i dont know how else to put this but to approach books (or any media, really) solely for the sake of relatability is genuinely incredibly heartbreaking......to have such little (or such unwilling) imaginative scope that you cannot stretch yourself, even marginally, in a different direction to what you’ve known or are used to knowing when the very POINT of stories is to transport you somewhere else, into someone else, so you can do just that........when fran lebowiz said a book “is supposed to be a door!” and george saunders said good prose “is like empathy training wheels” they were right!!! they were so so so SO absolutely entirely right!!!!!
13K notes
·
View notes
thursday night at the drag bar
(progress + caption under the cut)
Kinda very much shocked that I made this? I’m actually really really happy that I managed to finish this drawing (and so quickly too!) I’m really happy to be stepping back into art. 💖
This drawing sort of , happened because I saw these two photos:
To me, this is them like , this *is* Dreamling
From there on, I’ve been experimenting with drawing and rendering the maaaany different fabrics (taking direct inspo for Hob’s outfit, and picking other materials for Dream’s). Have some progress shots!
(tagging @fellshish !!! here you go friend!!!!)
191 notes
·
View notes
Soulmates AU in which your soul is bounded to your soulmate's soul.
What does that mean exactly? That when you die, if your soulmate is still alive you can't move on. Instead your soul is stuck by your soulmate's side until they die too, so the two souls can become one in death. Depending on how strong the bond between the two is, one could see (and even interact!) with their deceased soulmate.
Now this but, you know by now, JeanMarco. With Marco waking up and the first thing he saw was Jean's terrified face while looking at the dead body- Marco's half eaten dead body. He learns it pretty quickly that he can't leave Jean's side, bound to follow his best friend around. He also learns that is possible for Jean to see and hear him during the ceremony of burning the fallen soldiers during Trost ; it lasted so little, too little for all the things Marco wanted to say. If he knew Jean was listening from the beginning, he would've started with exposing Reiner and Berthold right away. By the time he took notice that not only Jean was looking at him, but listening too, it was too late. Every other word from him was meet with silence, unheard by the living.
Isn't until the 57th expedition outside the walls that Marco learns that he can interact with Jean too, touch him. In his panic after Jean's failed attack on the Female Titan Marco didn't think and went straight to his best friend's side, touching his shoulder while looking for any injuries. Jean's eyes went straight to the place Marco's was touching, looking confused- until he followed the arm and saw Marco in front of his very own eyes. And just like everything, it lasted too little for Marco's liking. The Female Titan took hold of Reiner, crushing him in her hand, and Jean could no longer see him.
It was later, much much later than either of them would've liked, for Marco to understand how everything works. To know that he could only interact with Jean when his mind was filled with thoughts of Marco. By then Jean already began to move on, the secret of Reiner and Berthold's true selves already out. So Marco could only watch, unable to be there for his other half- for Jean.
And it was when they saw the ocean for the first time that Marco understood why he was truly stuck by Jean's side. When he saw his best friend having fun with the others and realized just how much he loves him. When he realizes that all he truly wants is to be by Jean's side, the way they promised each other to do during their training days.
Edit : Think of Ben and Klaus Hargreeves for easier visual.
13 notes
·
View notes
["So what can you expect in the coming months?"]
["…you never know!"]
["He’s always watching me..."]
["-I saw Mister Drew the other day…was meeting with that Connor fellow, holding some papers."]
["I think they saw me looking though…"]
["Just too many secrets being cooked up in the kitchen!"]
["If I didn’t know better, I’d say there was magic there."]
["A well calculated understanding between creation-"]
["-big things are coming!"]
["-and creator."]
["Massive things!"]
["That smile…"]
["..you just learn to go with it."]
["He’s always watching me..."]
["You just watch…"]
["I’ve got a good feeling something great is going to happen…”]
...
…How very interesting,such… knowledge.
{A message from Wilson Arch}
-----
Yoooo, guess who is having a birthday today.
