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#spn 11.10
mittensmorgul · 1 year
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Okay, I have a lot of thoughts i’ve been rotating for a while now, and even if I don’t have a coherent overarching meta composed in my head yet, I feel I need to at least record some of these thoughts for future reference. Buckle up. It’s a lot.
I’ll start with a few overarching themes and points that cover the entire series, and then move into the specifics of the most recent episode, the PENULTIMATE episode lol, 1.12. gonna just bullet point these for ease of reference purposes:
-a ridiculous percentage of the series has dealt with monsters/entities with their own little pocket dimensions. yes, this was a thing the original series touched on occasionally-- djinn dream universes created entirely inside someone’s mind, gabriel’s eternal tuesday time loop, gabriel’s weirdo tv land, the soul eater nest in 11.16, and even chuck’s bar at the end of the universe from 11.20. Or like... the entire concept of alternate universes introduced in 6.15 The French Mistake that may or may not have been a construct by Balthazar... up to interpretation... and the final seasons wrangling of several specific alternate universes
so far in The Winchesters we have, by episode:
(under a cut because this got long lol)
*eta: since it’s been pointed out to me that not everyone’s managed to memorize all the spn prime episodes by number, here’s the Mittens Decoder Page on the superwiki by episode number: http://www.supernaturalwiki.com/Category:Episodes
1.01 the Loup Garou and the Monster Trap Box (which can only be recharged by things that are “not of this earth”, specifically they will learn it’s a transporter device that sends creatures trapped by it back to whatever world’s item has “charged” the box) they were searching for, hidden in a secret chamber for years.
1.02 La Tunda, who lures victims into her little pocket dimension trap via roots pulling them underground. she can only be killed by being stabbed with a piece of her own wood/body
1.03 the Bori Baba who lures victims into a pocket dimension trap via a burlap sack. he can only be destroyed (and his captives freed) by them willingly relinquishing/destroying the beloved thing he lured them with.
1.04 Mars Neto who lures victims into a pocket dimension trap and makes them relive trauma and fight him. Could only be defeated/rendered mortal when the amphora containing his power was shattered.
1.05 djinn... but these are slightly different than any of the djinn we know from original canon. they can form a link directly into someone else’s mind and control them out in the real world, not just in a pocket universe trap... it turns victims’ own minds into the trap
1.06 a vengeful spirit of a POSSESSED VAMPIRE of an entirely new variety, who broke free of a trap where he’d been locked for decades, because his friends felt helpless against his growing darkness/involvement with dark magic that was twisting who he was. Lata had to force him to confront that and confess, and the possessing spirit chooses to leave John in an act of doing the right thing.
1.07 straight-up Akrida-- the monsters apparently from an alternate universe trying to invade our world to devour it all (reminiscent of the tentacle monsters Sam and Dean found trapped in a different MoL capitulum clubhouse and accidentally released in 12.17, but bugs instead of tentacles...). They are our overarching Big Bad, who bridge the gap between pocket dimension and possession/mind control that surrounds so many of the themes of the series. but this episode explores them in more depth (right down to the underground lair where the queen was trapped). I feel the need to mention it somewhere, but the akrida used radio waves as a lure for all the bizarre monsters our core four have been dealing with all season, connecting the akrida directly to every other specific monster we’ve seen them confront. Episode literally called “Reflections” which leads me into:
1.08 Loki/Gabriel? Who I already mentioned above as a creator of pocket dimensions and messing with minds in original canon. And for some reason at the end of the episode, he’s trapped inside a mirror, a bit of lore we’ve never seen connected to Loki or Gabriel leaving me to wonder how trapped he actually is... A reflection, as it were.
1.09 vampires... but more the sort we already know from spn prime canon. except the whole mission around them involves a PROPHECY unwittingly stamped onto John’s hand. We’re reminded that prophecy can’t be avoided, BUT you can control some of the circumstances AROUND the prophecy. Context matters, and tiny glimpses of things aren’t representative of the whole truth. (4.18 anyone...)
