#seven seas steamship | Explore Tumblr Posts and Blogs

fantomcomics · 10 months

Text

What’s Out This Week? 6/21

HAPPY FATHER’S DAY!

Appare Ranman GN - Appearacing & Antonsiku

The time is the 19th century. Eccentric mechanic boy Appare Sorano sets off on an adventure along with his samurai minder, Kosame Isshiki, only to be cast adrift on the Pacific Ocean. A passing steamship rescues them...and delivers the two not back to familiar Japan, but to the far-flung land of America! Trapped in Los Angeles with no easy way to return home, the pair decide to enter the world's first trans-American automobile race. However, with vast sums hinging on the dangerous event's outcome, they may find the odds are stacked against them...

Bloodborne: The Lady Of The Lanterns GN - Cullen Bunn & Piotr Kowalski

Enter the city of Yharnam through the eyes of its citizens, when new hunters take to the streets to fight against the cruel and unusual epidemic that has gripped the city. In the black of the night, families and faith will be tested...

Bloody Sweet GN Vol 1 - NaRae Lee

One eerie night, in an old, abandoned church, a girl accidentally breaks the seal of an ancient vampire who...starts following her around like a hyper little puppy! It may not be your typical vampire story, but for Naerim, a victim of school bullying, Vlad's manic energy might be just what she needs to regain her smile!

Bone Orchard: Tenement #1 (of 10) - Jeff Lemire, Andrea Sorrentino, & Dave Stewart

From the Eisner-winning creative team behind GIDEON FALLS, PRIMORDIAL, and TEN THOUSAND BLACK FEATHERS comes the biggest and most essential project yet in the bold and ambitious new shared horror universe of THE BONE ORCHARD MYTHOS!!! In this extra-length first issue, JEFF LEMIRE & ANDREA SORRENTINO bring you the story of seven residents in a building and the dark secrets that bind them together...beginning with a death that feels much more sinister than natural. TENEMENT is the newest entry into THE BONE ORCHARD MYTHOS from LEMIRE & SORRENTINO. This universe features self-contained graphic novels and limited series about the horrors waiting to be discovered within the Bone Orchard.

Chilling Adventures Presents: Camp Pickens One-Shot - Tim Seeley, Mike Norton & Matt Talbot

Camp Pickens has always been the go-to summer destination for the younger residents of Riverdale. It's a rite of passage for the teen residents to hold the coveted camp counselor positions. However, Camp Pickens mysterious past shrouds a deep, dark secret: it's cursed, and this summer all of its campers are going to find out the hard way in this one-shot anthology that's equal parts Sleepaway Camp and American Horror Story: 1984, reuniting the team behind the mega-hit comic series Revival.

Cryptid Kids GN Vol 1 - Sara Goetter & Natalie Riess

Penny swears that when she was a little girl, a creature called the Bawk-ness Monster-half sea-serpent, half chicken-saved her from drowning. Now, years later, she's about to move away to a new city, and before she goes she needs the help of her best friends, Luc and K, for a vitally important mission: to help her see "Bessie" one more time and prove that what happened was real. But in their quest to find Bessie, the kids stumble into a whole new problem-cryptids are being kidnapped by an evil collector, and only Penny, Luc, and K can save them!

Essence: Being A Muse GN Vol 1 - Aya Fumio

“Somebody fill my emptiness!” The day I was rejected from art school, everything that was "special" about me died. That's why I have no choice. Since I'm back to being "ordinary," I'll go to the job my mom decided on while wearing the clothes my mom picked for me so that I can find what my mom calls "happiness" alongside somebody my mom can boast about, trapped in a never-ending cycle of "What if?" and "Too bad" all the while.

Freak Buck HC

In editor Alexi Zeren's words, Freak Buck is a prison for the monsters we build every day, and the book covers are the cell walls. It features new and cutting-edge work from Marti (La Vibora, The Cabbie), Igor Hofbauer, Abraham Diaz, Gunnar Lundkvist, Josh Simmons, Josh Bayer, Alexis Rose, Jasper Jubenvill, Longmont Potion Castle, Emily V Brown, Dylan Languell, Heather Bryant, and many more. A beautifully designed, limited run, cutting-edge anthology that showcases both established indie artists and previously unpublished cartoonists.

Garvey’s Choice GN - Nikki Grimes & Theodore Taylor lll

Garvey's father has always wanted Garvey to be athletic, but Garvey is interested in astronomy, science fiction, reading-anything but sports. Feeling like a failure, he comforts himself with food. Garvey is kind, funny, smart, a loyal friend, and he is also overweight, teased by bullies, and lonely. When his only friend encourages him to join the school chorus, Garvey discovers his voice-and himself. He also finds a way to finally reach his distant father-by speaking the language of music.

Gospel GN - Will Morris & Ver

When opportunity refuses to knock for restless hero Matilde, the devil comes knocking instead. Thrust into action by the hellish arrival, Matilde and storyteller Pitt will quest for renown, the soul of their community, and answers to the toughest question of all: "Who am I?" Inspired by the work of Hayao Miyazaki and set in the chaos of King Henry VIII's reign, GOSPEL is a thrilling fantasy adventure that explores the truth behind the stories we tell.

