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#sophie anne caruso icons
gt-icons · 1 year
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Random Actress icons
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avalonrph · 1 year
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in the link is 190 56x55 icons of sophia anne caruso as sophie from the woods beyond in the movie school of good and evil. screencaps were taken from various sources and edited by me into icons. please like or reblog this post if you use them.  
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tvstcff · 2 years
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screensland · 2 years
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ecnmatic · 2 years
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jetaimedit · 2 years
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ᰈࠬ ꫝྀ𝖺ᩚᰈᰈᭊ//ᥲ ̫n𝗴𝗲𝗹 🗝️💭 꽃ཿ ⌗ ♡☺︎ꕤ 〰 ᨒ 🧺🎧 ˖˚⊹ ₊  ╭ 𐪆 ▓ ˚◞♡ ・῾ 𝙲𝚄𝚃𝙴 … ‹𝟹 ⌗
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stereksouls · 2 years
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Sophie Icons
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lunedits · 1 year
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screencaps by @neverscreens ♡
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tribricies · 1 year
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ICONS SOPHIE | THE SCHOOL FOR GOOD AND EVIL
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blacksea-bitch · 2 years
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I hate when they change like vital plot points of a book to fit in a movie. I mean, first of all the iconic F outfits. The Circus of Talents. We lost Princess Uma, a bad bitch if there ever was one. Anyway thoughts below but I can’t add a read more on mobile so sorry. Spoilers obviously.
Thoughts on the School for Good and Evil movie
Good
- The design and aesthetic of all of it was beautiful. I mean like everything was elegant and stunning and just visually incredibly pleasing.
- Sofia Ann Caruso is a great Sophie, she’s cringey and mean and overdramatic. She is the love child of Megamind and Regina George.
- Also Theron and Washington made great professors.
- The Tedros had a cool sword, iconic dumbassery, was pretty and also had cool fits which is how I like my men personally.
- Sophie and Agatha’s friendship at the start was super natural and well written.
- Soman cameo.
- I loved the little addition of Professor Anemone previously being a history teacher. It was just such a nice little touch to the world building and her character.
- The inherent creepiness of the casting for Rafal. I mean I always imagined him looking like a teenager but him looking like he’s in his twenties and trying to claim Sophie as his child bride really adds that extra layer of ickiness.
- Literally everything with Gregor Charming. An icon, a legend, he is the moment.
Bad
- Sofie Wylie is a good Agatha but they wrote her so blandly. Also like where was the initial awkwardness? We deserved bitchy goth loner Agatha. And like it would’ve been cool if Agatha was more conventionally unattractive. Like no hate to Sofie Wylie she’s absolutely gorgeous but it would’ve been nice if she did have that whole thing of yeah people don’t think she’s pretty but then her personality begins to outweigh that.
- Where the actual everloving fuck where Anadil’s rats? I was promised little rats. I was robbed.
- Why were all the Ever girls such bitches? I mean like passive aggressive? Yeah sure. But they were outright bullies.
- The plot change of Rafal purposefully letting Good grow complacent and vain. I think it’s more interesting when you have Good who genuinely have grown complacent without the manipulation of true evil or whatever. It adds more weight to it.
- The Circus of Talents was iconic and we deserved to have the wolves and fairies reveal.
- The blood magic? I mean like what? You have regular magic, no deus ex machina necessary.
- More development between our girls and Teddy. Like I love him being a pathetic little scrunkly but it felt like everything happened in two days. This may have been better adapted as a show considering it’s meant to be covering a whole year of school.
- We deserved hot pink finger glows.
- Lack of iconic book characters: Princess Uma, Castor and Pollux, the Golden Goose, the little pets they had, Anadil’s rats (yes I’m bitter), the librarian dude whose name I’m forgetting, he has Giles vibes, the seer, you know the dude.
- I wanted to see Hort’s frog pajamas.
- The actual explanation for the nemesis stuff like in the books.
- Where was the witches/Agatha friendship? Sophie betraying Aggie to avoid going home? Dovey caring about Good?
- More mean Sophie. Give the people what they want
- It felt so queer-baity. I know the book three twist but like it was just annoying.
Edit - Also the iconic line ‘I’m worse than my father. Because I still love you.’
All in all it was a fun movie but having loved the books as a kid I felt like they didn’t really get done justice. Two and a half hours wasn’t enough to cover the whole story adequately in my opinion.
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reviewing-the-views · 2 years
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A Disappointing Film at Best: The School for Good and Evil Review
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I should've known better than to get my hopes all the way up for this film. After all, with Netflix at the helm, you never know if you're going to get a really fun piece of entertainment or something that is merely okay at best.
