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#spoilers for upcoming christmas drawing but i think this is really funny
tizzymcwizzy · 4 months
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had a good drawing day today :)
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cyarskaren52 · 1 month
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these are the ten best tv shows of this year (and three of the worst)
The 10 best TV shows of 2023 (and 3 worst)
The year's best TV featured dazzling debuts, first-rate farewell seasons, and the funniest show about an organ-harvesting ring you'll see all year.
Updated on December 8, 2023
Even though the TV industry was shut down for 192 days this year due to a pair of strikes, it was still remarkably hard to narrow this best-of-2023 list down to 10. Shout-out to a few runners-up, which would also be worthy additions to your watch list: Mrs. Davis (Peacock) is a religious experience for fans of Betty Gilpin (a.k.a. everyone); Queen Charlotte (Netflix) will have your Bridgerton-loving bosom heaving with bittersweet sobs; and Yellowjackets (Showtime) delivered a killer ending after an occasionally wobbly second season. With that bit of housekeeping over, let's get on with the show(s).
The 10 Best Shows of 2023 
10. 'Judge Steve Harvey' (ABC/Hulu) 
ABC/Erika Doss
Steve Harvey is not a real judge, but he plays one in this reliably funny and life-affirming (yes!) quasi-court show featuring everyday folks facing off over small-claims complaints. Judge Steve Harvey highlights interesting but low-stakes cases that hinge more on interpersonal relationships than money. Think a husband suing his wife over her obsession with pickleball (including $500 for pain and suffering due to his loneliness); a mom suing her son because he broke his promise to cut his hair; or two factions of an a capella group suing each other over costly (and sequin-covered) costumes. Harvey — a comedian, veteran TV host, relationship advice author, and self-described “full-blown Christian” — nimbly draws out the issues at the root of these conflicts in a way that emphasizes how the people we love are far more important than material things. The host ensures there are plenty of feel-good moments on the docket by frequently surprising the litigants, like a hard-working stay-at-home mom or a couple whose wedding was ruined by COVID, with lavish gifts and much-needed cash. And everyone leaves the courtroom with a valuable dose of tough love. “I think you all need to find your way back to each other,” Harvey tells a pair of siblings squabbling over a dating app profile. “Because when all these men come and go, y’all still gonna be sisters.” The verdict is in: Judge Steve Harvey is comfort TV at its finest.
9. 'The Curse' (Paramount+ with Showtime) 
Richard Foreman Jr./A24/Paramount+ with SHOWTIME
Spoiler sensitivity precludes me from saying too much about this tenaciously peculiar kinda-comedy from Nathan Fielder (The Rehearsal) and Benny Safdie (Uncut Gems); only four of 10 episodes have aired so far. But taken as a whole, The Curse — starring Fielder and Emma Stoneas married TV hosts — leaves an indelible and thoroughly disquieting impression. As hosts of HGTV’s Flipanthropy, Asher and Whitney Siegel’s stated goal is to bring upscale, eco-friendly homes to the working-class city of Española, New Mexico. The locals aren’t enthusiastic, including Nala (Hikmah Warsame, a little star in the making), who puts a curse on Asher after he renegs on his promise to give her 100 dollars. But The Curse’s real curse isn’t some childish hex; it’s Asher and Whitney and Dougie (Safdie), their wretched producer, all of whom refuse to be honest with themselves or one another about what they really want. Come for Nathan Fielder’s (prosthetic) micropenis; stay for the merciless satire of colonialist greed masquerading as modern allyship.
8. 'Harlem' (Amazon Prime Video) 
Amazon
One scene in Harlem’s second seasonencapsulates everything there is to love about Tracy Oliver’s snappy, savvy comedy about friendship, femininity, and finding yourself. Having just landed a small part in a Hallmark Christmas movie, Angie (Shoniqua Shandai) arrives in hair and makeup to prep for an upcoming party scene. The white stylist (Ursula Abbott) tentatively pats Angie’s natural curls. “I’m thinking it’s perfect!” she chirps, before breezing her way out the door. A stunned Angie sits in silence, flanked by posters featuring the white casts of (fictional) Hallmark films, including Christmas Sail and You’ll Tide Me Over. 
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(Tagline: “Sometimes, you have to settle.”) She’s on the brink of walking out when beloved sitcom diva Countess Vaughn appears to her as a vision. “What about that brown girl that is hooked on the Hallmark Channel?” she asks Angie. “You want her to see you, right?” A buoyant tale of four BFFs — anthropology professor Camille (Meagan Good), fashion designer Quinn (Grace Byers), queer tech exec Tye (Jerrie Johnson), and aspiring actress Angie — Harlem examines the realities and nuances of life as a Black woman with frank insights and savage pop culture parody. Don’t call it the new Sex and the City — seriously, don’t. (The characters literally roll their eyes when someone mentions SATC in the finale.) Just know this: If you’re looking for a delightfully smart, funny series with an authentic point of view, you don’t have to settle.
7. 'Bargain' (Paramount+) 
 TVING Co/Paramount+
A fast-paced fusion of body horror, disaster drama, black comedy, and psychological character study, Bargain packs a lot of payoff into its six sleek episodes. The Korean survival thriller opens with an unsettling vignette: Park Joo Young (Jeon Jong-Seo), a teen girl wearing a short black skirt and a private school blazer, meets an older man named Noh Hyung-soo (Jin Sun-kyu) in a remote hotel room. They proceed to have a detailed discussion about the technical status of her virginity. It’s excruciating, which makes the pandemonium that follows — a black-market organ-harvesting ring! a catastrophic earthquake! murderous gangsters on the hunt for any surviving witnesses! — all the more exhilarating. Writers Jeon Woo-sung, Choi Byeong Yun, and Kwak Jae Min don’t use the natural disaster to vault Joo Young and Hyung-soo into something as predictable as a redemption arc. Instead, they send Bargain’s assortment of venal and untrustworthy characters on a survival scramble that’s so deranged and giddily suspenseful, watching it play out is priceless.
