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notnctu · 4 years

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backseat chronicles - n.jm | ridin’ club

━ welcome to the ridin’ club smut series

genre ➠ slow burn, smut, fluff, lil angst wordcount ➠ 8.5k details ➠ fem!reader, streetracer!jaemin, badboy!jaemin, college!au ━ where Jaemin brings you to his club races as his arm candy. warnings ➠ explicit language, overstimulation, flirty banter, pet names, softdom!jaemin, car sex, praise kink, hittin it raw (y/n on the pill), oral, daddy kink, slight corruption kink, fingering synopsis ➠ There is no reasonable explanation as to why or how you always end up in the backseat of Na Jaemin’s beloved car. Almost routinely, he picks you up around ten in the evening with the stereo blasting the raunchiest lyrics for your entire suburban neighborhood to hear. The entire night remains purely friendly, a dabble of flirtatious comments because well, it’s Jaemin for fuck sakes. But all it takes is one suggestive gaze from his dark, lustful eyes and a drop in his voice that rumbles your core to have you climbing over the seats to get to the back. taglist ➠ @rabbit-doyochi ; @darkneogotmyback ; @im-lame-irl ; @p-mini ; @niniluvsmarkhyuck ; @saniahmichael ; @jaehy9ngs ; @danyxthirstae01 ; @jaehyunoos ; @pikijaemin ; @suhweo ; @yunoyeol ; @lanadreamie ; @ta3ilmoon ;

a/n ➠ hi yall its author doie❀!! thank you for over 1k notes on this series, im beyond impressed by the amount of attention this got! it really blew up and its so crazy!! i wrote this one with more of a romantic plotline i realized its too hard to keep it pwp with all the story building and characterization i have :)) it’s almost over yall! pls pls leave me feedback im sorry it took so long to write ):

While college lecture rooms are too big to interact with other students, discussion classes are there to ease the difficulty. A classroom for about twenty students from a three hundred person lecture. It’s administered by a clueless TA, who barely began his second term in graduate school.

Unlike lecture, attendance is mandatory for participation points. You show up every time without a fail, so it came as a shock to you when a certain blue haired student finally appeared from the list of absent students.

Na Jaemin. The notorious playboy with looks that kill and partakes in some illegal racing club. It’s as if every person in the room fawns over his aura, Jaemin drips with an inexplicable alluring confidence. You didn’t know anything about him besides the fact that he never shows up for class and rumors about how he’s slept with the entire cheer squad.

But he’s drawn to you like a magnet: always sitting in the available spot next to you, asking about your day before the TA arrives, developing an odd staring problem. You don’t feed much into his attention, minding your own business when he starts with his notably flirtatious greeting.

“You just take my breath away, (Y/N).” Jaemin cocks back in his seat with legs stretched wide in an overly comfortable manner. The smug smirk on his face cannot be ignored, he’s doing the absolute most to get you to pay the smallest attention to him.

“I didn’t do anything in particular to do that, Jaemin.” You respond bitterly, pulling out your notes for today’s discussion class. The TA enjoys wasting the first twenty minutes going over the past lecture slides and running through the most obvious topics.

You pay no mind to Jaemin peering over at you with the single handedly most dreamy eyes and smile --- stars shining in his dark orbs and a dazzling twinkle in his wide toothy grin.

“That’s why you’re so amazing. You do nothing and it still leaves me breathless.” His sneaky eyes examine your clothing choice for the long day. On this warm afternoon, the short tank top does nothing to hide much of your skin and the denim shorts that ride up a little too well drive Jaemin insane. And when you cross your legs together, he swallows the spit that pools in the back of his throat.

Your ears catch onto the murmurs of the rest of the class, the midterm is next week. The wretched midterm that is half of your grade dooms you, it is going to take an endless amount of completely undistracted dedicated hours of study--- “On a more serious note, can you help me with this class?”

His voice shatters your inner panic, if anything, adds to the stress that already beats down on your shoulders. You look up to glare at him, but you’re entirely taken aback by the new styling of his hair and the exposure of his tattoos.

The sweet blue cotton candied strands are ruffled lazily above his brows, messy from him constantly running his hand through them. Jaemin sits relaxed in gray sweatpants that are extremely baggy on his slender figure, hands are shoved casually into the pockets.

But what has you staring for longer is the long sleeve of tattoos that wrap around his left arm. Not that you’re surprised that Jaemin has tattoos, let alone a whole sleeve, but this is your first time seeing it as this is the first time he’s come to class without his leather jacket on. Something about the intricate lines and shadowing make Jaemin seem much cooler, almost more attractive.

When you meet his eyes, his lips curl slowly into a sly side smile and he’s practically eating you up under his gaze. He definitely knew that you were staring and what comes next out of his mouth will haunt you for it. “Like what you see, beautiful?”

“I don’t have the time to help you.” The best way out of this situation is to simply ignore it. Jaemin is overly adored and admired by many, he’ll find someone else to help him.

“Jaemin, do you want to study together?” There you go, folks. The random girl snickers with her small huddle of friends in the upper corner of the room, like a crowd of crows, they’re all waiting around for Jaemin to accept her offer so he can be easily integrated into their little group.

However, you watch how his glances bounce between you and her. The most sickly sweet, kind smile is almost too fake to consider it to be genuine. His final choice surprises you, “thank you for offering, but I only want (Y/N)...”

Your breath hitches and gets caught in your throat as you hope for him to finish his sentence, the drumming of your heart distracting you even more. Jaemin wants you? While the thought is flattering, it puzzles you greatly.

“... to help me with my studies.” Jaemin finishes his sentence after a rather long pause, his eyes finally resting upon your figure shying away and finding any way to seem uninterested in the conversation. “Is that going to be okay, (Y/N)?”

“What do I get out of it?” You can’t believe that you are actually considering it. But this is a man that only wants you to help him. Jaemin is an impossible, yet charming man and whatever comfortable attire he is wearing today is really aiding in his request.

He lights up, ears perked up and eyes attentive. His hands fold together on the empty desk, leaning forward towards you. “Dates with me.”

Rolling your eyes, you groan slightly at the arrogant answer. “I don’t care about that. I want something that benefits me.”

“I’ll make sure you’re well fed.” There is a tiny plea in his tone, a remarkable shift from his cool aura. “What do you want? I’ll give it to you.”

“I guess I can’t turn down free food…” there is a hang in your sentence as you contemplate what chaos you’re about to dive into and what life changes are about to be explored with Jaemin.

“Before you agree,” Jaemin chuckles, “there’s one more thing I’d like you to do for me.”

You’re quick to shoot a daggering glare at the overly enthusiastic boy, “why do I suddenly owe you favors?”

“Because I say so.” He deadpans, a chill running down your spine at the deep dip in his octave. The playfulness that was present all this time suddenly vanished, a serious look that intimidates you, but sexy enough to where it erupts something in your core. He blinks at you with dark clouded eyes and you nervously anticipate what he is going to ask next of you.

“Accompany me to my races.” He speaks lowly as if he’s afraid of someone else eavesdropping in the conversation.

Here’s your issue with that request: you’ve never really been part of that scene. You’ve lived pretty mundanely, even in college. It’s simple, you like to stay within the boundaries of what you enjoy to do and what you have to do. But you’re always open minded and willing to try something to determine whether or not you’re fond of it.

Partying and drinking copious amounts of alcohol weren’t your favorite things to do, especially to the point of forgetting your nights. You wanted to remember your nights as much as you do your days. The youth isn’t here for long, why waste them by blacking out in the middle of a large party? Also, whoever said that alcohol goes down smooth is a blatant liar.

Illegal racing could possibly be an extension of people who participate in those things, which is fine, but does place a crippling fear of coming off too boring or unrelatable inside your nervous system. But just because you don’t do those things doesn’t mean that you’re not as cool, right?

Since when was your status based nonsensically on how often you spend your nights in socializing crowds full of sweaty bodies and how much cheap booze you can drink? It had to be all in your head --- you’re just dreading any awkward socializing with people who race cars when it’s absolutely illegal.

“Why me?” It’s a genuine answer, possibly stemming from your insecurities of not being on the same level of charm as Jaemin exudes. You’re not a fool, you’re well aware of the many different people he comes across on campus so, why you?

Jaemin doesn’t hesitate to answer, “why not you? You’re just my type. Hot and smart. Cute and a little shy. The greatest duality, if you ask me.” His words seem so genuine that it has you believing these things about yourself as well.

Nonetheless, you’re taken aback by his observations and his choice of descriptions. “We’ve barely ever talked. How can you say these things so confidently about me?”

Jaemin slightly pulls your chair closer to his own and you yelp in response to the sudden movement and lack of space that separates the two of you. He leans into you, breath hot on your skin and obvious eyes darting between your shocked ones and pretty lips.

“So let’s get to know each other. I can already tell that it’ll just make me fall for you even more.” His finger lightly traces your jaw, stopping at your chin to give it a small lift to meet his focus. Jaemin loves how you squirm underneath his intensity, you’re too cute to let go. “Plus, my boys will love you. I’m sure of it.”

The TA rushes in quickly and is utterly distressed from the traffic that had pushed back his schedule. “Sorry, I’m late everyone.” He rummages through his things to find his notes, but groans to see that the monitor of the computer is off. It’s going to take him another ten minutes to input all his credentials.

But your attention doesn’t stray from Jaemin, especially with his delicate touch at the bottom of your chin. His gentle smile enacts nothing but a soft love, and a peak of interest. Na Jaemin, the one and only. He’s like an adventure waiting to be explored, an open bottle of fun for you to take a sip.

“What would I have to do?” Your voice comes out shaky.

“Just be there as your pretty self.” Jaemin comes off as the type to always have women around him, “you’ll be my lucky charm. For some reason, I always feel better around you.”

The escalation of this conversation is possibly more action you’ve had to handle in the last two years. Jaemin drops your chin and falls back into his own seat with his arms crossed. He is about to turn your life upside down and whether that be a good or bad thing, you don’t mind. You’re excited for the new thrills that come with being by Na Jaemin’s side.

Jaemin’s hot hands lift your shirt quickly, throwing it towards the front seat of his car. His lips return to your soft neck, nibbling at your skin tenderly and with love bites that will remind you of his gentle touches. The streetlamps outside flicker impatiently as you feel the eagerness soaking your panties and he lifts you up to take them off.

“My sweet girl,” his voice is light and airy that it becomes almost lost in the heat of the car. “You’re excited tonight. Did you miss me?” The devilish smirk can be felt upon your collarbones.

“Yes, I haven’t seen you for almost five days.” A peculiar whine settles in your pout and Jaemin’s low growl sends shivers down your spine. The only barrier are his own tight jeans and your hands are fast at unbuckling his belt. Jaemin relaxes back, forearms resting on your soft thighs and watching the neediness in your expression and the speed of your hands. He smiles to himself seeing you this way, wanting him so badly that you can’t wait to get him out of his jeans.

Throughout the two months that you and Jaemin finally became well acquainted, he’s fallen inexplicably into your trance. His friends made it very clear to you that he doesn’t keep the same girl around for more than a few weeks. But he’s brought you to almost every race so far and despite the initial shock of your appearance after the third time, you didn’t let the passing comments phase you.

Why he hasn’t replaced you is unknown and truthfully, there is no reasonable explanation how you always wind up in the backseat of his car by the end of the night. It’s become part of your routine. Jaemin picks you up around ten in the evening with raunchy lyrics blasting out of his personalized car for your entire suburban neighborhood to hear. More often than not, Jaemin has food ready for you to devour and a cozy blanket for your exposed legs.

You’ve learned a bit more about him through your backseat chronicles. Jaemin is possibly one of the only people in your life with a heart bigger than his own body, while also being as carefree as he can. Oddly enough, he cares about you as his friend and as his companion. Not to mention the ridiculous, yet endearing nickname, “Lucky Charm”, that he has coined upon you.

Jaemin has been the best adventure you’ve had in ages. While he takes you on intoxicating thrill rides on the leather of his back seats, every street race has been more than unforgettable. He shares one of the same values as you --- wanting to remember the present. You both know that you’ll remember each other enough for it to transcend into your next lives.

You have him to thank for your youthful experiences, to learn and dive into this new found world of mischief under his care. Jaemin treats you extraordinarily well, he’d never hurt a soul. He showers you in appraisal and carefulness, he’s attentive to your behavior and remembers your favorite things. And he reminds you almost every time you see him that he’s so grateful to have you in his life.

“Have you been touching yourself?” Jaemin’s bold question catches you off guard as it causes your hands to shyly hover over his unzipped jeans. When you glance up at him with soft innocent eyes, as if you’re guilty of a crime and wish to beg for forgiveness, his facial expression is serious and intimidating.

“Continue, baby. You can be honest with me. Daddy isn’t going to punish you if you did.” His tone is sweet and light, but his eyes are dark and piercing. His lips are drawn tightly into a thin line, no curve in sight.

His finger grazes down your cheek gently as he admires your slightly parted lips and the way your eyelashes dance every time you blink. However, his other hand urges you to continue your previous action of getting him out of his restrictive jeans.

You nod, while rubbing his erection through his gray briefs that hug him so tightly. There’s a sharp intake of breath when you pull the waistband of his underwear down and his cock stands against his lower abdomen. “Do you think of me when you do?” His voice gets caught in his throat when you take him in your warm hand.

“Always.” You kiss his jawline and fix your position above his dick. Your slick pussy presses down against his shaft, coating it in your juices and rubbing his tip to your clit for a delicious sensation. Jaemin groans, his gaze dipping between your lower bodies and back to your face.

“My sweet (Y/N) thinks about her daddy fucking her senseless while she touches herself.” Jaemin chuckles darkly, grinding his hips harder against you. There is a shift in the atmosphere as he grips your hips and slowly enters your dripping hole. “That’s cute, baby.”

You hold onto his shoulders as his raw dick fills you to the brim, stretching you out like past nights. Gasps leave your body when he starts pulling all the way out to only have you sink back down. “Daddy, please just fuck me.”

Jaemin picks up his speed, knowing that you have a quiz due at midnight that you scolded him for forgetting earlier. The grip on his shoulders tighten as this man navigates your body all too well. He knows you like the back of his hand, fucking the spot that causes your body to lose control.

One of his favorite sights in the world is the view of your lips parted open with loud whimpers falling effortlessly. Your eyes roll back into your skull as his hips roll deeper into your walls, the tip hitting your sweet spot repeatedly.

“You’re always the best girl for me, aren’t you?” His hand wraps around your neck when you throw your head back, choking you lightly and your walls grip around his shaft. “I know you’re close. Cum on my dick, baby. Be a good girl.”

Jaemin’s tattoos shine under the moonlight when you peer down at him. His hooded eyes are intoxicated by the pure image of your fucked out body and he’s truly in love. “My good girl, come on baby.” He continues to encourage, his other hand giving you a smack on your ass when he drills mercilessly into you.

The familiar bubbling occupy your lower half and the feeling of release unravels all so suddenly. You fall forward, Jaemin lets go of your neck to hold your limp body close to him, your head on his shoulder as your orgasm overtakes you. He grinds his hips into you to prolong your shaking climax, cooing sweet nothings in your ear as his other hand takes a whole handful of ass to squeeze.

He bottoms out, filling you up to the rim to cum deep inside of you. Jaemin moans loudly, his cum spilling all over your walls. You two sit like that until he grows soft, pampering your temples with gentle kisses. Jaemin remembers to take care of you, no matter what.

While you’re in his arms, he reaches for sanitary wipes in the side compartments. He lifts your hips slowly to pull out and you sigh at the emptiness. Gently, he swipes at the dripping cum from your pussy and makes sure that you’re all cleaned up before getting dressed.

“So, you want to tell me why you’ve been MIA for the past five days?” Rolling your eyes, you pull up your panties and fix the last decency of your hair.

“Car meets that are too far for me to take you.” His thumb rubs your chin lovingly and Jaemin’s eyes are so bright and mesmerizing, you find that it’s hard to look him in the eye at times.

“Not because you’ve been hooking up with other girls?” There is a tinge of sarcasm that laces your rhetorical question and though you don’t expect him to give you an actual answer, you take note of his reaction. Jaemin raises an eyebrow, clearing his throat and looking out the window away from you.

“And if I was?” Truthfully, that question hurt you more than your’s hurt him. His hand rests underneath his chin as he patiently waits for your answer. He admires the clear night sky and the rundown abandoned liquor store that stands all by itself.

“What do you want me to say?” Question after question, a stiff tension replaces the sex of the car.

“I’ll take you back now.” Jaemin crawls back to the driver’s seat, completely ignoring your confused figure. He has always been quite like this: going aloof whenever he wants to dodge something. However, it’s been happening more frequently the past times you two have been seeing each other.

The truth is simple, yet entirely complex at the same time. You and Jaemin aren’t dating, despite always going out together and him posessively introducing you to other men. You and Jaemin aren’t dating.

Nevertheless, it doesn’t stop you from growing feelings for him and you can tell that this happens too often for the attractive boy. He can’t have a fuckbuddy that won’t fall head over heels for him. But who could really blame you? Even if all this time Jaemin was pretending that he cared about you, he still pampers you like a princess; he still tells you he does.

But when it comes to discussion about advancing into something more, he hides and grows silent. This has you wondering, maybe this entire thing to him is all sex? And he can’t love you back the way you do.

No one knows his heart, not even himself. He’s never wanted to complicate his life, it’s always been about two things: racing and having fun. There is no easy way to explain it all, the thoughts that flood his mind and heart, so he chooses every way to ignore it. Overall, he’s genuinely lost. You are one source of stability in his life that he isn’t willing to let go, ever. But just because he won’t let you go, doesn’t mean that you won’t take the chance to leave when you’re fed up with him.

This has him wondering, how far can he push before he pushes you too far?

“No, it’s fine. I’ll just walk.” Tonight is unsettling, it usually doesn’t end like this. Jaemin locks the car doors and turns around to reach for your hand. “Jaemin, open the door.”

“I want you to say that you hate when I sleep with other people.” Jaemin confesses all too wildly as his hand lightly squeezes around your wrist. “And I want you to mean it.” He’s only speaking words of truth that haven’t had the time to process in his own thoughts.

“I hate when you sleep with other people.” And you do mean it. You mean it more than anything you’ve ever said to this man. Jaemin just sighs, bringing your wrist to his lips for a lasting kiss.

“Can I drive you home?” Jaemin asks softly, eyes dipping down to the leather seats and avoiding all need for eye contact.

“Yes, Jaemin.” He pulls you back into the passenger seat and drapes the soft blanket over your exposed legs. “Hopefully, I still have time to take my quiz.”

“Can I come inside?” Jaemin coolly turns his marble wheel to reverse out of the parking space, a hand resting on the shoulder of your seat as he does a double take behind him for any pedestrians, even if you two are far out in the middle of nowhere and there isn’t anyone around; Jaemin knows you have the hots for him when he does that specific move.

“What do you mean? You’ve already cum inside.”

It’s the sound of disappointment as his tongue tsks at you and he flicks lightly at your forehead. He steps on the acceleration, revving the annoying engine that roars throughout the peaceful night. The multicolored lights illuminate around his stereo and at your feet, creating the Rainbow Road right out of Mario Kart.

Jaemin isn’t like the others who pay close attention to the details of his car. His motto goes, “if I like it, I’m going to have it.” Whether or not anything matches goes beyond his worries.

In some ways, his car is a mirror of his own personality --- wild and free, colorful and welcoming. And his skills as a driver? Safe, no matter how far the speedometer goes, Jaemin always makes you feel safe.

“I mean come inside your room for aftercare. You know how much I hate leaving you without a proper cuddle.” He pouts and almost immediately his cute baby tone comes out with his beg. Almost subconsciously, Jaemin lays his right palm open facing up to invite yours in. Almost routinely, you lace your hands to complete his hold. Getting Jaemin to smile has never been easier as his hold grows tighter.

“You can’t stay over tonight though. My housemates are doing some Single Girls Only house event tomorrow and it starts immediately when we wake up.” You laugh as the ridiculous words fill the air.

“And you’re participating in that?” Jaemin mindlessly asks and you’re unable to differentiate his implications from the question. Is he asking because the idea is horrendously nothing you’d like to do or he’s implying that you’re not single?

“Why wouldn’t I?” Sounding rather harsher than intended, Jaemin finally realizes how poorly he had worded his previous question. Yet, a part of him feels disappointment whirling in his chest and a desire to feel wanted by you.

“Doesn’t seem like something you’d like: wallowing in your singleness.” He chuckles, remaining lighthearted and playful.

“I really don’t.” Jaemin brings your knuckles up to his lips for a lingering kiss, his eyes darting quickly on the road ahead now that you’ve entered the metropolitan areas and his speed drops significantly to avoid getting ticketed.

“I’ll come pick you up. Instead of being single tomorrow, you’ll be on a date.” When you turn to examine his facial expression, the serious tension in his jawline and focused eyes alarm you. Your stomach twists into knots and if he couldn't already tell, your palms grow sweaty at his offer.

“That’s such a slap in the face to them.” Pulling your hand away from his, you cross your arms and lean your head against the cold window. “I don’t think I can do that to them.”

“I have a race tomorrow.” He starts, his head tilting over at you with his round gorgeous begging eyes, “at least, come to that with me.”

“Okay, but only because I want to see Haechan.” As if it wasn’t moments ago, Jaemin was the one balls deep in you and now you’re spewing enthusiasm for another man. It’s all a joke, a way for you to conceal your undying attraction for Jaemin.

You still remember the first time you met the sunshine that is Haechan and the jealousy that seeped from Jaemin’s words when he noticed the exchange of flirtation. Haechan is someone you’d knowingly gravitate towards: a man with a loud personality that just knows how to conduct every personality in the room. And at that moment, Jaemin couldn’t tell if being more observant was a good or bad thing.

Jaemin never saw himself as outgoing as his other friends, staying more kept in his own circle, but he had the confidence to fake it. He’s bold, rather impulsive and slightly narcissistic, Jaemin knows how to use his strengths very well.