Honeycomb GN - Joanne M Harris & Charles Vess

A lushly illustrated set of dark, captivating fairy tales from the bestselling author of The Gospel of Loki with the illustrator of Stardust, Charles Vess. The beauty of stories; you never know where they will take you. Full of dreams and nightmares, Honeycomb is an entrancing mosaic novel of original fairy tales from bestselling author Joanne M. Harris and legendary artist Charles Vess in a collaboration that's been years in the making. The toymaker who wants to create the perfect wife; the princess whose heart is won by words, not actions; the tiny dog whose confidence far outweighs his size; and the sinister Lacewing King who rules over the Silken Folk. These are just a few of the weird and wonderful creatures who populate Joanne Harris's first collection of fairy tales.

Misen En Place One Shot - Matt Carr, Lane Lloyd & Nicole Goux

After consuming every animal on Earth, humanity turns to the stars, enslaving, butchering and consuming creatures from across the galaxy. But now the food is fighting back - in spectacularly gory fashion! Tuck in your napkin for this messy, pulpy, over-the-top tale of bloody revenge. Dinner is served!

Out There GN - Seaerra Miller

Julia didn't always believe in aliens. It was her father who convinced her otherwise. You see-Julia's dad believes he was abducted by aliens. And ever since then, he's been obsessed with the extraterrestrial beings living out there. So when a festival commemorating the 75th anniversary of the infamous UFO crash in New Mexico rolls around, Julia turns down a dream vacation to Hawaii with her best friend, Sara, to join her dad for a weekend trip to Roswell, where he expects the aliens to make contact. But amid the alien-themed goofiness of the festival, Julia finds she isn't sure whether her father really did get abducted. His memories of alien interference are starting to sound increasingly shaky, and with them, her faith in him. Will this weekend bring the two closer together or only drive them apart?

Scribbles HC Vol 1 - Kaoru Mori

A collection of sketches from Kaoru Mori, the creator of hit historical manga Emma and A Bride's Story! Packed with illustrations done for practice as well as for relaxation, this compilation features commentary on every page as the roots of all her work are laid out.

Stringer HC - Patrick Kindlon & Paul Tucker

1983. Tournament tennis. A racquet stringer turned small-time drug dealer gets in over his head transporting a gym bag of cocaine across Europe. Carrying a half million in narcotics puts him on the radar of every dangerous man on the continent. Whoops.

Tales Of Asunda #1 - Sebastian A. Jones, Julio Brilha & Caanan White

The first kill is always the hardest, especially when you are destined to save the world... or damn it. The Stranger has taught Niobe how to fight, but can she take a life? From the pages of The Untamed comes the first Tale in this anthology series about the world of Asunda.

Tales Of Syzpense #1 - Chris Ryall, Ashley Wood & Nelson Daniel The split book revival is underway at Syzygy! Every month, TALES OF SYZPENSE presents two titanic 12-page tales of terror and turmoil! Up first, courtesy of Lore co-creators T.P. LOUISE & ASHLEY WOOD, the lead-off mystery of "Les Mort 13" plays out on the surreal and mysterious island of Southport after a run-in with Eris, the goddess of strife... And then, proof that "power is wasted on the young"! CHRIS RYALL & NELSON DANIEL present "Dreamweaver," the story of an aging adventurer with a mystical secret who looks to pass on his abilities to the next generation of hero...until they have much greater success than he did, and he decides he wants those abilities back at any cost. Each issue features two "Les Mort 13" covers by WOOD, a "Dreamweaver" cover by DANIEL, and a Syzpenseful tribute cover to famous split books of the past.

Until I Love Myself GN Vol 1 - Poppy Pesuyama

Still reeling from being born into a body they hate, Pesuyama confronts their past, their friends, and even their mother as they try to come to terms with who they are and what they experienced.

Vern, Custodian Of The Universe GN - Tyrell Waiters

On the edge of burnout, Vern decides to return to his family in the Sunshine State to start over. Starting a new dead-end job as a custodian at Quasar-a local science facility with a shady motive-he shrugs on his uniform, grabs a mop and bucket, and trudges off to clean up... Black holes? Space-time anomalies? Galactic ooze? Things aren't entirely what they seem at Quasar, and when Vern accidentally plugs in a mysterious machine and finds himself standing on the brink of the destruction of every planet in the Multiverse, he's presented with the greatest question of all: what is the point? Fans of Ben Passmore's personal and political comics-as well as classic sci-fi comedies like Bill & Ted's Excellent Adventure and Rick and Morty-will enjoy this world of hyper fantasy with a touch of humor, as told by a Black creator.

Victory #1 - David Walker, Brett Weldele & Dave Johnson

From Vampirella's fiftieth anniversary to her very own series! She started as Vampirella's lover and ended up a very powerful pawn of Vampi's mother, Lilith. Along the way, Victory's made new friends, seen countless horrors, been saddled with a demon's ring that she can't get rid of, encountered the ghost of an old friend, and opened too many dimensional gateways to count. Despite that, there's so much that we don't know about Victory, like what her childhood was like. Or what she's been doing with her demon ring and the crazy powers it has granted. Or which old - well, foe wouldn't exactly be the right word - is about to show up to cheer her on. From writer David F. Walker (Compass, Young Justice, Naomi) and artist Brett Weldele (The Beauty, Do Androids Dream of Electric Sheep?).