6. 'American Born Chinese' (Disney+) 
Disney+
On the night before his big soccer game, stressed-out tenth grader Jin Wang (Ben Wang) has a dream. He’s on the apartment set of Beyond Repair, a corny ‘90s sitcom whose wacky neighbor character, Freddy Wong (Key Huy Quan), is as problematic as it gets. Just as Jin confesses that he was too scared to help his friend Wei-Chen (Jimmy Liu) find the mythical Fourth Scroll, Jin’s immigrant parents, Simon (Chin Han) and Christine (Yeo Yann Yann), appear and beckon him to the dinner table. “You have to be brave, Jin,” Christine tells her son. 
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“You are all the pieces merging into one.” Based on Gene Luen Yang’s acclaimed graphic novel, American Born Chinese itself merges a variety of fascinating pieces — ancient folk tales, wuxia-inspired martial arts action, pervasive racist stereotypes, and a portrait of one Asian-American family’s experience — into an electrifying, heartfelt saga about high school, friendship, and saving the world. Sandwiched as it was between a raft of Marvel spinoffs and Star Wars brand extensions, American Born Chinese broke through with its stellar cast (including Michelle Yeoh as Guanyin, the Goddess of Mercy), endearingly relatable characters, and a beautifully simple message. As Freddy explains to Jin in his dream, “A hero doesn’t always have to have superpowers. A hero is someone who goes on a journey, shows courage, helps others.” Fingers crossed that the execs at Disney+, which has yet to renew ABCfor season 2, are listening.
5. 'The Bear' (FX/Hulu) 
Chuck Hodes/FX
“Yo, you ever think about purpose?” Standing in the basement of The Original Beef sandwich shop, 45-year-old Richie Jerimovich (Ebon Moss-Bachrach) admits to Carmy (Jeremy Allen White) that he can’t see a path forward. “What’s my purpose?” That question — both existential and maddeningly practical — is the emotional catalyst pushing Richie and his restaurant family forward in The Bear’s propulsive and poignant sophomore season. Creator Christopher Storer and his writers balance the ticking-clock narrative of an impending restaurant opening with remarkable stand-alone episodes: Marcus (Lionel Boyce) finds inspiration and his confidence in the meditative “Honeydew”; Carmy, Natalie (Abby Elliott), and Mikey (Jon Bernthal) navigate a tumultuous family Christmas in the claustrophobic “Fishes”; Richie realizes that hospitality is his raison d’être in the sublime “Forks.” Serving up powerful moments of hypnotic quiet (Ayo Edebiri’s Sydney lovingly crafting the platonic ideal of an omelet for Natalie) and turbocharged chaos (Carmy, a victim of his own procrastination, gets trapped in the walk-in freezer on friends-and-family night), The Bearfound meaning in the madness of family.
4. 'Reservation Dogs' (FX/Hulu) 
Shane Brown/FX
When we first met Bear (D'Pharoah Woon-a-Tai), Elora (Devery Jacobs), Willie Jack (Paulina Alexis), and Cheese (Lane Factor), all they wanted was an escape — from life in their sleepy reservation town of Okern, Okla.; from the constant (and often cryptic) advice of their elders; from the pain of losing their best friend Daniel (Dalton Cramer) to suicide. Two years and 28 magical episodes later, the glorious coming-of-age comedy from Sterlin Harjo and Taika Waititi ended with the rez dogs understanding and embracing the gift of community. The past was a constant presence in the dreamy, penetrating final season: The Deer Lady (Kaniehtiio Horn), a spirit who enacts vengeance on amoral men, returned for a chilling episode focused on the U.S. government's abduction and abuse of Indigenous children through federal "boarding schools." The trippy “House Full of Bongs” gave us a glimpse of Okern’s winningly eccentric elders — Big (Zahn McClarnon), Brownie (Gary Farmer), Irene (Casey Camp-Horinek), Bucky (Wes Studi), Fixico (Richard Ray Whitman), and Maximus (Graham Greene) — as indolent teenage shitasses. And in “Elora’s Dad,” Ethan Hawke dropped by and absolutely nailed the fidgety, earnest energy of an estranged parent trying to make up for a decades-long absence over a cup of diner coffee. It's painful to say goodbye to this little marvel of a show, so I’ll just echo the words of Willie Jack in the finale’s funeral: “I know I didn’t get to spend enough time with you. But mvto for everything that you taught me.”
3. 'Barry' (HBO/Max) 
Merrick Morton/HBO
Staring with pleading eyes through a wall of prison plexiglass, Barry Berkman begs Sally (Sarah Goldberg), the love of his life, to forgive him. “I didn’t lie to you,” he rasps. “I just, I didn’t tell you the part I didn’t want to be true.” In the grisly final season of Barry, Bill Hader’s titular hitman sought redemption through revisionism, rewriting his homicidal personal history in real time rather than suffering the pain of true repentance. Though accountability hangs like an albatross on Barry and everyone else in his corrosive circle, they transform their regret into outward-facing rage, seeking vengeance on a world that allowed them to make such life-destroying choices. Season 4 of Barry was TV’s funniest tragedy, one that gave the exceptional cast the chance to plumb the true depths of their characters’ misery. Anthony Carrigan’s NoHo Hank, his polished façade stretched thin over a heart demolished by guilt over his soulmate’s death; Henry Winkler’s Gene Cousineau, a Hollywood wannabe done in by hubris; Stephen Root’s merciless Fuches, who emerges from his torturous prison stay with a violent distaste for dishonesty. A few additional accolades are required for Goldberg, whose Sally descends into an emotional hell of her own making, only to claw herself back to the precipice of peace.
2. 'I'm A Virgo' (Amazon Prime Video) 
Amazon Prime
“I’m either a villain or a clown,” laments Cootie (Jharrel Jerome), the 13-foot Black teenager at the center of I’m A Virgo. “I want to inspire people.” In his brilliantly offbeat debut TV series, Sorry to Bother You auteur Boots Riley sends his singular protagonist on a hero’s journey that’s equal parts provocative, uproarious, and inspirational. Emerging from a 19-year seclusion imposed by his overprotective aunt and uncle (Carmen Ejogo and Mike Epps), Cootie balances coming-of-age milestones — like falling in love with Flora (Olivia Washington), a comely fast-food cashier — with the ugly reality of the socioeconomic oppression his Oakland community endures. He’s immediately marked as a threat by a billionaire comic-book publisher (Walton Goggins, wondrously weird) who channels his intense despair into cosplaying as a vigilante crime fighter called The Hero. I’m A Virgo’s fearlessly outrageous narrative offers a dark (and darkly funny) critique of the over-policing of poor communities, the fetishization of law enforcement by pop culture, and the grim connection between crime and capitalism. There’s a lot wrong with the world today, but this year, Boots Riley delivered a dazzlingly original anti-capitalist fable on a platform owned by one of the most powerful corporate behemoths in the world. There’s no other word for it but inspired.
