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lurkingshan · 8 months

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A Time Called You: A Great Reminder to Go Watch Someday or One Day

This past weekend Netflix dropped a new kdrama called A Time Called You in its entirety, and I became particularly interested in watching it as soon as I realized what it was: the Korean remake of Someday or One Day I knew had been in the works for awhile. If you’re not familiar, Someday or One Day (SOOD) is a beloved 2019 Taiwanese drama that is widely considered to be among the best dramas the country has ever produced (there is also a 2022 film version of the story, but that’s less relevant to this post). Now, I love Korean dramas, and I know that countries remaking each other’s best shit is very common in the Asian media landscape, but I couldn’t help but feel protective of the original work and a bit resentful of the choice to adapt something that was so original and unique and specific and put that generic kdrama sheen on it. Taiwan has a small film industry, and this is one of its jewels. We didn’t need Korea’s take on it.

And having watched the adaptation in full now, I am feeling pretty justified in that initial feeling. Let me just say upfront: A Time Called You (ATCY) is a perfectly good drama with a solid cast and competent storytelling. Had I seen it absent the knowledge of what it was adapting, I probably would have liked it a lot. But I have already seen and loved Someday or One Day, so I feel compelled to break down why it is the better version of this tale, both for my fellow SOOD devotees who are wondering how this adaptation stacks up and for folks who have only seen the kdrama in the hopes that you’ll decide to watch the original. As usual, I did the most, so reader be advised that this is long (tagging @troubled-mind as promised and @smittenskitten because I saw you were looking for a comparison of the two dramas). TL; DR: if you liked ATCY, or have seen neither version and are wondering which to watch: go find Someday or One Day, because it’s an overall superior and more satisfying execution of the same story.

The Vibe

Let’s start here because it’s the most obvious and immediately striking thing as someone who has seen both versions. SOOD has a bit of a rough and unpolished feel, which makes it feel more grounded in reality (important when you are getting into fantasy elements like time travel but you still want the characters to feel like real people). We open our story in 1998 in a record shop with a young girl playing Last Dance by Wu Bai and China Blue, a 1996 mando pop rock ballad, and thus setting the tone—this will be a somewhat raw and bittersweet story about grief and hurt and longing that will invite us to wallow in our feelings. And that melancholic vibe stays throughout the drama, even in the explicitly happy scenes, because you are always aware that the joy you are seeing has already been lost.

By contrast, ATCY feels… emotionally flat. Don’t get me wrong, it is a very faithful adaptation. The early episodes are practically a shot for shot remake of the original drama. But it’s too polished, too shiny. The filmmaking is bog standard kdrama fare; everything is soft focus and warmly lit and too beautiful and consequently nothing feels real. It feels right in line with the standard aesthetics of recent mainstream Korean dramas, and that choice undermines the emotional weight and grit of this story.

A great example of this can be seen in the way the two dramas handle the iconic scene where our female lead runs in the rain, looking back over her shoulder to smile in delight at the male lead before continuing on her way. This is a moment of realization for him about his feelings for her—one he will later immortalize in a painting that becomes part of the mystery of the past she is trying to unravel. In Someday or One Day, this scene takes place on a regular street, in the utterly mundane surroundings of their everyday lives as they walk home, and she runs down the middle of the road as puddles gather in the uneven pavement; in A Time Called Love, they are in a picturesque park for this scene, surrounded by green and encased within a grove of giant trees, and she runs right down the middle of a tree lane that looks like it came straight out of a fairytale. One story is very much about a love grounded in a reality we can recognize; the other is pure fantasy romance.

The Music

I already mentioned the song that anchors the Taiwanese drama above. Last Dance is hugely important to the story, both thematically and as a plot device, and in its ability to set the mood and tone of the drama.

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The Korean remake similarly uses a real 1996 ballad as its main song and time travel mechanism: With My Tears by Seo Ji Won. And, uh, the vibe is a bit different.

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Discerning listeners might recognize this as one of the many classic love ballads performed by our favorite doctors by day, rock stars by night over on Hospital Playlist. It’s a perfectly fine song. But it sets quite a different tone for our story, doesn’t it? It also is meant to be a song that a teenage boy is hankering to listen to on cassette, and listen, I wasn’t living in Korea in 1996. I have no idea how culturally accurate that may be. I’m sure there were in fact baby Lee Ik Juns running around trying to get their hands on this cheesy love song. But the edgier sound of Last Dance definitely sounds more in line with something the teenage male lead would listen to and what the music is meant to convey. And frankly, since we hear this song about 30 times in the drama, it matters that Last Dance is just an objectively better song.

