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#there are worse things than being alive
tomsmusictaste · 2 months
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Bayside // Castaway
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Our Favorites Of The Year (So Far), Part One: April 2024
By Bradley Christensen & @jakeh2987
At the end of every year, I’m always amazed when peoples’ yearend lists come out, because it takes me awhile to fathom that it’s really the end of another year. Aside from Christmas, which is what most people associate with that time of year, I love “list season.” Publications of all kinds put out their yearend lists, and I just love seeing what people have been into the entire year. It feels like yesterday I was talking about my favorite media from the entire year, so I thought I’d “check-in” in the beginning, middle, and (obviously) the end of the year. I’m not doing this alone, however, because I thought I’d bring along my buddy Jake. We worked together on a yearend piece last year, too, and I thought it would be fun to work on something like this again, at least checking in periodically with each other and seeing what we’ve been into throughout the year, as well as how the year’s been going when it comes to media of all kinds. With that said, it’s good to have you back, Jake! It feels like deja vu, because it feels like we just did this, but I digress, how’s this year been treating you so far, Jake? How do you think this year has been in comparison to last year?
First of all, thank you for having me back to do this! I had a blast working on our year-end wrap up last year, so I jumped at the chance to do something similar. To answer your question, though, I feel like this year has been really stacked in terms of new releases in not only music, but a lot of different forms of media. Last year was incredible, for sure, but I feel like a lot of it was backloaded in the second half of 2023. This year, on the other hand, I felt like there’s been at least one or two new things to be excited about every week really since the start of the year, but especially so in the last couple of months. I had a look at my top 10 albums, and I think almost all of them have come out after the first week of March, which has been great. But, we’ll get to that later. For now, though, I say we take a look back at the broader picture for a second! Last year, we talk about how we often found ourselves falling back into old comforts, whether that be favorite artists, that TV show you’ve binged far too many times before, and so on. For the first bit of this year, I kinda feel like I’ve been a lot more open to discovering new things and stepping outside of my comfort zone, so I’m curious, how does it feel for you?
Last year definitely had a theme of listening to what I call “ol’ reliable” types of media. A lot of my favorite pieces of media were from old favorites, whether I was revisiting them again for the first time in awhile, or old favorites releasing new albums, movies, or shows that I could easily get into and gave me a nice sense of nostalgia. I would say that this year, at least so far, is a mixture of both being adventurous and discovering some new things and still revisiting some of those same “comfort foods,” so to speak. Looking at the big picture of how media has gone this year, it’s certainly been steady since March with at least one album per week that I’m listening to (almost my whole top ten is from the last couple of months as well), and we’ve been getting a steady stream of movies and shows that are worth watching and talking about. Speaking of which, let’s start with movies and TV, what have you been watching this year?
Okay, this is where I get to gush about the new Fallout show that just premiered on Amazon Prime Video a couple weeks ago. I’m not super familiar with the games, having only put a few hours into Fallout 4 way back in 2015, but when the first trailer for this show dropped, I knew I was gonna be in for this. I’m a sucker for a sci-fi/post apocalypse setting, and from what I do know from the games, there was gonna be a blend of dark humor/satire along with the high-stakes drama. I ended up watching the whole season in about a week, and I really loved it. The creative team behind the show did about the best thing you could do for a video game adaptation; it’s set within the universe and continuity of the games, but it’s a new story with new characters, so they were able to tell their own story while still nailing that Fallout vibe. Also, come on, Walton Goggins playing a post-apocalyptic cowboy bounty hunter, how can you not love that? But for real, this show was a blast, and I’m happy it’s already been renewed for a second season, because I can see this show being a great time for many years to come.
Aside from that, though, I did see the Mean Girls musical movie from earlier this year, and while I don’t think it was all that great (and I don’t necessarily love the original, either), it’s pretty clear why Renee Rapp is a rising star, she was great in it and can definitely sing. I’ve also been making my way through a super casual Criminal Minds rewatch, it’s been a long while since I’ve watched a lot of the early stuff, so I like having it on in the background while I do other things, but I still love this show a lot. How about you, though?