1. 'Succession' (HBO/Max) 
Warner Bros.
Five years after Logan Roy (Brian Cox) suffered a stroke and catapulted his children into a cutthroat, internecine battle for control of the family business, his son Kendall (Jeremy Strong) was struck with a profound and crushing moment of clarity: “He made me hate him, then he died.” In its miraculous final season, Succession laid bare the calamitous effects of Logan’s parenting style on Kendall, Shiv (Sarah Snook), Roman (Kieran Culkin), and Connor (Alan Ruck) by giving the siblings the one thing they thought they wanted: Freedom. Prior to Logan’s astonishingly abrupt death in episode 3, creator Jesse Armstrong brought the Roy family together for fleeting moments of connection. “Holy s--t, did dad just say a feeling?” scoffed Kendall, after a somber Logan bemoaned his children’s absence at his birthday party. Was that “I love you” Logan offered his children in the purple glow of the karaoke bar real, or was the Roy family patriarch just feeding their starved hearts a few crumbs of affection to keep them from tanking the GoJo deal? Probably. Even once their formidable father was gone for good, the Roy children clung stubbornly to his toxic playbook, turning every interaction with one another into a negotiation — for power, for loyalty, for validation that they were, in fact, serious people, no matter what daddy said. Offering sufficient praise for Succession’s unparalleled ensemble is an impossible feat, but I’ll treasure Ruck’s wistful performance as Connor, an insider perpetually on the outside — and the only Roy child who almost understood that vying for Logan’s love was a zero-sum game.
The Worst Shows of 2023 
3. 'Citadel' (Amazon Prime Video) 
Amazon
Want to read a really depressing sentence? Here’s Jen Salke, head of Amazon and MGM Studios, lauding the first season of Citadel in May: “Our goal was always to create a new franchise rooted in original IP that would grow Prime Video’s international audience.” Corpo-to-English translation: We want flashy, conventional, easily duplicated content that we can own. Amazon’s plan worked: The overpriced, paint-by-numbers spy thriller starring Priyanka Chopra Jonas and Richard Madden as sexy agents fighting a global crime syndicate was popular overseas, and the streamer is already replicating that formula with two international spinoffs. Television is a business, and I’m not naive enough to expect execs to value creativity and originality over profits. But man, at least they used to pretend to care about quality. As the industry melds into one giant conglomerate, expect more like Citadel — less a TV show than a mass-produced unit of “entertainment.”
2. Rehashed IP 
Netflix;Paramount+;CBS
Another year, another glut of unnecessary and uninspired reboots, revivals, and (a pox on this word!) “reimaginings.” Showtime’s Fatal Attraction and the Frasier revival on Paramount+trapped likable actors in flimsy creative constructs, while Netflix’s That ‘90s Show thrust once-likable characters into a purgatory of artless, laugh-track powered nostalgia. Grease: Rise of the Pink Ladies on Paramount+ all but sabotaged its intriguing, feminist-origin-story premise with a desperate excess of Easter eggs, but at least it tried harder than CBS’ True Lies, which played like a 44-minute network note. A few IP re-dos rose above mediocrity: Night Courtearned big ratings for NBC, and Netflix’s anime Scott Pilgrim sequel became an instant critical darling. You know what that modicum of success means, folks: More rehashed IP! Heading into 2024, my New Year’s resolution is to keep an open mind about the new versions of Fawlty Towers, Matlock, Who’s the Boss?, Baywatch, Ally McBeal… [sobs quietly into hands]
1. 'The Idol' (HBO/Max) 
The Idol is a fascinating example of what happens when network execs give a hotshot showrunner carte blanche — or, as Abel Tesfaye’s character pronounces it with such confidence, cart-ay blanch-ay. The drama — which was co-created by Euphoria mastermind Sam Levinson, Tesfaye (formerly known as The Weeknd), and Reza Fahim — centers on Jocelyn (Lily-Rose Depp), a famous but troubled pop star. Just as she’s on the cusp of launching a comeback after the death of her mother, Jocelyn falls under the sway of a charismatic and abusive charlatan named Tedros (Tesfaye). Behind the scenes, The Idol experienced its own power shift with the departure of original director Amy Seimetz, leading to extensive rewrites and reshoots under Levinson’s purview. What was apparently supposed to be a satire of modern fame and the exploitation of female celebrities became a laughable, affected, and morbidly fascinating exercise in soft-core porn. As an actor, Tesfaye is an excellent musician, and The Idol has nothing insightful or interesting to say other than, “Look at how many times we can get Lily-Rose Depp naked!” (It should be noted that Depp is a talented actress and clearly did her best with the schlock she was handed.) HBO wanted the next Euphoria. Instead, they learned a very unsexy lesson: When wunderkinds are left unsupervised, the results can be agony. 
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dashawfrostart · 3 months
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This Week In "Time & Again" #11: Still Colouring, And Some Distractions
So... I have a few internet-posting goals for the close future. I know that I keep saying that all the time, but - since I'm an interwebs hermit, and I've been this way for, like, at least 10 years of my life now (and I have zero regrets 😁) - going online to post something takes an enormous mental effort from me. This is probably what happens when ageing, too. Every time I think about that, I just feel like those dogs from the funny videos who are being scolded for doing something their two-legged companions do not appreciate. So, basically and in a nutshell, this is my face when I think about going online to post stuff:
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(source: https://makeagif.com/i/UyVZCW) And after all... why would I distract myself from work anyway? 😁 However, I really want more people to get acquainted with Lothar and Jeanny, and Edgar, and Winston, and Beatnik (oops, giant spoilers), and Daniel (oops, even more spoilers), and all of those other weirdos that our violent lovers meet on their strange path towards happiness (hopefully, because, truly, sometimes it's very difficult to say). So this is something that must be done eventually, so I will persevere😁💪 Rolling up my sleeves already!