And that’s just the tip of the iceberg, because beyond the classic song each version chose to use as its centerpiece, there is also a stark difference in the quality and tone of each drama’s OSTs. Here is a compilation of the Someday or One Day tracks, including the utterly gorgeous main theme by Shi Shi. The music is hugely important in the Taiwanese drama and is used to set the mood as well as emphasize its themes, and the tracks feel specific to this story.

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And here is a compilation of A Time Called You OSTs.

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If you’re familiar with kdrama OSTs, you will recognize most of the artists on here, as well as some new covers of old songs. And again, the vibes are quite different. Whereas SOOD was very intentional and specific in its music choices, ATCY just sounds like every other kdrama. There is nothing on this tracklist that stands out or evokes the kind of feeling that the SOOD tracks do.

The Main Couple

The name and timeline situation in this show makes this section unnecessarily difficult, so let me just make a little reference sheet here:

Someday or One Day

Alice Ke plays Yu Xuan (2019) and Yun Ru (1998)

Greg Hsu plays Quan Sheng (2019) and Zi Wei (1998)

A Time Called You

Jeon Yeo Been plays Jun Hee (2023) and Min Yu (1998)

Ahn Hyo Seop plays Yeun Jun (2023) and Si Heon (1998)

All of the actors here are seasoned and very good at their jobs, so I am not casting shade on any of them—they are executing their performances based on writing and directorial choices. But I cannot deny that the Taiwanese version of these characters are more compelling all around. In SOOD, the main characters have a real spark; despite the melancholic undertone of the story, there are moments of genuine joy and when they connect with each other, you feel why this bond is strong enough for them to find each other through time and despite all the trauma they endure. In ATCY, however, the characterizations are muted.

This is most evident in the difference between Quan Sheng/Zi Wei and Yeon Jun/Si Heon. Greg Hsu plays Zi Wei as magnetic, playful, mischievous, utterly lovable, and very intense about his feelings for his lady. He has a real joie de vivre about him that clearly brightens up Yu Xuan’s life considerably, and his devotion to her is not just shown, but deeply felt. Experiencing their memories, you understand immediately why Yu Xuan can’t move on from his death; he was the joyful, relaxed counterpoint to her more ambitious and serious personality. Si Heon, though? He is a nice dude and a generous partner and he is very good looking. But he doesn’t have the playfulness or the intensity that his Taiwanese counterpart does. His personality is just more moderate all around. One great example of this: upon discovering that he has traveled forward into the body of the person that would become Yu Xuan/Jun Hee’s boyfriend, Zi Wei (in Quan Sheng’s body now, are you still with me?) actively decides to find her, love her, and try to solve this time loop quagmire they are in; Si Heon (in Yeon Jun’s body) waits for a moment of fate to give him a sign, and only makes the decision to pursue Jun Hee after running into her by coincidence.

Similarly, Jun Hee is not quite as spunky and sassy as Yu Xuan and Min Yu is not as dark and awkward as Yun Ru; when Jun Hee travels to the past and takes up residence in Min Yu’s body, the differences between the two characters she is playing are not as evident. In SOOD, I could tell at a glance who is in Yun Ru’s body; in ATCY I need more context to be sure. Where Yun Ru had more of an edge, Min Yu simply reads very shy. It’s not as compelling. One scene that really stands out as an example of this: when Yun Ru is pretending to be Yu Xuan in 1998 and looks in the mirror to practice smiling, it looks downright creepy and sinister; when Min Yu is masquerading as Jun Hee and looks at herself in the mirror, she just looks awed and happy, if a bit awkward. It’s subtle, but it changes the way you feel about the characters.