When it comes to TV and movies, I haven’t watched as much stuff as I’ve listened to music, but I’ve got a few things I’ve been watching. The second half of the second season of Invincible, also on Prime Video, premiered last month, and that was a lot of fun, especially after loving the first season a few years back. Animation has been on a roll this year, between that and X-Men ‘97, which has been a show that I’ve been eagerly watching every Wednesday. That show’s been an absolute blast, and despite being rooted in a show from the past, it doesn’t let the nostalgia overtake the show itself. I haven’t really been watching a lot of movies this year, surprisingly enough, but I need to catch up. I need to watch Fallout, though; I love dystopia and post-apocalyptic universes, so I need to sit down and watch that front to back. What about video games? I got a couple that I’ve played this year, not necessarily new but new to me; and that’s been a whole lot of fun.
Final Fantasy 7 Rebirth came out at the end of February (on the leap day, no less!), and I've been playing it basically non-stop since then. Rebirth is the second part of a trilogy of games that are remaking/reimagining the original Final Fantasy 7 from back in 1997, greatly expanding upon and making tweaks to various things that were in the original. This is also a game that adopts more of an open-ended structure, featuring several pretty big zones filled with a ton to do. As of writing this, I've put about 100 hours into it, and I'm just over 60% of the way through it. This is a game that''s so incredibly easy to get lost and immersed in for hours, and I think that comes down to three things. Firstly, your main party of characters is so enjoyable to be around; it really hammers home that feeling of being on a grand adventure with your friends, and even when you're doing a seemingly mundane open world activity, you still get little interactions with the characters that makes it worth it. Another factor for me is the combat. I said after the first part came out in 2020 that it had maybe my favorite combat in an RPG, I really loved the seamless blend of real time action and strategy with the ATB system. Rebirth's combat is essentially more of that, but the improvements and enhancements make this combat sing in a way that very few games ever have for me. Swapping between party members, using the new synergy abilities, and popping ATB abilities feels so seamless and flows super well. It's just a blast to play. Finally, I wanna give a shoutout to the minigames. I won't give all of them away, but there are so many different minigames to play, and this is where Rebirth gets to really lean into its silliness more often than not. Your main story can often be very dramatic and emotional, so I appreciate that these side activities are a way to provide a tonal balance and gameplay pacing. And aside from maybe one or two I admittedly wasn't a huge fan of, all of them were really fun to play (shoutout Queen's Blood in particular, I would buy a standalone version of that in a heartbeat). Oh, and I would be remiss if I didn't mention the music. It's incredible, and even when you're walking around in the open areas, you get hit with yet another really cool music piece, and that's before you even get to the big set pieces or boss fights, which also rule. I could just gush about this thing forever, really, but I'll top this off by saying it's been a really special experience and I'm so excited to see where it ends up. How about you, though? Have you been playing anything in particular?
Man, Final Fantasy 7 Rebirth sounds great! I always love when a piece of media, whether it’s a game, movie, or album, can really suck you into its story or sound. I can’t say I’ve played any new games, but I got a couple things I’ve been playing so far this year. I spent the last few months playing Mafia III, especially after seeing it was on sale for the first time in awhile, and I absolutely love the first two games. Now those are games that you can get lost in, especially its story, world, and atmosphere, but I’d say the third in this trilogy is the best. Instead of taking place the 1930s or 1940s, like the first two games, the third one takes place in the 1960s, let alone in a New Orleans-type of city with different “districts” that are composed of different kinds of people. This game also tackles issues like racism and PTSD, especially where the main character is Black and a Vietnam veteran. It’s got some hard hitting and still relevant themes, despite coming out in 2016, but it’s still relevant today. The game does have a couple downsides, such as the combat and side missions between story missions being repetitive (despite still a lot of fun), but it’s the story, characters, and the world itself that really draws you in. The music is also a big part of this game, as it features a lot of 50s and 60s blues, rock, soul, pop, and lots of different songs that you can listen to on any car’s radio, and the songs really bring everything to life. It’s a wonderful game, and it’s the best of the three, hands down.
