it isn't there anymore.
the mainline game events from rtdl onwards tend to form the foundations for significant turning points in the whole awtdy timeline. galacta knight made his wish during robobot, but was actually placed into the timeline much earlier. as a result he already has clear knowledge of how these events played out for meta knight, and can therefore adjust them to his liking
for the most part, he's interested in dealing with threats as quickly and efficiently as possible, and keeping total control of the people in his orbit. his overall goals are to destroy the life he stole from meta knight, and to corrupt his loved ones in whichever way will hurt him the most
in the case of triple deluxe, galacta knight goes to floralia in kirby's stead to "rescue dedede" and "prevent the spread of dark matter" caused by Sectonia's parasitic rule. kirby slept through the event and blames himself for not waking up in time to help rescue the people of the sky from their queen's corruption
at this point he still believes you can sometimes purify those who have come into contact with dark matter, and feels that if he'd been there, he could have at least tried.
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Okay, so my experience with Stranger Things is a weird one.
I didn't care when it first came out, started to watch it out of "might as well" in 2020, wasn't interested in it enough to make it past S2, forgot about it outside of going "oh, hey, cool, there's a lesbian in it now, I guess," in S3, got really annoyed when "Running Up That Hill" got popular from it because it was a song I listened to on fucking loop after one of my best friends died in high school and I fully expected its appearance in the show to ignore the whole survivor's guilt theme of the song (and was very happy to learn later that it did the exact opposite of ignoring the lyrics), saw people drawing Eddie, suddenly got a lot more interested, watched just the fourth season like a fucking psychopath because I was seriously only there for Eddie, then got interested enough to start the show over properly, having mostly forgotten what I did watch of the show before.
And let me tell you something from the perspective of someone who started with the complete fourth season, who wasn't there from the start, who wasn't tainted by ship goggles or this internal battle of hope and despair, who wasn't theorizing about what the painting could be or expecting Mike and Will to kiss when Volume 2 happened or rooting for Mike and Eleven's relationship to go down in flames or whatever the fuck. Just someone who went blind into Season 4.
It's really fucking obvious that Will and Mike are gonna be endgame.
Like holy fuck. It's so fucking blatant I don't even know why people are nervous.
No sane fucking person would shoot this scene this way if they wanted the audience to care about El and Mike as a couple. Despite being all blurry in the background, Will's reaction to what's happening here is smackdab in the fucking middle, clearly showing that the important part is what's going through his head here. What he's feeling. It's like the opposite of that scene from Kingdom Hearts II where Sora and Riku reunite and Kairi just fucking vanishes into the aether while it's happening because, despite the fact that she was standing between them when the scene began, she doesn't matter to the scene, so she's just kind of gone when the camera angle changes. Will could have been behind one of their heads, or so far in the distance he blends in with the background, but he's not. He's so obvious that despite being massively blurred out, he's still the first goddamn thing you look at. What, you think that's an accident? You think he's in the middle of this dramatic fucking scene because of a mistake? He basically has a big flashing neon arrow pointing at him with "THIS IS THE POINT" being screamed through a megaphone.
And then this?
They're paired up like they're taking fucking prom pictures. Each one of these pairs is so fucking close to one another and so fucking far from everyone else. It's not, "Oh, they're standing vaguely near each other in a group shot," it's fucking Noah's Ark out here. Again, there's no way to take this as an accident. It's not just a framing issue. If they wanted to make the shot look balanced while still not hiding anyone else behind El, they would have scattered people around much more naturally. Even if they wanted to keep Nancy with Jonathan and Hopper with Joyce, there's so much room on that hill for three people to stand on El's left and three on her right. But they didn't do that. They put Mike and Will together on purpose in the most obvious way possible.
Like I get that coming up with crackpot theories is fun in and of itself and I'm not blaming anyone for having fun. I totally get the appeal of arguing a point and reaching for every stupid little thing to pull into it because it's like a game, okay? I've done that. But if you're trying to actually convince someone (whether it's someone who wants to believe or someone who's pissed at the very idea that Mike and Will could be in love), stay away from blue and yellow lights, stay away from costume design, stay away from the existence of closets in backgrounds. And don't worry about whether Mike's gay or bi when he's in love with Will either way. I'll give you a little tip about persuasion: You're only as strong as your weakest argument. Even if you've got strong stuff in there, too, the person you're trying to convince is going to dismiss anything you say as complete insanity the second you start going on an entire tangent about the shape of a character's fucking pocket.