Me,obviously. :D
Oh, and Wilson too, I guess. If you wanna be THAT guy.
Remember when this video came out there were people who heard the voice at the end and thought the voice was either Sammy or the Ink Demon? Man, those were the days. However with all due respect, I'm glad neither case was right in the end lol.
On this day 5 years ago, "Unknown - April 14th" was posted on YouTube, which means it's been 5 damn years since we first heard from Wilson...
man, what a damn BABY MAN, am i right folks
It's interesting to think that even though it's been 5 years, we've only known who Wilson really is for 2 years now (or more appropriately, 1 year and 5 months of those 5 years). Of course, now, after BATDR was released, we know who he is and what his place is in the Bendy universe. But between April 1, 2019 and November 1, 2022, all we knew about him was that he…existed. He was someone - someone bad apparently - who sounded old and who would have some relevance in the plot of Dark Revival. And that's it. We had no name, no appearance, nothing. He was someone, but we didn't know who.
It's no wonder he was only referred to as "Unknown" by fans during these 3 and a half years.
In the end, I would say that this drawing is a mix of 2 things.
The first being the result of an idea I've had for a while, which is basically making a drawing in relation to the original video/"unknown" tape, but this time with Wilson, since now we know it was recorded by him. Plus it's been 5 years since the original upload,5 years of Wilson. I think this would be the perfect time to do this.
And second, a strange kind of redux/homage/"final chapter" in this kind of "collection" of drawings I did between 2019 and 2022 all based on the idea of "the unknown weirdo from BATDR saying How Very Interesting Such Knowledge" and so on. All of them having other characters in mind in the role of the Unknown. And now, here I am, redoing this idea again, only with The Man Himself this time. The real Unknown. Now as the Known, so to speak.
Going back to what I said before, you can see this drawing as a kind of farewell to this particular idea that I've kind of repeated over the years, as I've now done it again only with Wilson this time. (Does this mean I'll never draw this concept/line of thought again? I mean, I assume so. But there's no guarantee I can't make something similar again down the line. Who knows what the future holds. We will see what happens in the next 5 years.)
But,yeah. 5 years of Such Knowledge™.
Have a good April Fools' Day.
(Also, there are still a few hours until the day ends where I live, so for me it's still April 1st, so yeah, this still counts)
7 notes
·
View notes
I love your RW art month tiles. What art program do you use and how do you get those really clean textures and shapes?
I use PaintToolSai, both 1 and 2- but most of the drawing gets done in SAI1 since I couldn't get my brushes to import right for 2. Its an extremely bare bones program all things considered (Sai2 less so, it has a bit more tool-wise, but I only draw in it if i *have* too or for minor stuff) so its nothing really fancy being employed, everything geometric I do just by using a self made grid to measure out shapes like you would a piece of paper.
Literally its just a measured out grid of like... 50 by 50 px squares with cross sections? I just paste it as needed and draw the lines around it and since the measurements are consistent it just works.
my default pen is already "crunchy" so being perfectly matched isnt a huge deal, and you can general paste and rotate to make it look a little cleaner. Honestly I've used this same grid for forever (and it was off by like one pixel at one point lol) its just really useful for quick matching things for a program that doesn't have stuff built in for lining things up
As for the textures, those are all default to SAI (I think?). The brush I use lightly uses of fabri (which mostly just makes the edges of the brush grainier) and then I usually also put some various level of a layer texture overlay thats just one of SAI's default 'watercolor' textures. It mostly just adds a little bit of a noise/grain effect. Heres that on max
For ArtMonth itself I just draw out a tile canvas using the grid with all the layers broken up- then I just reuse it over and over as needed. There's probably smarter ways to do it, but eh it works
And yeah, theres just two borders. One for the bottom and one for the top, makes it easy to make something that goes 'in and out' of the tiles without having to think to much. Just snip as needed
27 notes
·
View notes