As for the other game, thanks to the new Fallout show coming out, I decided to download Fallout 4 on the PlayStation Store, because it was only $4.99, and I’ve been playing it for a few days now! It’s a lot of fun, despite how I’m still getting used to its world and mechanics. I’ve always been curious about Fallout’s story and lore, but never knew where to start. There’s so many games and lore to sink your teeth into, but that’s what makes the show so good — it’s its own story, like you said, so you don’t need to know everything about the games. The show eases you into it, but if you enjoy post-apocalyptic stories with retro futuristism aesthetics, along with a killer soundtrack (that I enjoy, thanks to my niche taste of 30s, 40s, and 50s music), you should get really into it. The game itself is cool, too, and it also eases you into the story, especially if this is your first go-around. I’m excited to play more, since I haven’t had anything I’ve really dedicated my time to after finishing Mafia III.
With all of that said, let’s get to our main event — 2024 in music. We discussed this a bit earlier, at least our overall first impressions, but this year has been off to the races when it comes to new music. I swear that almost every week since the start of the year, there’s been something new to listen to, but a lot of my favorite albums this year have been from March and April. Let’s not beat around the bush anymore, though. What are your favorites of the year so far? Hell, what are some albums that have been resonating with you this year? They don’t even need to be new, but stuff that you’ve found that you’ve just been into this year, regardless of when it came out.
Both Mafia III and Fallout 4 are games I wanna revisit sometimes, for a lot of the reasons you've said. I do remember Mafia III getting a bit of criticism for its repettitive open world structure and missions, but I loved what I played of it for the setting and characters and how it tackled heavier subject matters in a game like this. And I did redownload Fallout 4 as well, I played a few hours of it when it first released in 2015, but the show has made me wanna give it another go, though at this point I'll probably end up starting a new save.
Anyways, yes, let's get to the main event, our favorite music! I feel like since we both have the same number one, at least I think we do, let's save that for last, but for now, I'm gonna highlight a few from my top 10, in no real order (at least not for the purposes of this piece, I do have a proper list for myself). First, an interesting thing I noticed about my list is how a few of these are from bands/artists you recommended to it. Cory Wells' Harbouring the Hurt I Cause is a really good acoustic/emo album that I had never heard of before you suggested it, and that new Fluorescents album that just dropped, Scream It At Me! gives me such great mid/late 2000s neon pop-punk/pop-rock vibes but with a modern polish to it. You also turned me back on to Neck Deep; their self-titled album is just a really damn solid pop-punk album from a band I admittedly kinda wrote off in recent years.
Secondly, I wanna talk about two final releases from two of my favorite bands, but they're final releases for very different reasons. Sum 41 are pop-punk legends at this point, and sometime last year, they announced that after their new album and some extensive touring, they were calling it quits. It's always nice that when a band does break up, they do so on their own terms and while going out on top. I really had a lot of fun with their final (double) album Heaven x Hell, it felt like a love letter to the band and everything they do well, and I'm happy they were able to go out with that. On the other hand, though, we have Too Close to Touch's For Keeps, and this one is very bittersweet. Vocalist Keaton Pierce passed away unexpectedly in March 2022, and many fans like myself weren't sure we were ever gonna hear from the band again. So, it was a very welcome surprise when they announced a final collection of songs, but it was also a little bittersweet that they decided to call it quits, although it was for a very understandable reason. For Keeps, I think, turned out as well as it could have, and is a very solid sendoff for a vocalist and a band who were so close to taking that next step.
Outside of this year, I did wanna highlight Linkin Park's recently-released greatest hits album, called Papercuts. It's a very nice little collection of songs from their career, and it's been a lot of fun revisiting my first favorite band.
Okay, now I'm gonna throw it back to you, what's some music that you've really been resonating with so far this year?
Yeah, Mafia III got some criticism for the repetitive open world structure and the missions being pretty much copy and paste, such as killing certain enforcers, and interrogating informants, but it’s still a lot of fun every time you get to unleash carnage on an unsuspecting group of bad guys (or are they, because this game does tackle how the main character might not be as good as he thinks he is, and that’s a real interesting idea). I got through a bit of Fallout 4 already, though, and despite a rather annoying combat system that I still need to master, I enjoy it a lot. It’s pretty cool, especially with its story and the lore that the game has already built up for itself.