Anyways, we know that Valentine's Day is coming! And I already have an artwork prepared to be uploaded very soon. Since in December last year I skipped a Christmas and New Years artwork, breaking my own good tradition and ever so slightly ruining a nice progression in the completion of my "2023 Pre-Christmas To-Do List", I figured I really should not delay with this one. And after all, everybody likes a little bit of spicy to set the mood for the upcoming Valentine's Day 😉 (and most of my Valentine's Day artworks are usually nothing short of "spicy" 😁 well, because they have to be that way).
I also made a totally random artwork, because I wanted to practice drawing certain something, a design element I would love to incorporate into my art style - so I came up with an idea to draw a parody of sorts. And it makes me really happy. It felt... rather refreshing. It gave me extra energy and happiness that I could use to continue working on the colouring for the actual chapter. Working so hard on the chapters of "Time & Again", I almost forgot how it feels to draw something random. Or something out of canon. Something simply for the fun of it. Many years ago most of my artworks used to be random and they were dedicated to random, various things and sometimes people. It was good. Now, since "Time & Again" to me is no less that a self-invented job (yeah, pretty much, for better or worse), I almost never do random funny and cute arts anymore, nevermind my greeting cards store had no updates from last year whatsoever... "Time & Again" might sound like a sort of obsession - but that is merely because I really, really, REALLY want to finish it up as soon as I can, because everyone should know what happened to Lothar and Jeanny and how they manage. Even if the confusion about the timelines still persists - but it's twice as fun this way! 😁
A fun observation: there's something in Lothar that I absolutely hate colouring! And the thing is absolutely essential to that particular dirtymouth individual! And the thing is... His glasses. Don't get me wrong! I love his glasses, the way they match his appearance, and that tiny bit of extra sexiness he magically acquires when wearing them. But dear goodness gracious, boy do I ever hate colouring them! 😤 It usually takes me at least 3 layers (lineart inclusive) to colour them, and then I have to arrange all the layers in the proper order. If the rest of the colours - including the skin and the clothing, but excluding special shiny/textured surfaces, if present - take me only one - ONE! - puny layer to make everything as it should be, then the glasses alone - that effing pathetic piece of... accessory! - take at least 2 layers of colouring. 3 with extra shine. Duuuuh. And they appear on every each panel with Lothar, because he wears them all the time. Geez, man! I hope sometime in the future that hot yet disgusting guy gets himself a pair of smart contacts with the built-in voice activated UI overlays. I'm sure he's rich enough to afford such a gimmicky thing. That will free me from a lot of extra work!.. (imagining things? entertaining my designer's hunger? foreshadowing? who knows?!?!;)))
... Which lead me to another one thought about the simplification of the colouring process. You see, with the colouring the way I do it, there's a lot of "automatic" work that is not really creative, one might say. I just need to fill the certain areas of the lineart with a certain colour and remove all the unfilled pixels afterwards... which is just a process of clicking, selecting areas and colours, and filling those areas with the right colours. And it's... kinda tedious. And monotonous. To be 100% fair, it's getting old fairly quickly. Now, shading and adding lighting effects is totally different. But filling the areas with the plain, flat colour prior to applying the shading... is incredibly "mechanical" to me. And my idea was... an AI program to do that. YES, YES, I KNOOOOW YOU'RE EITHER TURNING YOUR BACK ON ME NOW OR DOING THE ROBERT DOWNEY JR. MEME FACE after hearing (reading?) what I just said. I know the whole world just split into 2 groups of people who say either "AI yay!" or "AI nay!". Because, well, you see, human beings really enjoy disagreeing with each other, so there always has to be a reason (says I, cynically). My experience with AI is fairly limited as of now, but as a computer nerd - and a wife of yet another one computer nerd, for the full picture - the new technology mesmerizes me. I was shocked when ChatGPT named me the game I had trouble remembering the title of simply by my extremely vague (and partially wrong!) description - and it did it right off the bat, from the first try. I was utterly mind-blown. We've already heard a lot about AIs ruining the artists' works and yada yada, and we're not gonna touch this topic right now. But since AIs are capable of manipulation with the visual material, then why not teach it to automate the rather tedious processes in creating art while still keeping the essential "human" involvement intact? I would definitely use some nice program to automate the "select and fill, rinse and repeat" part of my work on Chapter 5 and potentially all the future chapters. An algorithm that would recognize the characters by their facial/bodily features and automatically colour them according to the colour scheme I created earlier (so, no random green hair if the character is blond, and no brown eyes if the eye colour must be blue, for example). Or something along the lines of that. Dammit, that would really make the work of the human artists so much faster whenever needed! I vote for this! I will hope from now on that somebody makes me a Krita extension with such a functionality now 😁
Deary me! I can't believe this actually happened! Sorta!.. I think this might be potentially the shortest blog post that I've written IN YEARS!.. Wowza! Apparently I can do that when I'm not trying, haha (but isn't it always this way?..😑 come to think of it, shopping works this way, too: when you're looking for something specific, you can never find it anywhere around!)
Sorry, no gifs today (aside from the funny dog one above). Moreover, when I looked into my screenshots folder, I have discovered that I did not take any this time while I've been working on the colouring like mad. This is sad, perhaps... So let me fix this! Here's a random screenshot that is very difficult to unsee, and it makes me super, super happy - especially considering what's actually happening in the story while Lothar is so... high? (would that be the right word in this situation? 🤔 man, sharing screenshots of random panels from the comic out of context is fairly odd)
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... And now, I disappear into my little and comfy tree hollow, ruffling my feathers, so that I could work more on Chapter 5. Gotta make it stellar, after all! So I need more time in my tree hollow! Silky smooth! (ok, I start to get carried away associatively, so I better stop. Bye! See you soon in the next update!.. ah daaaaw, the next blog post! 👋)
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annsparksthegmr · 3 years
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Pokemon Black Nuzlocke - Part 4
Hello! Surprise everyone I got another Nuzlocke update. And for a quick minor spoiler. I tackled two Gyms down in the next part. Might surprise you but I got a feeling the last two Gyms may pose a challenge. But you can read more below!
Back into we go with a Vanillite encounter at the Cold Storage. Once again, I caught a female one and decided to name her BananSplit. Totally spelt it wrong but that shall be her name for now on. Then I went inside of the building to go deal with Team Plasma and level up my team. After that I went to the Gym, watched Ghetsis truly do “totally not villainous” things before busting down the door to challenge his Gym. After buying a bunch of Moomoo Milks because they are surprisingly affordable for the time being.
