#the july revolution of 1830 | Explore Tumblr Posts and Blogs

fatehbaz · 4 months

Text

In fact, far more Asian workers moved to the Americas in the 19th century to make sugar than to build the transcontinental railroad [...]. [T]housands of Chinese migrants were recruited to work [...] on Louisiana’s sugar plantations after the Civil War. [...] Recruited and reviled as "coolies," their presence in sugar production helped justify racial exclusion after the abolition of slavery.

In places where sugar cane is grown, such as Mauritius, Fiji, Hawaii, Guyana, Trinidad and Suriname, there is usually a sizable population of Asians who can trace their ancestry to India, China, Japan, Korea, the Philippines, Indonesia and elsewhere. They are descendants of sugar plantation workers, whose migration and labor embodied the limitations and contradictions of chattel slavery’s slow death in the 19th century. [...]

---

Mass consumption of sugar in industrializing Europe and North America rested on mass production of sugar by enslaved Africans in the colonies. The whip, the market, and the law institutionalized slavery across the Americas, including in the U.S. When the Haitian Revolution erupted in 1791 and Napoleon Bonaparte’s mission to reclaim Saint-Domingue, France’s most prized colony, failed, slaveholding regimes around the world grew alarmed. In response to a series of slave rebellions in its own sugar colonies, especially in Jamaica, the British Empire formally abolished slavery in the 1830s. British emancipation included a payment of £20 million to slave owners, an immense sum of money that British taxpayers made loan payments on until 2015.

Importing indentured labor from Asia emerged as a potential way to maintain the British Empire’s sugar plantation system.

In 1838 John Gladstone, father of future prime minister William E. Gladstone, arranged for the shipment of 396 South Asian workers, bound to five years of indentured labor, to his sugar estates in British Guiana. The experiment with “Gladstone coolies,” as those workers came to be known, inaugurated [...] “a new system of [...] [indentured servitude],” which would endure for nearly a century. [...]

---

Bonaparte [...] agreed to sell France's claims [...] to the U.S. [...] in 1803, in [...] the Louisiana Purchase. Plantation owners who escaped Saint-Domingue [Haiti] with their enslaved workers helped establish a booming sugar industry in southern Louisiana. On huge plantations surrounding New Orleans, home of the largest slave market in the antebellum South, sugar production took off in the first half of the 19th century. By 1853, Louisiana was producing nearly 25% of all exportable sugar in the world. [...] On the eve of the Civil War, Louisiana’s sugar industry was valued at US$200 million. More than half of that figure represented the valuation of the ownership of human beings – Black people who did the backbreaking labor [...]. By the war’s end, approximately $193 million of the sugar industry’s prewar value had vanished.

Desperate to regain power and authority after the war, Louisiana’s wealthiest planters studied and learned from their Caribbean counterparts. They, too, looked to Asian workers for their salvation, fantasizing that so-called “coolies” [...].

Thousands of Chinese workers landed in Louisiana between 1866 and 1870, recruited from the Caribbean, China and California. Bound to multiyear contracts, they symbolized Louisiana planters’ racial hope [...].

To great fanfare, Louisiana’s wealthiest planters spent thousands of dollars to recruit gangs of Chinese workers. When 140 Chinese laborers arrived on Millaudon plantation near New Orleans on July 4, 1870, at a cost of about $10,000 in recruitment fees, the New Orleans Times reported that they were “young, athletic, intelligent, sober and cleanly” and superior to “the vast majority of our African population.” [...] But [...] [w]hen they heard that other workers earned more, they demanded the same. When planters refused, they ran away. The Chinese recruits, the Planters’ Banner observed in 1871, were “fond of changing about, run away worse than [Black people], and … leave as soon as anybody offers them higher wages.”

When Congress debated excluding the Chinese from the United States in 1882, Rep. Horace F. Page of California argued that the United States could not allow the entry of “millions of cooly slaves and serfs.” That racial reasoning would justify a long series of anti-Asian laws and policies on immigration and naturalization for nearly a century.

---

All text above by: Moon-Ho Jung. "Making sugar, making 'coolies': Chinese laborers toiled alongside Black workers on 19th-century Louisiana plantations". The Conversation. 13 January 2022. [All bold emphasis and some paragraph breaks/contractions added by me.]

#abolition #caribbean #imperial #colonial #ecology #plantation

456 notes · View notes

madnessr · 10 months

Text

Vagabond

Vagabond — wandering from place to place without any settled home

Poly Lost Boys x GN Reader Synopsis: Forgiveness is a fickle thing. When four souls find each other, the world finds its equilibrium once more; until the absence of another tips the scale forever. What happens when a familiar face shows itself back at the boardwalk after twenty years of absence?

Warnings: slight angst, lots of historical information in the beginning

Word Count: 3k

By issuing the Declaration of Independence, adopted by the Continental Congress on July 4th, 1776, the 13 American colonies severed their political connections to Great Britain.

You had been ten during the conflicts between America and Great Britain, young and impressionable. Your family came with Puritans, who set sail to America back in 1630. Unlike the Pilgrims, who had left ten years earlier, the Puritans did not break with the Church of England but sought to reform it. All that happened before you were born; your ancestors had settled down and spread their roots into American soil.