As for the main event, we can save that specific album for later, but I have a feeling I know what it is, too, and it’s a doozy, that’s for sure. I figured we could highlight stuff from our top tens, really in no particular order, but that’s really neat! I always love recommending stuff, but if I hear something that I think you’d like, I always throw it your way, even if it’s not something I’m as into. Anyhow, my top ten is mainly from bands and artists I’ve already been a fan of, and with the exception of Fluorescents’ debut, Scream It At Me, it’s all stuff that I’ve both heard of but haven’t listened to in awhile. A few of my favorites, in no particular order as well, are Neck Deep’s self-titled and Fluorescents’ Scream It At Me, especially for really wanting some catchy pop-punk at this time of year. Neck Deep’s new one came out in the beginning of the year, but it just hits differently now, and it’s really grown on me. I’ve also been enjoying a handful of metalcore albums, including two that just came out last week. The new Ghost Inside and SeeYouSpaceCowboy albums, respectively titled Searching For Solace and Coup De Grace, are a couple of metalcore albums that really hit what I’ve been looking for, especially really catchy and hard hitting stuff. The new Justin Timberlake album, Everything I Thought It Was, is another album that I’ve been playing a lot this year, and it’s a solid little comeback album for him.
A couple of albums on my list, too, aren’t from bands who released their last albums, although those two albums you mentioned were pretty good, but they’re from artists I never expected to really love a new album from. Thrice frontman Dustin Kensrue dropped a country album, entitled Desert Dreaming, and it’s a wonderful throwback country album that sounds like it came out of the 1960s and 1970s. Augustana, and indie-pop / folk-pop band, also dropped their first album in a decade, called Something Beautiful, and it really hit me, especially for being so catchy. Lil Dicky also dropped a new album this year, his first in almost a decade and I wasn’t expecting to enjoy that as much as I did. I also binged his show, Dave, that has been on for the last few years and it’s a pretty funny show, and I forgot to mention that earlier, but the album, Penith, is supposed to be the “soundtrack” to the show.
Now when it comes to music this year that I’ve been that isn’t new, I got a couple of things, such as getting into the last Hot Mulligan albums after seeing them live with Fall Out Boy a couple months back. I also have spent some time with the last couple of James And The Shame records. That’s the brainchild of Rhett McLaughlin, most famously known from YouTube duo Rhett & Link, but it’s a retro-style country project that has a lot of themes about religion and his overall deconstruction from the church, and it’s very interesting stuff. I’d like to check out that Linkin Park greatest hits, though; they’re a band I feel like hits better with their greatest hits, although their first two albums are really cool still.
There is one album that we haven’t talked about yet that we’ve alluded to, because it’s both our current favorite album this year, so would you like to introduce it?
You know, this is actually kind of a funny full cirlce thing, because Bayside was another band you originally introduced me to, I wanna say about a decade ago, around the time Cult was coming out. I really enjoyed that album, but their next album, 2016''s Vacancy, was what really won me over and made me a huge fan of theirs. So, naturally, you could say that their new album, There Are Worse Things Than Being Alive, being my number one album of the year so far is a bit of a no-brainer, but I really do think this is one of Bayside's best albums, and it really showcases the band at their peak and what they do best, whether it be guitarist Jack O'Shea really letting it rip with some killer guitar parts and solos, Anthony Raneri's ability to paint a picture and tell a story with his lyrics, or the band's penchant for memorable hooks. It's all there in full force on this album, but what I will say, is that if you really think about it, it's not really all that different than what they've been doing. So, I wanna turn it back to you and ask, what was it about thsi album in particular that really clicked and led it to also being your favorite album so far this year?
Bayside is a band that I’ve got a lot of nostalgia for, because I found them on a 2007 Alternative Press compilation. It was an acoustic version of “Dear Your Holiness,” and I really loved it, I picked up 2007’s The Walking Wounded and immediately fell in love with it. It’s still one of my favorite albums today, especially for its great hooks, awesome guitarwork that was really heavy for a pop-punk album, and very poignant lyrics that still hold up today. I have enjoyed their subsequent records, but Bayside ended up becoming a band whose albums all sound the same to me.
