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#theater of the mind
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Theater of the Mind
Spin stuff
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tha-wrecka-stow · 9 months
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gt-ridel · 9 months
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Okay, okay... So I know the entity in episode three of The Sounds of Nightmares likely isn't connected to Mono at all. There are too many plot holes and it perhaps has better parallels elsewhere. But I don't think it was entirely by accident that so many of us latched onto the idea.
For starters, Noone begins her recounting of the dream in this way. "In the dark... A hand let go of mine." This statement doesn't seem to connect to anything that was happening before or anything that follows. Hand-holding was a pretty significant aspect of Little Nightmares II. Mono and Six would give each other boosts to reach high places, catch each other when making a long jump, or if you were so inclined (and I was because it was cute) just hold hands as they walked along. Until of course that last scene. You know the one. In the dark. When she let go of his hand.
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The second major connection is the Mall itself. A living structure, able to bend space and time, and give you exactly what you want if it means you won't try to leave. I believe that's what happened to Six in LN2. It gave her back her music box. How would it have known about that? Perhaps it saw into her mind. Saw something she wanted. After all, when we first find her she's sitting alone in the Hunter's basement just playing with it. Not trying to escape or anything. perhaps it would be enough to pacify her? (It's my theory that Six has been in Nowhere longer than Mono, and is, therefore, closer to the monstrous than he is.)
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In the case of Noone, if we imagine it's the same entity, it seems its tactics and vocabulary have improved since Six's imprisonment. The illusions are more complete, less dreamlike. Perhaps as a side effect of being able to keep Mono. Learn from him. (Total headcanon here, but I like to believe that eventually Mono and the Tower begin to work as one.) It's also the only non-hostile entity (not counting the Nomes) we have met in Nowhere. It's just lonely. So terribly lonely. And who can blame it? If it grew from one little boy, abandoned in a deep pit by his only friend. (Maybe that's why his purpose as the Thin Man was simply to abduct children and bring them back to the tower. But I digress) But let's get back to Noone. Once she enters the projection booth, she comes face to face with the true nature of the building. A giant eye working as a projector, and a pulsating mass of flesh. The building is literally alive, and the image is instantly familiar to the listener.
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The illusion even begins to tear itself apart at the seams when she tries to run. The same as it did for us in the game. Anyway, I'm not sure to what end these similarities exist. I don't think it was the intention of the showrunner that Noone meet Mono. But hey, I think we all felt like we'd gotten socked in the gut when we finished Little Nightmares II. So is it any surprise that we're desperate to see him again, in any form? To hope that he finds some kind of solace, even if only for a short time? I mean, I do. So even though it's not strictly true (unless stated otherwise by the developers) this is a headcanon that I hold near and dear to my heart. Like a beloved bootleg plushie. This is not to say that I disagree with, or even dislike other interpretations. Basically, It's just that Mono is my poor sweet baby child and I wuv him. 🥺
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lisamarie-vee · 6 months
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nonesuchrecords · 1 year
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David Byrne was on 60 Minutes to talk with Anderson Cooper about Talking Heads; his solo music; his hit Broadway show American Utopia; his collaboration with Fatboy Slim Here Lies Love, which debuts on Broadway this summer; his online magazine Reasons to Be Cheerful; and the immersive experience he created in Denver with Mala Gaonkar, Theater of the Mind. You can watch the piece here.
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cateyedfox36 · 1 year
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does anyone else
just have this scene playing in their heads this morning?
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fireball-me · 2 years
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So I'm looking at ads for David Byrne's "Theater of the Mind" and I'm seeing a trend. All of the ads say stuff like "oooo this will break your perception of reality ooo you will never be the same after this" and like to some degree I can predict that's maybe sort of true but:
Everyone knows real thought-provoking media doesn't market itself as thought-provoking. If it tries really hard it probably isn't as thought-provoking as it says it is. Media that REALLY makes you think is marketed with stuff like "A woman tries to do her taxes ."
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leasthaunted · 1 year
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Tune in tomorrow for this year's fun and exciting Least Haunted Holliday Special! We bring you an all original tale of mystery and adventure! (and yes we know it says "Greg" and not "Gef", you'll just have to listen to find out why!)
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cupatty · 2 years
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agiantmonster · 3 months
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3/1
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zukka is simultaneously jock x jock, nerd x jock, AND nerd x nerd
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laurastudarus · 1 year
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Chatting with David Byrne is one of life’s greatest delights. Having initially found success in the 1970s with his band Talking Heads, the 70-year-old polymath has since used his creative capital to explore as many different interests and mediums as possible: albums, books, and even a web magazine called Reasons To Be Cheerful.
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maxyartwork · 2 months
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black widow (the avengers; 2012) commission 🩵
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beetlesanbutterflies · 7 months
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Ruth Fleming definitely survived the apotheosis, but everyone thought she got infected because she kept joining the musical numbers on her own accord.
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nonesuchrecords · 2 years
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David Byrne is the subject of a feature profile in the Washington Post. He talks with Geoff Edgers about his latest project, Theater of the Mind, an immersive theatrical experience taking place in Denver through December 18, and much more. You can read the article here.
“What it feels like to us is that there's a continuity and we're the same,” Byrne tells Edgers about the show’s theme of change. “Oh yeah, I have maybe some different opinions now or I wouldn't do that anymore, but I used to do that. And then the more you think about it, the more you think, I may have the same physical body in some sense, but I'm a completely different person than I was however many years ago. There’s a real possibility that you really are a completely different person. That's profound.”
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cardvngreenbriar · 24 days
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ABIGAIL 2024, dir. Matt Bettinelli-Olpin and Tyler Gillett
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