You recalled little of the American Revolution; after all, you were very young back then, but you remember December 15th, 1791, vividly. Your mother couldn't stop crying that day, and your father had pulled out the oldest whiskey they had that day. America was finally severed from the tyrannical rule of George III.

You came to understand the significance of those dates more as you aged, growing into a strong individual as you helped your family on their farm. You never intended to marry; it wasn't something you had ever desired or looked forward to. The same year you had gotten married was the day you lost your immortality; both events are related but not necessarily connected. You were introduced to the vampiric community in New Orleans, a city that used the day to sleep off the mistakes you made throughout the rambunctious night.

You had lived through the formation of the Constitution of the United States of America in 1787 when the founding fathers sought to implement more structure into the now independent country.

The infamous whiskey rebellion. American drunks apparently were not too keen about Alexander Hamilton implementing a liquor tax to try and raise money for the national debt; asserting the federal government's power back in 1794.

Only nine years later, the Louisiana Purchase happened in 1803. The small land purchase for only $27 million created room for the states of Louisiana, Missouri, Arkansas, Iowa, North Dakota, South Dakota, Nebraska, and Oklahoma, along with most of Kansas, Colorado, Wyoming, Montana, and Minnesota.

Throughout the 1810s and 1830s, you had moved on from New Orleans and left for New York, seeking human connections and reconnecting with the younger generations. During that time, the Battle of New Orleans in 1815 and the Monroe Doctrine in 1823 seemed to fly past you.

Then, signed on February 2nd, 1848, the Treaty of Guadalupe Hidalgo finally brought closure to the Mexican-American war. At this time, you were no stranger to political conflicts anymore, and the stench of blood and sweat staining battlefields was, unfortunately, no stranger.

Life moved on regardless, no matter the horrid realities life provided. For a short while, life had finally come to a stand-still, guns tucked away as the world in America resumed its development. Until April 12th, 1861, Confederate troops fired on Fort Sumter in South Carolina's Charleston Harbor at 4:30 A.M., A day that changed America forever, the beginning of the American Civil War.

The Emancipation Proclamation, The First Conscription Act, The Battle of Chancellorsville, The Vicksburg Campaign, The Gettysburg Campaign, The Battle of Chickamauga, The Battle of Chattanooga, The Siege of Knoxville. The list continued, and the coppery smell of wasted humanity tainted the air, the wind carrying the cries of victims throughout the nation.

The war ended in the Spring of 1865. Robert E. Lee surrendered the last major Confederate army to Ulysses S. Grant at Appomattox Courthouse on April 9th, 1865.

The number of soldiers who died throughout those four years eventually got estimated to be around 620,000.

Only 47 years later, on July 28th, 1914, the Austrian Archduke Franz Ferdinand was assassinated, beginning the cruel trench warfare of World War I. In early April 1917, America aided the effort to join a war to end all wars. You had entered the war effort, like everyone capable at the time; from soldiers to nurses, everyone gave aid.

On November 11th, 1918, the war ended. Although the Allies won, you found no reason to celebrate. Not when mothers sold their homes since there wasn't a reason to have a multiple-bedroom house anymore, when graveyards overflowed with the dead, when people mourned their losses, when mothers' only answer to their missing sons was a notice declaring their child missing in action.

The stock market crashed in 1929, kicking off the Great Depression that would last for more than a decade.

On September 1st, 1939, Germany invaded Poland. Kicking off World War II and beginning one of the most brutal warfare's, Blitzkrieg. On May 8th, 1945, Germany surrendered. After the atomic bomb was dropped on Hiroshima and Nagasaki, Japan surrendered on September 2nd, 1945, and the Second World War came to an end.

The war ended, and the surviving soldiers returned with missing limbs and broken spirits. You were a firm believer that humans were not meant to witness so much death; it tainted them; it dulled them. Although you were a vampire, a creature supposedly made for horror, you could not forget what you had witnessed in only the span of 21 years.

You were 201 years old now, relatively young in the grand scheme of time, but you had lived through a few of the greatest horrors the world had ever seen.

189 years of traversing the lands, you watched grow in a desperate search to find one of your own. Since you were turned and left New Orleans, you had not met a single vampire. You watched with sorrowful wisdom in your eyes as the world passed through you, virginity in people's expressions you wish you had. A gaze untainted by warfare, civil unrest, and brutality.

Although you have met the occasional human to brighten your own world, it did not cure you. Your search was desolate—fruitless.

Your feet had carried you to Santa Carla, the year now being 1963, and just as the five stages of grief had settled on acceptance. You bumped into a group of four rambunctious bikers that would change your life forever. That had been the first time you had met, and you had continued to live together, going on to live through the Civil Rights movement and grieving the assassination of Martin Luther King, Jr.

But on August 12th, 1967, you left Santa Carla. Your absence is only justified by a delicately written letter standing in your place. You had grown to love the boys, but you had lived differently compared to them.

Marko and Paul were younger vampires than you, having been turned while The Great Depression was bulldozing America. Dwanye had been older, abandoning his immortality in the 18th century along with David. All of them possessed the innate ability to move on from the past, a talent you, unfortunately, did not possess.

No matter how hard you tried, you could not find peace or excitement in the future. The uncertainty corrupted you, tormented you and your experiences, so you left. Not with the intent to abandon but to sort out whatever you had to sort out. Away from the prying eyes of those you loved, those who you did not want—couldn't disappoint.

