Weiss's Design
Here comes an appreciation post of our Snowhite's beautiful design! This is also the third installment of my RWBY design series, after Yang and Blake's analyses. As per usual, it uses ideas shared in other Weiss's metas. Enjoy!
A SPECIAL SNOWFLAKE
Monty Oum's early sketch depicts Weiss as a living snowflake:
This is because Weiss's design plays with the idea of "a special snowflake" in two different ways:
"snowflake" is a derogatory term for a person, who is entitled, oversensitive and easily offended; it also holds some political implications linked to white privilege
snowflakes are famous for having unique structures, so each one is different from the others
Weiss is initially a stubborn and pampered heiress, who feels superior because of her name. Still, she is deep down frail and needs to build her own distinctive identity.
These two sides of our Snowhite are conveyed by the Schnees' semblance:
Glyhps are snowflake-shaped and they represent:
the family privilege, as they are inherited by all the Schnees - they are a magical projection of the family crest
the potential of each Schnee to grow into their own person - they gain more complex and individual designs with time
In short, Weiss is a special snowflake, for better or worse. She can give in to her father's mentality and be defined by her name. Or she can step into the world and discover who she is outside her family:
Winter: It sounds to me like you have two choices in front of you. You can either call Father, beg for his money back, and explain once more why you would want to study at Beacon over Atlas, or you could continue to explore Remnant, discovering more about the world and honestly, more about yourself.
Let's see what Weiss's design says about her choice.
SNOW PRINCESS
Let's consider Weiss's concept art:
And let's compare it to Winter's:
The two sisters appear similar:
their color schemes are the same
they look like royalty
they share glyphs as their semblance
they fight with swords
They are designed this way to show that Weiss looks up to Winter and tries to emulate her. This is clear if one considers Weiss and Winter's allusions: Weiss alludes to Snowhite, while Winter alludes to the Snow Queen. And yet, when one looks at Weiss's concept art, it is easier to see the Snow Queen's inspiration, rather than Snowhite's:
She looks like a snowflake
She is the color of ice and snow
She wears a crown, like a queen
Glyphs resemble the Snow Queen's power to turn snowflakes into animals
It is as if Weiss's true self (Snowhite) is hidden behind a mask (the Snow Queen). This conveys Weiss's insecurity, as she is caught between the weight of the family crest (a snowflake) and her idolisation of Winter (the Snow Queen). She is a Snow Princess, who needs to decide which kind of Queen she'll be. Either an Evil Queen like Jacques or an Ice Queen like Winter.
Still, Weiss is her own person and this comes to the surface in her final design:
The main differences with the first version are:
Her bangs and pony-tail do not part in two sides
She has a scar on her left eye instead than a beauty mark
Her necklace is an apple instead of a tear-drop
She has no tear-drops dangling from her sleeves
The golden circles on her bolero become silver and she gains silver decorations on her boots
Weiss loses her tear-drop motif and her color-scheme gets simplified. This gives her more Snowhite-like details:
The apple on the necklace alludes to the poisoned apple
The scar on the eye alludes to the magical mirror cracking
The final design only has black, white (silver) and red, which are Snowhite's defining colors
Moreover, Weiss's appearence grows more asymmetric. Her hair is not perfectly parted, but worn in a side pony-tail. This symbolizes Weiss's struggle against Jacques's expectations. Similarly, the elegant beauty mark is changed with a scar. This gives Weiss more personality and shows that behind the princess there is a fighter.
In short, Weiss's Vale design shows glimpses of our girl's true self. However, they are hidden by the cold ice covering Weiss's soul. Luckily, the Spring Arc comes and the ice melts.
MELTING ICE
In Mistral, Weiss leaves her white dress behind and wears a blue outfit:
This happens because our snowflake is slowly melting into water (white > blue), so that she can become herself. In order to do so, though, she has to first lose all the superficial things that define her identity:
Jacques: You are no longer the heiress to the Schnee Dust Company.
Weiss sees herself as the SDC heiress, so the story takes away her title.
Vernal: Your sister isn't in Mistral anymore. No one is coming to rescue you.
Weiss sees herself as Winter's little sister, so the story has her separated from Winter.
Thanks to this, Weiss faces herself and discovers who "just Weiss" is:
Vernal: Let's see what the Schnee name really means.
Weiss: I'm more than a name.