1.10 A very Magnus-coded (who if you remember created his own little pocket universe to live in with his monster zoo and collection of supernatural relics) disgraced MoL who lies about his identity, his past, and his motives for returning to the clubhouse now. Literally wants to transfer his and his wife’s consciousnesses into John and Mary’s bodies to get back the life the Akrida had stolen from them and he felt they were owed... with no self-awareness that this actually made HIM the monster in this case. 
1.11 the Shadow Spirits generated by Maggie’s magical bracelet that both showed the wearer the truth about hidden motivations AND could also become a trap. Carlos and Lata are pulled into a shadowy trap (not just in their minds! they are no longer physically in the house! they were pulled bodily into some sort of pocket universe BY A SHADOW (you know, the proper term for the Empty Entity in spn prime canon?). Where their only hope for escape was Lata confessing her deep, dark hidden secret to Carlos. She was terrified that he would reject her if he knew the truth about her, that Carlos would be ashamed of her, but he reconfirmed that he loves her unconditionally, and nothing will ever change that.
She’d felt guilt and responsibility for the actions of others for so long, but Carlos helped her see the whole picture again, that it was not her fault, that she’d been helpless to circumstance and wasn’t at fault for her father’s bad actions-- even to the point where they led to the death of an innocent woman.
But the other function of this bracelet, used on Betty to show her the TRUTH of the akrida-possessed people finally gave US a look at how akrida possession works. It’s not just the little spikes in the neck doing the controlling through chemicals or whatever, they seem to function like some sort of weird antenna that connects them via mysterious green tentacles of light up into the sky. Where do they go? I thought the akrida queen was buried underground, not in the sky? Who or what is pulling those poisonous green strings?
aside to mention lata found the bracelet hidden in A CAN OF RAT POISON, along with a tasty treat that carlos devoured. the rat poison packaging was just a decoy to keep anyone else from accidentally finding Maggie’s bracelet (and her stash of tasty treats lol)
1.12 LIMBO’S HOUSE OF HAPPY. a fucking CARNIVAL TENT of a pocket universe, run by a literal clown who made a deal with a witch to create a perfect place where he would never feel sad again. (somebody PLEASE tell me this feels like 15.20... from the rando pie festival where Dean STILL doesn’t get to eat pie and has it smashed in his face instead, and then gets hung on a rusty nail after fighting off some vampire clowns/mimes and sent to a weirdo version of Heaven where he can apparently never worry about anything again? freaking dystopian, ffs... but also... very much a thematic summary of the entire metanarrative plot of the Winchesters as a whole...)
I’m gonna spend the rest of this post absolutely yelling about this last one. While watching, my brain just kept lighting up with references to past canon.
A CLOWN named LIMBO.
Of course, when we think about clowns in Supernatural, we always think of Sam’s lifelong fear of them. Apparently connected to the fact that Dean used to leave him at Plucky Pennywhistle’s as a kid, but also... almost every reference to clowns in canon prime are connected either to Azazel or to Lucifer himself.
My very first thought about LIMBO the CLOWN was 11.10 The Devil in the Details. Rowena being the one to magically assemble the “stage cage” where they’d summoned Lucifer to question him about Sam’s visions and dealing with the Darkness, and Rowena appearing in this episode (even if in an entirely different plot arc, she’s still ~there~) feels very relevant.
But we’d known that Sam’s visions in s11 were foreshadowing a return of Lucifer and possibly a trip to the cage. But... Clowns Specifically were used to foreshadow this. In 11.07 Plush, Sam was trapped IN AN ELEVATOR with a murderous clown, and the overhead shot as Sam frees the man in the clown suit from possession... looks like cage bars (screencaps from HotN):
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Remember, this was TWO EPISODES before Crowley leads Sam and Rowena INTO LIMBO in 11.09. LIMBO. Where Sam’s worst nightmare becomes reality and he’s literally trapped IN A FAKE CAGE, IN LIMBO, WITH THE ULTIMATE CLOWN:
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(screenshot from the superwiki page for 11.09)
LIMBO is where Cas says yes to possession by Lucifer, and right after this kills Rowena for her trouble, after she confesses that she’s the only one who knows the spell to force him back into the actual cage.