However, when he saw the soft smirk on Haechan’s face and your shy mannerisms, a small tinge in his chest ignited a died out flame. He didn’t realize it before, but that was the very start of his long tumble of feelings for you.

“Do you say those things to purposefully get me jealous?” Jaemin rests his hand on your thigh, giving it a harsh squeeze. His eyes never leave the road and his tone reverts back to his dominant tone.

“Well, are you jealous?” It’s like you two dance in circles, answer questions with a question does not stop.

And as bratty as your tone is, you don’t expect the quick “yes” that answers back and the smoldering look he gives you briefly before focusing back on the drive.

“Then good.” You huff, ready to hop out of the car after the odd, yet sensual tension. Jaemin pulls up to your house and double parks the car to lean in for a nightly goodbye kiss.

“You’re not coming in?” You try to read his facial expressions, but he hides his emotions too perfectly.

His lips curl into a smile before saying, “I think it’s better I cool off tonight.” And you mindlessly give him a peck, but he holds your face to deepen it. Through the kiss, you can feel the neediness by the way Jaemin shoves his tongue into your mouth. The taste of lust against your palette is difficult to ignore, but your academically responsible mind screams at you about your forgotten quiz.

Your hand lightly taps at his chest and he pulls away, his eyes drinking up your swollen lips. “I have a quiz, Jaemin.”

“I know, sorry. It’s just so easy to get lost in you.” Jaemin kisses your cheek once more before you exit. You smile back at him as his words have grown a strong effect on you lately. Bidding him goodbye, he wishes you sweet dreams as he patiently makes sure you’re fully inside your house.

“Is the music too loud?” Jaemin checks over at your hunched figure in the passenger seat. You’re diligently flipping through your thick textbook, a yellow highlighter in one hand and the other comfortably holding Jaemin’s.

The worst part of college is the never ending midterms that are given at any time. Studying in his car isn’t a rare sight, if anything it is more expected than you not doing anything related to your academics. But Jaemin genuinely doesn’t mind, even being mindful about his own actions to ensure an optimal studying space for you.

He really is an ideal guy. Like his first promise, he keeps you well fed and never once asks you for any monetary pay back. Jaemin adjusts the car temperature before you even step into the vehicle, knowing that you prefer wearing less clothes rather than more. Though he isn’t academically responsible, he still makes the effort to try and understand enough information to pass his classes.

The sole flaw would be the lack of open communication. It’s genuinely difficult for you to read his emotions or intentions. Jaemin always has a dazed look in his eyes whenever he looks at you, and it’s an internal fight about whether or not you’re being delusional.

“Music is fine, honey.” The mindless use of a pet name slips from your lips, but your concentration on neoliberalism and globalization doesn’t allow for you to notice.

Nevertheless, Jaemin catches on immediately to the usage. While he showers you in ridiculous nicknames, you’re not one to do so. “Honey?”

“Yes?” You answer back carelessly, not entirely actively listening to him as you highlight an important concept in your book.

“No, you called me honey.”

Looking up from your page, you blink at him with wide eyes and mouth slightly agape. “I did?”

Jaemin chuckles and finally pulls into the overly crowded parking lot, a whole mass of fanboys cheering at the arrival of his flashy vehicle. Everyone just loves Jaemin.

This familiar scene plays like a reel --- several high beams cast light under the dark sky due to the lack of functioning street lamps, dizzy multicolored cars that blaze the tracks, and the all too distinct smell of musky cologne in the chilly air. Oh, and the wide eye admirable stares when you get out of the car.

“Hi, you’re stunning.” A bold new recruit blinks at you in complete awe and awkwardly clears his throat once he realizes his rash comment.

Jaemin raises an eyebrow at him, then at how you plan on handling the situation. You’re flattered, nonetheless, but know that Jaemin didn’t bring you here to flirt with other men. “Thank you. I hope you enjoy your membership in the Ridin’ Club.”

The gracefulness in your delicate voice has the youthful recruit swooning and subtly giddy as he runs off to join a group of others that have been eying you across the parking lot. Jaemin casually drapes his leather jacket over your exposed shoulders, knowing the temperature change is going to result in you most likely catching a cold and because you never bring a jacket despite his plea.

“The power you hold.” Jaemin winks at you before pulling you into a larger crowd to socialize with more impressionable recruits.

“Ah, so you’re (Y/N)!” The stranger is unrecognizable, but you giggle to acknowledge his confident statement. “We haven’t met before, but Jaemin was talking about you the other night at our motorcycle meet.”

Your eyes light up, as if you’ve unlocked a new fun fact of Na Jaemin. “You drive a motorcycle too?” You’re truly shocked at the talent of this man.

Jaemin snakes his arm around your lower waist to draw you closer to his side. “Yeah, but I can’t fuck you in a motorcycle, can I?”

Before the other men can comment on the obvious sexual tension that Jaemin created, he leans in to whisper into your ear. “Actually, I can, but we’ll save our decency from unwanted exposure.” His hot breath grazes against the shell of your ear and you just know where you two are going to end up tonight.

“Bro, you guys probably fuck in the backseat of his car.” One of them chimes recklessly, punching at each others’ chest playfully as if he made a decent joke.

“Why don’t you stay to find out?” Jaemin retorts and the grip on your hip becomes tighter. You’re too flustered to add much into this odd form of competitive banter, distracted by none other than the way Jaemin keeps glancing over at you with a delicious gleam in his eyes.

“So what? You don’t care about us now?” You’d know that bratty tone from anywhere as Lee Haechan pushes past everyone else to rush over to the both of you.

“Aw, are your feelings hurt?” Jaemin sticks his tongue out at his friend before cordially sharing a handshake with him.

“Just slightly.” Haechan looks over at you with a wide grin and playful eyes, “hello, my pretty girl.”

“Drop the possessives, Haechan.” Jaemin rolls his eyes with an irritable twitch on his lips.

He hates how obviously jealous he gets. It’s something too difficult for himself to control, he’s exhausted his efforts to bite his tongue whenever it comes to other people’s flirtations. The thought of someone else calling you theirs doesn’t sit well with him.

“I understand your jealousy, Jaem. If someone was flirting with (Y/N), I wouldn’t be able to stand it either.” Haechan fixes the falling jacket on your shoulders. “But she can handle herself, I know those pretty lips have a mind of their own.” His gaze drops momentarily, yet obvious enough for you to grow shy at how strong Haechan is coming off tonight.

“Stop trying to corrupt her, that’s my job.” Jaemin playfully pushes at Haechan’s chest and they both break out laughing.

“I haven’t said one thing and you’re both talking about me as if I’m not here.” Your small pout is literally the cutest thing to Jaemin. He physically has to stop himself from planting the sweetest kiss on it.

It’s blatantly clear that you’re hot stuff. You’re the perfect example of a head turner, your captivating aura has its ability to suffocate those around you. However, Jaemin has seen all sides of you, but overall finding you so entirely cute. And oddly enough, Jaemin has a knack for cute things.

“Is that (Y/N) I hear?” Huang Renjun engulfs you in a hug, showing clear affection and doesn’t mind doing so. “How did your project go?”

“It went well. You accomplish a lot when you don’t procrastinate.” Renjun gleams at your statement and if Jaemin is delusional enough, he’d probably mistaken the twinkle in his eyes for infatuation instead of admiration.

“You’re so responsible, why are you messing with Jaemin?” Renjun sighs and though his question is more of a joke, there is some truth behind his words.

Your friendship with his friends differ immensely compared to other girls who have come around. Like Jaemin had said before, his boys were going to like you and they do, a lot. Sometimes making it obvious that you’re too good for him.

Jeno comes up from the side, an unidentifiable bruise on his neck and a new cut on his brow. Lee Jeno being such a rough character, his appearance speaks well about how his day has been.

But when he lays his eyes on you, it’s as if all his pain is replaced with joy and security. “(Y/N)! I haven’t seen you in so long!” The enthusiastic boy rushes over to greet you with a warm smile.

“I’m pretty sure I was here a week ago.” You laugh, but welcome him in your arms for a tender friendly hug and pat his head out of habit.

“It’s been a week?! That’s so long.” Jeno narrows his eyes at Jaemin and flicks his forehead.

“Ow!” Jaemin exclaims while rubbing the pain away. “You act like she doesn’t go to the same school as us and therefore, can see her any time you want to.” The tone in Jaemin’s voice raises some eyebrows as they all exchange glances to each other before bursting into laughter.

“Like your jealous ass would allow for that?” Haechan remarks and Jaemin doesn’t outwardly react. However, Jaemin’s hand is squeezing you so tight that you’re more than certain he’s bothered by the comment.

“Oh, stop it. You all know I’m Team Jaemin. He does have the most wins this past month.” You only know that through Jaemin’s proud boasting, anything else in the racing world is unknown to you.

Jaemin situates you in between his legs as he slightly sits on the hood of his car. His arms wrap around your middle and chin rests on your shoulder. Public display of affection isn’t a problem for him, and you learned much earlier that Jaemin can’t keep his hands off of you.

Renjun scoffs at your whimsical fact, in absolute disbelief. “It hurts more hearing you say it. I’m getting my car upgraded, but once it’s done, I’m going to blaze his ass on the tracks.”

“Are you racing today?” Jeno asks the blue haired fellow that clings onto you like a koala.

“Yeah, against a newbie. Apparently he’s really good, so I’m not too sure I’ll win.” Jaemin mumbles into your hair.

“You say that every time, yet you win!” Renjun crosses his arms, weight shifting to his left leg as he pops his hip out. There is always a sense of competition between anyone with Renjun.

Jaemin perks up behind you and when you turn around in his arms, you’re face to face with a beaming smile. “That’s because I have you.” Eyes lock with yours, he isn’t saying that directed to Renjun. Na Jaemin has you wrapped around his pinky, the butterflies fluttering in your stomach are too hard to ignore.

“Alright, lovebirds. Get in your car and let’s start this shit.” Haechan groans and claps his hands to draw the crowd’s attention. Cupping them around his mouth, he roars into the starry night, “let’s roll!”

During the race, Jaemin’s number one priority is to keep you safe. While you’ve sat in his car for a number of times now, it’s different once the loud bang goes off and he’s hitting 100 mph. Tonight’s track is much more dangerous, with twists and turns that can have the vehicle flying weightlessly if he’s not careful.

“You trust me, right?” Jaemin has both hands on the wheel and the engine rumbling as you both anticipate the start of the race.

Spectators watch on the sidelines as if it’s the ultimate battle, but Jaemin doesn’t pay them much mind. He’s more concerned about you instead. “Of course. If I didn’t, I wouldn’t be sitting here right now. You’ve proven yourself that you’re an excellent driver, so let’s win this.”

Jaemin smirks at your encouraging words, feeling a warmth spread across his chest. “I’ll tap out any time you want me to, okay?”

You nod and the initial whip of the car is so intense that you didn’t even register the sound off. It’s not your first race, but it’s been awhile since the last one. When you adjust to the pressure, the lanes in front of you cause a slight queasiness in your stomach.

It’s a two lane windy road that wraps around the mountain side and Jaemin happens to be in the outer lane. All it takes is a second of lost control and you two will hit the metal railings that guard the cliff below. Despite your inner panic, Jaemin guides you through the pooling anxiety that leaves you restless.

“(Y/N), look up and out the window. We’re coming up on the cliff side view, I’ve always wanted to bring you here.” Your eyes land on the dazzling glitter that dances on the ripples of the lake. It’s so vast, the moon high up in the sky is reflected on the water below. It’s a romantic scene of melancholy and bliss. Suddenly, you feel at peace in the middle of this high speed race.

“It’s beautiful, Jaem.” You whisper calmly and he’d reach for your hand to hold, but races take too much wheel control. And he’d turn to look at you, but races take too much concentration on the road ahead.

But throughout every obstacle, he hears the gentleness and the solidarity in your cadence in the midst of all the high stress. He, too, feels peace. He feels calm knowing that you’re simply by his side, even in the face of danger. So, he can finally admit to himself… he genuinely developed feelings for you.

Before you know it, you’re thrusted side to side from the sharp turns and the adrenaline kicks in when the other racer catches up right next to Jaemin. “Fuck,” Jaemin curses underneath his breath and steps harshly on the acceleration. “Baby, I’m going to go a bit faster so hold onto something.” He warns and your hand finds the grab handle. It’s neck and neck at this point.

Usually, you squeeze your eyes shut to avoid becoming too overwhelmed by the sights in front of you. Tonight is different, not entirely knowing why, you’re observing every element that circles around the perimeter.

The finish line is up ahead, but there is no sign that the other racer is slowing down. Then, you see it: the fatal mistake that can cost you both of your lives if you didn’t catch it. “Jaemin, watch out!” You yelp when the other car inches dangerously close, your warning allows Jaemin to make a controlled swerve away from a possible hit.

Jaemin shakes his head and tsks at the recklessness. “Now I know why he’s good. It’s foul play.” He blows his bang out of his eyes and casually says, “thank you for warning me. This is why I need you by my side.”

He makes it to the finish line barely before the other, winning the race by half a second. Jaemin brakes smoothly, tire marks scrapping the concrete below, and you both exit the car to celebrate with everyone else.

But before the mass of eager shouting men make their way over to you two, Jaemin hurries to your side to pull you into a steamy, rewarding kiss. The scene is just like the movies; his hand on your lower back and yours on his chest lightly. His lips taste like triumph, like he had won more than just a simple race against a random stranger. He’s won the best person he could ever have.

You two fled the scene after cussing out the other racer. It was a rare sight to see: Jaemin being all bothered and angry, practically fuming after scrambling back into the driver’s seat. However, your mind had mischievous plans of its own and all it took was one look from his hooded eyes for you to announce that you wanted him --- badly.

Back in your usual abandoned parking lot, Jaemin pauses before following you to the back seats. With the engine off and the dead of the night being absolute silent, the tension remains thick around you two. “(Y/N),” Jaemin is about to confess something he never thought he’d admit. He turns to you sitting in the middle seat with just your panties on and a curious look on your face.

His heart burns and despite being so incredibly aroused, he controls his urges enough to be able to say, “I’m into you.”

“I know you’re into me, that’s how we ended up like this in the first place.” You giggle cluelessly to his words, still not understanding the odd shift in mood and intentions. It’s always his unclear, messy intentions.

Though he can’t entirely figure out his puzzle pieces, he has plenty to connect the dots. “I like you. I want to be in a relationship with you and call you my girlfriend.”

You’re stunned. Did Jaemin just confess to you as you sit in your panties ready to fuck? This softness is different from the sides you’ve seen of him. It’s similar to a lost bunny, wandering grasslands to find a purpose. He looks so fragile, one intense stare and he’d crumble. This softness is vulnerability.

“So do it.” The boldness catches him off guard, but switches on the dominance in him. “If you want me, come show it.”

He climbs over the middle console to push you into the leather seats. “Not acting shy anymore, are you?” Practically ripping your shirt off of you, he cups your breast lightly and flicks at your nipples. Your immediate reaction results in a rush of wetness down your core.

“Before I forget,” sitting up, you share a passionate kiss that you’ve held back long enough. You give it every ounce of feeling you have for him. “If it isn’t obvious enough, I like you too.”

“It’s obvious, baby.” Kissing your nose, he wraps a hand around your throat to lightly push you back down. “But hearing you say it out loud makes me happy.” Jaemin smirks, hand still choking you gently and pampering your jawline with soft kisses.

His free hand reaches down into your dripping panties, circling your clit with your wetness. The sensation causes you to whimper for more. “Daddy, give it to me.” You wiggle in his palm, knowing that the nickname is more than effective.

“My sweet (Y/N) wants to get fucked?” Jaemin rolls your underwear off and rids himself of his own bottoms.

“Yes, please.” Through the darkness, his hard dick stands proudly. Jaemin lines himself up as he thrusts into you without another second of hesitation. He waits for you to adjust to his size, his tip barely grazing your sweet spot. “Fuck…”

“You take me so well, my pretty baby.” Jaemin starts moving his hips, slowly at first to build a rhythm. Taking your legs, he presses them into your chest to fuck you at a deeper angle. And you feel him practically in your guts, his cock pumping against your walls deliciously and bumping into your g-spot. “Do you want more of me?”

Your train of thought is in utter shambles and whatever Jaemin is saying to you barely processes. You’re overwhelmed by a pleasure that fills every system, every part of your body. To answer him, you let out an incoherent noise of approval.

Jaemin pulls your hips down while thrusting forward into you, maximizing every inch of his strokes. This single action causes you to scream and grip onto the headrest. “Who knew my sweet girl could be so fucking dirty?” Jaemin chuckles darkly, his cadence dropping several decibels. “When I first met you, I wanted to ruin you.”

All of his filthy words edge you closer to your release as he continues to repeat his previous motion. He holds your hips in place to grind into you, the feeling of his tip rubbing your walls has your eyes rolling back. “Do you want to cum, (Y/N)?”

“Yes!” You yell, the tight ball in your lower abdomen is bound to break any minute. “I want to cum so badly, please.” You beg and moan, the arch in your back lifts you from the seat of the car. Jaemin snaps his hips into you, drilling you quickly to reach your high. And you break. An euphoric cry fills the air as your walls clench around his length. You hear the extra wetness create a slick noise, but Jaemin isn’t done with you yet.

“You wanted to cum so fucking badly. I’ll reward you with one more for being such a good girl for me.” His thumb flicks at your clit and you convulse into spasms from the sensitivity. Your violently shaking legs can’t hold themselves up anymore and Jaemin rests them on his shoulders. He lines kisses along your ankle as the pleasure overtakes you.

“I don’t think I can do it.” You whine, your fingers twisting and toes curling.

“You are going to try, okay baby?” He coos, but it’s most definitely a demand. He sits back on his knees to pick up more speed, fucking endlessly into your swollen pussy and thumb rubbing fast strips against your bud.

“I’m going to snap, Jaem.” You cry, tears rimming your eyes and before you know it, a second wave hits you. Your second orgasm is ruinous and has you squirming around to regain some sense of control.

“Oh fuck, you’re so beautiful.” Jaemin slows down as your walls grip around him again, tighter this time. “I’m going to fill you up with cum,--- watch it drip out of you.” He grunts while releasing into you, his dick twitching and spraying your insides with white.

He pulls out as hot, white cum spills from your pussy. You take this moment to catch your breath and relax your legs. However, Jaemin coats his two fingers and shoves the cum back into you. “Jaemin!” You exclaim at the sudden intrusion.

He curls them into your plushy walls and finger fucks you into another oblivion. “Wait, again?” Your hands wrap around his wrist, but Jaemin moves too fast for you to catch it.

You’re a moaning mess again, louder than before. Jaemin leans down and flicks his tongue against your overstimulated bundle of nerves. Your back arches automatically and a low animalistic scream rises from your throat.

He observes your body lines underneath the moonlight and the last remaining light the broken street lamps have to offer. Your face contours and you’re so far out into ecstasy that you don’t notice how intensely Jaemin watches you lose yourself.

“It feels too good!” With one last thrilling orgasm, you almost pass out and you see small stars of dizziness. He soaks up every last bit of your cathartic reaction and festers a small sense of pride that he can make you feel all this pleasure.

“Such a good girl. You’re beyond impressive, baby.” Jaemin pulls his fingers out to lick them clean and finds some wipes to help you out of your sticky situation.

“Now that you’re my girlfriend, can we cuddle at any time now? Not just as after care.” He peers up at you and the one word enacts a burning warmth to spread across your chest. That is the best nickname he can call you by.

“I think the Singles Girls Only house event is still going on, but after that, yes a million times.” You laugh and wrap your arms around him into a big loving hug.

Jaemin feels right at home. All the long years of living carelessly and wild, he’s finally found someone worth the extra mile. While Jaemin was a thriving adventure to be explored, you were his comfort to run back to.

It is through the intimacy of your backseat chronicles that Jaemin was able to fall deeper for you. You’re his lucky charm, for some reason, he always feels better around you.

#neosmutcollective #neowritingsnet #nct-writers #kpopscape #neothestars #nct scenarios #nct smut #jaemin #nct #jaemin smut #jaemin scenarios #na jaemin #nct dream #nct dream scenarios #nct dream smut #nct imagines #nct dream series #ridinclub

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dwellordream · 3 years

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“…If the crusades were primarily military expeditions, and women were not expected to fight, we might first ask why they were present in significant numbers. What motivated their involvement? The answer to this question is not easily discernable since there were women from all classes of society present on crusade. Moreover, historians have no way of knowing for sure how many women and other non-combatants actually left with the crusading armies. The sheer length and size of many campaigns meant that for any medieval army to function effectively, it required many non-combatants – engineers, bakers, artisans, tailors, squires, prostitutes and so on – in addition to the presence of fighting men and their commanders.

Numerous women formed a part of this retinue; however, the vast majority of women were poor and, in comparison to the knights, foot soldiers and other male warriors who set out alongside them, militarily unsuited to the task of conquering the Holy Land. Many of these women came alone or unmarried, while others had left their homes to come on crusade with their whole family in search of a better life, no doubt influenced to some extent by the enthusiasm and excitement which greeted the whole concept of a holy war. Other factors probably also influenced their decisions to leave for with the crusade army. The fact that certain celestial phenomenon such as aurora and comet sightings around the time that the First Crusade was being preached auspiciously coincided with the end of a long French drought in 1096 may have prompted some women to leave with the crusade army, although it is hard to know for certain.

Moreover, there is also the possibility that, for those who wished to make the pilgrimage to Jerusalem, the prospect of travelling with an armed force who could protect them all the way appealed to unarmed female (and male) pilgrims. One eyewitness to the preparations for the First Crusade, Bernold of Constance, even recorded that ‘innumerable’ numbers of women disguised themselves in men’s clothing, possibly because they wished to actually take up arms against the enemy. This suggestion is supported by the Anglo-Saxon Chronicle, which asserted that ‘women and children’ were amongst those who ‘wanted to war against heathen nations’. Furthermore, we cannot discount the spiritual incentive of simply going to the Holy Land, which undoubtedly would have also helped motivate the masses of men and women to leave on crusade.

