either#and dick's not the only person who gets subjected to tim's particular brand of intrusive caring#conner's not thrilled about the dna thing & ives would be within his rights to resent the stalking even though he doesn't#but i am obviously personally most fond of the ways this plays out with dick & tim
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sysig · 3 months
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Experimentation (Patreon)
#Doodles#UT#Handplates#Sans#Papyrus#Continuing the theme of memories and what Gaster ruined for them haha#He doesn't even have to be here and he's making their lives harder! Par for the course#Lots of things have the potential to trigger their memories - a familiar smell or a food they recognize#But there were so many things they never experienced and sifting between them is very difficult!#Especially considering most of what they ''remember'' is actually just their Reaction to Something - like the smoke smell making them tense#Sans here getting a Reaction for sure tho - being questioned and experimented on does Not feel good#It's Papyrus doing it so that's one thing but even still - not having fun with this#Papyrus is so curious! He wants to know! He always seems to be a bit left out on finding things out haha#Sans being the more science-minded of the two probably has an impact there - ask your brother he'll help figure it out#Unless he really doesn't want to because it feels weird please stop (lol)#Still tho being asked to eat things as an experiment? ''oh hey bro maybe going to grillby's will remind me of something'' ''SANS'' lol#Papyrus didn't mean anything by continuing to ask questions he's just curious!#Sans goes to write down the results and then feels Even Worse so scribbles them out#''don't tell me what to do!'' directed nowhere in particular#Tries really hard to put it out of him mind A Lot#This remembering business sure is uncomfortable!#Look what you did Gaster you took a perfectly fun data-gathering session and turned it into something they'll need therapy for!
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lesbiradshaw · 2 years
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was it really necessary for theo to call liam ‘little beta’ in triggers while looking at him like this. was it REALLY.
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synonymroll648 · 1 year
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from a vibes perspective, i totally understand why so many people look at keefe and go ‘this guy would be the male equivalent of a wine aunt when he’s older’. 
but. but. 
taking lore into consideration, in my heart, he’s terrified of alcohol (even if he tries really hard to hide it). because. like. his first exposure is almost guaranteed to be through cassius, and cassius canonically threw a glass extremely close to him at least once when he was, like, 8. maybe cassius wasn’t always extra nasty when he was drunk, but there’s gotta be a correlation in keefe’s brain between risking getting seriously hurt (emotionally or physically) and alcohol consumption that’s really hard for him to shake. 
#tw alcohol#tw child abuse mentions#lmk if there's more trigger warnings i should put#i have a thing for hurt/comfort lmao#kotlc#keeper of the lost cities#this is brought to you by:#that one fic my brain started writing internally where it's sophie's 21st bday and she's like man i#have saved the world so many times we've all lost count. i want a fucking drink#and keefe's internally like OH GOD OH FUCK in a bad way but externally he's like yeah babe whatever you want!!#and then she's like. i don't wanna do anything super stupid though. and drinking alone is super stupid when you've never drank before#will you stay w/ me? please?#and keefe's like. i cannot say no to that face#so he spends the night doing an increasingly bad job of hiding how bad he's freaking out#because sophie is a safe space and alcohol is not safe and he doesn't know how to deal w/ the two colliding#ESPECIALLY since sophie's just getting dorkier and sweeter as her filter goes down instead of throwing insults or objects at him#(i feel like sophie would be the kind of drunk that's very impulsive and says EVERYTHING that comes to the forefront of her mind#and stellarlune was more than enough to prove that she sees keefe and a lot of the time her brain just goes hnnngh soft little tortured#artist. MY soft little tortured artist.)#yeah but even intoxicated sophie can tell something's wrong even before he flinches super obviously at an empty glass falling over w/o#breaking. and so she's like nah man it's hurt/comfort time and he's like BUT YOUR BIRTHDAY and she's like do you really think i'm#gonna just let go of the fact that i know you're stressed? i'm not a dickhead keefe#so yeah it ends in cuddles. because of course it does#keefe sencen#annnnd out of the drafts this goes. post!