From 11.09:
Crowley: We are in the furthest reaches of Hell, Limbo, where I send unruly souls for timeout. Sam: This is where I meet with Lucifer? Crowley: What it lacks in ambience it makes up for in security. They come to an empty cage. Rowena paints sigils on the cage, while the thunderstorm continues to rage. Crowley: Makes your flesh crawl, doesn’t it Moose? I get it. I’m the King of this place. It’s still not my cup of tea. Sam: I don’t know, Crowley. I’d say it suits you. Dark. Empty. Crowley: Fascinating; the utter contempt, when I’m in the midst of saving the Winchester’s bacon, again. Sam: The point of this is to save everyone’s bacon, including yours. Let’s just hope she knows what she’s doing. This cell won't hold crap if the warding is not right. Rowena: Don’t you worry about me, Samuel. I’m a professional. Crowley: Are you certain you can do this without actually opening the Cage? Rowena: We are about to find out, aren’t we.
Rowena BELIEVED Lucifer would become her protector, bring her peace, security, power. But it was all a lie. And in this episode, she seeks out Ada under the pretense of talking to the specific demon Ada had trapped in a bonsai tree, looking for information about her son...
Let’s detour through some other clown references from spn, just for funsies. The cold open victim in this episode was the only one who could see the magical tent, and his friend saw and heard nothing of it (he didn’t have the magic ticket). It called back to the children in 2.02 Everybody Loves a Clown. They were the only ones who could see the Rakshasa clown, who used those children to gain entry to their homes to devour their parents.
There’s also the ghost of John Wayne Gacy in 14.13, an episode where Dean’s wish to reunite his family is fulfilled, even for a brief moment. (the ghost will return in 14.20 when Chuck cracks Hell open). But specifically this clown is tied directly to John and Mary reuniting before John chooses to go back to his own time to save everyone else and restore the timeline. John will only vaguely remember the events as some sort of pleasant dream. It comes with a side of Dean accepting his life, not WANTING to change it because everything he’s endured has combined to make him the person he’s become. GROWTH DOT GIF.
(and in 15.01 the clown ghost nearly gets sam, again...)
Which brings me back to the Akrida. Our mind-controlling, possessing archvillain of this entire narrative. Whose goal seems to revolve around being freed from a sort of cage to run riot across creation. They have apparently shifted reality, all because Dean knocked over some first mysterious domino and unleashing the chain of events he’s been recounting through the entire series.
Was that inciting incident going back in time to deliver the note to John? Was it giving John the key to the MoL clubhouse that sparked not only what appears to be a massive change in the timeline from what we’d known from spn prime, but possibly also GENERATED the akrida as a monster specifically that creates these sorts of pocket dimensions to devour?
Also, brief aside to mention DEANNA. Like, the entire early part of the season revolved around Mary concerned about Samuel being “missing.” And yet, we also learned that Deanna had disappeared to points unknown. She hadn’t been seen by anyone in MONTHS, was last assumed to be hunting with some group in Michigan (? I think? top of my head reference), and yet NOBODY has showed the same concern for her whereabouts as they collectively did for Samuel. It’s almost like they all have some sort of weird amnesia about her at this point. They just... aren’t concerned about her at all, and haven’t even mentioned her in weeks. Which makes me think she’s at the center of all of this. I would be 100% unsurprised if she’s the one possessed by the Akrida queen at this point. because otherwise, WHERE TF IS SHE. But also, WHY TF IS NOBODY ELSE SEEMINGLY CONCERNED ABOUT HER AT ALL?! It’s WEIRD.
