watched Godzilla x Kong in theaters yesterday and perhaps mild spoilers, I want the next movie to be the world flipping out about Godzilla and Shimu having hooked up and laid giant eggs somewhere in the ocean
Like think about it.....Godzilla is suddenly very territorial to one specific area in the ocean. Shimu has vanished and noone knows where she is. They discover the existence of eggs.
One faction, probably government, wants the eggs destroyed bc why would we want more Titans.
Another, probably the heroes, probably Maddie Russell included, think that's shitty and also a great way to piss off Godzilla.
Another, probably some kind of fascist evil organization, wants to steal the eggs in a misguided attempt to control them ala Scar King and Shimu.
And Godzilla just wants to keep his fucking babies safe, can y'all back off? Mothra is the vodka aunt.
Hire me, Legendary. Kong got his personality fleshed out great in G x K, lemme have my big boy
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actually ascension needs its own post since that's the one with the most details to speculate over and im starved for soho talk so i will talk to myself if need be
First the cover again, because I kinda can't get over it:
my only thing is that I had been hoping we might get Lizbeth on a cover again since she's never been on one of the boxsets before, despite being the 2nd person credited on all 4 of them (even if that's just alphabetical, still, she's the only one of the four main characters who never makes the cover)
But letting that go...
I know we already kinda knew the brief for this one but damn I didn't expect it to go quite this hard. Maybe that's just because the Parasite & Ashenden covers were (comparatively) similarish to each other and I was so pleased with Unbegotten's, and then got so used to it as the placeholder for Ascension while they kept postponing it, I wasn't expecting anything this colorful or detailed or with what I can't help but register as Fun New Outfits even though these are still like, pretty damn basic as far as costumes go. Still, it's a different vibe from everyone in suits and trenchcoats on every cover, technically. (Oh the woes of being an audio fan such that two characters owning sweaters actually does qualify as new information)
On top of just being visually delightful though, I know we knew religion was gonna be a fairly big part of this one, but I didn't actually expect to get quite this much of it - though I'm glad of it for a number of reasons. The BF twitter already made the ineffable joke so I don't have to, but also yeah I did very much spend all of season 2 episode 4 of good omens half convinced Samuel Barnett & Dervla Kirwan were about to pop up around any given corner (if you will go around being gay supernatural and horrible at your messy bureaucratic jobs in midcentury soho then I'm sorry, this is where my brain's gonna go) - so, fuel to that fire. But in terms of actual important things, at least one of my Soho wishes looks to be being granted because we have a Rev Edward Folgate on the cast list, which must mean we're finally meeting Norton's father, even if his mother & brother don't appear (which they could, technically, I've definitely seen BF not list all the doublings on their cast tabs before). Religion, domesticity, and the nuclear family are all things that absolutely fascinate me when it comes to Norton's character, so getting any amount of story involving his father & his church is something I've been actively hoping for for a long time now.
(I will say I'm a tiny bit bummed Saffron Coomber isn't on the cast list to play Mia again, but I kinda figured she wasn't going to be since Greg Austin's Armitage, who's making his first recurring appearance after originating in Unbegotten, was listed ever since the boxset was announced - presumably if she was also returning, that would've been handled in the same way. But since Unbegotten ended with Lizbeth and Mia going on a date, I still held out hope. Who knows though, maybe things did go well for them and Lizbeth just has a better work/life balance than Norton so she can date someone without them getting dragged into every scifi plot. I know that's not a very common accomplishment for any Torchwood agent, but a gal can hope)
At this point I know I'm completely in the realm of speculation & even wishful thinking, but I'm really really hoping we get some more clues as to Norton's overall timeline in this one, and I have a feeling that even if there's nothing as direct as dates given, the events of a plot like this one are going to heavily influence my personal interpretation of it.
To say that life & death are major themes for the soho crew feels wildly reductive, but even by Torchwood's standards and taking into account its origins as a piece of media with Jack Harkness & his newfound immortality at the heart of it, the living/dead status of this bunch has always been fantastically up in the air to me. Obviously Ghost Mission introduced Norton as kind of a ghost before revealing more obvious ghostly characters later on to which the title might have been referring, but his being from the past did beg the question of his survival into Torchwood's present era all the same, which Outbreak later alludes to much more directly, and his habit of showing up via hologram in multiple stories only further obfuscates any certainty we might have about where & when he definitely can be said to be alive and well. Then you've got Lizbeth and Gideon both being effectively 'brought back to life' via paradoxes that prevented them ever having died in the first place. Again, they are very very far from being the only Torcwhood characters this happens to (for a sprawling EU, it's really rather impressive how often & in how many different ways Torchwood as a whole manages to circle back to being about like. chaotic undead queers at the end of every day. though I suppose that consistency is part of why I keep falling in love with its different iterations again and again). That's without even getting into the question of Norton's dubious fate in God Among Us - and I say dubious because I know some people take that to be his ultimate death, but I personally think that reading something as vague as that as having any kind of finality rather goes against the spirit of this whole world/series, not just because I want him to live. (There are obviously other ways to make him survive/reappear, but I don't see this as a River Song scenario where we can safely assume one of his earlier-released adventures had to happen at the end of his personal timeline). But wherever God Among Us falls for him, he does very much meet God in it - or at least, a god, since the sentinel in Unbegotten is also described as a god of sorts, and even if he doesn't ultimately have the status of the god Jacqueline King is playing there, Unbegotten is still full to bursting with ghosts/undead/came back wrong/echo characters to continue underscoring that life/afterlife theme.
