hey, do you know of any BL-s similar to A boss and a Babe? I don't mean plot wise or setting but a bl with a similar uke (Cher). I feel like I haven't seen much or at all BL-s with an uke that's such a crackhead, so vital, positive, non dramatic, up for anything, vocal about feelings and love, the one who also kinda pursues when it's needed, that pushes boundaries etc etc
Huh, you mean like a GGG uke? (good giving game)
There are LOTS of crackheads... seek ye Japan. But that goes real fast into cringe, like Secret Crush On You.
The GGG part is where we fall down. This is a very new take on the archetype. Also non-dramatic, I mean it's a BL drama so dramatic is kinda the point.
I'll take a stab!
crackhead
vital & positive (sunshine)
pursues when it's needed (switchy)
non dramatic (good)
vocal about feelings and love (giving)
up for anything, pushes boundaries (game)
Fits all 6 criteria (but in their own countries' style):
All the Liquors (Korea)
Mr Heart (Korea)
Ocean Likes Me (Korea)
Be Loved In House I Do (Taiwan)
Love Sick (Thailand - bet you didn't see that one coming)
And now some that do their best satisfying 4 ore more of the above requirements.
Thailand
Everyone is just really dramatic in Thai BL.
Coffee Melody (sides 1,2,4,5,6)
Ghost Host, Ghost House (2,3,4,5,6)
Great Men Academy (if you count it 2,2,3,6)
Ingredients (2,3,4,5,6)
KinnPorsche (1,2,3,5,6)
Love By Chance 2 (1,2,5,6)
Love In the Air (PayuRain 1,2,5,6)
Love in Translation (2,3,5,6)
Make A Wish (1,2,3,5,6)
My School President (2,3,5,6)
My Tee (1,2,3,5,6)
Secret Crush On You (1,2,3,5,6)
Why R U? (2nd couple 1,2,3,5,6)
Taiwan
Seme/uke is always weak, queerness is more authentic so roles less prescribed and campy
DNA Says Love You (sides 1,2,3,6)
Kiseki Dear to Me (sides 1,2,3,6)
Stay By My Side (1,2,35,6)
Korea
Seme/uke is pretty weak, little to no crackhead, and everything will be more reserved and muted.
Some More (2,3,4,5,6)
The Eighth Sense (2,3,4,5,6)
Behind Cut (2,4,6)
Jun & Jun (2,4,5,6)
Long Time No See (2,3,4,5,6) but also LIES
Our Boarding House (2,3,4,6)
Oh My Assistant (1,2,3,6)
Tasty Florida (2,3,4,5,6)
The Lover (2,3,4,6)
Tinted With You (2,3,4,6)
Unintentional Love Story (2,3,4,5,6)
Why R U? (2nd couple 1,2,5,6)
Japan
But the ones it does have it REALLY leans into.
Seven Days (2,3,4,5)
If It's With You (2,3,4,5,6)
Restart After Come Back Home (2,4,5,6)
Silhouette of Your Voice (1,2,4,6)
Takara & Amagi (1,2,3,5)
My Memory is shot but???
Like Love from China might work.
Most stuff from the Philippines first some if not all.
Vietnam's My Lascivious Boss and You Are My Boy satisfy soem criteria.
Might also be worth reading
List dated Mid Dec 2023, ongoing BLs not included. If it aired after that date you should add it to the comments or something.
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Idk if my previous posts were unclear but I don't remotely hate any Optimus version that isn't IDW or think they suck. Every Optimus is good and there's a fan (or multiple fans!) of every version of OP no matter how obscure or underrated (as well as all the other characters).
What's more questionable (or at least annoying) is when fandom ignores canon character personalities in favor of writing specific archetypes that are either out of character or repetitive/stereotyped to the point of annoyance. As an example of this, it would be a female character being called the Team Mom just because she's a woman existing in a group of (primarily male) characters even if she's not remotely motherly or nurturing. Or, as a more topical example, how often I've seen Transformers ships where even though both characters are canonically masculine (or gender neutral), fanartists love to turn one of the characters small and weak (or even outright feminine) to turn the ship into Strong Dominant Seme and Sweet Cute Uke to fit a specific kink or romantic fantasy, even if it's a disservice/OOC to portray those characters like that.