I am generally losing my mind over all of this, and don’t know what Big Secret will be revealed in the finale, but hooBOY I am prepared to scream about it for weeks. This is all just stashed here for my own future reference purposes, and I’m sure I’ll come back and add more things as I think of them, but heck this will have to suffice for now :’D
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deancasforcutie · 11 months
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Supernatural’s deep-cut references to other queer media and icons continued (multimedia mlm meta madness edition)
(see captions for context)
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touchstiel · 9 months
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EVERY TOUCH EVER ☞ 98/?
11.10 The Devil in the Details
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lower-the-volume · 7 months
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11.10 The Devil in the Details
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spn-speech-bubbles · 7 months
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ardentpoop · 2 months
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this specifically is compelling to me but i hate what they're doing with rowena this season otherwise. all in a day's work for the We Hate Women show
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archangelsammy · 1 year
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sam and lucifer / spn 11.10 the devil in the details / frank herbert, dune messiah
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castiellesbian · 1 year
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Cathryn Humphris:
1.20 Dead Man's Blood (with John Shiban)
2.07 The Usual Suspects
2.14 Born Under a Bad Sign
3.05 Bedtime Stories
3.10 Dream a Little Dream of Me (with Sera Gamble)
4.04 Metamorphosis
4.14 Sex and Violence
Andrew Dabb (episodes co-written with Loflin are labeled with*):
4.06 Yellow Fever*
4.13 After School Special*
4.19 Jump the Shark*
5.06 I Believe the Children Are Our Future*
5.11 Sam, Interrupted*
5.16 Dark Side of the Moon*
5.19 Hammer of the Gods*
6.04 Weekend at Bobby's*
6.07 Family Matters*
6.13 Unforgiven*
6.18 Frontierland*
7.03 The Girl Next Door*
7.08 Season Seven, Time for a Wedding!*
7.14 Plucky Pennywhistle's Magic Menagerie*
7.22 There Will Be Blood*
8.02 What's Up, Tiger Mommy?*
8.08 Hunteri Heroici
8.14 Trial and Error
8.22 Clip Show
9.02 Devil May Care
9.10 Road Trip
9.20 Bloodlines
9.22 Stairway to Heaven
10.02 Reichenbach
10.09 The Things We Left Behind
10.17 Inside Man
10.22 The Prisoner
11.02 Form and Void
11.10 The Devil in the Details
11.15 Beyond the Mat (with John Bring)
11.17 Red Meat (with Robert Berens)
11.23 Alpha and Omega
12.01 Keep Calm and Carry On
12.09 First Blood
12.23 All Along the Watchtower
13.01 Lost and Found
13.10 Wayward Sisters (with Robert Berens)
13.15 A Most Holy Man (with Robert Singer)
13.23 Let the Good Times Roll
14.01 Stranger in a Strange Land
14.13 Lebanon (with Meredith Glynn)
14.20 Moriah
15.01 Back and to the Future
15.10 The Heroes' Journey
15.20 Carry On
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SPN 2.01 In My Time of Dying || SPN 11.10 The Devil in the Details + Script || SPN 13.05 Advanced Thanatology || Sandman #8 The Sound of Her Wings || The Sandman: A Netflix Series (x)
"Music is one of Kripke's greatest inspirations but creatively he also draws on Neil Gaiman. 'I was hoping I would meet [him here at Comic Con] because he's a huge influence on Supernatural, between American Gods and Sandman.' Kripke also notes the movie American Werewolf in London as an influence. Cross that with Joseph Campbell's The Hero's Journey and that's the tone of Supernatural." (Boris 2007)
"Tessa, the reaper in "In My Time of Dying," was inspired by the character Death in Neil Gaiman's Sandman comic books." (Supernatural: The Official Companion, Season 2. Titan Books, 2008: 22)
"When I saw [Gaiman], I said, 'Just so you know, I rip you off all the time for the show,' and he said, 'I really appreciate that because you and Kevin Smith have both been very public about ripping me off, and I don't mind if people rip me off, I just want them to be public and admit it,'" Kripke said. (Rome 2011)
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teamfreewill2pointo · 3 years
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love it when they get so into a scene they forget about continuity
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mittensmorgul · 3 years
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Mittens, I know that some people are rejoicing over Castiel's vision in 12x19, but personally, I started crying when I realized that Cas gave up so much for love and faith in his family, and got teased with that vision of the future - a paradise he wanted for them, for himself - but never approximated that in the end. It's just so heartbreaking and I feel like I'm mourning him all over again and it just really sucks. Idk.