In some cases noblewomen also left on crusade, usually in the company of their husbands or other male relatives. Eleanor of Aquitaine, Marie of Champagne, Marguerite of Provence and Eleanor of Castile are all well-known examples of women who followed their husbands on crusade to the Holy Land. Once again though, the motivations for noblewomen who went on crusade are not easily ascertained, although the length of the crusade expeditions (which could last for years) probably had something to do with it, especially for couples who wanted to stay together. Other women appear to have acted fairly independently: around the time of the First Crusade, Emerias of Altejas took the cross by herself, but was persuaded by the bishop of Toulouse to endow a monastery instead of leaving for Jerusalem.

Alice, countess of Brittany, took a crusade vow in the 1260s, and, after her husband died in 1279 without fulfilling his vows, left for the East – specifically the city of Acre – in the late 1280s. On a broader scale, Kedar has drawn attention to an extant passenger list of a crusader ship in the mid-thirteenth century that had 453 passengers on board, forty-two of which were women, and of these women twenty- two were travelling with no male companion. Whatever their motivation, the fact that certain lords and their wives had to consider such decisions at all helped differentiate the crusades from other, more localised military escapades fought on a smaller scale that did not involve the same prospect of spiritual reward or the same possibility for material gain (at least early on) in the form of land.

Clearly, then, there were women from a range of different backgrounds present on crusade, for a variety of different reasons. The support which they rendered to the fighting men, however, was primarily indirect and auxiliary regardless of their social rank, and included such tasks as washing, cleaning clothes, cooking, gathering supplies – even picking lice and fleas off the men’s bodies. They might also provide comfort to the men (through prostitution), or when new territory was conquered they could assist with and become a part of settlement plans within that territory. In another sense, however, women could provide spiritual support for the men, encouraging them whilst they fought and praying for God’s favour.

The medieval poet Baldric of Dol, for instance, in his account of the First Crusade, noted that women and other non-combatants were an integral part of the spiritual side of the crusade and prayed for the men whilst they were fighting. Although this may not sound like a particularly useful form of ‘support’ to those living in the twenty-first century, spiritual supplication was still important since the crusades were a holy war and it was believed that God was on their side. Prayer thus helped ensure God’s favour and consequently the likelihood of military success.

The provision of supplies to the fighting men, most notably water, was another basic but essential form of support women rendered to men on crusade. Describing the female presence at the battle of Dorylaeum, one anonymous chronicler at the scene notes how ‘[t]he women in our camp were a great help to us that day, for they brought up water for the fighting men to drink, and gallantly encouraged those who were fighting and defending them’. Likewise Margaret of Beverly, whose brother recorded her experiences in the Holy Land around the time of the Third Crusade, recounted how she put a pot on her head for protection and brought water to the men on the walls during Saladin’s siege of Jerusalem, being injured in the process by an enemy projectile.

Oliver of Paderborn, whose account of the Fifth Crusade is one of the most detailed and important sources available, also recalled a similar form of female support during the crusaders’ attack on Damietta in Egypt, when he mentions that ‘the women fearlessly brought water and stones, wine and bread to the warriors’. Not long afterwards, during a skirmish between crusaders and Saracens at a castle south of Damietta, he mentions women carrying and distributing water to clerics and foot-soldiers.

The Fifth Crusade also offers examples of how women might assist an army with other supplies besides water. Powell has documented how women were said to have helped grind corn for the Christian army whilst it was besieging Damietta, how they were in charge of the markets selling fish and vegetables to the crusaders, and how they helped attend to the sick and needy. Most notably, Powell notes that women even acted as guards in the crusade camp and were assigned with weapons to prevent desertions and maintain order while the army prepared for a fresh attack against the city.

Joinville too, in his chronicle of the Seventh Crusade, described women who ‘sold provisions’ raising a cry of alarm when the Count of Poitiers was captured at the battle of Mansourah (February 1250). These examples suggest that women could be of definite help on a military expedition, and whilst we should not generalise and assume that women fulfilled the same logistical roles in every crusade or medieval military campaign, it is important to be aware of the different ways they might have rendered basic support and provisions to armies on campaign.

At the same time, however, women sometimes did become much more involved with military actions and appear to have actually used weapons themselves on the enemy, though not specifically in hand-to-hand combat. During the second siege of Toulouse in 1218, for instance, women from within the city supposedly operated the mangonel or perrière (a stone-throwing device) that killed Simon de Montfort, leader of the Albigensian Crusade, just as a Frankish woman ‘shooting from the citadel’ with a mangonel was said to have destroyed the Muslims’ mangonel at Saladin’s siege of Burzay in 1188.

Acting in a similarly defensive manner were the women who helped repel the French attack during the siege of Hennebont in 1342 by throwing stones and pots of chalk from the walls onto the enemy at the urging of Jeanne de Montfort. Likewise, in 1358 women also played an important role in defending the French township of Senlis from an attack by French nobles during the short-lived but violent peasant uprising known as the ‘Jacquerie’. In this case, the townsfolk were forewarned of the attack and had their women stationed at windows ‘to pour great quantities of boiling water down upon the enemy’ while their men-folk fought off the attackers.

…Nevertheless, there are accounts of women who dressed in armour and who may have physically fought the enemy. In studying the evidence available, though, we must be very careful in accounting for possible bias in the sources, particularly in accounts where the author’s ulterior motive may have been to portray the enemy in an unfavourable light and especially when it comes to descriptions of actual female combatants. Hence we must treat as suspicious a passage by the Byzantine chronicler, Niketas Choniatēs, about mounted women bearing ‘lances and weapons’ and dressed in ‘masculine garb...more mannish than the Amazons’ on the Second Crusade. According to the modern translator, this passage was assumed by Steven Runciman to refer to Eleanor of Aquitaine and her retinue, despite the fact that her name was not specifically mentioned. While Eleanor was indeed present on this crusade, the passage makes more sense, however, if it is understood as an attempt to criticise the Franks as uncivilised and even barbaric compared to the Greeks, because they allowed their women to don armour and unnaturally fight as warriors.

In the same way, Muslim chroniclers’ descriptions of Frankish women who supposedly dressed up and rode into battle at the siege of Acre ‘as brave men though they were but tender women’, and who were subsequently ‘not recognised as women until they had been stripped of their arms’ – as well as another Muslim account of a Frankish noblewoman who allegedly fought at Acre alongside 500 of her own knights – must be treated with caution. As Nicholson has noted, for both Christians and Muslims ‘it was expected that good, virtuous women would not normally fight...in a civilised, godly society’. By depicting Frankish women as warriors, therefore, the Muslim chroniclers could illustrate the barbarous and heathen nature of Christian society and contrast it with the properly ordered Muslim society where women knew their place. Thus, while we cannot rule out the possibility that some women at Acre may have actually dressed up and fought, the Muslim accounts are certainly questionable.

Likewise, other accounts of female combatants and women in armour that do not appear to be influenced directly by religious bias must still be carefully evaluated. In France, Orderic Vitalis recorded how Isabel of Conches rode ‘armed as a knight among the knights’ during a conflict in 1090 between her husband, Ralph of Conches, and Count William of Évreux. Although Orderic remarked on her courage among the knights, he says nothing about her subsequent actions, and thus we have no way of knowing if she actually fought. In a similar vein, the English chronicler Jordan Fantosme, writing primarily of the rebellion against Henry II by his son Henry ‘the Young King’ in 1173-1174, asserted that the earl of Leicester had his wife, Petronella, countess of Leicester, dressed up in armour and given a shield and lance before the battle of Fornham in October 1173.

According to Fantosme, Petronella encouraged the earl to fight the English, but fled from the battle while it was in progress and then fell into a ditch where she nearly drowned. Fantosme, however, was the only chronicler to describe Petronella’s martial deeds, and Johns has argued that he was clearly trying to portray Petronella in an unsympathetic way in order to emphasise that women should not be involved in military affairs. Fantosme wrote to entertain, but also to instruct moral lessons and highlight divine law; Petronella thus served as an example against women’s involvement in war and the follies of accepting female advice. Nevertheless, Petronella must have been present or involved in some way since other sources do mention that she was captured after the battle along with the earl and that she was present with him on campaign in England.

Further afield, in the Holy Land, William of Tyre contended that in the first crusade army’s excitement at the imminent capture of Jerusalem ‘even women, regardless of their sex and natural weakness, dared to assume arms and fought manfully far beyond their strength’. His account, however, cannot be verified as no eyewitness accounts of this siege actually describe women acting in such a manner. Likewise, although the memoirs of the twelfth century Muslim nobleman Usāmah Ibn-Munqidh mention several female combatants – a female Muslim slave who rushed into battle ‘sword in hand’; a Frankish women who used a jar to try and help fend off an attack on Frankish pilgrims; a Muslim woman in Shayzar who captured and had killed three Frankish men – it is important to be aware that Usāmah was recalling these anecdotes sixty years after they supposedly took place.

…It is because of this need for more defenders that other accounts of female combatants may be considered more reliable. For, even though Muslim writers are our source for the story of a female archer at Acre who, in defending the city, ‘wounded many Muslims before she was overcome and killed’, it is quite possible that in the heat of battle, when manpower was necessary to fight off attackers, this woman was forced to draw a bow. Equally plausible are these same Muslim writers’ astonishment at finding women amongst the dead on the battlefield after a failed Christian attack on Saladin’s camp, though this revelation does not tell us that these women actually fought.

Then there is the case of Christian women who executed the crew of a captured Turkish ship at Acre. According to the Itinerarium Peregrinorum, ‘the women’s physical weakness prolonged the pain of death, because they cut their heads off with knives instead of swords’. Again, although the women were not actually fighting in battle, it is quite possible that this event did occur given that the men had been defeated already and the women were perhaps motivated by thoughts of revenge. As Evans points out, the passage still displays ‘a gendered approach to weaponry’ in that the Muslims’ death at the hands of women is emphasised as ‘humiliating’ and reference made to women’s weakness – implying that the women were acting in an unnatural way.”

- James Michael Illston, ‘An Entirely Masculine Activity’? Women and War in the High and Late Middle Ages Reconsidered

#history #james michael illston #warfare #crusades #high middle ages #late middle ages #medieval

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princekirijo · 3 years

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BRO, YUKARI. 👀👀

OK HERE WE GO STRAP IN FOLKS IT'S YUKARI TIME! Also a lot of this is kinda salty? I guess? So just a fair warning I just have strong opinions on Yukari 😔

Ok so Yukari. I love her so so much she's one of my favorite characters in the series and one of my trio of comfort characters (the other two being Akihiko and Mitsuru). She's such an interesting and complex character that gets heavily misinterpreted by a lot of the fandom (*cough* cishet men *cough*).

Like ok first off people say that she's mean but while she can be very rude and one of her big flaws is that she doesn't consider others' feelings she's not entirely a bitch either? I think the best example of this that not many people I've seen talk about is how she's the only character who objects to the protagonist and Fuuka joining immediately and wants to make sure they're not being forced into joining. While ultimately both of those characters join of their own accord, Yukari asks them multiple times if they're ok with joining, something the others never do (Mitsuru is guilty of being quite insistent on them joining but that's a discussion for another time). She also feels incredibly guilty for spying on the protagonist at the start, pointing out multiple times that it is a violation of their privacy. Both of these show that she genuinely cares about other people. Pictures are from you lol <3

On that subject when Ken joins Yukari is actually the nicest to him out of all of them, often making sure that he feels welcome and making an effort to talk to him. I think the only other character that does that (if my memory serves me right) is Fuuka. In her social link too she helps out that little kid that was crying in the middle of Paulownia Mall, staying with them until she found their parents or that they were safe. And even in Ultimax her relationship with Ken is just so cute she's so nice to him, she really is like his big sister. So to say that she's just mean and just a bitch is wrong because there's plenty of examples of her being a very nice person.

And actually a lot of people hate her because of how 'easy' her social link is to reverse (I've seen people on YouTube mention this a few times so I thought I'd talk about it). I think it's either rank 5 or 6 there's a scene where Yukari loses her purse and goes back to get it. You find her surrounded by a bunch of guys who are threatening her and are very close to hurting her. The protagonist steps in to stop them and then chases them off. Now I think it's only in the male route this happens (again my memory is bad so sorry about that 😞) but she gets annoyed at you for helping her and then you're given a few options. The correct one is to leave her alone (or something like that) but the one that most people go for which reverses the Social Link is the option to hug her. And people (male youtubers *AHEM*) get annoyed about this because oh yeah of course in this scenario hugging Yukari is a great option and why the hell would she get angry and reject them like that. Like jeez I don't know definitely not the fact that she's very clearly shaken up by the fact that she was almost attacked by three men (who could have done god knows what to her if we hadn't intervened). And definitely not because she's said lots of times that she doesn't like to rely on anyone (particular men) given the whole situation with her mother. The other thing is that I don't think it's outright stated but I really wouldn't be surprised if Yukari was super touch averse given the situation with her mother throwing herself at random men all the time. And (as we discovered lol) there's a very high possibility that her mother was an alcoholic because of this she says in the answer after Junpei's past where he talks about his alcoholic dad:

So like if her mother was an alcoholic there is a high chance she could have suffered some form of abuse which would lead her to being very anti touch. So it really drives me mad when people get annoyed about her Social Link being so easy to break because if you think for a second before doing anything, you'll realize it makes sense that she wouldn't want to be hugged.

But that's enough salt, I love Yukari for a lot of different reasons but the main one is (predictably given that it's me) her relationship with Mitsuru. Regardless of how you want to view it, they are so important and integral to each other's character development. From the tension between them at the start of the game to the end where they're so close, it's honestly one of the best relationships in the game in my opinion. You can really see how much they grow to care for each other. Yukari is the only character brave enough to call Mitsuru out for her bullshit and you can see how Mitsuru grows to appreciate that (because as much as I love Mitsuru, Yukari is absolutely valid to call her out for some of the stuff she does and she needs Yukari to do that). Yukari also ends up being the catalyst to Mitsuru's ultimate persona awakening. At the start of the game too, we're made to believe that both of them are very different. But as the game progresses we're shown that they're actually quite similar. Something I love that the movie does is this scene here (again thank you for pointing this out to me):

The way Yukari finishes Mitsuru's sentence so to speak shows that they actually have pretty similar reasons to awakening to their powers (Mitsuru in order to protect her father and Yukari to protect her father's memory and find out the truth about what happened to him). Yukari also helps Mitsuru open up to others (she's the only other person aside from Akihiko that Mitsuru calls by their first name) and Mitsuru helps Yukari (in a way I can't explain because my brain is failing me) to not judge people as much. They're so important to each other and their character development is so interlinked I just love it so much and it's a big reason as to why I love both of them.

And my other reason as to why I love Yukari is that she's allowed to express her anger in a way that isn't fake or cute (I honestly can't think of another female character who is allowed to do this but I'm sure there's other examples). The best example of this is of course the Answer which I've spoken about before so I'll do my best to keep it brief. I think Yukari's anger in the Answer is a very real response to grief. She's upset over the loss of the protagonist (whom she's heavily implied to have feelings for but I don't think it's outright stated) and she's jealous of Aigis because she inherited his power. She wants to save him so badly because she really cared for him so now that she has a chance and the others are stopping her (in her eyes) she feels betrayed so of course she's going to lash out. Now I fully acknowledge that what she was doing was wrong and she is acting very rude but as I said it's her way of dealing with grief. Something P3 does very well is show how different characters react to grief (eg Mitsuru closing off even more from the others, Akihiko deciding to take it in his stride, Ken having a similar reaction etc). And Yukari's way is no expectation and it's not bad because there's no bad or wrong way to deal with grief. Something people forget as well is that she acknowledges and apologies to the group after the Erebus fight for her behavior and she explains herself (another example of how she is actually a nice person and not a total bitch). I just really related to how she dealt with the whole thing and I love her for that. I also think that some of the other characters in the series (Ann mainly) should have been allowed to express their anger in a more... Real way? Ugly way? I'm not sure how to describe it but I would have liked to see them get angry in a way that wasn't cute (somebody pointed out that the negative reaction to Yukari's anger is probably what stopped future female characters from doing just this and it was an excellent point).

OK so this was super rambling and if you got to the end then wow thank you. I just really love Yukari and it makes me upset how a lot of fans treat her, either as a typical oh this is my persona waifu uwu or she's such a bitch I hate her with no thought process. I honestly understand why some people don't like her but I just ask that people think about how she reacts to certain things and why she acts the way she does before just essentially watering her down to a bitch with daddy issues. She's my emotional support bisexual and I adore how she interacts with the other cast (especially Mitsuru).

#persona 3 #yukari takeba #asks #kalidontskrrt #L i love you for this #ok i really hope i didn't offend anyone because that's not ny intention her #and if anyone wants to debate with me about anything here please feel free to im open to others opinions as long as you're respectful #i just feel super strongly about her because she's one of my comfort characters #and i do think she's such an interesting character too #there's so much more i could have talked about but this is so long #i hope the readmore works #and of course thank you L for the pictures #i hope this makes sense though 💀💀💀#and again if you don't like Yukari that fine and valid #just please don't reduce her down to a one dimensional character because she's really so much more than that #also idk how people feel about the sl on here it's just something ive seen youtubers say a lot #also i think it was andi who mentioned the thing about other characters not being able to express their anger in such a raw way because #of the negative reaction to Yukari #so if that was you then that point lives in my head rent free <3

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moononmyfloor · 2 years

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Luoyang 1st impression after 6 eps.

Might have implicit spoilers, proceed with care if you read!

This is not going to be all-gushing reaction tho ok. I'm just politely sharing my genuine opinion, hope I don't get murdered😅

1. I'm not the biggest fan of extended fight sequences. They make me feel detached, and the only input it gives my brain is that "Ok the production got some money".

This is very PERSONAL tho, I know there are viewers who love that sort of thing, I'm happy for you all! You all will be well fed throughout the drama haha. I've already lost count of how many long fight action scenes we had lol.

2. I'm a big period drama enthusiast and I love it when the production pays attention to details and takes pain to produce a believable atmosphere, but unless it's going to be integrated into the plot/plot relatability is as equally as high as the production, it will not make me care. This kind of happened to me with Longest Day in Chang'an, which I dropped because it bored me as much as it was a feast to eyes (I feel like overall plot is bit similar in both dramas which is not helping that much).

The parts I liked a lot and would love to see someone make gifs of/or would try make gifs myself are

The aerial view of soldiers running across streets at night with torches. It was glorious.

The Tower construction site. That was GREAT to see, we know ancient people built massive buildings too just like today and now we can get an impression of how from a period drama.

The wedding. VERY atmospheric plus sweet guofeng/fusion folk music in the background. It was really nice to see the rites get done, and I felt emotional like I'm actually attending a close friend's wedding🤣. Turns out it's quite similar to how modern day wedding banquets get done too. The wedding attire piqued my interest, I've been under the impression Tang Dynasty wedding garb is red and green, and what they used here instead looks a bit like Sui Dynasty (here, here)? I wonder what are the reasons behind this, if someone does a post about it I'll be so grateful to be educated.

Something I didn't really enjoy that much is (again, very personal), while all the female extras look Tang silhouette (bit plumpy, plus Tang makeup styles), our main females are still very much the regular willowy figure and makeup and all haha. That makes me feel lil bit inconsistent. Also there are some random earrings appearing here and there, which is not a Tang thing (but many Tang dramas use for aesthetic purpose which is fine, but then have all of your girls wear earrings! Or none at all!)

And the artistic but silly scenes like Yibo sitting among a sea of chaotically thrown books an trying to find one word.

I'm glad to say I'm hanging on better with Luoyang compared to Chang'an tho, but it could also be mostly due to Yibo lol. Not only because I love watching him and his microexpressions, but also his character is the only one producing emotional hook point to me so far. I care for him, I feel for his socially obtuse plus possibly ace+demi character🥰. Anyway, he makes me care for the drama, a lot. Which is great!

Other than him, and Wu Zetian (she is played marvelously! Her voice is unexpectedly soft and low and very regal!) I don't particularly feel anything special for rest of the characters, all of them the types of which I've seen one flavor of or another before. And Song Yi's character (Baili Hongli's wife Liu Ran)'s dialogue mostly comprises of "Er lang! Er lang!" hehe

Overall I have a positive impression, I appreciate all the work went into making this. Fingers crossed for the future eps!

#luoyang #fengqi luoyang #luoyang 1st impression #1st impressions #wind from luoyang #personal

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turtle-paced · 4 years

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Revisiting Chapters: Jon VII, ACoK

Short ACoK chapters, short ACoK recaps.

The story so far…

After splitting up from the main body of the Night’s Watch on their recon mission, Jon has climbed a bunch of rocks and spared a prisoner. He hasn’t found the information they’re looking for.

Knowing People

After the scene is set with the squad camping before the descent to the Milkwater, Jon approaches Qhorin to have a chat about that last encounter with Ygritte. By chat he means unburden himself. He tells Qhorin pretty much everything, starting with the offer to defect.

What he gets, though, is information in return. Qhorin here helps us get an idea of who Mance Rayder is. A music-lover, to start with, which is already a good indication that Mance is a fan of stories and self-expression. Plus he liked women, and didn’t like taking orders. Qhorin thinks this was in his blood.

He’s got more general comments, too, applied:

“Only fools like Thoren Smallwood despise the wildlings. They are as brave as we are, Jon. As strong, as quick, as clever. But they have no discipline. They name themselves the free folk, and each one thinks himself as good as a king and wiser than a maester. Mance was the same.”

This does tell us a bit about the biases of the characters south of the Wall. After all, isn’t every person as good as a king? Or rather, isn’t the king no better than any other person? They’re all people. Order and obedience to social so-called superiors are framed as inherently good, rather a context-dependent virtue.

That said, it’s an idea Jon needs to be exposed to, as part of his arc. This will be built on throughout ASoS and ADWD.

Jon admits to sparing Ygritte, something which does not shock Qhorin. Qhorin prompts him to give his reasoning. It’s simple enough - Jon did not think that Ygritte needed to die. She was not evil, he was not acting in self-defence, and without her horn and her weapons, she didn’t pose a threat to their mission.