Voyagis TP - Sumeyye Kesgin & Ellie Wright

In her comics writing debut, ELSEWHERE artist SUMEYYE KESGIN asks: What if one of the VOYAGER probes reached an uninhabitable planet laid to waste by a wandering black hole? With her people's resources dwindling under the thumb of a relentless tyrant, Sen, a resident of the ailing planet Modia, will find adventure, friendship-and possibly salvation-in an unexpected relic from an alien planet called Earth.

Wild’s End #1 - Dan Abnett & I.N.J. Culbard

Journey to alien-occupied interwar England, courtesy of the award-winning creative team of Dan Abnett (Warhammer 40K, Immortal Red Sonja) & I.N.J. Culbard (Salamandre, Tales From The Umbrella Academy), with Nik Abnett providing additional material! Out at sea during the invasion, our intimate crew of unlucky voyagers returns to a world they once knew, their once-cozy seaside home now occupied by alien invaders.

Combining a rich cast of anthropomorphized characters in the tradition of Blacksad and aliens unlike any you've ever seen in the spirit of War of the Worlds meets Wind in the Willows! Wild's End is a world unlike any other... one you won't want to leave.

Words Bubble Up Like Soda Pop GN Vol 1 - Imo Oono

"Smile" is a popular streamer who's self-conscious about her looks. "Cherry" is a shy boy with a love of haiku. When these two strangers accidentally bump into each other at the local mall, it's the start of a new relationship weaved by their modern and classical expressions of their feelings. Based on the gorgeous animated film!

You’re Thinking About Tomatoes GN - Michael Rosen & Cole Henley

The fan-favorite story from celebrated author and former British Children's Laureate Michael Rosen, now in graphic novel form. Frank isn't doing well at school, and he has just been told off by his head teacher again... He has one last chance to prove himself: all he has to do is follow the rules on his class trip to Chiltern House, complete his worksheet, and stay out of trouble. But when a girl steps out of a painting and steals Frank's worksheet, staying out of trouble is easier said than done. Together, they embark on a perilous adventure to discover the girl's lost identity, uniting with new friends along the way who show Frank all is not as it seems in this stately home. How did the owners of Chiltern House come to own its priceless treasures? Can the secrets of the past ever really stay hidden? Will Frank's head teacher stop him and his new friends before they find out the truth? Frank's class trip is more than he bargained for, but it may just hold the greatest lesson he'll ever learn.

Whatcha grabbing this week, Fantom Fam??

8 notes · View notes

waddlehekk · 10 months

Text

please everyone vote shin lupin iii here

we want a full translation of the manga not just collections !!!!!

#shin lupin #lupin the third #lupin iii #monkey punch #manga #lupin iii manga

6 notes · View notes

fymbmangaboys · 1 year

Text

Condemned in the streets, a fierce heroine in the sheets…if she can survive to the wedding bed and beyond! Don’t miss this Mature-rated bodice-ripper of an isekai romance manga for Steamship: the all-new Seven Seas imprint dedicated to sexy romance for women! When noblewoman Cecilia realizes she’s been reincarnated into an otome game, her shock is further complicated by the fact that she’s the villainess! What’s worse, she can’t seem to change her fate. Now, her engagement is broken off, the heroine is harassing her, and she’s forced to work in a brothel—where her very first customer turns out to be the debauched Leader of the Imperial Guard, Lucas Herbst. This dangerous Casanova looks like he’ll be the end of her, until he takes her as a fiancée!

8 notes · View notes

hellsitesonlybookclub · 1 year

Text

20k Leagues under the sea, Jules Verne

PART ONE

CHAPTER I

A SHIFTING REEF

The year 1866 was signalised by a remarkable incident, a mysterious and puzzling phenomenon, which doubtless no one has yet forgotten. Not to mention rumours which agitated the maritime population and excited the public mind, even in the interior of continents, seafaring men were particularly excited. Merchants, common sailors, captains of vessels, skippers, both of Europe and America, naval officers of all countries, and the Governments of several states on the two continents, were deeply interested in the matter.

For some time past, vessels had been met by “an enormous thing,” a long object, spindle-shaped, occasionally phosphorescent, and infinitely larger and more rapid in its movements than a whale.

The facts relating to this apparition (entered in various log-books) agreed in most respects as to the shape of the object or creature in question, the untiring rapidity of its movements, its surprising power of locomotion, and the peculiar life with which it seemed endowed. If it was a cetacean, it surpassed in size all those hitherto classified in science. Taking into consideration the mean of observations made at divers times,—rejecting the timid estimate of those who assigned to this object a length of two hundred feet, equally with the exaggerated opinions which set it down as a mile in width and three in length,—we might fairly conclude that this mysterious being surpassed greatly all dimensions admitted by the ichthyologists of the day, if it existed at all. And that it did exist was an undeniable fact; and, with that tendency which disposes the human mind in favour of the marvellous, we can understand the excitement produced in the entire world by this supernatural apparition. As to classing it in the list of fables, the idea was out of the question.

On the 20th of July, 1866, the steamer Governor Higginson, of the Calcutta and Burnach Steam Navigation Company, had met this moving mass five miles off the east coast of Australia. Captain Baker thought at first that he was in the presence of an unknown sandbank; he even prepared to determine its exact position, when two columns of water, projected by the inexplicable object, shot with a hissing noise a hundred and fifty feet up into the air. Now, unless the sandbank had been submitted to the intermittent eruption of a geyser, the Governor Higginson had to do neither more nor less than with an aquatic mammal, unknown till then, which threw up from its blow-holes columns of water mixed with air and vapour.