Hi hi!
The vision also hurts my heart, deeply, but maybe for slightly different reasons...
I have been suffering throughout the last few seasons over Cas's overall arc, and this vision, in that moment in 12.19, when Cas was literally (in text! from Dean's mouth!) desperate for a win, is just excruciating to me. And I'll tell you why.
in the mixtape scene, this was Cas's lament to Dean. He wanted to come back with a win FOR DEAN, and FOR HIMSELF. He wanted Dean to think of him as the "hero" or the "savior."
I will pause to ask here: since when has Dean ever wanted that? Ever since Cas gripped him tight and saved him from Hell, Cas has struggled to step out from that role of Protector. Shield.
This was the Big Mistake he made in s6, right? Everything that went wrong was framed around the fact that he was trying to "protect" Dean. This is why he bought into Crowley's plan, why he left Dean in the dark even after he got dragged back into the fight, and why everything ultimately ended with Cas's literal death. Like... the narrative judged him. In 6.20, all he was left with was Dean's disappointment, and a drive to prove that he was actually right (he was not actually right...).
Even in 12.19, he was "playing them" all along. He came back under the pretense of wanting to "rejoin the team" and work together with Sam and Dean again, but really he was only there to steal the Colt on behalf of Heaven. Cas was prepared to do whatever it took to keep Sam and Dean safe from Dagon, but also "safe" from having to kill an innocent woman to prevent the birth of the nephilim she carried.
Like in s6, Cas was desperate for that win. He was desperate to "earn" his place with the Winchesters, the family he chose. He even told Kelvin before they went in to confront Dagon that he wasn't doing this to redeem his "reputation" in Heaven, he only cared about "redeeming his reputation" with DEAN.
He has no idea that Dean does not give one flying fig about Cas's ability to "protect him," he just wants Cas to Be There With Him.
And later on, this is literally the lesson Cas attempts to impart to Jack. When Jack laments the loss of his power, and believes himself "useless," It's CAS who most effectively talks to him about the fact that nobody cares about his powers, that they don't care about what he can do FOR them. They just care about HIM. Like... even in 15.18. This is the conversation he has with Jack by the Impala while Sam and Dean are talking to Charlie:
Jack: I feel... strange. I don't know if that's because of what happened to me, if it means something, or if I just feel strange because... it's over. The plan. My destiny. I was ready to die and, I wanted to, for Sam, for Dean, for the world. I wanted to make things right, and now... I don't know why I'm even here.
Castiel: Jack. You never needed absolution from Sam, or Dean, or from me. We don't care about you because you're useful or you fit into some grand design. We care about you because you're you.
So like... for YEARS I've felt like this was what Dean needed to actually say TO CAS. That he doesn't want Cas to try to protect him. He doesn't need Cas to be his shield. He doesn't need Cas to be "powerful" or his savior. He just needs Cas.
So this vision... this "manipulation" that Jack showed Cas in that very moment in 12.19, that Cas believed was "paradise" at the time, was what Cas needed to hear in that moment. That he could be "powerful," with his wings healed and made "useful" again.
Dean thanking him.
Not Dean being happy that they're all safe, that they managed to finally "get a win," but specifically thanking HIM for actually winning.
He wanted to believe he could be useful again.
And to me that was a tragic, depressing lesson that he still never managed to understand for himself by the end of the series.
If Dean ever knew what the vision Cas had considered "paradise" in that moment of betrayal of his loved ones, I personally think Dean would've been horrified. I mean, he didn't even KNOW what the vision entailed, and was pre-horrified by his personal belief about how Cas had been manipulated into running away and leaving them all in the dark immediately after they'd all just gotten back on the same page again and recommitted to working together again.