This part of the interaction confuses Jon.

“Then why did you command [Ygritte’s death] of me?”

“I did not command it. I told you to do what needed to be done, and left you to decide what that would be.”

Qhorin explains that too. “To lead men, you must know them,” he tells Jon. Ygritte’s death didn’t matter to him, for the reasons that Jon spared her. This was a test for Jon, to see what he would judge necessary and how he would react to the independence.

Third Eye

Jon settles down for a nap after talking with Qhorin. He watches Ghost leave before he does, and then once he falls asleep, he’s right into a dream sequence. Initially, it’s from Ghost’s PoV.

There were five of them when there should have been six, and they were scattered, each apart from the others. He felt a deep ache of emptiness, a sense of incompleteness. The forest was vast and cold, and they were so small, so lost. His brothers were out there, and his sister, but he had lost their scent.

Ghost’s PoV? Or Jon’s? What’s the difference, in this dream? Jon doesn’t feel anything particularly unnatural or wrong about sharing Ghost’s body in this state. While alien to the reader, Jon’s own subconscious does not seem to register this as anything out of the ordinary.

Jon then hears a voice addressing him. By name. Clearly recognising him within his wolf. Jon describes the power in the call and recognises his brother. But when he turns, he sees not a wolf, but a tree.

It seemed to sprout from solid rock, its pale roots twisting up from a myriad of fissures and cracks. The tree was slender compared to other weirwoods he had seen, no more than a sapling, yet it was growing as he watched, its limbs thickening as they reached for the sky. Wary, he circled the trunk until he came to the face. Red eyes looked at him. Fierce eyes they were, yet glad to see him. The weirwood had his brother’s face. Had his brother always had three eyes?

Not always, came the silent shout. Not before the crow.

This is enough context to tell us that the brother referred to is Bran. Bran depicted as a young weirwood, growing rapidly. Not only does this indicate that there might be some difference in the nature of Bran’s powers as compared to Jon’s - Bran being in the tree as well as having the connection to his wolf - it’s also clearly a representation of a young magic-user gaining a lot of power very quickly.

There’s something a bit more concerning going on in the fact that Bran’s tree smells of death and darkness as well as wolf, boy, and earth. What exactly this is and means is unclear. Bran himself doesn’t seem to think it’s an issue, though, as he says.

Don’t be afraid, I like it in the dark. No one can see you, but you can see them. But first you have to open your eye. See? Like this. And the tree reached down and touched him.

Without further ado, this launches Jon not just into a wolf dream, but into a wolf. His wolf, awake and hunting in the moutains. Jon recognises the Skirling Pass immediately. When he looks into the valley below, however, he gets a bit of a shock. Below are thousands on thousands of people.

Their encampment had no plan to it; he saw no ditches, no sharpened stakes, no neat rows of horse lines. Everywhere crude earthen shelters and hide tents sprouted haphazardly, like a pox on the face of the earth. He spied untidy mounds of hay, smelled goats and sheep, horses and pigs, dogs in great profusion. Tendrils of dark smoke rose from a thousand cookfires.

This is no army, no more than it is a town. This is a whole people come together.

Before Jon can do anything else, he hears wings, and gets swooped by an eagle.

The Chase Begins

This understandably disturbs Jon’s sleep. His fellow watchmen also want an explanation for why, on this serious sneaking mission, Jon’s randomly started yelling for his wolf. Jon manages a barely-coherent explanation about his dream that includes the detail of a glacier he saw. Stonesnake, however, recognises that detail.

With that, things get a bit more serious. Qhorin gets Jon to recap the dream for him.

“Skinchanger?” said Ebben grimly, looking at the Halfhand. Does he mean the eagle? Jon wondered. Or me?

[…]

“The cold winds are rising. Mormont feared as much. Benjen Stark felt it as well. Dead men walk and the trees have eyes again. Why should we balk at wargs and giants?”

There is a quick, practical acceptance of the use of Jon’s talents. If there’s any freaking out (including from Jon), it’s kept internal. It’s just something that has to be dealt with. The group presses on, with no sign of Ghost. There is an eagle, though, staying out of bowshot.

And then they find Ghost, who’s been attacked by a large bird. Nobody comments on it explicitly, but given the end of Jon’s dream and the wounds they’ve now found on Ghost, this verifies what Jon dreamed.

This would also indicate to the Watchmen that the eagle still hanging around just out of bowshot is the eagle that attacked Ghost, and therefore probably a skinchanger. They’ve been spotted. So they decide to run. It’s a creepy sort of pursuit, given that their only known pursuer is an eagle.

All night they rode, feeling their way up the twisting pass and through the stretches of broken ground. The wind grew stronger. Sometimes it was so dark that they dismounted and went ahead on foot, each man leading his garron. Once, Ebben suggested that some torches might serve them well, but Qhorin said, “No fire,” and that was the end of that. They reached the bridge at the summit and began to descend again. Off in the darkness a shadowcat screamed in fury, its voice bouncing off the rocks so it seemed as though a dozen other ‘cats were giving answer. Once Jon thought he saw a pair of glowing eyes on a ledge overhead, as big as harvest moons.

In the dark and the cold, with unsteady footing, where the natural world may be as hostile as their pursuers, who are an unknown distance behind and who are tracking them from the air. Before dawn, Qhorin tells Squire Dalbridge (established earlier as an excellent archer) to hold off pursuit. The eagle is a priority target, should Dalbridge see him.

He’s staying to die, Jon realised.

But for all that, it’s only just after dawn when the remaining Watchmen hear the sound of hunting horns. They’ve got all the head start they’re going to get. The chase is now on in earnest.

Chapter Function

This chapter leads into and justifies Qhorin’s decision to ask Jon to go undercover with the Free Folk. Jon’s telling Qhorin that he was made an offer to swap sides lets Qhorin know that Jon’s got integrity and commitment to the Watch; Jon’s refusal to kill Ygritte and to admit this fact shows moral independence. When given an important decision, Jon was willing to make his own call, and questioning shows his reasoning. Jon also listens to what Qhorin has to say about Mance and about the Free Folk more generally. The combination is what allows Qhorin to make that request.

Politically, this chapter also reveals what the deal with the Free Folk is, and that deal is mass migration. Jon was expecting an army. There’s definitely military force there, but the substance to this reveal is that all the villages were empty because the Free Folk, as a whole, are doing something they’ve never truly done before - uniting. The why of that is left unclear, but ‘in the face of a greater threat’ seems reasonable in light of the spooky stuff the reader has also seen going on.

This chapter also advances the magical plot, waking Jon up to his powers as a warg, and showing Bran’s magical advancement. Instead of staying mysterious, though, the impacts of the magical on the mundane are immediately apparent and require immediate mundane response. The rules of magic may be mysterious, but magic can also have some very practical applications. Jon’s dream provides the military intelligence that the scouting mission were after in the first place.

Miscellany

“Shadows are friends to men in black,” Qhorin says, but it seems for all his experience Qhorin’s not an arctic camo expert.

Clothing Porn

As usual for a Watch chapter, everyone’s wearing black. Stonesnake has a ragged fur cloak.

Food Porn

Also as usual for a Watch chapter, food porn is limited. Salt beef, yum yum.

Next Three Chapters

Jon IX, ADWD - The Princess in the Tower, AFFC - Dany X, AGoT

#ASoIaF #valyrianscrolls #revisiting chapters #jon snow #a clash of kings

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warriorsredux · 4 years

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RE: Feedback for the Redux.

(I wanted to give you really in-depth feedback. Unfortunately, it ended up being way longer than I anticipated. I figured it would be easier to send this as a submission rather than breaking it up into a million smaller asks. I hope that’s all right!)

Note: I put this under a readmore to save space, but I have read it all and thoroughly agree with it. Thank you so much for the feedback, man!

Before I get into the nitty-gritty, I want to briefly talk about my personal relationship with Warriors - not because I want to talk about myself necessarily, but because I want to provide some relevant context. You see, I was first introduced to these books in 2004, about when I was nine years old. You could argue, in some ways, that these books defined a large part of my childhood, and were extremely influential into my teenage years and early adulthood. When I wasn’t fantasizing about colonies of talking feral cats, I was gleefully writing fanfics and roleplaying online. Those were my first tentative forays into writing, and would ultimately set me on the path to refine and hone those skills in the years to come. I was obsessed with the mythology and lore of this world, with the sprawling cast of characters, with the steady publication of new entries into the series.

Now, kids tend to not have the best critical thinking skills. Which is why it took until my late teenage years to realize that my cherished books were really, really not that great. The mythology and lore that I’d praised were starved of any creativity, steeped in the cliches of the fantasy genre, and prone to collapsing under their own weight when subjected to even the smallest amount of scrutiny. The characters that I adored? They were blighted with similar cliches, lacking in any sort of growth or development or depth; sustained only by archetypes and whatever retcons the authors thought would sell the most books, either through hype, drama, or fanservice. Exacerbating all of this was the publisher’s insistence on milking the franchise for whatever profit nostalgia could still yield. They weren’t writing more books because they had new, interesting ideas they wanted to explore - they did it because this series was (and still is) fucking lucrative. As I thought about these things more critically, and became more informed on social issues, it became impossible to unsee the uglier aspects of the franchise - the ableism, the queerbaiting and lack of representation, the depiction of minors and adults (Dustpelt and Ferncloud, Thistleclaw and Spottedleaf) having romantic or sexual relationships, the blind nationalism and eugenics/persecution of minorities (non-Clanborn cats) and characters of mixed descent (half-Clan cats). People far more informed and far more eloquent than myself have discussed those issues in-depth elsewhere, but suffice to say, I was understandably upset by these things. No amount of nostalgia could blind me to those flaws.

And yet, for some reason, I never really stopped loving Warriors. Or put more accurately - I never stopped loving the potential of Warriors. That was the thing that I kept coming back to. The wasted potential of a series depicting the lives of feral cats, and their brutal struggle to survive in the wilderness, all the while deeply immersed in their own complex societies and cultures. It became painfully clear to me that the thing I loved about Warriors was the sandbox nature of the franchise, and all the ways fans were able to explore that untapped potential. With that realization now achieved, Warriors slipped into the back of my mind, accruing cobwebs as the years passed. Occasionally those dormant thoughts stirred whenever I saw a piece of fanart on my dashboard, or I passed a new release while browsing the local Barnes & Noble. Sometimes I even entertained the fleeting thought of writing AU fics again. But by and large, Warriors had been retired from my thoughts.

And then, in 2017, I found the Redux.

While writing this segment I had several false starts, in no small part because I didn’t know what to talk about first. It was like someone had gone through my thoughts with a steel-toothed comb, and took every disappointment, every what if, and turned it into a reality. Holy shit, look at this blog! Look at the meta commentary! Look at all of the worldbuilding! I could clearly see just how much passion and attention to detail was put into developing the plot and the characters. How many hundreds of hours went into correcting the broken genetics of the canon characters. Suddenly, the Clans had culture - real, living, breathing culture! There was a pantheon of deities and demigods. A deliberate intention behind the naming tradition beyond slapping two words together because they sounded pretty or made for a trite pun. This. This was the story Warriors should have been. This lone blog managed to conceive an original lore for the Clans, while further developing the canon plots beyond their base elements. What three authors failed to do, one person achieved on their own.

You made forgettable characters interesting. And you made interesting characters unforgettable.

I lived for every scrap of content you created - the asks, the deconstructions, the amendment posts, the art, even the fucking shitposts (because they were just genuinely wholesome and funny). The Redux wasn’t just a source of entertainment, either - it introduced me to the idea of writing an AU that was sustained by meta-analysis, and grounded in critical reception of the series’ flaws (both technical and social). Your work eventually inspired me to create my own Redux-style worldbuilding/AU blog for a series that has similar issues to canon Warriors.

The Redux deserves all the praise it gets, and you should be extremely proud of what you’ve accomplished. Even if the Third Arc wasn’t finished or the Fourth started, it was still a helluva ride, one that I’m so glad I got to participate in.

But, of course, you asked for feedback, so I can’t spend the entirety of this post throwing roses at your feet. So, onto the constructive feedback.

I think a lot of my thoughts are going to echo what other people have previously said, but for me, the biggest setbacks in the Redux were the following:

[1] Pacing. This is going to sound weird, but this isn’t a criticism of the Redux’s length. Rather, it’s more about how that time was spent. While I really like how you adjusted aspects of the Redux’s plot in order to still tangentially align with the books’, it sometimes felt like the chapters were there just to connect points A and B. I knew this was a retelling of the original series, so I already had a vague idea of what the general storybeats would be. What appealed to me was how the story would get to those points. Let me give you an example: in Arc 1, we’re told in chapter 10 that Murkpelt is roaming the territories, and poses a threat to the Clans. Immediately in chapter 11 we’re taken to the scene where Firepaw finds her while escorting Spottedleaf. We’re told about ThunderClan’s efforts to track her prior, and about the looming tension in the wake of this invisible threat. But that’s the thing - we’re told that by the narration in just a paragraph or two. We’re not shown what that looks like. The setup is supposed to be everyone being on edge, but Bluestar’s lounging by the stump when the scene begins. It’s a little dissonant, and it has the unfortunate problem of contradicting the narration. It would’ve been so cool to see a chapter or two where Firepaw’s still trying to immerse himself into Clan life, and his questions are met with terse answers or impatience. Undercut his (and the reader’s) learning with other characters being brusque with him, or short-tempered, or something. And then that could lead into Greypaw or Ravenpaw consoling him and explaining why the situation is so serious. Then Firepaw could ask something like, “Have there ever been instances like this before with rogues?” Which could organically lead to a conversation where Greypaw or Ravenpaw bring up relevant lore/worldbuilding. It’s little stuff like that which would’ve helped with immersion and pacing. I think it would have balanced the two out, by providing pseudo-downtime where the audience experiences the world as the characters do. (If that makes sense.) Or, to provide another example: we never get to see Tres Idiots mentoring Snowpaw. In chapters 5 and 6 of Arc 3, we see Raventhroat struggling to develop a signing system he can use with his apprentice; and then, after a few chapters he’s perfectly narrating the Bright-Eyed Crow to Snowpaw. I think that showing us scenes where the two were actually working out the kinks would have done more to develop Raventhroat’s character arc. He went from being a meek, timid apprentice to an eloquent warrior, and him becoming a mentor is supposed to be a definite part of that journey. It would’ve have been so cool to have plot-relevant scenes broken up by smaller ones where we watch Raventhroat gain confidence through each small success he makes with his apprentice. I’m not sure if I’m conveying exactly what I want to say, but I guess the TL;DR would be something like - I would’ve gladly welcomed either more chapters, or longer ones, if it meant we got more scenes like this.

[2] Utilization of the worldbuilding. You mentioned this already in response to another ask, but if you could go back and change anything, it would be incorporating more lore/adhering the Redux to its lore more strongly. Your worldbuilding is perhaps the strongest part of the Redux by far. You gave us a conlang, traditions, folk stories, Clan stereotypes - so much fascinating material - but it feels like its integration was based solely on whether or not it was relevant to the plot at hand. Unless there was a reason why it was brought up, then we’d never get to see a ThunderClan cat freaking out near a ShadowClan seer and refusing to approach them at a Gathering. Or listen to Mistfoot share a poem with Greystripe and Fireheart (after being goaded into it by Silverstream). Or watch as Redtail politely interrupts the elders and asks for their opinion on an important matter. Or listen to the Clan getting together after a loved one dies and share stories about their life. Or watch as Sandpaw/Dustpaw use their age and seniority over Firepaw to terrorize him with stories of Yrrun and Terror. On one hand, I absolutely understand why a lot of lore was relegated exclusively to the Amendment section - it’s important to strike a balance between what’s interesting versus what’s relevant. You don’t wanna just throw worldbuilding trivia at the audience apropos of nothing. On the other hand, I really wish I’d seen a much larger integration of your worldbuilding into the story, because it’s so fascinating and so god damn good.

[3] Utilization of the characters. One of the things you tweaked, that I absolutely loved, was choosing to introduce Silverpaw in Arc 1 at a Gathering. Not only does it create a realistic basis for her friendship with Tres Idiots, but it fixes the canon’s issue of her saving Greystripe out of nowhere and then developing a relationship on that alone. That was fucking great! Same thing with Rainpath - it was so awesome for Fireheart to get a friend in another Clan (ShadowClan, of all Clans). It broke the mold, and their interactions were just delightful. But outside of those examples, sometimes it kinda felt like the side characters didn’t really exist? I remember an old piece of writing advice, but I can’t recall who it’s attributed to: “Treat your side characters like they think they’re the main characters.” Because they absolutely are. I might be some passing stranger in another person’s life, barely a blip on their radar, but I have my own vibrant story. Everyone does. In the Redux, it sometimes felt like minor or side characters weren’t living their own lives outside of their interactions with Fireheart and his friends. Mousefur’s the most fluent speaker of Fang in ThunderClan? Cool. How did she learn that skill? Who taught her? Does she have a friend in WindClan who’s been teaching her new words at Gatherings, or whenever they happen to cross paths while on border patrols near Four Trees? Not only is that character trivia interesting, but it could provide foreshadowing/become relevant later on. When the Clans meet to discuss how to deal with the dogs in Arc 3, perhaps someone suggests having their most fluent Fang speakers act as interpreters/diplomats, and try to broker some sort of peace/understanding with the dogs. Things like that. Basically, it would’ve been nice if Fireheart’s life intersected more with the goings-on of his Clanmates, or if his own goals/agenda were sometimes inconvenienced by the goals/agenda of others.

I think those are my major criticisms. More integration of lore, a slower/steadier pace that accommodates showing over telling, and finding ways to have the personal lives of minor characters interact with the story. Maybe adding in some additional subplots that are congruent with the main plots, and occur simultaneously, in order to keep chapters busy. That sort of thing. I hope what I provided wasn’t overwhelming in any way, and ends up being useful for either the Redux or any of your other writing projects.

As an aside, thank you. For creating this humble niche community within an even larger fandom. For asking for feedback from your readers. For being someone who makes mistakes, but eventually endeavors to learn from them, and ultimately, become a better person. I know this sounds kinda sappy, but I really do mean it. <3

(For the record I wrote this at like five in the morning, so if there are any grammatical errors I’ll be kicking myself in the ass for those.)

#silvokrent #submission #i speak #kind of #textwall #readmore

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tswiftdaily · 4 years

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In the 2010s, she went from country superstar to pop titan and broke records with chart-topping albums and blockbuster tours. Now Swift is using her industry clout to fight for artists’ rights and foster the musical community she wished she had coming up.

One evening in late-October, before she performed at a benefit concert at the Hollywood Bowl in Los Angeles, Taylor Swift’s dressing room became -- as it often does -- an impromptu summit of music’s biggest names. Swift was there to take part in the American Cancer Society’s annual We Can Survive concert alongside Billie Eilish, Lizzo, Camila Cabello and others, and a few of the artists on the lineup came by to visit.

Eilish, along with her mother and her brother/collaborator, Finneas O’Connell, popped in to say hello -- the first time she and Swift had met. Later, Swift joined the exclusive club of people who have seen Marshmello without his signature helmet when the EDM star and his manager stopped by.

“Two dudes walked in -- I didn’t know which one was him,” recalls Swift a few weeks later, sitting on a lounge chair in the backyard of a private Beverly Hills residence following a photo shoot. Her momentary confusion turned into a pang of envy. “It’s really smart! Because he’s got a life, and he can get a house that doesn’t have to have a paparazzi-proof entrance.” She stops to adjust her gray sweatshirt dress and lets out a clipped laugh.

Swift, who will celebrate her 30th birthday on Dec. 13, has been impossibly famous for nearly half of her lifetime. She was 16 when she released her self-titled debut album in 2006, and 20 when her second album, Fearless, won the Grammy Award for album of the year in 2010, making her the youngest artist to ever receive the honor. As the decade comes to a close, Swift is one of the most accomplished musical acts of all time: 37.3 million albums sold, according to Nielsen Music; 95 entries on the Billboard Hot 100 (including five No. 1s); 23 Billboard Music Awards; 12 Country Music Association Awards; 10 Grammys; and five world tours.

She also finishes the decade in a totally different realm of the music world from where she started. Swift’s crossover from country to pop -- hinted at on 2012’s Red and fully embraced on 2014’s 1989 -- reflected a mainstream era in which genres were blended with little abandon, where artists with roots in country, folk and trap music could join forces without anyone raising eyebrows. (See: Swift’s top 20 hit “End Game,” from 2017’s reputation, which featured Ed Sheeran and Future.)

Swift’s new album, Lover, released in August, is both a warm break from the darkness of reputation -- which was created during a wave of negative press generated by Swift’s public clash with Kanye West and Kim Kardashian-West -- as well as an amalgam of all her stylistic explorations through the years, from dreamy synth-pop to hushed country. “The skies were opening up in my life,” says Swift of the album, which garnered three Grammy nominations, including song of the year for the title track.

She recorded Lover after the Reputation Stadium Tour broke the record for the highest-grossing U.S. tour late last year. In 2020, Swift will embark on Lover Fest, a run of stadium dates that will feature a hand-picked lineup of artists (as yet unannounced) and allow Swift more time off from the road. “This is a year where I have to be there for my family -- there’s a lot of question marks throughout the next year, so I wanted to make sure that I could go home,” says Swift, likely referencing her mother’s cancer diagnosis, which inspired the Lover heart-wrencher “Soon You’ll Get Better.”

Now, however, Swift finds herself in a different highly publicized dispute. This time it’s with Scott Borchetta, the head of her former label, Big Machine Records, and Scooter Braun, the manager-mogul whose Ithaca Holdings acquired Big Machine Label Group and its master recordings, which include Swift’s six pre-Lover albums, in June. Upon news of the sale, Swift wrote in a Tumblr post that it was her “worst case scenario,” accusing Braun of “bullying” her throughout her career due to his connections with West. She maintains today that she was never given the opportunity to buy her masters outright. (On Tumblr, she wrote that she was offered the chance to “earn” back the masters to one of her albums for each new album she turned in if she re-signed with Big Machine; Borchetta disputed this characterization, saying she had the opportunity to acquire her masters in exchange for re-signing with the label for a “length of time” -- 10 more years, according to screenshots of legal documents posted on the Big Machine website.)