I managed to reach Clay with no casualties. But then came our battle and immediately after his Krokorok used Swagger, he got a critical hit Bulldozer which Captain thankfully survived. I switched into Queen to handle the incoming Palpitoad and heal Captain back up. Queen then easily took out Palpitoad, but then came Excadrill. Which I’ve heard can be an end runner if I wasn’t careful - or at least I thought so. My main goal was to use Leech Seed and have Queen slowly take it out. After all, she resists most of its moves besides Slash. And I can switch into Captain if her HP gets too low. But thankfully Leech Seed secured the victory after using a hefty Grass Knot.
Another Gym secured with no casualties! I am so happy for my team. Queen and Captain really helped pull their weight. It might be because I get over prepared at times. Maybe a bit too much with items, but I feel like it's fair to use items. I headed to Route 6 and had a battle with Bianca. Not sure if I was supposed to do this before the Gym Battle, as all my team was around level 30 and her team was level 28. But she was easy to deal with.
Route 6 arrived so far all I am getting are Vanillites, which I use dupes to ignore for another. I understand it is because I am playing in winter so most options don’t appear. But I ended up running into a Foongus. A male one, who I decided to cheekily name Voltorb for the encounter. Never really going to use it right now but it shall hang out in the box.
Clay opened the way to Chargestone Cave and I got the TM Bulldoze. And I remember why I like Clay so much. Just like with all the other Gym Leaders. Oh, also N sent ninjas - I mean Shadow Triad - so we could chat. Here comes when N reveals Cheren is ideals, Bianca is truth and the main protagonist is somewhere in between. And it's kind of scary after N apparently walks off and teleports away then Bianca and Professor Juniper appear to explain the floating blue gemstone mechanic. I really miss stuff like this. I get the Lucky Egg and manage to find my encounter for Chargestone Cave - a Klink. Never got one of them before, so I nicknamed it Geartown.
After defeating more of Team Plasma I finally fought against N. We beat him no problem. I arrived in Mistralton City. Skyla had her little speech which led me to Route 7. On the way, Odette evolved into a beautiful Swanna. And I got my encounter as a double - with a male Watchhog and a female Cubchoo. I decided to go with the Cubchoo because I have found memories of my Beartic on my first one. Plus, if memory serves - a Beartic can learn some potential HMs. I named the adorable Cubchoo Snowball and she’ll rest in the PC until I need her.
Arriving at Celestial tower, I climbed up to the top and on my way caught a male Litwick. Decided to name Gracey after Master Gracey - neat Haunted Mansion reference because why not. At the very least, if Ramona faints before I reach the end I can use him. Or if the Modest nature on Ramona becomes too big of a problem to ignore. Plus Ramona also has Hustle as an ability. Though speaking of Ramona, she evolved into a Darmanitan. I reached the top and rang the bell. I really miss stuff like this. But a quick check of the PC revealed how both my Fire-Types have their natures lowering their respective attack/special attack. Whelp. Guess I have to wait and hope Reshiram will have a decent nature.
But now, I’m about to do something risky. I’m going to take down Skyla’s Gym at the same time. I already have a decent pick of Pokemon already prepared for this. Which hopefully, she won’t be too much trouble. By the way, what are the odds of a Trandquill getting off three Detects in a row? Just curious. There were no problems and with my confidence boosted so high in the sky, I challenged Skyla to showcase the power and potential of my Nuzlocke team. And I’d like to say, Pebbles and Zigzagzop clearly brought Skyla down to ground level.
Two gyms down a single update? I might be getting a bit too cocky, considering how N nearly spooked me as I exited the Gym. He wanted to chat with Pebbles - and seriously N, call Pebbles by her nickname and not Boldore. She takes great offense after defeating Skyla. He left about spouting about the Light and Dark Stones.
I plan to end things on this high note for the time being! I am only slightly considered regarding the next two Gyms. Brycen is Ice-Type, but with Ramona I feel okay with challenging it. But the bonus of Ramona getting Sheer Force now, I’m fairly confident in her performance. Though I may train up Gracey a bit, since I don’t think having Zigzagzop would be totally okay. My Zebstrika might have Flame Charge, but I don’t think it would help out as much as another Fire Type. 
Though after that will come the final Gym Leader. Who I currently have is either an Ice or Dragon Type in my party. Meaning that Drayden could honestly kick my butt if I went with how I had now. *has flashbacks to his Gym Battle* His Haxorus is scary… I do, at the very least, have BananSplit and Snowball currently relaxing in my PC. I may have to plan to do some extensive level grinding to get up prepared for that challenge. If I don’t end up suffering any unsuspecting battles which end up taking out members of my team.
Maybe it is my experience with casually playing Pokemon and trying to keep a balanced team of Pokemon which has me pretty much not having any deaths so far. Though, I won’t be surprised if an upcoming battle decides to add a bunch into the death category. But for now, I played enough for the time being. Next time, I plan to at the very least challenge Brycen or hopefully get a considerable chunk of the way through to the eighth Gym. Not entirely sure if I’d be up to face Drayden - since I am playing Pokemon Black, which means no Iris fight. 
But overall for my team, I can’t help but feel extremely proud of them so far. I knew for the later Gyms, Queen would have to practically be benched since Grass does not fare well against Flying, Ice or Dragon Type Pokemon. But she still carries herself well otherside of Gym Battles. Pebbles was definitely a surprise pick who I thought I’d bench her right after Lenora’s Gym. But this girl’s been proving her weight with her massive defenses enough where I want to keep her around. (And I swear if Pebbles dies, I will actually cry. She may not be able to fully evolve but I’ve grown attached to my rock). Zigzagzop was meant to be dropped after Elesa’s Gym, but he’s actually been proving himself with this latest Gym to keep around. I feel like he has a strong friendship with Pebbles considering I got them back to back. (Even with the funny Jaiden Animation reference.) Captain has been… well, I don’t really like his final evolution but having the Water/Ground typing makes him a good enough tank and Water-Type Pokemon to have on the team. Even if Odette is on the team. He might end up being Boxed, but it may just depend how things go. And Odette has already been showcasing why I needed a Flying-Type Pokemon on my team. Even if she is x4 weak to Electric. Even after fully evolving, she’s already showcasing her worth. 