So like... This is still DEEPLY in Cas's disturbing mindset of being 100% ready to sacrifice himself to "spare" Sam and especially Dean from having to do the hard things. This was nearly an identical mindset to when he'd said yes to Lucifer in the Cage in s11 because he believed he could spare Sam from having to do that himself. Like... he truly believed he was making Good Choices in these instances, and it ended up both times causing problems he'd never even considered. S11 had Lucifer using him and nearly killing Sam and Dean, and then going on a rampage that would last multiple seasons more which directly led to Jack in the first place. And then in the attempt to bring about Jack's birth, Cas cut off all communication with the Winchesters (theoretically to protect them) and therefore they had no way to warn him that Lucifer was still on the loose and closing in on reclaiming Jack himself. It literally ended up costing them Mary (pulled through the rift with Lucifer), Crowley sacrificed himself to stop it, and Lucifer killed Cas, all because Cas ran away and tried to fix everything on his own. He desperately wanted to be the winner, here.
So to me, I can't see him getting his wings back and being truly powerful and being "Dean's savior" and him basically thinking that Dean's acknowledgement of that salvation and Dean's gratitude was his idea of "paradise?" Yeah... it turns my stomach.
Dean... would hate it.
Dean's idea of paradise... is actual free will. Of them CHOOSING EACH OTHER, choosing family and standing shoulder to shoulder as a united front against the threats that come their way, instead of yet again making the same mistake of believing that they're sacrificing themselves to spare their loved ones from having to stand up and fight at all.
It NEVER works out that way. Never has. Never would.
I mean, this is why Cas made the deal with the Empty, trading away his own happiness for Jack, believing that Dean's happiness was in having JACK in the family. The tragic blind spot was his inability to see that Dean's happiness ALSO INVOLVED HAVING CAS THERE.
And the ultimate tragedy is that Dean never got a chance to actually say that to Cas.
Because if Cas had actually known that, he would never have made the choices he did.
Which is another reason I absolutely can't credit the end of 15.19 and Jack NOT bringing Cas back, knowing that he'd done it once before, and knowing WHY Cas sacrificed himself. Jack knew the conditions of Cas's deal, and I cannot believe that any version of JACK would have allowed that sacrifice to stand for HIM. Because it was the antithesis of everything Cas himself had ever taught to Jack.
Heck... I hope that makes sense...
basically, this should've been a jumping off point for Cas to ACTUALLY understand he was just as wanted, just as needed, just as cared for, and yes even LOVED, for who he was, and not the sacrifices he could make to protect Dean (and Sam, and Jack... but ultimately for Dean).
The fact he KNEW the moment he made that deal with the Empty that the knowledge of the details of that deal would be a "burden" to Dean, that it would be upsetting to Dean to know that Cas had literally traded away his own potential for true happiness because he thought that would be what Dean would prefer... he KNEW Dean would be upset about that. He knew Dean would NOT have wanted that, and swore Jack to secrecy about it. Like... he knew he had done the wrong thing here, or he wouldn't have hidden it from Dean.
So I have a really hard time thinking of this vision of Paradise (which is already a loaded word in itself in canon, and was literally what Dean spat out as an angry insult at Cas in 4.22 before his first true "tearing up the pages" and making it up as they go moment) as anything but a glaring warning sign.
And then oh look, Cas was literally killed for it four episodes later.
Then when he came back, he went right back to believing in his "purpose," wondering WHY he was brought back. Dean's "we needed you" wasn't really clear enough for Cas to understand that they didn't need him to "protect" them or to be "useful" to them. Dean just NEEDED him. Full stop.
It's a tragedy, folks.
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deancasforcutie · 1 year
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even the tie don’t go straight
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touchstiel · 9 months
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EVERY TOUCH EVER ☞ 100/?
11.10 The Devil in the Details
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lower-the-volume · 7 months
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11.10 The Devil in the Details
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The CW, January 20, 2016:
Fox, January 25, 2016:
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ardentpoop · 2 months
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:|
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