"there's no basis or case to be made for will having powers" okay then genuinely please explain any of the following now after watching season four:
why does the upside down look like hawkins and is presumably stuck on the day will arrived despite the fact that vecna was there first and has been residing there this whole time? if vecna was capable of reshaping the world, as he's stated he wants to do, why hasn't he done it in his own world? why is he so intent on seeking out the person for whom time apparently stopped if it's all just coincidence? if will didn't do that and he doesn't have powers, then why didn't time progress or the setting change once the teenagers got there? why was time only influenced by will and will alone if he has no powers whatsoever?
how was will able to call joyce multiple times? the only person we've seen so far be able to do something similar is eleven when she would channel what she heard through the radio. electricity doesn't work in the upside down, so how did will do that? why did it cause a shock and ruin the phone, the same way that the radio went up in flames when eleven did it, if he doesn't have powers?
how did he manage to wake joyce up at one point? (it could've been her imagination, but the show made it pretty clear that joyce had been right about everything the entire time even though everyone thought she was crazy, and will was wearing the same outfit but he looked and sounded distressed + exhausted like he may have been while hiding in his upside down version of the house.)
how was will able to see his mother and guide her with the lights to the place he was hiding?
how was will able to see the letters she wrote on the wall?
how was will able to light up the lights that fast and sometimes simultaneously? especially with the lights that were on the ceiling? the way he communicated with joyce isn't totally similar to the way the teens communicated with the party in season four. he's too short to reach the ceiling and he doesn't have elasti-arms or super speed, so he couldn't have been touching that many lights that fast all by himself with his own hands. if anything, it's more similar to the training exercise brenner had the lab kids do, because they didn't need to touch the lights (obviously) to control them. so, how do you explain that if he has no powers?
how did he acquire true sight before his possession? the doctors thought it was ptsd and all in his head, but just like with joyce, we come to learn that will had been right the entire time. the mind flayer was real and it was coming for them all and eventually it did. how did he know that? how could he have had such knowledge before it ever melded minds and bodies with him? no other powerless human could do that, so how do you explain it?
if will is truly a powerless human being, why did vecna hunt him down? we know that vecna stalks his prey before he strikes. we know that "the monster" followed will from mike's house all the way to the shed where they vanished without a trace. we then saw it stalk will again and eventually possess him. will said that vecna wanted to kill everyone else, but not him. why? we know that vecna doesn't care about people. so what did will have that he wanted so bad? what was it about will that made him more valuable to vecna—a self-perceived god among useless, pitiful, and brutish men—alive than dead? what was it about will, a supposed powerless and normal human boy, that made vecna want to spare him and use him? if he wanted access to the lab, weapons, or tools that could bring down entire nations and rendered millions around the globe defenseless to his attack, then he wouldn't have picked a sweet twelve year old boy who lives a tiny little life in a tiny little town who just wants to hang with his friends and play games. unless... he was the key to achieving his plans? but according to this argument that will is just a normal boy, why is it then that vecna did all of that if will isn't capable of anything?
additionally, we know that gates are opened with a psychic connection. when the psychic connection was made in that shed, will entered the upside down. there, he was hunted for a week. why did the demogorgons kill and eat everyone else, but never will? why did they only carry him to the library aka the source of it all? why didn't they treat him roughly or eat him like they did all of the others? will didn't suffer any serious damage from the upside down, so he couldn't have been "dead" for long when his parents found him. why was it different with him? why did he get special treatment even in hell if he's just a boy?
why does will still sense the creatures of the upside down even after he's been exorcised? how is it that the psychic connection is still there? how is he still able to know what vecna is feeling, the kind of state that he's in, and what it is that he's planned? how does he have this connection still even though he shouldn't if he's Just Some Guy?
if will was just a normal, powerless boy... then why did a self-proclaimed god try so hard to recruit him more than once? why did it hunt only him? why did this god want to kill everyone but him? why did this god deem him more worthy and useful in life and at his side than in death? why did it seek him out and not eleven, a girl who actually has powers, powers that were once stronger than his own even and that he clearly wanted as we saw in s3? why is the upside down stuck on the day will went missing, despite it clearly being inhabited by other creatures that we assume to be more powerful than him? why is will going to be central to season five, the season where it will all come to a close and we'll be learning about the upside down and more, if... he's Just Some Guy that had to brave it for a week and that's it? why did season four (and the show overall, but said outright and explicitly here in 4x09) reiterate that it has always been vecna and that will has always been his victim/in his sights/connected to him? why did vecna choose will byers, who some of you claim to be Just Some Boy, of literally all people on planet fucking earth to achieve his plans?