Similar facts were observed on the 23rd of July in the same year, in the Pacific Ocean, by the Columbus, of the West India and Pacific Steam Navigation Company. But this extraordinary cetaceous creature could transport itself from one place to another with surprising velocity; as, in an interval of three days, the Governor Higginson and the Columbus had observed it at two different points of the chart, separated by a distance of more than seven hundred nautical leagues.

Fifteen days later, two thousand miles farther off, the Helvetia, of the Compagnie-Nationale, and the Shannon, of the Royal Mail Steamship Company, sailing to windward in that portion of the Atlantic lying between the United States and Europe, respectively signalled the monster to each other in 42° 15′ N. lat. and 60° 35′ W. long. In these simultaneous observations they thought themselves justified in estimating the minimum length of the mammal at more than three hundred and fifty feet, as the Shannon and Helvetia were of smaller dimensions than it, though they measured three hundred feet over all.

Now the largest whales, those which frequent those parts of the sea round the Aleutian, Kulammak, and Umgullich islands, have never exceeded the length of sixty yards, if they attain that.

These reports arriving one after the other, with fresh observations made on board the transatlantic ship Pereire, a collision which occurred between the Etna of the Inman line and the monster, a procès verbal directed by the officers of the French frigate Normandie, a very accurate survey made by the staff of Commodore Fitz-James on board the Lord Clyde, greatly influenced public opinion. Light-thinking people jested upon the phenomenon, but grave practical countries, such as England, America, and Germany, treated the matter more seriously.

In every place of great resort the monster was the fashion. They sang of it in the cafés, ridiculed it in the papers, and represented it on the stage. All kinds of stories were circulated regarding it. There appeared in the papers caricatures of every gigantic and imaginary creature, from the white whale, the terrible “Moby Dick” of hyperborean regions, to the immense kraken whose tentacles could entangle a ship of five hundred tons, and hurry it into the abyss of the ocean. The legends of ancient times were even resuscitated, and the opinions of Aristotle and Pliny revived, who admitted the existence of these monsters, as well as the Norwegian tales of Bishop Pontoppidan, the accounts of Paul Heggede, and, last of all, the reports of Mr. Harrington (whose good faith no one could suspect), who affirmed that, being on board the Castillan, in 1857, he had seen this enormous serpent, which had never until that time frequented any other seas but those of the ancient “Constitutionnel.”

Then burst forth the interminable controversy between the credulous and the incredulous in the societies of savants and the scientific journals. “The question of the monster” inflamed all minds. Editors of scientific journals, quarrelling with believers in the supernatural, spilled seas of ink during this memorable campaign, some even drawing blood; for, from the sea-serpent they came to direct personalities.

For six months war was waged with various fortune in the leading articles of the Geographical Institution of Brazil, the Royal Academy of Science of Berlin, the British Association, the Smithsonian Institution of Washington, in the discussions of the “Indian Archipelago,” of the Cosmos of the Abbé Moigno, in the Mittheilungen of Petermann, in the scientific chronicles of the great journals of France and other countries. The cheaper journals replied keenly and with inexhaustible zest. These satirical writers parodied a remark of Linnæus, quoted by the adversaries of the monster, maintaining “that nature did not make fools,” and adjured their contemporaries not to give the lie to nature, by admitting the existence of krakens, sea-serpents, “Moby Dicks,” and other lucubrations of delirious sailors. At length an article in a well-known satirical journal by a favourite contributor, the chief of the staff, settled the monster, like Hippolytus, giving it the death-blow amidst an universal burst of laughter. Wit had conquered science.

During the first months of the year 1867 the question seemed buried, never to revive, when new facts were brought before the public. It was then no longer a scientific problem to be solved, but a real danger seriously to be avoided. The question took quite another shape. The monster became a small island, a rock, a reef, but a reef of indefinite and shifting proportions.

On the 5th of March, 1867, the Moravian, of the Montreal Ocean Company, finding herself during the night in 27° 30′ lat. and 72° 15′ long., struck on her starboard quarter a rock, marked in no chart for that part of the sea. Under the combined efforts of the wind and its four hundred horse-power, it was going at the rate of thirteen knots. Had it not been for the superior strength of the hull of the Moravian, she would have been broken by the shock and gone down with the 237 passengers she was bringing home from Canada.

The accident happened about five o’clock in the morning, as the day was breaking. The officers of the quarter-deck hurried to the after-part of the vessel. They examined the sea with the most scrupulous attention. They saw nothing but a strong eddy about three cables’ length distant, as if the surface had been violently agitated. The bearings of the place were taken exactly, and the Moravian continued its route without apparent damage. Had it struck on a submerged rock, or on an enormous wreck? they could not tell; but on examination of the ship’s bottom when undergoing repairs, it was found that part of her keel was broken.

This fact, so grave in itself, might perhaps have been forgotten like many others if, three weeks after, it had not been re-enacted under similar circumstances. But, thanks to the nationality of the victim of the shock, thanks to the reputation of the company to which the vessel belonged, the circumstance became extensively circulated.

