I think the key component to my personal reading of post-Delphi Pharma is that he's trying to be a horrible person on purpose. Not "on purpose" in the way that people have free will to exercise their own choices, but in that Pharma's "mad doctor" persona is a performance he puts on to deliberately embrace how much everyone else hates him. Basically, if people already think you're a "bad Autobot" and a horrible doctor who just kills his patients for fun, why try to prove otherwise to people who have already made up their minds about you? Just fully embrace the fact that people see you as an asshole. Don't try to change their minds. Don't plead for their forgiveness or understanding. Just stop caring. If you're going to be remembered as a monster, you might as well be a memorable monster, and eke as much pleasure and hedonism as you can out of it before karma catches up to you and you inevitably crash and burn.
I mean, I guess you could just go the route of "Oh, Pharma was always a fucked up creepy guy and Delphi was just him taking the mask off," but I really don't like that interpretation because, for one, it feels really wrong to take a character like Pharma becoming evil under duress and going, "Oh well clearly he did the things he did because he was evil all along," as if somehow Pharma breaking under blackmail/torture/threat of horrible death was a sign of him having poor moral character. As opposed to, you know, suffering under the very real threat of horrible death for himself and everyone he cares about while being manipulated by a guy who specializes in psychological torture.
The second reason is that it just doesn't make sense to write Pharma as having been evil all along. I mean...
Occam's Razor says that the best argument is the one with the simplest explanation. Doesn't it make way more sense to take Pharma's appearances in flashbacks, his friendship with Ratchet, his stunning medical accomplishments, and the few we see of him speaking kindly/sympathetically (or in the least charitable interpretation, at least professionally) towards his patients and conclude "This guy was just a normal person, if exceptionally talented." Taking all of these flashback appearances at face value and assuming Pharma was being genuine/honest is a way simpler and more logical explanation than trying to argue that Pharma for the past 4 million years was just faking being a good doctor/person. I mean, it's possible within the realm of headcanon, but the fact is Pharma's appearances in the story are so brief that there simply wasn't room in the story for there to be some sort of secret conspiracy/hidden manipulation behind why Pharma acted the way he did in the past.
I just can't help but look at things like Pharma's friendship with Ratchet (himself a good person and usually a fine judge of character) and the fact that even post-Delphi, pretty much every single mention of Pharma comes with some mention of "He was a good doctor for most of his life" or "He was making major headways in research [before he started killing patients]" which implies that even the Autobots themselves see Pharma's villainy as a recent turn in his life compared to how for "most of his life" he "used to be" a good doctor.
And although Pharma doesn't know this, we as the readers (and even other characters like Rung) know about Aequitas technology and the fact that it actually works, so... if Pharma really was an unrepentant murderer, why couldn't he get through the forcefield too? The Aequitas forcefield doesn't require that a person be completely morally pure and free of wrongdoing or else how could Tyrest get through, just that they feel a sense of inner peace and lack feelings of guilt. Pharma has murdered and tortured people by this point, and put on quite a campy and theatrical show of how much he sees it as a fun game, so why then can he not get through?
It circles back to my headcanon at the start of this post that the "mad doctor" persona is just that-- a persona. Delphi/post-Delphi Pharma's laughing madman personality is just so far removed from every flashback we saw of him and everything we can infer based on how other people see/saw him before that, to me, the mad doctor act is (at least in large part, if not fully) a persona that Pharma puts on to put his villainy in the forefront.
To avoid an overly simplistic/ableist take, I don't think Tarn tortured Pharma into turning crazy. To me, it's more like the constant pressure of death by horrific torture, the feeling of martyrdom as Pharma kept secret that he was the only one standing between Delphi and annihilation, the physical isolation of Messatine as well as the emotional separation from Ratchet, being forced to violate his medical oaths (pretty much the only thing Pharma's entire life has been about), etc. All of that combined traumatized Pharma to the point that the only way he could avoid cracking was to just stop caring about all of it. Because at least then, even if he's still murdering patients to save Delphi from a group of sadistic freaks, Pharma doesn't have to feel guilty and sick about doing it. As opposed to the alternatives, which were probably either going off the deep end and killing himself to escape, or confessing to what he did and getting jailed for it.
In that light, Pharma becoming a mad doctor makes sense. It avoids the bad writing tropes of "oh this character who was good his entire life was actually just evil and really good at hiding it" as well as "oh he got tortured and went crazy that's why he's so random and silly and killing people, he's crazy" and instead frames Pharma's evil as something he was forced into, to the point where in order to avoid a full psychological breakdown and keep defending Delphi, he just had to stop caring about the sanctity of life or about what other people might think of him.
Then, of course, the actual Delphi episode happens, and Pharma's own lifelong best friend Ratchet basically spits in his face and sees him as nothing more than a crazy murderer who went rogue from being a good Autobot. Then Pharma gets his hands cut off and left to die on Messatine. At that point, Pharma has not only been mentally/emotionally broken into losing his feelings of compassion, he's received the message loud and clear: He is alone. Everyone hates him. Not even his own best friend likes him any more. No one even cared enough about him to check if he actually died or not. He will only ever be remembered as a doctor who went insane and killed his patients.