In other words, a fandom's popularity of certain characters, ships, headcanons, etc is often more informed by tropes and forcing canon to adhere to one's personal tastes, as opposed to approaching canon and trying to understand it on its own terms. I'm not talking about the quality of the source material, but rather the way that the fandom interprets the source materials in ways that don't make any sense, approach it in bad faith, or just generally don't care about canon at all. So I'm not saying one OP is better than another, my problem is when fandom consistently focuses on certain stereotypes or flanderizations of a character, and then any character that doesn't fit the popular (often stereotyped) mold is ignored or virulently rejected. In other words, I think popular fandom often does a DISSERVICE to characters whether they love them or hate them, it just takes different forms.
So, just as an example, I think one fandom caricature of Optimus that I see a lot (and heavily dislike) is making Optimus some sort of shrinking wallflower type who's innocent, sweet, and virginal, in contrast to an opposite caricature of Megatron that's big, strong, dominant, and rugged, and making ship art that forces the characters into some kind of seme/uke or borderline heteronormative romance. Despite the fact that canon Optimus (in, say, TFP for example) is tall, broadly built, deep voiced, dignified, assertive, and strong (physically and morally), completely incorrect interpretations of him as a shy feminized uke type are still pretty common to find. And it makes you ask yourself why it is so many people make MOP ship art of them of The Small One and The Large One or The Small, Cute One and The Big, Violent One when it's completely different from canon. It feels as if such fanart is made by people who just want to see seme/uke style slash ships, and if canon doesn't give them what they want, they'll simply trash it and replace it with their own version, even if it's completely OOC.
So when I said in my other post that people don't like IDW Optimus because he can't be fit into caricatures like happy dad or shy twink, I'm not saying it to say "other OPs who resemble that suck," I'm saying it to express "Fandom tends to simplify characters into easily palatable and comfortable tropes, and when they encounter a character they can't do that with, they respond by ignoring or even hating on that character."
Other versions of Optimus have the problem where fandom turns them into a stereotype instead of the actual character they are, e.g. portraying TFA OP as some poor abused damsel with no self confidence and crippling anxiety being abused by his superiors, and then they talk more about this fake uwu smoll bean cinnamon roll version of TFA OP than they do about actual canon TFA OP. And honestly I can't think of any prominent content/meta about G1 OP that isn't just "he plays basketball and does funny one liners and is Team Dad/Grandpa." (Hell, you even get that with non-Optimus characters that get simplified to just sexy twink, old grandpa, comedy relief, evil ex, Diversity Win-- She's A Lesbian, third wheel to the favored ship, etc even though there's way more depth to them than just their surface level stereotype.)
IDW OP's problem is that he can't be stereotyped like that so instead the fandom ignores him. He's not small, so they can't stereotype him as a skinny twink getting topped by a burly uke. He's not jovial or happy go lucky or extroverted, so they can't stereotype him as Team Dad or Comedy Relief. He's assertive, blunt, and has a temper, so they can't stereotype him as a shy wallflower in need of protecting. He makes catastrophic mistakes and is responsible for bad things happening, so they can't stereotype him into a sweet cinnamon roll who has never done anything wrong in his whole life or The Infinitely Wise and Kind Paragon. There's no Big Bad Authority Figure who was mean to IDW OP and traumatized him, so they can't excuse the bad things he did as "he's traumatized so he couldn't help it" and wave away his flaws as "it's his abuser's fault, they made him this way." IDW OP has the kind of depression where he's grumpy, shut off, and angry-- as opposed to the shy, sad kind of depression that just stares forlornly out of the window in a beautifully tragic way-- so they can't make him into a sad woobie kicked around unfairly by life.
Or I guess they just stereotype IDW OP as "evil bastard with no redeeming qualities that's mean to everyone for no reason, plus the writers forced everyone to like him just because he's Optimus Prime" even though that isn't accurate either.
Put bluntly, IDW OP forces fandom to contend with the idea that someone can be a good person with good intentions but still fuck up on a massive scale and maybe end up hurting more than they helped. IDW OP is messy, ugly, flawed, mean, stoic, closed off. When IDW OP has mental breakdowns or has his feelings hurt, he's loud and angry and harsh, and the consequences of what he did while he was unwell continue to haunt him long after. In other words, he actually experiences negative emotions the way a real person would, and sometimes when he's under the influence of negative emotions, he lashes out or does stupid things (like a real person might) instead of inoffensively crying in a corner somewhere. He isn't sanitized enough for a fandom that only wants Perfect Pure Good Optimus Who Never Hurts Anyone Even By Accident, so instead of IDW OP's mistakes and dark moments being treated as the logical end point of a person put in constant no-win situations until he breaks, he gets treated as if his mistakes and flaws make him an irredeemable bastard with no good qualities who should've fucked up less often to make fans actually like him.