This transformation is mirrored by Weiss's design. She loses all the superficial references to Snowhite:
she wears no apple anymore
she has no black-white-red color pattern
Still, her fairy tale emerges strongly in her glyphs, as she learns to summon:
Weiss's avatars are Snowhite's characters:
The Boarbatusk is the Hunter, who is famous for killing a boar
The Knight is the Prince, who saves Snowhite from the glass coffin
The Queen Lancer is both the Evil Queen and the New Queen Snowhite becomes at the end
Weiss loses all she has to be reborn anew. Similarly, her design is stripped of all the Snowhite's allusions, only for them to be expressed more clealry and in a deeper way by the evolution of her semblance. Weiss's magical snowflakes aquire unique patterns that refer to her personal story.
This process of refinement climaxes in volume 5. Here, Weiss dies, is resurrected and crowns herself queen by summoning the Queen Lancer. This Grimm represents who Weiss truly is. She is neither the Evil Queen, nor the Snow Queen, but a Royal (a queen), who is also a Knight (a lancer). She is a Queen Knight.
After this metaphorical coronation, Weiss starts showing her interiority outside. This is why she gains back her two missing colors in her journey to Atlas:
she wears a red scarf
she wears black thights
She is back to look like Snowhite (black + white + red)!
Interestingly, both the scarf and the thights are items worn to stay warm. In short, the closer Weiss gets to her Icy Kingdom (Atlas), the more she shows her true warm self (Snowhite).
QUEEN SNOWHITE
Weiss's Atlas design has three layers to it:
it is queen-like
it is Snowhite-like
it has all the colors of the previous outfits
1- Weiss gains a silver tiara with red gems. It is bigger and more refined than the old one because Weiss has grown. She isn't a princess anymore. She is a queen.
2- Weiss wears Snowhite's three colors: a white dress, black gloves and red jewels. interestingly, black and red are not covered by white. The ice is melted and Weiss's different shades are now out in the open. What is more, Weiss's outfit is similar to her Disney's counterpart:
Disney-Snowhite wears a dress with blue puffed sleeves, which are present in Weiss's Atlas design. There is no risk to confuse our girl with the Snow Queen anymore:
Weiss is not Winter's imitation, but her own person. She is 100% Snowhite.
3 - Weiss's clothes are white, black, red and light blue. These are all the colors worn by her throughout the story. In addition, there is a warmer shade of blue, which shows the cold is gone once and for all. These palette symbolizes Weiss's different parts coming together into a more beautiful and stronger person.
This fits Weiss's new summon:
The Nevermore combines all the other glyphs. It is the final form of Weiss's inner snowflake and the culmination of her growth. Aesthetically, it gives Weiss an angelic look, which brings to mind the final inspiration of her design.
MAGICAL SNOW ANGEL
Oh look! Weiss looks like Sailor Moon! This isn't by chance, as Weiss is inspired by the magical girl genre. Magical girls are heroines, who:
transform into ideal versons of themselves
fight metaphors of human emotions in the form of monsters
purify people's hearts
Weiss is the same, but the first heart she needs to cleanse is her own:
Mirror, tell me something,
Tell me who's the loneliest of all?
Fear of what's inside of me;
Tell me can a heart be turned to stone?
Yes, it can:
Pure Heart Crystal (Sailor Moon)
Soul Gem (Puella Magi Madoka Magica)
A gem standing for one's heart is a pretty common trope in magical girls' stories. Not only that, but the corruption and healing of these stones come up often. Well, Weiss's heart is a snow-crystal, which needs to be melted and rebuilt into a unique structure.
Weiss purifies it by fighting her inner demons in the form of Grimms. As a matter of fact these monsters symbolize humanity's darkness, so they are the perfect enemy for a magical girl. Weiss defeats them and makes them white like snow. She integrates them and the struggles they represent into herself. Through this process, she slowly changes into her ideal self. She doesn't need a spectacular transformation sequence because her evolution happens inside. It is slow, but deep and here to last. After all, the heart is irreplaceable:
Everyone is entitled to their own sorrow, for the heart has no metrics or forms of measure. And all of it… irreplaceable.
Hearts are like snowflakes because there are no two, which are the same. Weiss learns this lesson and starts teaching it to others. This is how she heals hearts. Empathy is her superpower. Thanks to it, she is ready to save her family legacy:
Weiss: I will not be defined by my name because I will be the one to define it.
