Trial 1 Mini Theory: Kazui Mukuhara
No, it’s not too late! I know the second trial started but it’s fine I’ll get it done before the first MV--
For mini theories, I’m going to be talking about something that either conflicts with my main theory, or just didn’t really have a place to go in that document, but I still want to talk about it. Click here if you want to read my original, larger theory on Kazui.
Now, onto the theory!
Kazui hides something important about himself except for one key moment.
This idea is represented by the mask that Kazui wears. From his first time on stage (1:08), no matter which of his outfits/roles he’s in, he always has a mask on his face. Even through this, though, you can always see Kazui’s eyes, which is interesting given the lack of eyes on most people in his MV.
He does take off the mask, though, at 2:38, after the conversation with his wife in the theater. The fact that that conversation happens in the theater rather than in the set that is their living room makes it feel more like something that might’ve actually clicked for Kazui. I think the theater seats are probably his mind to some extent, so he’s coming to terms with their failed relationship in his own mind. Then, he takes off his mask.
The mask stays off while he performs on stage, while he walks off, and while the movie plays in the background with his disappearing wife and biting the apple. However, when he returns at the end, the last frame of the MV is him putting the mask back on (3:51).
I’m under the impression that this means that Kazui went through life hiding something about himself, let himself break free of that, which led to the events of his wife’s death, and that he then decided to hide that from the world again, including within Milgram.
This very well might be in line with the theory that Kazui is gay. At first, I really didn’t see it, but after looking closer at his interview questions which mention a notable connection with a (male) childhood friend and looking at it more, I’m starting to be more swayed. We’ll probably find out more in his next MV, though!
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the BEST part of PHM is that you will never know what to expect next. like NEVER. the main character has memory loss. he knows nothing he's supposed to know and everything he shouldn't. love and community is a construct and it's a spaceship with robotic nurse-maid arms. boring old physics is all you need to save the world. aliens are 1.) real 2). frankly fucking baffled that humans breathe fire fuel 3). either single-celled amoeba or 5-legged rock spiders and only one of them is detrimental to the entire solar system. you can't go home again. no, seriously. bitches will literally be staring down the barrel of imminent extinction and still talk abt the Beatles. the secret to political success is to say fuck bureaucracy. einstein was terrifyingly right & More At 11. "What if we accelerated climate change to offset the planet freezing?" -statements dreamed up by the Utterly Deranged. you weren't a star but you can still be the hero. no matter how alone you might be in the universe, you are surrounded by the composite knowledge and hope of your entire species & everyone who has ever lived before you, and this is good good good. the goldilocks zone really WAS for idiots. the avg rectal temperature of a healthy goat is 103.4°F / 39.7°C. and the space ship is a fucking yo-yo.
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it's actually so fascinating to me that Brennan has created a character that maintains a pretty relaxed and mild-mannered demeanor and has said multiple times that the absolute Core of her is "FEAR" and how often we see this Fear manifest specifically in Avoidance; it really nails a relationship to that mentality where your brain fully Stops recognizing the emotion properly out of like, sheer self-defense from the stress of having to carry it all the time
I think this is also perfectly showcased in the way we tend to see Tula swing so suddenly from 'level and steady' to 'snarling Panic' and then back again - Just because your brain has detached itself from the Conscious Recognition of the emotion doesn't mean it can Actually stop itself from experiencing it. So the Fear is always there and always acting as a stressor, but because of that inability to Identify it there's no way to recognize or address it before that final straw hits and your bodymind jumps Straight into Full Meltdown Mode; but then once again, once you drop even a Little bit below that Peak Terror your brain ceases to process the emotion; it's like the most exhausting form of Poor Object Permanence in the world
And even if Tula is aware of this happening to her, that doesn't really make it any easier to deal with / address. Even if you're able to spot the symptoms Around the emotion -- chest pain, irritation, nausea, whatever -- because the Emotion Itself is basically impossible to find, you can't really Successfully Pin Down what the problem is OR a way to cope with it. If you can't figure out That You Are Anxious, then figuring out What Is Making You Anxious is impossible, which makes Find A Way To Make Peace With That incomprehensible. That's where the Avoidance comes in: you can no longer identify what might be a Dangerous Situation, which means that Anything New has a big potential to be Really Bad in a variety of ways (ranging "I don't Feel Good" to "Fully Lashing Out bc you've entered Fight/Flight and can't get out of it" to "Actual Outside Danger This Time") and that means the Only Way you know how to be Safe is to just Avoid Doing Anything New and Only stick to Familiar Situations, because anything unfamiliar is a monster of a gamble you don't know how to prepare for or cope with
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