Santa Carla, the town you had never been able to forget. It was 1987 now; twenty years had passed since you had seen the four vampires. You had missed them—a melancholic weight having nestled its way into your heart ever since you left. You regretted the way you had left through a simple letter. A cowardly move; you were wise enough to understand that. But at the time, you couldn't bring yourself to say it to them. How could you? Look someone in the eyes, someone like you—your own pack that never did anything but love you—and tell them you were leaving?

You didn't have the heart, and if you were a little more honest, you didn't have it now, either. But you missed them more than your hurt pride by walking what felt like a walk of shame as you wandered around the busy boardwalk. One thing you never could get used to was the constant shift in fashion, it felt like the ins became the outs overnight, and you never were able to keep up with it.

Bright colors were the most fashionable now, with teased hair and loud makeup. You enjoyed it, your knowing eyes watching over the crowd. The smell of hairspray permeated the air, wafting towards you as you passed people. Bulky and oversized clothes were spotted throughout the crowds, some men and women wearing specific member-only jackets. Ah, it seems the surfer nazis still haven't given up on Santa Carla yet.

The amusement park was new; back in 1867, the boardwalk had small shops littered around—like a market. Originally it mostly sold food and groceries, fish caught fresh from the sea, and farmers selling their produce.

How has the pier changed so significantly? If it wasn't for the bold, attention-seeking sign that said Santa Carla Boardwalk; you would've thought you were at the wrong address. But stepping on those old wooden floorboards of the pier that occasionally creaked or sunk under your feet was an all too familiar feeling. The smell of salt, rotting seaweed that had washed onto the shore, and the fresh street food made you feel all too at home.

It felt like you had never really left.

Your appearance had changed quite a bit since you left Santa Carla, so you didn't expect either the boys or Max to really recognize you. But although you were willing to stay under the radar for the boys, Max was another story. He was a head vampire, a coven leader, and therefore needed to be notified of your presence.

Entering Max's video store made you feel nostalgic, the same old grimy bell still hanging atop the doorframe signaling your arrival; you had been the one to put that there to originally annoy Max. You were surprised he kept it. The wooden floorboards and furniture gave off a distinct, homey smell. You had been there when the store was built, and the shiny coating across the floors now had grown mat, occasional wood panels brighter in color than before.

"I never thought I'd meet the day I saw you walk through those doors again."

Turning around, you met the stern gaze of Max. His outfit made you smile, a desperate attempt at blending in with the crowd. Max was always a stickler for blending in; if he had no intention of turning you; you had no business knowing who; or rather what, he was.

"It's good to see you."

"I'm flattered, but I doubt that I am the sole reason you returned." Max always carried that knowing tone, as if he's watched out every move you'd make before you made them. It reminded you that Max had a coven before the boys and you, one he rarely conversed about. Perhaps Max really had seen this turn out before, but analyzing that surprised expression, you could only assume who had left never did come back.

"How right you are," You sighed, shoulders dropping as you hopped onto the cashier counter. It was before opening, meaning you and Max had some time to chat privately.

"Twenty years is a long time," Max hummed, a low and almost chiding tone. "What made you come back?"

"To us, it isn't," You weakly argued back. The cumbersome feeling, or rather an awareness that you were in the wrong, was nearly unbearable. You were smart enough to understand that denial was a fruitless endeavor, and yet you couldn't help but let those desperate attempts escape you.

"For people waiting for you, it's an eternity." Max sighed in a calm but chiding tone. Although Max never did have to scold you the way he did with the boys, from not committing arson to preventing fights. Max instead focused his guidance towards you on a more emotional level, the morality; a bit ironic being taught by a vampire—but he did his best.

You glanced outside, through the glass walls of Max's shop, watching the bustling crowd pass you. Twenty years to a vampire was nothing, but somehow the short span of time felt arduous. Why did you come back?

"I never intended on staying away forever. I knew that when the time was right, I'd return." You explained, stealing a quick glance at Max. The older man had a frown etched onto his face, eyebrows furrowed as his own gaze lingered on the rambunctious humans outside. So unaware of the constant and unrelenting passage of time. It was cruel to be immortal; the passage of time no longer hindered you. But emotions are bendable and are the only aspect of ourselves that remains from who we were. Emotions were mortal.

"Santa Carla has changed, Y/N. It is not what you left behind; they are not the same as they were alongside you." Max recalled, his voice disapproving.

You knew Max was correct; you knew deep in your wrenching and twisting gut. You jumped off the counter, your feet hitting the floor like gravity had shifted around you, sinking your body into the floor. "I know," you knew; perhaps the boys didn't even want to see you; they could curse you out and send your name to hell for all eternity. They deserved to do it too.

But they loved you once, and perhaps you can't help shake the feeling that they might love you again this time too.

Max sighed, walking over to his front door and twisting the closed sign around, and pronouncing the store now open. Each tap of his foot, synced with his steps, was like a thundering echo inside you. It prompted you to get up and to provide closure for the others. You reach the door, opening midway before Max leaves you with some parting advice.

"I hope you find what you came here for, Y/N. But the time might be right for you now, but it might not be for them."

You nodded, not looking back as you walked out of the store. The air was warmer, humid from the ocean breeze mixing into the air, the notorious assassin for any styled and teased hair due.