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izayoichan · 5 months
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Fantasy Magical Christmas interlude. 🎶
(Poses by the equally magical @simmireen lot again by @anaria-ithil)
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This is the fourth fic in my Josuyaus series that takes place while they're still in high school You can find my series here I also have a master post of all my Josuyasu writing here
Summary: After a study session gone wrong, Josuke finds himself needing somewhere he can feel safe and at home and that some where turns out to be Okuyasu. Tags: Post-Canon, Pre-Relationship, Friendship, Hurt/Comfort, the following tags are not from/between the ship (just an fyi), Non-Consensual Kissing, Non-Consensual Touching, Side Character/Main Character Attempted Sexual Assault, Attempted Sexual Assault, Emotional/Psychological Abuse, Victim Blaming
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shepards-folly · 9 months
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Like an angel crushed underneath god’s boot [+ wip images under the cut]
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#shep arts#content smp#csmp#arathain#mason arathain#tw eyestrain#cw gore#<- its very mild I’d say. i kinda just fucked up one of their arms... in my defense it was annoying to draw so I just didnt draw part of it#the eyestrain isnt too bad either in my opinion i just wanted to tag it just in case#honestly just tell me if this needs more tws I'm awful at knowing what I need to trigger warning and what I dont#okay uh art rambling time so i made him a bug for this one honestly just cause i thought it looked neat#this was a really fun for a drawing that took like an hour to sketch and a million years to finish#it's just an experiment in coloring a lil different and using layer styles other than multiply and add...#there are add and multiply layers in there if i remember correctly but its mainly color/linear burns and hard/soft light i think#fun fact there was supposed to be more paint but uhm I got lazy and it was already a pain trying to balance the values on this one#so yeah its just the pink splatter behind his head there. imagine that there's more pink paint there for me pretty please#I have a dozen versions of this with various overlay layers will probably end up adding those to this post in a rb or something#this post was supposed to go up earlier but yeah I was comparing overlays for like two hours...#honestly im surprised my procreate didnt crash in the middle of this since it crashes everytime I do anything with a lot of overlays#it did die immediately after I finished it though so then I had to wait several hours to just sign the damn thing :/
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snixx · 21 days
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pll was my entire adolescence i swear to god. like i grew up on that franchise it also was the original catalyst for turning my entire friend group gay
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sunlitmiracle · 1 month
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smashes my current interest together with my old interest (aka yet another "what Dungeon Meshi but Gamers?" AU)
Once when I was a child I had a complete crying meltdown over Creatures, because the manual insisted that the complicated AI of the Norns made them truly alive and 10-year-old me was freaked out at the idea of being solely responsible for making sure these real animals wouldn't die. The funny part was that this was the Playstation version of Creatures, which has no biochemistry and very basic AI compared to the PC/Mac games where players actually were debating whether or not it was true artificial life. A PSX manual gave me existential dread and it wasn't even telling the truth.
Anyway, kid!Marcille would also have a meltdown over the Creatures series, especially if she had the computer games and got to see how vastly different some breeds' lifespans are. Like in C2 where you have Norns that live for around 5 hours and Norns that live for 10, both of which are vastly more than Ettins who don't even live for 1.5 hours (and usually less due to radiation or starvation).
Lucky for her, having the computer version means she could download modified genomes made by other players that make creatures live longer or even outright remove certain death triggers. However I think she'd have more fun learning to read and edit the genomes herself, to get a better understanding of how the game works and how to change it to suit her own tastes. And because she could pretend she's one of the mysterious ancient Shee who created the Norns, Grendels, and Ettins and then vanished, leaving behind relics of their old society.
(Speaking of Grendels, she would unfortunately dislike them because they're the Designated Evil Species and she'd hate how they harass and attack her Norns. I think she'd also pity them though, because they get sick a lot and have short lifespans. Likely she'd just end up downloading/creating a genome without the aggression towards Norns. Ettins she'd like except for in C3 when they dismantle her meticulously-placed gadget setups, so she might mod out their hoarding compulsions too. Both of them would of course also live for however long her Norns would live.)
Also. While standard creatures' lifespans are counted in hours, if you modify the half-lives in the genome editor you can increase it to centuries. Or even just over a millennium if you set the half-lives to their max length (assuming you also leave the old age death trigger at its vanilla value).
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and I like to think that elven Creatures players would pass around copies of what they consider a template genome that's appropriate to their own lifespans. Something that would make their creatures live for weeks or months of continuous play. I also like to think the Creatures DS Warp is still active in this AU because of the hilarious frustration when these long-lived Norns travel to worlds run by short-lived players whose Norns have vanilla lifespans, and vice versa.
(Most of the time in Creatures, offspring of parents with different lifespans will just have one or the other, but there's a chance the genes cross over right in the middle of the various age triggers and cause unstable aging rates. Like a Norn that goes through the childhood stages in hours but then has a very extended adulthood. Or a days-long childhood followed by suddenly dropping dead of old age once the vanilla adulthood genes kick in. Or, if the child has one parent's half-life decay rate and the other parent's age triggers, all sorts of odd things could happen. I once had hybrid Norns who lived for 20 hours and would die of organ failure before reaching the old age threshold!)
(Now that I think of it, Marcille would absolutely hate fast-agers. The first time she watches a creature hatch, turn old, and die in just one brief minute of life, she would be sobbing for days. One of the first things she'd learn to mod out would be mutations that cause the Ageing/Life chemical to decrease unusually fast.)