Weiss's first step is to define herself outside the Schnee name. Her second step is to give the Schnee name a new meaning. She first refines her heart. Then she cleanses her surname. From her inner snowflake to the family crest. That is the kind of magical girl she is.
In a sense, she is stepping into Nicholas's footsteps. He purifies minerals into Dust. She purifies stones into souls. From Saint Nicholas to Snow Angel.
MAGICAL QUEEN SNOWHITE
In conclusion, Weiss's design describes her evolution in three ways:
She goes from being a snowflake (derogatory) to being a snowflake (unique)
She grows from a princess into a queen
She leaves the Snow Queen behind and becomes Snowhite
This refinement process is nothing, but her magical girl transformation.
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Magical Girl Weiss
RWBY takes inspiration from many different genres to the point each girl embodies a famous archetype in the anime industry:
Ruby is the idealistic shonen protagonist that can inspire everyone else
Yang is the powerful shonen protagonist that fights her way through problems (Goku)
Blake is the inversion of a harem protagonist, but also a ninja in fighting style (Naruto)
What about Weiss? She is Remnant Magical Girl:
Everyone is entitled to their own sorrow, for the heart has no metrics or forms of measure. And all of it… irreplaceable.
Her Trailer opens up by praising the irreplaceable power of the heart and her glyphs materialize metaphors of her inner world.
Weiss's abilities are rather layered, but so far she can:
Use her rapier as a wand, so that she can cast magic with her dust and glyphs
Summon avatars who fight for her
Before volume 9 started, I was thinking an interesting evolution of this would be if Weiss started to use her avatars in a more dynamic way, which she does in Rude, Red and Royal:
It would be very cool if Weiss started to summon attributes of her avatars to combine with herself and others. Just like a magical girl transforms herself when she fights, Weiss could acquire wings, swords or spears depending on the situation. A mini magical trasformation, if you want:
It would tie thematically, as well, since Weiss's avatars are parts of who she is and by transferring their abilities on herself, she would symbolically integrate with them more.
Speaking of integration, we got this beautiful shot:
Weiss's Nevermore summon is coming together, but it is still not complete:
She has summoned the Nevermore's wings. It is meaningful she succeeds here because the Chess Fight is clearly meant to call back to RWBY's first fight against the Nevermore. It shows how far the team has come and the Nevermore is symbolic of RWBY as a whole, so it fits.
She has yet to summon the whole thing and I am interested to see when it will happen. So far, each of Weiss's summonings has played an important role in her arc. In particular, the Knight and the Queen Lancer have represented Weiss's resurrections. I am expecting the Nevermore to be the same, especially since Weiss "died" last volume when she fell with the others.
The Nevermore's glyph combines all the other ones.
It has snowflakes, like Weiss's simplest glyph and the Boarbatusk's one:
It has swords, like the Knight's:
It has spears, like the Queen Lancer's:
To all of this, the Nevermore's glyph adds wings.
This is very cool because it can easily tie with a Jungian interpretation of Weiss's avatars:
Weiss's summons can be linked to Jungian archetypes, aka collective ideas theorized by psychologist Carl Jung to explain how human mind works. The truth of this theory is unimportant. What matters is that it is widely used in literature.
They are:
The persona - how one appears to the outside
The shadow - what is buried deep inside and repressed
The anima/animus -the feminine part of a man and the masculine part of a woman- It represents a persons's duality
The self - it incorporates all the other archetypes and represents the person as a whole
In Weiss's case, we have:
The Queen singing to the mirror on a stage as Weiss's persona.
The Huntress fighting in the darkness for her freedom as Weiss's shadow (the shadow is also called inner beast hence the Boarbatusk).
The Princess trying to integrate with the Knight/Prince as the Anima/Animus.
All together, they make the self aka Snowhite.
Weiss's growth starts with the shadow (the Hunter/the Boarbatusk) shattering Weiss's Queen persona and goes on with the Anima/Animus (The Knight/Queen) integratiion.
Weiss initially awakens the Knight within herself and fights side by side with him. Later on, she is able to integrate with the Queen and summons the Queen Lancer, which is nothing, but a synthesis of her 2 parts. The Grimm is both a Queen and a Lancer (a kind of Knight) because this duality lies into Weiss herself.