And this is all in a fandom where 90% of the characters are war criminals and a good half of them have massacred organic planets. But god forbid IDW Optimus ever make a bad decision in a stressful situation. Or be mean to someone. Or have a character arc about how blindly idolizing people as paragons ends badly for everyone involved because no one can be that perfect. He is simply The Worst Optimus Ever and there's absolutely nothing about him worth discussing.
And just to be clear, the problem isn't the fact that some people don't like IDW OP, or he's just not their thing and they don't care.
The problem is the fact that he's consistently and actively hated by the fanbase who makes a concentrated effort to say he sucks and make sure none of their fan works ever include him. It's literally at a level where I stopped looking in the Optimus tag on this website because I was tired of people randomly going "and btw IDW OP sucks and I want to drown him in a ditch" in posts that weren't even about IDW, and I stopped looking for MegOP fic on AO3 because most of it is IDW Megatron/clearly TFP or G1 inspired continuity soup Optimus. Places that are Optimus friendly for Optimus fans, where I could reasonably expect to find positive conversations, but instead get sucker punched by hate about the character The Space Is About. And I can't even have conversations asking about why they do, bc the way 90% of them talk, I can tell they literally just didn't read the comics or deliberately misinterpreted the story.
I find it bizarre and frankly, tragic, that the hate train for IDW OP is so pervasive that people actively erase and replace him from fan works IN THE IDW UNIVERSE in a way that no other character is targeted in. I have tried so hard to understand why IDW OP gets this sort of hate and erasure when other characters who were as bad or worse than him have perfectly normal takes about them that go "yeah he kinda sucks but he's cool and I like him" or "who cares if he's problematic IRL, it's a story." The only conclusion I can come to is that because Optimus Prime (TM) has a specific brand image and is locked into being a cultural icon, he's held to a standard of The Ideal Perfect Hero instead of the way better standard of "Is he an interesting, well written character?"
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The New Employee - episode 5
Gah this EPISODE!! 🥰😍🥰 Here are my thoughts during and after watching:
Excellent, we're getting right into the mystery of the terrifying pen.
Omg the second hand embarrassment in this college flashback makes me curl up and hide. Also, I assume it's less obvious in Korean that Seung Hyun thought they were talking about a gift for him, because otherwise Yoo Seong is being deliberately cruel, not just self-centered and obvious, and I don't think he's supposed to be.
This is a legit explanation for why Seung Hyun freaked out though. I also would runaway if I saw something that was both evidence that my new person once dated my toxic crush and a reminder of one of my saddest and most embarrassing memories.
Lee Beom with the wise advice once again! And it sounds like Seong Hyun isn't mad at Jong Chan for this, just freaked out and stuck about how to talk about it.
These two have really good friendship chemistry. Which actors don't always manage to make clearly distinct from romantic chemistry, but these two do.
Oh Jong Chan. I mean I get it. Everyone is freaking out here. But Seong Hyun is trying to be open and vulnerable with you. You don't need to get defensive and go on the attack now.
Something about this fight and break up feels very adult to me. I mean, Jong Chan is being immature and leaping to conclusions and breaking up because he doesn’t understand Seung Hyun and he’s scared to try. But it feels like adult immaturity somehow, rather than youngness.
Oh god, Seung Hyun is having the worst week. All this heartache from the past pops up out of nowhere, your boss dumps you just as your trying to do the adult thing and talk about it, and then on top of it you keep fucking up at work and everyone is getting on your case about it. Including your he’s-not-actually-your-ex-because-he-ended-things-before-it-even-got-to-that-point. Oh man, I ache for him.
Jong Chan is in pain too, and I sympathize with him having spent the last day confused about the sudden withdrawal of the man he’s falling for, right after sleeping together for the first time. And when he finally explains why, it makes it sound like he’s still hung up on someone else. But I’m also mad at Jong Chan for not even trying to listen. Probably because it strikes a nerve—memories of trying to explain my complicated emotions to various ex-boyfriends and them freaking out about it, not listening to what I was actually saying and instead making up a story in their head about what my emotions were based on what scared them the most. Which was very frustrating.