The difference in Jun Hee and Yeon Jun’s characterization also affects the couple chemistry, which is just not nearly as strong in ATCY. The characters are more muted and thus the expected sparks are more like smoldering embers. The relationship feels cozy and warm and nurturing, but it doesn’t feel vital. It doesn’t feel like the kind of relationship you would fight through time or break the rules of the universe to return to. I recall gasping or crying or laughing out loud throughout SOOD because I was constantly taken aback by Greg Hsu’s arresting presence and the chemistry he and Alice Ke generated was just emotionally riveting. When Yu Xuan told Zi Wei (as Quan Sheng) that they were officially together, that man literally jumped for joy and shouted out his love for her; Si Heon (as Yeon Jun) reacts to the same moment with a quiet smile and a hug. When Zi Wei saw Yu Xuan in Yun Ru’s body again in the finale, he knew instantly that it was her and the smile overtook his face as he reached for her; Si Heon initially called Min Ju’s name before getting closer and taking several beats to realize it was Jun Hee (ruining this iconic moment is perhaps this remake’s greatest sin against romance, my god).

Everything between the couple in SOOD was just more, both in happiness and in despair. I liked Jun Hee and Si Heon, and Ahn Hyo Seop and Jeon Yeo Been are very competent actors whose performances I have loved in other dramas, but they didn’t achieve that level of chemistry here, the writing and directing choices worked against them, and I didn’t feel that same desperation for them to figure this out that I did with Yu Xuan and Zi Wei.

The Story

The Korean version is a very faithful adaptation overall (I haven’t mentioned Jun Jie and In Gyuk because his character and story is more consistent across the two shows), but does make some small tweaks to the story, some of which seem to be out of necessity due to a shorter run time (one episode and a couple hours total less than the Taiwanese original) and some just… because? The shorter amount of story time does lead to them having to cut corners on some aspects of the mythology and time travel lore, making it all a bit less clear for folks who don’t already understand what’s going on, and they put in a few nods to typical kdrama tropes like amusement park dates and hand of fate stuff that we really didn’t need—they are already trapped in a time loop together, we get it!

ATCY also messed with the timelines and ages for reasons I don’t really understand and that don’t really track. In SOOD, Zi Wei traveled forward from 2002 to Quan Sheng’s body in 2010, met Yu Xuan, and then died in 2018. In ATCY, Si Heon traveled forward from 2002 only to 2007 and did not die until 2022—but the relationship dynamics are all the same. It made sense for a young couple who had been together about 7 years and who were in their mid-20s to be having the kind of relationship problems they did—fighting about prioritizing careers and time abroad and whether it was time to get married. But a couple who has been together nearly 15 years? Who are in their mid-30s? They would have already been married probably and had a couple kids to boot. The choice to change the timeline like this had me scratching my head and accomplished nothing for the story.

But neither of those things are the change to the story that is weighing on me most. That occurs in a very small and brief backstory for the real Yeon Jun, where the drama introduces an original character who has no counterpart in SOOD: Tae Ha.

In SOOD, the real Quan Sheng is a closeted gay teenager who meets a tragic end: he confesses to his crush, gets brutally rejected, then gets bullied when the crush tells others about his sexuality, and ultimately decides to walk into the sea in an attempt to end his life, a choice that leaves his body in a coma until Zi Wei’s consciousness takes it over. In ATCY, this backstory changes and Rowoon is brought in for a brief but impactful cameo as Tae Ha, Yeon Jun’s cram school friend. We see that the two have mutual feelings for each other but are both struggling to confess. One day as they are driving together, they finally explicitly acknowledge their feelings, holding hands and smiling at one another—and then immediately get hit by a Truck of Doom (easily one of the most tired kdrama tropes), Tae Ha dying on impact and Yeon Jun ending up in a coma with Si Heon’s consciousness eventually taking over his body like in the original story.

Now on first glance, you might be inclined to give the show some credit for including a new gay character and giving the original Yeon Jun a happier experience with his crush. Explicit gay representation? In a mainstream kdrama? Still very rare and a big deal if done right. But if you think for a moment longer you’ll realize we can’t give the show credit for this, because this is a textbook execution of the Bury Your Gays trope and the narrative punishment that befalls gay characters who act on their attraction. Essentially, what the Korean remake did here was reveal these two characters are gay, killed them both immediately after they decided to pursue a relationship with each other, and then had the het male lead character take over the body of this gay man and use it to enter into a relationship with a woman. Some aspects of this plot were present in the original tale, but this choice to add an additional gay character only to kill him and tie it to their moment of acknowledging their mutual attraction? Made it significantly worse. It was badly done and I will not applaud the drama for representation when they did it in such a cruel way.