The School for Good and Evil by Soman Chainani was one of my favorite books growing up. It follows the incredible tale of Sophie and Agatha as they are taken from their village of Gavaldon to attend the School for Good and Evil: a place where fairytale heroes and villains train before they set off for their own stories. However, in a shocking twist of events, the conventionally beautiful Sophie is placed in the School for Evil, much to her dismay, while the conventionally ugly and wicked Agatha is placed in the School for Good. This book has many compelling themes of morality, self-acceptance, and destiny.
The movie however...was disappointing to say the least. And after scrolling through the internet, it is clear that many lifelong fans of the series feel the same way. Fans have been waiting for an on-screen adaptation of The School for Good and Evil for quite some time, and it is a shame that the nearly two and a half hour film did not live up to the hype. After giving it a day, I decided to give this movie a 5.5/10. Continue reading for a more in-depth analysis, but the film is cute enough to pass the time. It's just disappointing at how much it missed the mark.
There were some things I did enjoy. Some of the costumes were really well done and the casting of Sofia Wylie as Agatha and Sophie Anne Caruso as Sophie was an amazing choice. Both actresses performed well with what they were given, and really gave a good connection for the two protagonists. Iconic scenes from the book such as Agatha interacting with the wish fish remained faithful to the original source material, and that is a sentiment many fans have expressed.
Now, onto the bad. The book itself is very nuanced and actually has quite a few mature themes if you pay attention to key details. This is not a mere children's tale -- rather, it is an examination of themes typically explored in real fairytales but observed as a meta commentary on morality, coming of age, and destiny. Can there truly be one side that is completely good and one that is completely bad? Are we actually in control of our fate or is our destiny already sealed?
Do we ourselves actually deserve goodness or are we, deep down, the cause of our own evil?
This theme highlights the relationship between Agatha and Sophie in the first book, and it is something that is severely lacking in the movie. Had this been a TV-series, perhaps there would've been enough time to develop Agatha and Sophie's development as one rises while the other falls. It truly is interesting to see Agatha, someone who was scorned for her whole life, to finally recognize that she is deserving of goodness, and to accept the fact that she can realize herself as being good. Whereas Sophie has to come to terms with the fact that deep down, she is a bad person, and upon realizing that she is the villain in this story, she runs with it.
In the book, Sophie is only friends with Agatha as a "good deed" in order to qualify for the School for Good. Their relationship is heavily toxic at first. Instead, the movie strips away this nuance by establishing the fact that the pair have been friends since childhood, and are BOTH outcasts. Which, is fine, but creates a bland story that is clearly not present in the original source.
Also, Agatha's character arc is completely pushed aside to give Sophie more screen time. In my opinion, while both characters have enough time in the book to develop alongside each other, I have always considered Agatha to be the main protagonist of the story. It could be because I related so much to her, but her arc of finally realizing that she is beautiful the way she is and that she is indeed good inside was so important and impactful. Yet, in the film, her agency is really subdued, and her arc is simply cut down to saving Sophie from being evil. By the end of the movie, Agatha felt more like a background character when facing against Sophie as she barely had time to develop herself. Furthermore, when it comes to topics of race, I think casting a POC as Agatha had the potential to add even more nuance to the character, but by pushing her to the side to feature a character who happens to be white, it raises concerning implications. Agatha as a character is a role model to many, and to see her not get the spotlight she deserves is very antithetical to the book's core themes and messages.
Despite not seeing enough character growth from Agatha, we barely saw any growth from Sophie even though she had more screen time. The choice to reveal the school master's history from the beginning was very poor, as it removed all the mystery of the school and took away the punch of the big twist at the end. Further, by showing Rafal (the evil brother who co-founded the school) manipulating Sophie to turn evil took away all of her agency from the book. The book shows how Sophie is truly evil in many ways, and by the end, she accepts her role wholeheartedly. It's truly disappointing to see this powerful villainess be reduced to nothing more than a means to an end.
There is so much more I can say about this film, and as soon as this post is done, I want to do a separate post about things that I noticed in the film that either should have been included or should have never taken up so much screen time. But, to end this review, I once again give this film a 5.5/10. It's cute to watch if you are bored and never read the books, but disappointing and severely lacking as it fails to leave the superior presence of the original source material.
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screensland · 2 years
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ecnmatic · 2 years
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sandbiconz · 3 years
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sophia anne caruso icons 🖤
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screensland · 2 years
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