The 13th of April, 1867, the sea being beautiful, the breeze favourable, the Scotia, of the Cunard Company’s line, found herself in 15° 12′ long. and 45° 37′ lat. She was going at the speed of thirteen knots and a half.

At seventeen minutes past four in the afternoon, whilst the passengers were assembled at lunch in the great saloon, a slight shock was felt on the hull of the Scotia, on her quarter, a little aft of the port-paddle.

The Scotia had not struck, but she had been struck, and seemingly by something rather sharp and penetrating than blunt. The shock had been so slight that no one had been alarmed, had it not been for the shouts of the carpenter’s watch, who rushed on to the bridge, exclaiming, “We are sinking! we are sinking!” At first the passengers were much frightened, but Captain Anderson hastened to reassure them. The danger could not be imminent. The Scotia, divided into seven compartments by strong partitions, could brave with impunity any leak. Captain Anderson went down immediately into the hold. He found that the sea was pouring into the fifth compartment; and the rapidity of the influx proved that the force of the water was considerable. Fortunately this compartment did not hold the boilers, or the fires would have been immediately extinguished. Captain Anderson ordered the engines to be stopped at once, and one of the men went down to ascertain the extent of the injury. Some minutes afterwards they discovered the existence of a large hole, of two yards in diameter, in the ship’s bottom. Such a leak could not be stopped; and the Scotia, her paddles half submerged, was obliged to continue her course. She was then three hundred miles from Cape Clear, and after three days’ delay, which caused great uneasiness in Liverpool, she entered the basin of the company.

The engineers visited the Scotia, which was put in dry dock. They could scarcely believe it possible; at two yards and a half below water-mark was a regular rent, in the form of an isosceles triangle. The broken place in the iron plates was so perfectly defined that it could not have been more neatly done by a punch. It was clear, then, that the instrument producing the perforation was not of a common stamp; and after having been driven with prodigious strength, and piercing an iron plate 1-3/8 inches thick, had withdrawn itself by a retrograde motion truly inexplicable.

Such was the last fact, which resulted in exciting once more the torrent of public opinion. From this moment all unlucky casualties which could not be otherwise accounted for were put down to the monster. Upon this imaginary creature rested the responsibility of all these shipwrecks, which unfortunately were considerable; for of three thousand ships whose loss was annually recorded at Lloyd’s, the number of sailing and steam ships supposed to be totally lost, from the absence of all news, amounted to not less than two hundred!

Now, it was the “monster” who, justly or unjustly, was accused of their disappearance, and, thanks to it, communication between the different continents became more and more dangerous. The public demanded peremptorily that the seas should at any price be relieved from this formidable cetacean.

CHAPTER II

PRO AND CON

At the period when these events took place, I had just returned from a scientific research in the disagreeable territory of Nebraska, in the United States. In virtue of my office as Assistant Professor in the Museum of Natural History in Paris, the French Government had attached me to that expedition. After six months in Nebraska, I arrived in New York towards the end of March, laden with a precious collection. My departure for France was fixed for the first days in May. Meanwhile, I was occupying myself in classifying my mineralogical, botanical, and zoological riches, when the accident happened to the Scotia.

I was perfectly up in the subject which was the question of the day. How could I be otherwise? I had read and re-read all the American and European papers without being any nearer a conclusion. This mystery puzzled me. Under the impossibility of forming an opinion, I jumped from one extreme to the other. That there really was something could not be doubted, and the incredulous were invited to put their finger on the wound of the Scotia.

On my arrival at New York the question was at its height. The hypothesis of the floating island, and the unapproachable sandbank, supported by minds little competent to form a judgment, was abandoned. And, indeed, unless this shoal had a machine in its stomach, how could it change its position with such astonishing rapidity?

From the same cause, the idea of a floating hull of an enormous wreck was given up.

There remained then only two possible solutions of the question, which created two distinct parties: on one side, those who were for a monster of colossal strength; on the other, those who were for a submarine vessel of enormous motive power.

But this last hypothesis, plausible as it was, could not stand against inquiries made in both worlds. That a private gentleman should have such a machine at his command was not likely. Where, when, and how was it built? and how could its construction have been kept secret? Certainly a Government might possess such a destructive machine. And in these disastrous times, when the ingenuity of man has multiplied the power of weapons of war, it was possible that, without the knowledge of others, a state might try to work such a formidable engine. After the chassepots came the torpedoes, after the torpedoes the submarine rams, then—the reaction. At least, I hope so.

But the hypothesis of a war machine fell before the declaration of Governments. As public interest was in question, and transatlantic communications suffered, their veracity could not be doubted. But, how admit that the construction of this submarine boat had escaped the public eye? For a private gentleman to keep the secret under such circumstances would be very difficult, and for a state whose every act is persistently watched by powerful rivals, certainly impossible.

After inquiries made in England, France, Russia, Prussia, Spain, Italy, and America, even in Turkey, the hypothesis of a submarine monitor was definitely rejected.