The Ending

SOOD ends on a hopeful but somewhat ambiguous note, with Yu Xuan in 2020 finding a way to go back and save Yun Ru (and Jun Jie by extension) and then breaking the time loop, sacrificing her relationship with Zi Wei in the process even as it breaks her heart (because the only way for them to meet and fall in love in 2010 was to stay in the loop). She sacrifices their romance, and all their memories together, because it’s the right thing to do—she inadvertently destroyed Yun Ru’s life with her time traveling, and she couldn’t live with that knowing there was a way to fix it. We are left with a broken time loop, original teen Zi Wei meeting child Yu Xuan again in 1998, and the hope that they will find a way to make their fates align again and be together without time travel complications. It’s just the right bittersweet touch to end the story on; their previous relationship was lost and their sacrifice was real, but there is hope for another version of a happy life together, someday.

By contrast, ATCY goes for a more explicit happy ending: Jun Hee makes the same choice to go back and save Min Ju, and to break the time loop and sacrifice her relationship with Si Heon, but in ATCY we then jump forward to 2011 to a happy epilogue to see Si Heon and Jun Hee meet as adults. And look, I love a happy ending! But what I said above about the sacrifice Yu Xuan and Zi Wei made in SOOD really resonating because of its bittersweet ending? That’s absent here, because ATCY decided they needed to put a bow on it and reassure us they would get back together. ATCY was just never willing to let us stay in the grief or commit to the darker and sadder aspects of this story, and as a result, the whole thing loses some of its impact.

#someday or one day #a time called you #tw drama #kdrama #long post #why yes i did write a 3k word post for the ten people on this website who care about both these dramas #shan shouts into the void

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lurkingshan · 7 months

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Hi Shan!

I hope you're doing well and thank you for all your metas and recs. They are always such a great read!

I have realised that I am quite anxious about currently airing shows not sticking the landing (IFYLITA mostly, I only seem to care about this one recently). You may have previously written about it(?), but which dramas (BL or otherwise), do you think have the most satisfying endings?

Oh, and bonus question, do you have an ending that you approve of, was really good and all, but you would never ever rewatch it because of *too many feels*?

Hey Kat! Thanks for the ask. I totally get the fear of a bad ending, it has soured many a drama experience, and sometimes it really does take you off guard. I feel like when most dramas end I'm just happy if the ending doesn't retroactively ruin anything, let alone it actually being meaningfully good. I had to think about this for a minute, but I do think there are some dramas where the ending is so good it actually enhances the overall story and watch experience.

First, a few that I would classify as having really lovely happy endings that feel very well-earned after lots of pain and strife

My Lovely Sam Soon

This drama is a classic from 2005, and it caught me off guard with how invested I got. It's a pretty standard romcom about a quirky "fat" (*stares into the camera*) woman who gets hired by a chaebol restaurant owner. They start out adversarial before eventually falling in love, with the hero working through his surprising feelings for this woman who does not fit his image of his ideal partner and the heroine overcoming her own body image and self-esteem issues. Sounds basic, right? But something about it just works. At the end, the heroine sings a love song to her beau with her terrible singing voice while he looks on adoringly, and something about it was just so touching that I actually burst into tears.

My Mister

One of my favorite endings of any drama ever. Our heroine Ji An has been through it, and via a platonic relationship with her older boss, she gets the support she needs to turn her life around. I spent half of this drama white knuckling in fear that they would try to turn the relationship romantic, but they stayed true to the purpose of this narrative. Instead of a romance, we end with the two of them running into each other on the street after a time skip. They meet eyes, he sees that she is happy and well and they just smile gently at each other. Perfection.

The Untamed

Possibly a controversial pick, given that this is significantly altered from the novel, which has a much better resolution to the romance. But given the constraints this adaptation was under and the need to keep the relationship ambiguous for censorship reasons, I think this show did a remarkable job of getting the romance across. This ending where they meet again on a hillside, Lan Wangji calls his name, Wei Wuxian turns and we see a smile slowly light his face up is absolutely beautiful and a very romantic note to leave us on.