Swift has said that she intends to rerecord her first six albums next year -- starting next November, when she says she’s contractually able to -- in order to regain control of her recordings. But the back-and-forth appears to be nowhere near over: Last month, Swift alleged that Borchetta and Braun were blocking her from performing her past hits at the American Music Awards or using them in an upcoming Netflix documentary -- claims Big Machine characterized as “false information” in a response that did not get into specifics. (Swift ultimately performed the medley she had planned.) In the weeks following this interview, Braun said he was open to “all possibilities” in finding a “resolution,” and Billboard sources say that includes negotiating a sale. Swift remains interested in buying her masters, though the price could be a sticking point, given her rerecording plans, the control she has over the licensing of her music for film and TV, and the market growth since Braun’s acquisition.

However it plays out, the battle over her masters is the latest in a series of moves that has turned Swift into something of an advocate for artists’ rights -- and made her a cause that everyone from Halsey to Elizabeth Warren has rallied behind. From 2014 to 2017, Swift withheld her catalog from Spotify to protest the streaming company’s compensation rates, saying in a 2014 interview, “There should be an inherent value placed on art. I didn’t see that happening, perception-wise, when I put my music on Spotify.” In 2015, ahead of the launch of Apple Music, Swift wrote an open letter criticizing Apple for its plan to not pay royalties during the three-month free trial it was set to offer listeners; the company announced a new policy within 24 hours. Most recently, when she signed a new global deal with Universal Music Group in 2018, Swift (who is now on Republic Records) said one of the conditions of her contract was that UMG share proceeds from any sale of its Spotify equity with its roster of artists -- and make them nonrecoupable against those artists’ earnings.

During a wide-ranging conversation, Billboard’s Woman of the Decade expresses hope that she can help make the lives of creators a little easier in the years to come -- and a belief that her behind-the-scenes strides will be as integral to her legacy as her biggest singles. “New artists and producers and writers need work, and they need to be likable and get booked in sessions, and they can’t make noise -- but if I can, then I’m going to,” promises Swift. This is where being impossibly famous can be a very good thing. “I know that it seems like I’m very loud about this,” she says, “but it’s because someone has to be.”

While watching some of your performances this year -- like Saturday Night Live and NPR’s Tiny Desk Concert -- I was struck by how focused you seemed, like there were no distractions getting in the way of what you were trying to say.

That’s a really wonderful way of looking at this phase of my life and my music. I’ve spent a lot of time recalibrating my life to make it feel manageable. Because there were some years there where I felt like I didn’t quite know what exactly to give people and what to hold back, what to share and what to protect. I think a lot of people go through that, especially in the last decade. I broke through pre-social media, and then there was this phase where social media felt fun and casual and quirky and safe. And then it got to the point where everyone has to evaluate their relationship with social media. So I decided that the best thing I have to offer people is my music. I’m not really here to influence their fashion or their social lives. That has bled through into the live part of what I do.

Meanwhile, you’ve found a way to interact with your fans in this very pure way -- on your Tumblr page.

Tumblr is the last place on the internet where I feel like I can still make a joke because it feels small, like a neighborhood rather than an entire continent. We can kid around -- they literally drag me. It’s fun. That’s a real comfort zone for me. And just like anything else, I need breaks from it sometimes. But when I do participate in that space, it’s always in a very inside-joke, friend vibe. Sometimes, when I open Twitter, I get so overwhelmed that I just immediately close it. I haven’t had Twitter on my phone in a while because I don’t like to have too much news. Like, I follow politics, and that’s it. But I don’t like to follow who has broken up with who, or who wore an interesting pair of shoes. There’s only so much bandwidth my brain can really have.

It’s sort of an amalgamation of all of it. People who aren’t active fans of your music, who like one song but love to hear who has been canceled on Twitter. I’ve had several upheavals of somehow not being what I should be. And this happens to women in music way more than men. That’s why I get so many phone calls from new artists out of the blue -- like, “Hey, I’m getting my first wave of bad press, I’m freaking out, can I talk to you?” And the answer is always yes! I’m talking about more than 20 people who have randomly reached out to me. I take it as a compliment because it means that they see what has happened over the course of my career, over and over again.

Did you have someone like that to reach out to?

Not really, because my career has existed in lots of different neighborhoods of music. I had so many mentors in country music. Faith Hill was wonderful. She would reach out to me and invite me over and take me on tour, and I knew that I could talk to her. Crossing over to pop is a completely different world. Country music is a real community, and in pop I didn’t see that community as much. Now there is a bit of one between the girls in pop -- we all have each other’s numbers and text each other -- but when I first started out in pop it was very much you versus you versus you. We didn’t have a network, which is weird because we can help each other through these moments when you just feel completely isolated.

Do you feel like those barriers are actively being broken down now?

God, I hope so. I also hope people can call it out, [like] if you see a Grammy prediction article, and it’s just two women’s faces next to each other and feels a bit gratuitous. No one’s going to start out being perfectly educated on the intricacies of gender politics. The key is that people are trying to learn, and that’s great. No one’s going to get it perfect, but, God, please try.

At this point, who is your sounding board, creatively and professionally?

From a creative standpoint, I’ve been writing alone a lot more. I’m good with being alone, with thinking alone. When I come up with a marketing idea for the Lover tour, the album launch, the merch, I’ll go right to my management company that I’ve put together. I think a team is the best way to be managed. Just from my experience, I don’t think that this overarching, one-person-handles-my-career thing was ever going to work for me. Because that person ends up kind of being me who comes up with most of the ideas, and then I have an amazing team that facilitates those ideas.

The behind-the-scenes work is different for every phase of my career that I’m in. Putting together the festival shows that we’re doing for Lover is completely different than putting together the Reputation Stadium Tour. Putting together the reputation launch was so different than putting together the 1989 launch. So we really do attack things case by case, where the creative first informs everything else.

You’ve spoken before about how meaningful the reputation tour’s success was. What did it represent?

That tour was something that I wanted to immortalize in the Netflix special that we did because the album was a story, but it almost was like a story that wasn’t fully realized until you saw it live. It was so cool to hear people leaving the show being like, “I understand it now. I fully get it now.” There are a lot of red herrings and bait-and-switches in the choices that I’ll make with albums, because I want people to go and explore the body of work. You can never express how you feel over the course of an album in a single, so why try?

That seems especially true of your last three albums or so.

“Shake It Off” is nothing like the rest of 1989. It’s almost like I feel so much pressure with a first single that I don’t want the first single to be something that makes you feel like you’ve figured out what I’ve made on the rest of the project. I still truly believe in albums, whatever form you consume them in -- if you want to stream them or buy them or listen to them on vinyl. And I don’t think that makes me a staunch purist. I think that that is a strong feeling throughout the music industry. We’re running really fast toward a singles industry, but you got to believe in something. I still believe that albums are important.

The music industry has become increasingly global during the past decade. Is reaching new markets something you think about?

Yeah, and I’m always trying to learn. I’m learning from everyone. I’m learning when I go see Bruce Springsteen or Madonna do a theater show. And I’m learning from new artists who are coming out right now, just seeing what they’re doing and thinking, “That’s really cool.” You need to keep your influences broad and wide-ranging, and my favorite people who make music have always done that. I got to work with Andrew Lloyd Webber on the Cats movie, and Andrew will walk through the door and be like, “I’ve just seen this amazing thing on TikTok!” And I’m like, “You are it! You are it!” Because you cannot look at what quote-unquote “the kids are doing” and roll your eyes. You have to learn.

Have you explored TikTok at all?

I only see them when they’re posted to Tumblr, but I love them! I think that they’re hilarious and amazing. Andrew says that they’ve made musicals cool again, because there’s a huge musical facet to TikTok. [He’s] like, “Any way we can do that is good.”

How do you see your involvement in the business side of your career progressing in the next decade? You seem like someone who could eventually start a label or be more hands-on with signing artists.

I do think about it every once in a while, but if I was going to do it, I would need to do it with all of my energy. I know how important that is, when you’ve got someone else’s career in your hands, and I know how it feels when someone isn’t generous.

You’ve served as an ambassador of sorts for artists, especially recently -- staring down streaming services over payouts, increasing public awareness about the terms of record deals.

We have a long way to go. I think that we’re working off of an antiquated contractual system. We’re galloping toward a new industry but not thinking about recalibrating financial structures and compensation rates, taking care of producers and writers.

We need to think about how we handle master recordings, because this isn’t it. When I stood up and talked about this, I saw a lot of fans saying, “Wait, the creators of this work do not own their work, ever?” I spent 10 years of my life trying rigorously to purchase my masters outright and was then denied that opportunity, and I just don’t want that to happen to another artist if I can help it. I want to at least raise my hand and say, “This is something that an artist should be able to earn back over the course of their deal -- not as a renegotiation ploy -- and something that artists should maybe have the first right of refusal to buy.” God, I would have paid so much for them! Anything to own my work that was an actual sale option, but it wasn’t given to me.

Thankfully, there’s power in writing your music. Every week, we get a dozen synch requests to use “Shake It Off” in some advertisement or “Blank Space” in some movie trailer, and we say no to every single one of them. And the reason I’m rerecording my music next year is because I do want my music to live on. I do want it to be in movies, I do want it to be in commercials. But I only want that if I own it.

Do you know how long that rerecording process will take?

I don’t know! But it’s going to be fun, because it’ll feel like regaining a freedom and taking back what’s mine. When I created [these songs], I didn’t know what they would grow up to be. Going back in and knowing that it meant something to people is actually a really beautiful way to celebrate what the fans have done for my music.

Ten years ago, on the brink of the 2010s, you were about to turn 20. What advice would you give yourself if you could go back in time?

Oh, God -- I wouldn’t give myself any advice. I would have done everything exactly the same way. Because even the really tough things I’ve gone through taught me things that I never would have learned any other way. I really appreciate my experience, the ups and downs. And maybe that seems ridiculously Zen, but … I’ve got my friends, who like me for the right reasons. I’ve got my family. I’ve got my boyfriend. I’ve got my fans. I’ve got my cats.

#taylor swift #interview #billboard #women in music #woman of the decade

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path-of-my-childhood · 4 years

Text

Billboard Woman of the Decade Taylor Swift: 'I Do Want My Music to Live On'

By: Jason Lipshutz for Billboard Magazine Date: December 14th issue

One evening in late October, before she performed at a benefit concert at the Hollywood Bowl in Los Angeles, Taylor Swift’s dressing room became - as it often does - an impromptu summit of music’s biggest names. Swift was there to take part in the American Cancer Society’s annual We Can Survive concert alongside Billie Eilish, Lizzo, Camila Cabello and others, and a few of the artists on the lineup came by to visit.

Eilish, along with her mother and her brother/collaborator, Finneas O’Connell, popped in to say hello - the first time she and Swift had met. Later, Swift joined the exclusive club of people who have seen Marshmello without his signature helmet when the EDM star and his manager stopped by.

“Two dudes walked in - I didn’t know which one was him,” recalls Swift a few weeks later, sitting on a lounge chair in the backyard of a private Beverly Hills residence following a photo shoot. Her momentary confusion turned into a pang of envy. “It’s really smart! Because he’s got a life, and he can get a house that doesn’t have to have a paparazzi-proof entrance.” She stops to adjust her gray sweatshirt dress and lets out a clipped laugh.

She also finishes the decade in a totally different realm of the music world from where she started. Swift’s crossover from country to pop - hinted at on 2012’s Red and fully embraced on 2014’s 1989 - reflected a mainstream era in which genres were blended with little abandon, where artists with roots in country, folk and trap music could join forces without anyone raising eyebrows. (See: Swift’s top 20 hit “End Game,” from 2017’s reputation, which featured Ed Sheeran and Future.)

Swift’s new album, Lover, released in August, is both a warm break from the darkness of reputation - which was created during a wave of negative press generated by Swift’s public clash with Kanye West and Kim Kardashian-West - as well as an amalgam of all her stylistic explorations through the years, from dreamy synth-pop to hushed country. “The skies were opening up in my life,” says Swift of the album, which garnered three Grammy nominations, including song of the year for the title track.

She recorded Lover after the Reputation Stadium Tour broke the record for the highest-grossing U.S. tour late last year. In 2020, Swift will embark on Lover Fest, a run of stadium dates that will feature a hand-picked lineup of artists (as yet unannounced) and allow Swift more time off from the road. “This is a year where I have to be there for my family - there’s a lot of question marks throughout the next year, so I wanted to make sure that I could go home,” says Swift, likely referencing her mother’s cancer diagnosis, which inspired the Lover heart-wrencher “Soon You’ll Get Better.”

Now, however, Swift finds herself in a different highly publicized dispute. This time it’s with Scott Borchetta, the head of her former label, Big Machine Records, and Scooter Braun, the manager-mogul whose Ithaca Holdings acquired Big Machine Label Group and its master recordings, which include Swift’s six pre-Lover albums, in June. Upon news of the sale, Swift wrote in a Tumblr post that it was her “worst case scenario,” accusing Braun of “bullying” her throughout her career due to his connections with West. She maintains today that she was never given the opportunity to buy her masters outright. (On Tumblr, she wrote that she was offered the chance to “earn” back the masters to one of her albums for each new album she turned in if she re-signed with Big Machine; Borchetta disputed this characterization, saying she had the opportunity to acquire her masters in exchange for re-signing with the label for a “length of time” - 10 more years, according to screenshots of legal documents posted on the Big Machine website.)

Swift has said that she intends to rerecord her first six albums next year, starting next November, when she says she’s contractually able to - in order to regain control of her recordings. But the back-and-forth appears to be nowhere near over: Last month, Swift alleged that Borchetta and Braun were blocking her from performing her past hits at the American Music Awards or using them in an upcoming Netflix documentary - claims Big Machine characterized as “false information” in a response that did not get into specifics. (Swift ultimately performed the medley she had planned.) In the weeks following this interview, Braun said he was open to “all possibilities” in finding a “resolution,” and Billboard sources say that includes negotiating a sale. Swift remains interested in buying her masters, though the price could be a sticking point, given her rerecording plans, the control she has over the licensing of her music for film and TV, and the market growth since Braun’s acquisition.

However it plays out, the battle over her masters is the latest in a series of moves that has turned Swift into something of an advocate for artists’ rights, and made her a cause that everyone from Halsey to Elizabeth Warren has rallied behind. From 2014 to 2017, Swift withheld her catalog from Spotify to protest the streaming company’s compensation rates, saying in a 2014 interview, “There should be an inherent value placed on art. I didn’t see that happening, perception-wise, when I put my music on Spotify.” In 2015, ahead of the launch of Apple Music, Swift wrote an open letter criticizing Apple for its plan to not pay royalties during the three-month free trial it was set to offer listeners; the company announced a new policy within 24 hours. Most recently, when she signed a new global deal with Universal Music Group in 2018, Swift (who is now on Republic Records) said one of the conditions of her contract was that UMG share proceeds from any sale of its Spotify equity with its roster of artists - and make them non-recoupable against those artists’ earnings.

During a wide-ranging conversation, Billboard’s Woman of the Decade expresses hope that she can help make the lives of creators a little easier in the years to come - and a belief that her behind-the-scenes strides will be as integral to her legacy as her biggest singles. “New artists and producers and writers need work, and they need to be likable and get booked in sessions, and they can’t make noise - but if I can, then I’m going to,” promises Swift. This is where being impossibly famous can be a very good thing. “I know that it seems like I’m very loud about this,” she says, “but it’s because someone has to be.”

While watching some of your performances this year - like SNL and NPR’s Tiny Desk Concert - I was struck by how focused you seemed, like there were no distractions getting in the way of what you were trying to say. That’s a really wonderful way of looking at this phase of my life and my music. I’ve spent a lot of time re-calibrating my life to make it feel manageable. Because there were some years there where I felt like I didn’t quite know what exactly to give people and what to hold back, what to share and what to protect. I think a lot of people go through that, especially in the last decade. I broke through pre-social media, and then there was this phase where social media felt fun and casual and quirky and safe. And then it got to the point where everyone has to evaluate their relationship with social media. So I decided that the best thing I have to offer people is my music. I’m not really here to influence their fashion or their social lives. That has bled through into the live part of what I do.

Meanwhile, you’ve found a way to interact with your fans in this very pure way - on your Tumblr page. Tumblr is the last place on the internet where I feel like I can still make a joke because it feels small, like a neighborhood rather than an entire continent. We can kid around - they literally drag me. It’s fun. That’s a real comfort zone for me. And just like anything else, I need breaks from it sometimes. But when I do participate in that space, it’s always in a very inside-joke, friend vibe. Sometimes, when I open Twitter, I get so overwhelmed that I just immediately close it. I haven’t had Twitter on my phone in a while because I don’t like to have too much news. Like, I follow politics, and that’s it. But I don’t like to follow who has broken up with who, or who wore an interesting pair of shoes. There’s only so much bandwidth my brain can really have.

You’ve spoken in recent interviews about the general expectations you’ve faced, using phrases like “They’ve wanted to see this” and “They hated me for this.” Who is “they”? Is it social media or disparaging think pieces or... It’s sort of an amalgamation of all of it. People who aren’t active fans of your music, who like one song but love to hear who has been canceled on Twitter. I’ve had several upheavals of somehow not being what I should be. And this happens to women in music way more than men. That’s why I get so many phone calls from new artists out of the blue - like, “Hey, I’m getting my first wave of bad press, I’m freaking out, can I talk to you?” And the answer is always yes! I’m talking about more than 20 people who have randomly reached out to me. I take it as a compliment because it means that they see what has happened over the course of my career, over and over again.

Did you have someone like that to reach out to? Not really, because my career has existed in lots of different neighborhoods of music. I had so many mentors in country music. Faith Hill was wonderful. She would reach out to me and invite me over and take me on tour, and I knew that I could talk to her. Crossing over to pop is a completely different world. Country music is a real community, and in pop I didn’t see that community as much. Now there is a bit of one between the girls in pop - we all have each other’s numbers and text each other - but when I first started out in pop it was very much you versus you versus you. We didn’t have a network, which is weird because we can help each other through these moments when you just feel completely isolated.

Do you feel like those barriers are actively being broken down now? God, I hope so. I also hope people can call it out, [like] if you see a Grammy prediction article, and it’s just two women’s faces next to each other and feels a bit gratuitous. No one’s going to start out being perfectly educated on the intricacies of gender politics. The key is that people are trying to learn, and that’s great. No one’s going to get it perfect, but, God, please try.

At this point, who is your sounding board, creatively and professionally From a creative standpoint, I’ve been writing alone a lot more. I’m good with being alone, with thinking alone. When I come up with a marketing idea for the Lover tour, the album launch, the merch, I’ll go right to my management company that I’ve put together. I think a team is the best way to be managed. Just from my experience, I don’t think that this overarching, one-person-handles-my-career thing was ever going to work for me. Because that person ends up kind of being me who comes up with most of the ideas, and then I have an amazing team that facilitates those ideas. The behind-the-scenes work is different for every phase of my career that I’m in. Putting together the festival shows that we’re doing for Lover is completely different than putting together the Reputation Stadium Tour. Putting together the reputation launch was so different than putting together the 1989 launch. So we really do attack things case by case, where the creative first informs everything else.

You’ve spoken before about how meaningful the reputation tour’s success was. What did it represent? That tour was something that I wanted to immortalize in the Netflix special that we did because the album was a story, but it almost was like a story that wasn’t fully realized until you saw it live. It was so cool to hear people leaving the show being like, “I understand it now. I fully get it now.” There are a lot of red herrings and bait-and-switches in the choices that I’ll make with albums, because I want people to go and explore the body of work. You can never express how you feel over the course of an album in a single, so why try?

That seems especially true of your last three albums or so. “Shake It Off” is nothing like the rest of 1989. It’s almost like I feel so much pressure with a first single that I don’t want the first single to be something that makes you feel like you’ve figured out what I’ve made on the rest of the project. I still truly believe in albums, whatever form you consume them in - if you want to stream them or buy them or listen to them on vinyl. And I don’t think that makes me a staunch purist. I think that that is a strong feeling throughout the music industry. We’re running really fast toward a singles industry, but you got to believe in something. I still believe that albums are important.

The music industry has become increasingly global during the past decade. Is reaching new markets something you think about? Yeah, and I’m always trying to learn. I’m learning from everyone. I’m learning when I go see Bruce Springsteen or Madonna do a theater show. And I’m learning from new artists who are coming out right now, just seeing what they’re doing and thinking, “That’s really cool.” You need to keep your influences broad and wide-ranging, and my favorite people who make music have always done that. I got to work with Andrew Lloyd Webber on the Cats movie, and Andrew will walk through the door and be like, “I’ve just seen this amazing thing on TikTok!” And I’m like, “You are it! You are it!” Because you cannot look at what quote-unquote “the kids are doing” and roll your eyes. You have to learn.

Have you explored TikTok at all? I only see them when they’re posted to Tumblr, but I love them! I think that they’re hilarious and amazing. Andrew says that they’ve made musicals cool again, because there’s a huge musical facet to TikTok. [He’s] like, “Any way we can do that is good.”

How do you see your involvement in the business side of your career progressing in the next decade? You seem like someone who could eventually start a label or be more hands-on with signing artists. I do think about it every once in a while, but if I was going to do it, I would need to do it with all of my energy. I know how important that is, when you’ve got someone else’s career in your hands, and I know how it feels when someone isn’t generous.