vecna stalked will. he hunted him. and when his plans were foiled, he tried again. when he couldn't do it his way, he sought to kill eleven so that he could absorb her powers (s3). and now, they're back in each other's heads. the silver cat fed when blue met yellow in the west, but they're back now and we've been told that this is only the beginning. if will is just another powerless human, then what is the point of any of that? how do you explain everything that we've seen? how do you explain the choices these characters have made and continue to make? how do you explain away the connection that they keep drawing our eyes to? the connection that shocked the duffers and made them ask jamie if he'd seen the scripts when he brought it up (that it all goes back to will, how everything and everyone is connected to will)? the connection that they themselves are saying we'll see clearly in season five?
that isn't even scratching the surface of all the obvious instances where they make it clear that will is vecna's narrative foil, because that would make this already gargantuan post thirty miles longer.
they wouldn't have done everything that they've done over the span of multiple seasons now if it was just for nothing.
it doesn't make sense if will is just some normal kid and a random fluke in the master plan. the writers could've had vecna pick anyone. they could have made it so that will's connection was severed or lessened, but they didn't. they could've admitted that will was just a meaningless casualty, but they didn't because he wasn't. it wasn't a random animal that took will, he wasn't possessed for shits and giggles, and he doesn't continue to have that psychic connection for no reason. they don't tell us that nothing is a coincidence and they don't have the characters themselves remind us that they need will just for it to be... nothing.
will knows what's coming, what's happening, and the condition of the person who will do it all. why have him experience all of that, and even be able to in the first place, if he's... powerless? how do you even explain the connection in the first place? no other character, not even the ones cursed by vecna, are able to do what he's done. how is that not considered a power? and how do you write off the hours of content that you've witnessed as nothing?
clearly, at some point you have to realize that something is going on, no? like, you don't even have to take my (one-too-many) word(s) for it. jamie and the duffers themselves have been saying it over and over again. so... honestly, what's not clicking?
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Say what you will about Van Helsing 2004; hate it, love it, be indifferent, But the All-Hallow's masquerade ball went sooooo hard and it had zero right to do so! It's a fun, campy, monster mash movie with wonderfully dated ( and expensive) cgi and non-stop action meant to be a popcorn flick one takes out to watch around spooky season. And it has this* chef's kiss* GORGEOUS 6 minute sequence plopped arbitrarily in the second act, which unexpectedly surpasses nearly every other ball in the last 30+ years of film( notable exception being the Cinderella 2015 ball) for literally no reason other than to be dramatic af.
Like feast your eyes on this Gothic masterpiece!!! Who doesn't want to immediately live in this picture?!??
They used those candles with oil in them so that they would have real candles, real string orchestra( I believe), probably around 100 real life extras( something which is tragically absent in modern film), said extras are all in beautiful fully decked-out costumes( which are in luxuriously dark colours, but nearly no fully black, another thing you cannot say for much modern cinema), REAL CIRQUE DU SOLEIL PERFORMERS for all the acrobatics!!!! Hell, instead of filming in a sound stage, where they could control the reverb and the acoustics and the size of the set and the bloody lighting ( they apparently had a heck of a time emulating the firelight for this sequence) and the temperature( it's very cold in stone churches!) better, they filmed in a Baroque church in Prague! As I said, peak dramatic splendour, jfc...
Think about that a second...They filmed a vampire masquerade in a Baroque Catholic Church( St. Nicholas' in Lesser Town, if you were curious) with amazing over-the-top acoustics and marble statues and real, tiled floors and marble pillars and a choir loft which they very much utilized, covered the pipe organ and the altar with a grand brocade curtain so it wouldn't be so obviously a, you know, a church! And there's a gold gilt elevated and canopied pulpit into which they put two vampire kiddies for, again, the sake of being dramatic.
And the costumes! They remind me of the 25th anniversary Phantom of the Opera Masquerade costumes. Same quality, like they're old, well-cared-for costumes pulled out of a warehouse, instead of fast industry churn-outs. With lots of trim and colour and masks and lace and feathers and..just...ugh.. they are all perfect! Just look at all the head pieces on the ladies and the hats on all the gentleman ( save Dracula of course) and the powdered wigs on the musicians. ANNNNDD! The dresses are historically correct!!!!!! It's the 80's bustle era! Nobody does the 80's bustle era in film anymore and it's a bummer. Oh and one other thing! Anna's ( and other women's) hair, at least here in the ball, is also historically accurate because it's all pinned up! None of those fucken modern beachwaves at a ball! Everybody's got updo's!