Despite how good they are, especially 2016’s Vacancy, you know what you’re getting with an album from them, which can be a good or bad thing, depending on where you stand with them. Aside from The Walking Wounded, nothing else they’ve done since has really blown me away as much as that album. I was somewhat eagerly awaiting There Are Worse Things Than Being Alive, especially because it’s been five years since their last album came out, but what really surprised me was how this album feels oddly refreshing compared to their last couple. Not that they were bad, or even bland, but this album reminds me a lot of The Walking Wounded.
Like you said, this album is a classic Bayside album on the surface, but they prove that they can tweak their formula a bit and make it really interesting. This album is both the heaviest and catchiest I’ve heard Bayside in a long time; their hooks are sticky sweet this time around, but their guitar riffs are some of the thrashiest and most heavy metal-ish that I’ve heard from them. Raneri’s lyrics are also some of the best I’ve heard in awhile, too, and a lot of this album gets lodged in my head for the best reasons. I bet it was a shock to you, especially as someone that hasn’t been crazy about their last few albums, that I was over the moon for this album when it came out, huh?
I was definitely pleasantly surprised when you said you were loving this album as much as you do, but at the same time, especially after hearing you talk about it more, I do kinda get why this one maybe hooked you more than they have the past few albums. Sometimes all it takes is some tweaks/refreshes to the formula, and sometimes, something will just hit you in the right place at the right time, even if maybe it normally wouldn't as much otherwise. But, I love that we both have this at number one; thinking back on years past, I think this has only happened a handful of times, most likely with Fall Out Boy, since they're another band we both love.
It's really hard to believe we're already a quarter of the way through this year already, isn't it? I'm glad we got together to do this again, though, it's been a blast looking back on all of it so far, and I really can't wait for what's still to come.
I really was surprised to love this new album as much as I did, but you’re right, sometimes all it takes is a tweak to the formula to really hit you at the right time. I think by having a catchier and heavier sound, the album was able to hit me harder because it reminded me of when I first listened to them all those years ago. It just hits in the right way, but I truly love it. Not many albums this year have really hit me in that way, but this record is their best in a long time. It’s really hard to believe we’re almost a quarter done, though, so much good stuff has come out and so much is going to come out in the next eight months. It’s been an absolute blast doing this with you again, but before we close this out, what are some albums you’re looking forward to, whether they have a confirmed release date or not?
Just today, as we're writing this, The Home Team announced their third album, called The Crucible of Life, is coming out on July 12th, and I know that album is gonna be amazing. They're really about to be the next big thing, and I can't wiat. The other big one for me is The Early November, whose self-titled album is coming out June 14th. They're a band sorta like Bayside, in that they have a pretty storied legacy in the scene and have still been at it, putting out great music for over 20 years now.
Got anything on your radar coming up?
No way, they finally announced their new album? I hadn’t seen it yet, so that’s awesome. I can’t wait for that, so that’s easily a most anticipated. I’d say that off the top of my head, the upcoming Knocked Loose is my most anticipated, and that comes in a couple weeks on May 10th. Those guys are currently one of the biggest heavy bands in the scene, and their last album was easily my favorite of 2019, so I’ve been looking forward to this for a long time. It’s gonna be a good rest of the year, for sure, and I can’t wait to do this again with you. I hopefully plan on doing this again here in another three or four months, and then at the end of the year, but it’s been a lot of fun being able to work on another one of these pieces with you, so thanks for being able to indulge me on what we’ve been into this year so far!
Yeah, this has been so much fun, so thank you for having me! I'm looking forward to meeting up for this again, as I'm sure we'll have plenty more to talk about.