The only dilemma I have will have to be addressed soon. But I really hope even with losing Puppy and Fountain, I won’t have to say goodbye to anyone through a death. I expect to have to switch some out for the upcoming Gyms. Until next time though, which, I do plan to draw what my final team will end up being. And who knows? Maybe I’ll end up finishing the main story of Pokemon Black right on Christmas? Wouldn’t that be a treat? 
Smell ya later!
Team Recap:
Queen - Female Servine (Lvl 35)
Pebbles - Female Boldore (Lvl 36)
Zigzagzop - Male Zebstrika (Lvl 36)
Captain - Male Palpitoad (Lvl 35)
Ramona - Female Darmanitan (Lvl 35)
Odette - Female Swanna (Lvl 35)
In Box/Reserve:
Ghost Girl - Female Liepard (Lvl 20)
Cassandra - Female Sandile (Lvl 21)
Trashie - Female Trubbish (Lvl 22)
Lowen - Male Cottonee (Lvl 20)
Lady - Female Minccino (Lvl 23)
BananSplit - Female Vanillite (Lvl 21)
Voltorb - Male Foongus  (Lvl 23)
Geartown - Klink (Lvl 26)
Snowball - Female Cubchoo (Lv 30)
Gracey - Male Litwick (Lvl 26)
Deaths: 2
Fountain - Male Sampour (Lvl 15)
Puppy - Female Herdier (Lvl 25)
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cyarskaren52 · 4 months
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these are the ten tv shows that were the best (and three that are the worst)
The 10 best TV shows of 2023 (and 3 worst)
The year's best TV featured dazzling debuts, first-rate farewell seasons, and the funniest show about an organ-harvesting ring you'll see all year.
Updated on December 8, 2023
Even though the TV industry was shut down for 192 days this year due to a pair of strikes, it was still remarkably hard to narrow this best-of-2023 list down to 10. Shout-out to a few runners-up, which would also be worthy additions to your watch list: Mrs. Davis (Peacock) is a religious experience for fans of Betty Gilpin (a.k.a. everyone); Queen Charlotte (Netflix) will have your Bridgerton-loving bosom heaving with bittersweet sobs; and Yellowjackets (Showtime) delivered a killer ending after an occasionally wobbly second season. With that bit of housekeeping over, let's get on with the show(s).
The 10 Best Shows of 2023 
10. 'Judge Steve Harvey' (ABC/Hulu) 
ABC/Erika Doss
Steve Harvey is not a real judge, but he plays one in this reliably funny and life-affirming (yes!) quasi-court show featuring everyday folks facing off over small-claims complaints. Judge Steve Harvey highlights interesting but low-stakes cases that hinge more on interpersonal relationships than money. Think a husband suing his wife over her obsession with pickleball (including $500 for pain and suffering due to his loneliness); a mom suing her son because he broke his promise to cut his hair; or two factions of an a capella group suing each other over costly (and sequin-covered) costumes. Harvey — a comedian, veteran TV host, relationship advice author, and self-described “full-blown Christian” — nimbly draws out the issues at the root of these conflicts in a way that emphasizes how the people we love are far more important than material things. The host ensures there are plenty of feel-good moments on the docket by frequently surprising the litigants, like a hard-working stay-at-home mom or a couple whose wedding was ruined by COVID, with lavish gifts and much-needed cash. And everyone leaves the courtroom with a valuable dose of tough love. “I think you all need to find your way back to each other,” Harvey tells a pair of siblings squabbling over a dating app profile. “Because when all these men come and go, y’all still gonna be sisters.” The verdict is in: Judge Steve Harvey is comfort TV at its finest.
9. 'The Curse' (Paramount+ with Showtime) 
Richard Foreman Jr./A24/Paramount+ with SHOWTIME
Spoiler sensitivity precludes me from saying too much about this tenaciously peculiar kinda-comedy from Nathan Fielder (The Rehearsal) and Benny Safdie (Uncut Gems); only four of 10 episodes have aired so far. But taken as a whole, The Curse — starring Fielder and Emma Stoneas married TV hosts — leaves an indelible and thoroughly disquieting impression. As hosts of HGTV’s Flipanthropy, Asher and Whitney Siegel’s stated goal is to bring upscale, eco-friendly homes to the working-class city of Española, New Mexico. The locals aren’t enthusiastic, including Nala (Hikmah Warsame, a little star in the making), who puts a curse on Asher after he renegs on his promise to give her 100 dollars. But The Curse’s real curse isn’t some childish hex; it’s Asher and Whitney and Dougie (Safdie), their wretched producer, all of whom refuse to be honest with themselves or one another about what they really want. Come for Nathan Fielder’s (prosthetic) micropenis; stay for the merciless satire of colonialist greed masquerading as modern allyship.
8. 'Harlem' (Amazon Prime Video) 
Amazon
One scene in Harlem’s second seasonencapsulates everything there is to love about Tracy Oliver’s snappy, savvy comedy about friendship, femininity, and finding yourself. Having just landed a small part in a Hallmark Christmas movie, Angie (Shoniqua Shandai) arrives in hair and makeup to prep for an upcoming party scene. The white stylist (Ursula Abbott) tentatively pats Angie’s natural curls. “I’m thinking it’s perfect!” she chirps, before breezing her way out the door. A stunned Angie sits in silence, flanked by posters featuring the white casts of (fictional) Hallmark films, including Christmas Sail and You’ll Tide Me Over. 
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(Tagline: “Sometimes, you have to settle.”) She’s on the brink of walking out when beloved sitcom diva Countess Vaughn appears to her as a vision. “What about that brown girl that is hooked on the Hallmark Channel?” she asks Angie. “You want her to see you, right?” A buoyant tale of four BFFs — anthropology professor Camille (Meagan Good), fashion designer Quinn (Grace Byers), queer tech exec Tye (Jerrie Johnson), and aspiring actress Angie — Harlem examines the realities and nuances of life as a Black woman with frank insights and savage pop culture parody. Don’t call it the new Sex and the City — seriously, don’t. (The characters literally roll their eyes when someone mentions SATC in the finale.) Just know this: If you’re looking for a delightfully smart, funny series with an authentic point of view, you don’t have to settle.