Laughter was one of your favorite sounds. As cliche as that might sound, it felt rejuvenating to hear. Whether it was a loud cackle mimicking the call of a hyena or a high-pitched wheeze or whistle. There was a beauty in people's expressions, how their noses tended to scrunch up, or how others held their stomachs and nearly doubled over. Laughter was infectious, and you loved observing the dopamine spread to others. Strangers connecting over a similar sense of joy; there was a beauty in it.

The boardwalk was filled with it, people brushing shoulders against shoulders as they walked. Groups cackling and shoving each other as they enjoyed the youngness of the evening. Music booming from different directions, punks blasting the newest rap or metal music, hippies tuning out to a gentle jam, but the loudest seemed to be a distant concert down the boardwalk and closer to the pier. Like a bee sensing some honey, you followed. Dodging the occasional passerby, ducking out of the way from shop owners lugging their merchandise around.

The music got louder, and a small thread of excitement seemed to push you further, faster. Your small stroll transformed into a quickened step, your ears guiding you and your eyes following the crowd. The music was loud; a tight smosh-like pit had formed before the stage where people grind and brushed against each other to the beat of the music.

Looking around, you scanned the faces of teenagers and young adults. There was an eager but dreaded nervousness to your gaze at the thought of seeing a face that looked familiar. But it wasn't your eyes that caught their presence, but rather your sense of smell.

Copper.

Although it was harder to pick up when the wind stills its prancing, the occasional breeze led you further towards the pier. Away from the smosh pit, and where people stood to enjoy the music but not risk getting mulled over by a hormonal teenager.

There they stood, strikingly familiar. Although some of the fashion had changed, most of their originality stayed intact. That tiny red flag tied around Dwayne's waist was something the two of you had stolen from a stingy bar owner back in 1964; Markos jacket still had all too familiar patches sewn into its denim fabric; Paul still wore those bracelets you gave him, and David wore the most prominent reminder of you, his oversized coat.

The wind picked up around you, a cold and mocking breeze flowing through your hair and betraying your presence to the four men you had left behind all those years ago. One by one, heads lifted, smiling ceased, and laughter died. Although you had spent years preparing yourself for this moment, nothing felt so gut-wrenchingly real than standing before them.

How do you look someone in the eyes after you've abandoned them?

How do you move past that moment when the world around you stills and halts. When you lose yourself in the blear of the world when mortality reaches its hand around your heart and squeezes. A vice-like grip, a feeling blooming within your chest so heavy–so unspeakable. When you see those eyes, recognize the sorrow behind them and realize you were the perpetrator. You were the one who put that agony, that sadness there.

The burden of your actions ties itself around your throat like a noose, tight and unyielding, as you realize the cruelty was done by none other than yourself. And there is no way, in any shape or form, you could reverse the damage you've done. Pain is immortal, it might yield to its throbbing, but it never forgets.

A world with your boys back in 1967 exists now only in your memory. The four men, cold as the autumn waters, were your reality now.

"Hello, boys."

469 notes · View notes

ilongfor-the-arts · 11 months

Note

Could you do a fanfic where the marquis meets the reader in a museum and they bond over their live of art

Meet Me in the Hallway

Pairing: Vincent de Gramont x fem! Reader

Warnings: VERY mild language

Summary: *in req*

Word Count: 2.3k

The Louvre has maintained a particular place in my heart for as long as I can remember. As a child, I recall visiting during tourist season. The other children darted around, driving their guardians to the brink of insanity. However, I stood in front of the immense paintings, carefully analyzing each aspect of the art. I remember visiting The Louvre as a teenager during the winter, when the immense corridors were barren. I'd find a place to sit and ponder, observing faces and objects in the quiet halls. I recall taking advantage of any occasion to talk about art with friends and family.

My friends were perplexed by my preoccupation. When I rambled on, they would nod and appear to be attentive. But I could always tell by the look on their faces that they were eager for my rant to end.

I've always been drawn to art's beauty. One bad stroke, one outburst of rage, and the finished result may be jeopardized. Art is more than just a painting or a sculpture; it is a way of life. You must be able to look beyond what the eye can see in order to produce art. You must be able to view the world in a completely unique way. You must look for a message behind the eyes rather than simply viewing things analytically. Painters paint, artists interpret.

That is what separates the good from the iconic.

I enjoyed the near silence as I wandered through The Louvre. Because it being January, the museum was nearly totally populated with a sprinkle of wandering locals. I took a tour around my favorite section, French paintings 1780-1850. The gold frames stood out against the dark burgundy walls.

The atmosphere was serene. As night fell, the hallway was illuminated exclusively by a few fluorescent lights. The sensation that washed over me was one of sheer nostalgia and amazement.

The dimness of room 700, when combined with the massive displays showcasing the complexity of the human mind, gave off an ominous vibe. There was everything and nothing at the same time.

Nothing else on the planet can make you feel this way.

I proceeded to one of the most well-known works of art in the entire museum.

Ah, one of my favorites, Liberty Leading the People. Eugene Delacoix created this work of art in the year 1830. Delacoix depicts a scene during the July Revolution of 1830, when King Charles X-

Woah.

My gaze was drawn to a man sitting on a beautiful white couch.

I tightened my teeth to keep my jaw from dropping to the floor.

He was breathtakingly beautiful.

Was he a tourist?