You’ve served as an ambassador of sorts for artists, especially recently - staring down streaming services over payouts, increasing public awareness about the terms of record deals. We have a long way to go. I think that we’re working off of an antiquated contractual system. We’re galloping toward a new industry but not thinking about re-calibrating financial structures and compensation rates, taking care of producers and writers. We need to think about how we handle master recordings, because this isn’t it. When I stood up and talked about this, I saw a lot of fans saying, “Wait, the creators of this work do not own their work, ever?” I spent 10 years of my life trying rigorously to purchase my masters outright and was then denied that opportunity, and I just don’t want that to happen to another artist if I can help it. I want to at least raise my hand and say, “This is something that an artist should be able to earn back over the course of their deal - not as a renegotiation ploy - and something that artists should maybe have the first right of refusal to buy.” God, I would have paid so much for them! Anything to own my work that was an actual sale option, but it wasn’t given to me. Thankfully, there’s power in writing your music. Every week, we get a dozen synch requests to use “Shake It Off” in some advertisement or “Blank Space” in some movie trailer, and we say no to every single one of them. And the reason I’m rerecording my music next year is because I do want my music to live on. I do want it to be in movies, I do want it to be in commercials. But I only want that if I own it.

Do you know how long that rerecording process will take? I don’t know! But it’s going to be fun, because it’ll feel like regaining a freedom and taking back what’s mine. When I created [these songs], I didn’t know what they would grow up to be. Going back in and knowing that it meant something to people is actually a really beautiful way to celebrate what the fans have done for my music.

Ten years ago, on the brink of the 2010s, you were about to turn 20. What advice would you give yourself if you could go back in time? Oh, God - I wouldn’t give myself any advice. I would have done everything exactly the same way. Because even the really tough things I’ve gone through taught me things that I never would have learned any other way. I really appreciate my experience, the ups and downs. And maybe that seems ridiculously Zen, but... I’ve got my friends, who like me for the right reasons. I’ve got my family. I’ve got my boyfriend. I’ve got my fans. I’ve got my cats.

Taylor Swift Discusses 'The Man' & 'It's Nice To Have a Friend' In Cover Story Outtakes

Billboard // by Jason Lipshutz // December 12th 2019

During her cover story interview for Billboard’s Women In Music issue, Taylor Swift discussed several aspects of her mega-selling seventh studio album Lover, including its creation after a personal “recalibrating” period, her stripped-down performances of its songs and her plans to showcase the full-length live with her Lover Fest shows next year. In two moments from the extended conversation that did not make the print story, Billboard’s Woman of the Decade also touched upon two of the album’s highlights, which double as a pair of the more interesting songs in her discography: “The Man” and “It’s Nice To Have A Friend.”

“The Man” imagines how Swift’s experience as a person, artist and figure within the music industry would have been different had she been a man, highlighting how much harder women have to work in order to succeed (“I’m so sick of running as fast as I can / Wondering if I’d get there quicker if I was a man,” she sings in the chorus). The song has become a fan favorite since the release of Lover, and Swift recently opened a career-spanning medley with the song at the 2019 American Music Awards.

When asked about “The Man,” Swift pointed out specific double standards that exist in everyday life and explained why she wanted to turn that frustration into a pop single. Read Swift’s full thoughts on “The Man” below:

“It was a song that I wrote from my personal experience, but also from a general experience that I’ve heard from women in all parts of our industry. And I think that, the more we can talk about it in a song like that, the better off we’ll be in a place to call it out when it’s happening. So many of these things are ingrained in even women, these perceptions, and it’s really about re-training your own brain to be less critical of women when we are not criticizing men for the same things. So many things that men do, you know, can be phoned-in that cannot be phoned-in for us. We have to really — God, we have to curate and cater everything, but we have to make it look like an accident. Because if we make a mistake, that’s our fault, but if we strategize so that we won’t make a mistake, we’re calculating.

“There is a bit of a damned-if-we-do, damned-if-we-don’t thing happening in music, and that’s why when I can, like, sit and talk and be like ‘Yeah, this sucks for me too,’ that feels good. When I go online and hear the stories of my fans talking about their experience in the working world, or even at school — the more we talk about it, the better off we’ll be. And I wanted to make it catchy for a reason — so that it would get stuck in people’s heads, [so] they would end up with a song about gender inequality stuck in their heads. And for me, that’s a good day.”

Meanwhile, the penultimate song on Lover, “It’s Nice To Have A Friend,” sounds unlike anything in Swift’s catalog thanks to its elliptical structure, lullaby-like tone and incorporation of steel drums and brass. When asked about the song, Swift talked about experimenting with her songwriting, as well as capturing a different angle of the emotional themes at the heart of Lover. Read Swift’s full thoughts on “It’s Nice To Have A Friend” below:

“It was fun to write a song that was just verses, because my whole body and soul wants to make a chorus — every time I sit down to write a song, I’m like, ‘Okay, chorus time, let’s get the chorus done.’ But with that song, it was more of like a poem, and a story and a vibe and a feeling of... I love metaphors that kind of have more than one meaning, and I think I loved the idea that, on an album called Lover, we all want love, we all want to find somebody to see our sights with and hear things with and experience things with.

“But at the end of the day we’ve been searching for that since we were kids! When you had a friend when you were nine years old, and that friend was all you talked about, and you wanted to have sleepovers and you wanted to walk down the street together and sit there drawing pictures together or be silent together, or be talking all night. We’re just looking for that, but endless sparks, as adults.”

Read the full Taylor Swift cover story here, and click here for more info on Billboard’s 2019 Women In Music event, during which Swift will be presented with the first-ever Woman of the Decade award.

[link to this tweet]

Was there ever a part of you that was like, “Oh shit, I like this darker vibe, let’s go even further down that path?” I really Loved Reputation because it felt like a rock opera, or a musical, doing it live. Doing that stadium show was so fun because it was so theatrical and so exciting to perform that, because it’s really cathartic! But I have to follow whatever direction my life is going in emotionally... The skies were opening up in my life. That’s what happened. But in a way that felt like a pink sky, a pink and purple sky, after a storm, and now it looks even more beautiful because it looked so stormy before. And that’s just like, I couldn't stop writing. I’ve never had an album with 18 songs on it before, and a lot of what I do is based on intuition. So, you know, I try not to overthink it. Who knows, there may be another dark album. I plan on doing lots of experimentation over the course of my career. Who knows? But it was a blast, I really loved it.

I mean, look, a Taylor Swift screamo album? I’ll be first in line. I’m so happy to hear that, because I think you might be the only one. Ha! I have a terrible scream. It’s obnoxious.

Why Taylor Swift's Lover Fest Will Be Her Next Big Step

Billboard // by Jason Lipshutz // December 11th 2019 - [Excerpt]

On why she chose to put together Lover fest: “I haven’t really done festivals in years - not since I was a teenager. That’s something that [the fans] don’t expect from me, so that’s why I wanted to do it. I want to challenge myself with new things and at the same time keep giving my fans something to connect to.”

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vaguely-gestures-to-the-void · 3 years

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Hindsight: My thoughts on Loki (2021)

As always, thanks for being here my friends. There’s definitely more nuanced discussion of this show, but I’m here for the vibes. Anyways, here’s my thoughts on Episode 3 of Loki. Bear in mind I hadn’t watched episode 4 before I wrote the review for 3. No hate on anyone/thing, it’s all my opinion.

Episode 3: LAMENTIS

Pre-title scene

I rioted when I heard Hayley’s voice. It’s a win for all of us.

C-20! Sylvie!

C-20’s lil dance was adorable. I love her.

I want Sylvie’s tie dye.

Is that Ralph Bohner?

The same place, but at night. Coincidence? I think not.

Sylvie’s powers have limits. She can’t search someone’s mind and take information, she needs them to willingly tell her though she can use her powers to do that.

TVA

Sylvie’s experienced. Always tie your hair into a bun before a fight.

Her music is nothing like what we’ve heard previously. It’s the Sylvie show folks.

The mural on the left side of the hall is the one from the credits scene.

The plaque above the elevators says ‘FOR ALL TIME ALWAYS’.

Even in the mural on the right side, the Time Keepers aren’t equal, the middle one takes up the most space.

Ravonna!

I love how their movements are similar. The head-snap-hair-flip combo is nearly identical, reflecting how they are the same person to some extent.

2077 Lamentis - 1

“Get off my leg!” SiblingTM energy.

“Goodbye, variant.” She sure has the Loki drama.

I finally remembered it’s called a TemPad. Rip.

“Don’t ever call me that.”

“Tech savvy?”

That’s so Ragnarok.

I love the music as we pan up to the planet. It’s the familiar, anxiety-inducing ticking for me lads.

“You idiot! This is Lamentis - 1.”

“I don’t know what that means!”

My siblings when I can’t restart the router (every country has an AT&T).

I like that it’s a moon that’s inhabited. It’s nearly always the planet, still not great for the people on it.

That slide to get under the dump truck was so smooth.

“So we’re a team now?” Jesus Loki needs friends. Probably a good therapist too.

“Didn’t need your help!”

“You’re so weird!”

I like the way Tom runs. Don’t know why. Just do.

Sidenote, my favourite running form is Chris Evans’.

Sylvie’s magic flickered so I genuinely think the enchantment didn’t work.

“Well then I’ll cut it out.” I like the way she says that. I am questioning so many things rn.

“Just because I have to work with you doesn’t mean I wanna hear your voice.” It’s ironic since they spend so much time talking about themselves.

“Alright, well, slow down… Variant.” They really play off each other’s egos to find weaknesses.

“You don’t know what you want.” Sylvie’s more straightforward in everything she does. She efficiently points out Loki’s flaws but when it comes to a goal, she’s meticulous.

“...just walk away.” Loki stops walking, but Sylvie does walk away. There is distance between them (for now).

I’ve had experience with mining towns like this one and whilst they weren’t so out-of-this-world (ya know) there is a tendency for rural and isolated communities to struggle with old/not maintained infrastructure. This is not everywhere, but it’s not uncommon from what I know. Even though these towns are a source of wealth, there isn’t distribution of the money and it’s a grim reality that’s being shown. I appreciate it.

The shot of them walking past a slab of that planet towards the hut is incredible. Wow.

The person in there is just waiting for their death. I’m going to be addressing a lot of the harsh realities in this episode folks so it won’t be so cheerful.

I understand that people weren’t so happy with this being a filler episode, but I think they got it right. It’s strange that a literal planet-moon collision doesn’t bring the tension that the hurricane did in the last ep, but by having an atmosphere that wasn't so omnius, they conveyed (to me at least) that hope was already lost. In the Roxxcart Disaster, the people believed that it wasn’t going to be the end. There’s desperation on Lamentis - 1 but as Sylvie said, the collapse of society occurs. That’s a large group of people realising that class divides will cause slaughter. It’s greed portrayed in two different ways, one being the integration of excessive capitalism into society, the other being social structure based on oppression. Not everyone’s reading into Loki like this but it’s a change from how Marvel usually approaches conflict.

We learnt about the characters and whilst I’m not a fan of when a plot line is moot (my bet is that Loki and Sylvie will be rescued next ep, making all the attempts to get off Lamentis - 1 pointless), it’s necessary for the characters to develop. The way Loki and Sylvie end up on Lamentis - 1 makes sense and the plot doesn’t feel forced.

“It’s remarkable that you made it as far as you did.”

Devils is recurring in this episode. Maybe this has implications on future episodes?

“Which one was that, diplomacy?” Why are their interactions so funny?

I don’t think I need to comment on the significance of the train station scene.

I would like to acknowledge that though this is good writing that’s relevant in the time it was released, we shouldn’t forget it’s coming from large corporations who aren’t perfect.

How do they just walk past the line?

The people who snitched were right in front of them.

Did the cat get Loki’s silvertongue? That was the most graceless lying I’ve ever seen.

Sylvie not sitting with her back to a door makes sense, but why won’t Loki go backwards on a train? They both have little quirks.

“That’s not a plan. That’s just doing a thing.” Loki went to the Thor school of planning, it’s Get Help all over again.

Loki’s exaggerated nods at the other guards lol.

Sylvie growls whenever she’s mad, it’s hilarious.

The close ups of their faces when the conversation gets personal and isn’t just trading jabs is great for conveying the authenticity of their answers.

Loki not pressing Sylvie when she clearly didn’t want to talk about what happened to her mother is something I appreciated.

Here’s to Tom for having to do magic for more than 10 years now. He’s so serious, I can only imagine how funny it is without the effects.

“Well she did.” Yeesh, has Loki gotten time to grieve?

Sylvie is genuinely impressive.

“Pity the old woman chose to die.”

“She was in love.”

I don’t quite understand what they were talking about then, I guess we’ll find out later?

Loki, why are you so unnecessarily dramatic?

I laughed. Who am I kidding, they’re dorks and I love them.

Loki is trying to find out anything, anyone who could be used against Sylvie.

Here’s to the postman, they’re probably dead but we appreciate Sylvie’s happiness anyways.

“A bit of both. I suspect the same as you.” AND THAT’S HOW YOU WRITE IN REPRESENTATION FOLKS!

Let’s just take our scraps and be happy, eh? It made my week.

They both need real relationships of any kind, guys.

“Love is… uh, something I might have to have another drink to think about.” Me whenever anyone asks me about my love life.

“You do realise… ...a civilisation’s only hope?” I think this was Sylvie’s way of making sure Loki’s (albeit grey) morals and drinking habits don’t interrupt her plan.

The train sure gives me Snowpiercer vibes.

Do I have to talk about Drunk Loki?

Tom’s singing voice is lovely.

Sylvie’s eyes shift nervously to the door and then back to Loki. She’s initially tense but she relaxes slightly though she knows she’s gonna have to clean up the mess.

“Nobody cares. It’s the end of the world.” Again, Loki’s headspace is one where existence is futile.

The green walls contrast the purple lighting nicely.

You can see plants (?) from the outside if you look out the windows. Talk about attention to detail.

Bruh what is the dagger about? Drunk Loki’s a comedic genius.

The descending notes in the background of Loki’s fireworks.

Sylvie’s smile when she goes to attack is animalistic. I’d like to see her character explored more in terms of how she views violence.

YEET.

“You’re right. I’m a god.” Loki’s defense mechanism is to state that his motives are above the understanding of others.

“You’re a clown.” Sylvie tells it as it is.

Loki and Sylvie’s reactions to the TVA contrast the most here. Sylvie is potentially motivated by vengeance or a need for revenge whilst Loki has resigned to numbing the pain (for now at least) as he comes to terms with his reality. The question of what drives you is so important for these characters, I’m excited to see whether they’ll find a common ground and wreak havoc on the sacred timeline.

Loki and Sylvie both struggle with communicating in a healthy way. Sylvie calls him out on his directionlessness and Loki tells her what may be the harsh reality of her plan. Neither of them are willing to accept it, but there’s potential for a strong bond if they do.

Sylvie’s scream lmao.

I love the colour of Loki’s pants.

Problem? Solution! Do thing! Is Sylvie’s method of thinking when all is lost.

Gosh I love the shots in this episode.

“That’s a pretty good life.” Sylvie’s definitely not lived as a royal, or not from what she remembers.

“I just need to know if I can trust you.” Sylvie giving up how she enchants people is an olive branch because as useful as the things that Loki told her may have been for manipulation, they both know the importance of her upper hand. But she only relents once Loki doesn’t have the TemPad. Later, when she asks whether she can trust Loki, it’s more of a reassurance because he’s already been vulnerable around her.

The actor’s body language and facial expressions are incredible. Loki’s eyebrow’s furrow slightly when Sylvie mentions C-20’s mind but Tom takes a second for the information to be processed rather than instantly reacting to Sophia’s next line. She does the same when Loki talks about the TVA workers being created. What skilled people they are.

The city is a wonderful piece of set design.

“We do, and you can.” They step into the light, neither of them have tunnel vision and are able to see a bigger picture.

“They’re gonna let these people die.” This show explores a side of Loki we haven’t seen before, his morality and compassion. He has grey areas that could be explored in the next season. It also points back to how Sylvie and Loki differ in their view of others. I think this is partially because of their childhoods. Loki was raised as a prince and cared about his people, but Sylvie doesn’t share that perspective (“...they usually survive”), maybe because of her past. Hopefully in the upcoming episodes we’ll get a bit more of her backstory.

That sequence is beyond words. The constantly rotating and revolving camera really hammers home that it’s a disorienting fight for their lives at the end of the world. I’m speechless, just watch it.

The music in that blue-purple-pink club was banging tho.

Loki and Sylvie’s posture, facial expression and general body movement is similar. The variant point is hammered home here.

It’s interesting how Loki is in shock/denial of the Ark being destroyed whereas Sylvie immediately leaves.

The end music of this episode is beautiful. I love how it all builds to leave us on the soft tones of Dark Moon.

No one’s interested, but my mum and I bonded over the Jim Reeves version of this song and the Bonnie Guitar one.

Ep 3 review

Short episode with not much going on other than character development. However, if the first two were anything to go by, this episode will have greater implications on the plot. The pacing of this show is a bit strange, but we may see this change in the next season.

I mentioned previously that it would be a shame if the entire plot of this episode was made irrelevant by how they get off Lamentis - 1 next ep. This show has been really good at keeping us on our toes with the writing so they probably won’t take turns that have been speculated.

Happy mid-season guys! The following two episodes were apparently Tom’s favourites so we can expect some mayhem up ahead. See you next time!

Here's the link to my Ep 2 review

#loki #loki review #loki (2021)#i've stayed inconsistent in all these tags and i'm not about to change #my opinion #opinion #loki spoilers #spoilers #spoiler

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enkisstories · 4 years

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Just like them (part 13)

Still the kitchen in Gavin’s apartment, still November 18th

“He’s…” Gavin started and already Tina blinked due to the unexpected use of a pronoun other than “it” for an android out of her friend’s mouth.

“I’m…” Daniel said only a split-second afterwards and then both men stopped, because why should they take it upon themselves to explain anything, if that other guy could take the blow just as well? Come on, asshole, make yourself useful!

Tina looked from one to the other. At his point Jin forced himself between the adults, dragging Lucky behind him as if he was a teddy bear. The adolescent cat didn’t seem to mind. Being the center of the attention and getting all the treats definitely beat playing surrogate dad for three kittens!

“Can we have fish sticks today, mommy?” the boy crowed. “With ketchup!”

Gavin jumped up and picked his phone up from the kitchen table. “On it, junior!”

“Order salad with the finger food! Do you hear me, Gavin? Salad! Three!”

Covering the phone’s microphone with his hand, Gavin replied: “Geeze, Tina, are you sure you can manage three salad on your own?”

“One for you, me and Jin each!” the officer growled back, but Gavin only laughed.

Now Daniel rose, too, and in the same fluent movement took the phone off the human.

“Hey! What do you think you’re doing?!”

“Shhh! I’m making a call here!”

Let’s see… Subject 1: “Reed, Gavin”… Territorial, competitive, also a bit of a human cat. Will want cuddles while chewing on a still living spider. Current mood: surprisingly outstanding.

<<<Error… error… no path found for “surprise”>>>

Shut up, Cyberlife. I AM surprised, deal with it.

Add_to_simulation: Subject 2: “Chen, Tina”… Introvert, female version of subject 1, also asian, so highly likely not to be able to digest milk products, will enjoy them anyway just BECAUSE. Current mood: Existing (=default)

Add_to_simulation: Subject 3 Reed-Chen, Jin… A little Gavin, bright mind, easily excited, still believes the best of everyone. Current mood: Happy, but exhaustion slowly setting in.

Aaaaand… Start_simulation

>>>Results in, save to database Y/N

>>>Y and open file

Ew, really, Gavin? Tuna & pineapple? Nah, that’s close, but not quite correct. Tina gets the pineapple crime, Gavin is even worse. And not that literally a cat either.

>>>Save changes & close file

“Yes, Reed here, customer ID 393804. We’d like one large shrimps & tangerine pizza, one large pizza Hawaii with extra chicken, one Captain’s Galley kiddie meal with the octopus rings, a lava cake, a small german cheesecake and an apple turnover with raisins. What salads do you have? I’m getting nagged to order one, is there a low on leaves alternative, maybe? Tomato salad, you say? Yeah, that might be a good compromise, we’d like three of those, please. For drinks a large rootbeer extra frothy, a large rootbeer licorice, a medium apple juice with a straw, plastic… What? No, I wasn’t insulting you. I didn’t even KNOW you were an android. I just want a plastic straw for our kiddo. It’s bad for the environment? You only have metal ones? Okay, one of those then, but it better fucking glows! Oh, and throw in a small thirium smoothie, whatever that is supposed to be. Not all of us are fortunate enough to snag a job in the snack industry… or any job at all. Yes, that was all. Thank you!”

Daniel turned around to where Gavin stood gape-jawed.

“How… how did you do that?!” the man gasped. “I mean, I have a pretty good idea how, but… HOW?”

So it wasn’t just the Connors with their fancy crime scene analyzing software. Even the simplest Cyberlife devices seemed to be able to see right through a human. And with their safety locks off, what would hold the deviants back, prevent them from turning the tables and enslaving humanity?

Years of policework of course could have supplied the answer easily: Socialization. Every human was perfectly able to kill every other, but only a rare few actually did so. For their own good the humans had to integrate the androids into their society and better sooner than later, so that one day any given android and human in the USA had more in common with each other than with a foreign human or android.

But none of that was on the forefront of Gavin’s mind in this moment. He only felt the cold chill of standing right across from the creepy machine that had seen right through him. What else might it have picked up? On the other hand, there were that damn smile and Daniel’s playful reply to Gavin’s outburst:

“What shitty person would I be if I didn’t know my best friend’s tastes? Cyberlife suggested tuna, but… ah, you cringe. Haha, knew it!”

“What was that just now about “best friend”?” Tina inquired. “You do not mean to tell me that you are friends with an android?”

The men exchanged quick glances. The game was on and Tina their first test person…

“Yeah, totally”, Gavin confirmed, to which Daniel added: “We go, uh, waaaaayy back!”

“Best friends, huh…” Tina crossed her arms, trying to come to a decision whether she should believe that or not. Her face brightened up when she got an idea: “What’s the android’s name, Gavin?”

“Daniel. Daniel Phillips. I could even tell you his registration number, but won’t, because that would be rude.”

Good save, Daniel thought, but then an unwelcome thought crossed his mind: Am I supposed to know your badge number?

It didn’t seem to matter, since first and foremost it was Gavin getting tested here, not his android (pretend) friend. Or was it? Because Tina now turned her attention to the PL600!