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ringle · 1 month
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why did no one tell meee
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angelsdean · 11 months
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me, dean, and everyone else watching: ok sure, sammy
#vics spn rewatch#spn 1x10#the apology is made worse by j*red's inability to actually sound sincere#he's doing his fake sympathy voice and it is so. grating#adds a fascinating unintentional layer to sam as we've talked abt before#and it's like not necessarily a Bad thing to perform rather than feel sympathy#but like. this is very much a non-apology and dean knows it and we all know it#sam DID mean those things on some level. maybe not as harshly as he said them bc his anger WAS being heightened by the ghost#but those feelings were real#and sam is allowed to feel them. but they are in many ways. a projection and also unfounded#sam literally could leave at any time and dean would let him go (as we'll see in thee very next episode!!)#just bc he feels those feelings doesn't mean they're inherently true#dean isn't keeping him trapped. dean isn't just blindly following orders. dean Does have a mind of his own#and in fact dean isn't being all that great of a dutiful son bc he actively is not all that interested in finding john!! not the way sam is#and you'd think for dean being the one to initially show up and ask sam's help that he'd be more invested in finding john#and making sure he's actually alive instead of following random coordinates to a case. and taking on every other case they find too#anyways. sam's feelings of anger are real bc he feels them and it's okay to feel things#but he's massively misinterpreting and projecting things onto dean#and then he feels guilty (like post-possession) and tries to swipe it all under the rug and claim he didn't mean any of it#but he Does. and dean knows it. everyone knows it.#his perceptions do not align w/ what's really happening. bc he doesn't have the full context.#bc he doesn't know just how complicated dean's relationship to john really is. bc he was sheltered from a lot of that.#he sees dean desperate for approval and a good little soldier#when in reality dean was playing peacekeeper and mediator and punching bag most of their childhood.#and rn dean doesn't really care that much abt finding john. he just wants to hang out with his brother#not samcr*t btw. we love all this abt him it's spicy it's crunchy it's tasty
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localratwithcowboyhat · 4 months
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Nikola orsinov forcefully moisturising Jonathan Sims is actually so cruel because that guy is autistic and is probably going trough sensory hell
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shalpilot · 3 days
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snekdood · 5 months
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if ppl telling you "jewish ppl in israel were already kicked out of other countries and have no where else to go" makes you feel compelled to call whoever said that a "zionist", I really just dont think you give af about jewish ppl's lives quite frankly.
if your "free palestine" means "getting rid" of all jewish civilians in israel I think you're probably just a heartless asshole.
#two state solution ftw#or at least something along those lines#yelling at average jewish ppl who ARENT in israel is antisemitic#anti semitism- no matter how 'big of a deal' you think it is naturally makes jewish ppl feel unsafe by default#where do they go when theres nowhere else thats safe? you guessed it- probably to israel.#which is WHAT netanyahu wants. he wants scared controllable civilians to think hes the only one who can protect them#so you being anti semitic and not checking yourself on it or being 'whatever its nbd' about it is making everything so much worse#STOP BEING SO FUCKING APATHETIC FUCK ILL BEAT YOU UP TO MAKE YOU FEEL SOMETHING IF I HAVE TO#i dont feel like i can in good conscious reblog your 'free palestine' posts bc idk wtf the op thinks about jewish ppl being in#israel. and at this point i dont have faith in leftists to not notice the antisemitism in some of these ppl and call it out#its not something we can 'push aside and deal with and apologize for later' its ACTIVELY MAKING THE SITUATION WORSE AND NEEDS#TO BE ADDRESSED RIGHT THE FUCK NOW#maybe jewish ppl wouldnt be calling it 'self defense' if yall didnt keep being antisemitic and making them feel like they have to cling#to israel to stay tf alive. fuck.#OBVIOUSLY the response to what hamas did is disproportionate and affecting more people than israel says it intends to target#but thats the govt. and actual regular people are worried about their families. its disproportionate and probably being used as an excuse#to genocide palestinians but this wouldnt be happening if hamas didnt basically GIVE the israeli govt the excuse to do it.#free palestine. from hamas and from the israeli govt. and dont have genocidal intent toward jewish ppl.#thats all i want.#hamas' escalation did nothing but hurt everyone and make things worse especially for palestinians.
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2boldlyqueer · 5 months
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I am doing real badly these days
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vikings-til-valhalla · 2 months
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I beg the Gods for mercy and am given greater suffering instead. My faith does not waver. I know I am seen. My pain would not be so unbearable if They ignored me. I beg Them to just take me away already so this body stops aching and I no longer feel anything. They leave me here for a lifetime of pain and agony that only worsens with each day. I can do nothing. My silence to the Gods would be better, but I feel like swearing to the Nine Realms and their inhabitants until someone, anyone, comes to help. But I doubt with every passing day that I will ever receive any...