So in the light of 1. Having all of your redeeming qualities be squeezed out of you one by one for the sake of survival and 2. Having your reputation and all of your positive relationships be destroyed and 3. People only know/care about you as "that doctor who became evil and killed his patients" rather than the millions of years of good service that came before.
What else is there to do but internalize the fact that you'll forever be seen as a monster and a freak, and embrace it? People already see you as a murderer for that blackmail deal you did, so why not become an actual murderer and just start killing people on a whim? People already see you as an irredeemable monster who puts a stain on the Autobot name, so why beg for their forgiveness when you could just shun them back? You've already become a murderer, a traitor, and a horrible doctor, so what's a few more evil acts added to the pile? It's not like anyone will ever forgive you or love you ever again.
Why care? Why try to hold on to your principles of compassion, kindness, medical ethics, when an entire lifetime of being a good person did nothing to save you from blackmail and then abandonment? Why put yourself through the emotional agony of feeling lonely, guilty, miserable, when you could just... stop caring, and not hurt any more?
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Re: RWBY outfits in v9: Hey wow it's strange that Jaune gets a completely new helmet and hairstyle and altered face AND his armor is significantly retextured to the point of looking completely out of place with the flat-colored outfits the girls have in shots where they're together. I'm sure this has nothing to do with where the narrative focus of the Volume actually was. But it's fine if we don't at least partially take the girls out of their cold weather gear???
This!
Also, people frequently fail to acknowledge how much this snowballs.
RWDE: Why did Jaune get the new texture and hairstyle?
Push-back: Duh, because he's the one who's been living in the Ever After for decades.
RWDE: Yeah... and why did he get to do that again?
Push-back: Because he killed Penny and the story needed him to have a significant arc in response to that.
RWDE: Uh huh, and why did he get to do that?
Push-back: Because Jaune is the one with the super important healing skill that beautifully contrasts their violent career!
RWDE: ... are we not sensing a pattern yet?
Putting aside the fact that Ruby could beautifully fit any of these emotional beats with a bit of tweaking (she falls early, finds the time tree, the emphasis is on the contrast of Penny's first friend having to kill her, silver eyes are somehow significant to that moment, etc.) I think too often fans get caught up in not only the supposed necessity of any one scene —treating the RWBY gang as real people bound by the whims of fate, rather than characters 100% controlled by the writers — but also the ways in which, yes, past work does have an influence on what occurs later. If you make Jaune a team leader equal to Ruby, if you give him a big arc at the very start of the show, if you make him OP in regards to energy, if you give him the most useful skill in the entire group (given that they're fighting humans more than grimm nowadays, silver eyes are all but useless in most fights. ESPECIALLY when Ruby will randomly not use them against Cinder), if you make him the emotional focus of Pyrrha's death, if you give him the revenge quest, if you have him kill Penny... yeah, you're setting up future scenarios where he "has" to remain in the narrative spotlight. That's the problem: not only that RWBY refuses to pull back from Jaune's position in the story, but that it started that trend so early that now they have built-in excuses for why it "has" to continue. We knew going into Volume 9 that Jaune would be a problem because Volume 8 had already introduced the problems of a) having him kill Penny and b) having him fall with the title team. We're going in circles and continually winding up in scenes like, "Well, Jaune has to have an emotional breakdown that detracts from Ruby's because he's the one who has suffered for decades and he's the one who just lost an entire village to deliberate drowning. Not giving him that focus would be bad writing." Yeah, I know it would, hence the frustration that RWBY keeps backing itself into that corner!
The design issues are a like a mini-example of that. You're right, it would be ridiculous to have Jaune living in the Ever After for most of his life and somehow coming out of it looking exactly the same... but if you're going to continue capitalizing on the focus he got all the way back in Volume 1, at least give the girls equal treatment. I don't like that Jaune had a breakdown that undermined Ruby's, but given that I also would have disliked the story ignoring his clearly traumatic experiences lately, I'm glad they at least gave Ruby her breakdown alongside his (even if, as stated elsewhere, there are additional problems with how it was framed). The clothing does the opposite where Jaune gets his logical change AND the story does nothing to try and bring Team RWBY up to speed with him.
Chucking onto that pile: the fact that so many were expecting/hoping for Ruby to come out visually changed from her time in the tree, but she simply reverts back to where she was a few episodes ago with her rose pendant. Jaune, meanwhile, leaves the Ever After as the only one with a visual cue that he's undergone any growth.
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Hi Rae!!!
I hope you're doing very well! My question is, what do you think about music in Unknown?? Because honestly every time the stripped down piano version of the opening song pops up I am FEELING THINGS. So I wondered what's your take on that.