“I think I know you”, she mused aloud. “You’re the PL600 from the evidence archive, aren’t you?”

“Yes. We talked a few times at the DPD, remember? When I reported the burglary.”

“Yes, yes I do!” Tina smiled sympathetically at both men now. “So… wow, Gavin! So that’s why you got all enraged when Connor entered the archive! You were on your way to Daniel and it was interrupting!” * see footnote

Gavin shook his head frantically. He waved his hands in front of his body and would almost have taken a step back, had he not realized it and forced himself to not do that.

“Tina, no, it’s not what you think!”

“Yes, that’s how it happened”, Daniel said at the same time, completely at ease.

“No!” Gavin yelled, almost in desperation. What had gotten under his skin, Daniel wondered?

“Oh, I’m so happy for you!” Tina exclaimed. “So you’re done pretending to be hetero? But we’re still friends with benefits, right? Don’t you dare cancel the arrangement or I’ll sue you out of your retirement funds and then some!”

Gavin didn’t even wait for his friend to finish her little speech. When Tina had reached the “happy”, he grabbed Daniel by the shoulder, turned the android around and pushed him towards the door.

“Out! At once!”

Not comprehending what exactly was happening here, Daniel found himself in the floor, but that was as far as he’d let himself get herded without an explanation. Daniel broke free from the detective’s hold the moment the human got ready to push him against the wall, something Gavin needed to adjust his posture for a little. But that little was enough.

When the android asked “What’s the matter, Gavin?” next, it sounded as neutral as he was able to make it, with even a hint of concern strewn in. The human needed to realize that Daniel wasn’t his enemy, although by all rights they should be enemies. For some reason that hadn’t happened. But the way Gavin was glaring at Daniel, that seemed to have changed.

“Why did you say that?” Gavin growled. “We had a pact, but here you go, betraying me at first opportunity? Caught some of Connor’s code or what?”

The accusation stung, so Daniel smacked Gavin, a single time only. From Daniel’s brief experience with those particular humans that seemed to equal the normal code of conduct among the DPD officers, where senior officers occasionally held each other at gunpoint. And indeed, the friendly gesture got registered as such.

Gavin still had a hard time processing all the change. One moment the android stabbed him in the back, the next it was so fucking polite again?

“Look, I have no idea what you are talking about!” Daniel stated.

“Ha! As if you didn’t know what folks meet in the archive for!”

“Registering evidence…”

“Sh’ya right!” Gavin spat. “The basement is the DPD’s make-out spot! How couldn’t you know, after having been there for three months?”

“Let me think, how about I was… deactivated?”

“Oh. Oh, right.”

Gavin exhaled sharply. No betrayal. Good, good. But even so…

“Tina now thinks we’re dating!”

“Ever since August? Wow. We must be truly in love. But also a bit insecure about it, if nothing came of it so far…”

Again Gavin’s left arm shot forward to grab the android, the right hand balled up into a fist that he held threateningly towards Daniel.

“Don’t mock me, tin can!”

“Stop!” Daniel yelled. “We are each other’s best shot at what we want! And afterwards will discard each other…”

The android had intended to state this as a matter of fact, but couldn’t keep the disappointment out of his voice. It wasn’t even directed towards Gavin, but himself. It was as Geeta had said the day Daniel had gotten released from the archive: Deviance meant becoming human and he, Daniel, had achieved that feat now. Using and discarding, emotionless, only looking out for yourself, just like the humans did. He had become like John Phillips.

“Fuck, Daniel…”

Gavin was still holding the deviant by his sweater, but now place the other hand, that had been a fist until now, on Daniel’s shoulder. But then he didn’t know what to do or say next or why he had done it in the first place. Comforting a household appliance, that just wasn’t done! Or, if the deviants were more than robots, after all, comforting an enemy… Okay, that was a little less crazy, but still ill-advised.

Since neither of the two moved, this was how Tina found the men.

“Discard?” she repeated what little of their exchange she had picked up. “You aren’t breaking up now, are you?”

“No, of course not!” Gavin sputtered.

What he had meant to convey was that he couldn’t break up with Daniel, because they were not together. But Tina of course had to misunderstand him.

“Right”, she said. “That would be stupid, now that you two can be open about it.”

Gavin didn’t correct Tina. His purposeful misleading of the friend left a bad aftertaste, though, because he couldn’t recall a time when they had kept secrets from each other. Gavin knew he needed to let Tina in on the scam, just not right now. Everything was confusing enough as it was.

Meanwhile Tina’s thoughts had reached a point that generated a whole new level of threat for the pretend friends: “I guess we have to thank Markus for giving you that chance. I have to give him that, even though the sucker played a dirty trick on me at Capitol Park. I think he’s set up a twitter account? I need to text him, tell him about the two of you…”

“What have we done…” Gavin moaned. “I think I could stomach a salad now, after all!”

And the android arm that Daniel slung around his shoulders at these words didn’t help at all…

Footnote: I’m referencing another story idea I’ve toyed with here. Indigo turned it into a full-fledged fic that you can read here: https://archiveofourown.org/works/22499176?view_full_work=true

#dbh #detroit become human #dbhtextpost #danielgavinnewstory

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mustlovemustypages · 5 years

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Yuletide 2019 Letter

Dear potential writer,

I’m so incredibly excited that it’s Yuletide season again and I hope you are as well. Thank you for reading my letter and also thank you in advance for anything you decide to write for me!

Below are my desired fandoms and pairings along with story ideas that I would love to see written. Please don’t feel stifled by my prompts; I’ve also listed my general likes and dislikes at the very bottom of this letter if you decide to go a different route.

Peanuts:

Characters: Charlie Brown and Lucy van Pelt

This is my most unusual request, so I figured it best to put it out there first. I grew up both reading the Peanuts comics and watching the various Charlie Brown movies/television specials, so this is fueled by pure nostalgia upon seeing the nomination in the tag set.

Even as a kid before knowing what shipping was, I wanted desperately to see Charlie Brown and Lucy get together. Their back-and-forth banter with Lucy’s sharp remarks and Charlie Brown’s wry sense of humor is perfection. I don’t often request things too far from canon, but I would love to see a story with them as adults and how even though they didn't see eye-to-eye as children, over the years they have become just what the other needs.

Story ideas:

It's their high school class reunion, and it's been years since the Peanuts gang have all been in one place. Charlie Brown and Lucy are either already together, surprising the other characters by how well they get along and know each other, or everyone at the reunion sees how perfect they would be together except for them.

Lucy becomes a psychiatrist (although she charges way more than 5 cents for advice now) and Charlie Brown a child social worker. They run into each other by coincidence while they're both dealing with difficult cases and help each other cope.

Charlie Brown has recently broken up with the Little Redhead Girl and Lucy with Schroeder right before the holidays. Both disillusioned, they run into each other in the big city and decide that what they need is a road trip back home. Amazing banter ensues.

Similar to the last prompt, both Charlie Brown and Lucy have recently broken up with their respective partners. Not wanting to go back home for the holidays single, they decide to give the ridiculous, we'll-never-fall-for-each-other fake relationship thing a go.

The Boys (TV 2019):

Characters: Starlight|Annie January and Hughie Campbell

Just when I thought nothing new could be brought to the superhero genre, Amazon comes out with this smashing success. It reminds me of X-Men in a way due to the social commentary made by several of the plotlines. I especially appreciate how the show comments on celebrity status and social media.

Aside from that, far and away one of the best things about the show is the relationship between Annie and Hughie. Even in the midst of so much corruption, these two characters somehow remain so earnest and pure. The fact that they formed a connection on that bench before even knowing the other's name speaks volumes about their respective characters and chemistry.

Story ideas:

Despite being integral to the plot, it was crushing to see the moment Annie realized Hughie had been using her to enact revenge. Canon divergence where Hughie tells her the truth almost right from the get-go and Annie immediately is onboard to help would be really fun to read!

Another fun twist would be if Butcher approached Annie instead of Hughie for help, and she agreed to act as a double agent. The scene at the bench still goes down as does the one where Hughie realizes Annie is Starlight (although he's a real photographer). Perhaps Annie sneaks off to do some double agenting and Hughie follows. Annie almost gets caught and pretends to be dating Hughie as a cover.

After the explosive conversation with her mother and finding out she wasn't born with her powers like she thought, Annie tracks down Hughie to rant.

Season 2 can't come soon enough. I would be interested in speculation of what could happen next as long as it includes Hughie/Annie!

Impulse (TV 2018):

Characters: Henrietta “Henry” Coles, Lucas Boone, Jenna Hope, Townes Linderman

This show became a surprise favorite of mine in 2018, mostly because it’s on YouTube Red and I haven’t given most of their original shows much thought. Also because it tackles rape and recovery in such a raw and interesting way, especially in the context of a sci-fi show.

I just need more Henry Coles. If you want to do a romantic relationship, I’d prefer seeing something explored with Lucas Boone or her canon love interest Josh (who was only in 2 episodes but really seemed to “get” Henry). Otherwise, gen stories between Henry and any/all of the tag set characters would be great. Season 2 is just now coming out as I write this, so feel free to ignore or include it as desired. I tried to keep the prompts general enough that they can apply to either season.

Story Ideas:

Henry will never be fully “recovered” in the sense that one can never truly recover from rape. It will always have an impact on her life. The other characters get that and try to help her in any way they can.

While Lucas is aware of what his brother did to Henry, he has no idea of the real impact. I’d love a story where he learns more about her seizures and the way her anxiety/fears manifest themselves as teleportation.

Hurt/comfort in all forms because Henry has been hurt enough for a lifetime, but she could do with a whole lot more comfort. Either within the confines of season 1 or imagined opportunities for comfort in season 2.

We get the story from mostly Henry’s perspective, but I’m sure a lot is going on in the minds of Lucas, Jenna, Townes, and Anna as the events of season 1 play out.

The Folk of the Air

Characters: Cardan Greenbriar and Jude Duarte

Holly Black is an evil genius and I bow down to her greatness. Starting off the first book in this series, I never would have imagined that by the end I’d be rooting for Jude and Cardan to be together, but here we are.

They are the ultimate enemies-to-lovers and I can’t wait to see what happens to them in the third book coming in November.

Story ideas:

Maybe I'm unrealistically optimistic, but despite Jude’s betrayal at the end of the first book and Cardan's at the end of the second, I think these two can work it out. Perhaps Jude helps Cardan cope with the stresses of being king and he is able to move past what she did. Or maybe they each realize how impossible their respective situations were and come to accept the questionable decisions the other made.

Madoc is a horrible father. Jude basically knows this from the beginning. Still, she was genuinely upset in discovering what he had done. I’d love to see her finally release all of that pent up anger - either her using Cardan as a sounding board for her rants or even having her completely breakdown under all of the stress and him comforting her.

We get the perspective of Jude throughout the entire book, but I would really enjoy seeing some of the scenes from Cardan’s point of view as his feelings for Jude change.

There is no way that Jude’s sister, Vivienne, wouldn’t be alarmed when finding out that Jude and Cardan kissed. Jude having to explain her changed feelings for Cardan and Vivienne, realizing that Jude is in love would be hilarious and heartwarming.

With the third book coming out soon, feel free to either include or not include elements from it. As long as there is Jude/Cardan, I will be happy.

Nancy Drew (TV 2019):

Characters: Nancy Drew and Ned "Nick" Nickerson

Only one episode in and I was impressed by this show. Up until now, I hadn't seen or read an iteration of Nancy Drew that I didn't enjoy, but I'll admit I was scared as sometimes the CW makes questionable choices with their adaptations. They have done a fantastic job with casting, though, and updating things just enough for the modern era without taking away the charm of the original.

When it boils down to it, Nancy Drew appeals to me because she is unabashedly herself, not ever pretending to be something that she's not to get others to like her. And although it's just getting started, so far the interactions she has with Nick and her father, Carson, are my favorite.

Nancy is a guest on a true-crime podcast featuring amateur detectives. Nick tags along and watches from outside the recording studio in amusement, or perhaps the hosts bring up Nick's criminal past on-air and Nancy gets defensive.

Maybe Nick and Nancy start a true-crime podcast of their own and it's an unexpected hit.

Carson Drew is not 100% onboard with Nancy and Nick's not-so-secret relationship. When Nancy suddenly stops shutting down Carson's attempts to connect with her and Carson finds out it was due to Nick's influence, he changes his tune about his daughter's boyfriend.

The gang goes to an escape room for fun. Nick is amused by how seriously Nancy takes it.

We haven't gotten very far into the season yet, but any speculation fics about where the mystery goes would be interesting as well!

Out-of-left field request: If you're not a fan of Nancy/Nick in the new show, I'd be open to a story where the Hardy Boys arrive in River Heights (I'm not so secretly hoping the CW makes this a TV show if Nancy Drew succeeds). Although I love Nick and Nancy together, I have always loved Nancy/Frank stories as well.

Things I don't like:

Alternate Universes – For the specific fandoms that I picked, I really like the universes as they are. I’m definitely okay with deviations from canon, but please don’t make Peanuts into a supernatural werewolf story or have the fantasy/sci-fi canons take place in a mundane coffee shop setting. (I don’t mind Soulmate AUs or something similar because those can be incorporated into canon with little change to worldbuilding).

Non-Con/Rape/BDSM/Sexual Violence/Graphic Sex – I like my characters to be happy and everything within ships to be 100% consensual, no question about it (mentions of non-con if it occurred in canon is fine). I also prefer plot over porn, especially with one-shots.

OT3s – Two people per romantic relationship, please. Any more than that makes me uncomfortable.

Character Bashing - Unless a character is a bad guy in canon, I don’t want to read hundreds of words about how awful they are, especially if they are one of the characters that I requested. Don’t take it out on the characters. If you hate my pairings, just write gen.

Things I love:

Hurt/Comfort – There is nothing I love more than one character comforting another. The hurt can be physical, psychological, or both.

Happy Endings – I’m all for the realistic endings… but if they could be plausible AND happy-ish, that would be amazing.

Expanded Scenes/Contorting Canon – Feel free to expand scenes and change up the canon to your heart’s content as long as it makes logical sense.

Humor/Banter/Snark – I thrive on this stuff.

Bonding/Building Relationships – Whether it be a friendship or a romantic relationship, I adore reading about two people growing closer together. When characters know each other so well that they can have conversations with just their eyes or anticipate the person’s next move (especially if it’s to the surprise/confusion of everyone around them), my shipper heart is thrilled.

Dark to Light – Seeing a character come out of a bad mindset or situation and get better is so satisfying.

Thanks again and happy writing!

- Maddy @mustlovemustypages (on Tumblr, Ao3, and FF.net)

#yuletide 2019 #the cruel prince #nancy drew #the boys #charlie brown #impulse #yuletide

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ruwithmeguys · 5 years

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The chances of an eighth season of Arrow is high, but beyond that… I think the chances have dropped for more than 8 but I could be wrong.

Why I think it’s ending after S8 (and why it may not):

Both Stephen and Emily have stated they want to write and direct but haven’t, despite the chances. They may want to work on new things after next year.

Though he’s agreed to an eighth season, Stephen has made several comments the last 12 months indicating his acceptance of the end and how Oliver really only has one true goal left to accomplish.

The show doesn’t just feel like it’s hitting a new milestone: it feels like it’s preparing us for something (unless it’s just a shocking SL and I’m very wrong)

The interest in superhero tv shows is starting to dwindle because of the sheer number of options available. This however, is open to change. Especially after the last avengers movie hits the cinemas. They may turn to shows like Arrow as an alternative.

Unless the show comes up with a brand new focus to pit Oliver against, beyond his own darkness, then… what? What’s the story?

Indications that John may become the GL means he’s available for other shows after Arrow ends.

Where Oliver goes, Felicity goes. The indications that Oliver will eventually step back from the hood keep ramping up.

They are leading the show towards the future: it’s an obvious passing of the baton.

They are limited in terms of comic origin as there’s only so much story they can pilfer from the comics before DC stop them.

They will need an intense, captivating original story to keep Stephen/Emily and the audience on board past S8 and where they go, the audience go.

We know Arrow won’t live past 10 seasons anyway.

Why I want Arrow to end after 8 seasons:

Too many new characters – unless the show axes at least two of the regulars, we’re never truly going to get the depth we deserve in the scenes focused on our mains… HOWEVER. You can also argue that they don’t need more depth because we basically know them inside out. Another reason right there.

Run its course - Arrow is that show. It isn’t even that good to be honest – the script is either amaze-balls or ridiculous and illogical, the action sequences take up too much space at times and continuity is a huge issue – however we love it as if it were made of gold. Despite our complaints, we watch it because it gave us something that most shows don’t. It gave us a love story for the ages that wasn’t supposed to exist and demanded acceptance of it. It dared so it has our respect.

However, Stephen said something recently. He said, all that remains of Oliver’s story is to leave a legacy. He doesn’t have to die for it to happen, but it has to happen. There two ways for this to be possible: have a baby with Felicity and become a legend. He’ll do both, huzzah! But, barring the immediate concerns of this story, there isn’t a whole lot of character building left to accomplish (suck it Barry/Kara) for Oliver. It’s all outside material. His sister is an issue too, but after this season, focus on him for her story won’t be required. I’m here for Oliver, then Felicity. Just them and in that order.

Thea’s story is done folks, save the peripheral. Whatever happens next for her doesn’t have to be on screen, though I will be stunned if she doesn’t come back for the finale of the series. I have no wish to see more of it, unless it’s Roy inclusive. Why? Because so much of her story kind of… IT BLEW, OKAY? I was bored to tears with her after season 4 and only season 2 and 3 interested me for her character and Roy was entwined in that.

Building a legacy doesn’t mean characters just… disappear - and they don’t have to. So regardless of the end, Felicity will be out there. So will Oliver.

Diggle. This is a big one for me. He’s been changing since Oliver and Felicity left 3.23, since he killed Andy. But we haven’t seen the Dig we know and love since 5.23. That’s 32 episodes. For me, if what was broken isn’t fixed by 7.22, then I truly won’t care what occurs for him in the future, beyond simple curiosity. There’s been too much damage. There’s changing into a different person and then there’s being likeable. One episode is all I’m asking. Believe it or not, I’m actually enjoying his progression, but it’s progression that falls away from the man we dearly miss. Since the chances of him becoming the green lantern has risen… I have to say, I’m not surprised at the idea that John could leave his family behind both literally and figuratively. He’s done it before. He’s doing it now, but it has less impact if his ties are loose and not taut. I need them tightening. 13 episodes are left on S7. He needs to take steps. So either Dig becomes the green lantern… or he dies. If either occurs next year, then S8 will most likely be the end anyway. OTA are the main fixture: they know it, they’ve said it. Once one of them leaves, it’s a ticking clock.

The longer the show lasts, the more time they have to screw up.

I can’t stand another crossover where Oliver is verbally battered for existing.

Too many birds give me hives.

Dinah has become the new boring and siren, the cordelia: I can live without both.

Curits is such a poor example of a human being, it makes me rage, which is unhealthy

Rene is finally interesting to me again, even if I don’t trust him because he’s a fickle sod… which means I never will. So, I can’t like his storyline.

I’m so done with watching Felicity be friendless and treated with disrespect by people that she has to refer to as heroes whether they’ve earned the title or not, I feel like writing fiction where she kills them all and Oliver just stands there in approval.

The longer Arrow lasts, the longer Flash lasts and… NO.

The longer Arrow lasts, the longer Supergirl lasts and… NO.

Since they aren’t doing a thorough Constantine Drakon villain – an enemy with the potential to be amazing since he very literally crucifies the green arrow – I really do miss the big villain. I miss Malcolm: he was twisted but he was effective. You were supposed to hate him. I miss Slade: he’s still my favourite villain. Adrian was the best but they took too long introducing him so he falls short of the tension pedestal for me. Despite being sucktastic, Diaz presents a decent conundrum: he’s supposed to be an arsehole that won’t die so he’s a constant threat. We don’t have to like him. So I desperately need Stan to return. I need that creepy/psychotic enemy that throws everyone for a loop. Without it, I’m not sure about the show’s moral integrity goes to that isn’t about revisiting old ghosts since it’s based on good Vs evil etc. I need to wait and see where they go with this: it could become an organisation or an idea (vigilantes for the people: who watches the watchman type thing) instead of a person and I’ve given up hope on a woman villain who doesn’t irk me. I don’t need 1950’s cheese ball KC: it’s not effective.

Felicity. Now… I love what they’ve done with her character, even in S6 for the most part! However, this whole idea that her wearing a mask would undermine the meaning is pathetic. You had a street kid and a lawyer wearing one after less than a few months of training, but sure: Felicity wearing one would destroy the significance. Now, in one part, this elevates her character: she is the character that all others must work off at least once. It makes her too important to loose: Oliver, Barry, LL, Siren, Ray etc. On the other hand, it limits her capacity and keeps her boxed in which is why S7 has been such a relief to may of us. But I would have loved to have seen this woman suit up: at least she’d be convincing. Any chance of us seeing it happen now are slim to none which is a shame because, to me, her potential is limitless. What we would have given to have everyone else react to her kicking ass and taking names in a mask, with a moniker, and a headset/vice that details the logistics of buildings, sends out Trojans etc. She’d be a nightmare.

I think one more full season (20 to 22 episodes) on top of the 13 remaining, is enough to close Oliver’s legacy if done right which… is a stretch to hope for.

With so many superhero movies in play, if gone on long enough, Arrow will no doubt attempt to copy them as they have done in the past to ill effect.

Another year of rude anons/haters making claims, demanding I do as they tell me, being ridiculous and being constantly wrong in my inbox would be a welcome subtraction in my life.

…And why I want it to live forever:

This show was the show that made me aware of social media. It’s also the show that I needed at a dark time in my life: I was jobless, friendless and things were happening with my family that were less than desirable: it was a grand distraction that borderlined obsession. Or passion. Hm.

Despite certain plotlines, illogical character progression, overused devices, and faulty scripts; it truly is a one in a million show. Very different from all other shows.

The actors can ACT… for the most part.

The CGI effects are good.