Upon my arrival in New York several persons did me the honour of consulting me on the phenomenon in question. I had published in France a work in quarto, in two volumes, entitled “Mysteries of the Great Submarine Grounds.” This book, highly approved of in the learned world, gained for me a special reputation in this rather obscure branch of Natural History. My advice was asked. As long as I could deny the reality of the fact, I confined myself to a decided negative. But soon, finding myself driven into a corner, I was obliged to explain myself categorically. And even “the Honourable Pierre Aronnax, Professor in the Museum of Paris,” was called upon by the New York Herald to express a definite opinion of some sort. I did something. I spoke, for want of power to hold my tongue. I discussed the question in all its forms, politically and scientifically; and I give here an extract from a carefully-studied article which I published in the number of the 30th of April. It ran as follows:—

“After examining one by one the different hypotheses, rejecting all other suggestions, it becomes necessary to admit the existence of a marine animal of enormous power.

“The great depths of the ocean are entirely unknown to us. Soundings cannot reach them. What passes in those remote depths—what beings live, or can live, twelve or fifteen miles beneath the surface of the waters—what is the organisation of these animals, we can scarcely conjecture. However, the solution of the problem submitted to me may modify the form of the dilemma. Either we do know all the varieties of beings which people our planet, or we do not. If we do not know them all—if Nature has still secrets in ichthyology for us, nothing is more conformable to reason than to admit the existence of fishes, or cetaceans of other kinds, or even of new species, of an organisation formed to inhabit the strata inaccessible to soundings, and which an accident of some sort, either fatastical or capricious, has brought at long intervals to the upper level of the ocean.

“If, on the contrary, we do know all living kinds, we must necessarily seek for the animal in question amongst those marine beings already classed; and, in that case, I should be disposed to admit the existence of a gigantic narwhal.

“The common narwhal, or unicorn of the sea, often attains a length of sixty feet. Increase its size fivefold or tenfold, give it strength proportionate to its size, lengthen its destructive weapons, and you obtain the animal required. It will have the proportions determined by the officers of the Shannon, the instrument required by the perforation of the Scotia, and the power necessary to pierce the hull of the steamer.

“Indeed, the narwhal is armed with a sort of ivory sword, a halberd, according to the expression of certain naturalists. The principal tusk has the hardness of steel. Some of these tusks have been found buried in the bodies of whales, which the unicorn always attacks with success. Others have been drawn out, not without trouble, from the bottoms of ships, which they had pierced through and through, as a gimlet pierces a barrel. The Museum of the Faculty of Medicine of Paris possesses one of these defensive weapons, two yards and a quarter in length, and fifteen inches in diameter at the base.

“Very well! suppose this weapon to be six times stronger and the animal ten times more powerful; launch it at the rate of twenty miles an hour, and you obtain a shock capable of producing the catastrophe required. Until further information, therefore, I shall maintain it to be a sea-unicorn of colossal dimensions, armed not with a halberd, but with a real spur, as the armoured frigates, or the ‘rams’ of war, whose massiveness and motive power it would possess at the same time. Thus may this puzzling phenomenon be explained, unless there be something over and above all that one has ever conjectured, seen, perceived, or experienced; which is just within the bounds of possibility.”

These last words were cowardly on my part; but, up to a certain point, I wished to shelter my dignity as Professor, and not give too much cause for laughter to the Americans, who laugh well when they do laugh.

I reserved for myself a way of escape. In effect, however, I admitted the existence of the “monster.” My article was warmly discussed, which procured it a high reputation. It rallied round it a certain number of partisans. The solution it proposed gave, at least, full liberty to the imagination. The human mind delights in grand conceptions of supernatural beings. And the sea is precisely their best vehicle, the only medium through which these giants (against which terrestrial animals, such as elephants or rhinoceroses, are as nothing) can be produced or developed.

The industrial and commercial papers treated the question chiefly from this point of view. The Shipping and Mercantile Gazette, the Lloyd’s List, the Packet-Boat, and the Maritime and Colonial Review, all papers devoted to insurance companies which threatened to raise their rates of premium, were unanimous on this point. Public opinion had been pronounced. The United States were the first in the field; and in New York they made preparations for an expedition destined to pursue this narwhal. A frigate of great speed, the Abraham Lincoln, was put in commission as soon as possible. The arsenals were opened to Commander Farragut, who hastened the arming of his frigate; but, as it always happens, the moment it was decided to pursue the monster, the monster did not appear. For two months no one heard it spoken of. No ship met with it. It seemed as if this unicorn knew of the plots weaving around it. It had been so much talked of, even through the Atlantic cable, that jesters pretended that this slender fly had stopped a telegram on its passage and was making the most of it.

So when the frigate had been armed for a long campaign, and provided with formidable fishing apparatus, no one could tell what course to pursue. Impatience grew apace, when, on the 2nd of July, they learned that a steamer of the line of San Francisco, from California to Shanghai, had seen the animal three weeks before in the North Pacific Ocean. The excitement caused by this news was extreme. The ship was revictualled and well stocked with coal.

Three hours before the Abraham Lincoln left Brooklyn pier, I received a letter worded as follows:—

“To M. ARONNAX, Professor in the Museum of Paris, Fifth Avenue Hotel, New York.

“SIR,—If you will consent to join the Abraham Lincoln in this expedition, the Government of the United States will with pleasure see France represented in the enterprise. Commander Farragut has a cabin at your disposal.

“Very cordially yours,

“J.B. HOBSON,

“Secretary of Marine"

NEXT >>

#hellsitesonlybookclub #bookblr #jules verne

5 notes · View notes

engshoujosei · 1 year

Text

HEALER FOR THE SHADOW HERO

Volume 1 releases in English in February 2024

Licensed by Seven Seas.