No way, no how. No tourist would dress up in an expensive three-piece black suit to visit the Louvre. He's got to be a local.

He was staring at the enormous painting, his mind fixed in deep thought. Many locals stopped to look at the paintings, but he seemed to be examining every face and object.

Should I introduce myself? It would be the polite thing to do as I’ve been obviously staring at him for-

“Did no one ever tell you it’s rude to stare?”

My trance was broken by his velvety accent. I hid my gitters by slipping my hands into the pockets of my beige trenchcoat.

“I’m sorry,” I said smugly, “You caught my eye.”

He sneered, a slight smirk playing on the edges of his lips. He couldn't take his gaze away from the painting. I swallowed, unsure how to dispel the uneasiness. The man uncrossed his lanky legs and pushed himself up to his full height.

He's tall, Jesus.

He strolled over to the picture, decreasing the distance between himself and the work of art to a few feet. He cocked his head upwards, his gaze wandering over the magnificent painting's many intricacies. The man put his hand on his hip and pushed his jacket to the side, revealing an astonishing variety of golden buttons along his vest.

“What do you think of this one?”

He asked, motioning with his free hand towards the canvas. I followed his movements, taking in the painting I know and adore.

“It’s a beautiful piece of art.”

I said hesitantly. The man chuckled, turning his head to meet my gaze. Despite being only three feet away, I found myself completely engrossed in his captivating green eyes.

“That’s it? It’s beautiful?”

His smirk now more prevalent than before. I exhaled a shuddery breath.

“Well, it’s one of the most famous paintings in art history. I think it's wonderful how this artwork has become a universal emblem of liberty and freedom from oppressive dominance.”

The man raised his eyebrows and nodded.

“That’s excellent insight. It’s good to meet people with an appreciation for the finer things in life.”

He returned his gaze to the canvas, motioning with his fingers for me to come towards him.

“Come closer, look at this.”

I was hesitant to approach this intimidating man, but my curiosity was far too strong to ignore. So I narrowed the gap between us to a mere six inches. As I took up a place next to him, our sides nearly brushed against each other.

He raised his finger to the stunning representation of liberty.

Take note of her features, such as her straight nose, plump lips, and delicate chin. They all look like antique Greek and Roman statues. She pays homage to both Ancient Greece, the birthplace of democracy, and Roman republican culture.”

I narrowed my eyes, mentally applying his words to the painting.

“Here, look at this,” I began, pointing to the left side of the painting.

“See that guy with the pistol? He's wearing a shirt but no jacket. He belongs to the lower class. But look at the man next to him; he's wearing a top hat, jacket, and vest. He belongs to the upper class. Delacroix aimed to include all classes of people in the fight against royalist oppression.”

The man exhaled in amazement.

“How fascinating. Delacroix’s artistic vision is truly unmatched.”

“I agree. This piece is probably my favorite in the entire museum.”

The man shrugged nonchalantly.

“It is certainly impressive. But my favorite would have to be Venus de Milo.”

He shifted his head to face me, sweeping his gaze up and down my figure. I shuddered, his heated gaze making me feel like I was under scrutiny.

“However, I suppose that opinion could simply be mine because I enjoy the presence of a beautiful woman.”

Holy shit was he flirting with me?

Heat climbed onto my cheekbones. I hoped my flush wasn't too visible, as his gaze was still fixed on me. I chuckled awkwardly.

“I suppose that could certainly contribute to your fondness of the piece.”

He motioned towards the white couch.

“Here, sit, let’s talk.”

He sat closer than I had expected. Our thighs were almost touching, and the arm slung around the back of the couch was almost brushing my shoulders. Despite the color on my cheeks and my minor intimidation of the man's large stature, I felt strangely at ease. I was intrigued rather than nervous. He exuded mystery, and I had every intention of unraveling the web of secrets.

“Do you believe talent like this is given at birth, or developed as the individual grows?”

I licked my lips, carefully contemplating my next words.

“Well, I believe we are all born blank canvases, and if we find something we are exceptionally passionate about, then we can grow those specific talents.”

I swallowed, hoping he was satisfied with that reply.

“How about you?”

“Oh, I believe people with true artistic talent are born with promise. Because if we go by your logic, anyone who loves art has the potential to become the next Delacroix.”

Wow, he was certainly quite the intellectual.

“Well, allow me to elaborate. Anyone can become a mediocre artist if they try,” I began, “but yes, I agree with you, only a few are born with the promise of artistic greatness. I mean, someone like Coco Chanel could never become the next Van Gogh or Delacroix, it just isn't meant to be. That isn’t where her talents lie.”

The man's lips curved into a smile. I locked my attention on his lovely green eyes. We were closer than I had imagined. His breath was cascading across my face. I inhaled sharply. He smelt amazing, like an expensive floral fragrance. It crept into my head, confounding my already hazy thinking.

“I like you… Miss…”

“Y/N, Y/N Y/L/N.”

His smile widened even more, splitting his face to reveal a stunning row of white teeth.

“What a gorgeous name... It’s fitting, a gorgeous name for a gorgeous woman.”

His accent was dripping with charm. There was no way in hell this man didn't have a significant other. He was far too enticing and attractive to be single.

“You know, plenty of people wander these halls, knowing every name of every piece. Yet they don’t contemplate the true meaning of the art.”