In summary, Weiss's avatars represent:
The Boarbatusk > The shadow
The Arma Gigas > The animus
The Queen Lancer > The persona
All together they make the self, which will probably be represented by the Nevermore:
Our Snowhite is really a Snow Angel deep inside!
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Hi, what do you think about the theory that Yang will somehow be able to shapeshift like Raven and Qrow due to the info that magic is a heritable trait?
i’ve touched on the magic yang concept a couple times before, and all of that applies equally to the more specific question of shapeshifting; i will add that if yang does end up with powers of any kind i’m absolutely positive it’ll occur either through shenanigans in the ever after or because raven or qrow dies (which i don’t think is very likely). the reason for that is, the rules of magical heritability—while never outright stated—have been shown in enough detail that i think we have a pretty solid idea of what they are:
1 - magic is, in essence, an ability ultimately derived from the blessing of the god of darkness. this is important to keep in mind: the reason modern humans don’t have magic is that they lack any divine blessings.
2 - if two parents who possess the divine blessing—i.e. have intrinsic magical ability—have children, there is a >=25% of their offspring inheriting magical ability, or in other words of dark’s blessing being conferred. in the lost fable, jinn implies that all ancient humans had magic (“magic was a gift from the gods that all could wield”), which would suggest 100% heritability; however, also in the lost fable, both salem and ozma are startled when their eldest demonstrates magical ability, which suggests that they weren’t expecting their kids to have magic at all, which in turn suggests that either a) all ancient humans had the potential to do magic, but actually manifesting it was relatively uncommon in much the same way that having unlocked aura and a semblance is uncommon among modern humans, OR b) both salem and ozma assumed that neither of the brothers’ blessings (or curses) would be conferred to their daughters. either way, what this tells us is that magical inheritance isn’t guaranteed even when both parents have innate magical abilities.
2 - ozma had at least two more children with someone other than salem, neither of whom had magic. they did, however, have silver eyes—a heritable trait that neither their mother nor that reincarnation of ozma’s possessed. it’s possible that silver eyes are what you get when you mix a spark of magical potential together with the unbound human soul; it’s also possible that silver eyes are connected to death/the white void in a more than symbolic way and ozma’s recurring passages through the white void are responsible for his silver-eyed offspring. regardless, we know for a fact that it is impossible for children of one innately magical parent and one non-magical parent to inherit full magical abilities, because while there are lineages of silver-eyed people descended from ozma there are zero lineages of people born with magic.
3 - likewise, it beggars belief to think that NO maiden in the history of their existence has EVER had a child, and from the fact that there are no lineages of people with innate magical abilities descended from any maidens we can conclude with relative certainty that the magic of the maidens is not heritable. this makes sense, because the maidens are simply pieces of ozma’s magic jumping from host to host; in other words, the divine blessing that creates magical ability resides with the semi-autonomous spiritual entity anchored to the host’s aura, NOT the host herself. this is precisely why the maidens persist and find new hosts whenever the current host dies; they’re separate beings.
4 - ozpin, qrow, and raven all agree in the essentials as far as how the branwen twins came by their shapeshifting: it’s magic, and ozpin gave it to them. while there are some unanswered questions and murkiness in that none of these characters are fully trustworthy sources of information, there also isn’t much incentive for qrow and ozpin to lie if the basics were more complex than that—for example if the branwens had some innate inkling of magic that ozpin merely activated. remember, yang confronted them about this in a very accusatory way because raven framed it as a curse; had ozpin been able to truthfully say “actually, they always had this potential, i just offered to help them unlock it, and they both agreed” i think he would have, because that’s a MUCH stronger defense against the accusation that he cursed them than “well it wasn’t a curse and they chose it.”
5 - so, if we believe the basic explanation of the shapeshifting ability—that it’s magic ozpin gave to the branwens just like he did when he created the maidens—then we can logically extrapolate that it’s similarly non-heritable and will likely follow the same rules for transference-at-death that have been established with the maidens.
or, TLDR:
innate magic + innate magic = maybe magic
innate magic + no magic = no magic
and i think people with gifted magic, like the maidens and the branwens, probably function like people with no magic for the purpose of magical heritability because ozma essentially loaned them his ability—he didn’t, and i think likely couldn’t, confer the divine blessing onto them.
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