Under normal circumstances, the servant girl Nanna would never cross paths with the war hero known as the “Shadow Hero.” However, he has an incurable disease, and Nanna has the power to cure it. There’s just one catch–Nanna can only heal her patient by losing her virginity to him! Can the two of them possibly enter such an intimate arrangement?!

Status in Country of Origin

1 Volume (Ongoing)

Tags:

Based on a Web Novel

European Ambience

Hero/es

Magic

Maid/s

Special Ability/ies

Virgin/s

#AZAGISHI Kyu #manga #Zero-Sum Online #seven seas #Kage no Eiyuu no Chiyugakari #HEALER FOR THE SHADOW HERO #steamship #fantasy #josei #romance #smut #Ako #2022 #2020s #Ichijinsha #ongoing

3 notes · View notes

20k-leagues-speedrun · 1 year

Text

CHAPTER I A SHIFTING REEF

For some time past, vessels had been met by “an enormous thing,” a long object, spindle-shaped, occasionally phosphorescent, and infinitely larger and more rapid in its movements than a whale.

Now the largest whales, those which frequent those parts of the sea round the Aleutian, Kulammak, and Umgullich islands, have never exceeded the length of sixty yards, if they attain that.

#20k leagues speedrun #20000 leagues under the sea #chapter 1

5 notes · View notes

blerdyotome · 1 year

Text

Seven Seas Licenses 4 Steamy Romance Series under their Steamship Imprint

Seven Seas Entertainment is delighted to announce, through its Steamship imprint dedicated to sexy romance for women, four new steamy titles! Earlier this week Seven Seas announced they would be licensing three josei romance titles for release in English! So, if you’re looking for something a bit spicier to add to your reading list, check out these amazing upcoming titles! (more…) “”

View On WordPress

#Loyal Soldier Lustful Beast #Manga #My Boss is a Giant He Manages My Every Need with Enormous Skill #Press Release #Revenge: Kaedama Kon #Seven Seas #Seven Seas Manga

4 notes · View notes

ljaesch · 2 months

Text

Seven Seas Entertainment Licenses the Alpha Wolfgirl x Omega Wolfboy Omegaverse Manga Series

Seven Seas Entertainment has announced, through its Steamship imprint dedicated to sexy romance for women, the license acquisition of the Alpha Wolfgirl x Omega Wolfboy manga series by Natsuha Kasazaki. In this Mature-rated omegaverse manga, the new lady at work shows the bossy guy there that she’s on top. Nobody realizes Ohkami Ichirou is an omega. At his high-class restaurant job, he poses as…

View On WordPress

#Alpha Wolfgirl x Omega Wolfboy #manga #Seven Seas Entertainment

0 notes

dailykodocha · 8 months

Text

Consider suggesting Kodomo no Omocha by Miho Obana for the Manga from Japan and Light Novel from Japan Categories! ❤️

#kodocha #kodomo no omocha

2 notes · View notes

shilpipathak530 · 3 months

Text

Generations United: Sharing Disney Classics on Disney plus

In the consistently developing scene of diversion, there is an immortal appeal that encompasses Disney works of art. These vivified magnum opuses have woven their direction into the texture of our lives, making supernatural minutes that stay with us for eternity. With the coming of Disney+, the notable vault of Disney works of art is presently readily available, anticipating rediscovery at the snap of a button - disneyplus.com/begin. In this article, we should set out on an enamoring venture through the captivating universe of Disney, returning to the otherworldly minutes that have formed ages.

The Persevering through Appeal of Steamship Willie (1928)

Our process begins with a sign of approval for the past, where the highly contrasting sorcery of Steamship Willie originally caught the hearts of crowds. Delivered in 1928, this notorious short film denoted the presentation of Mickey Mouse and acquainted synchronized sound with activity. Steamship Willie not just established the groundwork for Disney's liveliness domain yet additionally touched off a social peculiarity. Rediscover the starting points of Disney's sorcery on Disney+ by starting your excursion at disneyplus.com/begin.

Snow White and the Seven Smaller people (1937): A Fantasy Win

Wandering further into the supernatural vault, we experience the earth shattering Snow White and the Seven Midgets. Delivered in 1937, this film was not exclusively Disney's most memorable full-length energized highlight yet additionally the very first of its sort in true to life history. The charming story of Snow White, the devilish sovereign, and the adorable midgets keeps on enthralling crowds, everything being equal. Experience the magnificence of hand-drawn movement and the introduction of Disney's narrating heritage on Disney+ with a basic visit to disneyplus.com/begin.

Cinderella (1950): An Immortal Poverty to newfound wealth Story

The 1950s presented to us one more exemplary fantasy, Cinderella, an account of dreams, enchantment, and the extraordinary force of benevolence. As one of Disney's most cherished princess stories, Cinderella has risen above time, making a permanent imprint on the hearts of crowds around the world. Venture back to the illustrious assembly hall and remember the charm on Disney+ by beginning your mysterious investigation at disneyplus.com/begin.

The Resting Excellence Stirs (1959): A Visual Scene

In 1959, Disney captivated crowds with the outwardly staggering Dozing Excellence. Known for its complicated masterfulness and fantasy enchant, this film rejuvenated the exemplary story such that no one but Disney could. The stunning visuals and immortal subjects keep on making Dozing Excellence a realistic fortune. Stir the wizardry on Disney+ and experience the wonder by visiting disneyplus.com/begin.