7. 'Bargain' (Paramount+) 
 TVING Co/Paramount+
A fast-paced fusion of body horror, disaster drama, black comedy, and psychological character study, Bargain packs a lot of payoff into its six sleek episodes. The Korean survival thriller opens with an unsettling vignette: Park Joo Young (Jeon Jong-Seo), a teen girl wearing a short black skirt and a private school blazer, meets an older man named Noh Hyung-soo (Jin Sun-kyu) in a remote hotel room. They proceed to have a detailed discussion about the technical status of her virginity. It’s excruciating, which makes the pandemonium that follows — a black-market organ-harvesting ring! a catastrophic earthquake! murderous gangsters on the hunt for any surviving witnesses! — all the more exhilarating. Writers Jeon Woo-sung, Choi Byeong Yun, and Kwak Jae Min don’t use the natural disaster to vault Joo Young and Hyung-soo into something as predictable as a redemption arc. Instead, they send Bargain’s assortment of venal and untrustworthy characters on a survival scramble that’s so deranged and giddily suspenseful, watching it play out is priceless.
6. 'American Born Chinese' (Disney+) 
Disney+
On the night before his big soccer game, stressed-out tenth grader Jin Wang (Ben Wang) has a dream. He’s on the apartment set of Beyond Repair, a corny ‘90s sitcom whose wacky neighbor character, Freddy Wong (Key Huy Quan), is as problematic as it gets. Just as Jin confesses that he was too scared to help his friend Wei-Chen (Jimmy Liu) find the mythical Fourth Scroll, Jin’s immigrant parents, Simon (Chin Han) and Christine (Yeo Yann Yann), appear and beckon him to the dinner table. “You have to be brave, Jin,” Christine tells her son. 
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“You are all the pieces merging into one.” Based on Gene Luen Yang’s acclaimed graphic novel, American Born Chinese itself merges a variety of fascinating pieces — ancient folk tales, wuxia-inspired martial arts action, pervasive racist stereotypes, and a portrait of one Asian-American family’s experience — into an electrifying, heartfelt saga about high school, friendship, and saving the world. Sandwiched as it was between a raft of Marvel spinoffs and Star Wars brand extensions, American Born Chinese broke through with its stellar cast (including Michelle Yeoh as Guanyin, the Goddess of Mercy), endearingly relatable characters, and a beautifully simple message. As Freddy explains to Jin in his dream, “A hero doesn’t always have to have superpowers. A hero is someone who goes on a journey, shows courage, helps others.” Fingers crossed that the execs at Disney+, which has yet to renew ABCfor season 2, are listening.
5. 'The Bear' (FX/Hulu) 
Chuck Hodes/FX
“Yo, you ever think about purpose?” Standing in the basement of The Original Beef sandwich shop, 45-year-old Richie Jerimovich (Ebon Moss-Bachrach) admits to Carmy (Jeremy Allen White) that he can’t see a path forward. “What’s my purpose?” That question — both existential and maddeningly practical — is the emotional catalyst pushing Richie and his restaurant family forward in The Bear’s propulsive and poignant sophomore season. Creator Christopher Storer and his writers balance the ticking-clock narrative of an impending restaurant opening with remarkable stand-alone episodes: Marcus (Lionel Boyce) finds inspiration and his confidence in the meditative “Honeydew”; Carmy, Natalie (Abby Elliott), and Mikey (Jon Bernthal) navigate a tumultuous family Christmas in the claustrophobic “Fishes”; Richie realizes that hospitality is his raison d’être in the sublime “Forks.” Serving up powerful moments of hypnotic quiet (Ayo Edebiri’s Sydney lovingly crafting the platonic ideal of an omelet for Natalie) and turbocharged chaos (Carmy, a victim of his own procrastination, gets trapped in the walk-in freezer on friends-and-family night), The Bearfound meaning in the madness of family.
4. 'Reservation Dogs' (FX/Hulu) 
Shane Brown/FX
When we first met Bear (D'Pharoah Woon-a-Tai), Elora (Devery Jacobs), Willie Jack (Paulina Alexis), and Cheese (Lane Factor), all they wanted was an escape — from life in their sleepy reservation town of Okern, Okla.; from the constant (and often cryptic) advice of their elders; from the pain of losing their best friend Daniel (Dalton Cramer) to suicide. Two years and 28 magical episodes later, the glorious coming-of-age comedy from Sterlin Harjo and Taika Waititi ended with the rez dogs understanding and embracing the gift of community. The past was a constant presence in the dreamy, penetrating final season: The Deer Lady (Kaniehtiio Horn), a spirit who enacts vengeance on amoral men, returned for a chilling episode focused on the U.S. government's abduction and abuse of Indigenous children through federal "boarding schools." The trippy “House Full of Bongs” gave us a glimpse of Okern’s winningly eccentric elders — Big (Zahn McClarnon), Brownie (Gary Farmer), Irene (Casey Camp-Horinek), Bucky (Wes Studi), Fixico (Richard Ray Whitman), and Maximus (Graham Greene) — as indolent teenage shitasses. And in “Elora’s Dad,” Ethan Hawke dropped by and absolutely nailed the fidgety, earnest energy of an estranged parent trying to make up for a decades-long absence over a cup of diner coffee. It's painful to say goodbye to this little marvel of a show, so I’ll just echo the words of Willie Jack in the finale’s funeral: “I know I didn’t get to spend enough time with you. But mvto for everything that you taught me.”
3. 'Barry' (HBO/Max) 
Merrick Morton/HBO
Staring with pleading eyes through a wall of prison plexiglass, Barry Berkman begs Sally (Sarah Goldberg), the love of his life, to forgive him. “I didn’t lie to you,” he rasps. “I just, I didn’t tell you the part I didn’t want to be true.” In the grisly final season of Barry, Bill Hader’s titular hitman sought redemption through revisionism, rewriting his homicidal personal history in real time rather than suffering the pain of true repentance. Though accountability hangs like an albatross on Barry and everyone else in his corrosive circle, they transform their regret into outward-facing rage, seeking vengeance on a world that allowed them to make such life-destroying choices. Season 4 of Barry was TV’s funniest tragedy, one that gave the exceptional cast the chance to plumb the true depths of their characters’ misery. Anthony Carrigan’s NoHo Hank, his polished façade stretched thin over a heart demolished by guilt over his soulmate’s death; Henry Winkler’s Gene Cousineau, a Hollywood wannabe done in by hubris; Stephen Root’s merciless Fuches, who emerges from his torturous prison stay with a violent distaste for dishonesty. A few additional accolades are required for Goldberg, whose Sally descends into an emotional hell of her own making, only to claw herself back to the precipice of peace.