So all things considered, even allowing for the fact that we know Norton's twin hobbies are lying about himself and abusing time travel to suit his own ends/ever-shifting alliances, I find it difficult to believe we could get through a whole 6-part boxset about religion & death without something providing some kind of compelling evidence about where this adventure fits in among his other run-ins with apocalypses and gods and ghosts and dead-but-still-here characters/creatures, so I'm very much looking forward to any further exploration on that front.
And lastly, and least intellectually, I really want to know what the hell 20th-century Torchwood's obsession with Reginalds is. Reading through the cast list, I had to do two separate doubletakes over the character 'Sir Reginald Peebles' - firstly, because I had Reginald Rigsby on the brain, this being Soho (and the other Troughton brother being so active on BF's releases for this same month) - and secondly, because reading this in conjunction with the announcement for the July monthly adventure in which the new main Torchwood guy of the 20s is apparently called Sir Reginald Dellafield, there was a brief moment where I took that monthly release to be a tie-in with Ascension. I don't expect it to be, but damn. was it really so popular a name?
anyways, catch me thinking about those stained glass windows for the next couple months I guess (and knowing Torchwood Soho, for a long long time after it comes out as well lol)
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Milk and Green Apple for Penelope
(for this ask game)
Since we haven't introduced Penelope yet, as is standard, we'll do a quick write-up here. Penelope is a Galápagos fur seal (Arctocephalus galapagoensis). She's an accountant who works at a bank located in a tundra which primarily caters towards terrestrial animals. Though she doesn't particularly like her job, and initially picked this posting because it was the best option available to her during her CPA experience program, she sort of... got stuck.
Finding work is difficult. She was lucky enough to get rehired by the same branch after finishing her work experience program, but she can't really find anywhere else willing to hire her right now, and her branch is hesitant to let her go, considering that she's one of the most competent people available to her department. She can't really quit, but she can't really move forward, either, so she's sort of... stuck in limbo.
She's well-paid enough that she can live relatively comfortably, but she was at least partially a diversity hire to begin with, and the place she lives in now just plain isn't made for her. She's an aquatic species in a relatively dry area, and most of the species that her branch caters to are smaller prey species - hares, kea, and lemmings, and the occasional arctic fox. Most of the infrastructure is built for people half her size or more, and being an aquatic species, she's not really built to be living terrestrially 24/7 - wearing glasses is all well and good until your prescription breaks and the best replacement pair you can find is built for a stoat, and sure, she can afford a doctor if anything comes up, but no one in her area would really know much about her species, and can she really afford the time and effort added to the expenses of flying to somewhere else entirely just to see a specialist?
As is, she feels just... stuck. She handles it, mostly, with a mix of "gritting her teeth and bearing it" and "heading out to a nearby city which actually has infrastructure for anything bigger than a fox". She sort of has to make a Day of it every time she travels out, but it's better than staying in the same town all day, and paying a bit extra for a night out isn't *too* bad, all things considered. The situation, as is, is perfectly fine. She just... wishes that she could make something of her life beyond being stagnant in a town that she expected to just be a stop in the road.
🥛 [MILK] What is your OC's relationship with their biological parents like? What about their relationship with any non-biological parental figures?
Well... it's complicated. She doesn't have a bad relationship with them, per se, but it's a bit distant - she moved to an entirely different part of the world to take this job, and most of her communication with family members is by video call and similar things as a result. She cares for her family, and she wouldn't trade them for the world, really - but they expect a lot from her, and she's been stuck at the same place long enough that she's not sure she can live up to it.
Penelope sits in the awkward sort of space where she was academically successful, but that success didn't really transfer to almost anything else. She's got a job, she's good at it, she's got a degree - but she still can't get a job besides the one she's been stuck in for years already, and "still working at the same bank" isn't the sort of thing that feels good to say, especially when you've been in the same place for far longer than you've ever wanted to be.
Her parents love her. Her mother still holds out faith that she'll get that one promotion - just a few more years and you'll get your big break, just a bit more work and they'll notice how industrious you are, just a tiny bit more effort and you'll get a better position - but you can only believe something so much when you feel like you've been stuck in the same rut for so long. There's only so much you can hear about how you have so much potential before you start feeling like you're wasting yourself, and at this point... having the same things repeated starts feeling a bit like every day she doesn't get that break is a day she's wasting her potential.
She does not currently have any non-biological parental figures. Probably a bit late in her life to get one, but who knows at this point, honestly?
🍏 [GREEN APPLE] How do they differ from the norm and how are they punished for it?
...there's a lot.
Though her workplace tried to provide accomodations when she first arrived, it's been more than eight years, and nowadays she has to do most of her accomodation herself. Her eyes aren't really made to focus above water, she's got a very different body plan than most people at the branch, she's a predator big enough to make most of the other folks in her branch a bit instinctually nervous, and being one of the only seals that most people know means that she's been re-introduced to the same three harbor seals entirely too many times by now.
People don't really make chairs for people with tails the size of their bodies around here, which means that chair backs that accomodate her are generally a matter of either custom order or hoping that she's going somewhere that's dealt with one of the other half-dozen folks with the same needs.
Penelope is, fundamentally, Not From Around Here. She's not a species that's found around here, she's not a species that's especially adapted for here, and despite being a seal that's only around a metre long she still towers over most of the people at her branch. The closest person to her size is an arctic fox in the tax department, and he still doesn't really have the same sort of experience as her. She doesn't fit The Norm, pretty much in any way, and it... really, really shows.
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