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Vent piece idk
Ok to reblog but ignore the fucking tags hhh
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tomsmusictaste · 1 month
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Let’s fucking gooooo
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Bayside - There Are Worse Things Than Being Alive
When I “retired” from writing about music back in 2018, one of the main reasons I just didn’t feel the same passion for writing about music that I once did is that I just didn’t listen to a lot of stuff I had anything worth a damn to say anything about. I’ve since implemented a rule for myself that constitutes having something unique to say about something, versus just saying it’s good, bad, or generic, because I’ve said that about many albums over the years. I’m not trying to be one of those “there’s no good music these days” people, but I’ve become more selective with what I listen to, partially for how much forgettable stuff there is. I also ran into an issue with a lot of bands and artists for just sounding the same throughout every album they put out. You have to give credit to these bands for being consistent, but I’m mixed on bands whose sound never changes.
On one hand, bands whose sound don’t change get stale fast, but that’s if you don’t like or love that sound. It’s a case by case basis, but even then, I love for bands to evolve and try new things (although I’m less critical when it comes to bands just doing stuff that sounds cool and that’s fun). Bayside is a band that I’ve always thought of when it comes to this idea, because as much as I like their brand of pop-punk that incorporates heavier guitar riffs from time to time, their albums have a tendency to sound the same. I enjoy a lot of their stuff, too, but a lot of their albums are near identical to each other. I was kind of skeptical about their new album, There Are Worse Things Than Being Alive, despite liking their last couple of albums. I suppose there is an upside to a band being consistent — you know what you’re going to get, and the same can be said with this album, at least to a degree.
This album is a Bayside album through and through, in that you hear their brand of pop-punk with elements of hard-rock and heavy metal, but they prove that even after over 20 years of releasing music, they’ve got some new tricks up their sleeves. I gotta say that I really enjoy this album, and it’s one of my favorites that I’ve heard from them, at least right under 2007’s The Walking Wounded. That was the first album I ever heard from them way back in my freshman year of high school, but There Are Worse Things rivals that at some points. This is one hell of a Bayside album, and I have a blast listening to this every time.
Along with their usual sound, this album may be their catchiest and heaviest at the same time. There are hooks for days on this thing, but their guitarist is able to really let loose a few times here. There are a couple of songs with what sound like thrash riffs, as well as some awesome solos. Their guitarwork was always one of their biggest strengths, and it seems like they upped it here. Vocalist Anthony Raneri is also a lot of fun here; his vocals aren’t anything amazing, but he does have a unique voice, and he is able to craft some solid melodies and hooks here. His range isn’t usually quite high, but his voice is the best it’s sounded in years here.
Maybe it was the five-year gap in between albums, despite releasing a few small EPs over the last couple of years, or something else entirely, but this album is surprisingly a breath of fresh air for them, and I absolutely love it. If you’re a huge fan of these guys, you should really enjoy this record, too. It’s got everything that people already love about this band, and then some, but it has a few new tricks, such as some catchy hooks and heavier guitar riffs. It feels like they wanted to lean into certain aspects of their sound that they don’t lean into a lot, and while their hooks are usually competent, they’ve never been this syrupy sweet before.
At the same time, their guitar riffs have never been this razor sharp and menacing before, either. You could throw some of those in a thrash band and they’d fit right in. At only 36 minutes, this is a short album, too, so it never feels as though it goes on too long. I suppose the only real complaint I have is that the lyrics aren’t anything to write home about, but they’re still written well, and there are some nuggets I really enjoy. This may possibly be one of my favorite albums at the end of the year, and I would definitely recommend it. Bayside is one of those bands that I’ve always thought were too consistent, but they really proved me wrong here.