2. 'I'm A Virgo' (Amazon Prime Video) 
Amazon Prime
“I’m either a villain or a clown,” laments Cootie (Jharrel Jerome), the 13-foot Black teenager at the center of I’m A Virgo. “I want to inspire people.” In his brilliantly offbeat debut TV series, Sorry to Bother You auteur Boots Riley sends his singular protagonist on a hero’s journey that’s equal parts provocative, uproarious, and inspirational. Emerging from a 19-year seclusion imposed by his overprotective aunt and uncle (Carmen Ejogo and Mike Epps), Cootie balances coming-of-age milestones — like falling in love with Flora (Olivia Washington), a comely fast-food cashier — with the ugly reality of the socioeconomic oppression his Oakland community endures. He’s immediately marked as a threat by a billionaire comic-book publisher (Walton Goggins, wondrously weird) who channels his intense despair into cosplaying as a vigilante crime fighter called The Hero. I’m A Virgo’s fearlessly outrageous narrative offers a dark (and darkly funny) critique of the over-policing of poor communities, the fetishization of law enforcement by pop culture, and the grim connection between crime and capitalism. There’s a lot wrong with the world today, but this year, Boots Riley delivered a dazzlingly original anti-capitalist fable on a platform owned by one of the most powerful corporate behemoths in the world. There’s no other word for it but inspired.
1. 'Succession' (HBO/Max) 
Warner Bros.
Five years after Logan Roy (Brian Cox) suffered a stroke and catapulted his children into a cutthroat, internecine battle for control of the family business, his son Kendall (Jeremy Strong) was struck with a profound and crushing moment of clarity: “He made me hate him, then he died.” In its miraculous final season, Succession laid bare the calamitous effects of Logan’s parenting style on Kendall, Shiv (Sarah Snook), Roman (Kieran Culkin), and Connor (Alan Ruck) by giving the siblings the one thing they thought they wanted: Freedom. Prior to Logan’s astonishingly abrupt death in episode 3, creator Jesse Armstrong brought the Roy family together for fleeting moments of connection. “Holy s--t, did dad just say a feeling?” scoffed Kendall, after a somber Logan bemoaned his children’s absence at his birthday party. Was that “I love you” Logan offered his children in the purple glow of the karaoke bar real, or was the Roy family patriarch just feeding their starved hearts a few crumbs of affection to keep them from tanking the GoJo deal? Probably. Even once their formidable father was gone for good, the Roy children clung stubbornly to his toxic playbook, turning every interaction with one another into a negotiation — for power, for loyalty, for validation that they were, in fact, serious people, no matter what daddy said. Offering sufficient praise for Succession’s unparalleled ensemble is an impossible feat, but I’ll treasure Ruck’s wistful performance as Connor, an insider perpetually on the outside — and the only Roy child who almost understood that vying for Logan’s love was a zero-sum game.
The Worst Shows of 2023 
3. 'Citadel' (Amazon Prime Video) 
Amazon
Want to read a really depressing sentence? Here’s Jen Salke, head of Amazon and MGM Studios, lauding the first season of Citadel in May: “Our goal was always to create a new franchise rooted in original IP that would grow Prime Video’s international audience.” Corpo-to-English translation: We want flashy, conventional, easily duplicated content that we can own. Amazon’s plan worked: The overpriced, paint-by-numbers spy thriller starring Priyanka Chopra Jonas and Richard Madden as sexy agents fighting a global crime syndicate was popular overseas, and the streamer is already replicating that formula with two international spinoffs. Television is a business, and I’m not naive enough to expect execs to value creativity and originality over profits. But man, at least they used to pretend to care about quality. As the industry melds into one giant conglomerate, expect more like Citadel — less a TV show than a mass-produced unit of “entertainment.”
2. Rehashed IP 
Netflix;Paramount+;CBS
Another year, another glut of unnecessary and uninspired reboots, revivals, and (a pox on this word!) “reimaginings.” Showtime’s Fatal Attraction and the Frasier revival on Paramount+trapped likable actors in flimsy creative constructs, while Netflix’s That ‘90s Show thrust once-likable characters into a purgatory of artless, laugh-track powered nostalgia. Grease: Rise of the Pink Ladies on Paramount+ all but sabotaged its intriguing, feminist-origin-story premise with a desperate excess of Easter eggs, but at least it tried harder than CBS’ True Lies, which played like a 44-minute network note. A few IP re-dos rose above mediocrity: Night Courtearned big ratings for NBC, and Netflix’s anime Scott Pilgrim sequel became an instant critical darling. You know what that modicum of success means, folks: More rehashed IP! Heading into 2024, my New Year’s resolution is to keep an open mind about the new versions of Fawlty Towers, Matlock, Who’s the Boss?, Baywatch, Ally McBeal… [sobs quietly into hands]
1. 'The Idol' (HBO/Max) 
The Idol is a fascinating example of what happens when network execs give a hotshot showrunner carte blanche — or, as Abel Tesfaye’s character pronounces it with such confidence, cart-ay blanch-ay. The drama — which was co-created by Euphoria mastermind Sam Levinson, Tesfaye (formerly known as The Weeknd), and Reza Fahim — centers on Jocelyn (Lily-Rose Depp), a famous but troubled pop star. Just as she’s on the cusp of launching a comeback after the death of her mother, Jocelyn falls under the sway of a charismatic and abusive charlatan named Tedros (Tesfaye). Behind the scenes, The Idol experienced its own power shift with the departure of original director Amy Seimetz, leading to extensive rewrites and reshoots under Levinson’s purview. What was apparently supposed to be a satire of modern fame and the exploitation of female celebrities became a laughable, affected, and morbidly fascinating exercise in soft-core porn. As an actor, Tesfaye is an excellent musician, and The Idol has nothing insightful or interesting to say other than, “Look at how many times we can get Lily-Rose Depp naked!” (It should be noted that Depp is a talented actress and clearly did her best with the schlock she was handed.) HBO wanted the next Euphoria. Instead, they learned a very unsexy lesson: When wunderkinds are left unsupervised, the results can be agony. 
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