Gah, I swear, Dracula in his gold cloak really does things to me in this scene!
By the way, the acrobatics are bonkers in here for just background stuff!! Especially the random guys on unicycles and the dude playing the violin whilst standing on a ball...Like....WHAT?
Anyways, all this to say, that this masquerade ball feels sooo real and tangible and because of that it blows every other film out of the water, and no, I will not change my mind!!!!!
Here's a few more gifs, bcuz, why the hell not, this scene is sexy as fuu*ck?
Alright I need to go to bed now.
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The Media’s Favourite
charles leclerc x female reader
summary: amelia is the light of charles’s life, and she adores him just as much, it’s a good think the media loves her too…
warnings: very fluffy dad charles, like tooth rotting
a/n: i really needed this after the past few days i’ve been having, so this is self indulgent for sure
Amelia had her head on your shoulder as you weaved your way through the crowds to reach Charles before he was whisked off for media duties. He’d come in second at the grand prix today, and the two of you couldn’t have been any prouder especially after how the season started for him.
“Papa?”
You smiled softly kissing the 4 year olds cheek gently, her eyes looking around for her favourite person
“Almost there petit fleur, we’re almost there..”
The two of you walked down towards the motorhomes and over to ferrari’s hospitality, once the two of you had made it safely, Charles was waiting where he usually was, towards the back offices.
“Bonjour mes bébés!”
At the sound of Charles’s voice Amelia picked her head up and smiled happily
“Papa!!”
“Mon ange!!”
He responded with an enthusiasm to match his little girls, and man did the two of them ever look like twins. Charles took her from you gently and you smiled as she clung to him tightly, the Monégasque kissing her cheek a few times before sending you a smile, a pressing a kiss to your lips.
“You did so well baby, congratulations”
“Thank you amour, I think it was because my girls were here”
He kissed your forehead, wrapping his arm around your waist before walking with the two of you down towards the media pen. It was almost tradition to go anywhere together as a family, especially in the paddock on race weekends.
As the three of you arrived, Charles took you and Amelia behind where you’d be away from the journalists but could still see him, only when he went to pass Amelia back to you, she whined
“No papa, stay with you!”
You frowned knowing how hard it was for her to see him and then need to let him go again
“Bébé, papa will only be a little while”
Amelia shook her head, her bottom lip pouting as she tucked her head into Charles’s neck, soft little whimpers escaping her
“Want to stay, papa want to stay!”
Charles thought about it before nodding
“You want to come with papa and talk about the race?”
Moving her head to look at him Charles could have swore his heart burst at the anxious look in his daughters eyes, not because of the camera, but because she didn’t want to be anywhere but his arms.
“Yes please!”
Looking at you to check if it was okay you nodded and watched them walk out into the media pen, all eyes on the father-daughter duo. Thankfully today, Charles had Lissie interviewing him.
“Well this is a surprise, hello Charles and hello Amelia!”
Amelia waved shyly and Charles laughed, adjusting her on his hip so she could see better.
“I have a buddy for media today it seems”
“You do, quite a cute one too!”
Charles smiled before nudging Amelia
“What do you say bébé?”
The toddler smiled, leaning her head on his shoulder
“Thank you”
Lissie smiled just as brightly, the content too cute to handle as she dove into questions about the race, Amelia listening intently, just happy to be in her father’s arms and close to him.
As the interview began to close Lissie asked Charles if Amelia could answer a question, to which he nodded, the four year old now watching her with interest.
“So Amelia, I was wondering who is the best race car driver?”
Amelia was quiet before gently patting Charles’s chest
“Papa! He is the best! He can go ‘weally fast! He’s my ‘favowite”
For being four years old she’d always been so great with words, even if some were still hard to pronounce she gave it her all.
“You heard it here everyone, Amelia Leclerc’s favourite driver is her dad! Safe to say I think many would agree, Thank you Charles and thank you Amelia!”
Charles thanked Lissie before the pair weaved their way back towards you, your arms open and ready to pull then in for a tight hug.
“I’m so proud of you my superstars!”
Kissing both of them gently you all made your way back to get your things and get ready to leave the track. When the day started you definitely didn’t know it would end this way, seeing your baby girl so animated and happy in front of the cameras for the world to see.
You just knew it wouldn’t be the first or last time Amelia took the Formula One media pen by storm…turns out she was a fan favourite. But even then, she’d always be yours and Charles’s favourite too.
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