Sometimes, clothes are just clothes. Sometimes, there's a closet in the background because it helps establish that a character is in a bedroom. Sometimes, blue and yellow are just a couple of colors that look nice together. And sure, it might be set designers and costume designers and cinematographers smirking and winking at the audience from behind the camera. But if the show was just those things, instead of those things in the context of everything else, they wouldn't be saying anything of note.
But this?
This tells a story all on its own. Someone with no context can look at this and automatically assume that each paired person is standing with someone they care about deeply, seeking comfort as they watch some sort of disaster unfold. And yeah, romantic couples usually come in twos, and we live in an amatonormative society, so that's going to be the first association anyone makes seeing a bunch of people paired off.
It's the same reason you look at this
And go, "Oh..."
"Those two are probably a couple."
And I genuinely don't understand how people could have watched S4 Vol. 2 and gotten scared. Because as someone who went in with no investment whatsoever, I just looked at these two--
--and went, "Oh, those two are a couple. Good for them." And I moved on. Shut up about the trees for five seconds and just see the forest for what it is.
Oh, and if you're still nervous? Little thing from a storyteller here: You don't leave a hanging thread like "Will confessed his romantic feelings for Mike by projecting them onto El, but Mike either didn't understand or at least didn't say he understood," without coming back to that later. That's Chekov's gun hanging on the wall, babes. It's gonna fire at some point. If Mike was going to reject Will's feelings, if they weren't relevant, they would have had that discussion in Argyle's van. There'd be no reason to leave you in suspense.
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It's horrible to be utterly convinced that Katsuki is in love with Izuku without really being able to say definitively that Izuku is in love with Katsuki...aghh there's so much to say about certain hints and very overt things for Mr. "Kacchan Bakugou" but I feel like I haven't seen...or more accurately heard how Izuku feels. I know he loves him but Is he in love with him? Can I say that without thinking I could be wrong? No I don't think I can...but damnit! The parallels to other straight and gay couples in media is so interesting like the Berserk ref in cover 37...or the pretty constant references to taro cards...Izuku the devil in between togachako's lovers ((WHAT DOES THAT MEAN SERIOUSLY)), the three of swords in the blackwhip explosion...the "WAH--CCHAN!!" ref to a romance trope as well as to Blue Flag...the "share a crepe with" line also potentially Blue Flag..."TROY" and the battle being referenced OUT THE WAZOO with Achilles and Patroclus playing out almost exactly as the Illid described ((Literally THE most famous couple of gaybos in all historical literature--they are well known for being speculative lovers! It's mentioned in English classes when you read it))...Katsuki's parents...Katsuki's parents...the way other manga like "name I can't remember..." where they would reference MHA outright with the girl falling down and then refusing to take the male lead's hand to get up. It feels like so much but also nothing at all because all of it (( no matter how overt)) is STILL being read into from subtext. idk I think I just needed to vent.
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WHY are BT shippers so vehemently against actually analyzing the symbolism and choices made for this show?
i mean i saw multiple people saying we were overthinking the vertigo poster. they were saying that it was weird to assume that Buck would fill the pining best friend role that Midge did in the original movie??? (haven’t seen the movie, i just read a few synopses)
i’m sorry, so you agree that he put Ryan Guzman in the main character and Devin Kelley as the love interest because they’ll fill those roles in the storyline, but we’re overthinking when we point out what role he put Oliver Stark in?
or when i bring up the possible symbolism of Tommy always calling him Evan, the only response i get from BT stans is “well he would tell him if he didn’t like it” or “i think it’s because he was introduced that way and that’s why” or even “i think he probably likes that Tommy calls him Evan” (all real responses i saw) and it’s like, yeah that’s cool, those are great headcanons for you, but that actually isn’t what i was talking about. nothing wrong with having a headcanon, but it doesn’t explain anything about the show or answer any of my questions.
i mean in s4 he corrected his PARENTS and told them his name was Buck, and in s6 it was used to emphasize the strangeness of his coma dream, how everyone was calling him Evan, the whole show him being called Evan has almost always been used to emphasize that someone doesn’t know him very well, how are y’all convinced that it’ll mean something different this time? i get that some people think it’s supposed to be growth, that he’s cool with being called his first name, but if that’s the goal it definitely isn’t reading that way to me.
like i wish i could see things through the same lens as these people so it could make sense to me, i just don’t get how you can willfully ignore SO many hints just so you can ship what you want.
no hate to the ship or the shippers obviously, i’m just baffled by the lengths they’ll go to in order to convince themselves that plot device man is endgame for Buck.
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