His eyes were drawn to Liberty Leading the People. The man’s tone became somewhat agitated as he ran his tongue along his smooth bottom lip, his eyes narrowing.

“They only think about the art, they don’t contemplate it.”

He inhaled deeply, his chest softly rising and sinking beneath the pricey cloth.

“Thinking is simple, thinking is the most simple thing in the entire universe for humankind. Anyone can think, but not everyone can contemplate.”

I concur. It was pleasant to meet a thinker who cared so deeply about the beauty of art.

“Who’s your favorite painter?”

My face broke into a genuine smile.

“Paul Cezanne.”

“And why is that, Miss. Y/N Y/L/N.”

I adored how he said my name. It rolled off his tongue effortlessly, like butter on a hot pan. I could spend the entire day sitting next to him on a couch at the Louvre, listening to him utter my name.

“Well, because his distinct color-building technique and his analytical approach to nature had a great impact on the art of Cubists, Fauves, and many generations of avant-garde artists.”

I've never encountered somebody who would listen to my raving with such enthusiasm. And there was no one who properly comprehended my words and had the knowledge to respond intelligently. Not only on the subject of art, but also on the issue of life.

“Ah!”

He exclaimed, shooting a finger towards me.

“There it is!”

His hand fell to his lap.

“You, Miss Y/N Y/L/N, do not just think, you were born with the gift of careful contemplation.”

I'd dated a few men previously, but none had ever made me feel as great as this mysterious man. And I'd only known him for about 30 minutes. My eyes lit up with wonder when I heard his voice, and I hung on to every word with excitement.

“You have a dizzying intellect.”

His velvety tone dropped to an endearing whisper. My stomach flipped.

“It is very rare I meet a woman with such beauty, not only in her appearance, but in her demeanor as well.”

His long fingers pushed a stray hair behind my ear. I nearly flinched before realizing the gesture was benign. I could still feel his contact on my cheek after he removed his fingertips. He set fire to every nerve he came into contact with.

“Will you grant me the opportunity to become your acquaintance?”

His eyes were filled with anticipation. There it was, the date I'd been looking forward to throughout the duration of this conversation.

“I would like that very much Mr…”

“Vincent de Gramont.”

I hummed in delight.

“That’s a handsome name. It’s fitting, a handsome name for a handsome man.”

I said, slightly mocking his previous remark.

Vincent chuckled.

“Oh, you are a comedian as well. I like you more and more as time goes on.”

Vincent waited for a beat of silence before rising to his full height. Being the one seated while he stood certainly flipped the script. I felt small under his demeanor as his presence was felt throughout the room. He was comfortable in his own skin, demanding control of the atmosphere like a conductor.

“My bodyguards will ensure that you have all the information necessary to find my estate.”

Bodyguards?!

He indicated to two men in gray suits who were standing with their backs against the nearest maroon wall.

Wow.

I surely hoped they wouldn’t be hanging around when I finally seized the opportunity to speak with Vincent in private.

“Wonderful.”

“My estate is beautiful if I do have to say so myself. You will enjoy it.”

I can only imagine how magnificent his house was if this was the suit he decided to wear for a chance visit to a museum.

“There is lots of space, plenty of rooms to explore and places to sit and talk for hours.”

I couldn't keep a smile from breaking my face. Who would have guessed that when I walked into the Louver today, I'd walk out with a lovely new date?

“That sounds like a dream come true. I can’t wait to see it.”

Vincent returned my grin.

“I can not wait for you to see it. You will melt.”

He extended his hand. I hesitated for a moment before realizing he wanted me to lay my palm in his. Vincent leaned down and kissed the top of my hand in an exceedingly trendy gesture.

Wow, very gentlemanly.

If my cheeks weren’t pink before, they surely were bright red now.

“Thank you for granting me the pleasure of becoming your acquaintance, I look forward to seeing you around my estate.”

After his departure, I remained seated on the couch. I was unable to move, wanting to preserve the moment for as long as possible

#marquis de gramont #marquis x reader #marquis de gramont x reader #marquis vincent de gramont #vincent de gramont x you #vincent de gramont x reader #vincent de gramont #john wick 4 #john wick #bill skarsgard fanfiction #bill skargard #bill skarsgård #bill skarsgard imagine #bill skarsgard x reader

840 notes · View notes

secretmellowblog · 9 months

Text

Les Mis Musical: they were schoolboys, never held a gun...no one ever told them a summer day could kill...they were so naiive to believe their revolution could succeed. This is why they call em revolutions, they keep spinning and nothing changes...rebelling against state power is impossible... The Revolution of 1830 AKA The July Revolution AKA "The Second French Revolution", a successful rebellion that occurred in Paris literally only two years before the June Rebellion (but because of moderate politicians ended with a new more progressive King being installed to replace the ultra-conservative King, instead of the total elimination of monarchy), a rebellion which Victor Hugo writes an entire digression about in the novel when discussing how it influences 1832, and which Les Amis would've taken some part in:

#les mis #i read ahead through the 1830 digression

269 notes · View notes

oldbookist · 8 months

Text

how to make readers think you're an expert on 19th century france

or quick and dirty tricks for writing canon era, because sometimes you just need a convincing historical backdrop for your angsty one shot.