On a lighter note, while I don't know what her favorite designs would be I think she'd love choosing cute breeds to use in her world. Once she figured out how to give her creatures the comfortable life she wants them to have I can see her redirecting all her gene-editing efforts into changing color expressions. She might even learn to sprite or model her own custom designs.
#creatures#creatures games#dungeon meshi#delicious in dungeon#dungeon meshi spoilers#delicious in dungeon spoilers#(not directly but the Implications are there)#(later tags will be more direct about spoilers)#anyway all the PC Creatures games are on Steam and Docking Station is free#Caveat One: Creatures 2 does not run well on modern systems (though the Steam release is trying to fix that)#Caveat Two: The Creatures series was made during the 'spanking is acceptable' era so uh.#No sugarcoating it: Physical abuse is used as discipline.#(unless it's Creatures Village where they replaced slapping with a water spray)#I made a mod for C3/DS that just uses buttons instead of the hand; it was released for the CCSF 2023 community event but#I should re-release it here too someday. I should also revisit my slap-disabler mod and see if I can make it easy to install.#but that's a task for Future Me and not Present Me#anyway Sissel/Thistle is also a Creatures player but he cares more about micromanaging his population than caring for them#he removes not just their death triggers but also their drive to eat and sleep. they're permanently happy zombies basically#he doesn't make peace with Grendels and Ettins he just puts them in the airlock#he gets involved in the Creatures Abuse discourse and somehow makes everyone mad#however he is also a very prolific modder who has made all sorts of interesting animals and metarooms; ppl in the fandom respect his skills#and he does truly care about his vision of a utopian world for his favorite Norns#idk if any other dunmeshi character would play Creatures. Milsiril might like it?#Kabru wouldn't play but he'd get a kick out of reading the many ethical debates and drama between fans#everyone else I feel might be put off by the game's very slow pace or by the complexities of raising creatures#anyway hey I haven't posted on tumblr for months; I am sorry and this WILL happen again#Eventually i will remember how to Create Things#that is also a task for Future Me
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designernishiki · 1 year
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sorta an interesting characterizing detail that majima continues to wear an eyepatch instead of getting a prosthesis like most people (who have the money/resources, which he does) do. like I imagine it’s a combination of being dedicated to the image he’s made for himself/being stuck in his ways (not in a particularly bad sense here), and growing over the years from feeling the deep shame that wound is meant to bring him to accepting it as part of himself for the better or worse, not wanting to sugarcoat any part of himself no matter the unpleasantness, to maybe even feeling some level of pride or confidence in it in a way because it represents just how much of a resilient motherfucker he’s had to be to make it out of the shit he’s been through and whatnot. idk just something I think about sometimes
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itspileofgoodthings · 7 months
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💕💚
#so. Rambling on this my 28th birthday#I think I might have some kind of hormonal/mood imbalance#maybe. I think that could be likely#and I also think I have very fast emotional cycles#so I work through things quickly#and so I’m in kind of a pattern right now where I post in utter anguish#and the anguish is REAL and I am by no means faking it#but then it resolves. Not even the thing that causes the anguish but the feeling itself#and I just feel better and then I move on#and I am trying to get somewhat of a handle on what exactly it is#and I know I don’t owe anyone an explanation of what I post#but I guess also I would like to#and I think—as I type this out—that what’s happening to me right now#is TWO things#and one of those things is the very real very new pains of adulthood and life#that are hitting me like a shock to the system#but then ALSO some old emotional echoes that need to be purged from my psyche#that are not in fact how I want to deal with things or react to things#but which flare up in response to triggers#and cause anguish so bad it is literally physical#and I would love to be able to distinguish between the two#because there IS much that is hard and scary and painful and confusing in my personal life right now#and also there are simply old wounds and fears at play that I would like very much to set down#and allow myself to change. In response to which I would like to choose a new way of thinking!!!!#a truer and different attitude!#and yeah. it’s so hard. It’s SO HARD. It’s SO HARD TO ACCEPT THAT IT’s BOTH and it just AHHHGHHHHHHHHHHHJJ#!!!!!!!!!!!!!!!!! anyway thank you for listening and for seeing and for taking the cries of anguish posts#I guess I just wanted a follow-up of some kind#because sometimes I feel insane and I feel like I LOOK insane#and it’s awful
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fellhellion · 9 months
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Having to grapple w the experience of a piece of art being deeply personal and healing for you vs it either not providing that for someone else or being something that’s triggering instead, being able to accept that neither one of you is in the “wrong” for feeling as you do? one of the most valuable experiences ever imo
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