This second group of endings are more bittersweet resolutions, but ones I thought really added to the poignancy of the stories and made the relationships feel all the more epic

Bad Buddy

Something that always surprises me about the way people talk about BBS is they often seem to...forget that the ending is actually really fucking sad? I guess because the couple is together and still happy with each other, folks overlook the deep melancholy of the circumstances under which they are able to maintain their relationship. So let me remind you! Pat and Pran are in a long distance relationship, they are still not out to anyone but their closest friends, and they are forced to put on a charade in front of their families so everyone can carry on pretending. They are still hiding, their family relationships are irreparably altered, and we know it's a constant strain on them. It's a perfect bittersweet note to drive home the serious sacrifices they are making in the name of filial piety even as they refuse to give each other up.

Crash Landing on You

Switzerland, the true MVP of this story. Se Ri and Jung Hyeok do not have the option of simply choosing one of their home countries to live in together, and both have obligations they cannot abandon at home. And so in the end they settle for being mostly apart, taking time together in neutral territory as often as they can manage. Is it enough? No, but it's better than moving on from each other.

Goblin

This story is a tragedy and it stuck to its guns on that while also finding a way to give the characters (and the viewers) some kind of happiness to hang onto. Shin is doomed to live forever and watch Eun Tak die over and over again, but at least he also gets to meet and be with her before each death. Him meeting her again in her second life, with the looming knowledge that he will outlive her again and be left alone, is a perfect combination of joyful and mournful, very appropriate for this story.

I Promised You the Moon

One of my favorite romance endings ever, because it does what the genre rarely allows in acknowledging that the couple may not, in fact, stay together forever, and that's okay. Oh-Aew decides to take Teh back because he wants to be with him and he hopes they may be better equipped to deal with their issues in the future, not because he feels confident things will not go wrong again. In fact, he directly acknowledges that they probably will. It's a very mature resolution and a fitting end to a coming of age story.

Someday or One Day

This time travel story ends with the leads deciding to break the loop they have been living in, sacrificing their romantic relationship in the process. It's a brave and selfless choice made to protect others, and the narrative rewards them by giving them some hope of another path to each other in the future. We leave them meeting again at a different time with a significant age gap and no memory of each other, and a hope that they will find a way to each other in this new reality.

These next two kind of stand on their own as unique, as I have not seen other dramas that pull off what their endings do

The Glory

The best thing about this drama is that it's a revenge story where the revenge is fully carried out, no one is given unearned redemption, and every character gets exactly what they deserve. That probably shouldn't be revelatory, but in my experience, it is! Asian dramas love to hand out unearned redemption to villainous characters, but this drama was simply Not. Having. It. It was such a satisfying watch.

Utsukushii Kare

The ending of this one pulled off the neat trick of reframing everything that came before it, flipping the perspective so that nothing about previous events actually changed, but our understanding of what it all meant was turned on its head. This is a difficult writing trick that requires deep understanding of your characters' psychology and full command of every detail of your story, and it was incredibly impressive. It instantly turned it into one of my all-time favorites.

Bonus question: Dramas with endings that were fantastic, but that made me never want to watch again because of the feels

I had to think on this one a bit because I actually really enjoy getting into my feelings over dramas and regularly torture myself by rewatching sad shit. But I did come up with two dramas that I probably won't ever watch again for different reasons: The Red Sleeve and Secret Love Affair. With TRS, it's rooted in a specific kind of pain that I found quite brutal as a viewer: the total denial of any moment of happy catharsis, which was an intentional and appropriate choice to underline its message. This is a love story that the heroine did not want or choose, and so she never gives in and embraces it, and neither can we. The show refuses to romanticize the concubine life and I respect it, but boy was it hard to watch.

With SLA, it's more a matter of the anxiety it provokes. That drama was, hands down, the most stressful watch experience of my life, even more than thrillers that are intentionally trying to stress me out! The romance is actually super compelling but you can't relax for a moment because everything is on a knife's edge. And the ending was not at all happy, but somehow still managed to feel like a breath of fresh air for both the heroine and us, because we finally escaped that confining dynamic she was trapped in. A perfect ending to a brilliant drama and also a watch experience I am not looking to repeat.

#bad buddy #crash landing on you #the untamed #goblin #the glory #utsukushii kare #i promised you the moon #someday or one day #drama recs #drama endings #thanks again for the ask!#i do love an excuse to ramble about my favorite dramas #shan answers #shan recommends

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