Be specific about your time period! It may seem counterintuitive, but picking a specific year for your fic to take place in actually makes the research part easier. Even if the year isn't relevant at all to the plot and won't be mentioned. Let's say I need to add a political debate to my fic for plot purposes, but I've got no clue what to make them argue about. I'll pick 1828 as my year. I can just pull up the Wikipedia page for "1828 in France" and under "Events" it tells me that there was a new prime minister that year. Wikipedia says he was a more moderate royalist that replaced an ultra-royalist...a perfect topic for debate!

In fact, want to sound really knowledgeable? Sure, you could always have your characters complain about the king, but consider having them talk about the prime minister instead. (eg. Down with Polignac!) The ministers and their governments were powerful but not usually long-lasting or especially popular during this time period. Presumably, Enjolras hated all of them.

...and if you do mention the king, be specific! Louis XVIII, Charles X, or Louis-Philippe? Again, this is easily done by simply knowing what year it is.

Just talking about "The Cause" or "Revolution" (generic) makes it sound like you don't quite know exactly what you're talking about. Luckily, even if that's true, there's an easy fix. Use "the Republic" instead. (That's what "The Cause" is, and what the "Revolution" is for.) Also, unless they're actively revolutioning, it's generally better to refer to Les Amis as "republicans" instead of "revolutionaries," as republicanism is their actual political ideology.

The July Revolution of 1830 is a thing that happened. This is a useful event to reference. Use it to your advantage.

Just namedrop! Look up some operas or books that came out that year. Find some French Romantic authors Prouvaire could be reading. I'll admit it, I'm easily impressed when a fic references Lamartine or Hernani or whatever.

Don't use the word "homosexual." Didn't exist yet. Also, sodomy was decriminalized during the French Revolution...it's a whole complicated thing, but it is not illegal in our time period.

Make them do activities other than writing pamphlets? Writing pamphlets is a time-honored staple of canon era fic. Still, that doesn’t mean we can’t occasionally branch out. Some suggestions: recruitment, mutual aid, posting bail, gathering arms and ammunition, also Les Amis are outwardly a society for “the education of children”!

This is obviously not an exhaustive guide to writing canon era. You might notice that much of this advice boils down to “be more specific,” which is really the trick to seeming knowledgeable. The more specific you can be, the better it’s going to sound. If you do want to do more in-depth research, check out my resource collection!

#les mis #les amis de l'abc

194 notes · View notes

a-literal-supernova · 11 months

Text

hey i’ve got an ap euro project so for data, which rébellion in france do you guys think les misérables took place during?

if you don’t know just guess based on the dates

(for reference the french revolution began in 1789)

pls let me know in the tags why you think it’s that time

#ap euro #les miserables #les mis #poll #lia’s supernova of stupidity

321 notes · View notes

histoireettralala · 1 year

Text

Victor Hugo on Talleyrand's death

For @empirearchives who was interested, here's a translation of Victor Hugo's text about Talleyrand's death. My thanks to @microcosme11 for her help <33

Choses Vues, Victor Hugo

1838

Talleyrand

19th of May

In the Rue St-Florentin, there is a palace and a sewer.

The palace, with its noble, rich, and dull architecture, was long called "Hôtel de l'Infuntado"; today, we read on its front door: Hôtel Talleyrand. During the fourty years he lived on this street, the last host of this palace might never have set eyes on this sewer.

He was a stranged, feared, and considerable character: his name was Charles-Maurice de Périgord; he was noble as Machiavel, a priest like Gondi, defrocked like Fouché, witty as Voltaire, and lame as the devil. One could say that everything limped with him: the nobility which he had put to the service of the republic, the priesthood he had dragged on the Champ-de-Mars then threw down the drain, the marriage he had broken by twenty scandals and by a voluntary separation, the wit he dishonoured through vileness. This man, nevertheless, had grandeur.

The splendours of both regimes were mixed together inside of him: he was prince of the old kingdom of France, and prince of the French Empire.

For thirty years, from the depth of his palace, from the depth of his mind, he had just about led Europe. He had let the revolution call him "tu", and had smiled at it, ironically of course; but it had not noticed. He had approached, known, observed, pierced, stirred, upturned, delved into, mocked, intellectually fertilized all the men of his era, all the ideas of his century, and there had been a few minutes in his life when, holding in his hand the four or five fearsome threads that moved the civilized universe, he had had for a puppet Napoleon the First, Emperor of the French, King of Italy, Protector of the Confederation of the Rhine, Mediator of the Swiss Confederation. Such was the game this man played.

After the Revolution of July, that old race, whose grand chambellan he was, having fallen, he found himself standing on one foot and told the people of 1830, sitting, bare-armed, on a pile of cobbles: Make me your ambassador.

He had received Mirabeau's last confession and Thiers' first confidence. He had said himself he was a great poet and had made a trilogy in three dynasties: Act I, Buonaparte's Empire; Act 2, The House of Bourbon; Act 3, The House of Orleans.

He had done all of this in his palace, and, in this palace, like a spider in its web, he had attracted into it and taken successively heroes, thinkers, great men, conquerors, kings, princes, emperors, Bonaparte, Sieyès, Mme de Staël, Chateaubriand, Benjamin Constant, Alexander of Russia, Wilhelm of Prussia, Francis of Austria, Louis XVIII, Louis-Philippe, all the golden, shiny flies who buzzed in the history of those last fourty years. The whole sparkling swarm, fascinated by this man's deep eye, had successively passed under the dark door that bore, written on its architrave: Hôtel Talleyrand.