The Little Mermaid (1989): A Sprinkle of Present day Enchantment

The last part of the '80s introduced another period of Disney liveliness with The Little Mermaid. This submerged experience, complete with a lively red-haired mermaid and important melodic numbers, denoted the beginning of the Disney Renaissance. Ariel's excursion to the surface and the victory of affection over misfortune turned into a social standard. Plunge once again into the profundities of the sea on Disney+ by beginning your submerged excursion at disneyplus.com/begin.

The Lion Lord (1994): The Circle of Life

No investigation of Disney's mystical minutes is complete without The Lion Ruler, a film that thundered onto separates 1994. This incredible story of Simba's excursion from an energetic whelp to a shrewd lord caught the hearts of crowds with its strong narrating, critical characters, and notable soundtrack. Remember the superb Circle of Life on Disney+ by starting your excursion at disneyplus.com/begin.

Toy Story (1995): A Pixar Transformation Begins

The mid-'90s saw an unrest in liveliness with the arrival of Toy Story, Disney's joint effort with Pixar. This earth shattering film not just denoted the beginning of the Pixar time yet in addition acquainted us with Woody, Buzz Lightyear, and the idea of computer-enlivened narrating. Toy Story turned into a moment exemplary, dazzling crowds with its endearing story of kinship. Set out on a toy-sized experience on Disney+ by beginning your excursion at disneyplus.com/begin.

Aladdin (1992): An Entirely different Universe of Miracles

The mid '90s likewise brought us Aladdin, a film that took crowds on an enchanted rug ride through the clamoring roads of Agrabah. Loaded up with beautiful characters, infectious tunes, and the extraordinary Genie, Aladdin turned into a moment #1. Excursion to an entirely different universe of marvels on Disney+ by starting your enchanted rug ride at disneyplus.com/begin.

Frozen (2013): A Cutting edge Disney Peculiarity

In later years, Disney has kept on dazzling crowds with present day works of art, and Frozen remains as a demonstration of this achievement. Delivered in 2013, Frozen turned into a worldwide peculiarity, captivating crowds with its engaging topics, significant characters, and the universal hymn, "Let It Go." Join Elsa, Anna, and Olaf on their cold experience on Disney+ by beginning your excursion at disneyplus.com/begin.

Disney+ and the Doorway to Mysterious Rediscovery

As we venture through Disney's mysterious minutes, the job of Disney+ as the doorway to this captivating world becomes obvious. The web-based feature not just jam the tradition of these immortal works of art yet in addition upgrades the review insight with a scope of elements. We should investigate how Disney+ fills in as the way to opening mysterious rediscovery, with disneyplus.com/begin being the entry to a universe of enlivened ponders.

A Comprehensive Library for Each Disney Devotee

Disney+ offers a comprehensive library that traverses many years, encompassing enlivened and surprisingly realistic works of art, Pixar films, Wonder superhuman adventures, from there, the sky is the limit. Whether you really love princess stories or space odysseys, Disney+ takes special care of each and every taste. By exploring to disneyplus.com/begin, clients can easily enter this gold mine of mysterious minutes.

Customized Profiles for a Custom-made Encounter

Make customized profiles for every relative, fitting the Disney+ experience to individual inclinations. The stage's calculation considers seeing history and inclinations to arrange customized watchlists and recommendations. This customization adds an additional layer of sorcery to the streaming experience, guaranteeing that each client tracks down their ideal mix of Disney works of art.

Top notch Gushing for a Vivid Jump into Sentimentality

Disney+ offers top notch streaming, guaranteeing that watchers can partake in their #1 works of art in dazzling goal. Whether you're watching on a huge screen or a cell phone, the stage focuses on conveying the enchantment in the entirety of its visual magnificence. The comfort of disneyplus.com/begin implies that this vivid experience is only a tick away.

Download and Watch Disconnected for Whenever Wizardry

For those minutes when you're moving or without a steady web association, Disney+ permits clients to download their #1 works of art and watch them disconnected. This element adds a degree of adaptability, guaranteeing that the sorcery of Disney can be delighted in whenever, anyplace. Basically visit disneyplus.com/begin to begin downloading and shipping yourself to a universe of charm.

Selective Substance and Unique Creations for New Experiences

Notwithstanding the immortal works of art, Disney+ offers restrictive substance and unique creations that keep on extending the mystical universe. From new translations of adored stories to completely new accounts, the stage keeps the substance new and energizing. By visiting disneyplus.com/begin, clients can investigate these select contributions and plunge into the most recent Disney experiences.

Conclusion

Leaving on an excursion through Disney's mystical minutes on Disney+ is a nostalgic encounter that rises above time. The stage's consistent openness through disneyplus.com/begin fills in as an entryway to a reality where enlivened ponders and endearing stories anticipate. Whether you're remembering the works of art or acquainting them with another age, Disney+ carries the wizardry to your fingertips, permitting you to enjoy the charm of Disney's narrating heritage. In this way, snatch your mouse ears and go along with us on an excursion through the past, present, and fate of Disney sorcery - the marvels of the Place of Mouse look for you!

0 notes