Helloooooo
I've been...okay I guess. Work is currently using up all of my brain power which is why I have made multiple bad decisions this week (don't ask) and also why I haven't posted much about Unknown. I come home from work every day, sit on my couch, and stare at my wall while thinking "wow what a day" for the past...month? So most of my thoughts about shows have been "what a cute little show I'm watching." And Unknown needs more thought than what I've been able to give. At least for me. Plus everyone else was already writing such fantastic meta that I was just eating it up like I've been starving.
So while I definitely noticed the music in Unknown, my thoughts have been "hnnnnng good music." Buuuut since you asked I did actually turn my brain on for a bit and try to sort out my thoughts on the music. At least a little bit. This is going to be very bare bones (for now) mostly because I do not currently have the time to go back and rewatch some scenes to do any sort of proper analysis on anything. I'm also going to try to avoid spoilers.
I would be remiss if I didn't at least say how much I love the theme song. Something about me that might surprise some people is that I normally listen to the opening song once and then skip it the rest of the time because I'm eager to get into the show (and tbh most of the time I don't like the theme songs that much) but I never once skipped Unknown's opening. It perfectly encapsulates the whole show. I feel every emotion from the show in the opening itself. I cannot explain further I just love it.
This show's soundtrack is one of my absolute favorites. I always say that the goal of a soundtrack is to help set the tone for the show and this soundtrack blends seamlessly with the other show elements for the biggest emotional payoffs. Not only are all of the songs extremely good, but they are used extremely well.
I think the most brilliant part of the auditory choices in Unknown is actually the use of silence. It is used very well and makes the music choices have that much more punch when watching. Part of the reason the music makes you feel so many things when watching is because it is such a stark contrast to the silence that proceeds it. The silence sets up your emotions for the music to swoop in and basically gut punch you (sometimes. sometimes it's a loving caress. but most of the time in this show it's a gut punch but in the best way).
Soooo I don't really have a take specifically on the piano version of the opening, but those are my general Unknown music thoughts. I will consider doing a whole music analysis if anyone wants one and also work stops stealing my brain.
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Only Boo starts off the first episode quite well to me. It was that "i wanna do arts and find my happiness" against the world kind of trope, but I you will never see me complain about that. This is gonna be my next Sunday evening comfort show. The meet cute between Moo and Kang was cute. Descriptively cute, if you know what I mean. I'm loving their not-so-calm vs chaos energy already. Looking at the opening scene, I'm guessing there'll be more background story slowly coming through flashback, and I'm all seated. Also, episode 1 kiss was not in my checklist for this show, but. They did it, apparently.
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i'm generally not a huge fan of romantic subplots on account of the aroaceness but i'm weirdly charmed by featherstone and idelle's relationship. like max assigns idelle to seduce him into agreeing to partner with jack, but then while everyone else is having these complex interpersonal relationships the two of them just kind of undramatically stick together as a couple through the whole rest of the series, to the point that idelle starts gathering information from max to pass to the featherstone and the other pirates instead of the other way around. good for them honestly
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i rewatched the episodes again, and izzy's whole “redemption arc” should have been left out honestly. i know the writing is suffering because we have fewer episodes this season, but the writers chose to spend a lot of that very limited time focusing on izzy for some reason, and yet his character is completely inconsistent.
it doesn't matter that the crew accepts and supports him, it still doesn't make sense for him to suddenly be singing songs and wearing makeup, when he was threatening to kill ed for acting soft and not wanting to be a pirate in 1x10. this 180 turn was not set up in any way and they have not justified it. season one izzy was not secretly dreaming of love, acceptance and community lmao, like WHERE are these motivations coming from??
i really thought this episode batch was where we were gonna see him own up to his part in the whole kraken ordeal, cause his whole arc DOESN'T WORK without that. but all we got was ed apologizing AGAIN, making izzy out to be the victim, when we all know he was creaming his pants from eating toes in season one.
THIS is what feels like fan service to me. in the worst way. this feels like fanon actually.
it feels like since izzy was such a popular character in season one, they thought they had to redeem him so that they could keep him around and make his stans happy, cause it would not make sense to keep season one izzy around for this long.
there are some other issues with the writing this season, that i blame more just on the cut down to 8 episodes, but this whole izzy thing is on the writers cause they chose to put so much focus on him. if they didn't have the time to write a proper redemption arc for him, the whole show would've been better served by spending that time on the other characters; like jim and olu, who've been completely sidelined this season.
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i don’t know how else to tell people that the problem with Leighton’s story isn’t Leighton’s story, for which I would love to be so proud of her, but that it simply wasn’t written well
i’m sorry y’all can’t “Tatum was meant to represent this!!!” and “Leighton has realized that!!” your way out of this when the writing simply did not put in any of the effort. also lmao you wanna know why I’m salty over Tatum’s treatment? cause how she ended was literally not what they’d been writing for 3 episodes. not once did Leighton look like Tatum was reminding her of bad parts of herself, not once prior to the fundraiser was Tatum anything but chill, supportive, and into Leighton for exactly who she was
it just feels so cheap and like I’m still happy for Leighton and happy for y’all if you can run with poor writing but I simply cannot tolerate it, I have to hold the show to higher standards than Leighton kissing any girl at any given moment in time
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