It’s angsty x 10

The love story is worth the angst

There’s always more story to tell with good characters!

Once Oliver achieves the status he deserves, I want to see him revel in it.

…A 10 episode season 9 that focuses on olicity alone because I want it so bad?

The chance to bring back Tommy somehow

The wonderful people I talk to online daily JUST because of this show

The genuine friends I’ve made JUST because of this show.

The fanfiction that will continue longer if the show does

The posts and metas I don’t want to live without

The asks in my inbox that I enjoy answering and the anons I enjoy engaging with

TUMBLR – (with the smut please)

If the show has a chance of lasting past season 8, then what I want to see is a season that focuses ONLY on Oliver… and I’d have it elsewhere. I’d have the government involved. Felicity too. Dig. Just them three (it won’t happen).

The chance to see Curtis crash and burn

The chance to see Dinah crash and burn

The chance to see Rene crash and burn

The chance to see siren… go away somewhere

Felicity in a mask

An actual 9pm slot that’s used to it’s fullest extent

A crossover that focuses on what could have been on another earth and you KNOW they’d have Felicity be the vigilante, with Oliver as the guy who loves her despite her violent escapades. OR another life where they’re regular people that fall into an elaborate conspiracy or something.

There currently isn’t another show that can fill the void that Arrow will create when it ends.

A crossover where Oliver/Felicity kiss no one but each other… please.

A crossover- nay, an ENTIRE SEASON, where Oliver is praised for alllll his hard work and sacrifice.

An episode that marks Felicity, truly, as irreplaceable, necessary and needed for every other character to shine.

An episode arc that allows Felicity to be the one that defeats the bad guy.

You know… YOU KNOW that at some point they’ll deliberately have DC and marvel intersect.

Unfortunately, the cons currently outweigh the pro’s. And if so, if S8 is the last, then that’s an AMAZING run time for a show that was supposed to be only 5 seasons. And the story had enough meat in it for me to be happy for it……… though when that occurs, I’ll probably need to book time off to recover because oh my god I can’t even imagine.

The idea, if true, is a sad one. But again, if true, it won’t be till 2020. We have some time.

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quietdaysco · 5 years

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Primrose Path - Devlog #004

Looks like it's time for an update! Let's take a gander at what we've been up to!

Behind The Scenes

Real life

Coda held down the fort at home while Elm was out and about on vacation! Elm went hiking in Switzerland and brought her camera along! Not only was it a beautiful country with breathtaking views of nature in the sublime, it was a great well of resources, and she took many reference photos—like these beauties:

Those images and more, we hope, will better influence our environmental game designs! You’d be surprised by how this inspiration can fold neatly into this:

Lore Snippets

Primrose Path has deep lore that sprinkles itself across the narrative. Although we still have to go through beta before release, you can look forward to having some special previews long before the game is out. Our Twitter will now include occasional snippets of lore and fictional media which may be referenced in-game. They’ll all be tucked under the hashtag #PrimrosePathVN, so stay tuned!

Greyson

Everyone's favourite virtual assistant, Greyson, has joined the World Wide Web! Greyson's database now regularly Tweets voice assistance snippets as if he was your very own! Isn’t he a sweetheart? Currently, his schedule is once every Sunday, Wednesday, and Saturday. You can interact with him here!

Discord

Our discord server is for all current and future Quiet Days' games! Recently we have been mentioning and voting on early concepts long before releasing them to the public, as well as logging our project tasks to hold our productivity accountable. If being in the know is something that interests you, you can slip on in here.

Accessibility

A major thing we’ve been dealing with this past month is redirecting our design to be more inclusive, via accessibility. Great game design starts when these things are considered ahead of time, rather than as an afterthought.

Currently we are very much open to hearing about what we can do to make visual novels more accessible. We have some ideas and designs of our own for the future, which include mindful options over font choices, audio-related functions, and content warnings.

Share with us your accessibility concerns in video games! Opinions, preferences, and first-hand experiences will be of great help, as we want to make sure people with different abilities and sensibilities can have a chance to enjoy our game!

Main Game Progress

Coding

Coding is underway on the Primrose Path team! Our current focus is introducing the Ink scripting language into our current workflow, which we think will tie into our natural way of writing script while allowing for easier, lighter coding of varied branching narrative. If we succeed in the integrations we have planned, we think this will deepen the level of interactivity for the game overall. Which reminds us:

Outlining

Primrose Path is very much still in the scripting department. We have a very thorough process, where we create a heavily detailed draft outline that covers the overall entire game. (It's currently a whopping 30,000 words, but this amount goes up and down as we fill in and delete what's transferred to the clean outline.) We then take this, revise, and transfer it to a 'clean' outline, which breaks down each scene on a beat by beat basis. Only then do we move onto script.

On that note, we're rather happy to say that the common route of our draft guideline document is fully complete! Work on that route's clean outline is nearly finished at a pretty 5,500 words or so. That’s an easy read, as we’ve had to boil it down from tens of thousands of words, weeks of discussion, and countless passing ideas!

Common Route:

• Draft Outline: 100% ✔

• Clean Outline: 66%

The Artist:

• Draft Outline: 100% ✔

With The Artist's route draft outline 100% completed, we've come a long way since the plotline's inception. The Artist is a bisexual love interest named Matthias Barousse, a soft-spoken social butterfly best known for his interactive media exhibits—and a bit of a playboy reputation in the community. His route is a tightrope walk between perceptions of good intentions and questionable engagements as rumors about his sex life come to the fore. Is he a good Samaritan or a master manipulator? He'll say it's not his place to judge—is it yours?

And we can’t forget to put a face to the name:

Artwork

The beguiling and provocative multimedia artist, Matthias Barousse

It’s another rough sketch, but here’s an initial concept for The Artist. We’ll be playing around with his look in the future, but Matt for certain likes parkas and has long locks to glide your fingers through.

In other news, we ran a poll on Twitter to see which hairstyles people preferred for another love interest, Ezra Safir, the Executive Assistant. Based on both the poll and written responses in spaces where the poll was shared, the methodical organizer and jazz enthusiast will be sporting this:

That low bun and undercut looks good on him! You guys have pretty great taste!

Coda also took the time to whip up fan art (yes, our own fan art; hear us out) of your best friend, Priya, gearing up for your makeover like any other grown woman in her late twenties:

(original source)

Was asking Priya, of all people, a mistake? You’ll have plenty of time to think on that as she blocks the only exit out of the bedroom.

We're focusing on monthly devlogs for our Tumblr, but we have to ask:

Are there other kinds of content and updates you folks would like to see here? We want to know! Shoot us a message in our Ask the Devs inbox here on Tumblr, or hit us up on Twitter, Discord, and Lemma Soft!

Socials

- Micro-updates on Twitter!

♦ Factoids with Greyson!

- Live art development on Twitch!

- Art logging on Instagram!

- Ask us anything here!

- Continue the discussion on Discord!

- Master thread on Lemma Soft!

#devlog #primrosepathvn #visual novel #otome #character design #concept art #indiedev #gamedev #oevln #primrosepath #fanart #hairstyles

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beneaththetangles · 6 years

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For Rie Fu, Music (and Life) is Like a Boat, a Circle, and an Adventure

“Ripples,” the new single from Rie Fu, releases this Friday, November 30th. For Rié, as she’s now professionally known, “Ripples” isn’t just the next song in a career dating back to her teens, but a mile marker on a journey that’s both moving forward and in a circle, one that began in 2002 when she burst onto the music scene with her first release, “Life is Like a Boat,” which gained prominence as the first ending to the anime Bleach.

Rié wrote “Life is Like a Boat,” a song that captures the sense of adolescent loneliness and hope (an earlier article discusses that song more in-depth), when she was still in high school. Mixing vocals both in Japanese and English—Rié was born in Tokyo but lived in Maryland for several years—the song was handpicked by Tite Kubo to be the first ending for the anime based on his popular manga, joining songs like “Duvet” as among those few that are written prior to a series, but work as just the right match.

Promotional image for “Ripples”

The song also hit at just the right time. Rié had been preparing a portfolio for art school when she sent her recording to Sony, frustrated with what she saw as an inability for artwork to make the widespread impact that her music might. When “Life is Like a Boat” was released, her career took off.

I never gigged around little venues. I never did any amateur music stuff. It happened very fast and I don’t think I really realized how amazing that opportunity was. I just went along with the flow. I didn’t think of it as a success—I just thought it was a very lucky and fortunate opportunity.

At that time, Rié was in what she might call the “Innocent Era” of her songwriting career, the first of four stages she outlines in a post on her blog. She described to me how the first three stages work:

You start with this really pure state, where you don’t think about anything. Then you get to this eager-to-please stage where you want to make the record company happy or want to make a song that’s more singable in karaoke. Then there’s kind of an extreme response to that, which is the rebellious stage, where you try to do something more experimental and adventurous. People either love it or they think, “Oh, she’s gone crazy.”

The transition between stages two and three are what led to Rié establishing her own label around 2012. She made the decision at that time to leave Sony, which she referred to as “stubborn” and unwilling to let her explore the digital realm and release her music through the Internet to a larger audience worldwide. It was a challenge to leave the advantages of a big label, but also a growth opportunity. “It’s a big blessing, including the business side, so I’ve been enjoying the whole adventure.”

The years since then have indeed resembled an adventure. Rié’s husband encouraged her to venture outside of Japan and to explore her musical potential, even moving his job to allow for that opportunity. They moved to Singapore and in 2014, Rié began to tour Asian, playing in places like Hong Kong and Indonesia. These various travels and homes gave her a broad perspective on cultures—the differences and similarities (“Trains are never on time in Britain!”) and especially the modes of communication. Rié earned a Master’s degree in translation at a university in London after moving back to the UK two years ago, and that study helped her think more on these cultural differences and how they affect language.

This cosmopolitan perspective applies to entertainment as well. Rié, who’s music has been featured in series like D.Gray-man, Darker Than Black, and Hourou Musuko, has been watching more anime recently than she has in the past, noting that when you live in Japan, you’re saturated with animation, but when living abroad, one can appreciate it more. Ever the artist, Rié is enthralled by anime depictions of landscape and food. “I really respect the artistry and craftsmanship in creating that animation.”

Most of her time, however, is spent in the music world—writing songs, playing gigs, working the business and marketing side, and running social media accounts. The new phase of her career was matched by changes in her musical style. Inspired by life in the United Kingdom and working with new producers, she began writing music for a western market. Part of that change also meant a foray into electronic music, which is about as disparate from the folk/acoustic sound associated with Rié as one could imagine. She counts it as part of that rebellious era of music in her life.

Your musical style is your lifestyle. I tried to experiment and explore electronic music because much of what’s current is electronic and I wanted to fit in, to integrate that, but I don’t have an electronic lifestyle. I don’t spend my weekends at clubs. I take nature walks and I look at swans everyday, and naturally, I thought my music should resonate that peaceful, relaxing lifestyle.

As the first single from a new album, “Ripples” reflects that return to her roots. “After ten or fifteen years, I feel like I’m going back to where I started in terms of really pure, raw inspiration without thinking about what tracks sound popular or what’s trending or current. I’m just being really honest with songwriting at the moment after a full cycle since my very first single.” The single itself speaks to this shift, to this movement back to her true self. Inspired by rural living near her home in Surrey, she describes the song’s eponymous ripples as “looking at the river or water or the change of season, and also a poetic reference to how the ripples of a word or a message could kind of really expand to a larger scale or be delivered to more people.”

And that’s always been the goal: to impact audiences with her art. As Rié moves into that fourth phase of songwriting and completes the circle, returning to a place of innocence and purity, she also brings with her the experiences of making music in Japan, the UK, and across the world. Together, these destinations and experiences have brought Rié home, not only to the place where she finds quiet, but also to a place where music is made.

Follow Rié on YouTube, Instagram, and Twitter, and on Friday, download “Ripples” on iTunes.

#Rie Fu #Rie #Music #Anime #Bleach #Hourou Musuko #D. Gray Man #Darker than Black #Wandering Son #Darker than Black: Kuro no Keiyakusha #Articles #Author: TWWK

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oadara · 6 years

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Similarities between Jonerys and Reylo

As the popularity of the paring between Kylo Ren/Ben (KRB) and Rey of Jakku (aka Reylo) increases among the Jonerys fandom there have been some questions as to why, those of us who ship both, find similarities between these two couples (I know Reylo is not a couple, yet, but I’ll refer to them as such for the purposes of this mini-meta).

If you are looking at these two couples and try to make a one-to-one comparison between the two, you’re not going to find it. Jon isn’t KRB and Dany is Rey or Jon isn’t Rey and Dany isn’t KRB. Not only are these stories geared towards different audiences, they are a different genre and are going about their storytelling in different ways. A Song of Ice and Fire/Game of Thrones is a political and personal drama told through the lens of medieval fantasy. While Star Wars is a fairy tale told through the lens of a Sci-fi Space Opera Western.

The similarities I’ve noticed are of a thematic and symbolic kind and although the individual character have some similarities between each other, the real similarities are seen when looking at the paring as a whole and how they are presented to us throughout the story. This is based on my interpretation of both these couples, others might view things differently. Eventually, I would like to expand on these similarities but for now, I’ll do a quick run through of the similarities I’ve noticed between the two pairings.

Balance

This is not an uncommon theme in stories but it’s central theme of both these tales. A Song of Ice and Fire, of the bat we know that this story is about two opposites either coming together in battle or love or both. Ice and Fire or Water and Fire are two elements that sit opposite from one another. Our central characters Daenerys Targaryen and Jon Snow are representatives of these opposing elements and many of us believe that through their union the balance lacking from Westeros will finally be achieved.

On the other hand, we have Star Wars whose central theme is the balance of the Force between the light and the dark. In this trilogy, these opposing forces are represented by Rey of Jaklu and Kylo Ren, aka Ben Solo. When they are first introduced they are on opposite sides of a war that has been raging for a few generations. Rey becomes KRB’s prisoner but soon proves to be a true challenge for him. Her strength in the Force is equal to his, something he has not encountered before. “Darkness rises and light to meet it,” says Snoke, insulating the divide between the two but it also insinuates a coming together of the two.

Generational Saga

The other big theme in both these stories is that of the current generation reckoning with the mistakes of their ancestors. Although ASoIaF revolves primarily around the House Stark, the expanded world of Ice and Fire revolves around House Targaryen and it is their actions throughout their history of ruling that have shaped Westeros to what it is today. On the other hand, Star Wars is the generational saga of the Skywalker family and how their connection to the Force has shaped the galaxy.

Pretty much everything that has happened in ASoIaF can be traced to past mistakes and the most immediate of those are the actions of The Mad King, Aerys Targaryen and those of Rhaegar Targaryen and Lyanna Stark. The event surrounding the doom romance and Aerys actions throughout are what has led us to the current predicament our protagonist find themselves in at the beginning of the story. Although many things have happened throughout the course of the series, we see Jon and Dany confronted with the mistakes of the immediate and not so immediate ancestors. Dany facing the slave trade promulgated by the Valyrians and Jon facing the consequences of the exiling of the Free Folk to beyond the Wall. Both of these characters not only have to fix the past mistakes and by doing this they are forgiving a new path, a third way if you will.

In the case of Star Wars, it all started with the doomed love of Anakin and Padme. Their love, described as possessive, lead to Anakin’s downfall and the emergence of Darth Vader and all the chaos it brought to the galaxy. Luke was able to help his father redeem himself, however, the darkness still remained and now Anakin’s grandson KRB has inherited that legacy. His return to the light will finally heal the wound his grandfather created. And who best to help Ben redeem himself than his counterpart within the force Rey.

Mirrored Couples

One additional element to the generational saga piece is how both Jonerys and Reylo mirror couples an important couple that was integral to the beginning of the story. In the case of ASoIaF, I’ve often said that Rhaegar and Lyanna’s union brought war, while Jon and Dany’s will end the war.

In the case of Star Wars, the love Anakin had for Padme was possessive and the fear of losing her drove him to the dark side of the force. The compassionate love that Rey offers to Ben will turn him from the dark to the light, also ending the war between the First Order and the Rebels.

Yin and Yang

This is an obvious visual similarity between these two pairings. In ASoIaF the most overt example of this is the coloring of Jon and Dany’s animal familiars. Drogon’s black to Ghost’s white with just the slightest hint of red. Through the TV series, we see this visual yin yang represented by the filters used in filming to characterize Jon and Dany’s story. In Jon’s case, we see the more muted blues and Dany the bright oranges. This is representative of the Ice/Fire or Yin Yang of the story.

With KRB and Rey, the yin-yang symbolism is much more obvious, because the Force itself is defined as Light and Dark. We see this with whites and black playing against each other’s in most of their scenes together. In addition, you see the reds and blues of their chosen Force also used in contrasts with each other. There is a specific scene in The Last Jedi where Kylo goes from cold blues to the warm reds of Rey’s fire during one of their Force Bond sessions.

Social Status

This similarity is particularly interesting for me as it’s so typical of the fairy tale genre. While the truth of Jon’s parentage has been revealed to the audience the characters themselves (except for Bran and Sam) are completely ignorant to it. As far as the in-universe narrative is concerned we have a Queen who is decedent from generation after generation of kings and queens and falls in love with a bastard. Even as a bastard Jon is of noble heritage, however, the stigma of being a bastard has followed him throughout his life, but Dany never even mentions it nor does she bring it up to him. The perceived difference in their social status is not important to her or him.

While on the other hand, we have the dark prince of a Star Wars Ben Solo falling for a scavenger, whose parents were nobodies. There is a clear divide in their social standing. However, unlike Dany who just didn’t feel the need to address it, Ben Solo, and his severely lacking social skills, reared their ugly head. While reminding her she’s a nobody, he then very suavely adds, but not to him. Jokes aside, I do believe Ben thinks of Rey as someone whose special, and in the novelization of TFA we learn that Ben has compassion for Rey and is punished for it by Snoke.

So, while these couples are perceived by the outside world to be from two vastly different social status while the pairs themselves have or eventually will see past that.

Equals

Okay, I literally just talked about the differences in their social status and now I’m calling them equals. Yes, that’s exactly what I’m doing. To the outside world, there’s a firm difference in their place in society, however, for the couples themselves they perceive their counterparts as their equal.

Dany and Jon see in each other someone who understands the burdens of ruling, of leadership, of personal sacrifice for the good of their people. They see someone who can understand the burdens they carry because they themselves has carried it. In each other, they see their equal, something they have yet to have encountered.

For Rey and KRB is much more clearly stated because they are literally the Force counterparts to one another. Their skills and power come from the same well and one is just as powerful as the other. In fact, the scavenger Rey bested the elite trained KRB twice. She is his equal and he knows it, and that is something he admires in her.

The Greater Good

The books aren’t there yet, however, on the TV show we see Dang giving up her pursuits if the throne to go fight in the Great War against the Wight Walker. I think it’s important to note that Jon didn’t make the decision for her. He presented his case, poorly, but with the help of Tyrion and some super convenient and crazy events, Dany was able to see what really mattered.

This hasn’t happened yet in Star Wars but I believe that story is headed in the direction of having KRB turn his back on inter-galactic domination and help the Resistance to end the war

Rey presents KRB with the opportunity to turn toward the light but he’s not ready to take it. He’ll have to figure that out on his own and come to the decision on his own. But because Rey has shown him the way he knows there is a chance.

Loneliness

This is an important element for both these couples. Even though they are all special in their own way, for one reason or another all have felt isolated from their family and society. There is a deep loneliness for all of them which began in their childhood.

In Jon and Dany’s case, it’s loneliness but also isolation. For Jon, his status as a bastard kept him a step apart even from his family. Even those who loved him couldn’t change the fact that as a bastard he was viewed differently than them. For Dany, it’s her exile to a country where she has no connections except for her brother. As well as her poverty while still having the social status of a princess. She could never fit in and her lack of resources meant that she was unable to put down roots.

In the case, KRB and Rey is the lack of connection with others. KRB couldn’t connect with his father because Han couldn’t relate to Ben’s connection to the force. And while Leia could relate with Ben in that regard her work as a Senator and General kept her away. We all know that his connection to Luke ended disastrously and whatever connection to Snoke he has been one of control and abuse. For Rey, she was abandoned and left to the care of uncaring strangers. She has no connection to anyone when we meet her. She forms attachments quickly because of her deep loneliness.

Their Bonds

The loneliness they all feel, the sense of not belonging anywhere is the foundation for the bond that Jon & Dany and Ben & Rey form with one another.

Jon and Dany seek belonging and acceptance. They have felt so isolated for so long that they just want to feel that they have found a place or someone they can belong to, that they can be themselves with. They find that in each other because of their shared experiences as leaders but also because of their upbringing. Their journey, as I have written many times, parallel one another and this creates a unique bond between the two of them.

In the case of KRB and Rey, the deep loneliness they both feel is literally bridged by their Force Bond. We are being shown how connected they truly are when their shared Force allows them to see one another from across the galaxy. In fact, the connection is so strong that they are able to touch one another, even though they are millions of miles away from one another. In each other, they see someone who is in need of connection but not just any connection, a connection based on compassion. Regardless of their circumstances, they have compassion for one another and the pain they see in each other.

The Gray Zone

One of the most notable things about ASoIaF is the complexity of its characters and the different shades of gray among them. Our heroes, while fighting for a common good, have engaged in acts that are deemed controversial. They make mistakes and are far from perfect. However, at the end of the day, they are heroes, just grayer than usual.

For Star Wars the dichotomy between KRB and Rey is much starker. Rey is a hero; she chose the light side of the force and she does the right thing and fights for the common good. KRB is a villain, he’s chosen the dark side of the force and is fighting for his own ambition. However, I believe the story is making its way towards a creating a gray flawed hero in KRB. His actions will eventually help the war and redeem him.

There are other themes and similarities I see in between these characters but many of them are found in your standard protagonist on their path through the Hero’s Journey. But I think enough similarities exist between these two couples that it’s notable and interesting to discuss and understand better.

#jnrysrlo #daenerys targaryen x jon snow #ben solo x rey #asoiad x star wars #jonerys x reylo #similarities and parallels #my meta

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