And at first I was surprised that Jong Chan went there so quickly. I had expected more understanding from him, more willingness to work. But then his monologue to his cat made sense of it for me: "I don’t like emotional quarrels." Look, I’m not sure what of this the show is putting in there intentionally, and what is me making up complexity for a stock "cold boss seme" archetype, but I think this might be the first time when he’s faced with the complexity of who Seung Hyun actually is, rather than the sweet new kid who hero-worships him.
And although Jong Chan has been in many relationships, I wouldn’t be surprised if he never actually put the work into them, but rather ended things, or more likely retreated into his career when the emotions got hard and his boyfriends wanted things from him. That memory scene in the previous episode made it sound like non of his exes had understood his values and his love of his job, and maybe that’s all it is, but his line about hating quarreling makes me think there is more to it than that, that he in fact hasn't cared enough about anyone to actually face scary emotions. Except that now he does with Seung Hyun.
Anyway, I did like his desperately stoic face whenever he had to see or hear about or talk to Seung Hyun. And the way he grabbed his wrist and positively yanked him into the elevator to finally confront him in the storage closet. (It's not making out in a supply closet, but I'm still happy about it. Although it does make the camera angles weird and distorts their faces.) And the way he kept drinking more and more at the work party while his eyes kept tracking Seung Hyun frantically trying to be a good intern and take care of all his seniors. It seems very reminiscent of Japanese BL, although maybe its just that that's where most of the office romances I've seen are from.
And then! Jong Chan apparently couldn't stand it anymore and then goes after him. I loved his line (I'm paraphrasing) "I don't understand your feelings, and I know I'm supposed to or supposed to lie and say I do, but I just don't. But I want to." It's just so... gah! This was the moment (and their subsequent hug and giddy walk back to the work party) that turned this episode from 'some nice stuff happening' to 🥰😍! for me. It felt so honest and vulnerable and true to the character. He doesn't understand the complexity of people's emotions. But Seung Hyun makes him want to understand him.
It was also this line that made me willing to handwave the rest of the conversations they need to be having. Yes, yes, there are only eight short episodes, so we need to wrap everything up soon. But I believe, behind the scenes, they are talking about the hard stuff. Jong Chan is someone who if he says he's going to do something he does it. And I think he does want to see Seung Hyun for who he actually is.
I also have thoughts about seme/uke dynamics in this show and Seung Hyun's... passivity? Or not that exactly, but his very uke role of following Jong Chan's lead and not initiating much of anything, be it kisses, romantic gestures or difficult conversations, himself. But a) I'm not exactly sure what my thoughts are yet, and b) this is already very long and I should get on with my day.
Although this conversation gave me some insight into what was going on--the show's very traditional manga roots nestled alongside the grown-up queer story the director wants to tell, create some oddities like this, where despite his insecurities and inexperience, Seung Hyun doesn't seem like he'd be as passive as he is, but the structure of the story kind of requires him to be, so there is some dissonance there. And it also creates this thing were I'm not sure if I'm reading too much complexity into the characters and their backstories, or if it's really there.
But anyway. Their giddiness and joy at un-breaking up! Seung Hyun can't stop smiling! The relief on Jong Chan's face. That hug, they way they held each other so tightly. Their silly little argument over carrying the bags and who would enter first. 🥰
And the queerness of this show, in showing both the fun things and the glimpses of being queer in a homophobic world. The way they spring apart from their embrace when someone walks by, and their relief when he reassures them with a "cute." And the whole extremely queer you-used-to-be-in-unrequited-love-with-my-ex-boyfriend.
(Speaking of the ex-boyfriend, I still want to know more about Yoo Seong. Including who he's in love with. OOOOOHHH. I just had a thought. Second season about him? Is that what they're setting us up for with all these dropped hints?!? That would make me so happy. I don't know anything about the source material, so I don't know if this is a realistic hope or just a daydream. But if this was an English language romance novel, it absolutely would be setting us up for a second Yoo Seong book. The ridiculously attractive mysterious "rake" who hurts both of the main characters, sweeping through their lives seemingly unaware. Who seems to have fallen for some unknown person. Come on producers, give it to us.)
Ok, back to our main couple. The sweetness of their texting from opposite sides of the corporate sleepover! Their promises to communicate and stick around when things got hard. Jong Chan sneaking over just to sit next to Seung Hyun as he falls asleep. And this is all the sweeter for me, because I feel like their giddy happiness means something now.
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