Well, the day before yesterday, 17 March, 1838, that man died. Doctors came and embalmed the corpse. For this, like the Egyptians, they first withdrew the bowels from the belly and the brain from the skull. Once done, after they had transformed the prince de Talleyrand into a mummy, and nailed this mummy in a white satin-lined coffin, they withdrew, leaving upon a table the brain, that brain which thought so many things, inspired so many men, built so many edifices, led two revolutions, fooled twenty kings, contained the world.

Once the doctors were gone, a valet entered, he saw what they had left. Hold on! they forgot this. What to do ? He remembered that there was a sewer in the street, he went there, and threw that brain into this sewer.

Finis rerum.

#xix #victor hugo #choses vues #charles maurice de talleyrand périgord #magnificent bastard

73 notes · View notes

dolphin1812 · 10 months

Text

Mabeuf!!!

Mabeuf is hilarious. He's apolitical, although he respects those who are not, but he also happens to be growing the most political fruit in 1830s France: the pear. Although the connection to Louis-Philippe isn't made here, it does suggest that as much as one may want to remain distanced from politics, circumstances determine how much a person is able to maintain that distance, not the person themself. Mabeuf may have no political opinions, but that doesn't mean that politics don't affect him, or that others can't read politics into his actions (as I just did; he doesn't mean anything with those pears, but I can't see a pear without thinking of Louis-Philippe). More importantly to Mabeuf, only the truly fortunate can really escape politics:

"The Revolution of July brought a crisis to publishing. In a period of embarrassment, the first thing which does not sell is a Flora. The Flora of the Environs of Cauteretz stopped short. Weeks passed by without a single purchaser."

Mabeuf is poor in a similar way to Marius, where he's able to get by and even pay for some "luxuries" (as in, some simple enjoyments and/or a hobby), but his financial stability could disappear very quickly. The publishing crisis after the July Revolution caused just that. Without income from publishing, his situation became much more precarious, and while he still seems content and didn't suddenly become political, the consequences of politics on his life demonstrate the challenges of that position. It's nice that he's not prejudiced in the way Gillenormand is because of his "neutrality," but he's also not advocating for himself when these changes really do affect him. In a way, he's similar to Bishop Myriel, whose community efforts were great in every respect except the political. Mabeuf doesn't have that level of authority, but he shares many sentiments with the bishop: love of people (it's why he goes to church), respect for nature and knowledge, and a generally kind attitude. His lack of political beliefs hurts him more than it hurts his community, but it's still interesting to see this "flaw" repeated in a different way.

It's intriguing how Mabeuf's apolitical stance is linked to his distaste for violence as well. For instance, while he's friendly with several Bonapartists because he won't condemn their opinions, he's also extremely uncomfortable living at "Austerlitz," which shares the name of a famous battle during the Napoleonic Wars. Additionally, he flinches at all violence, with the example given being linked to the French Revolution. Weapons from the Invalides were used to storm the Bastille, so while Mabeuf is just avoiding a place because he dislikes cannons, he's also overlooking the way that politics is all around him because he detests violence. His stance on violence isn't wrong - we see a variety of justifiable positions on violence in the novel, with Valjean falling in the "no violence at all" camp as well - but the (a)political framing of his nonviolence is telling. It may be that he dislikes politics because he sees it as inherently violent (which is fair, given that he's lived through many violent moments in French history), which says as much about his experiences with politics as it does his personal feelings.

Even though Mabeuf's avoidance of politics is definitely a bad thing in a book with a very political message, I really love his character. He just loves books and plants! That's great for him, and it would be a pretty ideal way of life if he lived in a system that didn't place his livelihood at constant risk. He also has what is probably the best response to being asked about relationships that I've read:

"However, he had never succeeded in loving any woman as much as a tulip bulb, nor any man as much as an Elzevir. He had long passed sixty, when, one day, some one asked him: “Have you never been married?” “I have forgotten,” said he. When it sometimes happened to him—and to whom does it not happen?—to say: “Oh! if I were only rich!” it was not when ogling a pretty girl, as was the case with Father Gillenormand, but when contemplating an old book."

"I've forgotten" is definitely the funniest way to answer that question, and I love that books are his main motivation in everything. Hugo's a bit crueler about Mother Plutarque's similar avoidance of relationships, saying "None of her dreams had ever proceeded as far as man. She had never been able to get further than her cat." "Proceeded" implies that love of a man would be better than love for her cat, which also suggests that she should have gotten married. Granted, this is only implied here, but it does seem to be another instance of the strange tension between there being a lot of unmarried, somewhat sympathetic women in this book and Hugo thinking that marriage/motherhood is the ultimate goal for women. Mother Plutarque seems quite content with her cat, though, so if it weren't for the issue of poverty, she and Mabeuf would have been pretty happy with their very bookish lives.

#les mis letters #lm 3.5.4 #mabeuf #mother plutarque #I think that Mabeuf and Mother Plutarque basically reached the pinnacle of the convent gardener lifestyle #before poverty caught up to them #and I really wish that he'd been able to keep being a bibliophile in peace #his story always makes me so sad #even if his words and his pears make me laugh

42 notes · View notes