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litres-of-cocaine · 16 days
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okay as much as i agree that groups under the lgbtq+ umbrella are stigmatised by other people in the community please be so fr and stop calling it ‘double discrimination’ you just want to say ‘monosexual privilege’ but are aware people get kind of mad about that
#queer discourse#to clarify this isn’t about ableism racism sexism transphobia etc exhibited by people within the community#it’s more about the presentation of stigma witin the community as a disparate and equal thing to bigotry coming from outside the community#like it’s all coming from the same place guys just being wielded by other oppressed people#like lesbians do not represent a unique evil to bi women and vice versa#or trans men exhibiting transmisogny is not a result of their transmasculinity it’s white supremacy and patriarchy#it’s not a sign that these groups of people are your enemy#(disclaimer: this is completely online problem no one under the age of 14 genuinely seems to push this irl as their brains aren’t rotting)#and i’m not saying that bigotry from other queer people should be ignored bcs NO we need to be pulling each other up#but framing it as a ‘double’ discrimination instead of the same goddamn thing is just saying you’ve got it worse than everybody else#if someone attacked me for liking coffee and then a different person /also/ attacked me for liking coffee that’s not double discrimination.#that’s the same type of discrimination done by different people#we are a goddamn community force the internet leeches OUT of your brain don’t let them take you alive#it’ll suck the joy out of everything#this is largely in response to a long as text post that had some great points but this glaring welt of online behaviour in the middle of it#i’m also aware no one is going to read this i just can’t be arsed to waste any real life person’s time in discussing it#godspeed campers
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choixsimple · 1 month
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when saying "I just don't understand why this level of aggressive violence, supply blockade, and civilian casualty is necessary in 2024" results in people saying to your face that you "support terrorism and want the hostages to die" you start thinking maybe the human race wasn't built for any level of nuance
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So hows it going 😀
TMAGP 7 is a WILD ride
#First we're already starting off with the end of tmagp 6 with Celia Ripley being the new hire#(And having the same voice actress as a extremely side tma character who started calling herself Celia post-change)#Then you get fucking hit with#“I mean it's an old system but it could have been worse. It's not like we're wrestling with tape recorders and manila folders.”#AND CELIA ASKING IF THERE'S A WAY TO SEARCH FOR SPECIFIC THINGS. LIKE BEING BURIED ALIVE OR MEAT.#I.E. THE BURIED AND THE FLESH#I'm much more inclined to believe that the Celia's memories are seeping into each other than bit characters full on universe hopping#(Oh yeah The Magnus Protocol is set in a world that's parallel to The Magnus Archives; not technically a direct sequel)#[But like they are chronologically. I think.]#Anyway CELIA KNOWS WHAT THE FUCK IS UP#And you'd think things might calm down with today's incident report; it's just Chester (“ai”/“automated voice” also voiced by Jonathan Sims#[who voices character Jonathan Sims. Creative genius we know.]#with another internet-based statement#(HE'S TRAPPED IN THE FUCKING WEB)#Except know it's about a charity shop ON HILLTOP ROAD#For context: EVERY ELDRITCH ENTITY AND THEIR MOTHER FUCK AROUND WITH HILLTOP ROAD#PRIMARILY THE AFOREMENTIONED WEB#WHICH HARBORED THE MESSIAH OF THE CULT OF THE LIGHTLESS FLAME#AND THE CHARITY SHOP *BURNED DOWN* BY THE END OF THE INCIDENT REPORT#We then cut to the other new hire Sam going to talk to Colin the IT guy#Colin's definitely going to be the first to die he's in DEEP in trying to understand the mess of of system that is the OIAR#And he's been adamant against Alice giving the computers any sense of a personality#And what does Sam go to ask Colin? WHO JON IS#BECUASE HE GOT A NONSENSICAL EMAIL FROM A RANDOM USER WHO CALLED HIMSELF JON BUT IT LOOKED LIKE IT WAS AN INTERNAL EMAIL#Obviously Colin's to steeped in paranoia to react well to anything; but what is he hung up on?#That Sam brought his phone into the IT room; and that “it” has probably recorded too much already *!!!!!!!*#Oh and also their boss was like contracted to kill a guy but she failed and Gwen is using a video of it to blackmail her#tmagp spoilers
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ozlices · 3 months
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it'll be a year without her in less than an hour & i don't even know how to grapple with that. we're so strained from stress we've been nauseous & shaking for hours. on the cusp of throwing up but with nothing to release. just a gutted heart & a bleeding soul.
she told me she'd haunt me a long time ago. but, she didn't linger for long. which makes sense w stuff, but... it hurts. the emptiness is so hollow. the ringing is so loud. the darkness has never been blacker. the cold has never bitten so hard.
i just wanna skip to the part where im with her again. the world without her is muted, dull & bleak. i resent it.
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